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filmaticbby · 1 year

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La Belle Noiseuse (1991) dir. Jacques Rivette

#la belle noiseuse #jacques rivette #cinematography #william lubtchansky #french cinema #emmanuelle beart #1990s

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filmy420 · 3 months

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La Belle Noiseuse (1991)

#emmanuelle béart #emmanuelle beart #William Lubtchansky #la belle noiseuse #jacques rivette #1990s

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nofatclips · 1 year

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L'enfer d'Henri-Georges Clouzot, a documentary by Serge Bromberg and Ruxandra Medrea about the (non-)making of L’enfer by Georges Clouzot

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edwordsmyth · 9 months

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Love on the Ground, Jacques Rivette (1984)

#jacques rivette #william lubtchansky #geraldine chaplin #jane birkin #andre dussollier #jean-pierre kalfon

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dersiebentekontinent · 1 year

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#Shoah #Claude Lanzmann #French documentary film #Holocaust #extermination camps #France #1985 films #Documentary films about the Holocaust #1980s French films #War Documentary #Dominique Chapuis #William Lubtchansky #Jimmy Glasberg #house #epic documentary #monumental investigation

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facesofcinema · 1 year

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Noroit (1976)

#1970s #actor geraldine chaplin #dir jacques rivette #dp william lubtchansky #cat adventure #cat fantasy #cat thriller #french #white #submission #earrings #mask #blindfold #teeth #collar #mist #noroit #noroit 1976

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matyas-ss · 5 months

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Here and Elsewhere [Ici et Ailleurs] (1976)

Directed by: Jean-Luc Godard and Anne-Marie Miéville.

Cinematography by: William Lubtchansky

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iwannapushthebutton · 9 months

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Duelle (1976)

dir: Jacques Rivette

dop: William Lubtchansky

#duelle #jacques rivette #filmstills #filmstill #french cinema #1970s #juliet berto #bulle ogier #nicole garcia

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byneddiedingo · 1 year

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Gérard Depardieu and Fanny Ardant in The Woman Next Door (François Truffaut, 1981) Cast: Gérard Depardieu, Fanny Ardant, Henri Garcin, Michèle Baumgartner, Véronique Silver. Screenplay: François Truffaut, Suzanne Schiffman, Jean Aurel. Cinematography: William Lubtchansky. Music: Georges Delerue. François Truffaut's penultimate film skims along the surface of romantic melodrama (not to say soap opera) without ever really picking up any of that genre's essential energy the way filmmakers like Douglas Sirk or his great European admirer Rainer Werner Fassbinder were able to do. It's a film full of Truffaut touches, such as having the story introduced by a secondary character, Mme. Jouve (Véronique Silver), an older woman who has her own history of disastrously blighted love. Mme. Jouve even orders the camera about as she sets up the narrative. There are also some intriguing details about the characters that seem to have symbolic potential. For example, both husbands, Bernard (Gérard Depardieu) and Philippe (Henri Garcin), have managerial jobs that involve transportation: Philippe is an air traffic controller, and Bernard trains the captains of supertankers, working in a large outdoor scale model of a harbor for tankers -- a job that superficially resembles the one Antoine Doinel held in Truffaut's Bed and Board (1970), except that Bernard takes it much more seriously than Antoine did. Unfortunately, there's not much story here: Bernard and Matilde (Fanny Ardant) had been lovers, and after their separation each married someone else. Now Matilde and Philippe have moved in next door to Bernard and Arlette (Michèle Baumgartner), and the old love affair resumes, with painful results. It's only the finesse in the direction and acting, and the attention to secondary details, that give The Woman Next Door resonance and depth -- though perhaps not enough.

#The Woman Next Door #François Truffaut #Gérard Depardieu #Fanny Ardant

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already-14 · 2 years

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Numero deux [Number Two]

Jean-Luc Godard (director, starring)

William Lubtchansky (photographer)

Anne-Marie Mieville (screenwriter)

Sandrine Battistella (starring)

Paris: Anne-age-Bela, 1975. Collection of ten vintage borderless photographs (five black-and-white and five in color) from the 1975 film. Generally considered the peak of the collaborative work on video done by Godard and Mieville, presenting scenes from the everyday interactions of a working class family, with a special focus on children. The film was shot on video, then played back on monitors and filmed in 35mm. In the final edit, many of the 35mm shots are shown in split screen. 8 x 10 inches. Fine. $925.00

(via Numero deux Number Two | Jean-Luc Godard, William Lubtchansky, Anne-Marie Mieville, Sandrine Battistella)

MERCI à @krisis-krinein / krisis-krinein.tumblr.com

#book #numero deux #godard #miéville #1975

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mpmcorner · 1 year

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How did Jean Marie Straub die? Cause of death - revealed.

How did Jean Marie Straub die? Cause of death - revealed How did Jean Marie Straub die? Cause of death - revealed.Let’s look at what happened and Jean Marie Straub cause of death in more depth.

Who is Jean Marie Straub?

French filmmakers Jean-Marie Straub and Danièle Huillet collaborated on a dozen movies between 1963 and 2006. Their films are renowned for their radical, communist politics and rigorous, intellectually challenging aesthetic. Despite being French, they both primarily worked in Germany and Italy. Among the best-received works by the team are Sicilia! (1999) and From the Clouds to the Resistance (1979).

Jean Marie Straub career

In 1954, Metz-born Straub and Paris-born Huillet met while they were both students. At the time, Straub was active in the Parisian film world. Francois Truffaut and Straub were friends, and Straub contributed to Cahiers du Cinéma, albeit Truffaut would not publish some of Straub's more provocative works. ] He served as Jacques Rivette's assistant while he was directing the 1956 movie A Fool's Mate. He also supported Abel Gance, Jean Renoir, Robert Bresson, and Alexandre Astruc in their work in Paris. Later, the two moved to Germany so that Straub could avoid serving in the Algerian military. During his early years, Straub studied Bach. Huillet initially intended to produce ethnographic films, but she ended up working with Straub on his endeavours instead. After 1968's Chronicle of Anna Magdalena Bach, they made movies at a comparatively steady pace, finishing a feature every two to three years. Prior to that, they had not made a full-length feature. The Chronicle of Anna Magdalena Bach was laboriously produced. Up until 1967, there was a ten-year financial battle. They also produced a short film in 1968 called The Bridegroom, the Actress, and the Pimp, which starred Rainer Werner Fassbinder and his theatre group. ] Midway through the 1970s, they started making movies in Italy. They increasingly started dividing their time between Italy and Germany and frequently worked with French and British producers. ]For the most of their lives, Straub and Huillet were housemates. They didn't have any kids.

Jean Marie Straub-Cause of death.

There is no information available about Jean Marie Straub cause of death at the moment. MPM news have been trying to reach out to the family and relatives for comment on the incident. So far no responses have been received. We will update the page once enough information is available. More information on Jean Marie Straub cause of death will be added soon.

Jean Marie Straub collaboration .

Jean-Marie Straub represented the couple in public since he is more outgoing; this has led to the general perception that Huillet had a supporting role in their filming. In actuality, the two divided their work evenly, with Huillet in charge of the majority of production design and editing, Straub handling the mise en scène, and the two sharing equal responsibility for pre-production, texts, and rehearsals. This technique is demonstrated in Pedro Costa's documentary Where Does Your Hidden Smile Lie?, which was shot while Sicilia! was being edited. The longevity of Huillet and Straub's relationships with many of their employees—often lasting for decades—is what makes their work unique. The majority of their work was produced by two cameramen, William Lubtchansky (9 pictures) and Renato Berta (20 films as of this writing), both of whom Jean-Marie Straub continues to collaborate with. Between 1967 and 1998, Louis Hochet, a sound engineer, was in charge of the sound recordings for 15 of her movies, including Chronik der Anna Magdalena Bach (1967), Moses and Aron (1974), and Von heute, which is determined by live recorded music auf Morgen (1996), all of which pioneered the use of music in motion pictures. A similarly influential relationship also existed with the Tuscan village of Buti, which was mostly employed asThe filmmakers Peter Nestler, Frans van de Staak, Holger Meins, Jean-Luc Godard, as well as their longtime cameraman Renato Berta, were just a few of the friends and coworkers Huillet and Straub frequently paid respect to. In contrast, Straub and Huillet were more frequently the focus of other people's films. Films about his and her work have been produced by Harun Farocki (Amerika, a 1983 movie based on a story by Franz Kafka, starring Jean-Marie Straub and Danièle Huillet), Pedro Costa (Where Does Your Hidden Smile Lie?, 2001), and Peter Nestler (Defense of Time, 2007). Also read: How did Patrick Torrey die? Beck’s basketball player’s cause of death revealed Read the full article