hot take but you all NEED to stop telling people to kill themselves.
yes, even *those* people. i don't care if you're talking to some monster who puts live puppies into a wood chipper for fun, don't say that shit.
because mx. puppychipper isn't gonna be affected by your words.
but you know who might be affected? some innocent third party reading the words you said on a public website.
because telling people to kill themselves says "suicide is a punishment for being a bad person. bad people, upon realizing they're bad, should simply commit suicide instead of working to atone for their actions."
and that is NOT a message you wanna be normalizing to anyone, but ESPECIALLY people with depression (who, let's be real, make up a higher than average chunk of this site's userbase). whose mental illness is already telling them that 1: they're an inherently terrible worthless person no matter what they do 2: death is an appealing option.
is reading "kill yourself" once or twice gonna make them do it? nah, probably not. but reading it multiple times a day every day is gonna make their mental health worse. it's probably not good for your mental health to be saying that kind of thing, either.
just knock that shit off. the world is already so hostile to people with mental illness, and managing mental illness and unlearning unhealthy thought patterns is already so difficult. you don't need to be out here making it worse.
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I used to think that the reason I wasn't satisfied with Izzy's death was because I was too attached to his perspective as a character and couldn't focus on the big picture of the season and the main Gentlebeard relationship enough. I mean, I was still convinced that his death and the way it was carried out was a shit writing decision, but everyone else outside the Izzy Canyon circles seemed fine with it, so I was starting to think that maybe they were right.
So I looked back on the rest of the season and rewatched the finale... And realised something that I'd been trying to ignore because it was too painful to admit. A huge part of why Izzy's death hit so hard (in a bad way, not that delicious masochistic pain of having a beloved character die a good, narratively satisfying death) was because throughout this season he was the only character who actually had a satisfying arc and development. Practically no one else did. I didn't actually care for Gentlebeard this season, not the way I cared in S1. From episode 1 to 8 and a half, Izzy's arc was crafted with more care, kindness, subtlety and narrative weight than the main Gentlebeard arc which, in comparison, felt like a string of choppy beads badly tied together in an approximate shape of an arc, but collapsed as soon as you looked at it too closely.
Yes, we all know this season suffered for being 2 episodes too short, but I don't think that's all there is to it. This is starting to feel like GoT season 8 all over again. Would it have been better if it wasn't so rushed? Maybe. Or maybe it would have been even worse because this season just didn't seem to know what to do with itself or the characters. The themes and symbolism are all over the place and completely inconsistent. Ed and Stede's characters are practically back at the same place they left in S1. All they did was bounce off the walls back and forth with no real growth. As soon as they took a step towards fixing their relationship or growing as people, they either tool three steps back or it just got dropped. Stede letting fame get to his head? Interesting and realistic development. And how was it resolved? It wasn't. Stede and Ed being whim prone? I'm glad they brought it up. And then they just fell for another whim and it was presented as a satisfying ending.
Ed went from the Kraken, to taking the first steps towards being Ed, then suddenly all the way to being Ed by way of a Night of Magical Healing Sex that he he didn't actually want to happen because he wasn't ready. And then all of a sudden he pivoted to abandoning Stede and piracy and becoming a fisherman... for 5 min. And then back to Blackbeard again because two fishermen were mean to him for 5 minutes. And then abandoning it again to open an inn. How was any of this even remotely coherent or satisfying? They didn't even have a single conversation about any of it. Ed had more proper closure and communication with Izzy during his dying scene than with Stede and the rest of the crew put together. Izzy's arc got sacrificed to do the heavy lifting for Ed's arc and became nothing more than a shortcut to speed run his character growth. Except it didn't even lead anywhere. "Ed, they're your family, they love you" no they don't, he didn't even have a single positive conversation with any of them except Fang. Of course this could have been the point, and Ed could have seen Izzy's death, his own discovery of found family and his dying words as a pretext to repair his relationship with the crew. But he just left them and stayed with Stede instead.
Sure, you could say this was only the second act of the story, and S3 will resolve everything. But the second act is still meant to move the story and the characters forward in some way. Yes, of course if we get S3, I imagine Stede and Ed's life as innkeepers won't exactly be idyllic. But the problem is that the conflicts they'd have will only be a rehash and repeat of the same conflicts they've already have, or were supposed to have, this season. Multiple times, even. We already know that Ed is simply unable to live with himself no matter what life he chooses. The title of S1 was literally "wherever you go, there you are". We already know Stede's love isn't enough to fix him. We already know their goals in life are completely opposite. Maybe they could have shown Stede realising, after his humiliating in S7, that piracy wasn't all it was cracked up to be or he isn't suited for it, and that's why he chose to leave it behind and open an inn, but that's not the explanation we were given. It was just another whim. They literally didn't learn anything this season. They had two baby conversations in E4 and E5 and didn't take anything from it, just kept doing the complete opposite of anything. "We're both prone to whims, let's take things slow" became "let's take things extremely fast by moving in together permanently and becoming entrepreneurs". They never talked about the actual, deepseated, longstanding trauma issues they needed to resolve before they could even begin to have a proper relationship. They literally got a heavy-handed glimpse in what their life would become if they just stuck together without addressing their own personal issues, and chose to do that very thing. It that's what S3 is going to address, then why were Anne and Mary part of this season instead of the next one?
I remember everyone saying they wanted Ed and Stede to reunite as quickly as possible in S2, and I get why. They have great chemistry together. The season is about them. But for it to work, spending more time apart is exactly what they needed. They needed to learn how to live with themselves and others, first. Romantic love alone can't fix you as a person. You have to fix yourself first. Community can help (as with Izzy's case), but you still have to put in the work. In retrospect, I'm glad that Izzy didn't get a love interest this season - because he wasn't ready yet, and had to learn how to have normal relationships and friendships with other people before attempting an intimate romantic relationship, lest he ended up falling head first unit another toxic mutually dependent relationship. That's what Stede and Ed should have tried too. Instead the show just ended up using Izzy's death as a quick surgical fix, robbing Ed of his agency and having to do the hard work repairing himself and his relationships with other people. There's a sad irony in getting exactly one character's arc just this, and then using it as a sacrificial lamb to patch over the main character's arc.
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"Stede wanted to be a pirate and now he's not going to be one, which is bad."
Did he really want to be a pirate? Stede wanted to be a storybook pirate; he wanted to be the pirate in his games and his imagination, who had swashbuckling adventures. The entire first season deals with him learning what piracy really is. He sees what it has done to Ed, quite literally history's greatest pirate, within the first half hour of their meeting. Most of the fun he has, has nothing to do with actual piracy - it's playing games with his crew, going on treasure hunts with Ed, putting on plays. He likes making up plans, but he doesn't like actual piracy. When he accidentally kills a man, it horrifies him and haunts him, and continues to until the end of the season. He goes to therapy about it.
Into Season 2, the entire point of Stede's piracy is still not piracy. It's to get back to Ed. Stede's fantasy in the beginning is about being the storybook pirate who defeats the villain and runs across the beach to his one true love, who isn't mad at him and never was. It's a fairytale. And even there, reality is creeping in - dream-Izzy tells him, "I didn't make you leave him. You did that yourself." The reality is that Ed has gone into a suicidal spiral, and Stede finds him mostly dead.
The one time that Stede becomes a "real pirate" in the real world, it goes to his head, but it's not even because of his love of piracy. It's because he's suddenly popular. People are buying him drinks and clapping him on the back. No one's calling him "Steve." No one's making fun of him. And still, the only thing he wants to do when he does something cool is go tell Ed about it.
And even then...it's hollow. Everyone around him are sycophants. Ed has left him. His crew are suddenly leaving him. It all ends with him getting his ass kicked by a real pirate. He didn't even like doing the thing that made him popular; he kills Ned Low and runs off to hide. The whole sequence at Jackie'z is a mirror of the sequence at the pub when he goes home - everyone thinks he's cool, but for none of the reasons that are authentic to who he is or what he really wants.
Stede wanted a family who loved him. He wanted friends who liked him for him. He wanted someone to play with. He wanted to marry for love. And he has all those things at the end.
He's not a pirate. He's not having second thoughts.
I'm not sure why this is hard to see.
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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