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ineffable-endearments · 2 months

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The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

#good omens #the crow road #good omens book club #go3 speculation #s3 speculation #good omens 2 spoilers #go s2 spoilers

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byoldervine · 5 months

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How To Start Writing A Book (So Says This Idiot)

I’ve been working on my queer superhero fantasy novel Byoldervine for a few years now, but it’s only been in the last year or so that I’ve really dedicated myself to my writing. Now I’ve gone from a fun few concepts to nearly 50K words and counting. So I figured I’d share my process to get here

1. Figure out your barebones concept

Before you can begin writing, you obviously need to know what you’re writing. At this point in time it can literally just be something like “A group of friends go on a quest through a magical fantasy world and meet loads of mythical creatures along the way”, it doesn’t even necessarily need a plot intact. You can be as vague or as specific as you like here, you just need that general idea

2. Figure out your characters

Your characters are the driving forces behind all internal conflict in your story and give your story heart; if you can pick between expanding your plot and expanding your characters, pick the characters. Start figuring out at very least the need-to-know aspects about your characters, such as their motivations and what’s holding them back from achieving them. We can flesh them out more and more as we go

3. Create the main external conflict

Often this takes the form of the main antagonist, but it can be literally anything from a curse the main character is trying to overcome, a series of misunderstandings, a goal they just don’t have the skills to achieve on their own, etc. What’s the thing that’s causing our main character problems they need to overcome?

4. Work out the beginning and end of your story

Where do you want your story to end? Do you want your characters to be living a life of peace and glory as revered heroes after they defeat the villain? Do you want them to be able to return to the life they once had with new friends and stronger powers than ever before? Do you want them to fail and experience the tragedy of their loss? Well if that’s where you want to end, they can’t have all that at the very start of the story, so that’s something that needs to change during the story. Congratulations, you just created a plot point!

5. Use your plot points to create a general plan

Now that you’ve got some ideas of what you want/need to happen during the story, you can make a timeline of these plot points. Say something like “Inciting incident, MC leaves village” or “MC trapped by BBEG” or “MC gains new weapon” or something like that. At this point things are a bit less vague because now you’re starting to see how the plot can go. Don’t forget to add things that the characters would go for, too, even if it’s not plot-relevant

6. Plotting

You’re ready to start plotting by now. For every chapter, write down a general objective of what needs to be achieved within this chapter. Each of these needs to be followed with bullet points of different, smaller plot points within the chapter to achieve this objective. This part I enjoy doing alongside actually writing so I can update it as I go, I’ll usually plot about five chapters ahead and then get to writing until I’ve used them all up

By this point, you’re ready to write! Best of luck and remember that it’s only a first chapter, all it needs to do is exist!

#writing #writers #bookblr #writeblr #book #original #writer #writing advice #how to write #writing tips #writing tips and tricks #on writing #writing ideas

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raven-at-the-writing-desk · 1 day

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Quick world lore question; does the game ever specify what kind of potions/poisons exist in twst? Like, since it's technically a fantasy world, would things like health/stamina potions like you'd see in rpg's exist? Or would it be closer to reality, like home remedies and basic pharmaceutical stuff?

I'm only an EN player and I havent read all the pomfiore student's vignette's so if they answer this there then im sorry for the bother ; ;

Potions aren't talked about in the only Pomefiore students' vignettes! (In fact, if we're talking just strictly Labwear vignettes... Vil and Rook's don't really focus on potions at all; only Epel's sort of does.) There isn't actually a ton of lore about potions, and in the times when they do become relevant, the writing tends to focus more on the ingredients and/or the preparation process rather than what kind of potion would be produced. For example, the entire Labwear series of vignettes frequently brings up rare or dangerous plants that require the application of magic in order to safely harvest, such as the mandrake and the lantern blossom.

I wasn't able to check all vignettes (since that would be like... what, probably a few hundred at this point? If not that, then at least over 100.), but there's definitely mentions of potions with various effects. From all lab vignettes alone and combing through the main story, here's what I could glean:

transformation/transmutation potions (prologue, book 2, Beans Day, book 6, etc; this is probably the most often mentioned type of potion)

voice-changing potions (Leona Labwear vignette)

color-changing potions (Epel Labwear voice line)

plant growth potions (Epel Labwear voice line)

sleeping potions (Silver Labwear vignette)

awakening potions (Silver Labwear vignette)

magic enhancing potions (book 2)

a potion that changes one part of your body to that of an animal's (book 3)

On the subject of poisons, no specific kinds are mentioned as far as I'm aware. There's a Poison Refining class (Cater Labwear vignettes), but we don't really get specifics. When poisons are talked about, it's usually in reference to the Fairest Queen or the Pomefiore dorm leader being skilled in making potent poisons, or it's Kalim talking about the many attempts on his life and unnamed poison antidotes. There may be more mentioned in other places, but at this time I don't have the capacity to check every single event and vignette. If you know of any more that aren’t listed here, please let me know and I can update the list!!

It should also be noted that "potions" can also be used for other purposes. This includes creating special effects for movies (mentioned in Vil's Labwear vignettes) and enhancing the effects of skincare (book 6, Azul Ceremonial Robes, etc.).

You'll notice that the effects of these potions can also be achieved via regular spellcasting. (In fact, we see Adeuce practicing color changing magic in Floyd's Labwear vignettes + Vil using color changing magic to help himself hide from paparazzi, etc., Jack's/Malleus's/Azul's UMs also allow them to do things without the help of potions.) Because of this, I believe that potions are meant to be an alternative way of spellcasting without actually needing to use magic. This makes already prepared potions usable by mages who don't want to expend energy/build blot as well as by NON-MAGES.

Within the world of TWST, there is an occupation known as the “medical mage”, who appear to combine magic and medicine into their practice. Furthermore, what is called “Potionology” in EN is written as 魔法薬学 (literally, "magic pharmaceuticals") in JP, implying that there is, in fact, an intersection between magic and medicine. This is similar to how "technomancy" is described to be the cross between magic and technology.

In terms of a "healing potion", there are instances which show that a magic potion may heal or at least speed up the body's natural healing process. For example, in 7-68 of the main story, Baur gives Lilia something to drink to help him with the dire blow he just took. It doesn't appear to restore him to full health though, as Lilia states he still needs rest afterward. In EN, they use the term "potion" but in JP they use "薬" (kusuri), which is "medicine". Baur qualifies the character with "魔法" (maho), which is "magic", so the term he's using is "magic medicine". This is probably the closest thing to a "healing" potion that we know of in the TWST lore.

So technically, yes, TWST has "healing potions". I wouldn’t say there is one blanket cure-all potion though; based on what we know of potionology and how it’s very similar to irl chemistry classes, we can assume that there are generalized “healing potions” but that there must also be far more specialized and targeted ones, similar to medicine irl or non-enchanted or non-magic infused medicine. I would imagine that, like transformation potions, “healing potions” would have to be highly regulated since they’re basically a drug 💀 (There would probably be OTC types too, given proper governmental approval!)

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th3b4dk1dzz · 5 months

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My hopes for Fantasy High: Junior Year

We spend more time at Aguefort/in Elmville, see more of what classes are like, meet more teachers, and some newer students

Swamp Venice becomes plot relevant

Ayda accommodating to Solace life

Some of the Bad Kids get younger siblings

Aelwyn enrolled in a local community college to do something her parents would hate

Gorgug takes the Battle Smith subclass with the hangvan as his steel defender.

The Seven cameo where they're obviously doing something way more cooler

Plot focus on Fig radicalising Hell again.

We actually see what goes on at Mumple.

Pirol crew cameo

Season ends with parent wedding

We meet the other Thistlesprings (The ones who didn't want Digby and Wilma adopting Gorgug). Bonus if they end up fighting them.

Previous antagonist returns in a big way (The Court of Stars/The Harvestmen/Biz Glitterdew/KVX/Chungledown Bim and the 3 other surviving warlocks)

Development between Kristen and her brothers

Update on Dr. Asha and Dr. Keller/ Detecive Runtz Buggins and Detecive Decker

#dimension 20 #fantasy high #the bad kids #fhjy #dropout tv #fabian seacaster #kristen applebees #gorgug thistlespring #adaine abernant #riz gukgak #fig faeth

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quinnonimp · 8 months

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We Watch the Clouds & Stars: an OriginsSMP TNTduo Comic ☁️💫 | Anecdote: Awake or Alive [part 1/?]

content warning: discussion of death and afterlife

read left to right

hello !!!!!!!!! im back on the grid again and with a bang, here to deliver a comic ive been working on since september ! its gonna be pretty messy, inconsistent, and just purely me having fun . therell be a lot of things ive thought through thoroughly, and therell be some things i forgot to even existed ! all in all this is a comic about a character whos been gone for a year and one that doesnt even exist, so its all built from me being silly

there will be sensitive topics discussed or depicted ! those will have a warning placed beforehand for each update, even though many of these things are meant to be up to interpretation or implied . some anecdotes ive written have been quite heavy though, so if i end up finishing them, listen to the content warnings

this will be a non-linear story, so instead of chapters i have named them anecdotes . they will be moreso bits and pieces of my o!quackity and o!wilbur's lives, specifically of them together, so some parts will be before or after others . some parts will reference each other, or foreshadow, but u likely wont need to read the anecdotes in any specific order

^ and so, because of this, the dynamics of wwtc&s!tntduo will change and will be inconsistent, just as what happens with real people if u look into random pockets of their life . some anecdotes theyll be more comfortable with each other, some theyll be more spiteful, some theyll be more awkward, etc. especially since oquackity has no character and owilbur is underdeveloped

this comic is a lot about change but also keeping familiarity in said change, which is totally not just an excuse for my inconsistent ass nope nuh-nuh. this time its actually relevant to the characters !!!!

and YEAH . i am doing all this just bc cc!quackity mentioned in the 2021 wine stream that he was in the originssmp discord and wanted to actually play but never did . im still mad abt it so ive decided to just make shit up now 👍

by the way !!!!!!!!! the big wings wilbur has on the cover r actually not canon anymore . Lol . i drew that before i had a more concrete idea of the comic and its concepts, but i really didnt feel like editing it (the tail is also missing), so i kept it cause idrc FDKDFKJ

i may draw him with wings again sometime just bc i really like it, but for the sake of story - know that theyre not canon, and that his cloak compensates for his lack of wings

there is likely more for me to explain, but rn im all over the place so i dont really remember what ! the next part will probs be up tomorrow or so, im not sure . really hope u guys enjoy

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shigayokagayama · 2 months

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The Beach Omake And Authorial Intent

initially i was going to save this for a big teru analysis i had cooking however i eventually ended up deciding that it would feel like a really long tangent in its original context and probably deserves a separate post.

when it comes to the whole "teru's parents" thing i generally see two competing ideas on it

a. terus absent parents are the real villains of mob psycho and are the direct cause of everything wrong with his life and any and all teru analysis must center around this fact

b. terus parents being absent in the first place is only revealed in an omake and only exists for plot convenience and is not something that should be focused on at all when writing him

and whenever i see either of these my mind always drifts to the question of authorial intent. i know how people are reading this information, but how are we supposed to? i know death of the author is becoming more of a common thing in fandom spaces (albeit usually misused) but i feel like a better understanding of why this omake exists and how we're supposed to read it might help to better synthesize two takes that seems to be completely at odds with each other.

okay first i want to go over the actual placement of the beach omake in the update schedule of the manga because, unlike most other omakes, i feel like this ones placement in the schedule of page releases is actually super relevant

the vast majority of omakes come at the end of weekly updates. you finish reading the usually 15-20 pages ONE put out and then you get a little bonus comic at the end, usually something funny or a slice of life but but occasionally more serious. multi part omakes are usually spread out over multiple updates, making you wait a couple weeks for a punchline.

beach omake is not that. between chapters 99 (mob gets hit by a car) and 100 (the whole rest of the omake) there was a 6 week hiatus from normal pages and in this hiatus is where we get beach omake. reading it all together immediately cuts away the sort of "slice of life sunday paper comic" tone other multi part omakes have and make you read it as a part of the actual main story, since that's how you're used to reading these weekly updates.

now the actual tone. generally the multi part omakes exist to be long punchlines and the rare emotional ones are a single page for maximum impact. beach omake has a very different structure compared to, say, the haunted doll omake or the pot of happiness.

off the bat from the first two pages there's not really a joke. the tone mostly seems kind of melancholic. mobs expression for the middle section of the second page (maybe purposely) is obscured by the panel breaking off, it's hard to tell his reaction, all our attention is directed at teru. with all of the panels taken up by dialogue (primarily his own), we're being asked to focus on what he's saying:

-teru lives alone

-he lives alone because his parents live overseas

-he hasnt seen them in a while

-he doesnt like having nothing to do

-he doesnt like being alone

all of this information is delivered with an extremely casual expression from him, implying that it's not something that seems ll the out of the ordinary for him. mob, on the other hand...

the hesitation before he says anything and the way his expression is obscured seems to imply something is... off... about this information to him. this isn't a handwaved "oh mob is walking home from school after passing out because he needs to for plot reasons", we're reacting to this information like it's weird.

the next two pages are, mostly, a lot more of what we expect out of a mob psycho omake. the first one works as a standalone joke page, teru is bad at identifying animals which leads to him showing reigen a roach, something reigen is terrified of, instead of a beetle.

the second page starts similarly, we get a dumbass joke about reigen trying to pick up women at the beach (note: i think this is the singular time we get an indication reigen is even into women) but then the next two panels take on a more melancholic tone again. we get a small panel of mob and ritsu playing on the beach and a much, much larger panel of teru sitting on the beach, watching them. the dialogue bubble forces us to pay attention to the fact that he is silent.

the ending of this omake is where we bring it home. generally the last panel centers the punchline of the page, or of the whole omake, but the final panel of this isn't really what was being built to in this case.

we start our second page on teru. his expression is obscured, reigens speech bubble is shoved to the side so we can see that teru's hat is being held in his hands.

when we see his face in full view he looks... confused. he looks like he doesn't know how to react to someone going through all this trouble for him. teru is a character who, up to this moment, we have seen as extremely independent. he always rushes into things alone, he always has to be the hero, he always has to be the one to save the day. hell, this omake is immediately followed by the confession arc. where... you know.

so what are we supposed to get out of this omake?

teru's been doing everything on his own up to this point

but he doesn't have to anymore

#mp100 #mob psycho 100 #teruki hanazawa #pic #edit: even though the hair makes this difficult to date timeline wise #i like to picture this as post confession arc #i feel like it makes the most sense

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satanicchristiancult · 16 days

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I don’t wanna do this anymore.

I hope it’s all just a bad dream. I hope my life is a bad dream and that I’ll wake up and the world isn’t like this.

I just want to be free. Actually free.

No walls, no expectations, no “pay-to-play” lifestyle.

I want to be okay.

I want to be happy.

I want to be free.

-Mori

#mori writes #words words words #but not Bo Burnham’s “Words Words Words”#just my ramblings #mori is a mood #actually relevant life updates #freedom #anti capitalism #bed rotting #that’s all I’ve been lately #sad #i guess #poetry #???#mental health

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homestuckreplay · 1 month

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breaking news: john egbert successfully leaves his room

It's the sixth day in a row this webcomic has given us new pages, and after a series of near impossible challenges, our main character has figured out how to leave his room on page 48. It's kind of a milestone moment, and definitely feels like we're kicking into gear to have things start Happening, as opposed to the tutorial level from before. I gasped when we were suddenly in the hallway - and what a hallway it is.

John's house being filled with harlequins hit me like a pie to the face. The harlequin art is good for real, and I love when people express their interests through their decorating choices, so these have me more excited to meet John's dad. I love the supportive notes he leaves for John on all his birthday gifts too, and he clearly got the Con Air poster just right, but what's up with him getting John a giant harlequin doll when John clearly doesn't like the harlequins in the house? For that matter, why doesn't John's dad care that John's uncomfortable with the harlequins? Maybe I see in part why John tries to avoid him so much, maybe we'll get a complicated father-son relationship to explore.

I was struck by this line on page 50: 'In a home, a FIREPLACE needs a fire, because that's what FIREPLACE is for. A fire BELONGS in a FIREPLACE, dammit, cata(ptcha)gorically, at all times, without exception.' It reminded me of this line from page 27: 'In a kid's yard, a tree without a tire swing is like a proper gentleman without a monocle. That is to say, HE CAN HARDLY BE CONSIDERED A TERRIBLY PROPER GENTLEMAN AT ALL.' It's interesting to me that we've already had two separate judgments on what a house 'should' be like. I don't know where it's going with this - if it's trying to satirize a cookie cutter suburban life, or something entirely different - but I'm definitely on the lookout for more instances of this.

I'm already noticing callbacks to updates from a few days ago. On page 32, it's noted that Colonel Sassacre's book 'could kill a cat if you dropped it', and on page 52 we learn that a volume of the book did actually kill a human in John's life. It makes me wonder if the author has a plan for where they're taking this comic, and if other throwaway lines are going to be relevant in the coming days.

#homestuck #reaction

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am-i-the-asshole-official · 1 month

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AITA for not telling my mom about my heart surgery?

I already know this is going to be a bit long winded so sorry in advance, there's just a lot that I feel is relevant here.

I (21 M) had a heart surgery about a month ago now. It was cardiac ablation, and for anyone wondering, it went just fine and I'm already fully recovered and walking around like normal. I had known about it for weeks prior and of course had been calling my dad and keeping him updated about all this. However, I hesitated to tell my mom, and ultimately never brought it up to her. I still haven't.

For a bit of backstory, my parents split when I was 16 because, to be blunt, my mother was being abusive in just about every avenue. She was mean and cruel and sometimes violent. I don't want to get into all the details because I don't think it's really necessary, but know it was bad. After she finally left I went no-contact with her, as did my dad and older sibling. This seemed to really upset her and she repeatedly tried to reach out to me, sent me expensive gifts, etc. After a while I made it clear to her that the only way I would ever even consider speaking to her again would be if she went to therapy and sorted her shit out, then gave me a real apology for her behavior, and even then she'd be lucky if I spoke to her afterwards.

And, being perfectly fair to her, she did it. She went to therapy, she did the work, and from what I've seen she has really put in the effort to change. She wants to keep me in her life and once I made it clear I wouldn't budge, she got her ass up and did it. She even gave me an apology I wasn't expecting, where she admitted that she only stayed with my father because she was afraid of being a single mother, and she took that resentment out on me and my sibling for most of our lives. Over time, I've maintained contact with her and we have a relationship now. Not sure how great it is, but we have one. She takes me out to lunch sometimes and I actually answer when she calls me.

Back to the topic of my heart, I've always had palpitations here and there, usually three times a week. I thought it was normal. Then after a pretty scary morning that landed me in the ER and lots of testing, the doctors decided surgery was the best option for me. I called my dad, like I said, but I just couldn't bring myself to tell my mother. And it wasn't out of fear or anxiety or not wanting to worry her. I just... didn't want to.

My dad said she had a right to know as my parent, if I was keeping contact with her. I spoke with my therapist about it, and while he didn't outright say I shouldn't tell her, it felt very much like he was leaning that direction. In the end, I never said anything to her, and she's still unaware it even happened.

It's been weighing on my conscience a bit. I had no reason to not tell her. There was nothing stopping me from being up front and honest with her. So I wonder, am I an asshole for not telling her?

What are these acronyms?

#aita #am i the asshole

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lttleghost · 2 years

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The Thematic Relevance of Jesse Pinkman as an Egg 🏳️‍⚧️

(I wrote this analysis awhile back and wanted to make a fresh post to update it!)

While not intentional, there is a lot in Breaking Bad that supports reading Jesse as an egg. This reading of Jesse has a lot of thematic and narrative relevance and also doesn't create any conflicts with the canon material. Jesse being someone who hasn’t realized he’s not actually a man yet could quite literally be canon.

This analysis is heavily based around parallels between Jesse’s character development and what Breaking Bad thematically associates with gender. It’s also heavily interconnected with the show's overarching theme of change, and also, at least for our two main characters of Walt and Jesse, the revealing of true self. There’s plenty of evidence that each of them already had the traits we see them with at the end of Breaking Bad. Jesse being this very kind and compassionate young adult and Walt being this egotistical monster.

But I would consider Walt's self-deception to be more shallow than Jesse’s self deception. While Walt did end up in a lifestyle that was opposed to who he truly was, he consciously knew what he wanted to some extent, whereas Jesse fully convinced himself that he was a different person than the one he truly is because he never really got the chance to actually figure out much about himself.

There are a lot of examples of Jesse’s disconnected sense of self throughout the show, but the first one that comes to mind has to do with his superhero OCs-

EDIT: YO! if you find video essays more engaging than reading a bunch of text, this analysis now also comes in video form [link]

I think that Jane’s observation that all of them looked like Jesse was, in fact, correct. I wouldn’t consider him doing this as a conscious decision but I feel that he almost admits it. After initially denying that his OCs looked like him and after Jane affectionately teases him he ends up saying to her “like you never wanted a superpower.” And while you could interpret this as just a response to her teasing, I’m convinced that there’s an additional layer to it. Especially because when Jane leaves to check the door, there's a moment where Jesse looks at the sketchbook with his drawings and it seems like he’s considering something, and I’d bet you anything that what he’s thinking about is whether or not he had actually drawn himself and this is REALLY interesting since-

Jesse is a criminal right? And while superheroes themselves are technically criminals as well, as vigilante justice isn’t actually legal, they’re still typically known to be ‘crime fighters’, and Jesse describes his characters as being such. So with his OCs subconsciously being depictions of himself and them being superheroes (crime fighters) and his current life as a criminal, you get the image of someone who doesn’t know who he is or what he wants deep down.

There’s no way that Jesse’s current delinquent lifestyle was his truly… preferred path. It’s much more likely it was the only thing he thought he could do successfully. It’s evidently been the one thing he’s made a decent living off of. He has no support from his parents, and doesn’t seem like he has had it since he was a highschooler. Jesse is shown to have no support outside of the drug trade. Most of his personal skills and interests are artistic or honestly domestic in a world that assigns more value to academics and he’s a highschool graduate who doesn’t have any job experience.

I also believe Jesse is very aggressively ADHD coded, and the combination of having virtually no support, struggling with addiction, and having undiagnosed and improperly self medicated ADHD would make slogging through any “respectable” job that he has access to, or any job that his parents might encourage him to do, unbearable.

So the drug trade was his best bet, Jesse even views cooking meth as a form of art, something that he’s passionate about.

I can’t in good faith ignore that doing something that is... generally frowned upon, didn’t factor into what Jesse chose to do on some level, as society and the structures that it’s built on failed him and there’s an inherent sense of rebellion that often forms in a person when they’re failed like that. Granted, superheroes also tend to often contain some commentary on societies failings as well. Jesse just couldn’t actually be a real-life superhero. So with the few benefits it had in practice compared to any other job, Jesse played into the rest of the role of a criminal, and convinced himself that the aspects of it that conflicted with his personality... didn’t, probably without even noticing.

Even more to this disconnect; When Jane asks “and that’s a superpower?” in response to Jesse explaining Backwardo’s powers Jesse responds with “come on, I was a kid when I drew these, it was like four years ago.” And Jesse is 24 years old in that scene, meaning that he would’ve been 20 when he drew these characters, and when I first wrote this analysis I was wondering whether or not Jesse had gotten involved with the drug trade other than buying drugs by that time, but there wasn’t really anything I could confirm any theories with.

But now I've got the Better Call Saul episode “Waterworks” where Jesse has his second cameo, where he is in fact, 20, and in that cameo Jesse accompanying Emilio, a person we know is his partner in cooking meth, to Saul’s office makes me certain he’s in it by that point. And I just have to wonder if Jesse’s superheroes were almost a… subconscious vent, a manifestation of how being a criminal in the specific way Jesse is, is not what he wants. Something that suggests that Jesse’s actual identity and his current view of his identity don’t line up.

Another thing to point out about the cameo that could be seen as additional evidence of Jesse’s discomfort with being more than just a customer of the drug trade is that he was hanging out outside of Saul’s office, and until Kim gave him one he didn't have a cigarette, so he wasn’t out there to smoke. And while there could be other explanations to why he was outside on his own, I don’t think it’s much of a stretch to say, other than just his general skepticism of Saul, he was just not particularly jazzed to be where he was at that moment and not comfortable going inside.

So relating all of this to gender; that narrative of convincing yourself that you are the person that you’re supposed to be for your best chance of survival instead of being able to truly be yourself already works pretty strongly as an allegory for being trans. But to add onto that even more, thematically Breaking Bad associates “manhood” with the drug trade in one way or another, and paralleling how Jesse realizes he doesn’t fit into the drug trade like he thought he did with how he might not be a cis man like he thought he was makes for a really solid queer reading.

The whole show is pretty explicitly about toxic masculinity. Obviously in real life masculinity and manhood do not have to be toxic, and in Breaking Bad’s original intended story Jesse is a cis man who ends up not fitting into those toxic ideas of manhood.

Things that the rest of the male cast don’t blink at or at least have more mild reactions to, just tear Jesse apart. He’s also targeted at least a couple of times for having emotional vulnerability that is considered to be “not manly”. It’s much easier to point out the differences between him and the male cast than it is to point out similarities between them and this just gets more pronounced the longer the show goes on. He doesn’t really have any positive ties to being a man and I don’t think we can say we ever see Jesse actually reclaim his own sense of manhood. And I think that lack of reclamation gives even more legitimacy to the reading that, along with leaving the drug trade and all of its toxic masculinity bullshit behind, maybe Jesse just leaves behind being a man altogether, and maybe it was something that wasn’t really ever a true part of him, just like his life as a criminal.

Even at the start of the series Jesse’s attempts at hyper-masculinity come off as really goofy and performative. In episode one Krazy-8 mentions that Emilio thinks that Jesse might’ve ratted on him Jesse first has a much more genuine response of “that’s bullshit” which makes sense with his strong character trait of being loyal, but then he goes to say “I should kick his punk ass for even thinking that.” and it just sounds like fake bravado to me. There’s no way Jesse actually thinks he stands a chance against Emilio since Jesse has a body type that resembles a small bird and there's no way he has that little self awareness. He's just playing out a script that wasnt even well thought through, and while some of his other performances of masculinity don’t come across as that fake, there aren’t many that feel like they actually come from Jesse himself, they just feel like something that he just thinks he should do.

And while not every experience with men Jesse has is negative, there always seems to be some distance between him and the men he does have good relationships with. Jesse forms a parent-child type relationship with Mike that is healthier than any other he’s had up to that point other than probably his aunt, but there’s a part of Jesse that Mike never seems to fully get. When Jesse doesn’t want Lydia to be killed Mike says that 'this woman deserves to die as much as any man' and I think he misses that Jesse just still isn’t that keen on killing people even with everything he’s gotten involved with. Even if there are some acts of violence and even some people’s deaths he is fine with and thinks are justified, Jesse never fully adapts to “the job” the way Mike does, and Mike is just not quite able to understand that, or at least not why.

Jesse and his friends have a distance between them as well. Though they’re arguably not as entrenched in toxic masculinity as any of the other prominent men in the show are, and aren’t nearly as involved in the violence of dealing drugs despite being in the trade. Yet still Jesse’s interactions with them most of the time feel different and more withdrawn than their interactions with each other. Like Jesse really wants their presence and company and wants to fit in but there ends up being something that he can’t connect with alongside them, and this also gets more prominent as the show progresses. There’s parts where Jesse seems to be withholding how badly his “high rank” in the drug trade is affecting him when Pete and Badger seem to sort of idolize him for it and want in on it. I think Jesse sort of considers saying something to them about it, but he hesitates and doesn’t. He repeatedly doesn’t confide in them even though, while his friends do perform some facets of hyper-masculinity, they don’t really seem to target or reject vulnerability in the way most of the other men in Breaking Bad do. And Jesse’s distance from even the more harmless side of the male cast makes it feel like it’s not just the toxic masculinity that he’s disconnected from.

Jesse’s relationships with women even further separate him from the men of the show. His romantic relationships with Jane and Andrea read much more as relationships between equals, compared to Walt and Skyler or Hank and Marie. While Jesse does throw the “nice job wearing the pants in the family” insult at Walt in episode two of the first season, after Skyler almost caught him moving Emilio’s body, in Jesse’s own relationships he never actually tries to take control and doesn’t have any problem with Jane honestly being the person making more active choices for the both of them in their relationship, which Walt comments on by throwing that same “nice job wearing the pants” insult back at Jesse.

Another interesting thing found within Jesse’s relationship with Jane that ties them to specific gender roles happens after Jane doesn’t really introduce him to her father. Jesse asks about it and after a bit this Jane ends up saying “What am I supposed to say? Hey dad, meet the stoner guy who lives next door and by the way I’m sleeping with him?” and Jesse replies “Is that all you think you’re doing?”

It’s been pretty common for “the guy” to be considered as the one who sees a relationship as just being sex and “the girl” to see it as being romantic, and this is a very very dumb aspect of traditional western gender roles that this scene even has to subvert, but I think in the context of Breaking Bad’s dealings with gender roles the fact that Jesse is put in the role much more typically associated with women could be viewed as significant. And this significance can be extended to the show’s most prominent dynamic, dealing with the relationship between abusive men and women, Jesse is a victim. I’m not implying men can’t be victims of other men's abuse, but it does make Jesse easier to associate with women in the story, and while the narrative association comes from a negative place, the negativity is directed towards men. But the connection it forms between Jesse and women is a sense of camaraderie and even comfort, at least on Jesse’s side.

and with those connections with women I’d say the most accurate egg interpretation of Jesse is that she’s specifically transfeminine in some way.

I think in this analysis its important to specifically examine Jesse's journey with gender questioning as I think it follows the rest of the ups and downs in her learning more about herself in the resr of her character arc. My personal interpretation of Jesse is that she is a non medically transitioning nonbinary transfem person. The not medically transitioning bit is largely because I enjoy bringing attention to the existence of no-med no-op trans people and to push the point that not seeking medical transition doesnt make a person any less trans, though I do feel that since Jesse's relationship with gender is focused on the societal side of gender roles that don't really relate to physical form that it's a reasonable interpretation that she may not medically transition. I think she uses he/him and she/her pronouns, and is maybe a futch lesbian. I’m saying all of this because it'll be the lens through which I’ll be talking about Jesse’s journey with questioning his gender and how that progresses during the timeline of Breaking Bad. However I don’t claim this to be the only version of transfem Jesse that works with my analysis, or that it's necessarily better than any others that do work. I’ll also be mentioning concepts of “offscreen” additional scenes. That being said, if you’re someone who likes to stick 100% to the text given to us, the “offscreen” scenes aren’t exactly necessary for this interpretation to work as a part of the existing story as the general emotions behind them still stand.

I don’t picture Jesse as having any definable Gender (™) experiences when he was younger other than just a general sense of not belonging, though gender wouldn’t be the only thing playing into that. But as Jesse got older and struggled more, he started to purposefully play the part of what he saw as “a man” to survive in the only role that he thought he could. I see the thought “I wish I didn’t have to be a man” crossing his mind every so often though. I think he just deals with his place in the world for awhile, but after Walt enters the scene and Jesse experiences shit he really didn’t bargain for because of his old teacher, someone who is settling into a personification of toxic masculinity, Jesse’s frustration with being a man becomes more prominent and harder to ignore internally.

In my opinion Jane is the person that helped him start to solidify what exactly those thoughts were indicating. Her approach to relationships would be considered not traditionally cishet, and so is the way she presents herself in general, so I think Jane has some sort of knowledge about the complexities of gender, if she isn't actually queer herself in some way.

And she’s one of the only people we see Jesse truly, truly open up to and so I think at some point later in their relationship Jesse might actually say something about wishing she wasn’t a man around Jane, and I can see Jane saying that Jesse doesn't have to be a man if she doesn't want to be.

But then Jane dies, and I think as a result of that and the lesson Jesse learned from rehab “I’m the bad guy” he goes into just total repression mode. Embodying this new belief Jesse very much dips into the hyper-masculine behavior of the drug trade, he is much more concerned with money beyond paying bills and having nice things, and he plans to do the one thing in the entire show that makes me truly angry at him because of this whole thing, attempting to sell drugs to the rehab group. I don’t think he would’ve ever thought of doing something like that before. He’s trying very hard to be something that’s even further from his actual nature than we’ve seen up until this point.

Part of Jesse’s grief over losing Jane, a person who he confided in probably more than anyone else at that point, was to just completely close up, even to himself. Forget all of those parts of himself that resisted the rougher aspects of the drug trade he was getting dragged into and definitely forget about wondering if he really is a man or not.

At least until meeting Andrea and Brock, which snaps him out of that “I’m the bad guy” mindset, but by that time I think just, too much starts to happen for Jesse to have much time to question her gender. I wouldn’t consider her to be as actively repressing any sort of “I wish I wasn’t a man” thoughts but the amount of turmoil and danger that she’s in, just really really doesn’t lend itself to that sort of gender introspection as much.

I’ve got some additional thoughts on Jesse’s journey with gender that are more headcanons than actual analysis of the show so I didn’t include them in the text above. But I still really wanted to share because I like them and think that they really add to the analysis, so here they are;

I mentioned that I don’t think that Jesse had any particularly notable moments that might’ve suggested that she was trans when she was younger other than feeling out of place, but maybe he did have some interest in playing with “girls stuff” and her parents discouraged it because as we know they’re the shitty type of people who value their child being “normal” at the price of that child’s happiness, but I can also see her being one of those kids who just didn’t even grasp the differences between boys and girls stuff for a longer time than others, or I can even see Jesse’s last connection to the "male" side of gender being from when she was a little boy, before he was aware of the concept of what being a man was, and that it would be expected of her.

But later, in his adulthood, after the idea and pressures of "manhood" became very present in his life, one of the more certain instances of gender questioning I picture Jesse having is at some point while hanging out with Badger, Pete and Combo, Jesse screws around and puts on a dress. And he's like “haha I look like such a queer don’t I?” but is internally thinking something more along the lines of “ I will die before I tell anyone how this makes me feel” (that being that it makes him feel happy).

And then, as we enter into the timeline of the show itself; when Jane first tells Jesse that he doesn’t have to be a man if he doesn’t want to, I don’t actually think that Jesse would be receptive of it at first. I think it’s more likely that he’d decide he suddenly doesn’t want to have this discussion anymore and change the subject. Jesse would still have the misconception that you need to medically transition or at least be required to fit some sort of ‘criteria’ to be trans, instead of just identifying as a different gender than your assigned sex, and I think that would play some role in his not wanting to talk about possibly being trans. And even more because, while he could opt out of telling anyone that he’s trans, Jesse’s in a world in general that isn’t trans-friendly, but the drug trade he’s in specifically is very lgbtq-phobic. Jesse himself is definitely gonna have some internalized transphobia, we’ve seen his homophobia, and I definitely read that as a result of his environment rather than actual hatred considering at Jesse’s true core he’s a pretty caring person. But there are definitely people in the drug trade who would be violently homophobic and transphobic, and Jesse would know that, and would probably perceive even realizing that he is trans to be a threat to his safety. But, later on, further into her relationship with Jane I think she’d open up, even if only to Jane.

And that’s what I like to focus on the most with this analysis, all of the happiness and freedom and healing that Jesse gets to feel detaching himself from manhood, something that honestly contributed so much to every part of his suffering. And god does this girl deserve some happiness.

Then when for the most part too much is going on for Jesse to consider whether or not he’s trans, I still sometimes think of a situation where Jesse might’ve suggested? Her gender questioning to Mike, and while I don’t think Mike’s personal reaction would be technically negative, I think he’d tell Jesse to ‘please not share that with anyone else kid’. Which would be discouraging to Jesse, and she’d quickly backtrack, some because of the reaction on its own but also because he really already knows that it’d be stupid to say anything to anyone else, but it’s not until Jesse’s really free from the drug trade that she can finally crack that egg. I really like to think about the comfort and relief Jesse would get to feel no longer having to try and be a man, cause she finally realizes that she isn’t one.

#breaking bad #jesse pinkman #jesse breaking bad #trans jesse pinkman #queer analysis #breaking bad analysis #brba #jesse brba #this is my girlfriend don't touch him #meat.txt #this is a shortened and edited bit of my video essay script #i just like.... HAD to update my inital text analysis while im working on figuring out how to successfully record my video #cause the old one is so jumbled and stufff #or it feels jumbled to me now at least

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gavisuntiedboot · 1 year

Text

Just Pretend (Gavi x reader)

Part 5

Warnings: SMUT!! MDNI or if you're uncomfortable! Profanity!! Swearing!! Ferran and Martin (based on the reactions I think they deserve their own warning)!!

Word Count: 11.2K (fun fact! If you've read the whole story, you've read 46 pages!)

A/N: I'M SORRY THIS TOOK SO LONG, BUT THERE'S A LOT I WANTED TO INCLUDE IN THIS PART (AS YOU CAN TELL BY THE WORD COUNT)

[Incoming Facetime call from: Gavi]

"Gavi, you're going to have to learn to live without seeing my face 24/7. I don't want you experiencing withdrawal symptoms while I sleep."

"I just had a question about- is that a jar of pickles?"

"Yes. I felt like having a snack."

"You're disgusting."

"Listen, I brought several things back from university life in America, and a pickle addiction was one of them. Let me have little joys in life. What did you call me for? Besides to shame me for my midnight guilty pleasures?"

This was the 7th time in two weeks that Gavi had Facetimed you at odd hours. After your little heart-to-heart while drunk in the club, and him covering for you at work the next morning, he caved into the impulsive thoughts and called you, wanting to make sure you were okay.

"Gavi it's 10pm. If you want me to help you hide a body, call me during working hours."

He let out a breath he didn't know he was holding at the sound of your voice. You were okay. Like actually okay. All of the distress in your voice, the shakiness, the panic - it had all disappeared. You were back to your cool self, and it filled him with a warm and gooey sense of relief. He kept you on the phone for about 10 minutes before his internal monologue told him it was enough, and he went to bed with a strange tightness in his chest.

For the first three weeks, it had been strictly texts and phone calls. Gavi was still sending you his daily little updates, some relevant, most not.

[Gavi]: Compression socks are really tight on my shins. Feels like they're cutting off my blood flow.

[Gavi]: pedri keeps telling me to eat bananas to help with my back cramps. Fact or cap?

[Gavi]: saw someone on tiktok make a Joao Felix thirst trap. Anything you want to confess?

This texting remained constant, and then he supplemented with phone calls. After the check-up call, he had to find new excuses to call you. He started scheduling his early-morning sessions over the phone instead of over text, asking about your life in the meantime. He started "forgetting" things in your office, calling to tell you he would be there before practice to pick them up. It hadn't annoyed you, per se, but confused you. Why was Gavi so comfortable calling you and just talking about random things on the phone? Initially, you had joked with him to stop calling you so frequently.

"Gavi, personal number. Personal. You should keep all work related stuff to emails only. I don't get paid to listen to you ramble about Game of Thrones."

"I know you well enough by now to know that if you didn't want to hear my voice, you would hang up."

He wasn't exactly wrong. You were not one to shy away from hanging up in someone's face if you were irritated (you had done it to Ferran the one time he called you from Gavi's phone). You also didn't really have anyone else to talk to. Angelika, despite acting unemployed, worked for a design house in the city, and her designs had been approved as part of the new line. She now spent every waking moment working on the spring/summer collection that needed to be shown in February. She had even stopped bugging you to go to the club. The only times you heard from her were when she sent "Hey I'm alive just busy" texts, or on the weekends when she begged you to drive her to the far fabric stores. There weren't many other people that you wanted to talk to. Your friends in the US were several hours behind. Your friends in Barcelona were kind of exhausting, and not who you wanted to hear from after a long day of work. And Martin?

Martin was ... interesting. You definitely liked being with him in person. Your dinners were romantic. Martin always picked you up and took you to the nicest restaurant, allowing you to order the expensive plates that would actually make you full. He always complimented your dress and your eyes and the way you looked despite having a long day at work. He was a theoretical great boyfriend. You liked going out with him every 3-4 days. You liked getting good morning and good night texts and the hot pre-game selfies whenever you checked your phone between shifts at work. But in those late nights when you were bored and lonely, and your TV shows were all boring you, Martin was not the first person you thought of calling.

While he was great over dinner, he wasn't the most entertaining or comforting presence. He had a habit of downplaying a lot of the things you were feeling or going through.

"Baby, people make sexual comments all the time. Just look at how people on Twitter talk about the players. You should be more flattered than anything that he complimented your ass."

That was the last time you ever called him after a long and tiring day of work. Your text messages were filled with only pleasant conversations. A good goal he scored in practice. Praise you received from the rest of the medical staff for your progress. Never your frustration with your job or your life or the sad boring things that regular, not famous not football players went through.

"It's like 7pm this is not a midnight snack."

The sound of Gavi's voice brought you back from your abstract thoughts. You looked at his face lit up on the screen. His hair was a little wild and still slightly damp from his shower. He was in a white t-shirt that hugged his shoulders. He placed his phone down so that he could show you his complaint.

"Remember how we were talking about my knee and thigh tightness? I've been trying to work out the muscle for a while but it's not helping."

He moved back from the camera, letting his black gym shorts and legs come in to the frame. He lifted his left short leg, showing off the pronounced muscles in his thigh. You brought the phone a little closer to your face, focusing on his leg. He flexed the muscle, and you swallowed hard. You had seen some of the best legs in football laying in front of you - so why was Gavi's slightly blurry form on FaceTime overwhelming you?

"Have you been doing the routine I gave you to improve blood flow? It looks like you haven't."

"It's hard to do! I tried multiple times and I'm just in pain every time. We just have a match tomorrow and like it's kind of uncomfortable. It's fine I can just play through it if you don't have any other recommendations."

This made you sit up. If there was one thing that would get both of you in deep shit, it was Gavi playing through a known and documented discomfort.

"You're not going to do that. If you get injured during the match then I-"

"Awe doctora, you're concerned about me getting injured?"

He got up close to the camera, smiling cheekily and feigning shyness. You rolled your eyes.

"If you get injured in the match I will get in trouble because your muscle tightness is in your file. So you have two options: do the blood flow massage I told you to, or I need to email Xavi now and tell him you should be playing a maximum of 60 minutes in tomorrow's match."

This statement made Gavi sober up, looking instantly more serious.

"We're not telling Mister Xavi anything. I actually don't know how to do the blood flow stuff without feeling like I'm peeling off my own skin."

"Would it kill you not to play all 90 minutes tomorrow?"

"Yes." There was not one indication, neither in his tone or on his face, that he was kidding. Gavi's love for football was evident, but it was deeper than most people saw. Barca wasn't just his club - it was the air he breathed, the blood in his veins. It was his family, his brotherhood since he was a child. It was the greatest love he had ever experienced, and he was honestly willing to lay his life down if it meant making Mister and the boys proud. He would die for this club.

"You know what doctora? You can just do it for me tomorrow morning before the match."

"You can't play right after we literally batter your muscles to increase blood flow. You have to do it within the next few hours to have enough time to rest. I wish you told me this morning, I could have..." Your sentence trailed as you looked at your front door. Your car keys were sitting in the dish. You had been thinking about going out to get some dinner, too tired to wait for chicken to defrost.

"Hello? Can you focus on the crisis at hand instead of daydreaming?"

"What if I came over and did it for you now?"

Gavi's eyes got wide and he stared at his screen. He was trying to process the information that had just slithered into his brain. You? At his house? At night? Alone???

"Wait." He said, and then hung up the call. You looked at your screen in confusion.

He stabilized his hands enough to find the contact.

*Calling: ~banana king pepi~ *

"Pick up pick up pick up pick up-"

"Hello?"

"Help. Me."

Pedri paused his game, much to the dismay of his brother, who was about to score a virtual goal.

"Pablo I know you didn't go to regular school, but you should know that in an emergency you should call the police."

"Y/n asked to come to my house."

Pedri bit back a laugh, removing the controller from his lap and putting the call on speaker so Fernando could be a part of the drama.

"You finally confessed that you're in love with her and want to kick her boyfriend's teeth in?"

"I'm not in love with her, we're just friends. That second part you might be right about." Gavi summarized your reasons for coming over quickly, asking Pedri for some sage advice while he and Fer raised their eyebrows at each other in amusement.

"As long as you have condoms, invite her over Hermano."

"I don't like her like that."

"Then why are you nervous about her coming to your place?" That was a good question. He didn't know why the idea of seeing you outside of work put all his internal systems on high alert, but it did. His hands were sweating at the prospect of opening the door and seeing you standing there in something other than scrubs.

"I'm not. I'm just going to tell her to come over. No need to make a big deal about it."

"Have fun Pablito." Fernando chimed in. Gavi scoffed and hung up. He called you once again.

"Where did you go?"

"Pedri called me to make sure we were going to the stadium together tomorrow. So, are you going to come here?"

"You never gave me an address. Or a yes for that matter." You laughed out. Your heart beat began to pick up. Did Gavi not want you at his place? Did he have another girl there? 'Why would he be calling you if another girl was there?' I don't know, brain, men are weird.

"Oh. Yeah. Yes. To coming over. I want you to. I'll text you the address right now." Something in your chest tightened at this statement. Your phone dinged, and you looked at the address Gavi had sent you.

"Cool. I'll be there in 20."

The drive to Gavi's place was calm. Old One Direction played over your car's aging speakers. The chilly night air came through the rolled down windows, winter finally making its first appearances in the middle of November. As you got closer to your destination, the surroundings started to look familiar.

Gavi was looking at the street from the window of his bedroom. In his La Masia shirt and black shorts, he had perched for all 18 minutes that it took you to drive over, right after he tidied the house. He didn't want you to think he was a teenage slob. If Gavi really thought about it, he would have admitted: all he wanted was for you to respect him - see him as a man. Someone put together and capable.

You parked at the bottom of his building, texting that you had arrived. He tried not to, but he ran down the whole staircase, swinging the door open before you had gotten out of the car.

"Hey. You know you live like walking distance from Martin?" You said, approaching the front door. Gavi's face soured at this news. He was never subtle about his distaste for Martin. After that night at the club, he had made it very obvious that he thought you should break up with Martin, or at least give him a stern talking to for leaving you to stumble around drunk and alone - especially since he was the one forcing drinks on you.

"Wonderful. I'll make sure to go and give him a nice neighborly gift."

"Like what? A black eye?"

"I was just thinking of pissing in his bushes but now that you mention it I really do think "bruised" is a good look on him..." He lifted his hand to his chin to look like he was thinking. You shoved him off balance, walking towards the door.

"Lets go, Gavi. I get cranky if I don't get all my beauty sleep."

He walked into the house first, holding the door open for you. You were honestly impressed: the place did not look like a teenager's house. The bottom floor was a spacious living room and dining room, with the kitchen connected by a low wall. The tan walls had vintage Barca and Spain National Team posters hung on them. There was a large TV mounted on the wall, a PS5 placed on the shelf beneath it, a pile of games stacked high. His couch was a long L shape. black leather wrapping around a black coffee table.

"You have a Barca coffee table book?" You asked, giggling slightly as you picked up the massive picture book.

"I've been with the club since I was like 11. Everything I own I have it in Barca colors."

You looked over at the stairs and the soft glow from the top of them. Something in you was dying to know what Gavi's bedroom looked like. How many hoodies he owned, what color his sheets were, how many pillows he slept on...

You shook yourself from this line of thinking. Despite the two of you getting closer and friendlier, Gavi was still technically just your coworker. You shouldn't want to know all these things about him.

"Ok where is the stone I gave you?" You put your hand out expectantly, and he dropped the black massage gua sha in it. Gavi moved to lay on the couch, mimicking what he would do in your office.

"Before you sit down, what have you been using as lubricant?"

He snapped his head at you, cheeks and the tips of his ears turning pink.

"I, I, um, lub- why do you need to know what kind of lubricant I use? That's a really personal question?"

You stared at him in confusion, wondering why he had gotten shy and stuttery at the question.

"So I can use that lubricant on you now?" He stood up, swallowing hard. He took several deep breaths before saying:

"y/n, I didn't invite you here to do anything sexual. If this is a joke that Pedri asked you to play it's-"

"Pablo you brainless bitch. I meant what have you been using as massage lubricant, because you're not supposed to scrape the stone across your dry skin."

You both stared at each other for a long moment. You had one brow raised, smirk playing on your lips. You were holding back a laugh at the thought: Gavi was thinking you wanted to know what he used to jerk off. Or sleep with someone. That second thought made you slightly nauseous. Gavi's eyes were wide, his mouth still open in shock. You had the courage to speak first.

"I see that the reason you have been feeling pain is because you have been giving yourself microabruises. Go get some oil or lotion so I can do this for you, and I expect my gas money in full tomorrow on my desk."

"Can you, uh, turn around?"

"Why?"

"I don't... I don't want you seeing where I got the lotion from."

"See now Pablo, if you had just gone upstairs, I would have thought it was from the cabinet or the bathroom. But since you've made it weird, you've confirmed that it's from your bedside table. Just go before you make this situation more sexually awkward."

“No but I-“

You held up one finger to your lips to silence him, then pointed in the direction of the stairs. He shuffled past you awkwardly and then took off, taking the stairs two at a time. You laughed to yourself. It was always funny seeing glimpses of innocence and youth in Gavi, especially since he was always pushing himself to act older and more mature.

Pablo was not having a good time. He ran to his bathroom to splash cold water on his now violently blushing face. He thought you would be able to see the mess of clothes in his bedroom if he opened the door. Now the conversation had shifted into an oddly sexual realm, and he didn’t know how to deal. The idea of sex didn’t usually embarrass him - it bothered him when the guys would talk about nothing else, but he thought he had finally reached a level of maturity where he could say “pussy” and not giggle. So why was he so damn shy right now? Why was he embarrassed to his core that you had mentioned him jerking off?

Pablo would describe his masturbatory habits as efficient. Once he and his teammates at La Masía turned 14, the medical staff had all sat them down for “the talk”. Obviously there was the parental stuff about safe sex and all that, but from a sports aspect he knew: sexual frustration is bad for performance. So a couple nights a week he would rub one out hoping to ensure optimal performance. Lately, however, he has lessened his “alone time” significantly. Since Ferran had shown him that picture of you, since he started daydreaming about holding your hand, the feel of your skin, he was borderline afraid to jerk off. He didn’t want to see your face. Coming to terms with the fact that he liked your company was already too overwhelming. Pablo was convinced this was a waiting game: you were just new and exciting. Eventually he would see another picture of another girl, and you would go back to “that one girl physio”, and he could jerk in peace.

He came back downstairs, sheepishly handing you a tube of lotion, and then quickly laying on the couch, hoping to avoid your line of sight.

“Lotion for Men? Gavi, you know that your skin won’t melt off it the product doesn’t say ‘for men’ right?”

“We had a media intern last year that saw a tube of strawberry chapstick in my bag, and she sent the picture to 3 or 4 gossip instagram pages, saying ‘look! Stuff for women! Gavi has a girlfriend!’ So now I only use stuff that can’t be mistaken as something for my nonexistent girlfriend.”

“What if they think you have a boyfriend instead?”

“That might be ideal actually. Then maybe I could go home without being mobbed.”

You smiled at Gavi, who was now more relaxed and far less red. His arms were crossed behind his head, legs stretched out and shorts rolled up slightly so you could access the upper parts of his thighs. You placed some lotion on his legs and began rubbing it in.

“Wow. Does the rest of the team know you offer private massage services?” He asked, resting his head and looking up at the ceiling.

“Obviously not. You think Ferran would ever leave me alone if he knew this was an option?”

Gavi laughed loudly at this. Watching you reject and diss Ferran on an almost daily basis was the highlight of training. Sometimes your responses were so creative that he would run to write them down before the end of the break. His personal favorite was when Ferran asked when you two were finally going to go on a date, and you replied with ‘After my lobotomy next week so my brain is immune to mind numbing conversation with you’.

But as he looked down at you, Pablo noticed that your face was twisted in distain. You began moving the stone around his thighs, working in sweeping downward motions. The frown lines etched hard into your skin, eyes narrowed in concentration and slight disgust.

“Does Ferran make you uncomfortable?”

“It’s nothing I can’t handle.”

“So the answer is yes he does.” Gavi’s voice was lowering with genuine concern. He and the team, the coaches, and even the rest of the physical staff only really laughed at or brushed off your daily interactions with the player. He hadn’t realized how deeply the comments were bothering you. But now it was evident as you swallowed and started working his thigh a little harder.

“I don’t want to speak ill of your friend.”

“If he’s bothering you, you should have told me. Or someone else on the team. We could have made him stop.”

“But why wasn’t me telling him I didn’t like it enough to make him stop?”

You pressed harder into Gavi now, stone running alone the muscles in his calf. You should have been using a lighter hand, but emotion you had been suppressing for months was all bubbling to the surface.

“You’re going kind of hard on my leg…”

“Why does it have to be you or Xavi or Dr. Gonzalez? Why do my words hold so little weight? So little value?”

“Okay this is painful now-“

“Why does it have to be one of you to say ‘hey, you shouldn’t make sexual remarks to someone on staff’? You think he tells anyone else their ass looks good in scrubs? Or that he’s glad their office has a door with a lock? No. It’s just me. Because I’m a girl he can talk about fucking me in broad daylight around the whole squad, and I have to shut up and keep him happy or I lose my job. It’s just so-“

“Ay fuck y/n!” Gavi yelled out, grabbing your wrist and tugging it forcefully to get you to stop your abuse on his leg. You grabbed his other thigh with your free hand, digging your fingers into the flesh. He looked you in the eyes, and finally noticed the tears starting to form.

“I know how you feel.”

"No you fucking don't, Pablo!" You yelled back, hand digging into his thigh, the other still in his grasp. This is when the first tear finally fell. I had been weighing on you for weeks - the slow realization that you were never going to respected in the way you deserved. A part of you knew that Martin was contributing to this burden as well. The arch of his brow when you talked about sports medicine terms, the mocking smile that played on his lips. The way he had adopted Ferran's disgusting little pet name of 'nurse'. You were disintegrating from the inside, and knowing that the others thought it was a joke, that Pablo thought it was a joke, was the final straw.

Gavi could do nothing but stare. His eyes softened, taking in your slumped form. It was like watching Hercules fall to his knees. Like watch the stars were falling from the sky and hitting the Earth in a fiery blaze. Watching you, who was normally so cool, so confident, so self assured, shake with silent tears was breaking something in Gavi. The way you said his name made his heart physically ache. You rarely diverted from his nickname to use his first name. 'When you did, it usually indicated a serious tone 'Pablo' meant there was something serious, something heavy. Now that heaviness was against your throat, suffocating you, and you were tired of carrying it.

Gavi stopped thinking. He acted on impulse only. He tugged the wrist that was in his hand, pulling you in. Your head met with his hard chest, and you felt one arm circle your shoulder. You remained like this for a long moment: up against Gavi, his arm pressing you into his chest, his shirt soaking up the wetness on your cheeks.

"'m sorry. I wont let him talk to you that way anymore."

You composed yourself, pushing yourself off Gavi and wiping your eyes. You looked away, embarrassed that you'd made him comfort you - that you'd broken down in front of him.

"It's okay. I can deal with Ferran."

"But you shouldn't have to."

"It's not your job to protect me, Pablo."

You finished the rest of your job in silence. Your fingers moved expertly around his skin, working out the muscle and pressing into his flesh, a soft gasp or hiss from Gavi being the only sound to fill the room. Your anger was irrational, but you couldn't quell it. You had gotten this far in life without the protection or defense of anyone, and you weren't prepared to be coddled now. You finished quickly, wiping your hands on your pant legs and moving to grab your bag.

"I'm going to go now. Get some sleep for tomorrow's match against Betis. Good night." You tried to walk past Gavi without looking up, but he blocked your path.

"You're in my way."

"You're not leaving while you're upset."

"You want me to stop being upset? Stop pretending you give a shit about my feelings. You want to look like a man? Telling off Ferran so people think you're a good person?" You shoved past Gavi once again, and once again he moved in front of you, blocking the door completely.

"Just because you're older than me doesn't mean I'll let you disrespect me in my own house. I'm not pretending to give a shit. I do give about your comfort and your feelings because last I check, we're friends. I've been waiting to break Ferran's shins for weeks, I've just been waiting for you to say so."

"You think it would make me feel better for you to hurt a teammate? Could you be any more juvenile?"

Gavi took a step towards you, arms crossed over his chest, breathing more heavy. He looked you straight in the eye, not allowing you to break from the gaze.

"You can yell at me all you want. You can be angry at the fact that I care about you. You can punch me," he hit on his chest, "right here if you want to. But I am not a child. Don't refer to me as one. So you can go an be upset and pretend that everything I do is selfish, but you know deep down that no matter how much you push me away, I'm looking out for your best interest." He opened the door and stepped aside.

"Drive safely, doctora."

You walked to your car, turning to gaze at Gavi, who leaned against the door frame, watching you intently. You were the most confusing person he had ever met. You were stubborn and easily irritated. You refused to accept help. You were fucking frustrating. But as he watched you walk to your car, something warm filled his body. He didn't want you to leave. He wanted to rush after you, pull you into his chest again, and take you upstairs. He wanted you to see the mess in his bedroom. He wanted you to lay on the couch. And the drive didn't feel like you were going home. It felt like you had left something important behind.

The next morning you were up before your alarm. You couldn't find sleep or peace. Your words to Gavi had eaten you alive all through the night. You knew you had been too harsh, projected too far onto him, but you hadn't been thinking straight. It hurt differently to think that he was laughing at your expense. The guilt followed you around all morning as you prepared yourself for the match. You slicked back your hair, pulling it away from your face, and dressed in the slacks and pullover that all the field medics were regulated to wear. But as you sipped your lukewarm coffee, the guilt still sat in your stomach, swirling and festering and making you nauseous. So you swallowed your pride with your last sip of coffee and pressed the call button.

"Uh, hello? Am I late?" Gavi's voice asked, raspy and dripping with the remnants of sleep. He sounded like a child who was woken up for school.

"Oh no, you're not late. I'm up early... couldn't sleep."

"Why not?" Gavi was now fully awake after processing that you had called him. His heartrate elevated slowly, the sound of your voice helping the tiredness slip away from his very being.

"I... I feel guilty about yesterday. I shouldn't have taken out all my anger on you and your thigh tissue. I really appreciate you looking out for me. I guess I just wanted to say I'm sorry."

Gavi was leaning against his sink, swaying back and forth and smiling stupidly. You were thinking about him. You appreciated him. It made him swell with pride. He listened intently to the rest of your apology, hypnotized by the sound of your voice.

"There's no need to apologize doctora. I understand that you were upset."

"But I still feel bad. I was.. pretty mean to you yesterday. I want to make sure that you're not still upset with me."

Gavi looked into the mirror, smiling and dancing at your response.

"If you really want to make it up to me, I would like to cash in my favor."

You were in the process of grabbing your keys when you paused, eyebrows pulled together in confusion.

"Favor? I don't remember owing you any favors."

"La doctora, you don't remember? Let me refresh your memory. You go home drunk and don't set an alarm. I come up with a wonderful and convincing excuse for Dr. G so that you don't get in trouble. You owe me, and I quote, anything I want. Ring any bells?"

You scrunched your face and groaned in distain. You remembered rather vividly now the promise you had made.

"Alright Gavi, hit me with it. I can take it. How am I repaying you saving my job?" You heard a low chuckle from the other side of the line.

"You'll be driving me home from the stadium starting today until we break for Christmas."

"What?!"

"You'll be driving me home. Pedri is working with Adidas for several campaigns over the next month, and it'll be a pain getting home after practice. Since you know the way now, you can get there easily. And hey, you can even visit Martin afterwards."

You started your car, thinking about the ask. It was on your way home anyways to drive by Gavi's neighborhood. And it would probably make you both even after your missteps.

"Fine. We will discuss further in the stadium when I see you. Go go, prep for the match. I want us to win today."

"We are going to win for sure. Give us a harder goal."

"Don't be arrogant Gavi. See you at noon."

Matchday at the camp was always extremely hectic, but especially for the medical staff. Meetings started at 9am despite the game not beginning until 3pm. All the equipment had to be approved by La Liga through inspection. Your wardrobe was inspected as well, and once again you were told off for not removing your rings. You pulled them off your fingers begrudgingly, hearing once again the lecture about rings tearing gloves. You were already over the match by the time the players started to arrive.

You made your way to the locker room to do some checks on players with pre-listed discomforts, making suggestions to prevent injury during the game. You were greeted warmly by the players as you pulled out your clipboard and pen. You made your way around, telling certain players to wear compression socks, and instructing others to stretch in certain ways. You made your way over to Pedri and Gavi, pulling out your notes.

"Pedri, how is that right thigh?"

"Amazing, y/n. I've been using resistance bands nightly like you instructed. I feel as flexible as playdoh."

"Always great to hear. Also congrats about the expanded Adidas contract." Pedri lifted his shirt over his head and looked at you somewhat confused.

"Ah thank you but... which contract specifically?"

Gavi's eyes were wide in panic. He had forgotten to fill in Pedri about his little white lie. It was true that Pedri had some filming with Adidas, but it would take about 3 days max. There was no reason that Gavi could pinpoint that would make him lie to get you to drive him home for 4 weeks. But he did it anyways, and now he needed to make sure it didn't collapse because of a lapse in communication.

"Gavi told me you'd be filming with Adidas, so I'll be driving him home until the Christmas break."

Pedri shot a look to the younger boy, one eyebrow arched, and found the expression of desperation on his face. The smile crept onto Pedri's face, proud of his friend for finally making some sort of move with you, even if he was yet to admit it was made because of the crush he was harboring.

"Oh that's right! They have us filming a lot of content at night to show off the color of these new boots, so it's really helpful that you'll be taking little Gavi home."

The sigh of relief was almost a little too loud. Gavi would fill Pedri in later, but for now, he was glad that he hadn't been caught in the lie.

"Anytime. Now onto little Gavi himself - how is the thigh tension?" You worked on Gavi, evaluating his physical form.

"I didn't know the nurse was making house visits today!"

Your jaw clenched and eye twitched at the sound of Ferran's voice. You took a deep breath, calming your nerves, and continued to check for signs of bruising and distress, crouched close to the ground to inspect Gavi's thighs.

"Wow Pablito, got her on her knees for you? You'll have to tell me the secret."

"Ferran, you couldn't get a dog to love you if you were covered in bacon. Be quiet and get changed so you can sit on the bench for 90 minutes."

You looked up at Gavi, shocked at his response. You squeezed his thigh, causing him to meet your concerned gaze.

"Gavi, tell me to shut up again and you'll be preparing for a prolonged hospital stay."

"I'd like to see you fucking try, Torres." Gavi moved from his place, approaching Ferran, before a hand from Pedri gripped his shoulder. One of the assistant coaches noticed the argument and rushed over, eager to prevent his players from killing each other.

"What the hell is going on?"

Ferran looked at Gavi with disgust, and then turned his eyes to rest on your chest.

"I think y/n is creating an uncomfortable environment in the locker room. I'd prefer if she wasn't here." He said, smirk playing on his lips. Your face paled, the colors draining and nausea bubbling. The last thing you needed was a complaint from a player.

"She wasn't doing anything except looking at my leg. She didn't even speak." Gavi responded, voice high and a touch too loud to be respectful.

"y/n, it may be better if you leave for field inspection. Send in Antonio to continue current problem rounds."

You nodded and walked out of the locker room, feeling utterly embarrassed. All you ever wanted was to make a good impression and be respected, and it seemed that no one paid your wellbeing any mind. You bit back your feelings and went to find Antonio. Gavi was not as merciful.

"What mental deficiencies do you suffer from that would make you say that? What if she loses her job?"

"She won't lose her job. She'll get a warning because of player complaints, and then she'll come to me and do whatever I ask to get the complaint removed. Just want to watch her bend over that desk just once before they realize she's incompetent."

"Say nasty shit about y/n in front of me again and I'll kick your fucking teeth in."

Ferran wanted to laugh, but the sound died in his throat when he saw the look in Gavi's eyes. His eyes were angry, cold-blooded, and murderous.

"You wouldn't dare." He retorted, trying to regain some confidence by calling the bluff.

"We play football for a living. I can make it look like a fucking accident." With that, Gavi left the locker room, ready to be away from Ferran and his punchable face.

Normally, you loved being on the sidelines for matches. You got to watch all the action as it occurred, and you got hands-on experience with the Barca players and the visiting teams (maybe it was bad, but you prayed Joao would need medical attention when Atletico was at Camp Nou). You got to enjoy every aspect of your job, and feel like you had come a significant way in your journey. Normally. Today, you wish you were at home or in your office or anywhere but the sidelines. Word had gotten back to both the coaching staff and the rest of the team about the little disagreement in the locker room, and now all eyes were on you. Xavi gave you the normal courtesy head nod, but gave you specific instructions to stay away from the bench and the players. It was a mortifying experience, and you prayed this game would end quickly and painlessly.

Your wish was granted in the first half. The team was playing cohesively and relatively safely, with a couple fouls here and there but no injuries requiring any attention. Lewandowsky scored a goal in the 34th minute, putting the team in the lead 1-0 at the half (during which, you were asked not to be in the locker room or the tunnel). This only made you feel worse. Player complaint were the kiss of death for any aspiring professionals in sports. You get into a disagreement with a player? You're gone. Why? Because there are thousands of physios and photographers and water boys, but only onw left forward worth 48 million Euros.

In the second half, however, you did not get your wish. Areal collisions came one after the other, requiring you to rapidly check players for any sort of head trauma. In the 67th minute, Gavi assisted Pedri with an amazing goal from deep in the box. You jumped when you saw the ball hit the back of the net. Pedri did his signature goal celebrations, and after he pulled away, your eyes locked with Gavi. He raised his eyebrows at you and you returned the gesture, and then he resumed the aggressive attacking. At minute 70, you were contemplating packing your things. The intensity of the match had died down significantly. Barca were passively looking for a third goal, and were not as prone to injury. This all changed in minute 72, when the midfielder decided he hated Gavi. Dribbling with the ball, Gavi was trying to turn to give him more options to pass or dribble, but he was surrounded by three people. As he tried to break free, the Betis player's knee collided with Gavi's groin. Hard.

The sound of the collision and then the fall to the ground sounded like it was heard in the entirety of the stadium. Your jaw went slack and eyes went wide. Gavi was on the floor, unmoving. You didn't even think, using enough brain power to grab the medical bag at your side, and then sprinted across the field to Gavi. There was a crowd of players surrounding him now, creating a tight ring of people. You approached the group, placing your hands on the nearest person, and then shoving.

"GET OUT OF THE WAY! MEDIC! MOVE!"

You finally go the bodies to disperse, and laying there was Gavi, tears in his eyes and whimpering from pain. He had one arm slung over his face, and the other gripped his shirt in immense pain. When he saw you approach, he looked at you with pleading eyes, begging for anything that would stop the throbbing pain he was experiencing.

"Gavi, where did you get kneed exactly? Where is the most intense pain?" You asked, kneeling to the ground and pulling on your gloved.

"My... my dick. I got kneed in the dick and it feels like hell." He replied. He was in too much pain to be shy. His dick fucking hurt, and he wanted anything to soothe the pain as quickly as possible.

"Gavi, I'm going to touch you now, okay?" You asked, hand hovering over the area. He nodded, not fully processing what you were saying or what was happening. You placed your hand over his dick and his eyes shot open. You began to massage the area slightly, moving your hand around, trying to prevent receptors of pain from activating and working to increase blood flow to the area.

And increase blood flow you did. Gavi felt the blood begin to pool in his shorts, and now that the pain was subsiding the embarrassment was returning, he took in what was actually happening. You had one hand on his cock and balls, moving them around slowly, and one on his hip, making sure the area wasn't sensitive. You looked up at Gavi, who was still in somewhat intense pain.

"Here, give me your hand." You placed your hand atop his, guiding it to his injury.

"Keep moving your hand around where you got kneed, and we'll get you on the bench. I would give you ice but I don't think that's idea here. Can you walk alone?" Gavi nodded, and you and the medical staff cleared the field. Gavi walked to the bench himself, earning cheers and love from all the fans in the stadium. He sat on the bench, continuing to massage his bruised genitals, and trying to make his blush subside by the end of the match.

After a stunning 3-0 win, you were ready to go to bed and never wake up again. Your whole body ached, and you had gotten dizzy from the sun exposure mixed with the biting chill of late November. You were barely able to drag your body to the players area - which you still could not enter. You received an email on your phone saying that Dr. Gonzalez would speak to you personally regarding the player complaint. Just as you were ready to burst into tears, Gavi emerged from the locker room, Pedri trailing close behind.

"Enjoy the game today?" Pedri asked, pulling you out of your trance.

"Loved it. I just wish Gavi could stop running into people so I could have a better viewing experience."

Gavi took this as an opportunity to enter the discussion, groaning on about how the other teams bullied him and were extra tough on him as the three of you walked to the garage.

"See you tomorrow, Pedri." You waved, unlocking your car and climbing into the driver's seat. He waived at you, and approached Gavi to hug him goodbye. As he pulled the younger boy in he whispered in his ear.

"I don't know how you thought of this little lie, but now you're going to be alone with her every day for four weeks. Ready to admit that you like her?" Gavi let out a fake laugh, playfully slapping Pedri on the shoulder.

"I don't like her like that. I just want to relieve some burden off of you, Hermano."

"Mhm yeah I'm sure. Just try not to get hard watching her drive on your first ride home. Wait until day 4 or 5." With that, Pedri walked to his own car, getting ready to call Fernando and update him about the circus that was Pablo's love life, and enjoying only being mobbed by 1/2 the normal amount of fans.

Gavi walked to your car quickly, climbing in and tossing his bag in the back. He tried not to think about Pedri's words. He was perfectly capable of sitting next to you, his friend, without being aroused just because you were a girl. At least he hoped he was. He was not hunched over and thinking deeply. Why did he decide that this was the best way for you to repay him? It's not like Pedri had ever complained about chauffeuring him around. And it's not like he didn't enjoy rides home with Pedri, listening to Quevedo and making idle conversation. But lately he just wanted to be around you - make sure you were okay.

The ring of your phone broke Gavi's train of thought. You answered on your car's speaker.

"Hola Martin. How are you doing?"

The sound of Martin's voice twisted Gavi's intestines, making him nauseous and fatigued. He hated the sound of his voice, the thought of his face, the words that he strung together and decided to say to you.

"Hola sexy. How are you doing this evening?"

You rolled your eyes. You knew exactly why Martin had chosen to call at this time. You had texted him earlier in the day, asking if he would be home that evening so you could drop by. This had led to a brief inquisition, with Martin wondering why you wanted to see him suddenly, and why you would be in his neighborhood. Once he found out it was because you would be in a car with Gavi alone, something in his behavior switched. He suddenly wanted to be a doting boyfriend who called and checked up on you.

"I'm doing well. You're on speaker in the car. I'm driving Gavi home right now."

"Are you still coming over afterwards? I've missed you so bad." Martin whined out that last part in such an animated way that it made you want to laugh. You knew what he was doing. He wanted to assert his dominance over Gavi, and make it think that you were going to swiftly go get railed by Martin right after you delivered Gavi at his doorstep. the truth was, despite dating Martin for several months now, you two had yet to go all the way. There had of course been kissing and some heavy petting, but no articles of clothing had never his the floor.

"I'll see how I'm feeling after Gavi leaves and call you then. Bye Martin." You said quickly, hanging up the call once you took a quick look at the disgusted look Gavi had plastered on.

"I'd mock you if I didn't think I would throw up." He said, trying to be lighthearted but failing. You didn't reply, feeling slightly embarrassed that he had to listen to your boyfriend's weak attempts to prove his manliness.

"No it's okay, go ahead and mock my boyfriend who moans on the phone when other people can hear." Your laugh was also stiff and forced. The call had made the air thicker and the mood more tense. You handed Gavi the phone, instructing him to play some music so that you weren't sat in the awkward silence that Martin seemed to always create between the two of you.

"This is a lot of pressure now on me. I'm never on AUX." He says, scrolling through his music. He pressed the song, and the sound poured from the speakers.

"Enrique Iglesias? Isn't he before your time?" You asked, smiling from ear to ear. You loved Cuando Me Enamoro, and the familiarity helped release the tension from your shoulders. As the song played, you started softly singing along. You opened the cover of the moon roof, allowing more of the street light to enter the car.

Gavi turned to look at you, examining your features. Your eyes were soft, focused on the road ahead of you. Your fingers drummed against the steering wheel to the beat. You had one leg up as you drove, leaning into the door slightly. Your lips moved along with the lyrics, singing contently. Gavi could not move his eyes from the sight. Your lips forming every letter were drawing in his focus, hypnotizing him. He never wanted to look away from the soft pink flesh. His thoughts began escaping his control. He wanted to hear you sing louder. He wanted to hear you speak, watching those lips talk about anything your heart held a passion for. He wondered what they would feel like against the pads of his fingers. He imagined what it would be like to kiss them - softly at first, just to feel their warmth and softness. Then harder, to interlock with his own, to bite them, pull them, have them stretched around him, make them cry out his name.

"Pablo?"

He snapped up, giving himself whiplash. Gavi had not noticed that he had rested himself on the center console, leaning against his palm and daydreaming so deeply it drowned out the sound of your voice calling his name.

"Sorry to disturb your deep pondering, but we're here." He looked up at you, vision still rose tinted from the deep dive he had conducted on your lips. His mouth hung open, wanting to say something, but the words would not form in his head. He wanted to touch you. He wanted you to be closer. But he couldn't say it. So instead he extended his hand for a fist bump, coupled with a quick mutter of 'goodnight'. He grabbed his bag, quickly closing the door and digging for his keys.

"Gavi?"

He looked back at you. Your eyes locked for a moment. His hazel eyes conveyed an emotion that you couldn't understand. You didn't want to look away from him.

"I'll see you tomorrow, right?" There was a plead in the question that didn't escape either of you. It was a request. You wanted to see him. His eyes softened, crinkling at the sides as a smile spread across his space.

"Of course, doctora. Drive safe, and let me know when you get home."

Your eyes remained locked until Gavi shut his front door. He leaned against it breathing deeply, as you leaned your head against your steering wheel. You both felt a deep longing for the other, the feeling of "I miss you" sinking in as soon as the door clicked. But he got off the door, and you turned your engine back on, and you both ignored the feeling that something was missing.

Gavi was proud of himself. He was only half hard after leaving the car, despite the most sinful and inappropriate thoughts about your lips festering in his mind. He tried to eat, but he had no appetite. All he wanted to do was call you, text you, read your old messages. He threw his phone on his bed. He didn't understand why you now took up so much of his headspace and thought. He went to shower for the third time that day, hoping to relieve the tension permanently etched into his limbs.

You knocked on Martin's door for a third time. You had called him from Gavi's to let him know you were coming. He answered the phone out of breath and rushed, telling you to just come over, and hanging up quickly. It was night and day from the concerned lover that had called earlier. On the drive over you rationalized his behavior. Did you really have time for a boyfriend that wanted to talk to you often and be with you and have sex and sleepovers? No. You were busy and focused on advancing your career. So maybe Martin and his distance and indifference was actually perfect.

He finally opened the door after three rounds of knocking and two phone calls.

"You're here sooner than I expected." He said, cheeks slightly pink and breathing fast.

"Yeah Gavi lives really close by. Can I come in?" You asked, raising an eyebrow at his form, which blocked the entryway entirely.

"Uh," he looked over his shoulder before responding, "yeah sure. Come in." You entered his house, removing your shoes at the door. Martin had called you "backwards" the first time you did this at his house. As a person in medicine, you couldn't comprehend tracking the entire bacteria ecosystem onto the floor of his house, but it was one of those things you just agreed to disagree on.

"Making sure the other girlfriend left before letting me in?" You laughed, and he spun around quickly, grabbing you by the shoulders and leaning down to look at you.

"I know you make a lot of jokes, but this can't be one of them," he said, his tone somber and serious. "Don't ever joke about me being a cheater. It's not who I am and I am a better person than that." You were shocked by his sudden change in mood, putting your hands up in surrender and apologizing.

Gavi laid awake in bed, legs tangled in the sheets, moving from one side to the other, unable to find a single moment of rest. He checked the phone on his nightstand every couple of minutes, waiting to see your name light up the screen. Why weren't you home? It had been over an hour since you had left his house. Martin was definitely not interesting enough to keep you at his place for so long, especially after a match day. The longer he thought about it, the more the sweat pooled on his brow and the dread seeped into him. Maybe you two were having sex. Maybe you would be spending the night at his house, and Gavi would never get the "I'm home" text. He tried to calm himself, but everything irritated him. Why did you have to leave him to go to your stupid boyfriend's house? Why did he want you to tell Martin to fuck off and lay on the couch with him? Why did he want to know so badly if you two were having sex?

As with most news he got about your relationship, he heard the tip from Ansu who obviously heard it from Ferran: after three months together, you and Martin had still not had sex. After the initial 'why the hell are you guys talking about this', Gavi started to listen to Ansu's gossip as he packed his things after practice. He heard about Martin's complaints.

"Apparently, he told Ferran that she will kiss him and touch him and make him hard, then she will pull away and go home. He said first it was like exciting - ya know, being teased, playing hard to get. But now he's kind of getting impatient ya know. Ferran told him to get another girl."

"To break up with y/n?" Gavi asked a little more enthusiastically than he intended. Pedri looked up from his phone and raised an eyebrow at Gavi, but refrained from making a comment. He wanted to go home, and he knew the longer this conversation continued, the longer it would be till he could sit in front of his TV and play FIFA.

"No not to break up with her. Ferran was like 'oh you know she's wife material like she is good in front of cameras and will look nice for your Wikipedia page. But if you want to have sex just go to a girl in a club and sleep with her and then do the couple shit with y/n when you feel like it. You already set her expectations low."

Pedri swears to this day he saw the smoke rise from Gavi's ears at the suggestion that Martin cheat on you. In football and in life, Gavi hated cheats. He wanted to tell you, but was advised against it.

"Unless we hear that he is actually cheating on her, there's no need to hurt her feelings or add stress to her life."

So now he sat in bed, frustrated in more than one way, as he thought about you and Martin having sex. He closed his eyes, hoping to conjure up a new mental image, but all he saw was you. You were in the same sweatshirt and leggings that you had come over in the other day. Martin was nowhere to be seen. You were in the living room, laying on the soft leather of the couch, beckoning Gavi over.

He felt the blood begin to pool and his cock start to harden. He threw one arm over his eyes, groaning loudly. It had become a common occurrence for him to get horny when thinking about you, but usually he could will the image away by reminding himself that you two were friends and would not be anything more. Usually. Today it wasn't working. The image of you on his couch, licking your lips and calling him over refused to disappear. The tighter he closed his eyes the stronger it got.

He moved his hand to palm his aching erection through the fabric of the boxers he had worn to sleep. The you in his head was standing now, playing with the hem of your sweatshirt. The sight of skin (imaginary as it was), encouraged him further, and set his very skin ablaze. He pushed down his boxers, stroking himself slowly now. In his head now, you had slowly stripped away your sweatshirt, leaving you in a bra and tight leggings that cupped your ass in the most sensual ways. He was panting now, breathing heavily, switching between stroking his cock and playing with the head. In his mind you stripped off your leggings, leaving you in just your bra and panties for him to stare at, taking in the sight of your body. Beads of precum formed at the head, which he spread around, teasing his most sensitive nerves. He knew once he came you would disappear, and he didn't want to be without you.

The real you was in a similar position: seductive and shirtless. You were currently under Martin, shirt having been discarded somewhere in the living room as he pressed you into the couch. He broke from you to pull off his shirt, then captured your lips once again. You move fervently to match his pace. He kneaded your breasts between his hands. Rough. Everything Martin did was fast and rough. And you tried to keep up, but the only sounds leaving you were heavy breaths from exertion, not arousal.

The scene in Gavi's head switched perspectives. He was now on the couch, legs spread open, inviting you in. You walked towards him slowly, and he drank in the sight of you. You crawled onto his lap, straddling him, and rested your forehead against his. Your eyes, your lips, your breasts - the image of all three sent shock waves through his body and straight to his cock. He gripped it now. He wanted to turn to his nightstand, grab something to lubricate with and stroke in earnest, but he was afraid he would lose the vision of you.

In Martin's house, the real you was searching for an escape. Martin was kissing your neck, grinding into you like a dog in heat. After a few minutes he noticed that you had gone silent, even your breathing relaxing now. He came up to look at you. What kind of girl didn't get turned on from activities like this? He decided to switch positions so that you were laying on top of him, and he dug his fingers into your hips and ass pressing your clothed core against him. He was unmistakably hard, but you felt nothing. There was no pool in your panties or heat in your loins. You were kissing him hard but felt, well, indifferent. Like you might rather be doing laundry.

In Gavi's head, you were a puddle. He had captured your lips between his own, kissing you deeply as you rocked against him, the kiss only breaking when he hit your sweet spot, causing you to moan out. He let his hands roam your bare skin, and he could almost feel the warmth. Fingers resting on your waist, he moved with you, rutting against each other and chasing your release. He looked down at the two of you, watching the wet spot on your panties grow as you ground your clit into his hard-on. He moved to your neck, kissing and suckling until little marks bloomed on the skin. You whimpered out, and now Gavi wanted to do everything in his power to make you moan in earnest. You were looking at him with those gorgeous eyes, begging, pleading, imploring Gavi to do more. And he wanted to do so much more.

The action ended for the real you rather quickly. Martin was pushing you against him, bruising your pelvic bone as he chased his own orgasm, almost forgetting that you weren't a sex doll. You decided to help finish him off quickly and go back to your place. Maybe you would still have time for that laundry. You placed your hands on either side of his head, his face basically buried in your breasts, and you started to grind into him earnestly, rocking your hips in a way that you knew drive men crazy. Within 45 seconds he was cumming in his pants, moaning loudly, and pressing into you so hard you were worried it would leave marks. You gave him a quick kiss and tugged your shirt back on. You both exchanged words about seeing each other soon, and you walked out of his house to your car alone and unsatisfied.

Gavi was almost in pain. His cock was angry and throbbing, begging for him to stroke himself in earnest. But he couldn't do it dry, and he would rather remove his cock entirely than lose this dream of you. You were now in front of him, on your knees, touching his upper thighs. He felt the ghostly sensation on his skin as he remembered every time you pressed your fingers into the muscular flesh in your office (or on his couch). You pulled down his boxers, and his cock sprung free. You leaned over and let your tongue hang from your mouth, your drool flowing on to his cock. Gavi brought his hand up and spit in his palm, pretending it was you. He brought it back down and began stroking, long fluid motions from base to tip. You were also stroking him, looking up at him with those big innocent "fuck me" eyes, and he couldn't stop himself from moaning out.

He wanted you. He wanted you to be on your knees for him, on his lap, under him in bed. He wanted you. He had never been harder in his life. And then he got to those lips. Those pink perfect lips that spoke to him so gently, teased him, called out his name - in his mind he watched them stretch over his cock. His self restraint snapped. He brought his hand up again, spitting into his palm multiple times, and beginning to stroke his cock rapidly. He wished it was you. He wished it was your smaller hand wrapped around him, so he could guide you to stroke it in just the way he liked. He was playing with the head of his cock now, imagining your lips sinking deeper and deeper over him, looking up at him with tears in your pretty eyes.

There was no more pretending and no more care. The sheets were thrown off, the room filled with heavy breaths, groans, and the squelching sound of Gavi pumping his cock. His dream you had pulled of and was now leaving gently kisses on his cock, licking the head shyly. Your lips were red and swollen, a product of his passionate kisses and his member. Gavi was almost there. He squeezed his eyes shut as hard as he could, trying to see you, imagine you more clearly. You were alternating licking at his slit and sucking on his head. He was gone. Moans of your name mixed with "please" filled his room. He wished you were there. He wanted to feel your skin, the smooth warmth under his finger tips. He wanted to hear your voice, soft and silky and telling him how good he was going. He was so, so close. He had never edged himself this much in his life, but he wanted to keep watching you.

The dream you pulled off of the head of Gavi's cock, placing a kiss on it, before crawling back up his body. He tried to capture your lips in yet another kiss, but he couldn't. He felt you drape yourself over his thigh, grinding into the muscle there as you pumped his cock for him. He fisted his own cock at a bruising pace. He would deal with the consequences afterwards. Now he was ready to cum to you, for you. You leaned into his ear, still riding his thigh, one hand wrapped around him, and you moaned out,

"Pablo."

His orgasm washed over him in a tidal wave, knocking the air out of him. He moaned your name out loudly, filling the whole house with his sounds of pleasure. Cum landed on his chest, and he continued to pump himself through the orgasm, thinking of you and riding out his high. When it was over, he calmed himself and worked to slow his breathing. His eyes were still screwed shut, but you weren't there anymore. He was alone and covered in his own load, and he was still thinking about you.

Once he had composed himself (and his legs were stable enough for him to walk, he went to the bathroom and cleaned himself, donning a new pair of boxers to actually sleep in. Once he returned to his bed, he saw his phone light up.

[Doctora]: I just got home. Have a good night Pablo

His chest got tight again as he laid in bed, staring at your words to him. You hadn't forgotten. He set his alarm and laid down, the exhaustion from his orgasm settling in now and making his eyelids heavy. When he closed his eyes, he saw you again. This time you were fully clothes - in one of his hoodies and a pair of his sweats. You were in bed next to him, arm stretched out, beckoning him to come closer to you. Gavi hugged one of his pillows close to his chest, imagining it was you sleeping in his arms, and drifted off.

[Gavi]: Have a good night, doctora. Dream of me

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/N: not proofread because I don't feel like it. I hope you al enjoy this part! I think this is the last part of 'exposition'/ setting up their dynamic, so relationship building will start in the next chapter, so I hope you all stick with me for the rest of the story! I love hearing all your reactions in the comments, so please don't be shy to comment! Or if you're a little shy, feel free to send me an anon ask!

Also please comment if you want to be added to the taglist ok bye

*~*Taglist*~*

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