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earthtooz · 3 months

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cw: arranged marriage, fluff, neglect at the beginning, ratio falling hard, pining, ratio being jealous of aventurine, unedited bc i wrote this with my heart not my brain

my brain has been thinking about an arranged marriage fic with dr. ratio...

he isn't kind to you at first, less than happy to share a life with a mere acquaintance. he's heard about you before in passing, noting your achievements with a grain of salt because nothing about you particularly mattered to him, irrelevant against the mass of scrolls and books he needs to read.

you don't really disturb his normal routine too much. you move in to his estate with a fair share of your belongings, but none of them crowd his house too much. you have your own room, pristine guest room unearthed by your artistic touch.

aside from dinners, you don't get to see each other too much. he starts his mornings early, getting up at the crack of dawn to exercise and start his day with a hearty meal. you wake up later, partaking in a slow morning, and if you glanced out the window, you might be able to see your husband running laps around the expanse of his gardens.

you admire his dedication and routine, it's fascinating to live beside a genius. everyday, the chest table that sits in the living room changes, the black and white pieces never remaining where you last recalled. the size of his blackboard is impressive, and yet too small to fit all of the formulas his brain remembers, hands effortlessly dancing along the surface to scratch number after number.

a frequent order of his estate is chalk. a new pile is delivered every three days, and he goes through them without fail every time.

during dinner, he tries to spare some conversation with you. you don't tell him too much about your day, not wanting to bore him with your menial chores. he's only half-listening either way, so you'll feign understanding about his work when he explains what he's up to.

ratio is not an attentive husband, but he doesn't mistreat you, either. he allows you to spend his assets without too much care, doesn't police your everyday tasks, and also doesn't bat an eye at other men or women. his pursuit of intelligence is important, and your wellbeing would not come in between that.

your monotonous, distant routine changes one autumn dusk. you're perched in the front yard with an easel set up before you, the sky in front of you now a blend of pink-purple hues. he returns home earlier than you expected, carriage stopping at the front of his estate, and he witnesses you in your tranquil state.

the paint strokes on the canvas before you are skilled, and show years of dedication to the craft. you're so invested in the piece before you, that you don't even hear him approaching until he calls your name.

"the night turns colder with each minute. shouldn't you come inside before you fall ill?" the scholar greets, and you're snapped out of your creative reverie, looking over at him.

"oh, i had not realised. let me clean up here, first." you take your canvas off the easel, but to your surprise, your spouse kneels down to organise your oil paints back into their box.

"make haste, then," he urges.

during dinner, he can't help but be curious over your hobby, the stubborn splotches of paint clinging to your hands visible to him. that night, you engage in uninterrupted conversation, and discover that he's an artist himself- a sculptor. it calms him, and all the statues reside in a removed room, adjacent to his study.

despite your years of matrimony, you had never once dared enter his study, but the design is so fittingly him. it is organised (well, as organised a genius can be), with shelves and shelves filled with books, discarded scrolls lay around the room, but even then, his taste for greco-roman aesthetics are seen. roman dorics act like stands for little plants, and his many certificates are displayed, along with other achievements.

(his study is overwhelmingly filled with them. though you knew of the merit of the man you were arranged to be married to, you had never known just how expansive the list is. perhaps, that only made him more intimidating to you, standing beside a genius does not feel so light to say anymore.)

he shows you his sculptures, and though many of them are... self portraits... the likeness is disgustingly accurate. it was as if he had casted himself in plaster and displayed it proudly. you wonder how long he must have stared in the mirror to perfect their appearance.

but, there are also various other formidable statues. some of people you recognise. you compliment his skill and don't get to see the blush that spreads along his cheeks.

it seems that you've chipped a way into his heart, because between brushstrokes and chiselled marble, he falls in love with you.

ratio knows he didn't start off being the best husband, but he tries to now, and begins by being present. asks you to dine together where possible, listens when you're talking about your day, and the two of you can be seen venturing downtown together; an unbelievable sight for those who believed that ratio was romantically inept.

perhaps, an even more unbelievable sight, was the soft smile on his face that glanced at you very adoringly, and how you remained unaware of his affections.

and, maybe a jealous veritas ratio is just as unbelievable.

he is practically glaring daggers at the side of a certain blond's head. ratio has never been fond of the scheming businessman, aventurine, and is even less so of the fact that you seem so close to him, more than you are with your own husband. you're speaking with him like how one would with old friends, a peaceful visit to the markets turned sour by his presence.

when you finally, finally, finally, bid farewell to aventurine, who gave ratio a look that signified he was up to no good, your husband held your hand in his gloved one with an unforgiving grip. his mood is dampened for the remainder of the day, and is only made better when you enquire about his sudden glumness, visiting his office to see if he was alright.

you leave him with a kiss on the crown of his head, and a whisper of 'goodnight', before retreating to your chambers, and the only thought that circulates in his head for the rest of the night is you, and how he's going to sweep you off your feet.

#*ੈ✩‧₊˚ earf's ideas that i'll never write #earthtooz: honkai star rail #dr ratio x reader #veritas ratio x reader #honkai star rail x reader #hsr x reader #ratio x reader #dr ratio fluff #dr. ratio x reader

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miquella-everywhere · 3 months

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Rating the Demigods based off their Homes

Technically Leyndell is not Morgotts house but his moms, which he inherited after escaping the sewers she threw him into, but he also runs the place like the navy runs a ship, so everything is in perfect working order. Nobody has any clue who he is and I appreciate his commitment to the bit. 8/10 really cool scenery but could definitely use some dusting and giant dragon corpse removal.

The Moghwyn Dynasty is every health inspectors worst nightmare. General unsanitary setting and blood swamps, Albinaurics captured and forced to assimilate against their will, along with several war medics, and also Mohg has the body of his shriveled up half-brother in his freezer. But overall the ancient civilization that lived here before Mohg had pretty okay taste, especially since they built their city under an underground starry sky. 10/10 but only because the health inspector died and Mohg forged the health report.

Godrick snuck in after his failings at the Shattering and just straight up claimed the place as his own, so Stormveil technically isn't even his house. Also his presence alone is so rank that thorns have started festering outside of the castle. 8/10 to the Stormlords cause they've got sick sense of style, but 2/10 to Godrick because he is a literal home invader.

Radahn does not give two shits about architecture, he clearly made Redmane based off of every other fort in the Lands Between and chose function over fashion, which is fair I guess, but also kinda boring. At least he strung up the all of the swords in Redmane and gave it some flaire. 4/10 because Redmane is so basic, plus minus 1 point for the tetanus hazard.

Raya Lucaria had an architecture course as an elective and Rykard committed himself to his GPA and developed his own aesthetic. He graduated top of his class and Rennala baked a cake for him. Best day of his life. Then he went up to Mt. Gelmir and was like, "I should totally make this place my house," and then he did because nobody had the balls to stop him. 10/10 for his commitment to the blasphemy aesthetic. And props to Tannith for doing a great job keeping the foyer the cleanest place in the Lands Between, but also 1/10 for the backyard being a general crime against humanity.

Ranni follows the rule of, "if it aint broke dont fix it," which is exactly why she broke everything else in the world and then returned to her childhood home after the Shattering. Caria could definitely use some bedrooms though because where the heck does everyone sleep?? Or do anything else for that matter???? Caria: Bathroom? Never heard of it. 6/10 because the sparkly magic bits in the air are super cool but Caria Manor definitely should've been a legacy dungeon.

Miquella attended both Leyndell and Raya Lucaria architecture classes, excelling over everyone and beating Rykards score in the final exam by exactly one point, and yet has no idea why Rykard is so pissed at him. Then after disowning his dad he had the great idea to try and build a treehouse but grew his own tree first because he's an over achiever and has gifted kid syndrome. 10/10 because the aesthetic is elegant and immaculate, and everyone who has depression is trying to get there for free therapy.

Malenia went to architecture school with Miquella because she had nothing better to do and slept through every class. The most she did there was break up Miquella and Rykards final exam squabble and also couldn't care less about architecture because she's fuckin blind. Rates the Haligtree architecture 10/10 because even though she's blind, she's sure that Miquellas sense of style is very pretty. But also rates it a 2/10 because Miquella keeps stubbing his toes and tripping on the carved stone flooring even though he insists everything is fine.

The Land of Shadow is less of Messmers house and more of his eternal timeout corner. He temper-tantrumed too hard one day and Marika put him there then completely forgot he ever existed. -10/10 because the parental abandonment is so real

#shitpost #elden ring #godrick the grafted #starscourge radahn #miquella the unalloyed #ranni the witch #rykard lord of blasphemy #malenia blade of miquella #mohg lord of blood #morgott the omen king #uri posts

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ceruark · 17 days

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general yandere headcanons - ratio, boothill, aventurine, sunday

notes: gn! reader. yandere! ratio, boothill, aventurine, sunday [separate] cw: general yandere themes - obsessive & possessive behavior, stalking, abduction, manipulation, blackmail, brainwashing words: 2250 a/n: one of these is longer than the others. can you tell i have a favorite?

VERITAS believes genius comes in many forms, and you exhibit some traits that could qualify you as being one. Whether or not you're a scholar, your ability to listen intently, ponder things deeply, and uphold meaningful conversation captured his attention and landed you in his favor. He thinks highly of you, and finds himself eagerly awaiting the next time he can poke your brain about some complex topic you feel like you aren’t equipped to comment on, but do so anyway at his insistence.

His obsession with you isn't apparent at first, not even to him. He tells himself it's simply in a scholar's nature to learn more about the things that intrigue them, and you're not special just because he seeks out information on you wherever he can. His research ends up paying off when he finds out that you desire more than the quaint life you've made for yourself, and he personally extends you an invitation to Veritas Prime.

When you accept, he insists that you attend as many of his lectures as humanly possible. Even if it doesn't align with what you're studying, he convinces you to show up anyway, fabricating some argument for how it will be useful for you in the future. Normally he'd be irritated with himself for giving a lackluster lecture, but he can hardly blame himself for being distracted when he has your undivided attention for hours on end. He's addicted to it, the way your eyes lock with his, the way you hang on to every word leaving his mouth.

Not that any of this is obvious to you. No, from your perspective, he's harsh and critical, always undermining your intelligence by insisting you need additional lectures and overseeing your studies himself. Obviously, he doesn't put much faith in your competency and thinks you'll fail unless you're being handheld the entire way. He may not outright insult you the way he does with others, but his "special treatment" is enough to make you feel insecure in your own abilities.

And that insecurity is a weak point he unapologetically exploits. When he feels like he hasn't seen enough of you lately, all it takes is a few bad marks from him to have you at his side, seeking out guidance and ways to improve. The worst is when he catches you spending too much time (which is any time at all) with those insignificant simpletons you call your friends. Clearly, you have too much time on your hands. Certainly you can assist him with his latest project, no? Well, if you'd rather slack off and lose all the progress you've made so far, that's fine, too.

You'll never know what his true intentions are until he's already involved in or controlling every aspect of your life, and at that point, you can't risk upsetting him. Your future success is contingent on how content you can keep him, and in this new phase of your relationship, you hardly know how to do that.

Better get to researching.

Threat Level: 3/5 Pet Names: darling, dear/dearest

BOOTHILL loves to make you laugh— it's the thing that drew him to you. He'll do anything to keep your attention on him, not caring how much of a fool he looks so long as you keep those gorgeous eyes on him. But beneath all the flirtation and humor is a deep desperation; he can't lose you, not after everything he's already lost. He stays on your home planet for as long as he can, but he has things to take care of, so he can't stick around forever.

To be fair, he tries. He makes the first few trips alone, leaving you behind to live your life— and every minute is agony. He doesn't know what you're doing, who you're with, or if you're safe. He's glued to his phone, constantly checking the news to make sure no tragedy has struck your home planet or the cozy town you reside in. Every night he wakes up from a nightmare, the sounds of bombs ringing in his ears and the illusion of your corpse still hovering before his eyes.

The next time he visits you, he takes you. You're coming with him— you don't have a choice. He can't live without you by his side, but he can't stay in one place, either. You can fight him all you want, but he's relentless, and his fear builds up into a frustration that causes him to be a little harsh. You're weak, vulnerable, and you can't be expected to protect yourself, so he has to. When he calms down, he tries to convince you that it won't be so bad. You'll get to travel the endless galaxy with the man you'd been so taken with just a few days ago. What more could you ask for?

Trying to escape him is futile. He's probably the easiest one on this list to get away from, but don't let that get to your head: he'll be hot on your trail, so you better hope those few days away from him are worth it in the end.

But with time you'll learn there is some truth to his words; if you don't try to leave him and keep him happy, then maybe you can trick yourself into believing that this is a life you chose for yourself.

Threat Level: 3.5/5 Pet Names: beau, gorgeous, sugar

AVENTURINE is like a moth to a flame, and your capacity for intimacy is the match. You're the first person in recent memory who treats him as a person, not as a commodity or a body, a wallet or another cog in the machine. Your first interaction was fleeting, but it replays in his mind every time he closes his eyes.

He watches you for some time, learning you inside and out— partially to satisfy his desire to know more about you, but mostly for leverage. He memorizes your schedule and interests, and subpoenas documents to learn more sensitive information, such as your medical history and anything pertaining to your family. He remembers everyone you interact with, making note of who's on the sidelines and who's part of your inner circle. He sees the way you openly bare your heart to them, keeping them comforted by its warmth, and he wants it all for himself. Hasn't he been denied something so pure for long enough?

He's charming in the beginning, using one of his many masks to slither his way into your mind and heart. He showers you with compliments and gifts, leaving you flustered after every single meeting. He knows exactly what you like, so it's easy to keep you fixated on him.

When you two finally make things official, he lures you into the palm of his hand. Your rent unexpectedly went up? No worries, he can start covering that for you— it's no trouble for him, really. Someone important to you had an unexpected health issue and can't cover the bill? He's got it, anything to cause you less stress. Is he sure it's okay? Of course it is. He only wants to see you happy.

When your friends start dropping like flies and even your family starts to distance themselves for you, he's by your side through the turmoil. Fate has been so cruel to the both of you, hasn't it? It's okay, he's here for you. He's not going anywhere.

By the time you catch on to his manipulation and realize he's behind your isolation from your friends and family, it's too late. You're too dependent on him, and he knows everything about you and anyone still sticking by you. Do you dare bite the hand that feeds you? Will you try to escape? Can you afford to pay the price if it all goes wrong?

What will you wager to get yourself back in his good graces?

It’s unwise to try your luck against his. Play along, and perhaps he'll show you the face that you fell for.

Threat Level: 4/5 Pet Names: babe, doll, sweetheart

SUNDAY takes notice of you because of your carefree nature. Being so trapped in his own head about the fate of Penacony and humanity as a whole, he's captivated by the way you seem unconcerned with matters larger than yourself. While you do plan for the future and have aspirations of your own, you still manage to live in the moment and take things one day at a time, possessing a liveliness he's never quite seen before, never been allowed to have himself.

He knows about you long before you ever meet him. Nightingales line every path you walk, sticking to the shadows and noting everything about you: the places you frequent, the food you like, the type of clothes you buy, your colleagues, your route home, and the little habits you have that he finds so endearing.

When he finally appears before you, you're starstruck— how could you not be? The head of the Oak Family is seated beside you at Dreamjolt Holstery, making small talk about your day and your life and your interests when he could be speaking to any of the other high-profile guests at the bar. You're flustered from the honor of having his undivided attention, and the butterflies in your stomach only worsen when he asks if it would be possible to keep in contact with you. Of course, you give him your number, and your impromptu meeting turns into another, and from there, into more.

He's so earnest in his adoration for you that you never notice how off-putting it is that he seems to already know what you like. Surely it's just a coincidence that he takes you out to all your favorite places and gifts you things that you'd been spending months saving up to buy yourself. It's nothing more than fate that you seem to bump into him at the oddest of times, on your way back home from a night out on the town, or during the day while you're heading out to meet with one of your friends.

It's only when you agree to a relationship that you start to get concerned. Describing his behavior as "clingy" would be putting it lightly; he tries to have you by his side in any way he can, talking you into attending a party with him or asking you to sit in his office at his side while he gets through paperwork. When you go anywhere without him, he's ordering a member of the Bloodhound Family to accompany you. He seems so distressed at the mere thought of you not being by his side, nevermind the thought of you being out in public by yourself— it's not healthy for either of you. Before you can even think to voice your concerns to him, he's wrapping his arms around you and reminding you that he just worries about you. The Family has many enemies, and they would be willing to use you to get to him. He just wants to make sure you're safe.

When Robin goes missing, things take a turn for the worse. He moves you into Dewlight Pavilion, and you don't get a say in the matter. If he's home, you're by his side at all times. Anything you have to tend to at this point can be done from within the comfort of the estate, and in his presence. Even if he's not there, he might as well be; the nightingales and their pervasive gaze are out in the open now, watching as you aimlessly wander the pavilion, getting lost in the maze and growing a little more desperate each time you explore your new home. You move through the mansion with an urgency, like you're searching for something.

Like you're trying to leave.

When Sunday's suffocating protection inevitably gets to you and you try to confront him, he gives you one more chance to see things his way on your own. It's a miscalculation on his end; you snap again, only this time, you manage to find an exit. You make it back to Golden Hour, but by the time you get there, there's already a group of Bloodhounds waiting to catch you and drag you back.

When you're shoved into his office, he's standing with his back to you, hands clasped behind his back. You can hear the heartbreak, the betrayal in his voice as he tells you how hurt he is that you'd endanger yourself after everything he's done for you. Out of guilt or fear, you can't tell, but you apologize and swear to him that you won't do it again.

And you won't— he'll make sure of it. Under the light of the Harmony, all is revealed: his undying love for you, your reciprocation, and the strength of his will over yours. You see it now, don't you? Everything he does is for your wellbeing. Clipping your wings while you're on the ground is just a way to ensure you'll never fall out of the sky. You're safe here, in this gilded cage he's tailored your tastes, with a kind keeper to tend to your every need and shower you with all the affection your heart could ever desire. How could you fault him for that?

You can't. After all, you don’t even remember why you were upset with him in the first place.

Threat Level: 5/5 Pet Names: angel, dear/dearest, dove

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positivityoutsiderecovery · 1 year

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Health and ability is mostly about luck. It's not a direct consequence of making either good or bad choices. You can't always avoid disability by making the right choices, and we need to kill the widespread assumption that you can. Because if you think health and ability is fully within people's control, then you will assume that disabled people MUST be doing something wrong and/or that they are failing to do enough. And that just isn't true. This world isn't fair like that. People who do everything right can be severely disabled for life, just like people who never cared for their health can be fully abled for 85 years. Of course habits and lifestyle can affect health in some capacity, but it's mostly a game of luck and chance

#por originals #disability in general #ableism

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burntoutdaydreamer · 2 months

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3 Steps to Improve Your Characters and Make Them Three-Dimensional

So I don’t have a process for creating/developing characters (to me the process is intuitive to the point where I wouldn’t even know how to explain it), but I do have a process for revising characters that just… fall flat, for whatever reason.

I like to get to know my characters by throwing them into a bunch of different situations and seeing how they react, but sometimes that’s not enough. In these cases I need to go back to the drawing board and figure out how to make them not feel like a cardboard caricature of the role I need them to fill. Here’s the process I use, and it involves three key questions to understand what makes your character tick.

1) What is this character’s fundamental belief- either about the world or themself?

2) Where does this belief come from?

3) How does this belief hinder them, and are they capable of growing past it?

Alright, here’s what the process looks like in action.

Let’s say I have a character I need to flesh out for my story.

Character A is a middle aged coffee shop owner and the protagonist of her story. The central conflict of the story revolves around trying to save the family run coffee shop she inherited from her father when he passed away, which has recently fallen on hard times.

What is this character's fundamental belief?

Character A believes that the world is an inherently good and fair place. She believes that good is always rewarded and bad is always punished, even if the timing isn't always perfect. As such, she strives to live a virtuous life, putting as much good into the world as she possibly can. While she understands that even good people can face hard times, she believes that in the long term, if things don't work out, it'll be because she didn't put in the work needed to turn things around.

Where does this belief come from?

Character A grew up in a solidly middle class household with good parents that treated her well- rewarding her for good work, and fairly punishing her for misdeeds. Her parents gave her everything she needed, but also expected her to work hard for the things she wanted. She also had the experience of watching her father build a successful business through hard work and by building strong connections with the people in town. If we want to push this further, we could also say that this belief was reaffirmed by watching her brother ruin his own life, squandering all his money and goodwill with those around him on failed get-rich-quick-schemes and outright scams that landed him in jail.

How does this belief hinder them, and are they capable of growing past it?

Let's say that Character A recently hired a barista who seems perfect for the job. Strapped for help, she gets him started right away before getting the results of his background check. When the results come in, she finds out that he is on probation and was recently released from jail for a violent crime. Shocked, she fires him. Believing that people who end up in jail always deserve it, she can't see past her initial prejudices. As a result, her coffee shop suffers from the loss of her new star barista.

Some time goes on, and Character A encounters the barista again, and learns more about the circumstances that landed him in jail (maybe he was falsely convicted, maybe he was battling psychosis, maybe the violent act was done to prevent a loved one- anything that makes her question her initial assumptions). He then confesses that he is struggling to provide for himself and his family because no one will hire him because of his criminal record. Character A comes to realize that her belief isn't completely true, and that the world isn't entirely fair. Though it takes a lot of inner work to do so, including coming to terms with her privilege, she eventually accepts this, and revises her beliefs. She decides that even though the world isn't fair, people have the responsibility to make it fair.

She decides to re-hire the barista she fired. After doing everything she can to make things right with him, she proposes an idea she wants his help with. Together, they transform her family business into a joint coffee shop and community rehabilitation center. In addition to selling coffee, they also launch a program to provide resources to recently incarcerated individuals looking to reenter society. They'll host weekly events on job interview coaching, alcoholics anonymous, motivational speeches, group therapy, opportunities to connect with open-minded employers, and more. Their promotion of this new program enables them to secure funding from local patrons and public grants, and customers are willing to pay for more expensive coffee with the knowledge that that money will be put to good use.

Additionally, if we want to go with the brother in jail backstory, we could have this ending be an opportunity for her to reconnect with him and maybe even repair their relationship as she gets to see him in a new light.

Main Takeaways

And there you have it!

You can use this process on any character- protagonist, antagonist, side character, etc. By grounding your character's motivations and development in their beliefs, you can easily introduce depth and internal conflict while keeping everything connected to the themes and plot driving your story.

Depending on your character's role or your story's plot, the belief can be wide reaching and complex (such as a philosophy or ideology), or specific and personal (such as having to do with their self-esteem). Either way, it should always be tied to their personal experiences or observations. This doesn't necessarily mean a tragic backstory. It could be, but I encourage you not to make this your default way of creating character depth. A mundane but grounded and sincere motivation will always be more compelling than cheap, dark shock factor.

Generally, protagonists with happy endings and villains with successful redemption arcs are capable of moving past their beliefs, while tragic heroes and antagonists aren't, and this failure is usually the source of their downfall. Keep in mind that even if characters do move past their old beliefs, it will always be a difficult thing to do. It will require them to confront their own mistakes, biases, and emotional wounds, and require both internal and external work in order to fix whatever their old beliefs have damaged.

Hopefully this guide will help you approach your characters from a different perspective. Feel free to share any insights.

Happy writing y'all!

#creative writing #writing #writers of tumblr #writers on tumblr #writing community #novel writing #writerscommunity #writing advice #writing problems #on writing #writing characters #character development #writing help #fiction writing #writing tips #writing thoughts #long post #really long post

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beggars-opera · 6 months

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Hey, so we don't talk enough about A Christmas Carol as being at least a little bit about not continuing a cycle of abuse and neglect, both against others and yourself.

In the book little Scrooge is left languishing over the holidays in a boarding school for some never-explained reason, but it is made very clear that this is miserable and unfair, and that his father is doing this on purpose. His sister specifically comes to tell him that "father is so much kinder now than he used to be, that home's like heaven." This also reflects a bit of Dickens's own childhood when his father went into debtor's prison and little Charlie was forced to support his family working full time in a shoe-blacking factory at the age of 12 (which is also why so many of his books seem to have a moral of "hey, kids are people too and maybe we shouldn't make them work in the mines.")

Whatever family reunion happened after didn't work out, because Scrooge continues believing that no one is coming to save him and pulling himself up by his bootstraps at the detriment of all other social relationships is the only way forward. And the more he lives by that philosophy, the more miserable he gets, because obviously he pushes away anyone who has that hope that he lost. They threaten to break down the walls he's built and teach him that a big pile of money doesn't have to be the only thing that he can rely on, if he'd just let himself be vulnerable and have a relationship with people who care about him, because they're out there even if he's ignoring them.

There is a certain type of person still very much out there who thinks this way. "I've never been happy in my life, so no one else has a right to be either. I was abused in my childhood so it's only fair that everyone else suffer as well." We see this in parents who still try to use corporal punishment, and in wealthy people who ignore the social factors keeping others down and scream that everyone else is just entitled, that only those who suffer and scrape deserve happiness. And they especially hate the people like Fred who represent the past that could have been, who have maintained hope for the future, and seem to be rubbing their optimism in your face, when in reality they're just maintaining hope because it's the only way you can survive.

It's so important for Scrooge to actually see the impact this thinking has on both himself and multiple generations. Rich people have this weird hangup about this story because they think Scrooge is bad because he's rich. He's not, he's bad because he's a horrible person and a miser - he doesn't use his money to better anything, including himself. Salting the earth, everyone suffers here, including him. And he learns that he's going to die old and alone without ever having spent or enjoyed his money, and that his family feels sorry for him, and that the nameless masses of poor people out there that he decries so much are in fact living, breathing people, including tiny disabled kids who don't deserve to suffer just because you decided life isn't fair.

In the end he takes responsibility for actually uplifting the people in the next generation who are trying to make the world a better place and no longer punching down, because it doesn't have to be this way. So many people out there just give up hope because things are hard and they think trying to improve things is a pointless exercise that makes them look dumb. How dare you grow a year older and not an hour richer! How dare you marry for love! That's the only thing more ridiculous than a Merry Christmas! When in reality, there are plenty of people who would love to see them happy if they just had a chance.

It's really sad that, while the language used to describe it has changed, these problems still persist. That people feel so wronged and isolated that they spend their days ensuring everyone else will be as well. That they fail to see their fellow humans as fellow humans who are just as deserving of love and kindness and a roof over their heads. I don't care what time of year it is, we should all be lifting each other up rather than tearing each other down.

#long post #rant #a christmas carol #charles dickens #history #books #literature #christmas #who hurt elon musk

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wlntrsldler · 3 months

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how to disappear | luke castellan

warnings: betrayal, fluff, mean!luke for like five lines, extremely long, not canon, drug use and language, probably got some things wrong but it's for the plot; i sobbed writing this. (this might be my favorite piece i've ever written)

part 2: shades of cool

pairing: aphrodite!reader x luke

description: based on how to disappear by lana del rey

i. all of the guys tell me lies, but you don't. just crack another beer and pretend that you're still here.

"hey, angel," a voice startled you out of your thoughts. your feet were dangling over the pier as you stared out into the lake. you twisted your head to see luke approaching. a soft smile was on his face. "been looking for you everywhere."

"needed a breather," you said, scooting over so he could join you. "sometimes i forget how overwhelming being back here is."

he rolled his cargo pants up to his knees, letting the cool water touch his bare skin. "i get it. sometimes i wish i could take a break."

"you can, you know," you nudged his shoulder, "you're old enough to leave camp during the year. nobody would fault you for wanting to go away for a while."

he dug into his front pocket, pulling out a messily rolled joint and the pink lighter you gave him last summer. the heart you drew on the plastic with sharpie was starting to fade. he placed the joint between your eager lips and lit the end. he tried to ignore the sparks that shot up his arm when your fingertips brushed against his.

luke shrugged, "i know, but then who would take care of the kids? mr. d isn't really the model citizen."

you quirked an eyebrow, passing him the joint, "and you are?"

"better than mr. d," he let out a chuckle before taking a drag. luke closed his eyes as the smoke escaped his lips. he could taste your lipgloss. "maybe when you get your own place, i'll take some time off and visit you."

"i'm off to college soon," you said. "going to california. i got a scholarship."

"of course you did," he grinned. the weed didn't take effect yet. usually, when you smoked with luke, his brown eyes are hazed over by the effects, but while he was speaking, his eyes twinkled in pride. "didn't doubt it for a second."

"you'd leave camp and visit california for me?"

luke had a knowing smile on his face now, as if you were ridiculous for even asking that question. "'course. only problem would be that i'm broke as shit right now. being camp counselor doesn't really pay the big bucks, y'know."

you hummed. it was weird really, how camp was just a fraction of your life. your dad made sure that you could have a semi-normal life, or at least as normal as a half-blood's life could be, but not all demi-gods had the luxury, luke included. his dad made sure of it.

at first, luke despised you for it. why was it fair that you were your mom's favorite child while his dad barely cared enough to make sure he survived his failed quest? if aphrodite was his godly parent, he was sure that he wouldn't have this ugly scar on his face to remind him that he was nothing but a failure. she would stitch him up and make sure that he was okay.

this is not to say that luke liked any of the gods; he just preferred aphrodite above all of them. she gave you to the world, after all.

"what else is new?" he prodded, passing you the joint again after his third drag. "anything else exciting happen in your life since last summer?"

"nothing much," you coughed slightly. you didn't smoke unless you were at camp with luke. "just the usual senior year things, i guess. graduation, prom, you know."

"no, i don't know, actually," he laughed, "well, i know the idea of it. did you decorate your graduation cap? did your senior year live up to your expectations? did you have a date to prom?"

"yes, yes, and no." you pretended not to notice how luke's shoulders relaxed at your answer. "i did decorate my grad cap. my dad has it framed with my diploma. the design was my college's logo. i didn't have a date to prom because i didn't really like anyone at school. i would rather take a date i actually enjoyed the company of."

"that's fair," luke said. he took another hit from the joint. you watched the smoke evaporate into the air, the smell of weed surely sticking to your clothes. "tell me about your senior year."

"it was fun," you said, longing on your face. "it's weird to think that i'm kind of on my own now. after camp, i'll be shipped off across the country to take classes for some bullshit degree that i probably won't need because i won't make it long enough to see the workforce."

luke chuckled at that. it was morbid, sure, but he would be lying if he said that that reality wouldn't be a possibility. he didn't like to think about it much, the idea of you dying, but the life of a demi-god was unpredictable. he's surprised he even made it to eighteen.

you continued, "but i got to be a kid and i'm thankful for that. i just can't stop thinking about how this is my last summer here. i'm eighteen now. i've aged out."

"you can come back, you know," luke said. these summers with you were the only thing he looked forward to each year ever since you first arrived. "i'm still here."

"that's because if you step a toe out of this camp, they'll find you," you said, although you knew luke knew this already. he was powerful. he would attract monsters left and right and he'd be putting himself in jeopardy if he left. your suggestions for him to visit you were more wishful thinking than anything. in those moments, you let yourself pretend that you and luke were normal, that nobody would be trying to kill you if you tried to watch a movie at a theater or something.

"fair," he offered you the last hit, but you shook your head. you already felt your head spinning. "beth wants to go to college, too."

"does she?"

"yeah," he put out the joint on the wooden pier. neither of you spoke as the flame was extinguished with a sizzling sound. "told her to talk to you. you know more about it than i do."

"i'd love to talk to her. i think she'd do great in college."

"she would," he smiled, sadly. his eyebrows furrowed in thought. his mouth opened and closed a few times, like he was trying to find the right way to frame his words. you sat in silence patiently. he gulped, "i feel like everyone is moving on without me."

luke propped his elbows on his knees. he looked across the lake, watching the sunset turn into a pink horizon. he couldn't look at you while he spoke. "don't get me wrong, i'm so proud of you for leaving this place. and i'll be proud of annabeth when her time comes, but i think i just hate the fact that at the end of it all, i'll be alone. everyone in my life has a life outside of this, but i don't. this is it for me. i don't know what it is about this place, about this life, that keeps me stuck here, but i am."

you weren't stupid enough to correct him. you both knew the gods had a plan for luke. it was something bigger than the both of you, though neither of you truly knew what it was; but it was always this looming dark cloud above him, a second shoe waiting to drop. luke tried to ignore the feeling most days, but sometimes, he couldn't help but feel himself get pulled into the darkness; like in these moments, when reality hits him a little harder. you probably won't be back after this summer.

"well," you placed a hand over his own. he flipped his hand over to hold yours properly. he still wasn't looking at you. "let's just make the most out of this summer, yeah? think about everything else when we get there."

he squeezed your hand, "yeah."

ii. met me down at the training yard, cuts on his face cause he fought too hard.

"castellan."

luke winced, not because of the pain of the open cuts on his face, but because of the tone of your voice. that voice meant that he was in trouble.

he mustered up the courage to smile weakly at you, trying to ignore the droplets of blood that spilled from his open wound. "hey, angel."

"don't angel me," you hissed, marching to him. you grabbed his face gently, inspecting the damage. "what were you thinking?"

"i was thinking the kid was a bitch."

"castellan."

he cringed, "sorry."

"what happened?"

"i haven't been getting much sleep," luke whispered, "nightmares are back."

you sighed, picking up a cotton ball soaked in alcohol. the apollo kid who was tending to luke earlier was smart enough to leave the room when you walked in. you muttered half-hearted apologies as he hissed in pain. "i'm sorry to hear that, but that's not the answer i was looking for."

"he was just talking shit," luke said through gritted teeth. whatever the ares kid was saying must've been really bad because you could feel luke's anger rising again. you rubbed his back slowly until he calmed down. "don't wanna talk about it."

"okay," you resigned, finally wiping away the final remnants of blood off his face. you stared at him; even with an open lip, red bruises, and flecks of blood on his face, luke was still beautiful. he plopped his forehead against your stomach, wrapping his arms around you to pull you closer.

this was common with luke. he acted all big and bad around all the other campers, but in your presence, he turned into this; always looking for comfort, always touching you somehow, like he was finally allowed to breathe. you cradled the back of his neck as he let out shallow breaths, leaving feather-light kisses on his crown when you thought he wouldn't notice them. he always felt them, but he never let you know that he did. he was afraid you'd stop doing it if you found out.

"how bad are they?"

"bad," he sighed, eyes closing. he tugged on you to bring you even closer, though you didn't know how that was possible at this point. "haven't slept in days."

"why didn't you come find me?"

"your sisters don't like it when i interrupt their beauty sleep."

"why didn't you tell me sooner? i could've stayed in the hermes cabin."

"it's gross in there," he laughed. "you deserve to sleep on your soft bed in a cabin that smells like fucking roses, not on my cardboard thin cot in a room that smells like sweaty socks."

you lifted his head up to look at you, "yeah, it's pretty bad in there."

luke snorted, finally letting you go, but a hand stayed connected to your hip. he played with the loose thread on the hem of your shirt. "i still won, by the way."

you cocked your head, "huh?"

"the fight," luke's cocky smirk was back on his face. "you should see the other kid. if i'd been well-rested, he wouldn't have been able to land a blow."

you smacked his shoulder, laughing as you fell onto the bed beside him, "shut up, castellan."

"there it is," he mumbled, tucking a piece of hair behind your ear. he was so close to you.

"what?"

"castellan," he mimicked your voice, but there was no mockery there. he said it like he treasured it, like he was trying to memorize the way you spoke. "you're not mad at me anymore."

it was hard to stay mad at luke. the longest you'd gotten mad at him was when he didn't choose you for his quest. he stood outside the aphrodite cabin the entire day before he was set to leave, begging for you to let him explain. you were too stubborn, too hard-headed, to listen to him. when you were sure that he was gone, you finally left the aphrodite cabin to find a letter from him tucked away under the welcome mat.

you kept the letter, but you never opened it. it wasn't until he returned from his quest, on the brink of death, that you opened it. you were sitting beside his bed, eyebags darker than ever that even your mother couldn't salvage you. your eyes were stained red from crying so much.

in his letter, he explained how he didn't want to put you in danger, how he would never forgive himself if something bad happened to you because of him. your insecurities just got the better of you. you always feared that people saw you as shallow, like you didn't actually have the skills to fend for yourself. many people had misconceptions about the aphrodite kids, but not luke. luke knew that you were incredible. you just didn't resort to violence as quickly as he did.

you felt stupid then, even now, you regret how you treated him before his quest. you hated yourself for how you acted. he never gave you a reason to doubt him, to not trust him; you should've known that he had his reasons. you hated yourself for even questioning him for a second.

luke pulled you into his chest, allowing you to cuddle into his neck. the beads of his camp necklace rested beside your temple. you reached over to play with them, letting the beads thump against his collarbone when you let go. you felt luke twirling strands of your hair around his finger, gently undoing the knots that formed at the ends of your hair because of his antics. you lay there in silence, just enjoying the presence of one another. you felt luke's breathing even out, a sign that he was drifting off.

luke's words from the pier bounced in your head then. did he think that you'd forget about him after you left camp? as if you'd forget about this, about him. a life without luke castellan became unimaginable when you met him when you were fifteen. there was no version of your life that didn't have luke in it.

it was foolish to think that way, you knew that. it was stupid to let someone have a hold on you like this, demi-god or not. even your friends from home warned you about being so attached to luke, though in the version of events you told them, the stakes were much lower. to them, he was just a boy you see at summer camp a few months out of the year; he was just another hometown boy that they urged you to forget when you moved away to college so you could live your life unrestricted.

but luke wasn't just that to you and you knew you weren't just that to him either. there was something between the two of you that was hard to explain, but didn't need an explanation at the same time. even your mom noticed it. she let you know once to tell luke to stop praying to her to give you a sign whenever he missed you.

"i can't keep making flowers bloom whenever he misses you," she wrote, "it wouldn't make much sense for flowers to bloom in the winter, my child, or for flowers to bloom every second of the day."

sometimes, though, on particularly hard days when you'd miss luke, your mom made exceptions. you'd find bunches of hibiscus growing within the cracks of the sidewalk of new york city on your way home from school.

you knew luke was thinking about you then. just the thought of it made your day better.

iii. i know he's in over his head, but i love that man, like nobody can. he moves mountains and pounds them to ground again.

luke didn't know what you'd say if you found out. well, he did know, but he deluded himself into thinking that you'd listen to his reasons, that you'd actually understand why he did what he had to do. maybe you'd even join him.

percy had left camp with annabeth and grover for his quest yesterday. the air at camp felt different since percy was revealed to be a forbidden child. luke, as much as he tried to keep his resentment for the gods at bay because percy was hard to dislike, the poor kid just wanted to save his mom, felt his blood boil when poseidon claimed percy.

he hated the gods, this wasn't new, but luke struggled to understand how he was supposed to feel. he saw so much of himself in percy. he thought of his mother; her hugs that he hadn't felt since he was nine, the taste of her burnt cookies that he hated at the time, but now he just wished he could taste the burnt crisps on his tongue one last time. he even missed her frantic mumbling in the middle of the night.

luke saw a version of himself in percy, the version that had a chance at happiness. luke hated it.

it was too late, anyway. the plan was already in motion. his allegiance to kronos was set. kronos visited him in his dreams often. luke stopped calling them nightmares because nightmares are only nightmares if they happen once in a while. what made them bad dreams was when they were compared to good ones. he didn't have those anymore.

luke hadn't slept much since he stole the bolt. it was easier to think about you, about the happy times, when he was awake. he smoked more now. it helped sometimes. he would pretend your lipgloss was still on the tip of the joint and that you were beside him on the pier, trying to get away from all the noise of camp.

as he walked toward the hermes cabin, smiling cordially at the younger campers who beamed at him, he saw the corner of a pink bag against his bed. his face dropped. luke stopped in his tracks, clutching the beads of his necklace.

you weren't facing the door. your back was turned while you folded the sheets on his bed. he saw you spray perfume on his blankets. he could almost smell the sweet fragrance from where he stood. it took all his might not to run to you and hold you in his arms. it's been months since he last saw you, since last summer. luke's hands fell to his sides before he twisted his body to turn the other way.

he went to the one place that gave him comfort. with his cargo pants rolled up to his knees, he watched the sun fade into the dark sky. there was no pretty sunset tonight. luke didn't think too much of omens, but he figured that was a bad sign. and when your soft footsteps thumped against the boards of the pier, he was certain that it was.

"you damn near running away from me when you saw me was not the reaction i was hoping for."

luke closed his eyes and took a deep breath. out of habit, he moved a bit to let you take your usual spot beside him. when he opened his eyes, he was met with the face he'd thought about for months. a kind smile adorned your lips. you looked different. your skin was a deeper shade, no doubt due to the california sun; your lips were pink and torn apart, like you'd been chewing on them; but your smile was the same.

"what are you doing here?"

"sorry i was late," you said, sheepishly. you played with the small braid in your hair, "i had to move out of my dorm so i had to take a later flight."

"i thought you weren't coming back," luke replied.

"heard there's a war coming," your voice sounded small. luke knew why. he'd listened to you talk about the dreams you had for yourself for hours over the past summers. the idea of an impending war meant that those dreams would take the backseat and you'd have to fight before any of them could come true. "is it true?"

"percy, a forbidden kid, poseidon's, is trying to make sure it doesn't happen."

"do you trust him?"

luke felt his heart crumble in his chest. how cruel is he to keep you in the dark like this? when the only thing you needed to feel okay was to hear that he trusted the kid meant to stop the war?

luke's voice was hoarse, "yeah, i do. beth does too."

"okay," you placed a hand on his thigh. luke stiffened at your touch. you pulled away, embarrassed. "sorry."

"don't apologize," he placed his hand next to yours. he could feel the warmth of your skin. "i've just been on edge."

"it's just me, luke."

he didn't know how to tell you that that's exactly why he was on edge. it was you. the girl he'd been in love with since he was fifteen. the girl he told everything to. the girl who knew him so well that if you were to touch him for longer than a second, you'd know everything.

this summer, for the first time since he met you, he was glad you didn't show up to camp. he knew that the minute you were in front of him, he'd tell you everything and there was a chance you'd want nothing to do with him after it. that was something luke couldn't handle. but now you're here, looking at him like this like his actions just hurt you.

"'m sorry, angel."

"you're acting different, luke."

"'m sorry."

"i don't need an apology," you said. "i want to know why."

luke rubbed his face with his hands, "i don't know, okay?"

"you're lying to me," you were frowning now. luke was angry. he wasn't angry at you, he was angry at the whole situation, but it didn't matter. he was taking it out on you.

"gods, angel, can you just-- not right now," he groaned. you got a good look at him. his eyes were tired, shoulders slumped like he'd been carrying a weight on his shoulders with no reprieve. "i don't really feel like talking."

"you don't have to be mean about it."

he didn't feel like himself anymore. he would never talk to you like this, but there was something in him that made him snap. luke scoffed, "i'm not being mean, you're just being so pushy right now."

you blinked, pulling your hand away from his. shivers ran down your spine, "luke, what the fuck?"

"what?" he stood up. you followed suit. under the moonlight, you saw how dull his brown eyes were. they no longer carried the same glow when he looked at you. luke's eyebrows were furrowed, eyes narrowed, "i just can't handle this right now, okay? can you just drop it?"

"i'm just trying to talk to you!" you raised your voice, disbelief on your features. you walked towards him. holding his face in your hands. he was crying. you wiped away his tears. "i just missed you, okay? i just wanna talk to you because i haven't gotten to in months and i'm miserable."

he let out a shaky breath, your touch grounding him. he felt himself coming back to him. he nuzzled his cheek in your palm, kissing the flesh there as he mumbled apologies into the night.

"i missed you so much," a sob escaped your lips. luke didn't hesitate to wrap his arms around you, continuing his train of apologies into your ear. you continued, "i-i thought that you'd be happy to see me because i've been counting down the days until i saw you again and i just thought that even though the world was falling apart, we'd be the same. it's always been us, you know?"

"i know."

"and then you avoid me and run away from me and i just needed to see you, luke. i needed to talk to you."

"i missed you, too," he confessed. "so much, you have no idea."

"you have a funny way of showing it," you joked through your tears.

luke laughed. it shocked him. it was like he had forgotten how to. he hiccuped, removing one hand from around you to rub the tears away from his eyes, "come on."

selfishly, he ignored the pit in his stomach. he allowed himself just one more day to have you like this. as he lay on his bed, he held you close to him. he was overwhelmed with how much you filled his senses; the smell of your perfume, the feeling of your lips ghosting on his chest as you told him nonsense stories from college, the sound of your quiet giggles when he made some stupid joke, the look on your face in the dark, staring at him.

an unfamiliar feeling took over his body, rest, he realized it was, a while into lying in the darkness with you.

"i love you, you know that, right?"

luke didn't trust his voice anymore. he pulled you closer, hoping that that was enough for now.

iv. think about those years as i whisper in your ear. i'm always going to be right here.

"i love you."

you turned your head at the sound of luke's voice. camp was in disarray. percy was badly hurt and annabeth was frantic, sobbing about how luke was behind it all. you ran away after hearing it.

you didn't want to believe it, but it was annabeth. she wouldn't say that about luke unless it was true. you knew it killed her just the same to accept it.

"what are you doing here, castellan?"

it felt like a dagger was plunged into luke's heart. he'd heard his name leave your lips in different ways over the years; jokingly, angrily, but never like this. disappointment.

"i couldn't leave without telling you," luke licked his lips, keeping his distance. he was pressing his shirt on the spot percy broke skin. he looked down at his feet, "couldn't leave without letting you know that i love you."

"why did you do it?"

"i don't know."

"okay," you walked towards him. "when did you get so comfortable with lying to me?"

"angel," he sounded broken. "please, don't do this."

"you were wrong, by the way," you said. "you're not stuck here anymore, but i don't think the place you'll end up in is any better than this."

luke was silent.

"go, luke," you whispered. "don't make it any worse than it already is."

he nodded. this was it. you watched as he disappeared into the dark.

you were too preoccupied with your thoughts to notice it then; your mind was plagued with worry, but in the gaps of the wooden pier, a single hibiscus flower bloomed under your feet.

#luke castellan #luke castellan one shot #luke castellan x reader #luke castellan imagine #luke castellan fanfic #pjo tv show #pjo fanfic #pjo spoilers #pjo series #percy jackson #percy jackson fanfic #frances song fics #frances writes #luke castellan x yn #luke castellan x you #luke castellan x y/n

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royboyfanpage · 3 months

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Okay, let's talk about Ollie's experience with fatherhood.

I'm an Oliver Queen apologist forever, but I think that there's a tendency in fandom to go one of two ways- "absolutely perfect dad, no flaws whatsoever" or "evil abuser who shouldn't be within six miles of a child". This isn't an Ollie exclusive phenomenon, a lot of characters and topics do fall into that black-and-white mindset. But the thing is- Ollie doesn't have to be either extreme. Particularly with Roy, who most of the debate centres around, Ollie wasn't perfect! I think there's such a rich discussion point in terms of young Roy's relationship with Ollie, so much more than just That Panel. Because, in my interpretation, Ollie absolutely cared about him, absolutely saw him as a son, but also the idea of being a father is something that deeply terrified him. The idea that this literal child being dependent on him made it feel more real, if that makes sense. Coming to terms with the fact that he was responsible for another person's life was difficult for him, and so he put up this wall- hero and sidekick. A conceptual dynamic, one that's not based in reality. He can keep that distance between himself and Roy and decide what that means, he doesn't have to be a father because that word has so many strong connotations, but he can still express that he cares about Roy, in his own way. That's why he always calls Roy 'Speedy' even out of costume, that's why his first thought is that Roy's undercover in Snowbirds. He can focus on being a good mentor to Speedy, which will have a trickle-down effect to being a good guardian to Roy, right?

Unfortunately, kids' brains don't work like that! Especially not a kid who's already lost two fathers. Roy needed a stability in his teenage years that Ollie just wasn't able to give at that time. He didn't see "Ollie's nice to me as Speedy because he loves me and doesn't know how to show it", he saw "Ollie's nice to me as Speedy, which means I'm only good as Speedy". This, at least in my opinion, is a major factor in Roy’s later self-esteem issues. Roy’s constantly underestimating himself as a hero, constantly comparing himself to Dick, and pushing himself 24/7 to improve because he internalised the idea that if he’s good, if he’s the perfect hero, then he’ll be loveable. He can’t be bad, he can’t fail, he can’t back down because if he does, he’s nothing.

It’s absolutely not Roy’s fault, but also this doesn’t mean that Ollie’s an evil neglecting abuser, either. Even the best parents fuck up, and Ollie was by no means the best parent. He took in Roy as a sidekick, as a buddy, and then never really found a way to combine the ideas of sidekick and son. He assumed that Roy would be able to interpret meanings behind gestures, which is something that Roy seems to struggle with even into adulthood. I’ve talked about it a fair bit, Roy’s absolutely someone who relies on the explicit, but he’s also not someone who’ll ask for clarification, which has caused conflict in his relationships time and time again. And while it's something he has gotten better at as he's gotten older, a 12-18 year old Roy would absolutely not be able to read Ollie's motives.

And Ollie's fear of fatherhood isn't something exclusive to Roy, either. Sure, he'd gotten better at it by the time Connor and Mia entered the picture (speaking as an oldest child myself, we are the guinea pigs of parenting, I was my mum's sibling), he absolutely still expresses this with them. I mean, just look at his face when he finds out Connor's his son.

That's the face of a man who's just had the crushing weight of parenthood slammed down onto him again, the moment Connor stopped being an ally and started being his responsibility. He's scared, because Ollie absolutely does not see himself as a good father for someone to have. This was very much present during Roy's teenage years, but particularly since this is post-Snowbirds. Both in terms of Roy developing a drug addiction and in terms of Ollie's own initial reaction to it, he immediately spirals. And, since we've already established he does not know how to process things, he lashes out at Connor.

And as for Mia, he's definitely matured significantly by the time she comes into the picture, and compared to with Roy he's a lot more open with his feelings. However!

He still won't explicitly accept the responsibility of fatherhood! Despite acting like a father to Mia in every way through his actions, he still won't use his words! Even though in the issue following, he expresses a paternal protectiveness over her.

And I think Mia's HIV diagnosis is maybe one of the biggest examples of his distancing himself and hiding his feelings, particularly when Connor asks him how he's feeling about it.

He's so fine, so totally fine, trust him when he says he's fine, totally not freaking out. He's absolutely not terrified for his not-daughter, no way.

Ollie has this fear that if he gets too attached to his kids, he's gonna end up failing them. If he keeps a distance from them, then he can't blame himself when they get hurt. Is this good parenting? No! Absolutely not! But this is also the man who dresses up as Robin Hood and who chose to die rather than lose his arm. This is not a healthy man.

But he tries, he tries so hard, even if it's in his own way. And he recognises when he fucks up! And he tries his best to mend it later on!

He's not the best at showing his kids that he loves them, but he's so proud of Roy when he becomes Red Arrow. He comes back to life to save Connor. He stands by Mia's side when she gets diagnosed and becomes Speedy. He's not a great dad, but goddamnit he's trying to be.

In conclusion, no, Ollie is not the perfect father. He's deeply flawed, and his own emotional incompetency has been and always will be a point of conflict between him and his kids. But he's not some uncaring abuser, either. He's trying.

#oliver queen #green arrow #connor hawke #roy harper #red arrow #arsenal #speedy #mia dearden #arrowfam #dc comics

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canisalbus · 16 days

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It's probably fair to say that, as a child, Machete's goal was to just survive. Even as a young adult, survival obviously remained a principle goal.

But slowly, over time, he gained power, and is now a cardinal. He no longer struggles to fend off death (weakened constitution notwithstanding.) He probably still sees himself as trying to survive day-to-day, but clearly it becomes more than that, even if he's not fully cognizant of it.

I guess what I'm wondering is, besides "survival", what are Machete's goals? As a cardinal or otherwise. What prevents him from leaving or resigning his post? Does he have aspirations other than Vasco? Does he see himself as subservient to God, or is it something else?

I'd say his aspirations are pretty mundane. Security and stability are probably the biggest priorities overall, financially and health-wise. He doesn't thrive in unreliable and unpredictable surroundings. The fact that he knows he will have his basic needs met for the foreseeable future, there are people ready to prepare him a warm bath at a moment's notice, a reputable doctor to look after him, and armed guards that are never too far away, eases his mind considerably. A large part of his work revolves around routine, carefully crafted plans and immutable etiquette, with relatively few unpleasant surprises. He's so high in the hierarchy that very few people can treat him disrespectfully and get away with it.

He wants to prove that he's capable, competent and useful. His deeply rooted inferiority complex (that largely stems from the demeaning and belittling way his mentor treated him when he was his apprentice) has made him a lifelong overachiever, which in turn has served him well in his career. He's ambitious and driven but I wouldn't call him power-hungry in an egoistical way, he can come across as overbearing but it's because he's a perfectionist control freak who's obsessed with doing his job well and has a tendency to think most people around him aren't up to the task. He isn't in it for fame and wealth in itself, it's more about having a purpose that makes you worthy of respect.

On a more personal level he's passionate about reading, studying and learning. Partly because he's inquisitive and genuinely enjoys it, knows he's good at it and feels good about being good at it, but also because he wants to be the most learned, most cultured and most academic person in the room. Not necessarily for bragging rights, but to feel like being smart will always keep him one step ahead of the others and that way no one can pull the rug from under his feet.

He would never be able to afford the things he wears and the luxuries he has access to if his life hadn't taken the exact turns it did. He spent his early childhood in a monastery and was trained by a priest who valued asceticism and self-denial so he didn't have a lot of nice things growing up. Now as a high ranking church official he has more spending money than he could've imagined, and while he has an expensive taste, he oftentimes fails to enjoy the benefits of his status properly. He has a comfortable home with a massive bed, but it's not uncommon for him to sleep in his office or forgo rest completely. Even though he could be savoring the rarest most complex dishes every day, there aren't a lot of foods he likes eating. He would like to look pretty but even his outlandishly costly and carefully tailored silk garments can't redeem the fact he doesn't feel comfortable in his skin.

He can't resign because his sense of self-worth and lifestyle are tied to his job. It's the one thing he's demonstrably skilled at. He's worked himself to the bone to get where he is now and the prospect of losing it is simply unfathomable. He doesn't have ties to his biological family and his friends are few and far between, if he gave up his position he'd have functionally no one to rely on but Vasco. On top of that he does feel like he owes his life to the church and serving it to his best ability is his lot in life. His state of faith and relationship with God is complicated at best but he's nonetheless terrified of what might happen and how he might be punished if he ever chose to abandon his post.

#answered #nateynate0 #Vaschete lore

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joequiinn · 1 month

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PREVIEW | You Can Have My Hate | B.H. x reader

summary: Unfortunately, you got stuck with Billy fucking Hargrove as your partner for your final assignment in history class. Also unfortunately, Billy discovers you have a killer body underneath all those baggy clothes…

a/n: Billy is a disgusting little man and i love him dearly. as the title says, this is a preview of something i've been working on! the fic is already at 6.5k words and still isn't done, so i decided to put out a little snippet to see if there was any interest, so please let me know if you'd like me to finish the fic!

notes & tropes: fem reader, curvy + large chest reader, foul and suggestive language, canon typical Billy bullshit, awful behavior from both Billy and reader, minor allusions to sex but nothing happens (yet)

music inspo: Closer by Nine Inch Nails

preview wc: 1.9k

You let me violate you | You let me desecrate you You let me penetrate you | You let me complicate you

“Damn, little miss straight-laced,” Billy’s hooded eyes slowly crawled down your body, the corner of his mouthing pulled back in a lecherous smirk, “is that what you’ve been hiding under all those baggy clothes?”

God, you hated Billy Hargrove. Absolutely despised him with every fiber of your being. You knew you should’ve begged your history teacher for a different partner, should’ve gotten on your knees and pleaded for literally anyone other than Billy fucking Hargrove to work on this assignment with you. An idiotic football player or a bitchy cheerleader would’ve been better than this. But no, you didn’t beg and you didn’t plead, so now you were stuck, and god if this wasn’t about to be the worst couple weeks of your life.

Ever since Billy showed up in Hawkins at the beginning of last semester, you detested him. Everything about him screamed disrespectful, hateful asshole, and so having two classes with him meant you had witnessed your fair share of this behavior. Why so many girls wanted to fuck him and why so many boys aspired to be him was a mystery to you, because you could see from the start that he was a no good piece of shit.

But, in a way, you were lucky because you were literally a nobody. And nobodies went unnoticed, which meant not having to deal with bullshit from 90% of your peers. Hell, when your history teacher was pairing everyone off and told Billy who his partner would be, his response was an amused “who?” as if he didn’t believe this person - you - even existed. He had gone the entirety of the school year not having a single clue that you existed, and damn you wish it had just gone on a little longer. You literally had one more month left of senior year, one more month until you never even had to think about Hawkins High again, and the last thing you wanted was to spend half of that month in misery while trying to put up with Billy fucking Hargrove.

This assignment shouldn’t have even been worth shit to you, considering that your grade was nearly perfect and it was your last big project before graduation, but that’s where your history teacher hooked all of you - if this assignment wasn’t completed, then you guys wouldn’t be able to receive your diplomas. Or so he said to deter kids like you from flaking on it - you didn’t know if your boring old history teacher had that kind of authority, but you weren’t about to risk finding out.

And for kids like Billy? Kids who didn’t give a shit, who were already struggling to pass? The grade on this assignment was make or break. Not that it affected you any, of course - Billy could fail his senior year for all you cared. But shockingly enough, he was the one to make a point of its importance to you, the one to emphasize that he had to pass this class and graduate. It was curious to you, since you’d never once seen Billy care about school, but perhaps he was also beginning to feel the fire under his ass to leave Hawkins.

So, for the past week now, you’d been meeting with Billy at the school library, trying your best not to rip out your hair while you did the majority of the work. Hell, you could’ve told Billy just to fuck off and let you work on your own - you’d still let him put his name on the assignment and everything. But for whatever reason, you didn’t and so now you were subjecting yourself to tolerating his bullshit.

And that’s what you were doing right now, sitting across from Billy in the library and using every fiber of your being not to lose it on him. He had been particularly difficult from the moment he sat down, his foot bouncing impatiently and his expression condescending each time you tried to talk to him. He was making it very clear that he’d rather be anywhere other than here. The warm temperature of the library combined with your frustration at Billy was causing you to feel a little toasty, so you caved and tugged your large sweater over your head, leaving you in a tight, black tank top that left little to the imagination.

And said tight, black tank top is exactly what Billy was ogling, making you sneer and immediately regret taking off your sweater.

You never liked showing off your body, never liked the attention it drew you. You wouldn’t say you were self-conscious necessarily, you didn’t hate the way you looked in the mirror or anything like that. But you were very aware of how men looked at women’s bodies, and as someone who hated most forms of attention, you weren’t going to have any of that. So you wore baggy jeans and oversized sweaters, hid your frame under clothes that were always a size or so too big. It kept eyes and hands off of you, and you preferred it that way.

But damn it, it was so hot in the library that afternoon and you weren’t thinking clearly. You couldn’t believe your own stupidity - you just had to take off your sweater in front of Billy fucking Hargrove, a boy who only ever saw women as either sex pots or prudes. His lewd gaze was making you feel even more hot under the collar, but shit did you want to put your sweater back on already despite the heat.

“Will you please focus, Hargrove?” You begged in an exacerbated tone, trying to cross your arms over your chest in a way that wasn’t obvious while looking back down to the textbook open in front of you.

“You expect me to focus now, after you whipped those out?” Billy took such obvious joy in knowing that he was making you uncomfortable. He leaned forward on the table, his eyes once again traveling a salacious path down the curves of your body, “It’s Friday night, I got a pair of double D’s sitting across from me, and you’re asking me to focus on a damn essay?”

“Shut up.” You threatened between your teeth, trying not to raise your voice and draw attention. Your eyes were dark with frustration as you stared at Billy, who simply looked back at you like he didn’t give a damn, like he was just waiting for you to cave to him.

And how the hell could he tell you wore a double D?

You sank in your seat a little while attempting to cross your arms even more aggressively in front of your chest, feeling your cheeks growing red. Billy gave you that smooth, lazy grin that you’ve seen him use before, his eyes hooded as he leaned back in his chair. The feeling of his indecent gaze on your body practically made your skin crawl.

“Fine, Hargrove,” You quickly grab up your belongings and shoot to your feet, fumbling with your bag and sweater to make sure they kept your chest covered, “if you wanna be a prick who won’t focus, we’ll do this next week.”

You started to march out of the library, to retreat to safety. You didn’t like the way Billy was looking at you - it was objectifying and disrespectful and vulgar. Billy never once gave a fuck about - or even noticed - you before, but the second you remove a stupid barrier of clothing, suddenly he’s oh so interested. He was such a pig.

But shit, why was it also… kind of hot?

No, it was not hot.

You couldn’t let yourself even entertain that thought because there sure as shit wasn’t anything hot about it. It wasn’t hot that he objectified you, it wasn’t hot that he drank your body in with impropriety, it wasn’t hot that his tongue ran slowly along his lower lip as his eyes met yours with practiced allure.

No, no, no! You could’ve kicked yourself. Nothing about that should’ve been hot, god damn it.

“Oh, come on, killjoy,” Billy grabbed your wrist, spinning you back around to face him, having followed you through the library. His grip was firm as you looked between his face and hand and back again.

The library wasn’t exactly busy on a Friday afternoon, but you looked around to find that the librarian and another student both looked in your direction. It made you even more nervous to know that eyes were on you; what if you got in trouble, what if the librarian reprimands you both for being disruptive? You looked back to Billy, your brows furrowed in annoyance as you whipped your wrist out of his hold with hostility.

“I’m serious, if all you want is to slack off and look at my tits that’s your business.” You immediately clamped your mouth shut, your eyes widening slightly - that is not what you meant to say at all. Oh god, why the fuck did you say that? Shit, you should’ve just told him that you’d regroup next week, that you weren’t going to put up with him. But no, instead you said arguably the stupidest thing you could, and it was clear on Billy’s face that he was relishing in your stupid words, enjoying them even.

He looked back down at your body, luckily hidden behind your bag and sweater, “My business, huh? Sounds to me like permission to stare.”

“No.” You answered firmly; your cheeks and neck felt so fucking warm. You tried to get back on track, tried to shake off the stupid thing you said just a moment ago, “I just want to finish this project. So, go home and jack off to your Playboys all weekend, and then maybe we can actually get some work done next week.”

Despite your jabs, Billy still grinned wickedly, dipping his head a little as he took a step closer, his voice low, “So, that’s what you’re thinking about, huh? Me jacking off? You enjoying that thought?”

Your mouth opened and closed as you tried to find some quick response to that, but you couldn’t think of a damn thing to say. A sound of disbelief left your throat as you gaped with loathing at Billy for a moment. God, you felt like a damn fish trying to breathe out of water. With a glare in your eyes, you clamped your mouth shut, which seemed to be a great amusement to Billy, whose smile widened as a laugh escaped him.

“God, you make it so easy.” He said, shaking his head, “You gotta lighten up, you know?”

You sigh loudly, eyes still staring at him harshly, “Whatever, Hargrove.”

You attempt to walk away once more, but yet again Billy snatches your wrist, “Wait, wait, wait…”

“Stop acting interested in me all of a sudden,” You try to shake your arm out of his hold again, but this time Billy’s grip is tighter, “I’m not in the mood.”

“Look,” his tone was firm as he instructed, “let’s go back over to the table, get some more work done, and I’ll give you a ride home.”

Your eyes narrowed into slits as you studied his face, “I don’t need a ride.”

“You don’t have a car.” He countered immediately.

“I don’t need a ride from you.”

“You don’t, but isn’t it generous that I’m offering?”

“More like devious.”

“I’ll be a total gentleman.”

You laughed right in his face, “You don’t even know the meaning of the word.”

#billy hargrove #billy hargove x reader #billy hargrove x you #billy hargrove x female reader #stranger things

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carlyraejepsans · 5 months

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I’m wording this ask so terribly sorry.

So you know sans like the back of your hand and can pinpoint inaccurate portrayals of him but is it like that for the other members of the main cast too? Are there any characters you don’t really get in that way?

the funny thing is, as much as people think of me as a sans understander, the other members of the cast being more self-contained and confined to the narrative makes them a lot easier to puzzle out and put into context. undyne, alphys, asgore, toriel and flowey specifically. their roles are so crucial and defined by undertale's story that they almost work like the gears of a well oiled machine. not only are they characters in and of themselves, but with their backgrounds being available to the player and not left to speculation, every aspect of their personality become integral to What Happens In The Story as well.

when you take sans, on the other hand, his character is still so shrouded in lore and mystery that i do NOT doubt i'm also getting a fair bit of him wrong. he's an unknowable motherfucker. i can study his voice, what we know of him, and draw patterns in his behavior all i want, but at the end of the day there's still a good chunk of context to his character that is necessarily left to speculation. of course, we do have a LOT of lore for his character, and what that lore says seems... pretty direct, at least in terms of character goals and personality (he lost some people/somewhere important to him, he tried so hard to go home, he failed. he knows about the anomaly and it basically caused an existential crisis, however his first instinct was still to empathize with it. he takes everything life throws at him in stride because he doesn't believe in a happy ending anymore. he'll hold onto anything that proves him wrong)

you know who doesn't give you anything at all though?

FUCKING. PAPYRUS.

i do NOT get that guy. honest to god. sure, i can analyze his voice all the same, his personality and actions within the story, but papyrus is just as much of a lore mystery as his brother. with papyrus though? we get NOTHING. nada! he has the most lines out of any character and they tell you nothing about him. worse than that, what little info we get about sans' life "before" has almost no repercussions on papyrus whatsoever. homesickness who? scientific background who? knowledge of the anomaly who? sure, he's surprisingly strong and really passionate about puzzle construction. you can read into those aspects, but it's not anything that ties into any of sans' deal. which makes no sense because they're brothers, they got here together! why isn't sans' obvious baggage over his past something that connects them? at this point the only thing that makes sense to me is him being an amnesiac. which ig could tie into the whole "don't forget" motif. idfk man.

but like. that being said i can still more or less track the way he behaves around the other characters, the way he relates to them, his conflicts within undertale's main story etc. that's normal story analysis and pattern recognition. he's just... a bit trickier to puzzle out than the rest of the cast. goddamn him.

#answered asks #undertale #papyrus #sans

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annabelle--cane · 5 months

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Hey so I'm not good at subtext and I saw you posting about ep 200 of TMA being awesome. I've listened to it a few times and I'm mostly...confused? I don't understand what happened

(I mean, I get what Martin did to Jon, but nothing other than that)

Would you mind explaining why it's impactful to you?

honestly the main standout thing that makes it really shine to me is the soundscaping and vocal editing, and I've seen people take that as an indirect snide comment about the writing before but it really isn't, the entire scene in the panopticon just sounds gorgeous. the distortion and static on jon's voice, the underscoring of the statement, the way jon and martin's dialogue pops out from the sounds of the crumbling tower, it's just. aaaaaaaaaa. I find it really pleasant to listen to, if you've only listened through speakers then I'd 100% recommend trying it with headphones, it is simply very pretty and well made.

from the story side, it's beat after beat of ultimate catharsis for threads and arcs that have been set up for the whole show.

jon going ham and just really brutally killing jonah with his own hands, no supernatural influence, finally fulling snapping and, it sounds like, gutting him like a fish. it's just about the most lively and impassioned we've heard him all season, and, as far as anyone could deserve to do such a thing, he really is the person who deserved to get to do it.

jon and martin both betraying each other and making the choices that the whole story has been leading them to. jon has spent years fighting against his internalized idea that he can't trust anyone and he's the only person who's powerful/expendable/knowledgeable enough to make decisions and solve problems, and at last he submits to it and takes matters into his own hands. martin has spent years operating under the assumption that he's unimportant and incapable, and now just as he finally accepts that his choices have meaning, he sets the plan in motion that ends up getting them both killed. and jon has tried so hard to be transparent and show him trust that he underestimates just how willing jon is to go behind his back and disregard the plan completely.

and the fuckign. web lighter. I have a longstanding obsession with the mechanics of fate in tragedy narratives, and this lighter. hhh. so, fate (the web) was guiding jon & co to release the fears, but to jon's knowledge, killing jonah and becoming the pupil should have been his winning move to keep them contained. as far as he was capable of comprehending, he made all the right choices, but fate (the web) (the oppressive forces that govern all of our lives) doesn't play fair, it planned for this and cheated him. because he couldn't remember the lighter. he couldn't remember that he already gave georgie the catalyst for the explosion.

this tells me a few things: the ultimate end of releasing the fears was always going to happen, there was nothing jon could have done, but, technically, he could have adhered to the plan and lived to spend what was left of his life with martin and the rest of his nearest and dearest. but that was never really an option, was it? jon archivist sims would never have made that decision, that's why martin tried and failed to plan around it, that's why the web tried and succeeded to plan around it, it would never have happened differently. jon made his choice, it made no difference except to doom himself and the one he loves, he didn't have to do it, and it was inevitable.

and after all of that, after the web cheated him, he could still have won. he could have survived the tower collapse and kept the fears. but one of his biggest stated motives, over and over, is that he can't stand to lose anyone else, and martin is not immune to burning buildings the way he is. in an inverse to gertrude, at the last moment, he chose the barest chance for martin to survive over his own life and principles and big picture goals. he could cope with being responsible for killing the world in the abstract, but when it came to watching the person he loves most die right before his eyes, he caved and came around to martin's perspective. the other worlds can cope, he wants to save the man he loves.

#tma #answered #anons

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david-talks-sw · 1 year

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More George Lucas debunking misconceptions about the Prequel Jedi:

"Anakin killed the Jedi in retaliation. They failed him, betrayed him and didn't allow him to have a relationship, so he killed them all."

"[In Revenge of the Sith] The controversy is going to be that people expect some horrible, horrific thing to happen to [Anakin] that caused him to [become Darth Vader]. It's much subtler. It's something that everybody faces— when you're looking at yourself, you can see your good and your bad, and say, "Is this a selfish choice or is this a compassionate choice? And once I get something, what would I do to keep from losing it? Would I make a pact with the devil to keep it?" - Entertainment Weekly #785, 2004

"… some of the people had a hard time with the reason that Anakin goes bad. [...] They wanted a real betrayal, such as, "You tried to kill me so now I'm going to try and kill you." They didn't seem to understand the fact that Anakin is simply greedy. There is no revenge." - The Making of Revenge of The Sith, page 188

"The rest of the Jedi have dogmatically forgotten how to love out of fear of having attachments, Qui-Gon is the only one who knows that you can love people selflessly, without getting possessive."

"The fact that everything must change and that things come and go through his life and that he can't hold onto things, which is a basic Jedi philosophy that he isn't willing to accept emotionally and the reason that is because he was raised by his mother rather than the Jedi. If he'd have been taken in his first year and started to study to be a Jedi, he wouldn't have this particular connection as strong as it is and he'd have been trained to love people but not to become attached to them. But he has become attached to his mother and he will become attached to Padmé and these things are, for a Jedi, who needs to have a clear mind and not be influenced by threats to their attachments, a dangerous situation." - Attack of the Clones, Director’s Commentary, 2002

"Obviously, it’s a progression. But in [Attack of the Clones], you begin to see that he has a fear of losing things, fear of losing his mother. And as a result, he wants to begin to control things, he wants to become more powerful. And these are not Jedi traits. And part of this is because he started to be trained so late in life, that he had already formed these attachments. And for a Jedi, attachment is forbidden. You can love people, but you have to love them unconditionally, in terms that you can’t hold on to them." - CNN, “Countdown to the Clones”, 2002

"The Jedi are trained to let go. They're trained from birth. They’re not supposed to form attachments. They can love people - in fact, they should love everybody. They should love their enemies; they should love the Sith. But they can't form attachments. So what all these movies are about is: greed. Greed is a source of pain and suffering for everybody. And the ultimate state of greed is the desire to cheat death." - The Making of Revenge of The Sith, page 213

"Ultimately for a Jedi Knight, it’s very easy to give up. One of the things they give up is marriage. They can still love people. But they can’t possess them. They can’t own them. They can’t demand that they do things. They have to be able to accept the fact, one, their mortality, that they are going to die. And not worry about it. That the loved ones they have, everything they love is going to die and they can’t do anything about it." - Celebration V, Main Event, 2010

"The Jedi in The High Republic are the Jedi in their prime/heyday. By the time of the Prequels, they've become political and dispassionate/prohibitive."

"[In Phantom Menace] you see the heyday of the Jedi, when they are the guardians of peace and justice in the galaxy, sort of like the old marshals out West. And there's thousands of them." - Vanity Fair, 1999

"We've actually never seen real Jedi at work, we've only seen crippled half-droid half-men, and young boys that had learned from these old people. So to see a Jedi in his prime fighting in the prime of the Jedi, I want it to be a much more energetic and faster version of what we've been doing." - The Phantom Menace, “Fights”, 2001

"Jedi Knights aren't celibate - the thing that is forbidden is attachments - and possessive relationships." - BBC News, 2002

"[When Obi-Wan talks to Anakin about politicians, we learn about] the Jedi’s disenchantment with the political process, due to the corruption and the ineffectiveness of the Senate." - Attack of the Clones, Director’s Commentary, 2002

"The Jedi aren't really allowed to be involved in the political process. They're [present in the Senate when Palpatine is given emergency powers], but they can't suddenly step up and say, "No, no. You can't do that." They have to let the political process go." - Attack of the Clones, Commentary Track #2, 2002

#this was in my drafts for a while #and I noticed I hadn't shared 3-4 of these quotes yet like -the EW one -the 'disenchantment' one or -the CNN one #so I figured I'd do two birds one stone; update it quickly with the new quotes & share it #george lucas #jedi order #long post #collection of quotes #star wars #in defense of the jedi #pro jedi

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