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theoriginalcarnivorousmuffin · 3 years

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Okay but I would LOVE to here your heretical opinions on Padame if you ever want to share them or any of your other views on star wars prequel characters. Your character analysises are INCREDIBLE and really fun to read <3

Oh boy, are you sure about that? Well, the ask has been made so here, we, gooooooooooooooo!

Padme’s one of those strange characters who appears as one thing but in actuality is quite different. Because she appears as the first thing, and it’s something people really like, most people accept that at face value and if she’s not always consistent--well, she came from a series of screenplays written by George Lucas.

Padme comes across as a very noble, kind, and courageous character who is also quite politically savvy. At fourteen, against all odds, she saves her planet from invasion when the Senate did nothing, secured herself an ally in the chancellor (nevermind him being secretly Palpatine), and even after relinquishing her title as queen remains a major player in the senate for years and is seen as enough of a threat to warrant several assassination attempts (one so bad she has to be guarded by Jedi and sent home to Naboo for several weeks).

And I’m not saying she’s not any of these things. Padme is very courageous, is one of those odd politicians who... believes she stands for what she believes in (more on this later), and has a remarkable political career.

However, she’s also romantic to the point of being completely and utterly delusional, self-centered, and frankly a little nuts.

(Yeah, you knew you were waiting for me to say something terrible, WEREN’T YOU?!) Right, so what’s wrong with Padme?

Well, if you look closely at a few of her choices, the ones that never seemed to make much sense, then you can look at her other choices and... Well, it all sort of comes together.

That’s right, I’m talking about “Attack of the Clones” and “Revenge of the Sith”.

Attack of the Clones we have the very lackluster and strange romance of Anakin and Padme.

On Anakin’s end, his infatuation with Padme makes a lot of sense. She was part of the party that rescued him from slavery, she was very kind to him, and was the prettiest girl he’s ever seen in his life. Ten years later, always having harbored a crush on her memory and keeping it alive through whatever news he hears of her, she’s grown into a very beautiful woman and Anakin is by chance introduced back into her life. I get why Anakin falls head over heels for Padme, I’ll get more into this later and how their relationship has some major issues (aside from the obvious), but I understand why he marries this girl out of nowhere even when it could get him thrown out of the Jedi. (As an aside, since this is more of a Padme post, I think Anakin was spurred on in part also by the death of his mother and his massacre of the Tusken Raiders. Anakin’s life was flipped upside down in a very short amount of time, one of his great emotional ties is suddenly gone, and I think he has this internal crisis that culminates in him deciding to marry Padme. Without this, he and Padme may have become lovers, but I don’t think he’d marry her).

On Padme’s end... it’s a little less clear. Anakin has grown into an attractive young man, yes. Take out all of George Lucas’ dialogue, and maybe Padme finds Anakin very charming. However, Padme secretly marries a Jedi she’s known for three weeks. Now, I’d be a bit more forgiving of this, love is love and we can’t always think rationally, but there’s some other things.

Unlike Anakin, Padme hasn’t been spending the past ten years romanticizing her memory of Anakin Skywalker. When they met in Phantom Menace, Anakin was not only five years younger than her, he was nine-years-old. To fourteen-year-old Padme, Anakin was not then dating material and was instead this poor boy in slavery. Which means while Anakin has build up justifying this rapid romance, Padme really doesn’t. What this means is that her romance with Anakin reads a lot more like a romantic fantasy. Cute dashing bodyguard shows up, saves her life, through contrived circumstances they’re sent back to beautiful Naboo where they spend time together, only cute bodyguard is a Jedi and can’t marry, which makes their love excitingly taboo!

Everything Padme does, before and after this point, lends itself to this overdeveloped sense of romance. Padme wants to be whisked away, wants to have this secret unsustainable marriage with a man who cannot be married, she’s in love with the idea of being in love. Given how little time she spends with Anakin, how little they really know of each other, I’d say she’s more in love with the idea of Anakin than Anakin Skywalker himself. And this isn’t a bad thing necessarily, or at least not a grievous flaw, however, that’s not all.

Padme chooses to marry Anakin knowing he murdered an entire village of men, women, and children. She marries him almost immediately after the massacre of the Tusken Raiders. Note, she does not learn about this later and have to come to terms with it, she is right there. She is on Tatooine with him and sees him go to do it and then return.

Padme doesn’t take it... particularly well, that said, she also seems to shove it under the carpet immediately. She, first, marries Anakin within days after this event. She second, never really has a “holy fuck, Anakin” conversation with him. And worst yet, she never confesses to anyone else. Padme is a hypocrite and willing to sacrifice everything she believes in, albeit I believe unwittingly, for her romantic fantasy.

She tells no one about what happened. An entire village was brutally massacred, those who are already poor and oppressed and have no voice, by a man who is supposed to be a protector of all people in the galaxy. I’m sorry, Anakin, but if Padme was who you think she is then she would have to tell the Jedi Order at the very least if not the Republic. Instead, there are no consequences, only Anakin’s descent into guilt and madness as three years pass with it festering in the back of his mind. Padme does not stand for the poor, for the people, or for justice. She only does so when it does not conflict with her own interests, i.e. her actions regarding the invasion of Naboo. More, I do not believe Padme has the introspection to realize this about herself, she never realizes that not narking on Anakin was very very very bad. Three years pass and she lives the whirlwind romantic fantasy that she and Anakin both want. They’re secret lovers/spouses, meeting up at the oddest hours of the day and... This is three years of this ridiculous affair. Three years to come to terms with the fact that something must change. And then the kicker, Padme gets pregnant, and this is where the extra delusional comes in.

The child should have been a signal of the end. There can be no more secret now. Padme is having a child, presumably out of wedlock, and even if space is very very very different from our society I imagine this would be quite the scandal that could even get her thrown out of the senate. I believe Padme mentions as much to Anakin. More, Anakin is no longer a lover, he is now a father. What’s supposed to happen now? They raise this secret child, instructing them that Anakin is only a father in private, never in public?

Anakin and Padme briefly flirt with the idea of Anakin leaving the order. Anakin even wants to do so, but it... never happens. Now is the time it absolutely should happen. Yes, Anakin’s a big part of the war effort, but he could at least start talking to the Order and they could decide if it’d be a slow or fast exit.

My theory, Padme’s too in love with the fantasy. Anakin leaving means he’s no longer a Jedi, it means he’ll come to Naboo, be unemployed and be around. Anakin visiting will no longer be this romantic, fraught with the danger of being found out, passionate, short lived event for Padme. It’ll become real life. He’ll be a real, ordinary man, she’ll be a real, ordinary, woman, and that spark of romance will be gone.

I don’t think Padme wants that.

Which is why, even with the child on the way, we see Anakin and Padme continue to play out this ridiculous secret lovers fantasy. And then, of course, Anakin goes insane off screen.

Padme is told that, once again, Anakin has murdered dozens of children. Of course, this is a terrible thing to be told and she can’t process it. She needs to find Anakin and confront him, but people always criticize Lucas here and feel it’s out of character for Padme to have run to Anakin in sobbing hysterics with no plan of enacting vengence.

Frankly, I think it’s very in character. She did nothing about the Tuskens, remember? I think at the end of the day, the murder of the Jedi children means very little to her. What hurts Padme the most is that the fantasy of Anakin she married is not real. The Anakin she married would never murder the Jedi children, betray the Republic, or do any of what he’s done. And I think Padme only has that strong, iron, will when she knows the world she’s in. With the Trade Federation, her stance was obvious. Her people were being oppressed, butchered, and invaded. In this case, the world she knew no longer exists.

The Republic is gone, perhaps hasn’t existed in thirteen years, as it turns out the senator who had always been her biggest supporter was a Sith Lord. The Jedi are gone, children murdered by Anakin while those in the field are picked off by their own clone soldiers. Padme’s world has fallen apart, and I think that makes it much harder for her to be the girl we saw in Phantom Menace. In time, perhaps, she would have joined the rebellion but... I do think Padme might have also given into despair.

So, yeah, that’s Padme for you.

#ask #anon #padme amidala #star wars #star wars prequel trilogy #anakin skywalker #anti anidala #anti padme amidala #are you sure you wanted this rant?

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into-daylight-hope · 3 years

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Qui-Gon Jinn: Certified Hypocrite, Fascinating Failure, Mass of Contradictions

For starters, I am just going to let direct quotes from the man speak for itself.

Some excerpts from Master & Apprentice

Wise words.

Wait a minute...

😯😯 What the hell is happening here? All quotes are from the same man in one book.

Qui-Gon Jinn doesn't have an ounce of self-awareness and it is so hilariously terrible.

What is even better (or worse), this is perfectly in line with The Phantom Menace characterization .

I mean,

Remember when he said all this than spent the rest of the movie obsessing over prophecies, the chosen one and literally the future?

"He still has so much to learn of the living force." Qui-Gon Jinn about Obi-Wan in the council scene

After that scene

"The boy is dangerous. They all sense it why can't you?" Obi-Wan Kenobi about Anakin Skywalker to Qui-Gon Jinn

You see Obi-Wan, Master Jinn here has completely lost any sense of "here and now" between his crusade against darkness and divine mission to save the Galaxy.

This in turn, unsurprisingly blinds him to the fact Anakin is not suitable to become a Jedi. Or at least not ready to directly move on to becoming a padawan.

Anakin himself would suffer in a road that is not meant for him. But he is not planning for Anakin the child. He is thinking about The Glorious Chose One.

He is the chosen one. You all must, see it.

And yet from Qui-Gon's perspective it is Obi-Wan who doesn't understand the Living Force.

I have to say if he is truly a student of the living force as many fans claim he has been failing the class for at least 8 years.

Let's move on to another set of entertaining and horrifyingly oblivious quotes from M&A.

If you look upward you can observe Mr. Here and Now in his natural habitat.

He really acts like future is set in stone than thinks he is the right person to talk about about concentrating in the moment. Unbelievable.

Let's look at this dialogue again. In contrast with the excerpt from above.

He is all about the future when it suits him. But when Obi-Wan makes a remark on it he obviously should just focus on the moment. This is actually the third time in this post where he contradicts himself while specifically chastising or criticizing Obi-Wan for something Qui-Gon actually does.

Now I don't think Qui-Gon acts with malice. But it is important to point out his obliviousness has become a way of ensuring he is never in the wrong.

He suffers from an immense hubris. And a man obsessed with prophecies and chosen ones definitely has some kind of savior complex.

But notably Jinn doesn't actually want to put any effort into enacting real change with his limited yet existent capabilities.

He turns down a council seat in M&A because he thinks it would hold him down. From what? Dear God, the reason they offered him a seat was for different opinions. Qui-Gon can complain all he wants but one time he actually had a chance to make his opinions a reality he freaking bailed.

Why? He doesn't want to face his own limits. He can't bare to try and fail. It is much easier to sustain a superiority complex when you are complaining from the sidewalk.

So he fixates all this belief onto prophecies, visions that will magically cure the Galaxy. And of course his place to help fulfill them. To the point where it is the one thing that keeps him standing.

He has binded meaning of his life and belief for goodness dangerously close to his supposed importance in the Galaxy. (You can feel the influences of his former master)

His absolute refusal to engage with reality turns him into mass of contradictions. Cause he doesn't know what he will find or become if he is mistaken in his belief of himself.

He can't face reinvention on the event of defeat.

But this situation was different. It had to be, because the only thing Qui-Gon knew to be absolutely true was that his vision was real.

Oh by the way, it turned out he misunderstood the vision. But when does being wrong ever stopped Qui-Gon Jinn?

No words.

Only Qui-Gon could have come near declaring himself a prophet after making a mistake. Maybe stop and reflect man? Just stop and think about your actions.

Obi-Wan Kenobi: I have a bad feeling about this.

Qui-Gon Jinn: I don't sense anything.

Of course you don't.

Honestly he doesn't have much to speak for in the cosmic force department either.

(There is the whole force ghost thing I guess. But I have no idea if that is more connected with living or cosmic force. It seems to be more about spiritual enlightenment. Which is ridiculous when you consider Yoda had go through so many trials, face his darkside, learn to truly let go just for Force priestesses to deem him worthy enough to study immortality. Yes Qui-Gon never became a force ghost but he had started his training before he died. And much of Yoda's tests on TCW was about self-awareness. It is not just about being a good person. How did Force Priestesses approve Qui-Gon "I was meant to misinterpret this vision." Jinn? I would understand if he became wiser after death and faced his flaws and all but he never was on that level before he died. You might say even Anakin became a force ghost. But I would remind you, Anakin in the end broke out of denial, acknowledged the wrong of his ways and took that leap to the light side. Self-awareness seems such an important key to becoming a force ghost. Right there with selflessness. Personally it doesn't quite feel right for a character whose biggest flaws are their lack of introspection and hubris which we never see him rise above to be the one that discovers immortality again. It feels more like a rushed plot point to explain how we get from A to B.)

This post got out of control 😂. I honestly just wanted to point out lack of communication might be one of the reasons Obi-Wan and Qui-Gon have trouble understanding each other but it is sometimes even harder to understand Qui-Gon when he actually says something. Cause ration is not what drives him.

Qui-Gon is such a complex character. He is undeniably good especially compared to other SW characters. Yet for all fandom's deifying he might be the most flawed Jedi we see on the franchise. (The ones that fell to the dark side not included.)

It is a shame wider fandom completely write off his flaws to the degree I can't even recognize the character when they talk about Jinn. Cause that Qui-Gon is so hard to feel empathy for.

When people constantly make statements like "He is The Wisest sw character." his hypocrisy stops being amusing. It doesn't end on screen or page instead often used to bash other characters.

An unbelievable analysis from Wookiepedia:

When Jinn saved the Gungan exile Jar Jar Binks, who in turn swore a life-debt to him, his compassionate nature was such that Jinn took the hapless Gungan under his wing, much to Kenobi's dismay. His empathy toward all life forms, including the most pitiful and unfortunate, was Jinn's greatest strength. Additionally, he remained understanding and patient with Queen Padmé Amidala. During the short time they knew each other, he never asked for her to do more than she was willing to.

You know out of the two, Qui-Gon was the one who insulted Jar Jar to his face. And he didn't took Jar Jar under his wing. They forced him to take them to a city where Jar Jar could have been punished for entering. Now it was the pragmatic thing to do. For all three's survival not for their own gain. Understandable. But compassion is just pushing it.

Also he never asked Padme to do more than she was willing to do?

Padmé : Are you sure about this? Trusting our fate to a boy we hardly know? The Queen will not approve.

Qui-Gon Jinn : The Queen does not need to know.

Padmé : Well, I don't approve.

And he is aware she is the queen, herself. Padme was nearly tearing out her because of this man in TPM.

What is weird, Jinn in his bewildering hypocrisy probably thinks he is being admirably compassionate with Jar Jar, highly understanding and patient with Padme. We clearly see he is not.

Out of universe he has been a force ghost for decades now but fandom is nowhere near acknowledging his flaws than he is.

And honestly SW doesn't have that many major morally complex characters. People like Maul, Palpatine, Anakin,Ventress don't think they are serving a higher purpose or oblivious to the evils they commit.

Emotionally complicated, yes. Going through moral dilemmas, no.

Three major characters come to mind who make huge mistakes, condone or commit atrocities while thinking they are in the right/with good intentions/for a greater cause. With varying degrees of culpability.

Qui-Gon. Padme. Dooku.

In that order.

Let these characters be interesting instead of demonizing nearly inhumanly selfless Jedi characters. (They make mistakes too but funnily enough they are still way better beings than most people on our planet.)

By the way I found the epitaph "Fascinating Failure" from the article here. Especially the last paragraphs make some interesting points. ⬇️

👀

This post might seem harsh but that is expected since it focuses on Qui-Gon's flaws.

"People are more than their worst act,” Quote from Qui-Gon Jinn in Master & Apprentice

#qui gon jinn #Qui-Gon Jinn #obi wan kenobi #Obi-Wan Kenobi #meta #character analysis #pro jedi #in defense of the jedi #long post

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kitsunabi · 3 years

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Now that webtoon appears to be coming back for Remarried Empress I can finally analysis dump on the 2 antagonistic wannabe love interests!!! Wahooo!!! This one’s gonna be for all you Trashta-haters.... or lovers... i don’t know. I’m just gonna wail on her for a bit and then kinda compare her with Krista. Beware of mild to moderate spoilers!

Rashta is super interesting as a character because she’s not a stereotypical villain (yet), but she is HELLA dumb when it comes to long term plans and the big picture. She has none and is super tunnel visioned. Deep breaths and lets dive!

One of her biggest initial flaws in the beginning is depending so much on Sovieshu’s title as emperor. She thinks that no rules can apply to royalty. It could be a result of her actual slave upbringing to have such a stereotyped view of nobility but it gets her nowhere. Her first, absolute first job after getting into Sovi’s good graces would have been to secure her personal standing. I’m not saying getting a title or becoming queen, I mean acquiring and nullifying her slave verification documents. This first step would actually save her from one of the upcoming story arcs that plagues her. Sovieshu has the power to procure those documents and she uses her time to....antagonize Navier???? She can learn as much about etiquette and general education as she can and dress as beautifully, but if her owner comes a-knocking, she has zero protections legally and in the face of the law, Sovieshu would have to solve THAT problem too. We know enough about Sovi that while he may be a terrible husband, he at least has a decent socio-political head on his shoulders. It would put him in a awkward position of needing to publicly address the fact that his empress is a runaway (not ex!) slave. If he denies knowledge, it paints him as inept and if he says that he knows about it, others can see him as thinking he’s above the law.

Speaking of antagonizing Navier, that’s just about all she does in her time at the palace for the entirety up until the divorce. In general, no wife wants to see the active mistress much less treat her like a little sister?? Rashta, in all her time at the palace with Navier, did not mind her own lane. Folks can chalk it up to her innocence and naivete but its a terrible short term plan one-up Navier. She has no official backing socially or politically, no money, no education and her personality and the way she thinks is inherently venomous to boot. Her time would have been better spent finding staff and servants who are true and loyal to her. It’s a slow start, but can 100% turn the tide if she needs a backing.

(As a sidenote, this is exactly how Navier wins over the Western Kingdom. She secures her position, weeds out those who may be disloyal and replaces them with her own, and makes very calculated displays of acquiescing to the current ruling party’s social ticks. Not to mention, she is actually extremely capable in the political sphere.)

And onto: The Pregnancy. This is wild to me (tho I kinda get it) that she would attempt this again when it’s proven to not work. She keeps thinking that a pregnancy will protect her. Baffling. It will only protect her for as long as she’s pregnant, after all, its the baby that’s important to these men not the mother. She’s already done this once in an attempt to jump out of her slave standing by sleeping with the son of Viscount Lotteshu. The line that she takes away from that relationship, “I thought you were stuck in quicksand Rashta... that’s why I wanted to save you, but I was wrong. I love you but i don’t want to change my life for you.“ I don’t remember if it was later down the line or a translation discrepancy but the line also becomes, you are the quicksand, as well. It’s a very telling line to the kind of person Rashta is and how she is perceived by others. Rashta at her core does not uplift herself and those around her. If she’s in a difficult situation, she will cry out that everything in life is out to get her, then make it someone else’s problem.

Another warning for actual upcoming story spoilers below so stop if you don’t want to know the drama.

And finally, because I don’t want to delve too deeply into actual spoiler territory. We get to see all her short term plans come to bite her when she actually becomes empress. Those close to her learn quickly that she’s all beauty no brains. She does a wild job of creating servants by bribery and hiring actual terrible no-good people who are meant to be and stay in jail. Money and power ebb and flow depending on the situation and she thinks she can always stay on top? To keep a hold on her grumpy band of servants? Unbelievable. Her true point of no return is when her stash of feathers is found accidentally. Her servant has no idea what it is and hasn’t even connected any dots yet and Rashta immediately creates a ruckus and orders the girl’s tongue cut out. Holy shit girl. Appropriately, it’s also what puts her on Sovieshu’s watch list but she only gets WORSE from there.

#remarried empress #jaehon hwanghu #The whole thing is under a spoiler cut just in case but the last paragraph is actual story spoilers fyi #I made 2 warnings just in case #I can do this for comics I like to read all day lol #Krista's is gonna be next! and I will link the 2 together as they are meant to be compared #also I GET it Rashta's life sucked in that she had no control over it but you can turn a new leaf not get WORSE with each passing decision #cool story still murder really definitely still applies #and ESPECIALLY so for Rashta

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geekgirles · 3 years

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Mirrors

Considering Lies premieres tomorrow, I thought it would be best to upload this now.

And here is part 2 of my analysis on Kagami acting as a reflection of both Marinette and Adrien. This time I’ll be discussing how Kagami is a foil to Marinette and vice versa.

Part 1

Marinette & Kagami

It’s undeniable that these two have as many similarities as they do differences. In a way, they are both as alike as peas in a pod, as they are opposites from each other. And no, the irony of this duality is not lost on me.

Just like Kagami needs to be similar to Adrien for him to bond with her, she also needed to be similar to Ladybug, and by extension Marinette, for him to develop an interest in her.

Both of them are strong, confident, capable, and independent girls who will not hesitate to jump into action if the situation calls for it. Both are also kind and loving, and they care greatly for their friends and loved ones. And have many physical similarities as well. Both are of Asian descent, their hair as it’s pictured in the show is very similar, both have pale skin and freckles, the colour red is very present in both their colour palettes (the difference being that red and black are present in Kagami and Ryuuko’s colour palettes, while in Marinette’s case it’s only there as Ladybug)...

Come on, don’t pretend you don’t remember that theory about Adrien thinking Kagami was Ladybug when the trailer for Riposte first came out.

But just as they have many things in common, they are also incredibly different on their approach to certain things. So different, in fact, that one’s weaknesses become the other’s strengths.

Insecurity:

Now, what really tells Marinette and Kagami apart is their confidence as civilians.

If we compare their “introductory” episodes, there is a clear contrast between the two.

For this we’ll be counting Origins as Marinette’s debut. When the episode starts, Marinette’s demeanour is a stark contrast to the optimistic personality we’ve grown used to. From the moment her alarm woke her up to Sabine’s words of encouragement, Marinette was already defeated. Having spent four years in a row as Chloé’s punching bag had really taken its toll on her, and she believed that year would be no different.

Unlike the Marinette we were familiar with up until that point, who, not only confronted Chloé on a regular basis, but was also brave enough to sass her, the moment she made it clear she wanted the seats behind Nino, Marinette just went along with it and took what now are Chloé and Sabrina’s current seats. And she didn’t get any more confident until Alya spoke up and befriended her.

At the same time, in both parts of the episode, it wasn’t until things were dire that Marinette got a grip of herself and accepted that she was Ladybug and it was her duty to protect everyone. And yet, she still needed Chat Noir’s support to finally become the superhero she is today.

Kagami, by contrast, showed a great level of confidence in Riposte. The only time she looked insecure was before getting akumatised, when we got a glimpse of her lonely life and the high expectations that were set on her. But other than that, she arrived at M. Argencourt’s class and immediately asked to face off against his best student.

Kagami was well aware of her worth and talent as a fencer and was not going to settle for anything less than the proper chance to show off her skills.

During her match with Adrien her strikes were fast and precise, her focus, unwavering, and her movements fluid but intense. So when the match came to an end she was anxious to see she had proven herself as the superior fencer, for she spent her whole life honing her skills to prove just that.

Kagami takes great pride in her skills and who she is as a person. So it is to be expected that an exaggeration of that pride would be apparent as Riposte, where they turned into arrogance and a sense of superiority.

Of course, another crucial aspect reflects on the relationship each has with Adrien.

As Kagami herself pointed out in Frozer, Marinette is incredibly insecure when it comes to Adrien. Because her crush usually manifests itself in her getting tongue-tied, bouts of clumsiness, and embarrassing herself in front of him, she is very reluctant to be honest about her feelings for him. Because all that only gives her more reasons to worry and fear she’ll be rejected.

There’s also the fact that they don’t get to spend much time together. Marinette’s anxiety in Backwarder was fuelled by the fact that Kagami would get to spend a lot of time alone with Adrien in a memorable setting. Add to that all the fencing lessons Marinette knows they’ve had together, and the date she had no choice to witness, and it all becomes very painful to her.

In other words, Marinette knows that, logically speaking, Kagami has more chances to get together with Adrien than she does, which only makes it harder for her to admit her own feelings.

By contrast, Kagami knows her worth. She knows she’s talented, she shares lots of things with Adrien, they spend time together, and he even confided his insecurities in her.

To her, being with Adrien just makes sense. Her whole life she’s been told to achieve her goals, no matter the obstacles; and her feelings for Adrien should be no different.

Recklessness:

We’ve already mentioned Kagami is more reckless as Ryuuko than as a civilian when we compared her to Adrien. But it’s worth mentioning that the situation inverts itself when compared to Marinette.

One of Marinette’s biggest flaws is her impulsivity. Being impulsive has led her to some terrible consequences, but while that trait sometimes transfers itself to her role as Ladybug (Bubbler, Volpina), most of the time Marinette’s civilian self is the one rushing into things, as opposed to Ladybug, who’s a master at strategising.

I wholeheartedly believe that’s the writers’ way of “balancing things out.” Adrien, as himself, doesn’t make mistakes often. Furthermore, the few times he’s been the cause of someone’s akumatisation, he was never directly responsible for it. Some other factor played a role: like his fans getting in the way of Gorilla when he was looking for him, the fact that the decision of his match with Kagami fell upon Marinette, who had never before practiced the sport; his father’s need to cover his tracks…

His biggest mistakes he makes as Chat Noir. Why? Because he doesn’t have to be the golden child, so he doesn’t have to be as cautious with his actions. To put it simply, Kagami’s the same.

Meanwhile, Marinette is painfully aware of the heavy burden she carries on her shoulders as Ladybug. Her very first mission went wrong because she made a mistake and didn’t purify the akuma! So she’s learned to be focused and to take her job seriously. Because when she does make a mistake as Ladybug, it hits her hard.

Just compare her usual demeanour to how she acted as Lady Noire! It’s the first time that I can think of that she was genuinely having fun while saving the day! She said so herself: “It’s a lot easier on the shoulders.”

As Marinette, however, that’s usually when she gets to make mistakes. Since her parents aren’t controlling and she’s lived a normal life until the day she helped Master Fu out, her civilian self is usually when she can afford to be herself, make mistakes, and just be a normal girl.

Her secret identity is where her freedom is. At least until she became the new guardian...

I know I haven’t talked a lot about Kagami, but that is because with the parallels between Adrien and Marinette it’s pretty much explained.

Moving on:

As I mentioned when I elaborated on this same aspect with Adrien and Kagami, Marinette has less trouble moving on from him than Kagami.

I know this might seem a bit contradictory with the way she suffered over her unrequited crush on Adrien in the season 3 finale and the New York special, and it’s true. Marinette is hurting immensely over her feelings for Adrien. But she actually has less trouble than Kagami because she has at least tried to move on!

Among the several factors that set Marinette apart from Adrien’s other suitors (beside the fact that she is the girl he’s in love with or that Chloé and Lila are actually antagonists) a crucial one is that Marinette always puts Adrien before herself. And if that means letting him go, so be it.

Every time Adrien himself expresses a desire to be with somebody in front of Marinette she immediately tries to comply with his wishes and help him be with that other person, not once confessing how much that hurts her. She probably doesn’t say anything either because she doesn’t want Adrien to worry about her when he should be focusing on that other girl.

Deep down, both Marinette and Kagami try to do what’s best for Adrien.

But while Marinette thinks the best she can do is step aside and let him go (not knowing the best she could do is be honest with her feelings for him because that’s the only thing that’s keeping Adrien from realising his own feelings for her), Kagami believes she is what’s best for Adrien.

And because she believes they are meant to be, she keeps pushing and pursuing him even when it’s obvious they’re not on the same page. Adrien is comfortable around her on a platonic level, but the moment they try to go for the romantic route, he hesitates. Because deep down he knows he doesn’t care about Kagami the same way she cares about him, but he keeps trying to move on from Ladybug instead of being honest with himself and Kagami.

Just like Kagami prefers to wait until he feels the same way about her before acknowledging that might never happen and letting him go.

Which could play an important role in Lies...

That is the difference between Marinette and Kagami. While Marinette pulls herself away from Adrien, Kagami pushes forward.

Connection with Adrien:

This is where Kagami truly has the advantage over Marinette. She gets to share many more things with Adrien than her.

Besides their very similar backgrounds, their own parents’ partnership allows for many instances where it can be just the two of them. Adrien is the only friend Tomoe fully approves of, while Gabriel only really encourages his son’s friendship with Kagami over his other friends because that will strengthen whatever deal he’s got going on with Tomoe.

And so, Adrien and Kagami are together in fencing, they go to London together, they spend their time together at the premiere of Ladybug and Chat Noir’s movie, they get to sneak out together and have fun!

Marinette, on the other hand… she doesn’t get to do any of that with Adrien.

She only ever spends some time alone with him either because it’s an extracurricular activity (the gaming tournament, their fencing session in Riposte) or because they happen to stumble upon each other (Gorizilla).

It was precisely that that got Marinette so down in Glaciator. Seeing how she was the only one that was alone when they were all supposed to do one of Paris’ most romantic activities together reminded her of just how far away from her Adrien actually is. And it’s precisely his unavailability that leads her to find some solace in Luka, who unlike Adrien is always there for her, because he can be there for her!

The amount of time they spend together has brought Kagami and Adrien close, which doesn’t go unnoticed by Marinette.

Having said that, things are much more different when we analyse the way Adrien acts around the two…

Adrien’s relationship with them:

Despite Adrien’s similarities to Kagami and the many chances he has to be with her, it’s actually Marinette who’s higher up in his priority list and whom he’s more comfortable with.

Adrien cares for Kagami and is clearly doing his best to try to have a good relationship with her, but for better or worse it’s Marinette who always comes first.

The best example of this would be Frozer.

Adrien was trying his hardest to have a good date with Kagami and give her his full attention, and yet, the moment he saw Marinette fall or get out of the ice rink looking dejected, he immediately went to check on her. He ditched his date twice for Marinette’s sake.

Not only that, but there’s also his reaction to any of them getting hurt because of Lila. It was Lila hurting Marinette that pushed him over the edge enough to threaten to cut ties with her unless she undid what she’d done and get Marinette to come back to school.

Adrien was absolutely furious at Lila for hurting Marinette.

Look how devastated he is on her behalf!

You might say it had to do with Adrien having warned her already in Oni-Chan. Which, true, was partly for Kagami’s sake since Lila’s lies had harmed her to the point of akumatisation. But there is a difference:

Even when Oni-Chan went to Adrien, he still believed Lila only wanted attention. It wasn’t until Ladybug almost got killed that he realised just how ruthless and monstrous Lila truly is. Not only that, but Adrien never mentioned Kagami being akumatised as a reason to keep his distance from Lila, he only said she had gotten Nathalie and Gorilla in trouble.

As true as that is, it’s not like Adrien couldn’t have brought Oni-Chan up. Sure, the true reason for him losing hope in Lila changing for the better was her trying to get rid of Ladybug even when they were trying to save her; it makes sense he wouldn’t bring that up. But Kagami? We’re talking about Miraculous Ladybug’s Paris. Where people get turned into superpowered villains every single day! It’s not like it wouldn’t have made sense if he’d said “Because of you, Kagami got akumatised.” And yet, despite trying to comfort Kagami after the whole ordeal, her akumatisation actually had very little to do with Adrien’s warning to Lila.

But when she went after Marinette… Oh, boy! Did the tables turn!

Ladybug didn’t even have to be involved for Adrien to go “I’m about to ruin this girl’s whole career” on Lila! Adrien was ballistic because it was Marinette Lila was messing with, and he wasn’t having any of it.

That says a lot about who Adrien is closer to.

As I mentioned above, his bond with Kagami allows him to rebel against his father and his expectations on him a little, something he doesn’t do as freely with Marinette. Because if the two are together while Adrien runs away from Gabriel is usually a coincidence; with Kagami it’s all on purpose.

And yet, Marinette is the one Adrien feels more comfortable with.

Aside from Ladybug (oh, sweet irony), Marinette is the character Adrien has opened up to the most. In Gamer he showed her a glimpse of his most insecure side, in Glaciator (as Chat Noir, sure, but it still counts) he confessed his feelings for Ladybug to her, in Gorizilla he talked about his mother to her, in Frozer he asked her for help regarding Kagami, and in the New York special it was her who he thought could work a miracle and get him to stay.

And don’t get me started on Adrien’s love language.

As of The Puppeteer 2 and Oblivio it’s been established that while Marinette shows her love through actions (usually handmade gifts), Adrien shows his by being open about what he feels. But he doesn’t just talk about how he feels, he touches people to show just that.

If Adrien’s close to you, he’ll show physical affection.

And we all know who he’s more touchy-feely than any other character in the show.

Adrien is constantly looking for Marinette’s touch, while Kagami is usually the one to initiate physical contact.

Adrien might be able to do things with Kagami he can’t do with anybody else, but Marinette is the one he’s closest to.

Zodiac signs:

I already did an analysis on this back in the day, but I think what I discovered from it it’s important to point out since it’ll help understand and summarise the way Marinette and Kagami’s characters reflect each other’s better.

In the French dub of Ikari Gozen, instead of the Chinese Zodiac, they talked about their Western horoscope. Marinette said she was Leo and Kagami was Scorpio. Those signs are opposites. Leo is a fire sign while Scorpio is a water sign. But that doesn’t mean they aren’t compatible at all…

(Although, considering Leo is self-reliant, confident, has bravado, and is honest, while Scorpio relies more on strategies and wits, I’d say they got their signs mixed up a little).

Their compatibility per se is low, but there is a great attraction between the two, albeit hindered by their usual clashing. This is shown through the many things the two have in common, but since they used to assess the other without truly getting to know her and their own feelings for Adrien, there was a lot of friction between Kagami and Marinette.

Both signs are jealous. However, while Leo is jealous due to pride, Scorpio’s jealousy comes from a desire to control. Both Kagami and Marinette have displayed jealousy issues. In Marinette’s case, it could be argued she felt jealous towards Chloé, Lila, and Kagami because she didn’t think they were actually good enough for Adrien or better than her. I mean, Chloé is an egotistical, sell-centred bully and as of Miracle Queen, a traitor. Lila is an unrepentant liar, a manipulator, and an enemy to Paris (even if only Ladybug and Chat Noir are aware of it, to some extent). And before she got to know Kagami, Marinette thought she was cold and rude (her brutally honest responses can be seen as this).

Based on that, there’s no way any of them are better for Adrien than she is!

On the contrary, once she got to know Kagami her jealousy comes from the fact that, perhaps, Kagami is more suitable to be his girlfriend than she is.

Kagami, on the other hand, could have displayed jealous behaviour over Adrien because, as her only friend, she felt threatened by him having a life and friends outside of her, who (until Ikari Gozen) only has her family, her responsibilities, and him.

Basically, these two being Leo and Scorpio explains their relationship pretty well. They have enough things in common and enough differences to attract each other and have a good friendship, but at the same time that can also stirr issues between the two.

Final thoughts:

Despite Adrien and Kagami’s similarities, they still have many issues to solve before they can truly be sure if they want to be in a relationship or remain friends. Kagami is sure of what she wants, but that sometimes can clash with Adrien’s own feelings, making their relationship go through a rocky path. Adrien is making an effort to move on and be a good boyfriend to Kagami, but they are not in the same place in the relationship; Kagami is ready for more, while Adrien still has problems of his own to move on from.

This might come to a head in Lies. Truth came as a bit of a surprise to us because we actually expected Lukanette would break up because of Marinette’s feelings for Adrien, but that actually had very little to do with anything! Lukanette ended up breaking up because Marinette is very literally carrying the weight of the world over her shoulders. Her responsibilities as Ladybug are overlapping with, and eventually destroying, her civilian life. Lukanette broke up because of external reasons!

But if Adrigami were to break up in Lies, that would be, or at least should be, for internal reasons. Since Chat Noir wasn’t chosen as guardian of the miraculous, his responsibilities as a hero don’t tie him down nearly as much as they do Marinette (in the previous analysis we already discussed how they actually give him freedom), so it wouldn’t make sense if Kagami and him broke up because of it.

It could have something to do with it, but I can actually picture Kagami pointing out Adrien is not as invested in the relationship as she is better. Maybe she could even point out his feelings for Marinette, which she had suspected of since Riposte. But having Adrien realise that in the second episode would be a tad soon, so I’m not getting my hopes up.

The thing is, if Adrigami breaks up tomorrow, it would make sense if it actually were because of Adrien being more in love with Ladybug (Marinette) than with Kagami. Because the narrative has actually been pointing at something like that happening.

As for Marinette and Kagami, I just hope they remain good friends even after Adrigami breaks up. Because the two would be able to understand each other’s feelings better. As much as the girls want to help Marinette out, none of them really know how being in love with Adrien is really like. They don’t know what it is like to get their hopes up, thinking they’ll get to be alone with him, only for him to cancel or make some change in the plans. Kagami and Marinette do.

More importantly, the way each feels regarding where they stand in their relationship with him foils the other’s and ultimately all depends on Adrien.

Marinette sabotages herself by not being honest with her feelings and hesitating, but it’s Adrien who seeks to get closer to her. Kagami is sure of herself and her feelings, but it’s Adrien’s hesitation that hinders the development of their relationship.

Because those two misjudged Adrien and warmed up to him when he showed himself as an honest, caring boy. Kagami and Marinette fell in love with Adrien for his honesty and his good heart, when he literally tended a peace offering to them. And it’s precisely like that how they came to be friends.

And it would be a pity if they lost each other because of a boy.

@miraculouslycool & @flightfoot

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hamliet · 3 years

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The Girl Who Gets to Have It All: Buffy Summers

So with @linkspooky‘s encouragement, I have binged Buffy the Vampire Slayer and relived my childhood culture. And, it's a 10/10 for me. Not that it doesn't have flaws, but it's genuinely one of the best stories I've seen, with consistent character arcs, powerful themes, and a beautiful message. It's also like... purportedly about vampires and demons and superpowered chosen ones, but it's actually all about humanity.

Buffy was able to be a teenage girl, allowed to like the things teen girls are scorned for (boys, shopping, etc), to be insecure about the thing teenage girls are insecure about (future careers, dating, school, parents), and to be a superhero with its good and its bad aspects. The story wasn’t afraid to call Buffy on her flaws (sometimes she got in a very ‘I am the righteous chosen one’ mode) and to respect and honor each of her desires (to be a good person, to be loved, and more). The story listened to what she wanted and respected her desires, giving her the challenges needed to overcome her flaws while also never teaching her a lesson about wanting bad boys or romance is silly or any manner of dark warnings stories like to throw at teenage girls.

It respected teenage girls--nerdy girls like Willow, jocks like Buffy, lonely wallflowers with trauma like Dawn, and popular/snobby ones like Cordelia, girls gone wild like Faith. It never once reduced them to the stereotypes that were lurking right there: each character was fully rounded, human, flawed and yet with respected interests and goals. This is so rare for a story that I’m still in awe.

The story as a whole follows Buffy from 15 to 21, of her as she grows from teenager to adult. She acts like a teenager and grows to act like a young adult, wrestling with loneliness and duty. The adults, like Giles, Joyce, and Jenny, are not perfect either, but neither are they “bad parents” or “bad mentors” necessarily. Joyce in particular says something terrible to Buffy, but she tries to do better, and it’s rare to see a parent in YA stories shown with such nuance. Basically, it wrote the long-lasting adult characters as human beings, too.

Speaking of growing up, I appreciated how Buffy’s love interests mirrored this. Angel was someone Buffy loved and admired, wanted to be like, but who was always either extreme good or extreme bad, and combined with Buffy’s own tendencies towards black-white thinking, made for a beautiful relationship to help her grow, but didn’t necessarily form a foundation for a long-term partner. Spike, on the other hand... they both saw each other at their worst and were drawn to each other even then, and were inspired to become better because they couldn’t bear to be a person who treated the other person so wrongly. They pushed each other to become the best them they could be, and believed in each other. Also, Spuffy is an enemies to lovers ship for the ages.

(Also, most of the other ships were well-done or at least can be understood. Riley was very obviously wrong for Buffy which paralleled Harmony and Spike in being 100% wrong for each other. Cordelia and Xander were a fun ship even if we all knew it would never last, and Willow and Oz were beautiful and cute. But Xander and Anya and Willow and Tara? OTPs. As were Giles and Jenny, the librarian and the computer teacher.)

That said, it’s not a perfect series. No story is. All of the characters and ships had problematic aspects to them worthy of critique, and the writing is very 90s in a lot of ways. It’s a product of its time, and in many ways it’s good society has progressed beyond some of the tropes/metaphors used in the show. In other way, though, the show was ahead of its time, and in a good way it wasn’t bound by the fear of purity policing with its takes on redemption (many characters would never fly today).

So, in order of seasons ranked from my very favorite to my “still enjoyed it very much” (no season was actually bad, imo), here’s my review. I’ll also review my top 10 villains in the show, because Buffy does villains very well in terms of the redeemable and irredeemable.

Season 7: Yep, the final season was my favorite.

Overall Opinion: Buffy's finale is literally "f*ck them men, our power is ours" and while it seems cheesy it actually works (also, f*ck in both a literal and figurative sense). The series strongly hit all the themes: love as strength, and redemption. Buffy consistently shows love as her strength--*all* kinds of love. Friendship w Willow/Xander, familial with Joyce/Dawn, romantic with Spike/Angel. These types of love are also never pitted against each other as is so often the case in current-day media. It's beautiful. Also, Spike’s confrontation with Wood was so powerful in terms of exploring forgiveness, redemption, and reconciliation: where they overlap and where they don't, and what it means to move forward.

Unpopular Opinion: I have seen a lot didn’t like the inclusion of Potential Slayers, and while I agree they could have been better incorporated/characterized, it was a great way to show Buffy’s final stage of growing up to be ending her chosen one status and projecting/multiplying her powers over the world.

Biggest Critique: Kennedy was female Riley--the anti-Tara to Riley’s anti-Angel (by ‘anti’ I mean opposite in every way). Kennedy was annoying and immature. Her role, like Riley’s, was less about exploring her as a character and more about her just being stamped as “love interest: lesbian.”

Favorite Episodes: Beneath You, Lies My Parents Told Me, Touched, Chosen

Season 6:

Overall Opinion: I said this on Twitter, but I felt like this was Buffy’s The Last Jedi or Empire Strikes Back moment. It is polarizing and dark, deconstructing the tropes it stands on--but by digging to the core of these tropes, it actually makes what’s good about them shine brighter. Everyone’s enemy was the worst versions of themselves. Giles left Buffy, Willow's struggle to relate to the world led to her trying to destroy it, Buffy hurt everyone through her anger, Xander abandoned Anya at the altar, Spike... yeah. It ages well as an integral part of the story, and the Trio were eerily prophetic.

Unpopular Opinion: Dawn is a great character with a good arc. A traumatized teen acting out and struggling to come to terms with loss and identity? She wasn’t whiny; she was realistic.

Biggest Critique: Willow’s addiction coding (I’ll discuss this below) and Seeing Red as an episode. I see the argument for both of its controversial scenes from a narrative perspective: Willow starts the season not grieving Buffy but instead being determined to fix it with magic and needs to learn to grieve, but. Still. Bury your gays is not a good look. For the Spike scene... he conflates sex/passion and violence (”love is blood, children” is something he said way back in season 3), but like Tara’s death, it had more to do with Spike (as Tara’s death did for Willow) than with Buffy’s arc, and as for the actual execution... they really botched that. Did it like... have to go on that long or go that far? No. Also, the framing was good, but inconsistent with the rest of the series (Xander to Buffy in the hyena episode, Faith to Xander and to Riley, etc.)

Favorite Episodes: Once More With Feeling, Smashed, Grave

Season 3 (tied with Season 5):

Overall Opinion: The opening continuity of Buffy meeting Lily/Anne after saving her life in Season 2 was sweet. The Witchhunt episode had really powerful subtext: stories of deaths that aren’t even true are actually demons that possess the town and convince them to turn against their children in the name of protecting the children. It’s a good commentary on, oh, everything in society. Faith’s character arc was fantastic, and her chemistry with Buffy was off the charts (look, I may be Spuffy all the way, but Fuffy has rights). The finale was satisfying in so many ways, seeing the entire graduating class unite to destroy the Mayor and the school with it, symbolizing Buffy et al’s readiness to move on to college. Oz's relationship with Willow was very sweet and meaningful for a first romance for Willow.

Unpopular Opinion: I actually don’t really have one. Maybe that the miracle in Amends was earned? I think you can make a decent case that Season 3 is the best written of the seasons, but can only truly be thematically appreciated to its full potential in the light of subsequent seasons (which finish Faith’s arc and deconstruct Buffy’s).

Biggest Critique: It forgot Buffy killed the hyena guy in Season 1, making her continual insistence that she can’t kill people very ?????

Favorite Episodes: Lovers Walk, Amends, Graduation Day Part 2

Season 5, which ties with Season 3:

Overall Opinion: The entire season is about family and what it means, from Tara’s to Buffy’s to the Scoobies. I loved Glory aka Enoshima Junko as the Big Bad, I loved Dawn’s interesting meta commentary on retconning (like, the fact that she’s retconned in matters), and most of my ships are still alive. Joyce’s relationship with Spike is one of the most heartwarming aspects, and Spike’s arc’s desire is clearly highlighted: he wants to be seen as a person. The episodes after Joyce’s death are the most honest portrayals of grief I’ve ever seen, and absolutely brutal to watch.

Unpopular Opinion: Buffy’s choice at the end seems a deliberate inversion of her choice at the end of Season 2 (sacrifice a loved one to save the world), but it actually isn’t: much like at the end of Season 2 where Buffy skips town because she’s devastated after killing Angel and doesn’t want to sort out being expelled, her mom knowing she’s the slayer, and her own trauma, Buffy’s sacrifice here was as much about her wanting the easy way out of relationships, family, college, etc. as it was about saving Dawn. Buffy’s death is coded as a suicide, which Season 6 emphasizes as well.

Biggest Critique: Like Season 3, I don’t have a lot to critique here. I wish the suicidal coding had been a little more obvious in Season 5 itself, but also I’m not sure it could have been more obvious; it’s pretty apparent if you pay attention. Maybe also that Buffy and Riley’s relationship failing should have been more squarely blamed on Riley, you know, being insecure and cheating.

Favorite Episodes: Family, Fool for Love, Intervention.

Season 2:

Overall Opinion: Heartbreakingly tragic but exciting and revealing at the same time. It asked the viewer interesting questions about redemption and forgiveness and atonement through Angel being honest about his past, and then decided to show us his past now reenacted, challenging us. And still, we saw them save him in a parallel to saving Willow in Season 6 (but Season 2 was tragic because it wasn’t enough, while Season 6 was not). Jenny’s death was agonizing, and the scene were Angel watches Buffy, Willow, and Joyce get the news through the window was powerful. We didn’t have to hear them to get the grief.

Unpopular Opinion: Jenny’s death isn’t a fridging; it works for her arc too when you consider her history. She worked to save the person whose life she was tasked to ruin, and it cost her her own--yet she still succeeded, because Jenny brought joy and wisdom to the show. Kendra’s death, on the other hand... was because they needed the stakes to be high--but we already knew that before she died. So, her death was useless.

Biggest Critique: The subtext was Not It. It was essentially “do not have sex. Your older boyfriend will lose his soul, kill your friends, you’ll lose your family, your school, your home, and have to kill your true love or else hell will literally swallow earth.”

Favorite Episodes: School Hard, Passion, Becoming Part 2.

Season 1:

Overall Opinion: I really liked it; it’s just lower on this list because the others are just better. It’s a great introduction to the series and to its characters, from Giles to Buffy to Willow to Jenny to Cordelia. It has great subtext a lot of the time (for example, Natalie French as She-Mantis is a literal predatory bug who engages in predatory behavior with students). Additionally, it subverts the typical YA trope of two guys and a girl, in which the girl is usually the least interesting character. Buffy and Willow were both fully fledged characters from the beginning with distinct strengths (even before Willow became a witch, as she wasn’t one in season 1 yet), while Xander was the more ordinary of the group.

Unpopular Opinion/Biggest Critique: Xander’s arc showed its first flaws that unfortunately continued throughout the series: his writing was either very good or very indulgent in ways it never was for other characters. (cough, the hyena episode, cough, in which he gets to skirt responsibility--and acknowledges that he is skirting it--for something the show will later hold others to account for). Xander’s just kind of inconsistent, which weakened his character over all. (Which is why both his love interests--Cordelia and then ultimately Anya--were good for him: they did not indulge him.)

Favorite Episode: Witch, Nightmares.

Season 4:

Overall Opinion: it’s still a good season. It’s a good portrayal of college and the growing pains of branching out, the strains of college growth on relationships (romantic and platonic). It shows us the first hints of Spuffy, giving us some serious Jungian symbolism between Spike and Buffy early on, and does well in establishing Xander/Anya and Willow/Tara as beautiful OTPs. Faith and Buffy’s foiling is fantastic. The Halloween episode was very fun as well. However, it suffers because its Big Bad, Adam, is not all that compelling thematically--yet, he could have been. See, the final battle pulls off the Power of Friendship in a really strong way but notably the season does not end there. Instead, it ends on dreams of each character’s worst fears, continuing what we saw in Nightmares in Season 1. Why? Because it shows us that the characters’ wars aren’t against monsters, but monsters of their own making: their flaws. Adam, as a literal Frankenstein, exemplifies this, but it wasn’t capitalized on as well as it could have been.

Unpopular Opinion: Beer Bad isn’t a bad episode, at the very least because Buffy gets to punch Parker. It’s not one of the series’ best, obviously, but it does give Buffy an arc in that she gets her daydream of Parker begging her to come back, but she has overcome that desire and her desire for revenge. If we wanna talk about bad subtext in Season 4, Season 2′s Not It sex subtext continues in the Where the Wild Things Are episode in this season; it’s a powerful callout of abusive purity-culture churches, until the fact that the shame creates a literal curse undermines the progressive message it’s supposed to send. Also, the Thanksgiving episode (Pangs) is a nightmare of white guilt and Oh God Shut Up White People.

Biggest Critique: Riley is awful. Like Kennedy, he had “love interest:normal” stamped on him and that was it. The thing is, he could have worked as an Angel foil, representative of the normal-life aspect of Buffy to Angel’s vampire/supernatural aspect, but the writers never explore this and seemed to even try to back away from that later on. They threw all the romantic cliches at the wall to see what sticks, from klutzy “I dropped my schoolbooks, that’s how we met” to cliché lines that had me rolling my eyes. Do you know how bad a romance has to be to make me dislike romantic tropes?

Favorite Episodes: Fear Itself, Hush, Restless

Villain rankings:

Dark Willow, the only villain to be truly sympathetic. While the addiction coding was insensitive and, while unsurprising for its time, aged extremely poorly. That said, Willow’s turn to the dark side after Tara’s death worked well for her character and the story: it was believable and paid off what had been building since Season 1's “Nightmares” episode (Willow’s inferiority complex).

Glory managed to be genuinely terrifying, and humorous/enjoyable too. Her minions and their numerous nicknames for Glorificus were hilarious, as was her intense vanity. Her merging with Ben--a human being who genuinely wanted to be kind and good--added complexity and tragedy to her role.

The First. A really good take on Satan. The seventh season as well as the First’s first appearance in season 3′s “Amends” had kind of blatant Christian symbolism, and so the First being essentially Satan works. Their disguising themselves as dead loved ones and the subtle manipulation they used to alienate people was really disturbing and well done.

The Mayor, who was a terrible person but a truly good father. He provided an interesting contrast to the normal ‘bad dad’ bad guy character, in that he provided Faith exactly what the other characters refused to: he saw the best in her and offered her parental support, while the heroes didn’t and wound up pushing her away.

The Trio, who were villains ahead of their time: whiny fanboy reddit dudebros, basically. The stakes seemed so much lower than fighting Glory, a literal god, the previous season. But that’s why they worked so well for Season 6′s human themes, and were especially disturbing because we all know people like them. I also appreciated the surprisingly sensitive takes on Jonathan and Andrew, who got to redeem themselves, but Warren did not, and I don’t think he should have either.

Angelus + Drusilla. I’m ranking them below the Trio because Angelus was just sooooo different from Angel that it was difficult for me to feel the same way for him. He was still Angel, so it wasn’t possible to enjoy his villainy, but he also wasn’t nearly as sympathetic as Dark Willow, had no redeeming qualities like the Mayor, and wasn’t as disturbingly realistic as the Trio. However, the emotional stakes were excellently executed with him as the Big Bad, in that you were never quite sure how to feel and it just plain hurt. Also, Drusilla was a favorite recurring character. She was sympathetic and yet batsh*t enough to be enjoyable as a villain at the same time.

The Master, who was just completely camp and really worked as an introductory villain. He was scary enough to believe he was a threat, and was funny enough to introduce the series’ humor as well. He was, like Glory, an enjoyable Big Bad.

The Gentlemen, the one-off villains of Season 4′s Hush who were genuinely terrifying. It’s not as if they got a lot of explanation or any backstory, but they didn’t need it.

Caleb, the misogynist priest. Fitting with the First’s Christian symbolism, Caleb serving as a spokesperson of all bad religious beliefs felt appropriate. He was also a good foil to Warren--being actually supernaturally powered instead of a wannabe--and to Tara’s family in being full-out evil. I despised him.

Snyder. Okay Snyder is not a Big Bad like Adam is, but let’s face it: Adam is lame compared to the other villains. But Snyder as a principal? He was so irritating and yet really well used in the series to critique overly strict, hypocritical teachers. Like, we all know teachers like him. I loved to hate him, and his ending was so satisfying.

#buffy the vampire slayer #btvs #spuffy #buffy summers #dawn summers #spike #angel #cordelia chase #btvs giles #willow rosenberg #tillow #tara maclay #anya jenkins #xanya #xander harris #jenny calendar #kendra young #faith lehane #hamliet reviews

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alastaircarstairsdefenselawyer · 3 years

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Monet Issues

Happy COI day! Here's some no-longer-canon-compliant angst because apparently the book itself isn't going to be enough for me :)

No spoilers here, but I know not everyone is checking tags and such right now, so I'm going to tag a few people who have interacted with my fics before (lmk if you don't want to be!). Don't feel obligated to read this though, it's a little dark. @littlx-songbxrd @alastairxcarstairs @dianasarrow @doitforthecarstairs @archeronesta @thechangeling @styxdrawings @upsidedown-cats @fictionally-fantastic @thomas-gaypanic-lightwood

Fanfiction Masterlist

CW: mention or discussion of alcoholism, physical abuse, bullying, and toxic relationships

(title from the song Monet Issues by Chase Petra, which I may or may not have listened to on repeat while writing this)

Out of all of the people he’d ever snapped at, Alastair Carstairs had never lost his temper with his mother. Not until today.

“He’s the same. He’s the same as he was last spring, before he left, the same as he was ten years ago. He is never going to change. Not for Cordelia, not for you, not for the baby. Why are you still doing this to yourself?” he pleaded.

His mother smiled and sighed. “That’s enough, Alastair joon. Your father is flawed, but he loves us. He’s trying. You’ll understand one day, once you’ve fallen in love and started a family of your own.”

He narrowed his eyes. “Fine. Just answer one question then: if this child is a boy, will you allow him to do everything I was forced to do?”

She hardened her expression. “Joonam, that’s just what family-”

“No. Cordelia never did those things, did she? I never wanted her to. You never wanted her to.”

“That was different. She’s… Well, she has a big heart, you know. I knew that you could handle such a burden, azizam. I know that it was difficult, but look at the man that you’ve become. I’m so proud of you. These trials life brings us… they only make us stronger.”

Alastair could feel his stomach twisting as his mother spoke. “No.”

“Alastair-”

“No! I never asked for this! I never wanted this! You told me that I needed to be head of the family in his absence, but now that he’s returned, it’s as if the past six months never happened? As if the past decade never happened? He has been absent for ten years. Cordelia was allowed to simply be a child. Because she had a ‘big heart,’ you say? What about mine? Was it always small, or did you, did Father make it that way? Because I genuinely cannot remember a time before. When was I meant to just be a child? When you sent me away to school, to meet all of the boys who were allowed to simply grow up and make mistakes and learn from them while I was busy trying to keep my father alive and my family together? I didn’t need to be stronger. I was a child!” His voice cracked. “I needed to be loved and protected! I needed someone to take care of me, not the other way around! I needed to feel safe! I was a child!”

He clenched his fists at his sides, seeing white. “It didn’t make me stronger. It made me- it made me broken. It made me bitter and angry, so much so that I pushed it onto everyone else. It made me a monster. Do you know how awful school was? They taught me to hate myself. I became a bully because it was easier to hurt others than let them hurt me. I let nearly every part of me die, just trying to survive it. I knew someone who didn’t, a fourteen-year-old boy who I watched die. And yet I preferred that over the idea of returning home and dealing with Father’s illness again. Do you want to know the truth?”

He took a step closer to his mother, her expression hard and unreadable. “The truth is that the moment I met someone who I thought might actually take care of me and protect me, I ran to him. I trusted him like I’d never allowed myself to trust anyone. And I stayed with him, even as he lied to me, as he left me cold and alone night after night, as he made it clear time and time again that he would never prioritize me over his own whims and desires. I wanted so badly to feel loved that I gave him all I had, all of my time and energy and attention, knowing that he would never return any of it.”

He took a step back, finally feeling the tears that had spilled down his cheeks. “I’ve realized now that I deserve better. I deserved better. You deserve better.” He lowered his voice and looked down. He knew that his mother loved him, that Cordelia loved him, that maybe even Elias loved him, in his own way. He just wished he never had to wonder whether his life would be different if someone had cared about him. “I know… I know you love me, that you love all of us. I know that you didn’t have many choices. You were in a terrible situation. But I can’t stand here and watch you sit in your denial any longer, knowing the prices we have both paid for it.”

He stared at her, waiting for her to respond, but she did not. Alastair did the only thing he knew left to do: he turned and left. As he started towards the staircase, he stopped and spoke one last time. “You were meant to protect me, and you did not. That’s okay, because I’m learning how to be whole again. I’m finding better ways to survive. I am mending my own heart, alone, because it is my only option. But I want to make one thing clear, this is not meant to be the price of family. This did not make me strong, and you have nothing to be proud of.”

Finally satisfied, he retreated to his room without waiting for a reaction.

***

Sona returned to her room after her son stormed off. Her eyes scanned her dresser, a quiet mess of makeup, perfumes, Elias’ house key. She’d only just given it to him, but it was pointless. He always lost them. At least today, he’d forgotten them in their own home, and not at a bar or on a park bench or in some hansom cab halfway across the city. She looked up at her reflection in the mirror, at the purple spot under her eyes, at the wrinkles now set into her face, and thought of the days when she was younger. Did she always look older than her years?

Elias had been older than her, of course. Much older. Despite her young age, she’d been a widow. Not just a widow, but accused of murder. Despite all that had happened since, she could still remember clearly going before the Mortal Sword, confessing all that had happened, and watching herself acquitted and her husband’s death swept under the rug by a society that did not wish to face the reality of what she had endured.

She’d been frightened, terrified, certain that no one would ever love after what she had done. She’d always known that her life would be difficult, that it would be unlikely for her to find a respectable husband, that she would never marry for love. Theodor was supposed to be a catch. She was meant to be the luckiest girl alive. She was young and naïve and blood spilled for it over, and over, and over, until she broke. Until everyone around her could see that she was broken.

She thought that Elias would make her whole. She believed that he would take care of her, that he would love her, that he would provide. She hadn’t known how she could be so lucky, twice.

Now, she wondered if she should have taken off on that milking cart.

She’d thought about it many times, what her life could have become if she’d simply left. If she’d run away, away from the Shadow World, away from all that knew her past. She could have started over as a mundane.

She always pushed the thought aside. If she had run, she would never have had her children.

Her children.

Their lives had been much more difficult than she’d dreamed of. They were never going to be easy, not being who they are, not in this world they lived in. Some pains were unavoidable.

Some were not.

Alastair had been a happy child, once. He’d carried so much love in his heart, perhaps even more than Cordelia ever had. That is why, when he learned the truth, he agreed so readily to help. Because he loved Cordelia, and her, and Elias, so much. He did not yet know that for some, the cost of love was pain and hopelessness.

She allowed him to pay that price, the same one that she had paid, because it was easier than accepting the truth. Even as she watched him grow more and more anxious, as dark circles imprinted themselves under his eyes, as Risa shot her disapproving looks every time she asked him to look after Elias, or take care of Cordelia, or clean up some bottles, she allowed that price to be paid.

She thought that the Shadowhunter Academy could be good for him, that perhaps it would benefit him to be away from the house. She was a fool, and by the time he first returned from school, she could see that the little boy she’d once known had disappeared.

She could see him again, now, fighting to be heard. She could see that her son was finding himself again, but that it was a slow and painful process, and that he was still very far away. She wondered where her old self had gone, and if she could find her, or if she even still existed at all.

She’d always known that Alastair was similar to her. Too similar, it seemed, and now, he had made the same mistakes she had. She knew the pain he felt too well, the pain that she could see in his eyes, hear in his voice. She’d thought that was love, but it was not. She’d learned the hard way, and now Alastair had, too. She knew that it was not a coincidence.

You had the biggest heart of them all, she wanted to tell her son. It’s still yours. I’m sorry.

She did not know how.

She rested a hand on her swollen belly and thought about taking care of an infant while also taking care of her husband. She could no longer not ask anyone else to do it for her.

For this baby, still unmarred by life’s hardships, for Alastair, for Cordelia, for herself, she took a deep breath and gathered her husband’s few belongings. She threw them in a suitcase, along with a short note, and placed it on their front steps, locking the door behind her.

A/N: Thanks for reading! The Farsi words are just terms of endearment, like “my dear.” I just want to say that I don’t necessarily think everything that Alastair said or Sona thought is true (or that Alastair even believed everything he said), I was just trying to get inside their heads a bit. Forgiving (and blaming) parents is really hard and complicated, and I really wanted to explore how Alastair felt about Sona a bit more.

#fanfiction #alastair carstairs #sona carstairs #anti elias carstairs #the last hours #tlh #chain of gold #chog #cog2 #cw alcoholism #cw physical abuse #cw bullying #cw toxic relationship

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popculturebuffet · 3 years

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Wonder Woman 1984 Review “The Monkey’s Paw Wish of Superhero Movies”

Before we dig in, I just want to properly frame how much of a fucking disapointment this film was to me. It was thanks to the first film that I became the massive Wonder Woman fan I am today. Thanks to that movie and it’s accompanying sale, as Comixology likes to put sales on to tie into things as you’d expect, I tried Greg Rucka’s run on the title.. and quickly bought the second volume and will buy the third which didn’t exist yet at some point, as it’s easily one of my faviorite comics of all time, one i’ll undoubtly cover, and one that throughly sold me on the amazon princess, and throughly defined what she is to me: a compasionate warrior. Someone who WILL fight, who will take on the bad guys without hesitation, and who WILL kill if she has to.. but also someone whose compationate. Who will genuinely try to reform foes, who only kills as a last resort and not as a first option like some adaptations and the new 52 seem to think. She’s someone who in said run went out of her way to help her old friend and currently brainwashed foe Vanessa Kapetlis get cured of being the silver swan. She’s someone whose wholhe purpose for writing a book wasn’t money but simply to spread her people and her gods teachings. Someone whose , kind, noble, badass, smart and easily every bit the pure soul superman is. The run sold me on the character throughly and made me a fan to this day, one currently pouring thorugh both Rucka’s second run, and George Perez’ equally good run and one who hopes the upcoming dc relaunch means she’ll stop swapping writers every few months and get the run she deserves. I just wanted to sell how much I treasured the character now thanks to the first movie and thus how hyped beyond hype I was for this movie. It had a great cast, a great setting, cool trailers.. sure they didn’t show off the plot but it had to be good right? This couldn’t be say.. a giant, overly long mess of tangled plots, padding, terrible pacing, unfortunate implications and pedro pascal devouring the scenery in a manner galactus would be proud of right?

Well that’s what we got. After a year of hoping it’d come out some way this year, after having it delayed and after a year where MANY projects I loved were necessarily delayed due to covid... I got what I wanted. I got the movie i’d been hoping to see for months and months and months... and just like the wishes in the movie itself... it went horribly, horribly wrong. What I expected was something great as the other recent DC Movies.. what I got was a huge disapointing mess capping off a huge disapointing mess of a year. So while i’m a bit late due to contracting Covid and all the “FUN” that comes with that, I still felt like tearing into this film to figure out why I didn’t like it, what good parts it did have, and what the hell went wrong here. Spoilers and full review after the cut.

The Plot: Unlike my usual summaries I do, i’m keeping this one short and susicnt for those who haven’t seen the film: After a cold open flashback to diana’s childhood that was an omen of the boring padding to come, we get our main plot: It’s 1984 and Diana is acting in semi secret and helping out where she can. After some artifact thefts she takes a job at a museum and meets meek nerdy nerdy and office punching bag Barbra Minerva. The two strike up a kind of friendship, with Barbra wishing she could be as cool as diana especially after Diana saves her from being assaulted by a creepy random asshole.

Diana hasn’t moved on from Steve Trevor’s death in the previous film, and thus when encountering a mysterious stone wishes for him to come back. Barbra likewise wishes fto be just like diana. Meanwhile Maxwell Lord, a conman who has sold a bunch of bogus oil plots, plots to steal the stone himself and does so by seducing Barbra, and instead of wishing for more wishes, wishes to GRANT THEM instead, thus overnight making his buisness a sucess and using the inevitible monkey’s paw consequences of said wishes to benifit himself. Meanwhile Diana is reunited with Steve who for some reason has hyjacked someone elses body, and even has sex with Diana in it which is all kinds of creepy and wrong that we’ll get into soon enough. Meanwhile everyone now notices Barbara.. and she’s also gaining Diana’s powers but slowly loosing her empathy. Diana eventually finds out with Barba’s help that the stone is dangerous and it’s wishes backfire horribly, while Max continues to gain power with his as Diana chases after him, slowly loosing her own power as her consequence for the wish. You know instead of the fact her lover took someone elses body and life and they have to live with that. Eventually Max gets the power of a soverign nation and the satilte codes off the president, and plans to broadcast himslef the the world to offset his own wish consequence, his body slowly failing, by taking other people’s health. Steve urges Diana to renounce her wish and give him up to get her power back, she reluctnantly and painfully does so, and then goes after Max. Barbra however has sided with max and has him give her even more power turning her into a cat person as you’d expect. Wonder woman and the now fully cat Cheetah battle, it’s really cool looking, but Diana barely wins. We do get a decent climax with Diana not fighting max, not that she can with how powerful she’s become, but using the lasso of truth to get him to see the damage he’s done, give up and go back to his son. The world is saved Diana is moving on and also Linda Carter is there for some reason.

So now you have general idea of what happens, I can dig into the films faults, and it’s one or two strengths, one at a time, ONE AT A TIME. First off the film’s biggest issue by far and one that wouldn’t come through in the recap Padding and Pacing: THIS FILM DID NOT NEED TO BE 2 hrs 41 min

I said it once before but it bears repeating now:

THIS FILM DID NOT NEED TO BE 2 HOURS AND 41 MINUTES LONG

I am a firm belivier a film should be as long or short as it needs to be. If it’s under the standard 90 minutes, that’s cool, if it’s say three hours like avengers endgame that’s cool too. After the theater it’s easy enough to watch it in chunks, and sometimes a film just NEEDS that space and scope.

This film.. did not need that. This is not the cumilation of 10 years of storytelling, as slapdashidly planned as it was till phase 3, this is a film that feels painfully long to watch due to how padded it is. You could’ve cut those 40 mintues from this film EASILY and while you wouldn’t of had a good film, sadly, you would’ve had a way more enjoyable cheesy superhero movie. I”m tackling this one first because it just.. oozes all over the film. For every great and memorable bit in the movie and every questionable one we’ll get to, for every gloriously so bad it’s good moment... there’s about 10 minutes of scene that did not need to be there. It slows down the film to a crawl and given the original had pitch perfect pacing I do not get how Patty Jenkins screwed this up.

I do think Patty Jenkins is a good director. I did like the first movie, I do think a lions share of the credit goes to her writing and direction for that one. And a LOT of the sequences in this film are utterly goregously shot and fun to watch. I also, even if I don’t like this film, am extastic she forced the stuido to pay her more money to work on the film, as she deserves as much as any male director, it’s bullshit they tried to short change her, and again she was the reason the first film was so good. She deserved equal fucking pay for making Warner money hand over fist.

But I also say this because i’m disapointed in HER. She CAN do better, she already did the first time and the only real down spot, the spotty cgi climax, was not her fault. And hell here she did get the climax she wanted, and wrote one hell of one. I”ll go into it more later but the finale of this movie from the pitch perfect fight with cheetah, dodgy face work nonwithstanding, to the final speech to the world is just gorgeous to watch. Even in this mess of a film there are some really good really tightly shot sequences that i’ll get to.. but their broken up by padding and padding nad more padding. This film is bloated, it needed to be edited down but she clearly REFUSED TO, gunshy after the whole Ares thing last time... and thus shot herself in the foot repeadtly. I sitll have some hope for the next movie and Rogue Squadron, but Jenkins rightfully lost any blind faith I had in her this film would be good just as the directors of it chapter 2 lost it by.. making a terrible sequel to a great movie. Given this happened in the span of a year you’d THINK i’d of prepared myself for that.. but no. Sadly.. no.

But back to the point of this section: the film is just really padded. A lot of it is just scenes going on longer than they need to but there are some specific bits, some recurring others all in one go, that just really get tedious and pad things out. Let’s rattle em off shall we? The Opening: Now the opening is gorgeously shot, and it is nice to see Thymesicra again.. but the sequence is twiece as long as it needed to be, often just devolves into frantic shots of running.. and really dosen’t need to be here. I love Thymesicra, I love Hipolita, I love this damn beautiful island.. but we did not need it for this one. I THOUGHT it was there because the climax would be Max and Barbra invading the island or something.. but no. It has nothing to do with the main plot other than selling the film’s message “Nothing good comes from lies and shortcuts” which is a good message.. but the film already conveys that well. For all it’s flaws it well conveys the fact that the easy way to get what you want ALWAYS comes with a cost. That you can’t always get what you want, but if you try sometimes you just might find you get what you need. So we didn’t need 10 minutes of amazons running around just to make a point that the film already makes and it wreaks of Warner wanting to put the amazons in the film because “that’s what people expect.”

Steve Trevor Dinking Around for 20 Minutes: I will admit as dumb as it was.. I really loved the Steve Trevor 80′s fashion show. Oh it was dumb.. beyond belieif.. but it’s REALLY hard to hate a good 5 minutes of chris pine putting on stupid 80′s outfits. I do think like a lot of this film it was longer than it needed to be and it defintely needed a good catchy 80′s tune alongside it, just go full bollocks if your doing this, but otherwise it’s just hard not to joy, even if in a so bad it’s good kind of way, this kind of lunacy in a major stuido film

That goodwill died quckily as the next 15 goddamn minutes, 5 for the fashion show which while i liked it did not need to be in the film as long as it was, were just steve getting used to the new world of the 80′s. While I like the idea of Steve now in Diana’s roll as stranger in a strange land, instead of using it cleverly or having him ruminate over all his friends being dead Captain America style or .. a billion other things we could’ve used this time for if you really needed it, we instead just get Steve and Diana farting around for 20 minutes and Chris Pine making stupid faces. Chris Pine deserved better than this. He seems to be a steerling person in his personal life and I seriously doubt he’s done any movie bad enough to have earned this.. I mean he did do Star Trek: Into Darkness but NONE of those films problems were his fault. It’s just really, REALLY terrible, and even more boring in padded in places than this film but without the good bits or the haminess of pedro pascal to make it even remotely watchable. Point is i’m doing a blind look, and this is blind I just came up with tihs bit while I was writing and have not looked at chris pine’s filmography before, to see if there’s anything really bad enough to justify him being put through this buffonery.

Turns out .. yeah yeah he did. Two films in fact are just bad enough that he did in fact sign on to something bad enough to justify this. There were one or two other contenders but Princess Diaries 2 was earlier in his career, Into The Woods much like Into Darkness was not his fault and honestly if I were offered a part in a glitzy hollywood adaptation of a beloved musical i’d sign on too without heistation, and while Wrinke in Time is kind of a mess, Chris Pine is easily one of the best parts of it. No the two films that make him DESERVE the goofy terrible fish out of water stuff are this means war, a film I saw throughly savaged by Matthew “Film Brain” Buck, which is about two douchey cia agents competing over a woman without thinking that MAYBE the choice is hers, and also setting up CONSTNAT SURVILENCE over her and basically stalking her to sabatoge each others dates. And while I did mention that review, because it did give context.. even from the trailer I could tell this was sexist, bro douchey, and stupid and wanted no part of it. So yeah signing on this this, post star trek’s success where he had his pick of projects and was at the hight of his fame.. is inexcusable. The other is just... the kind of embarassing dtv film a person does before they get famous but is so horrendously premised that I still can’t give it to him. Like I get needing work, I do comissions 10 for movies now and 5 for tv show episodes and issues of comics if you were curious, so I understand that.. but even at his most desperate... why would you possibly take... this?

.. wait is that Stephen Tobowsky in the credits? Good god his career is depressing some time.. but at least unlike chris I GET him being in this as he needs money and despite his long and storied career, has to take what he can get. Wheras Chris was a promsing young star who while needing a break, CAN’T of thought this would be remotely sucessful and can’t of paid that well. But since the poster might not convey the premise.. the premise is Chris is a Blind Man looking for love set up on BLIND DATES.

It sounds like a fucking Adam Sandler film premise. I’m honestly suprised he hasn’t remade this film with himself, david spade, or rob schinder, whose apparently on good terms with him again, god help us all. And DON’T. TELL. HIM. He still hasn’t made that worst film imaginable he promised for getting Snubbed for Uncut Gems. Yes I know, Hubie Halloween came out but that was in production long before the promise and not that bad. Not great, pretty average, but not terrible. Point is do not tempt Adam Sandler to remake this film. He still owes us the worst film he can muster INTENTIONALLY, as Pixels, Rediculous Six, That’s My Boy? That was all him trying to make GOOD movie. Be afraid be VERY afraid. The other point is this premise is just really bad, REALLY offensive to blind people to make being blind into a stupid punchline, and I.. will probably watch this at some point because i’m bafflingly curious about this terrible terrible thing Chris Pine probably wanted us all to forget about, but will now never have that luxury as long as I live. The Fireworks Scene: This one is just..really dumb. Like really dumb. Every bit of this scene was dumb and we could’ve just.. had them get on a plane to egypt like normal people or steal a jet off screen. So to get to Egypt, Diana and Steve steal a jet which Steve can somehow fly despite decades of progress in how planes work at this point and him not knowing what radar is. He also gets shot ot at because Diana FORGOT, somehow, that radar exists and didn’t tell him. They also steal a jet instead of just taking an airliner or her calling in a favor since while it’s been a good few decades and Etta is sadly long dead, the candy family probably knows and loves her well enough and probably still has some military personal who could pull some strings and bring a jet over from london. It’s a stretch.. but not much more than “let’s steal a plane and hope we don’t die. “

Why this is in the padding section is because we then get a way too long bit of the two flying through a field of fireworks.. which also apparently existed LONG before steve was even born, so I donn’t quite get why he’s so shocked. And while i’ts not a bad CONCEPT for a scene the fact the two are being persued by the military for stealing a jet AND have to get to egypt so urgently they had to steal the jet in the first place lest Max do something horrible, which he ends up doing anyway... to take 10 minutes to gaze at the pretty fireworks. It’s just.. a waste of time in a movie that wasted already too much time.

Some of the barbra scenes: We’ll dive more into Barbra in a bit, and this is easily the least offesnive on this list, but a lot of the scnees of her discovering her new power could’ve been compressed. There are seperate scenes of her discovering she dosen’t need glasses anymore and picking up a ton of weight at the gym, while in 80′s workout clothes because of course she is. Both of those could’ve been one, either having her pick up something heavy like nothing casually or just having her glasses fall and break at the gym, have some cute guy help her up to help sell the wish making her feel noticed, and realize she don’t need em. It’s minor in comparison, but a good chunk of her plot badly needed to be streamlined.

And those are just the main offenders. The film’s pacing in general is just attrocious. It takes half an hour for the plot to move along most of the time.. there’ ssome good character stufff but they could’ve better weaved it into the plot and in some Barbra scenes and most of Max’s they DID. It’s just for the most part there’s a lot of repttition of stuff we already knew and figured out and it takes forever for the plot to move to the next phase until the last half hour. And by then my niece was already in the kitchen playing with her new slime having enitrely checked out, my mom was asleep and my brother just wanted this film over already and both of us were only hanging in out of obligation. This film blows most of what little potetial it has taking too damn long to get to the point. As I said it’s fine for a film to be long.. but while Endgame had laggy sections and some of it’s own problems.. it USED the huge runtime effectivey, using the first hour to both show our heroes had truly lost, then to set up the post-time skip world and just what had become of our heroes and their arcs for the movies. The second hour is mostly the time heist, a fun tour through the mcu’s history that also helps progress arcs and the final act is basically one MASSIVE glorious battle featuring every single hero who hadn’t suffered a non-snap related death in one of the best big action scnenes i’ve ever seen. It was well crafted and it’s slower moments were for character stuff and not because they felt the film needed to feel as long as the rest of the year had felt. But while it was the film’s main flaw and the main reason i’ts bad instead of mediocre..there’s one other massive flaw that utterly sinks the damn film and robs of it of a lot of it’s emotional weight The Character Assassination of Diana Prince:

Now we get to the part that really pisses me off one that was already kinda bad while watching but just got worse the more I thought about it: Diana’s Charcterization here. Despite being flawless in the first film.. here it’s just bad. It’s bad and it should feel bad. I can’t fathom how Jenkins lost touch so badly with the character, and I don’t think the Co-Writer Remotley helped. The Co-Writer for this film was Geoff Johns, a dc wunderkind whose reinvented the flash, green lantern, the justice society of america and aquaman, all brilliantly. The last one was even largely the basis for his damn fun movie. I have a lot of respect for the man... but like a lot of creators he’s not immune to screwing up and has made a LOT of mistakes, the biggest being forcing Cyborg away from the titans and into the justice league not for diversity’s sake like he probably claims.. but really because he didn’t want to use John Stewart instead of Hal Jordan, who he has an odd obession with i’ve never gotten, something the incoming writer of Green Lantern, Geoffry Throne, turns out to have complained about for years, as well as apparnetly giving out about Jordan SO MANY TIMES, that an entire artcle was made revealing this... and I’m perfectly fine with that as it should be clear I don’t like Hal Jordan all that much and while he’s been in some good runs, the other earth lanterns are FAR more intersting than him and far more unique. Thankfully the new series seems to be focusing on multiple of them and while hal seems to be getting some focus, Simon and Jessica are the main stars of modern day. So hell yeah to that. Let’s get back to the actual point.

The point being that one of his weaknesses as a writer.. is he really dosen’t get Wonder Woman. He just dosen’t. During Justice League he wrote her as a violent warrior and during Infinite Crisis, as expertly pointed out by LInkara during his review of it a few years back, he had her “not understand what being human is” .. despite this being at the SAME TIME as that Greg Rucka run I mentioned, meaning at the time of Inifnite Crisis, she had her own embassy for her people set up, had written a book, and had just spent a good chunk of that run trying to free an old friend who’d been brainwashed into a psychotic killing machine from her mechanical inhancments killing her and driving her insane. She willingly blinded herself with fucking snake venom to save the world from Medusa’s gaze and avenge a child THEN went on a long and arduous quest for the gods simiply to ressurect said child, with no intent of getting her sight back and only getting it back because Athena willingly gave hers up for being so noble. She is someone who is compatsionate, empathetic and noble. Not a kill happy warrior who loves fighting and blood. She fights because she has to, she does not hesitate and she does kill when needed.. but she is not some weird enigma to humanity. She’s throughly human despite being made of clay and not raised among regular humans. She’s a person, and Geoff just dosen’t get that. He get Superman, the flash, batman, other heroes just fine. He redefined aquaman well like I said. But for some damn reason he just dosen’t get Diana and can’t get a good grasp on her and while a good choice of co writer for practically any other dc movie and a good choice to right the ship for the dceu, he was the second possible worst choice to handle this character and likely is at least partially responsible for her character taking such a nosedive. By the way just in case you think better of him for only being second worst.. this is the worst.

Yes that actually happened.. thankfully not in the main canon and likely because Frank Miller really REALLY needs to get some help.

Point is he was a bad choice and while I still give Patty Jenkins some discredit for helping with this, I do feel Geoff easily could’ve agreed with or came up with some of the worse ideas here without really thinking them through because this simply isn’t a character he cares about what happens to her or knows that well. Things START fine: in present day we get a pretty fun action sequence in a mall with what my brother called Dollar Store Micheal Keaton.. but because Max was already perfectly cast, there wasn’t room for this screen legend. Plus he was probably busy shooting Morbius for.. whatever his role is there. I hope it’s the vulture. My point is DSMK is delightfully hammy and weird and helps kick up an already fun mall sequence.. while I was apparnetly the ONLY one who enjoyed this cheesy but awesome sequence in my family aside from my niece, she hadn’t rightfully checked out at this point, I still love it. It does bring up the slight problem of Diana being active years before... but given The Suicide Squad with it’s vast colorful cast of supervillians and the fact the freaking Justice Society are getting introdcued and given their gimmick even if WWII isn’t involed this time they had to have been active for some time before they presumibly vanished. My point is the whole Zack Snyder thing of “Metahumans are new and you should fear them” has been quitely retconned out and this will all likely be explained with the whole flashpoint thing... (Shudders).. not the retcon the DCEU needs a good coat of paint and unlike the XCU I dont think their going to waste a second chance, I just want a flash film that’s actually about barry and not another adaptation of a storyline few people liked ot start with. Point is that’s not really a huge issue and I prefer DIana being active than the implication she did nothing and her doing small bits of heroisim, like saving a woman from getting hit by a car or resucing pets and bigger ones like the mall just .. fell like Diana. It’s all downhill from there though. For starters there’s Barbra. It starts well: Diana is the only person to not only notice Barbra but treat her nice, and the two strike up a friendship.. which I honeslty wish was more as there was a lot of potetial there and both have great chemistry, not to mention showing Diana’s bisexuality on screen would be a really damn good move forward for representation, but that’s more on me and given how homophobic big companies can be, i’m unsuprised Warner wouldn’t let Patty take that route.

Point is it starts well enough.. but instead of the two actually having a deep freindship and possible relationship that is heartbreaking when it’s broken.. Diana just sort of forgets about her except when she needs her for the plot, and thus what should’ve been an emotionally breaking subplot leading to an utterly heartbreaking fight at the climax.. was just Diana being a dick, taking advantage of someone, and then getting a bit self righteous when the person you basically abandoned and didn’t notice made a wish till it was too late wants to keep the one thing that’s ever made her feel special.

It dosen’t help the comics did this whole thing better and is likely where Jenkins got the inspiration: During Rebirth Barbara Minvera was converted from a vicious ruthless bitch and a half, if still a brilliant character, to a tragic figure: one who while a bit cold and standofish, was genuinely diana’s friend, tricked into thinking she was abandoned, then became the bride of a horrifying god who punsiheed her for the “crime”.. of not being a virgin. While removing the whole cat god thing is understandable.. they removed pretty much everything that made that intresting and Rucka worked hard to make for a cliche “Nerd becomes evil” plot that’s been done a milion times nad makes dsiana look horrible. But while this is bad.. it PALES in comparisoin to the elephant in the room here.

No no elephant sweetie not wild pig. No.. it’s once Diana makes her wish on the magical wishing stone form the trickster god.. and brings steve back. See her bringing him back only for her to have to give him up to save the world.. that’s not bad. It’s a great way to bring chris pine back, ratchet up tension and ultimately give her proper closure for steve so she can move on. The problem.. is HOW steve comes back and how the movie handles that. Steve comes back.. by possesing some random guy. That itself is not a bad idea, as while it’s weird, A) I’m a weirdo and proud of it so i’mf ine with weird and B) it gives us a price to the wish like the other wishes: steve comes back.. but he has to take someone else’s life to do so. Diana has to sacrifice an innocent man she dosen’t know anything about in order to get her happy ending. That could’ve lead to some great drama, with Diana realizing how wrong this is and forcing herself to give him up with Steve’s blessing, as Steve would likewise not feel right about this. He could’ve had family or a girlfriend or something that were jeaporadzied if Diana kept Steve. The problem.. is they handled it horribly. really horribly. Diana and Steve.. almost NEVER mention the fact that he’s basically taken a life. They don’t ask if the guy is dead, they don’t ask who he was and they don’t try to find a way to get him a new body or a dying one or some other ghost can’t do it style shenanigan. And the fact i’m comparing this subplot to ghost can’t do it should tell you this is very bad. And it gets worse as the two have sex.. and whiel I dind’t think about it while watching the movie... afterwords? Yeah.. that’s.. that’s rape. The guy didn’t consent to letting them use his body. Now granted if Steve could leave the body at willand the guy was like “Sure why not” then that’d be fine.. but he has no way of consenting. Sure STEVE did.. but this ain’t his property. This isn’t his body to decide who he fucks. It’s random guy whose body he stole. Hell they didn’t even stop to consider if this guy might be gay which given Diana is bisexual makes no goddamn sense. So that’s another possible layer of wrong on this sundae of what the actual hell. I mean.. how do you bungle writing so bad your main character ends up as a rapist? That’s a special kind of incompetence in 2020 I tell you.

It just turns Diana from a kind noble woman who looks out for everyone.. into a creepy asshole who willingly sacrifices some guy she dosen’t know, something a well written Diana would NEVER do, to get what she wants. This is not diana prince. This is “out of the way sperm bank” levels of charactera assasination” and the fact steve has to talk her into letting him go just makes it worst. Diana here is selifhs, unsympathetic and terrible and it brings the whole film down despite Gal Godot’s best efforts to try and make this work. She fails.. but it’s not on her as an actress, she’s terrific, but on the writing for Diana being so bad. She just comes off as selfish and irredemible and i’ts horrifying to see. As one last note Steve is reduced to more of a cutout this time, so any possible emotinal weight not already destroyed by the rape is entirley missing. Just good god they did Diana dirty for this one. And it dosen’t help her villians.. are done much better. Speaking of..

Barbra: A Mixed Cat Out of a Mixed Bag As the title should make clear Barbra is kind of a mixed bag. On the one hand.. Kristin Wiig is fantastic. Like holy crap I had some small doubts about her being cast in the role but she nailed both the sweet put upon nerd at the start and the ruthless individual desperate to stay special at the end really well and the reason her scenes aren’t as draggy despite a lot being padding are Wiig just really sells the transformation, going from being giddy at a sudden influx of attention to feeling powerful.. to feeling dangerous and being deseprate to do whatever it takes to hold onto her power and being furious when she looses it. The problem is.. it’s all in the acting. Writing wise the story is horribly cliche. It’s why her having feelings for Diana was a suggestion that popped into my head: that’s actually intresting. A put upon nerd who envy’s a hero but ends up instead resenting them and wanting to kill them isn’t new. Amazing Spider-Man 2, which I thankfully haven’t seen but has that plot, Incredibles, and the one that the movie steals from the most.. Batman Returns. While wanting to kill the hero wasn’t part of that one, the whole “blonde whose still attractive even before the makeover has some supernatural thing happen to her and turns into an extrovert with a cat motif who is determined to take what she wants despite the cost.” While i’ts not 1 for 1, mostly becasue Catwoman actually had a romantic relationship with the hero, it’s REALLY hard to ignore just how much it seems to curb from Returns. And I haven’t even seen the movie the whole way through, just about half, really need to, not the point. Point is, it just feels like a rehash of a better done version of the plot. And the sad part is the comics GAVE Patty and Geoff two much better versions that could’ve followed the same path. Pre-Rebirth/Flashpoint, she was a ruthless woman from the getgo and simply could’ve been that, being friends with Diana.. but being too selfish and envious to truly let her in and thus relishing in her new power and showing off who she really was. The other, and better option for the narrative is the previously mentioned rebirth one: A sarcastic and hard but likeable woman who has had to scrape and claw to do what she loves, which is archelogy, despite her father being vastly against it because he’s a dick. Someone who through tragic misunderstanding becomes a tragic monster. That latter version would’ve fit in perfectly, having her like diana and just want to be her.. but a combination of her own inseucrites and the stone strip away her empathy and increase her jealousy and Diana neglecting her could’ve been a concious choice: Diana being too busy with steve and stopping max to see what was happening and thus be heartbroken to fight her true friend. Instead we just get.. catwoman but less good. Wiig tries her best and often succeeds but even she can’t really fix this. It also dosen’t help that selfishness aside.. Barbra is far more sympathetic. She’s contantly put upon and ignored by her cowowkres nad even her boss, who oftne forgets she works there, and finally meets someone who seems to care.. onlyf or that person to ignore her and go off and have adventures and really horribly implicated sex. So she wishes to be like this person, to be confident and loved and able to walk in heels and strong and gets it and slowly looses who she was to it. Hell the moment where she apparently CROSSES THE LINE by possibly killing some guy.. is entirely ruined by picking the wrong target. Instead of it being her boss or one of her co workers who mockeda nd humilated her.. i’ts the same guy who tried to assault her out for revenge. She’s beating up.. a bad person. She’s doing what Diana would do in a good way..

Sure she does take a turn for the evil, after hearing about the wishing stone destroying civilizations.. she sides with max.. but she’s still more sympathetic. Her resintment of Diana which should just be the meta commentary Jenkins intended on relationships between women where it becomes competitive due to societal bullshit, instead comes off justifed. Diana abandoned her, Diana is also being selfish with her wish, diana raped a man, Diana wants Max to stop.. but has to be TALKED into letting her wish go. While Diana is trying to save the world you can’t fault Barbra for not trusting her. For someone who preaches honesty, all Diana is to Barbra is a liar. While she does side with Max who earlier manipualted her by seducing her and stealing the stone... she KNOWS he’s not a great person, and this time instead of being the used, she’s the user. She knows he can make her even STRONGER, knows he can let her keep being who she wants to be if not BETTER, and knows he needs someone on his side.. and knows he won’t screw her over with her wish since he needs Diana off his back to become powerful enough to face her. Barbra comes off as cunning, manipulative and way more likeable than the hero, instead of the tragic villian she was inteded as. If nothing else, if she shows up in the sequel I will watch it even after this one was pretty damn bad and hopefully sh’ell be better written next time to match Wiig’s hard work. Now.. i’ve saved the best for last as while i’ve compalined a lot.. there is ONE aspect of the film that is genuinely good and while I get not everyone liked it.. Is urea s hell did

Maxwell Lord: Perdo Pascal Saves this film by eating the set whole like galactus.

Maxwell Lord.. is the best part of this movie. Easily. Unlike the other main characters, he’s written well, acted well if hammy as all hell, and is true to the comics. Part of this I freely admit is that when I heard Max was a villian here I expected none of his JLI version to survivie. I should explain.. in the comics Max is defined by two diffrent phases of how he was written; The first was in Giffen and Demattis run on justice league, which was more of an action comedy with emphasis on the comedy> There was still serious stuff and villians to face, it’s just our heroes were a bunch of likeable misfits and b-list heroes doing their best while cracking jokes and disfunctionally clashing with one another. It’s good stuff. Max was the heart of that: a selfish manipulative buisness man who grew to like the league and rebelled against the robot intellegence that got him that far, earning him a fair spot on the team. Sure he was a sleazy, shady 80′s buisness man, but he has a good heart underneath the opprotunsitic nature.

Come the run up to infinite crisis despite being a metahuman, he started irationally hating metahumans, claimed to have always hated them, and set up a vast conspriacty to kill em all. He also hyjacked superman, which lead to Wonder Woman being forced to snap his neck and being booed for it by superman despite the fact you know.. she was trying to stop him from killing batman and had no other cohice. The rest of the world got the clip out of context.. but even then she’d already killed months ago for the medusa thing I mentioned before, and despite Medusa only speeking ancient greek, the world, which tihs was broadcast too hence the danger of medusa killing trillions of viewers watching at home, they got the context that Wonder Woman was the good guy and was killing for good reason. It was just.. kind of stupid even if Rucka did his best with it is what i’m saying.

Point is there were two maxes: the sleazy and manipulative but well meaning buisness man and semi-con man and the manipulative but well intentioned master mind. So the movie.. combined both beautifully. He’s a manipulator as always, having set up a ponzi scheme and getitng called out on it by what turned out to be Simon Stagg.. who for some reason is the virtious if assholish buisness man here despite in the comcis being an utterly corrupt asshole constnatly ttrying to prevent his daughter from marrying this guy

This is Metamorpho, the element man, archelogist Rex Mason who thanks to the orb of Ra turned into this guy, an embodiment of the elments who can transmute his body into anything on the perodic table. Why HE hasn’t been in a movie yet his nemisis now has been is beyond me and there are better dc businessmen to have used.

Point is this Max is shady, ambitious and sleazy.. and badly failing his scheme falling around him. But his reason for wanting to be a rich, powerful man after growing up a poor immigrant.. is utterly symapthetic. He has a son in this adaptation and wants to make him proud. I’ts CLEARLY not his only motivation, he also just wants to be proud and the finale reveals hsi father was abusive, and his classmmates alienated him for being an immigrant. He has a chip on his shoulder due to having a rough life and just wanting his moment in the sun. It makes Max relatable: His actions are NOT okay but we get why he merges with the wishing stone: because this is his shot. And most of the people he fucks over with his wishes.. are bad people. he cons some good people sure but Stagg is an asshole and the prince he cons wants to kick foreigners out of his homeland. Max, like Barbra, while not a GOOD person still is more likeable than diana. He just.. feels like Max. He’s what Max could’ve been if he gave into the power instead of fighting against it. If he'd teamed up with the alien robot thing to take over the world instead of resiting it. So while he’s a bad guy like he’s been sadly turned into in the comics.. he feels like a CONVINCING version of Max as a bad guy. Like he genuinely turned evil of his own will and his own ambition.

It also helps he’s written compitently. Unlike Diana, whose entirely miswritten to a point NO amount of good acting and no amount of Gal Godot’s talents could save, and Barbra, whose great but only because her character had too little to be great but just enough to give Kristin Wiig room to work with Gal simply did not have. Seriously I feel terrible for Gal Godot, she’s a genuinely talented actress and a genuinely kind and great person whose a LOT like Diana herself when written properly. But Pedro Pascal? Since his character isn’t too badly written, and he has room to work.. he’s allowed to just be awesome. Since I haven’t watched the Mandolorian yet, I know, I KNOW, trust me.. I KNOWWW. But since I hadn’t this was my first proper exposure to Pedro Pascal..and his talent speaks for himself. In a weak movie, he is the shining star. He’s also hammy as shit, but it WORKS because the film is redicouls. The Wishin Rock plot line and Max merging with it.. it’s bonkers. But he has just the right mix of bonkers hammy acting that’s fun to watch, and actual character work in the ham. He’s eating the scenery hand over fist, utterly devouring it.. but it fits the character as while Max was more of a subtle ham, a guy who just radiated smug and who more got into histornics when things went tits up like the time Blue Beetle and Booster Gold took the JLU’s funds to build an island resort on an island that turned out to be sentient and didn’t like that much and yes, all of that happened and it was as funny as it sounds. Point is being a showman whose always on, always talking and always got a plan.. that’s Maxwell Fucking Lord, and Pascal’s over the top acting fits that kind of character like a glove.

It also fits the film well: the film comes off more like a 2000′s superhero film, one that takes itself super seriously.. but is really, REALLY goofy in places. It honest to god feels like one of the Sam rami spider-man films, ones I REALLY need to revisit and the results of that you’ll likely see, but without the self awarness rami had.. for the first two I mean by the third with the whole saturday night fever sequence, he’d really lost it. Love the guy though, still need to watch Army of Darkness and yes you may boo me. Point is the film is bonkers and cheesy and dosne’t realize it but Pascal does so he just.. has fun with it. His haminess when asking someone for a wish, his great ways of reversing those wishes so he benifits from the consequences, taking them off the board while furthring his own goals. Max is just.. awesome, and so is pascal. He got a life long fan in me from this performance. And of all people he took his inspriation from Nick Cage which is a perfect fit as Cage is fucking great at acting absolutely batshit while still acting his ass off. Pascal really deserves full credit for this film for more than just being lovingly over the top. He’s genuinely good.

And that shines through greatly in the climax. First off the final fight between Cheetah and Wonder Woman is awesome.. just one of the best superhero fights i’ve seen on film and i’ve seen some whoppers. Great back and forth, great coreography and brutal intensitiy the whole way through with Diana being forced to possibly kill Barbra despite not wanting to hurt her. Just a hell of one. But the real centerpice is the wish vortex. Pascal just drops all pretense and goes ultra instinct ham, just letting it all hang out as he ascneds to god hood... but how he’s beaten.. is easily the most brilliant part of the film and one of the few times Gal Godot genuinely gets to show off her talent in this one: Wonder Woman defeats the bad guy not with brute force, not that she can, or some cool fight.. though we did get the cool fight too so that’s nice.. she simply uses her head and her heart. She uses her head by taking advantage of the fact max is broadcasting to the world, as villians tend to, and giving his bogus offers to whoevers listneting. So Diana counters this.. by simply speakking from the heart, enrouging those watching not to give in and to renounce the wish.. so the consequences can be renounced too. Even if it’s hard, even if it costs you.. what your doing will cost others so much more. And she finsihses this by using the Lasso of Truth on max, making him tear down his delusions about himself and see that his actions, which have caused world war III by the way as he maniupated the president.. who for some reason was not Regan. While Regan was a bastard.. that’s exactly the reason I wanted hi mthere as this film would’ve been better had one of the parts of the climax been Diana fighting a 50 foot tall rouge ronald regan. Admit it you’d see that in theaters if it was safe to go.

POint is max sees he’s only HURTING his son, that this is for HIM not for his boy.. and that if he dosen’t let this power go, if he dosen’t just accept a peaceful life and let the world spin the way it’s supposed to and not emplode jus tso he can be a god... his son will be gone. So he gives it up and goes back to his boy in a touching moment. Though for some reason his son somehow got from Max’s office to the middle of a fucking highway. How is he not dead? I dunno we’re almost done here. Point is max is easily the highlight of the film and the reason it’s not ALL horrible along with Barbra. Final Thoughts: Wonder Woman 1984.. is a disapointment. What I thought would be an easy film of the year contender.. instead ended up being an ungodly mess with unfortunate implications, a messy slapped together plot and WAYYYYY too much filler. As I said it had it’ sbright spots especially max and barbra.. but hte ultimate product is WAYYYY less than Patty Jenkins is capable of and since a third film is apparently inevitible, I can only hope next time she learns from this and does better. Also get Pedro Pascal his own Justice League international series as Max’s grandson or something YESTERDAY. Seriously even people who didn’t like this film would love it and it’s not like he can’t do this between seasons of Mando. He did We Can Be Heroes for god’s sake.. which was somehow a better film than this one. I guess 2020 had to disapoint me one last time huh? Well we’re in a new year now... and hopefully the Suicide Squad won’t also be a huge diapointment. If you enjoyed this lnog rant on a movie from a week or two ago, follow me for more. I’m currently doing retrospectives on the life and times of scrooge mcduck, scott pilgrim, grant morrisons new x-men, and i’m soon going to finish up a Darkwing Duck one focusing on Just us Justice ducks. And once they come back this year I plan on reguarlly covering Ducktales, Loud House, Owl House, Amphibia, and Final Space. So keep an eye out for that and until then, Goodbye Goodbye Goodbye.

#wonder woman #wonder woman 1984 #pedro pascal #gal godot #kristin wiig #chris pine #diana prince #cheetah #barbra minerva #maxwell lord #justice league international #dc comics #dc extended universe #hbo max #patty jenkins #steve trevor

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theredhairedmonkey · 4 years

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viren redemption, yay or nay? claudia going full villian, yay or nay?

Oh, I’m definitely a fan of a Viren redemption arc! And not the kind where he redeems himself by dying, or where his death is his redemption. It would be interesting to see Viren come full circle where, seeing how Aaravos may corrupt Claudia in future seasons, causes him to realize how Aaravos had corrupted him. Or, better still, how Viren had corrupted Claudia. He sees the manipulations for what they are, and turns his back on the Startouch elf to save his daughter.

Of course, this still means he has to pay for his crimes. Hence why redemption through death is so overrated; the villain never has to pay the price for their evil deeds. Darth Vader spends two decades brutalizing the galaxy, but a single sacrifice redeems him and lets him become one with the Force...without having to face the people he oppressed.

Redemption seems like a logical end to Viren’s arc--otherwise, why not let him die unrepentant in 3x09?

And Viren should be redeemed, but he shouldn’t be let off the hook either.

For Claudia, it could go either way. I could see her going full villain. Sarai told Callum that Dark Magic has a corrupting influence on the mage, that it makes them evil (sorta like the Dark Side of the Force--last SW reference I swear).

So, it would be natural for the show to have Claudia’s arc go from an adorkable mage to...something much worse.

The show has hinted that she has the potential to surpass her father, and we even see her perform feats--healing and resurrection--that Viren has not yet done (that we’ve seen). So, it would make sense that she would go much further with regard to using Dark Magic, to the point that it would corrupt her enough that she is a full villain.

But, and this is just my personal preference, I’d much rather this be a temporary chapter for Claudia. We know she means well. We know that one of her biggest flaws is her loyalty to her family, which largely stems from her personal trauma.

It pushes her to do terrible things, and maybe for the moment, it’s too late for her to change course.

But what if the same thing that leads to her turning into a villain--her family--also redeems her in the end?

#viren #claudia #soren #aaravos #redemption #dark magic #tdp #the dragon prince

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she-who-fights-and-writes · 4 years

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She-who-fights-and-writes Coronacation Book Rec List

I know that a lot of people are stuck at home right now in dire need of entertainment, so I decided I’d put out a book recommendations list of all the books I’m currently reading and all of my must-reads!

(Just a note that a lot of these are Fantasy because I’m a fantasy nerd haha)

Books/Series I am currently reading

1. The Folk of the Air Trilogy by Holly Black (Currently on #2, The Wicked King)

Genre: High Fantasy

Setting: The land of Faerie which is kind of historical, but in the human world it is modern day

Main cast :

Jude Duarte (white, human, cutthroat, if I saw her in a Denny’s Parking Lot at 3am I would RUN)

Cardan Greenbriar (white, faerie, the true embodiment of Bastard)

Vivienne (Jude’s half-sister, lesbian with canon gf, half-human half-faerie, I would totally try to be her friend)

Taryn Duarte (Jude’s twin sister, queen doormat, still, I would take a bullet for her she’s jUST TRYING TO FIT IN)

Rating: 5/5 Stars

These books have been on my “To Read” list for so long now and for some reason I just never got around to reading them! Hands-down, these are some of the best high fantasy books that I’ve read in a long, long while.

I finished the first book, The Cruel Prince, in just two days and rated it 5/5 stars! Even though these books are high fantasy and focus on the traditions and ways of life of faeries, somehow all of the characters seem like I could meet them in real life!

The main character actually has genuine flaws and not just “””“flaws”””” and is a Bad Bitch down with murder, and the plot had me on the edge of my seat from page one!

The summary makes it sound like it’s going to be about their romance, but it’s really mostly about a power struggle and Jude being a badass.

Goodreads summary for The Cruel Prince:

Jude was seven when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King. To win a place at the Court, she must defy him–and face the consequences. As Jude becomes more deeply embroiled in palace intrigues and deceptions, she discovers her own capacity for trickery and bloodshed. But as betrayal threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.

2. The Raven Cycle Series by Maggie Stiefvater (Currently on #1, The Raven Boys)

Genre: Present-Day/Realistic Fantasy (?)

Setting: The fictional town of Henrietta, Virginia

I haven’t gotten around to much of the book, so there’s not much I can tell you about the characters and I can’t properly give it a rating yet.

These books were also on my “To Read” list for a while; I was a huge fan of her book The Scorpio Races and have also been looking for something to quench my thirst for “private school/ghosts/magic” that I’ve been dealing with ever since I read The Ninth House by Leigh Bardugo.

I’ve only JUST started The Raven Cycle yesterday, but so far I am hooked! I’m super worried because I’m TERRIBLE at juggling two series at a time but both of these are just so interesting!

Goodreads Summary for The Raven Boys:

“There are only two reasons a non-seer would see a spirit on St. Mark’s Eve,” Neeve said. “Either you’re his true love . . . or you killed him.” It is freezing in the churchyard, even before the dead arrive. Every year, Blue Sargent stands next to her clairvoyant mother as the soon-to-be dead walk past. Blue herself never sees them—not until this year, when a boy emerges from the dark and speaks directly to her. His name is Gansey, and Blue soon discovers that he is a rich student at Aglionby, the local private school. Blue has a policy of staying away from Aglionby boys. Known as Raven Boys, they can only mean trouble. But Blue is drawn to Gansey, in a way she can’t entirely explain. He has it all—family money, good looks, devoted friends—but he’s looking for much more than that. He is on a quest that has encompassed three other Raven Boys: Adam, the scholarship student who resents all the privilege around him; Ronan, the fierce soul who ranges from anger to despair; and Noah, the taciturn watcher of the four, who notices many things but says very little. For as long as she can remember, Blue has been warned that she will cause her true love to die. She never thought this would be a problem. But now, as her life becomes caught up in the strange and sinister world of the Raven Boys, she’s not so sure anymore.

MY MUST-READ BOOK LIST

1. The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee

Genre: Historical Fiction

Setting: 1700s Europe (England, Paris, Barcelona, Marseilles, Venice)

Main cast (I’ll try my best not to spoil anything because you find out a LOT of different stuff about these characters throughout the book):

Henry “Monty” Montague (white, bi/pansexual, attitude problem)

Percy Newton (mixed race, gay, very sweet boy, definitely got “most likely to bring home to mom” in the yearbook)

Felicity Montague (white, Monty’s little sister, headcanoned as asexual, I love her to death)

Rating: 5/5 Stars

Daring adventure, gay representation, historical setting, hilarious characters!

This book literally has it all! I would consider it one of my favorite books of all time, yet for some reason I’ve never gotten around to reading any of the sequel books! The ending is very satisfying and ties everything together, which I feel is part of the reason why I haven’t gotten around to them yet.

Therefore, it can serve as a one-shot read or a full series if you want to dive into something good!

The humor made me laugh out loud at points and all of the characters are very real and very, very relatable, not to mention the vivid settings of 1700s Europe!

Goodreads summary:

Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men. But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy. Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.

2. The Ninth House By Leigh Bardugo

Genre: Horror, Fantasy

Setting: Yale University and the town of New Haven, Present Day

Main cast:

Galaxy “Alex” Stern (Hispanic, sees dead people, very scary)

Daniel Arlington “Darlington” (white, rich, an angel who can sometimes be a dick)

Pamela Dawes (tbh I honestly don’t remember what she looks like, only that she’s a tired grad student with big nerd energy)

Detective Alan Turner (Black, takes shit from nobody, husband material)

Rating: 4/5 Stars

(NOTE: THIS IS VERY DARK ADULT FICTION AND CONTAINS MATERIAL THAT MAY BE TRIGGERING FOR SOME PEOPLE, WOULD NOT RECOMMEND FOR PEOPLE UNDER 16)

This book is a great read for someone who’s looking for a disturbing, gritty book with layers upon layers of secrets that you have to peel away as the mystery unfolds. I love the secret societies and the intricate magic systems that the book introduces, and it actually made me hungry for more books like it!

Alex is a three-dimensional, very real character who also serves as an unreliable narrator who witholds or warps the information that she’s telling you, making the narrative all the more riveting.

The only issues that I have with it are the fact that Leigh Bardugo kind of just dumps you in the middle of it without explaining stuff first, to the point where it kind of feels like you’re reading the second installment of a series rather than the first one, so things can get a bit confusing at first.

The book also can drag and draw things out for a bit too long, but once the plot fully kicks into gear, you will not be able to put it down!

Goodreads summary:

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her? Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

3. The Lunar Chronicles by Marissa Meyer

Genre: Sci-Fi/Fantasy

Setting: Earth, Space, The Moon

Main cast :

Linh Cinder (Chinese, based on Cinderella, cyborg, certified badass)

Scarlet Benoit (French, based on Little Red Riding Hood, farmer who is not afraid to shoot you)

Cress Darnel (White, based on Rapunzel, nerd, I will protect her with my life if I have to)

Kaito “Kai” (Chinese, based on Prince Charming, kind of has to run a whole country, a very kind soul, deserves a nap)

Carswell Thorne (White, based off of Rapunzel’s Prince, bastard)

Winter Hayle (Black, based off of Snow White, royalty, has super special powers)

Wolf (Race unspecified, based off of the Big Bad Wolf, charming killing machine, furry????)

Rating: 5/5 Stars

Do you like fairy tales?

Have you ever wanted to know what fairy tales would be like if they took place in the FUTURE instead of the PAST?

Do you like an amazing, hilarious cast paired with a super interesting plot?

These are the books for you!

I haven’t read them in so long, but I remember how much joy I felt while devouring these pages. Definitely something you will not able to put down!

Goodreads Summary for Book #1: Cinder:

Humans and androids crowd the raucous streets of New Beijing. A deadly plague ravages the population. From space, a ruthless lunar people watch, waiting to make their move. No one knows that Earth's fate hinges on one girl. . . . Cinder, a gifted mechanic, is a cyborg. She's a second-class citizen with a mysterious past, reviled by her stepmother and blamed for her stepsister's illness. But when her life becomes intertwined with the handsome Prince Kai's, she suddenly finds herself at the center of an intergalactic struggle, and a forbidden attraction. Caught between duty and freedom, loyalty and betrayal, she must uncover secrets about her past in order to protect her world's future.

4. The Song of Achilles by Madeline Miller

Genre: Fantasy

Setting: Ancient Greece

Main cast:

Patroclus (Greek, Gay, quiet pining)

Achilles (Greek, gay, very strong, student athlete energy)

Brisies (Anatolian, clever, literally the only one in this story who has a brain cell)

Rating: 100000/5 stars

This is basically the Iliad but if historians hadn’t completely erased Patroclus and Achilles’ relationship. “Haha yeah these guys were totally bros” they say, even though I have read the Iliad and their relationship isn’t even subtle.

This book made me cry at least ten times. It’s just so beautifully written and has such a distinct vibe to it that whenever I crack it open for another time, it takes me straight back to the vacation that I read it on. (Needless to say, sobbing your eyes out can be less than helpful when you’re on the beach)

If you can only read one book on this list, it should be this one. I could talk all day about it and write novels on just how much of an incredible writer Madeline Miller is, but I feel like you’d get my drift a bit better if you actually read the book.

Goodreads Summary:

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. By all rights their paths should never cross, but Achilles takes the shamed prince as his friend, and as they grow into young men skilled in the arts of war and medicine their bond blossoms into something deeper - despite the displeasure of Achilles' mother Thetis, a cruel sea goddess. But then word comes that Helen of Sparta has been kidnapped. Torn between love and fear for his friend, Patroclus journeys with Achilles to Troy, little knowing that the years that follow will test everything they hold dear. Profoundly moving and breathtakingly original, this rendering of the epic Trojan War is a dazzling feat of the imagination, a devastating love story, and an almighty battle between gods and kings, peace and glory, immortal fame and the human heart.

Hope this list helps you through your coronacation, and please don’t be afraid to reblog or message me to tell me if you’ve read/will read any of these!

#books #book recs #book rec #book reccomendation #book reccomendations #coronacation #corona #coronavirus #covid-19 #book rec list

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buddha-in-disguise · 4 years

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I'm not going to review the season finale in quite the same way as I've usually written something afterwards. I'm ultra tired due to distinct lack of sleep. So it is more truncated than I'd intended. Also unedited so advance apologies if something makes no sense or is misspelled etc.

The episode was facing the challenge of not only being edited after COVID-19 shut down production, but what was intended to be the penultimate episode became the finale. So I'm trying to take that into consideration.

First part in Kara's loft. It was choppy. Don't get me wrong, I had nothing against the humour, or the scenes in general. Although they missed the glaring opportunity to place a "flew here on a bus," moment! It felt pretty disappointing they didn't recognise what has become an iconic line within the SG fandom, and made it even more iconic.

Before the bus though, back at the loft, considering that Lena had literally only just arrived at Kara's, with all that entails, it felt completely out of place for that context. Did it have been overwhelming heavy at that point? Absolutely not. But it was too close to slapstick at times for me and internally I was cringing. I admit, I'm not sure where they could've put it in, but perhaps if they'd just lowered it a fraction, made it a little more subtle a couple of times, it would've helped for me.

Some of the dialogue (especially early on) was also all over the place for me. It did get better as the episode wore on, but I wonder how much was the need to redo parts of the episode because of COVID-19? Unless they think to put an episode as intended in a future season DVD (perhaps S6 DVD), or someone gives us full details via an interview we will probably never know.

Which brought me to one piece of dialogue that I wish they'd not put in at all!

In 5.18, as I've spoken about a lot on Twitter especially, the way Lex screams into Lena's face, and Lena's flinch, and how that had been me 20 odd years ago. They then had the line as Lena talks to Kara; "Go ahead. Scream at me if you have to, I know I deserve it."

I know for many, they'd just see it as a line to use, but .... for many of us who have suffered abuse, who recognised (& in some instances were triggered) by last weeks episode, to not have acknowledged why that line was so problematic is worrying. It heavily suggests they're not going to address Lena's trauma and abuse because they really don't understand it (& again, if anyone believes she didn't suffer trauma and abuse, but accept others in SG do, go away with your bias from my page), but considering they haven't addressed much of Kara's trauma, particularly watching Argo destroyed again, being stuck for months during Crisis like they were, etc - then I guess it isn't a surprise.

But it is uncomfortable as hell to watch a line like that glossed over.

Overall though, I did enjoy the episode. Once that 1st half was over, especially (baring a few moments, including watching Alex do her badass Mission Impossible meet Cirque du Soleil moment because that was awesome) it felt much more like SG of previous seasons. So that was great.

Watching Lena as she watched Alex and Kara hug behind her was so emotional. Watching siblings love unconditionally. Something she thought she had with Lex, only to realise he hadn't changed at all. Lena didn't need to say anything, as once again Katie's acting brought all the emotion Lena was feeling to the fore.

Having Lena and Alex mirror they choice of words in regards Kara was pretty iconic. Then having Alex whisper, "Jinx." really made it work.

Seeing Dreamer in her element, including some great lines again. "I can't believe you left to fight Earth, Wind & Fire without us." "Guess they didn't take the bait? Maybe you should've been meaner?" As they begin the fight with J'onn, M'gann Alex and Dreamer - Alex to Dreamer: "You ready?" Dreamer. "Nope." Alex. "Me neither." Dreamer at her best imo.

Kelly going all, damn my girlfriend is hot & I want sex right now despite the circumstances was pretty cute and funny.

The Kara and Lena monologues being in unison. Now that was pretty amazing and one of the best parts of the whole episode imo.. But again, you feel as if they're matching Lena and Kara together with those scenes as a couple.

Lena not only protecting Kara, but stopped Andrea from going down a dark path as Acrata. Was also great.

Last frame of Lillian. Does it turn out she is the head of Leviathan? Because again they laid out more than once the leader was a woman. It has been noted several times now in different episodes. I was hoping Lena's biological mother, considering she knew of the legend of Acrata, but it is now looking more likely this reincarnation of Lillian is who it is, unless it is a character we've not been introduced to, but I highly doubt that.

The 2nd half of the episode was what we missed so much this season. In fact aspects throughout the episode were missing for too much this season.

This includes the women being the focal point of it. Brainy though absolutely rightly taking a strong subplot to what else was going on. J'onn ably supported by M'gann. M'gann who managed to advise Nia on embracing her dreams and not trying to avoid part of them. Dansen actually working together and both being badass in their own way (after all, this is something I've advocated for much of the season, & while fantastic to see, it never should've taken this long. Now where have we heard that before?)

But we still have glaring unanswered questions that I can't imagine would've been answered in 5.20.

Every indication since 5.17 is Kelly knows Kara is Supergirl. Yet we don't know for certain, because they've failed to show us how or when. I've said before, considering every other person who knows Kara is Supergirl, we had them tripping over themselves to explain to the audience how it happened. I'm pretty annoyed that we as the audience don't get given the same courtesy with Kelly. This is why so many of us feel short changed on some characters this season. The really aggravating thing is would only take a few lines to clear it up!

Now onto Alex. This ties in with J'onn. Where are they getting the money to survive? Did J'onn manage to accumulate enough over all the years he was on Earth to finance everything & pay Alex a wage? No clue.

Also, are Kelly & Alex living together? Or do they have keys to each others apartments? Yes, Kelly was at Alex's in 5.17 so the answer is pretty much yes, but nothing has been said! We knew more about Brainy & Nia's living arrangements from 5a than we do Kelly & Alex.

Kara's trauma. Lena's abuse & trauma. See above.

Lastly, the one most I know want (except a few vocally against), leaning towards Supercorp becoming canon. Again for another season, we end up with the, 'Maybe they'll do it next season.' being said. Particularly as in 5a they really went all out on Supercorp parallels to Clois and at times Dansen, plus even a little on Brainia. But unless something pretty fundamental changes behind the scenes, they're going to recognise what their biggest draw is, keep baiting but never fully go into it. And that is what I fear the most. When you've got media, even non-Supergirl fans saying it, but the show refusing to acknowledge it - that could be their legacy, and it will not look good or have a lot of fans look back kindly on them for it.

The 4 seasons it took for Lena to find out Kara was Supergirl was, in the end, terribly executed. This waxing and waning as well of; is Lena good or bad? Will she follow in the Luthor footsteps?

She is flawed. She's made some pretty awful mistakes. But now they're said she is good. She isn't evil or a villain. So now that line they've drawn needs to stay there! No more ambiguity on her character being a villain.

But you know what's not good? Feeling you can't trust the show to draw a line under that aspect of the character. That doesn't mean you have to have any one of them not be flawed, or to even cross some lines (they've all done it at some point, some moreso than others, but not one character is innocent).

When the show is now generating that level of mistrust on how they could handle future events, that is a problem.

Season 5 overall (particularly 5b) was absolutely horrendously bad. It had some moments of sheer brilliance (either individual scenes, or some episodes), but the rest was just flat out awful. Irrelevant. Messy. No cohesion. 5b became too much of the Lex Luthor show. Certain character additions were vastly unpopular and definitely caused down turns in viewer numbers (& again, from far more than a section of fandom). As did keeping Lena away from everyone for so long.

To sum up. Season 5 was a disaster.

Season 6 needs to have considerably different direction to even try & pull back some viewers (if they can at all). Distrust is rife.

The worst is no-one in the cast deserved this, especially as they're so talented. Some of the performances, even with how poor much of the season was, have been magnificent. But as the saying goes, you can't make a silk purse out of a sows ear.

I've never been so relieved a season is finally over. We'll watch our favourite episodes for sure, of which there aren't many, but a full rewatch of the season we normally do will not be happening. Some episodes were better off consigned to the trash.

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aion-rsa · 3 years

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Resident Evil Village: Why Ethan Winters is the Worst RE Protagonist

https://ift.tt/eA8V8J

This article contains RESIDENT EVIL VILLAGE spoilers.

I walked away from Resident Evil Village with mixed feelings about the whole thing, but the one aspect of the long-awaited sequel I had no mixed feelings about was leading man Ethan Winters and his status as the absolute worst.

While there have been other unlikable Resident Evil protagonists, Resident Evil 7 and Resident Evil Village‘s Ethan Winters is on another level. Unlike other RE heroes that were hindered by a combination of bad voice acting, bad writing, and questionable lore, Ethan Winters’ brings all of those unfortunate elements to the table and adds a couple of “qualities” that puts him cleanly in contention for the “honor” of being not just the worst protagonist in RE history but in all major video games.

Before you call that harsh, consider just a few of the many ways that Ethan Winters is the most insufferable part of two otherwise good games.

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Ethan Winters is a Terrible Husband

This is honestly a bit lower on the list of Ethan Winters’ character sins, but it has to be pointed out that Ethan Winters comes across as a pretty bad partner.

First off, there’s a world in which Ethan doesn’t even save Mia in Resident Evil 7 and instead chooses to give the serum to Zoe Baker: a girl he’s known for about a couple of hours. In that same ending, Mia still sacrifices herself for Ethan despite the fact that Ethan didn’t save her. Capcom wisely decided to abandon that ending pretty much entirely, but it’s telling that the writers created a character who could conceivably leave his wife to die when he’s able to easily save her.

Mind you, the version of Ethan we see in Village who did decide to save Mia is only slightly better than the one who abandoned her. The biggest problem here is actually the revelation that Mia is really Mother Miranda and seemingly has been for at least a little while. This use of the body switch trope always makes partners look bad (how do you not notice the supposed love of your life has been replaced?), but it takes a very dark turn in this instance when Mia is shot by Blue Umbrella operatives and Ethan barely reacts to his wife’s brutal murder.

Yes, it turns out it was actually Mother Miranda that was shot, but before Ethan knows that, he is seemingly able to process much of his grief with an “Oh God!” and an exasperated “Why?” After that, Ethan barely even talks about Mia. Sure, his daughter was just kidnapped, but this guy can’t shed a tear or do anything to indicate that he needs more than a minute to process this whole thing? Even if it was Mother Miranda who scolds Ethan in one of the game’s early cutscenes for not caring enough about their relationship, I’m starting to think she was right. No wonder she has to keep so much wine around the house.

Ethan Winters’ Quips Could Make an ’80s Action Hero Shake Their Head in Shame

I feel like I could spend several articles talking about Ethan’s awful one-liners and quips, but there’s one specific moment I have to talk about that really highlights the extent of this problem.

There’s a scene in the back half of Village that sees Ethan sneak through a mine in search of a flask containing part of his daughter. Against all odds, Ethan is able to retrieve the flask without drawing the attention of the creature guarding it, Moreau. However, Ethan (who, it must be said again, is the absolute worst) cannot resist taunting Moreau instead of just walking away. He then stays a little while longer to make fun of Moreau seemingly because he’s the first of the house leaders who he feels he is able to bully.

Ethan, why are you like this? Why would you possibly alert this thing to your presence when you’ve just been gifted an easy way out, and why would you exploit what appears to be a moment of weakness for this creature just to get a couple of insults and bad jokes in? For that matter, why do you constantly feel the need to chime in with some kind of quip or line that seemingly confirms you’re just good-looking enough to have never been told that you’re not funny?

It’s great that Moreau uses this moment to tell Ethan “You’re stupid! You talk too much,” but the fact that the game’s writers were seemingly aware of this problem makes it all the more baffling that they chose to have their games star this very stupid man who does, in fact, talk way too much in the moments he shouldn’t be talking at all.

Ethan Winters Has Never Been the Everyman He is Supposed to Be

When I first started playing Resident Evil 7, I gave the game the benefit of the doubt regarding some of Ethan Winters’ character and personality flaws. After all, he was supposed to be the player surrogate and something of an everyman who is just as confused by this situation as we are.

However, if Ethan really was ever supposed to be an everyman, he’s a pretty bad one. It’s easy enough to buy into the idea that Ethan is just some poor guy in a bad situation at first, but between his terrible quips, world-class bad decision making, and apparent inability to form a believable human connection with the few actual humans in his life, Ethan is less of an everyman and more of the random dorm roommate you got stuck with in college. The best thing you can say about him is that you’ve both got to find a way to get through this together.

Throughout Resident Evil, we also watch as Ethan alternates between struggling to understand things that we as the player have already figured out and not caring about obviously impressive moments. There are essentially vampires and other nearly mythological creatures in every corner of Resident Evil Village, and Ethan hardly ever conveys even a moment of surprise in response to anything he sees. There’s even a scene towards the end of the game when Ethan falls into an underground area only to find that Chris is already there and has apparently built a homemade tank. Does Ethan ask for an explanation about any of this or express any notable interest in these incredible coincidences/circumstances? No, he does not. It’s like the “cool guys don’t look at explosions” trope, but the explosions are the plot and the cool guy is Ethan Winters.

Seemingly realizing that Ethan wasn’t working as an everyman, Capcom decided to turn him into more of an action hero in Resident Evil Village. Unfortunately for everyone, that only made things worse…

Ethan Winters’ Powers Somehow Make Him an Even More Boring Character

Let’s get right into it: it doesn’t make any sense that Ethan Winters is able to defeat most of the threats he faces in Resident Evil Village, and the game’s attempts at making those moments make sense only make the character worse.

While Village tells us that Chris trained Ethan and Mia to some degree after the events of Resident Evil 7, there’s no amount of training you could possibly receive that would explain why the bullets from a shotgun you found in a shed are able to topple impossible creatures. Granted, that’s more of a game design problem than it is a personal issue with Ethan, but at some point, the fact that Ethan goes from “barely defending himself” to “defeating an entire village of monstrosities” with very little believable or enjoyable explanation between those moments ultimately becomes yet another reason to not like him.

Village later tries to explain Ethan’s regenerative abilities and impossible durability with a variation of the “dead the whole time” storytelling cliche, but that just makes matters worse. While “dead guy” is a pretty apt description of Ethan’s warmth as a human being, Ethan being just south of unkillable doesn’t make him any more interesting: it makes him a s****y Wolverine who hopes his powers will make up for his lack of personality. In reality, it just makes it more upsetting that it’s so hard to get rid of Ethan Winters.

Ethan Winters’ evolution from bewildered average guy to monster slayer could have been interesting. Just look at Gordon Freeman from Half-Life or the character Wesley Wyndam-Pryce from Buffy and Angel. Instead, the more we got to know Ethan, the more we wish we didn’t. It’s rare to have a protagonist that so effectively drags down the considerable quality of everything around him, but that’s just the kind of guy that Ethan is.

The post Resident Evil Village: Why Ethan Winters is the Worst RE Protagonist appeared first on Den of Geek.

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cheryls-blossomed · 4 years

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I’m rewatching S1 of the Flash and one of the things that stood out to me about CS is how easily she would give up on Ronnie. Ronnie is supposed to be her OTP yet she was constantly giving up on the rls or not fighting for him or moving on fr Ronnie to someone else. This is even more bothersome watching it a second time around. In comparison, Iris is ride or die for her OTP. She would never give up or move on fr B. Also she’s constantly doubting people esp B abilities in S1

One of the things I find frustrating about canon Caitlin versus a lot of her so-called fandom’s off-base interpretation of her character is that canon Caitlin is very pessimistic, while her fandom constantly wants to paint her as super sweet to the point of saccharine and constantly supportive. The latter interpretation is just untrue, and that’s fine, but her fandom wants her to be someone she so clearly is not. She always has been pessimistic, and in season 1 that quality is one we see in her over and over again. She also dislikes things which disrupt her status quo, so even though technically her life has changed drastically since the eruption of the Particle Accelerator, we still keep seeing her push back against further change. Like it’s really telling when she tells Cisco that she would have rather Ronnie died than turn up as he did (on fire), which definitely gave me pause, because in my mind it’s like, well the love of your life just came back, wouldn’t you want him back in any capacity?? Caitlin just didn’t believe Ronnie could be helped, because of how fervently she is against change, and so she just was unwilling to fight for him, and the thing is, in a weird way, I wish the show would focus on these character flaws of hers and that she's constantly second-guessing people and doubting them (Caitlin only believes in people when it’s comfortable for her to believe in them, if you’ve noticed, with the exception of Cisco, whom she constantly does actually believe in, no matter what). And as you said, therefore, her initial reactions to Ronnie’s return and even after he and Stein were stabilized can be quite jarring, but I also think this is who Caitlin is, and the narrative, itself, can’t even accept what it’s written (you see this a lot in later seasons, as Caitlin really comes to personify the Moral Dissonance trop to a T). What’s really bothersome to me is that her fandom just overlooks this about her, because it doesn’t fit with the whole, “she’s so sweet” narrative they try to spin??? And a lot of it is the show’s fault, as well, because Caitlin could have been a solid character, if the show accepted the flaws they wrote into her character and didn’t constantly treat her with kid gloves in later seasons, while also having her become increasingly problematic and the show refuses to address this.

In relation to Iris, she just has a completely different personality. Iris is always very optimistic, and she’s also a fighter. So she constantly believes there’s another way; she’s constantly fighting to save the people she loves, and that’s why she doesn’t just accept inevitability, and it’s also why people like Eva can’t get in her head and turn her against Barry and Wally and Joe.

The thing is, there’s never been a need to compare Iris and Caitlin, but the latter’s fandom constantly mischaracterizes both of them to vilify Iris in order to prop up Caitlin, and it’s exhausting. The fact of the matter is, in season 1, I never thought Caitlin was quote-on-quote sweet, but I also didn’t think she needed to be at all. I do wish the narrative owned the Caitlin that they originally wrote, though, and didn’t constantly coddle her, because that’s the biggest problem with her character: she really did some terrible things and exhibited some seriously alarming views and tendencies from as early as season 2 and of course onwards, which if you think about it, her season 1 characterization did lay the groundwork for all of this, but the show refused to even call her out. Because the show decided they didn’t want to her to be a morally dubious character, even though she 100% is and that’s who she originally was premised to be (because they wanted to tease her potentially villainous, frosty future in season 1, while crafting it in a way that would be tragic, but then completely overturned this to absolve Caitlin completely).

I also think it’s a problem that the show can’t write the vast majority of white female characters without having them embody really problematic tropes that constantly showcase them behaving in ways that demonstrate their blatant disregard towards the livelihoods of characters of color, especially women of color, but we’re still expected to see them as heroes or as otherwise deserving of redemption arcs.

#anonymous #replies #anti caitlin snow #not really but i'll just err on the side of caution

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geekgirles · 4 years

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Better Than I Know Myself

While I, admittedly, have enough songs that I believe would best fit Betrothed by @tipolover22 to create a playlist, there’s this one song I am convinced is perfect to describe Branch’s POV when it comes to his marriage to Poppy:

Better Than I Know Myself by Adam Lambert.

This is an analysis on the song written from the fic’s point of view, so it’s gonna be heavy on spoilers. So I’d recommend you read the story before reading this.

If people asked me why I think this song is perfect, I believe breaking down the lyrics is the best way to explain my point.

It starts out like this:

Cold as ice

And more bitter than a December

Winter night

That's how I treated you

Coincidentally, it starts just like the first arc of Betrothed; getting Branch to let go of his bitterness and start warming up to Poppy. This first verse reflects Branch’s train of thought up until chapter 6:

We all know Branch ignored Poppy, belittled her, was rude to her because of superfluous details like their different upbringings (and yes, I do consider that to be superfluous because they already knew about that when they decided to unite both kingdoms) or superficial traits (i.e. Poppy being pink), during the first few chapters he didn’t treat her or view her as his equal! And judging by how this becomes a source of regret and shame to Branch, it doesn’t seem so crazy to believe he would mention this aspect of their relationship in a song meant to express his true feelings for her.

Then, it comes the second verse:

And I know that I

I sometimes tend to lose my temper

And I cross the line

Yeah that's the truth

Now this focuses more on describing an established flaw of Branch’s, one he doesn’t display solely on Poppy, although she has been on the receiving end as well.

Branch has a relatively short temper. Simple as that.

He’s lost it at Poppy, especially before their breakthrough; he’s lost it at Mulberry whenever his antics went a little too far (like arguing with Arum in chapter 8, or accidentally bringing up Poppy’s refusal to kiss Branch in chapter 16), he’s, understandably, lost it at Creek (in this case it was a righteous anger, considering Creek’s attempts at getting under his skin or trying to steal Poppy from him)...

And as a result of his temper he crosses the line, something he ends up regretting one way or another.

When it comes to the times Poppy’s been at the receiving end of his anger, the most notable example would be, no doubt about it, the mandolin. He threw it away when his mind was too clouded by anger to think things through and he came to regret it immediately, not only because it crushed Poppy and only made matters worse between them, but also because it became something that would be brought up ever since.

As for Creek, whenever Branch’s let his words and actions get under his skin, it’s always had disastrous consequences.

Hadn’t Poppy taken things in stride, destroying the pedestal he built in chapter 10 would’ve made him look like an impatient brute.

In chapter 11 he was so blinded by his hurt and fury he didn’t hear Poppy and Suki approaching just as he punched Creek for taunting him, which led to a very serious argument with Poppy and a whole week of heartbreak for the two.

And, finally, in chapter 19, after finding out Creek tried to kiss Poppy while he was away, he almost killed him. And, as Creek pointed out, had he done it and his marriage with Poppy would forever be tainted by it, since Poppy would never be able to forgive Branch for killing him.

In other words, in this verse he’s acknowledging his flaws and apologising for them.

Now we have the bridge:

I know it gets hard sometimes

But I could never

Leave your side

No matter what I say

Again, if Branch were to sing this to Poppy, he’d be referencing how their marriage is a special case that required a lot of work before they became the power couple we they are today. Because, like all good things, they had to work very hard and compromise to achieve their happiness, but it was more than worth it. However, even if they are in love now, Branch is assuring Poppy that, no matter what, he will always fight for what they have, because he loves her and he can’t go back to living without her.

Which brings us to the chorus:

'Cause if I wanted to go

I would've gone by now but

I really need you near me

To keep my mind off the edge

If I wanted to leave

I would've left by now

But you're the only one that knows me

Better than I know myself

Leaving aside that they were bound to being together for their respective kingdom’s sake, it is true that, if things between them were really as terrible as Branch originally made them out to be, he could’ve just kept on living his life separately from Poppy. But, despite everything, early chapters and later chapters referencing earlier ones show he had actually started warming up to her long before Poppy finally snapped. In chapter 4 he was momentarily cranky because Poppy wasn’t in bed with him, even silently debating whether pink was a good or a bad colour. In chapter 13 we found out he kept and fixed the invitation she made him (reflecting canon) and started working on a new mandolin for her (and since it was never cleared up just when exactly he started working on it, it wouldn’t be that much of a stretch to believe it happened even before he fell for her). Not to mention, chapter 17 reveals Branch didn’t burn down the invitation because 1) it was customised for him, and 2) when he looked at it he felt somebody actually cared.

Another thing that proves that no matter how bad things get in their relationship Branch would never want to leave Poppy is chapter 12; as soon as he tries to claim she means nothing to him after she rejected him he berates himself for such a lie; she means the world to him.

The chorus also reflects the special place in Branch’s heart Poppy holds: for a very long time, ever since they became closer, his wife is the only troll Branch allows himself to be vulnerable in front of. One of the best examples would be chapters 20 and 21.

In chapter 20, in contrast to his parents in chapter 12, who had to coax him into opening up about his problems with them; Branch voluntarily opened up to Poppy about Sprite’s situation after bonding together as a little family. In fact, Poppy never tried to force Branch to tell her what was wrong, she just wanted to cheer him up, which then resulted in him lowering his defenses enough to be honest and cry* in front of her. Something similar happened in chapter 21, Branch now trusts Poppy enough to actually let his guard down around her to the point he allows himself to have a panic attack in front of her! Something he hasn’t shown to anyone else! Pre-character development Branch would never!

*It should be noted that, while Branch has cried in front of others before (namely his parents), the amount of times he’s shown his vulnerable side to Poppy easily surpasses this.

The final verse of the chorus is the key: while they still have a long way to go before they can completely see eye to eye, Poppy knows Branch better than most people, even better than his fellow Forest trolls.

There’s also the third verse:

All along

I tried to pretend it didn't matter

If I was alone

This is obviously a part of Prince! Branch’s personality that is entirely faithful to canon Branch, but perhaps it may even be taken up to eleven with the added weight of a royal’s responsibilities on his shoulders.

One of the biggest contrasts between Poppy and Branch in Betrothed is the way they both try to hide their inner struggles from their people; Branch puts on an armor of seriousness and authority thanks to a perpetual scowl and abrasive personality, while Poppy hides her worries behind a positive attitude and a smile.

However, as a result of their different upbringings, Poppy is more prone to asking for help when things become too much for her to handle, unlike Branch, who prefers to deal with things on his own. He pretends to be able to and prefer to handle the responsibilities and burdens of his status all by himself.

Thankfully, an important part of Poppy’s role in their relationship is showing Branch that he is not alone; he has her now and they are a team. As husband and wife they are in this together. Something it’s very clear Branch is very grateful for.

And then there’s the fourth verse:

Deep down I know

If you were gone

For even a day I wouldn't know which way to turn

'Cause I'm lost without you

This verse, this whole verse is chapter 12. Hands down.

Because Branch admitted several times throughout the chapter that he didn’t know what to do without Poppy. Just remembering what he loved about her was enough to almost have him breaking down in tears, the longer he was away from her, the grumpier he got; heck, he couldn’t even sleep without her in his arms!

And, just like the song says, this was all in one day! One day without his wife and he became a wreck!

Hang in there, fellas! We’re almost done!

Let’s analyse the fifth verse, shall we? I get kind of dark

Let it go too far

I can be obnoxious at times

But try and see my heart

This verse combines the several hints where Branch acted like he doesn’t think he’s good enough for Poppy due to past mistakes (namely, his line, “I don’t deserve you.” from chapter 20), and the details from his past we have yet to see. Because, hey, this is Trolls with a sped up Broppy and a little extra drama, we are bound to see some dark stuff.

And, finally, we have the sixth verse:

'Cause I need you now

So don't let me down

You are the only thing in this world

I would die without

Because Poppy is his everything. Because she’s the one person he’s always needed by his side, even when he didn’t know it. Because she’s the love of his life. And what better way to prove it than sing it to her?

So, yeah. If anyone were to ask me which song I think would best describe Branch and Poppy’s relationship in Betrothed from the former’s point of view, I’d say, without an inch of a doubt, Better Than I Know Myself by Adam Lambert.

#trolls #dreamworks trolls #trolls analysis #trolls fanfiction #trolls fanfic #Betrothed #Betrothed Trolls #Poppy #Branch #Broppy #OCs #Creek #Song analysis #Better Than I Know Myself #adam lambert

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realityhelixcreates · 4 years

Text

Lasabrjotr Chapter 70: Azure Heart

Chapters: 70/?

Fandom: Thor (Movies), Marvel Cinematic Universe

Rating:

Relationships: Loki x Reader

Characters: Loki (Marvel), Thor (Marvel)

Additional Tags: Post-Endgame: Best Possible Ending (Canon-Divergent), Loki Has The Worst Time,

Summary: Loki remains who he has always been

Thor was carefully working his beard into a braid when he heard the commotion at his door. Your voice frantically entreating the guard to let you in; which he did. You were one of a handful of individuals he allowed in here at will, and you'd never abused the privilege.

You threw yourself at him, terrified, clutching his arm and babbling about a Frost Giant in your bath room. It seemed you thought that the jotun child had been released from the ice early, and was running around unsupervised.

“Wait a moment.” He said, trying to slow the stream of words. “You saw a little jotun girl in your bath chambers? The ones you share with my brother?”

“Yes! She shouldn't be out yet, not without her guardian! It's not safe!”

“I just want to make sure. Did you see a little girl, or did you see a small Frost Giant?”

“I...well it had to be the kid, right? Frost Giants don't stay small!”

“Alright.” Thor said. “I will go investigate. You go and do what you are supposed to do today, and don't worry about this any further.”

You departed, but reluctantly, and with many entreaties to be kind and gentle to what you were sure was a lost and scared little girl.

Norns, but his brother was being foolish. So secretive, so terrified of the consequences, but he probably wanted you to know, deep down. Thor suspected that whenever Loki slipped, it was because he wanted someone to see, to know something that he was too afraid to say. That somewhere in his subconscious mind, he was tired of keeping this secret.

Thor wanted to build a realm where Loki could be comfortable with the truth of himself. Or at least where he could feel something other than hatred and shame over it. Thor was acutely aware of all the personal failures piled up on his shoulders over the centuries, where his brother was concerned. Some days he waxed furious at his own father, and sometimes even his mother, for keeping this from them both. All the things Thor had said and done pertaining to Frost Giants...and Loki had agreed, and internalized it all, just as Thor had. And it had all come down on him with the crushing force of an unstoppable glacier when he'd found out. And to find out while Thor was banished, and Odin asleep, all his support structures gone, and then to have the entire kingdom thrust upon him at such a vulnerable time...It was no wonder he'd fallen into madness. Would Thor have done any different, had it been him?

No, Thor reflected. No, he probably would have been much worse. Recklessness was a personal flaw he had not quite yet cured himself of. Combine that with madness, and the ultimate power of Asgard behind it...No, things would have gone quite terribly, if it had been him instead.

But if he and Loki had known since they were young...So many things Thor would not have said, have done. So much unnecessary suffering, undone. He dearly loved his father, but all of this had been so wrong.

He found Loki sitting in the bath room, in front of a mirror, blue face in his hands.

“Come to smite me, brother?” He deadpanned.

“Oh, a little bird told me there might be a Frost Giant running loose, but I see only my brother here.”

“So now she does what I tell her. Typical.” Loki grumbled. “She can run quite fast when she's scared, can't she? Then again, who wouldn't? If they saw...this.” He gestured to his reflection in the mirror.

“Actually, she was scared for you.” Thor said. “She though you were the little girl, running around on her own. She was afraid for your safety.”

“The child? Why would she think-oh. Hmph. I don't know if that's better or worse. At least she didn't set the Valkyries on me.”

It must have stung. Yes, he had told you to run, but it must have hurt to see you run from him. To think you were frightened of him. Yet he might still make the best of this.

“You know what you need to do.” Thor said.

Loki sighed. “I know.” He said. He sounded so small.

“You will do fine. I know it.” Thor encouraged. “Just get it out there. I think she will understand.”

“Oh yes? Tell me, how did your last relationship go?”

“Poorly. I made many mistakes, particularly in communicating. I encourage you not to do the same.”

“Hmph.” Loki had faded back to milky pale, and looked just as miserable in that shape as well. “But there's no way around it anymore. She's going to know that there was no child in here. She won't be able to stop thinking about it. If she begins asking around, someone will bring up the play, or just outright tell her. It should be me. I have to do it before anyone else does!”

“That's the spirit!” Thor said. “Now go out there and seize that day!”

“Oh, go away!” Loki threw a towel at him.

******

Bjarkhild dropped your hand and shrugged.

“It looks as if everything has gone back to normal.” She said. “The mark looks the same as the day you were brought here, even though it looked like a fresh brand last night.”

“Maybe because I was with Loki?” You ventured. You both knew that his presence had certain healing effects on you. Bjarkhild heaved a small sigh of frustration.

“I wish I had access to Eir's notes. I don't doubt she had information on magics involvement in healing. But Valhalla has received her, and her knowledge along with her. There is so much to relearn.”

“She was good at this?”

“The very Goddess of Healing. One of Hela's first targets...but I shouldn't speak of it. You are in fine health now, and that's all anyone can really ask for. Now, off with you. I don't doubt you have something to attend to.”

“Lessons, yeah.” You hadn't mentioned to anyone that you'd seen a Frost Giant this morning. Thor had seemed a little weird about it; kinda cagey. You assumed he had some kind of plan, so you shouldn't go around spreading panic.

Instead, you went outside. To the ox pens. There were several of the big animals in there, wandering around aimlessly without a care in the world. Even the crisp chill in the air didn't seem to bother them.

You leaned against the fence, and watched the biggest one, a huge, reddish animal, as he browsed the sparse vegetation. Soon, in just a few weeks, in fact, you would have to watch Loki walk up to this beast with a great big sword, and...

Bright red and bewildered eyes. Desperate red eyes, and bright red blood, and a blue head that rolled...

You turned away from the fence with your hand clapped tight over your mouth. Could you really do this?

You knew where your food came from. The leather you wore. You knew people who kept chickens and sometimes they became soup. You knew these animals were destined to become food-for you or for the worms, or both-but you'd also never been there for the actual moment. You'd seen livestock alive, and then you'd seen them in nice, neat, clean bits that in no way resembled the living animal they'd once been. You were disconnected from the part in between.

Maybe that wasn't such a good thing. You knew that disconnect was what allowed some of the more egregious abusive practices to flourish. You knew it would be better to know, to witness. That it would imbue the seriousness of it all, the respect for the lives in front of you.

Maybe that was why things like this were done? The common folk, the farmers, and hunters, and herders, they would all have that kind of understanding and respect already. They were the ones who looked those animals in the eyes and knew them.

But the merchants and traders, the craftsmen and nobles, the royalty, they would be removed from it. Animal husbandry was unlikely to be part of their daily lives, after all. Was bringing them all together to witness where their feasts came from some kind of attempt to teach them? Was making their royalty act like their farmers a way to remind them what the building blocks of a kingdom really were? Was it a humbling act? A reaffirming one?

You didn't know. Whether it was better or not, you couldn't stop thinking of how much blood there was going to be. Beheading was the quickest, most painless way, you had read. The most humane.

You shuddered, then squeaked in awkward surprise when someone dropped their yellow cloak over your shoulders.

“You shouldn't come outside without one anymore.” Andsvarr said, leaning against the fence next to you. “Last year, it got very, very cold. Too cold for a human or an Asgardian, if you ask me. But the wool they make here is very good. I assume it has to be.”

“Oh, thank you.” You said. “We get blizzards and stuff back home, but nothing like what I assume they get here. Did it snow on Asgard?”

“Yes, but not often, or much. Not like here. How are you feeling? You look unhappy, if you will forgive me.”

“Not great, to be honest. Been dealing with some things.”

“You certainly seemed to be in a state last night! Were you hurt? Bjarkhild didn't tell me. We got your room gathered up, by the way. Your plants will be fine I think, and we even found your little worm friend. He has cocooned himself.”

“Oh good, I'm glad he's okay. I'm glad you're okay too. No, I'm not hurt.” You sighed. “I think my problem is deeper inside. It's him.” You gestured at the huge bull. “I don't want to kill him.”

“The sacrifice? I see. Well don't worry!” Andsvarr began earnestly. “You won't be the one to do it. That will be his High-”

“It doesn't matter! I'm the one who'll be distracting him! He won't even see Loki, he'll be looking at me. And I won't say anything, I won't warn him...”

“Um...The bull would not understand you, even if you did.”

The bull. Right, of course, you were talking about the bull.

“I guess I just feel bad for him. He didn't deserve this. Doesn't.” You were talking about the bull.

Andsvarr gave you an expression of bewildered support. “Would you like to come back inside? I can get you a warm drink? We have that chocolate powder that you put in milk.”

You shouldn't stay out here staring at oxen. It was getting you nowhere.

“Yeah. Some hot chocolate sounds good. I just...I don't want any more shocks for a bit. I just want a moment's calm.”

*****

Loki barely ate. Everything tasted like sand and emptiness. Tonight was the night he lost you.

You were in your room right now, helping to clean up and reorganize. A team had already been in there, salvaging what they could, cleaning up the broken glass. They had patched up the wall, but it would need to be repainted, and a new window pane would need to be added to their next order of supplies.

He'd told Brunnhilde to keep a bed ready with the Valkyries. You couldn't sleep in your room until the window was repaired. The temperature would dip to well below freezing in there. And when you inevitably ran from him tonight, like you had this morning, you would need a place to rest.

All he could really hope for was that you would be able to overcome your disgust enough to continue acting as his Seidkona, even if he could no longer hold you, or touch you, or revel in your love.

“You know, she might not even care.” Thor had told him. “Humans can be unpredictable about this sort of thing.”

It hadn't helped. He couldn't dare to hope for that acceptance, not since the broken Bifrost. He had to be ready for the end.

He'd taken this meal alone. As coiled up as his innards were, he couldn't possibly have even faked a conversation. It was like going to his own execution, and he'd already done that!

He let his fork fall to his plate, unable to finish.

He should have told you from the start. Then you would have never loved him, and would feel no betrayal. And without seeing your soul as he had, he might not even have fallen for you. But when would he have told you? When was ever a good time for this confession?

He could hear you down the hall, lamenting a tear in your stuffed fantasy animal. The power of that blast had thankfully not carried far. It had tossed a few things around in his room, and the blast itself had woken him up, but it hadn't reached Thor's chambers. Mostly, it had destroyed your own little room.

He'd see to it that the doll was repaired. You loved the little creature, even though it wasn't real.

Just like you loved the false face he presented to you.

You were leaving now, to fetch dinner with Andsvarr and the maids. You did that occasionally, taking a meal, usually lunch, with the servants, or the cooks, or Frigga's former handmaidens. It seemed that, unlike all the peasant princesses of the tales, you didn't want to forget where you came from. He could respect that; he, and much of Asgard was in a similar situation. Besides, it was good for you to get to know the people, and for them to get to know you.

But what if one of them told you before he did? Frigga's handmaidens especially liked to talk among themselves, and between them, they knew practically everything about every Asgardian alive. But you understood a great deal more of the language now, and if one of them let it slip in idle conversation, you might be able to pick it up.

He wanted control of this situation. At least the tiny amount of control it took to be the one to say those words to you. He wanted at least that.

There was a tiny knock at his chamber doors, just barely perceptible. The only one left, Loki answered it. As if summoned by his thoughts, Lofn stood in the hallway.

Loki eyed her warily. Of all his mother's handmaidens, Lofn was the hardest for him to understand. She seemed to him to perceive two different worlds at once, the world of the soul revealed itself to her as to no other. She saw all the intricacies of emotion and the truth in people's spirits, though she seldom said much, and what she did say didn't always make immediate sense. Still, it was always best to heed her advice.

Also, she was sometimes just compelled to do things that seemed odd or random, and right now she was holding out a long coat in a style he preferred. It was blue, however, the sky blue his mother used to wear.

“I have made this for you.” She said, with that dreamy, yet cunning expression of hers. “It feels like there are things you need to remember. That you have always been you, no matter what coat you are wearing. And that every crawling, wriggling, screaming creature is born worthy of love and care. I held you, as a baby, though you don't remember. But I saw it.”

She shook the coat, urging him to take it. He did. It was light and warm as he slung it around his shoulders; a perfect fit. Somehow, she always knew.

She didn't wait for thanks, or any answer at all really, just nodded and walked away.

How did she know these things? Did she look across the world and see his distress? How long had she been working on this coat?

He had always been him. Well, of course he had. He hadn't ever stopped being a Frost Giant, no matter what shape he took. That was part of the problem.

The mirror in his room had broken, but hadn't been replaced yet. He looked at himself with his new coat, his reflection shattered into many facets. All those faces, but only one of them was real.

The light blue didn't really suit him, but he liked the coat anyway. It reminded him of his mother, how she used to hold him, envelop him in the folds of her dress and make him feel safe. Of the books she read to him, and the stories she told. The magic she taught him and the little jokes.

If he squinted just right, he could almost pretend it was her in the myriad panes of mirror, drawing him into warm memory. Dinners together, as a family, when he was just a boy. How she knew all along, but had loved him anyway. She should have told him, they should have told him, but her love was never in doubt. She wanted to protect him, and had made the unequivocally wrong choice in her attempt to do so, but she did love him.

He even remembered the way Odin used to hold his hand with the same care and pride he had for Thor, all three of them walking from corridor to grand corridor, to meals, to classes, to bed. How he spoke to them of so many things, trying to raise them both. Like a real family.

Loki's eyes burned, his throat tight. He wanted it. After everything that had happened, he just wanted that more than anything. Why couldn't he have had that? What had changed?

Odin had been his father, had acted like it, at least when he was young! What had changed? Was it disappointment at the emergence of his Aesir nature-as god of mischief, deceit and lies? Was it that Laufey had failed to die or be deposed by his people after the war, thus making it more difficult to install Loki as a suitable replacement? Odin had raised him too, to be a king. Had he simply grown frustrated that he would be saddled with a tiny, deformed Frost Giant for longer than he had anticipated? Had he grown too competent? Or not enough?

He had always been him. Even before he knew. Running around the palace as a little boy, chasing after his big brother almost from the moment he could walk. Filching snacks from the kitchens, and crying over scraped knees. Trying to climb on things he shouldn't. Practicing his magic by changing Thor's clothes into dresses, attempting to elicit any kind of reaction from stoic Hogun, causing strange odors to arise from Fandral's ever-flapping mouth, teasing Volstagg about his increasing waist and family size. Even attempting to cut Sif's hair as a prank. Oh, he had known woman's wrath then!

All follies of youth. He missed them. Maybe they had never truly been his friends, but he missed them all the same.

He missed you too. He missed you, and he hadn't even lost you yet. He was mourning for you, for what was about to happen. When you saw who he really was.

Who he had always been. You didn't even know. In the run of things, you barely knew him at all.

You barely knew him. Who he had always been. You didn't know.

You didn't know about Frost Giants.

You didn't know about Frost Giants like Asgard thought it knew about Frost Giants Didn't know about him, about who he'd always been.

About a little boy who chased a little girl with a pair of scissors, until she punched him in the face and knocked him down, and he laughed to be beaten at his own game. A youth running from his enraged older brother, who tripped over his own skirts in the attempt to catch him. Who burned with a touch of envy when his chubby friend married young and had babies on the way almost instantly. Who always looked upwards and forwards.

He had always only been him. Frost Giant or Asgardian, always him. Loki. Always Loki.

You knew Loki.

You would come back tonight, and he would tell you this terrible thing. He was still terrified that you would leave, but you deserved to know. You knew the side of him that wanted to provide what you deserved. You knew that part of him, and more importantly, you trusted that part of him. He cherished that trust, and wanted to reward it with trust of his own. He would tell you, and accept whatever came of it.

He would be who he'd always been.

#lasabrjotr #loki x reader #loki (marvel)#thor (marvel)

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