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#i will write more and that is a promise
branches-of-time · 1 year
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the version of me that writes down these rough drafts is very blunt. and frankly, probably a lot funnier than the version of me that edits them into something i’ll actually post
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posting this with absolutely no context
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matchingbatbites · 9 months
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"What the fuck did you do?"
Eddie wasn't expecting hostility when he answered Jeff's phone call, his best friend's usual calm demeanor replaced with open annoyance. And yeah, okay, the annoyance itself wasn’t new, but Eddie doesn’t think he’s actually done anything recently to earn it.
"Well-"
"Actually, no. I'll tell you what you did. You retweeted photos of Steve Harrington - internationally beloved heartthrob actor Steve Harrington - along with the caption 'not to sound like a subby slut but GOD I would be his puppy baby boy in a heartbeat'. So I guess the better question is, what the fuck were you thinking, Eddie?"
Eddie's jaw clicks shut because- yeah, he had done that. Had seen those photos of Steve smoking circling the internet and spent god knows how long just staring at them, had curbed the desire to shove his hand down his pants by posting a single thirst tweet about it.
“I was thinking, Jeff, that I'm allowed to post whatever I want to my private fucking twitter, man. I mean it's a free country, isn't a guy allowed to make a horny tweet about a sexy man every now and then?”
“You are, when you actually post it to your private account and not our award winning band's main account.”
No. Oh no. There's no way Eddie actually-
He rips his phone away from his face to open twitter, and realizes two things simultaneously. One, Jeff is right, he had posted it to the band's account. Not on his private, locked, personal account, but on the account that's actually open and free for literally anyone on earth to look at.
The second thing he realizes is that their notifications are currently flooded with responses to Eddie's tweet, somehow racking up into the thousands in the few hours it's been since. 
Jesus Christ.
“Eddie?”
The metalhead jerks back into the moment and put Jeff on speaker so he can scroll through the horde of replies, says “Fuck, I fucked up. Are we gonna have to do damage control on this?”
In the mess is a reply from Gareth's own personal account: @ corrodededdie stop tweeting from the band account challenge 🙄🙄🙄
”Maybe. There hasn't been any type of response from Harrington or his people, but they might ask us to take it down if it blows up too much.“
Eddie hums, thinking they might be too little, too late about it blowing up too much, and flips over to his main account so he can reply to Gareth's little jab appropriately. He isn't surprised to see that he has a couple of new messages, probably from other people wondering just what the fuck Eddie was thinking, but when he goes to check them-
He's never been happier that he turned on messages from followers only, because then he would have missed this, missed Steve Harrington's little profile picture beaming up at him from the screen of his phone, along with a new message request.
”Jeff, I gotta go,” he says, not even realizing he's cut the other man off.
“Eddie, what-
”Harrington messaged me. I'll call you back.“
Eddie doesn't wait for a response as he hangs up on Jeff, and his hands definitely aren't shaking as he opens the message from Steve. And listen- Eddie is a fan of the guy, that much should be obvious. 
Steve had grown in popularity around the same time Corroded Coffin had; he’d gotten some part in a drama film that had skyrocketed him into stardom, and Eddie fell in love the moment he saw that gorgeous face on the silver screen for the first time. He's never had a chance to interact with the guy, has been in the same place a few times but always missed him, like ships passing in the night, but Eddie's been fine with pining from afar, just like every other person on the planet that's even remotely attracted to men.
Besides, even with how popular Corroded Coffin has gotten over the years - a couple of Grammy’s here, a dozen chart topping metal songs there - Eddie doesn’t expect Steve to just. Know who Eddie is.
With all of this in mind, Eddie is expecting some kind of semi-casual request to take the tweet down, that it's not a good look for his image-
Anything other than what Steve actually sent.
'If you're puppy baby boy, does that make me Master? Or Daddy?'
And Eddie- 
Eddie slides down, sinks into his couch cushion as all of the blood in his body suddenly shifts, rushing to fill his dick like it's a fucking race. The phone almost slips out of his hand and he fumbles it briefly before taking a deep breath. 
Is Steve serious? He wouldn't send that if he wasn't serious, right?
This could be it, could be Eddie's one chance to impress Steve, to get his foot in the door of Steve's interest. He bites his lip and types out a reply, something quick that he sends before he can change his mind.
‘I’m open to either, actually. Do you have a preference, sir?’
He doesn’t expect the typing indicator to come up immediately, and just knowing that Steve is somewhere right now, typing out a response to Eddie, is enough to have him nearly vibrating in his seat.
‘I’m partial to Daddy, myself.’
Fuck fuck fuck.
Eddie takes a breath, tries to think of a response that isn’t just ‘Please, Daddy, can I sit on your massive dick that I haven’t been able to stop thinking about since that one indie film you did that just had all of your junk out in the open?’
Steve saves him by sending another message.
‘But maybe we could start with Steve, and possibly dinner? Though I’d be happy to see where things go after that.’
He- What-
Eddie must have stopped breathing, because the next time he takes a breath his lungs burn, his mid races because there’s no way Eddie’s long term celebrity crush just asked him on a date. He sits there long enough that the screen goes dark and he scrambles to turn it back on, sees the message still there, real and unchanged.
There’s no way he can say no to this, to Steve, and his hands shake as he types out a response.
‘Dinner would be great. Just name the time and place, Daddy.’
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crimeronan · 11 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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jade-len · 5 months
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please help i just had a dream where svsss was a dating sim. so, of course i tried pursuing shen qingqiu, but it ultimately backfired because suddenly he realized that he was in a dating visual novel?? and since i put myself as a guy, he just refused to show up to special in game events to avoid me interacting with him???
and obviously i was like "wtf why isn't he here?" when he didn't show up. then at some point i explored the area, and the screen suddenly zoomed in to show sqq talking to sqh (supposedly telling him all about the little situation). next thing i know, both of them are slowly turning their head to stare at the screen in pure and utter terror
also in some part of the dream, i think i did some liu qingge events or something and as his affection levels rose, he would continuously jump scare me by popping up out of nowhere and go, "its not like i like you or anything!!" while covered in blood and holding out a demonic beast head as if it were a box of treats
anyways, totally random question guys haha if i made an svsss visual novel dating sim would you guys play it. no reason in particular at all.
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moonbeamwritings · 6 months
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"I hate you.”
The statement comes as Satoru leans against your door frame, your hand pressed to his shoulder as you try to get him to leave — to be on time for his train, for anything, just this once. It's a losing battle, trying to kick the lanky, lovesick sorcerer out of your apartment. He hovers in your doorway and lures you in with charming smirks and sweet little kisses. Just one more, he promises, all cheshire grinned and rosy cheeked, one more and then he'll finally go. And then one more turns into two turns into three.
“Oh yeah?”
You poise your hands on your hips. “Yeah.”
Without wasting a second, he takes your chin between his fingers, thumb ghosting along your bottom lip. His other hand curls around your waist. "Care to explain why?"
“You just-” You scoff, scrunching your nose in frustration, and when Satoru can’t stop the gooey smile from growing on his face, you rush to take his face into your palms, the pads of your thumbs resting in the curve of his dimples. “These. I hate these.”
“What?” A chuckle forces its way from Satoru’s throat, clipping his words as his skin warms. His hand abandons your chin in favor of finding purchase around your wrist, his thumb skimming your pulse point as it goes. “Use your words, angel.”
You groan, eyes rolling. “Your stupid smile and your stupid dimples. I hate them and I hate you. I just wanna-” And then, as if a switch suddenly flips, your gentle touch morphs into a pinch and then a squeeze, and suddenly Satoru’s cheeks are positively squished. 
“Whe- Hey. Ow, o- Baby-”
It’s not your fault, you think. It’s not your fault he’s so handsome, so damn near perfect it makes your knees weak. You’re not responsible for any acts of violent cute aggression, honest. And besides, if his little huffs and giggles are anything to go by, Satoru loves the attention – as usual.
"You–" you shake his head in your hold like a dog attacks a chew toy, "drive me crazy."
With bright eyes and puckered lips, Satoru asserts, "But you love me."
You let out an exaggerated sigh, like admitting what you both already know to be true is such a bother, but your hold on his cheeks softens just as your frustration melts into a shy smile. "I do."
Satoru's nose brushes yours and you can feel him press a smirk against your lips, his voice just above a whisper as he teases, "I knew it."
He kisses you then, stealing the breath from your lungs just as he did before this whole back and forth began. And when he pulls away, you can't help but remind him, "You're gonna miss your train."
Satoru guides you back into your apartment, shutting the door behind him with his foot. He pulls you close again. "I'll catch the next one."
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imfinereallyy · 1 month
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I wonder if you look both ways (When you cross my mind) pt. 2
pt. 1 pt. 3
🐝・゚ ・゚·:。・゚゚・✦ʚɞ
June 1996, Chicago
Steve doesn’t exactly know when Eddie Munson became one of his best friends, let alone when he fell in love with him.
He supposes both things occurred between the end of the world, and Eddie’s back walking out the door for the last time, unbeknownst to anyone. Though, that is five years of time, who’s to say when it really happened.
Dustin will argue the friend part. He likes to think it was he who brought them together (it certainly wasn’t; in fact, it put a real bump in the road for them). Dustin also thinks, which Steve is more inclined to think is true, that the two of them had become friends during Eddie’s slow recovery and Steve’s guilt complex, which made him feel responsible for him.
Which—ouch, Dustin—but years of therapy would prove him right.
Little shit.
Dustin doesn't know about the love part, though, and Steve doesn’t think much of the party knows except for one or two of the perceptive ones.
Looking at you, Lucas.
Robin likes to argue that Steve doesn’t know when he fell in love with Eddie because Eddie was different from everyone else.
Steve puts everything into love, moves fast, falls hard, and ultimately gets crushed by his own passion. Steve doesn’t know how to take things slow or wait around for the right person.
Until he did, with Eddie.
Steve managed to have a slow decent into the madness of loving a man like Eddie Munson. And he never did anything about it, although he didn't mind. Steve was okay with just being friends and loving from afar.
Until they weren't even that, and Eddie was gone.
Steve can't think about that now, instead he should probably worry about the man himself breaking into his apartment at 3 a.m.
"Get. Out." Robin hisses, breaking Steve from his thoughts.
Suddenly, Eddie stands. His hands thrust forward in a placating nature, and nervous energy radiates off of him. "Robin, please—"
"No, Munson. You don't get to disappear from our lives for five years, and then break into our apartment!" Robin whisper shouts, the metal bat waving around in her grip.
Steve still hasn't said anything, still unsure of any of it is really happening. But he can't help but warm at Robin's fierceness.
She will go down swinging for Steve, even against someone she cares about.
Fuck, he loved her.
"Give me one good reason not to bash your skull in with this thing, Munson. I dare you!" Robin took the metal bat and pushed it into Eddie's chest.
Steve gets a good look at him as he stumbles backward. He doesn't look much different—well that's a lie. He does look different; more tattoos, more piercings and Steve is pretty surprised to catch him wearing anything other than a band tee. It is just so all quintessentially Eddie. The jewelry is all silver, any tattoo he got after 1986 appears to be in black and red ink only. Even his tee is still black despite the lack of a band on the front.
"Birdie, I don't think you should have Steve's bat in your hands, you're a bit dangerous." Eddie tries to grab the bat from her hands but Robin yanks it back.
"Oh, fuck you, Munson! You don't get to call me Birdie, and this is my bat. Steve's is wooden and full of nails and underneath his bed. You should know that, or has the last five years really rotted your brain?" Robin is now waving the bat around with gusto, nearly missing Steve's head at one point.
Trying to shake himself from his frozen state, Steve decides it is probably in everyone's best interest if he steps in.
"Robs." Steve speaks gently, hand on the bat as he slowly lowers it down. Her shoulders drop, the fight draining out of her in seconds. "It's okay."
It's not okay. Steve doesn't understand what's happening right now. But Steve is okay as long as he has Robin, and Robin has him. Steve hopes she understands that's what he meant.
Robin nods her head, and shuffles closer to him.
Steve takes a shaky breath, "What are you doing here, Munson?"
Eddie cringes at the use of his last name but doesn't comment. "Listen, I know it's weird me just stopping by suddenly—"
Robin snorts, "I wouldn't exactly call breaking in 'stopping by'."
Eddie shakes his head, ignoring her. Stray curls start to fall loose from their bun. "I just want to talk, for you guys to hear me out."
Steve rubs a hand down his face, he is getting too old for this stuff. Being blindsided, being surprised—being thrown sideways and upside down. Sure, twenty-nine isn't exactly old, but Steve has lived practically six different lifetimes by now. There is so much damage to him—physically and emotionally. He is supposed to be past nonsense like this.
Robin takes his silence as permission to snip at Eddie, "No. Go away, Eddie. You don't get to do that. Get out."
Eddie moves a step forward, he is now illuminated completely by the side table's light. He looks tired—good but tired. It's not the kind of tired you see of someone in distress, not the ache that comes along in the tunnel that has no light in the end. No, Eddie looks tired in the way that comes with healing. Like working hard exhaustion. As if coming home from a long but good day at work, and the night grows weary.
Eddie opens his mouth to argue, but Steve cuts him off. "It's fine, Robbie. It's late; let him crash on the couch."
Eddie's shoulders sag in relief, "Thanks, Stevie, we can talk—"
"No." Steve chokes out, moving his hand towards his throat so he can remember to breathe. "You don't get to call me that. And we're not talking about anything. You'll sleep here, but that's it. I might not want you here, but it doesn't mean I'm going to let you wander the streets at night."
"Steve, please—" Eddie reaches out his hands to touch Steve. It is most likely going to be a gentle touch, but Steve can't help the way he violently flinches.
Eddie looks taken aback, eyes wide and full of sadness. He pulls his hands back.
"No, Eddie." Steve grabs Robin's hand and starts to pull her to bed. She doesn't protest and instead leans into his touch. Steve turns over his shoulder to look at Eddie again. "You'll stay the night. It's not an option. But my morning? I want you gone. I don't want you to be the first thing I see after sunrise."
Steve turns quickly back around, ignoring the pained grunt from behind him.
Bypassing Robin's bedroom, Steve pulls them both into his. Robin doesn't question it and instead makes herself comfortable in his forest green blankets.
Steve quickly follows after, snuggling into the bed beside her. People have thought them weird over the years—always in each other's spaces and knowing every little thing about each other. Partners, friends, family—all of them had something to say about it, never even bothering to understand.
Well, except Eddie. Eddie appreciated it, accepted it. Adored it at times.
"Are you really okay with this, Dingus?" Robin whispers softly between them.
"No." Steve never lies to Robin; she'll know. "Not at all, but I'm not going to let him wander the streets, no matter what I loved him at some point. I don't let the people I loved, get hurt."
Robin squints in pity, "Loved?"
"Not now, Bobbie," Steve whispers.
Robin nods, "Besides, I'm pretty sure 'Ed Sloane' can afford a fucking hotel room."
Steve lets out a loud snort, it echoes throughout the room. "God, don't remind me. What a stupid fucking name."
The two of them dissolve into giggles, bumping their heads together. Under the covers, they clasp their hands together tight. "I just don't want you to derail your life, for someone who walked so easily out of it. I know you have that important lunch with Drew tomorrow."
Steve takes a breathe through his nose, "Yea, I do. But it'll be fine. He'll be gone before I'm even up. You know Eds, he's a runner. Wouldn't stop trying to prove it, in fact."
Robin's face is scrunched in pain, and her eyes pool with pity. It's as if she knows something Steve doesn't or sees something he chooses to ignore. She doesn't comment on it, though. Instead, she raises an eyebrow, "Eds?"
It isn't snippy or accusing. Her voice is soft against his cheek. Steve doesn't have the mental capacity to argue though. "G'night, Birdie."
"Goodnight, Stevie." She whispers.
Steve closes his eyes, knowing it will all feel like a dream tomorrow.
Steve is familiar with having dreams with Eddie in them.
🐝・゚ ・゚·:。・゚゚・✦ʚɞ
more to come i promise, especially after your (loving demands). especially my mutuals who yelled at me in the tags and my dm's (it made my day).Part 3 is currently being typed up. Also might fuck around and make this a full-blown ao3 one shot; who knows.
tag list!:
@stevesbipanic @withacapitalp @emryyyyy09 @brainfugk @blueberrylemontea-fanfic
@slv-333 @thetinymm @connected-dots-st-reblogger @helpimstuckposting @dreamercec
@goodolefashionedloverboi @stripey82 @little2nerdy @anne-bennett-cosplayer @resident-gay-bitch
@ghostquer @sourw0lfs @devondespresso
(please let me know if you don't want a tag, I had to guess by the comments, and sorry if you’re getting a random tag after posting, I had to fix the tag list cause tumblr is weird)
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eloquent-edits · 2 months
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🗡️ “I can assure you, we are just friends.”
definitely not something that’s a little more than friends 🗡️ friends with benefits prompts 🗡️ 18+ prompts
While Person A is chatting with their friends, Person B sidles up to A and subtly trails a finger up their spine (does A stutter? go completely silent at the electricity going through their body? start to get red but manage to keep their composure? TELL ME WHAT HAPPENS)
B begs A to not leave any marks because they just can’t let this secret get out
For that beach episode: A takes off their shirt, exposing scratch marks from a recent session… B hides a sly grin as A is questioned about who they’re with
A is very physically affectionate in general, but has fallen into the habit of only bothering B in public with it
^ A wants to interact with B in many ways and just ends up biting their arm jokingly to satiate that desire (yes, their friends think this is weird)
B needs to be held accountable for finishing their work, so A comes over to hang out… they do not get work done for a while
At a party, B can’t help but feel a twinge of jealousy when they spot A flirting with someone
A’s childhood friend is in town and A is super excited to have them meet B (B is quietly panicking over making a good impression and wondering what A has said about them)
A and B are in the same anatomy class and they spend a lot of time studying together (A is most certainly a hands-on learner hehehehe)
“Is that B’s shirt?” “What? Oh, uh, yes… My shirt got dirty the last time I was over there so they’re washing mine for me.”
“Is that A’s shirt?” “Yes. What about it?” “…Does A know you have their shirt?” “Nope!”
They really only planned on the midnight rendezvous, not falling asleep afterwards, so A and B go get morning coffee together (they are both very grumpy but still enjoying each other’s company)
Inside jokes during sexy times bleed into their normal banter, leading to some questionable looks from their friends
A gets a little drunk and B expects them to slip up and expose their true relationship, but instead A is very wholesome and remains steadfast on their boundaries; B is so proud of them for this
B is desperately trying to get something off their mind, so A offers a distraction for the night… it’s Mario Kart and whoever loses owes the other a favor
Any of their plans to go out have to include wiggle room in case they get preoccupied (soon it’s not just B that’s always late to events)
While their friends are occupied in another room, A and B intertwine their bodies and try to stay quiet—key word here is TRY
“I bet A would really like [insert kink here]…” “Nah, they’re not really into that.” “How the fuck do you know that?”
All their friends take the BDSM test as a joke and A and B secretly take notes on what the other person likes/dislikes to make the benefits side better
If given the choice, A will always pick the seat next to B so they can tease them under the table
During a passionate session, A accidentally draws blood while gripping B’s back (A apologizes over and over while tending to B, who just has a shit-eating grin the whole time)
Whenever B cracks yet another terrible joke, A has to refrain from kissing it off their face
A and B take a break from the benefits whenever one of them wants to pursue someone else (your characters can have healthy boundaries and communication!!! I am BEGGING y’all to write characters that actually communicate with each other)
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fudgecake-charlie · 9 months
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shh i'm posting no one tell my professors or the projects im involved in
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nordidia · 2 months
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having a very rough night so raph doodles needed to be made
when in need, mash two interests together
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ywuji · 2 months
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BABE! wake up!! new yuuji character description dropped! (link incl. spoilers for shibuya arc events)
yuuji lives to fulfill his roles, and this doesn’t change when he becomes your boyfriend. (f!reader & nsfw under the cut!!!)
he’s the sweetest, you think. always updating you on what he’s doing. even though he goes to the heavens and back on days that he’s busy, he’ll always make time to send even a little ‘i miss u ;(((((😭😭🙁❤️’
when he’s finally free, it goes without saying that he tells you about everything that kept him away, even the tiny little things. one week in particular, this included a daily update on a tiny rash on the underside of his buttcheek.
he’s also never shy with his praise and words of reassurance. also with soft, gentle touches, and actions that let you know he cares. he loves you and he makes sure you know it.
it’s not just you he lets know either, it’s his friends, his “brothers”, his teachers, and maybe even random strangers he happens to meet during the day. he takes all the opportunities he can to bring you up in conversation.
”oh that’s my girlfriend’s favourite flavour too...!!”
“oh yeahh...!!! my girlfriend told me about that the other day,”
“oh sorry, i’m busy. ‘m seeing my girl later tonight n i wanna look nice for her so i’m getting ready. tomorrow...? noo, sorry. she’s staying the night tonight so we can spend tomorrow together. …next week? ahh i’m sorry, i—”
even when he’s out with other people, he’s got you on his mind, taking random pics and selfies of things he’s doing, sending them to you accompanied by silly little captions. ‘kugisaki doing choso’s makeup! they miss u baby!!”
very specific hc but also whenever he does a live on whatever app, he’s always talking about you to the people watching too.
“guys i just miss her so much :(“
‘ji i’m watching ??’
“hi, babe. yeah i know, but i still miss you ;(“
he’s the cutest!
nsfw under the cut!
naturally, this also translates to the bedroom.
as your boyfriend, his sole goal during sex is to satisfy you, and god does he do that and more. your moans, your sounds, your body. he loves it all and has to show you.
yuuji’s into overstim—for you and consequently himself too. he genuinely cannot get enough of you. he needs to give you all his big, heavy balls can give. whenever you have sex, it’s always at least two orgasms for you, though it’s usually more than that—you both 'have the time', he tells you. his fingers, his tongue, his cock, and toys even, he’ll use anything and everything to make sure you’re cumming.
“y’look so good, baby, feel so warm… mhm, can feel you squeezin’ on my fingers… so cute.”
“a-ah…! my pretty girl.. my pretty fucking girl.. please cum, baby… just one more... please…”
“please, baby, i love you, please, please, can i cum inside, baby? inside..? please?”
his fav position is missionary. the mere idea of you laying there, all pretty n spread out for him will never fail to get him hard. he loves it’s so easy for him to lean over you and shove his mouth onto yours, as he mercilessly fucks his hips into you. he’s gentle but unrelenting with it—he doesn’t mean to be this intense, genuinely, it just happens that way. he just loves your so pussy much.
being able to see your face is probably his favourite part of the position though, watching your changing expression as he switches from a fast to slow pace and back to fast is something he wishes he could witness time and time again, so he makes it happen time and time again. (highest sex drive in the franchise if i may say)
he loves going face to face with you when you’re both about to cum. it’s hard for him to not fall onto your face when his orgasm hits, he can’t help it when your pussy feels ‘too good’ clenching so tight on him like that. he makes sure it doesn’t happen though, he would never want to hurt you.
when you manage to pry yourselves off of each other, he’s quick to tend to you. moments ago he was making you shake and cry from pleasure, and now he’s stroking your hair, massaging your chest, and talking about some random food craving he’s getting.
his aftercare is so lovely n he’s goofy with it too. so many side pokes, and dick, and butt, and pussy jokes, but you don’t mind. it’s him and you love him.
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im-a-marion3tt3 · 3 months
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Mountain: doing Yoga because it's good for him and he enjoys starting his day that way
Phantom: climbing all over and under him and maybe even biting him like it's damn goat yoga
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sparring-spirals · 10 months
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okay. i mean this with the utmost affection. but. while imogen and laudna telling each other "im you're anchor. you're my tether" as reassurance about going "dark" or giving into the lure of power is very meaningful and important. it also kind of struck me like. hey wait one of you anchoring the other. fine. possibly-functional. but doesnt BOTH of you tethering to each other risk creation of a spinning centrifugal blur whirling down the road to power.
and like yes yes this isnt an original thought and the proper terminology for this is probably like "dual corruption arc" or in CR "i broke the world for you" yes but. i wanted to share the specific imagery my brain provided for this train of thought, which is roughly:
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like. thanks. brain. i guess.
bonus thought that popped up when drawing this:
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wynnyfryd · 1 year
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hey, quick question but what if Eddie hadn’t just said “make him pay” at the end? what if he’d actually done it, screwed up his face and his single scrap of courage and kissed Steve hard, one desperate press of lips before he stepped back out of Steve’s space? Only…
Only Steve’s not gay. He’s not. Not that there’s anything wrong with it if Eddie is, but he isn’t. Steve likes girls, is kind of hung up on one girl in particular, actually, and she’s standing right behind him watching this go down, and oh, God is this awkward now.
He squares his shoulders, gives Eddie a nod that he hopes conveys something like “sorry” and “it’s okay” and “I’m not gonna punch you when this is over, man, I’m really not,” but Eddie’s eyes cut away and he clears his throat and then Nancy’s saying, “Steve? Steve, we need to go.”
So Steve goes.
Steve goes, trudges through the woods with Nancy radiating uncomfortable energy all down his side, and Steve’s got a pit in his stomach and a scorch mark on his mouth where Eddie’s lips left a fucking brand, the kiss repeating on a loop in his mind. He starts thinking about how he’s probably about to die, how he’s gonna die feeling all upside down in the Upside Down and it’s a really stupid joke but it gets him mulling over the fucked up weird life he has now versus the one he always kinda thought he wanted. He tells Nancy about it: the crawling backwards, the thump on the head, how she’s always his co-captain in his Winnebago dreams.
She looks at him with soft, sad eyes — God, her eyes are always so sad, have been ever since the day Barb disappeared — and she rests a delicate hand on his forearm and asks, “Do you think… do you think maybe it’s always me in your dream because I’m the only person your mind thinks it’s allowed to put there?”
“What do you mean?”
“Steve.” Her eyes aren’t so soft now. They’re shining with that hard glint they get when she’s lost patience with Steve’s bullshit. It’s a look Steve knows well, and his hand comes up to touch his lips.
“But I- I’m not…”
“Just go,” she says, her jaw set, all that unbreakable resolve on display. “Robin and I can handle this. Go.”
Robin turns back to look at him over her shoulder, gives him an encouraging nod, and Steve takes off running, sprinting through the trees, following the sound of screeching bats.
When he bursts through the treeline, panting and sweating and clutching at his torn-up sides, Eddie’s in the middle of a maelstrom, his makeshift shield held in a shaking grip as an army of bats encircle him.
“Eddie!” Steve shouts, lungs burning as he begs his feet to move faster, to run fucking run because one of the bats dives at Eddie’s head and another takes a bite out of his leather sleeve; a third one whips a tail around Eddie’s ankle and then Eddie’s going down, pulled to the cracked, filthy earth by gnashing teeth and bloodied claws, and they’re eating him, getting at all those squishy vital bits around his middle when Steve finally hacks his way through the horde to get to Eddie’s side. Armed with an ax and Eddie’s spear, Steve strikes and slashes blindly at the wall of shrieking monsters as they start circling tighter, caging them in, and he’s dead they’re both dead they’re so fucking screwed—
The bats drop. All at once and with no reason Steve can discern, their screams fall silent and their bodies squelch all around them as they slap the hard ground like dead fish on a dock.
Steve drops to his knees beside Eddie, and Jesus Christ, there’s- there’s so much blood oh God oh fuck.
“Bad, huh?” Eddie asks, and how is he still smirking when there’s blood spilling out of his mouth? When there’s a chunk missing out of his jaw?
“Jesus Christ, Jesus Christ, Jesus Christ,” Steve mumbles frantically, not sure if he’s praying or panicking or both. He gets his shirt off, rips at the remaining scraps of Eddie’s, too; starts using them to make bandages. “Shit, Eddie, just- just hold on, okay? Stay with me.”
He wriggles a scrap of fabric under Eddie’s brutalized torso, and Eddie screams when Steve pulls it tight around his sides, ties it off and presses down, trying to slow the bleeding. There’s so much fucking blood. His knees slip in it as he ties a tourniquet just above Eddie’s elbow, hoping it’ll save Eddie’s mangled arm, and he bunches the last of the fabric up and presses it to the shredded edges of the wound on Eddie’s face.
Eddie smiles up at him with tears in his eyes, with blood on his lips. “Pretty- pretty grand gesture for a guy you don’t want to kiss.”
“Shut the fuck up,” Steve says, and he’s crying, too. “I don’t- I just…”
“Steve,” Eddie chokes, his breath whistling out with a sickening wheeze, and Steve doesn’t know how the fuck he’s going to get him through the gate and back to safety without making him bleed out. “Steve, it’s… s’okay. M’sorry I kissed you, man.” His eyes are glazing over, and no, please, please, don’t—
Eddie looks up at him, brow furrowed, like it’s taking a lot of effort. His eyes are still so pretty, even now, as Steve hovers helplessly and watches the light slowly leave them. “Actually, I- I guess m’not,” Eddie slurs. “Had to do it at least once b-before I- before I—”
“EDDIE!!!!” a furious, cracking voice echoes through the empty park. Eddie’s trailer door bangs open, falling off its hinges, and a limping Dustin Henderson comes storming across the lot.
“Dustin!!” Steve hollers back, relief flooding his veins like maple syrup straight from the tap, and incredibly (hysterically, he’s probably in shock), he’s laughing when he looks back down at Eddie. Eddie, who’s half dead in his lap, whose blood is all over Steve’s pants. Who Steve might be able to save now.
He shakes Eddie’s shoulders and says, “You can kiss me all you want when we make it out of here, man,” his voice all high-pitched and full of phlegm and trapped somewhere between a laugh and a sob, and Eddie’s eyes go wide at the promise in Steve’s words.
“Dustin!” Steve yells again, pleading, “Dustin, come on, come help me move him!”
It’s slow going, but they get Eddie through the gate, get him taped up so he’s more bandage than boy by the time the ambulance arrives. A medic claps Steve on the shoulder and says ‘You did good, kid,’ and Steve cries at that and then spends an annoying amount of time crying over the next few days, curled up in a rickety chair at Eddie’s bedside in the hospital.
More tears when Eddie finally wakes up. Happy ones this time, and there’s a parade of people coming in to hug Eddie and give him flowers and even Hopper gives him a grudging hair ruffle and an attaboy, and then Steve’s driving Eddie home in the Beemer; gets all the way to the driveway before Eddie brings it up.
“Did you mean it?” he asks, his voice timid and barely audible over the hum of the car.
Steve cuts the engine. “Hmm?”
“Did you, um- the thing, that you…” Eddie spins a ring around on his finger, lets out a frustrated huff. “I mean, I didn’t die, right? I made it out of there, so…?”
You can kiss me all you want when we make it out of here.
Steve’s ears burn at the memory, his mouth going dry, and he must take too long to answer because Eddie starts trying to backpedal. “Sorry. Sorry, you said you’re not— I just thought, maybe— shit, uh, f-forget I said-”
“No! No, um.” Steve scratches the back of his neck. “Turns out I kind of am. Or, like. Well, I mean, Robin said liking both is its own thing, it’s not a mix of the two, but…”
“…But both?” Eddie finishes, and his eyes are sparkling.
“Yeah. Both,” Steve shrugs. It’s getting easier to say. “…Mostly just you, though.”
“Oh, just mostly, huh?” Eddie teases, unbuckling his seatbelt so he can lean into Steve’s space.
Steve’s face feels too warm. His neck is probably all splotchy. “Whatever. Are you gonna shut up and kiss me already or what?”
“Uh huh,” Eddie grins and runs his tongue over his teeth. “Many times as I want, right?” He brushes Steve’s hair behind his ear, his calloused fingers so gentle against Steve’s jaw as he lines their faces up.
“How many times is that?” Steve whispers.
“Mm….” Eddie’s mouth brushes against his. “Start counting and let’s find out.”
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kaladinkholins · 5 months
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We all already know Mizu and Akemi are narrative foils. But you know what? Lemme just say it, here's what I think:
Taigen and Mikio are foils.
Not necessarily to each other as individuals in the way that Mizu and Akemi juxtapose each other, but mostly in the contrast between their relationships with Mizu.
I've covered specific parallels between Taigen and Mikio in other posts I wrote; but as the number of parallels I'm noticing between them keeps piling up, I'm compelled to just compile them all in one post. So! This is, thus, the post in question.
First of all, let's look at their similarities.
1. Their status in society is the same. They are both samurai who lost their honour and have dreams of reclaiming it.
2. They are also both diligent as they strive to achieve this goal, they both care deeply about their work, but here as they begin to contrast, as the work in question and way they go about their goals is different:
For Mikio, his work is in taming and rearing horses; in order to prove himself, he must tame Kai—a willful and strong horse—and present it to his lord. For Taigen, his work is in sword fighting and martial arts; in order to prove himself, he must kill Mizu—a willful and strong swordsman—and present her dead body to his lord.
In the parallel above, not only are Taigen and Mikio contrasting each other, but Mizu and Kai are placed in comparison as well. And of course, Kai is Mizu's horse, and represents her. Which is why, when later, Mikio sells Kai off, it represents the way he is tossing Mizu (and their relationship) aside.
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From there, the rest of the details of their character begin to contrast and juxtapose each other more clearly. So let's look at those differences, shall we?
Their backstory:
Mikio was a great samurai who was banished. A somebody to a nobody. Taigen was a fisherman’s son who rose to the top. A nobody to a somebody.
2. The first time we meet them on-screen:
Mikio is an adult. An older man. Mizu's superior in age. He is Mizu's to-be husband. A love interest. Taigen is a child. A young boy. Mizu's peer in age. He is Mizu's bully. An antagonist.
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3. Their maturity and growth:
Mikio is mature, but stuck in his ways. Taigen is immature, but capable of changing and learning.
4. Their overall attitude:
Mikio is generally relaxed, easy-going and unfussy. Taigen is uptight, irritable and severe.
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5. How they talk to and conduct themselves around Mizu:
Mikio is aloof, soft-spoken, and serious. Taigen is obnoxious, brash, and sarcastic. Mikio is quiet, speaking only when spoken to, even when Mizu turns to smile at him and shows openness to be near him. Taigen is loud, talking while others are silent, even when Mizu turns from him and shows no interest in conversing with him.
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Mikio doesn't show much of who he is to Mizu throughout their marriage, despite their growing affection. Taigen openly shares his traumas and life story to Mizu during their brief alliance, despite their mutual antagonism.
6. Their external vs internal selves:
Mikio is calm, gentle, and considerate on the outside. Taigen is hot-headed, rude, and selfish on the outside. Mikio is cowardly and deceitful on the inside. Taigen is brave and loyal to a fault on the inside. Mikio tells Mizu that he wants to know and see all of her. But he scorns and betrays her, the woman he loves. Taigen tells Mizu that he wants to duel and kill him. But he endures torture to not betray him, the man he hates.
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9. Their hair, a symbol of their honour:
Mikio's topknot is untied by Mizu during their spar. This humiliation occurs in private, the two of them alone in a rural location where no one can see them. Taigen's topknot is cut off by Mizu during their duel. This humiliation occurs in public, the two of them being watched by many others in the Shindo Dojo.
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10. Their power dynamic with Mizu:
Mikio believes he is Mizu's mentor. He teaches her to throw knives, how to ride and care for horses, and about the tactical benefits of using a naginata. Taigen believes he is Mizu's equal. He views Mizu as a samurai like himself who received all the same teachings he did, and who possesses the same values.
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11. Their perceptions of Mizu:
Mikio sees Mizu's feminine side first. He sees her as sweet and gentle, but also clumsy and incompetent. Taigen sees Mizu's masculine side first. He sees her as terrifying and deadly, but also strong and skilled.
12. The way they approach sparring with Mizu:
Mikio only spars with Mizu once. As the fight progresses and she is beating him, he tries to put a stop to it. When she teases/provokes him, he starts taking the fight personally and seriously, finding no enjoyment in it. Taigen spars and brawls with Mizu all the time. No matter how many times Mizu beats him, he doesn't back down. When Mizu challenges him with a chopstick, he is eager to compete with her and gladly rises up to the challenge.
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Mikio and Mizu's one and only spar is a friendly match; Mizu is smiling and having fun while he grows increasingly frustrated. Taigen and Mizu's last-seen spar is a playful wrestling match; both him and Mizu are having fun and laughing.
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Mikio cannot deal with Mizu being better than him, so he scorns her and walks off, avoiding her thereafter. When Taigen cannot deal with Mizu being better than him, he follows her to observe her moves and continues training in hopes to eventually beat her. After being bested by Mizu once, Mikio leaves her and sells the horse he'd previously gifted to her. After many times losing to Mizu and fighting alongside her, Taigen commends her and admits she is better than him.
13. When Mizu pins them down in a friendly spar:
Mikio sees Mizu's whole face objectively. Taigen stares at Mizu's mouth and eyes.
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Mikio gets angry when she kisses him, throwing her off of him and snapping at her, calling her a monster. Taigen gets aroused, apologising, so she pulls herself off of him.
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14. Mizu's blue meteorite sword is a reflection of her soul. She believes most are undeserving to face it, let alone hold it. And on that note:
Mikio is the first person (chronologically) that Mizu fights against using her sword. Taigen is the first person (we see on-screen) that Mizu fights against with her sword. Mikio is the first person (chronologically) to ever hold her sword, as she passes it to him, letting him wield it. Taigen is the first person (we see on-screen) to ever hold her sword, as she passes out, and he picks it up and carries it for her.
15. Then, last but not least, in Fowler's fortress, when she is drugged and in pain, she hears Ringo's voice in the dungeon. She then follows it to an open cell:
Mizu first sees Mikio as a hallucination, the sight of him haunting her and causing her to lose her grip on reality. Her eyes glow a surreal blue to represent this. Her Mama appears then and says Mizu's name accusingly.
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Mizu then sees Taigen, but he is real, the sight of him a relief and grounding her back to reality. Her eyes return to their normal blue colour to represent this. Taigen looks at Mizu weakly and says her name softly.
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Then, later, when facing Fowler, her revenge awaiting her, she instead chooses to follow her conscience (represented by Ringo's voice in her mind), putting aside her vengeance for a time, in order to save Taigen.
So that's basically all the ones I've noticed so far, but even then, I feel there's already so much that forms a contrast between these two.
What makes it especially incredible about these juxtapositions is that Mikio was Mizu's husband, the man she had fallen in love with, the one person she had ever been intimate with, the man who made her begin to accept herself, to put down her desire for vengeance and instead live a life of peace and happiness.
So for Taigen to have so many parallels with him... Do you see what I'm saying here!
Not to mention that Mizu clearly already has some burgeoning attraction to him, as indicated by how she thinks of him when asked about her desires. And Taigen clearly has shown interest as well (see: him getting a boner after their spar, him holding her hand and telling her, "We're not done yet.").
And on the topic of speculating future possibilities of this relationship, this post by @stromblessed has pointed out yet another parallel between Taigen and Mikio:
Mizu promises Taigen to meet him for their duel in autumn. Mizu fell in love with Mikio and duelled him during autumn.
With all that said, I do believe Mizu and Taigen's relationship is definitely hurtling towards something. But whether they will actually end up together in a sustainable relationship and have a happily ever after? Well, that is a whole other story; we'll just have to wait and see.
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rendevok · 1 year
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your narumitsu art made me weep with joy and I heard you want more requests 👀
idk if this is the right place to put them but I think phoenix coming with miles to try on his glasses for the first time would be sweet :,) miles asking how they look and phoenix being just smitten. the good stuff
Dear anon… you sure know how to pick em! Things got very out of hand very quickly while drawing, and well. You inspired me to draft a comic! I didn’t want to make you wait long, so here are the sketches for the pages relevant to your request <3
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Thanks so much, and hope you enjoy~! 💜
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