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inkoutsidethelines · 1 year

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Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults. Still young, but adults, in the mid to late 20s range. Mystery Inc. is a private detective type business that they run together. In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost. The stakes can be higher; sometimes a bad guy is legitimately trying to kill them. Sometimes the mystery they’re trying to solve is a murder. Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind. Like, give a stranger the shirt off his back kind. The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind. He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too. While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money. Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing. She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her. Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe. Dating, engaged, married, I don’t care. They are stupidly in love, ride or die for each other. There’s no will they, won’t they, no worries about cheating. They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma! His wife is standing right there!” “Oh. Sorry.”). She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes. She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws. Is breaking and entering really so bad? Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense. He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option. He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him. Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices. The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it. Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

#ink speaks #scooby doo #i like the vibes of a grown up scooby doo #where they're part of a mystery solving business #it needs to be a monster of the week type deal #so that it can play around with the character dynamics #because i think that's fun #long post

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5ummit · 1 year

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New Mature Content Warning Overlay (And How to Get Rid of It)

More fun community label "features"! Unlike the new mandatory label for #NSFW, this one is a bigger deal to me because it affects my entire blog and it can't be avoided by just using a different tag.

Apparently on custom blog layouts, if you happen to post or reblog even a SINGLE post that's been flagged with the mature content community label, a full-page warning overlay will appear blurring out your entire blog that must be manually clicked through every single time the page is refreshed. At first I thought this was just a bug due to my older layout but I've come to realize it's not. It's a feature (as confirmed by this recent changes post) that affects all custom themes. The formatting will vary based on your own theme but here's what it looks like on my blog:

I don't know about you but I find this is stupid and annoying. If it could be dismissed once and never seen again that might be one thing, but that's not the case. The vast majority of my blog is not "mature" enough to warrant such an aggressive and invasive warning. I also think pop-ups are obnoxious in general and I'll be damned if tumblr's going to force me to have one on MY blog.

After some desperate googling for a known workaround and being unable to find even a single mention of it, I decided to take on the challenge myself. I'm not a theme coder, so apologies if there's a better way to do this, but luckily it only took me like 10 minutes to figure out a simple fix, which I'm now sharing with anyone else who may want it:

.community-label-cover__wrapper {display: none}

Just copypaste that somewhere in your CSS and goodbye pop-up!

If you're not sure how to access your theme code, check out this help article. You can also add the code via the Advanced Options menu, which is actually even better (if you can get it to work, it depends on how your theme was coded), because it will then automatically be reapplied to a lot of themes without having to remember to manually add it every time if you change your theme in the future.

Obviously this will only remove it from your own blog for anyone who may visit it. If you never want to see this warning again on other people's blogs you can also add this custom filter to your ad block:

tumblr.com##.community-label-cover__wrapper

Unfortunately I do not have an easy tutorial on hand for this one as the method will depend on your specific ad block app or extension.

Some additional notes:

After adding the theme code and saving the changes, give it a minute to update as it sometimes takes a little while for the page to refresh.

The warning overlay only seems to appear if a "mature" post is on the FIRST page of your blog, which is still annoying and makes the whole thing even more pointless and stupid because what if someone visits any other page of your blog, and oh no, happens to see "mature" content they weren't warned about?!

The warning also appears on direct links to "mature" posts.

This hack has NOTHING to do with entire blogs that have been flagged as NSFW. It only works for non-flagged blogs with custom themes that happen to have individual "mature" posts.

#I'm not letting my entire blog be penalized for a couple rare singular posts that may or may not even be 'mature' enough to warrant it #tumblr may force us to use community labels #and they may have full control over the new blogview #but MY custom blog layout has always been and always will be MINE to format and present however I want #that's the whole point #tumblr #psa #tutorial #my words #tumblr themes #wendy's help desk

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rynbutt · 2 months

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pierced. | spencer reid.

Moving into a new apartment in a new city is stressful, what's even more stressful is when there's a fucking murder in the apartment across from yours... at least the fbi agent is cute.

you can find the other parts on my masterlist.

cw: fem!reader, 18+ piercing, fluffyish, reader has pierced tiddies, flirting, wondering if i should do a part 2 fr

a/n: coming from a pierced nipple girly who wants a cute boy to knock on her door. also enjoy <3 and follow >:) also yay for the first thing i've posted :3

You let out an exasperated sigh as you collapsed another cardboard box.

Moving into a new apartment was fun in theory, but the practice of filtering through everything you own and finding a neat little spot for it? not so much. You took a long sip from your now cold cup of coffee before glancing across the room at the looming pile of cardboard boxes that just stood there and mocked you.

You picked up the next box of what was probably clothes and took a box cutter to the almost twenty layers of tape across the seam (it wouldn't stay closed, in retrospect you should have made up another box but you were really determined to make it fit at the time).

You ripped the rest of the tape off and put your hands on your hips, glancing at your cat Tofu on the couch.

"Care to help?" you asked... the cat. Tofu proceeded to curl into herself and begin grooming tubby belly. "I guess not."

There was an abrupt knock on your apartment door, Tofu scattering to the wind at the sudden sound. You furrowed your brows, confused as to why anyone would be knocking on your door.

You had moved here a matter of days ago, knew no one and were far too broke for doordash. You ignored it for a moment, thinking whoever resided on the other side of the door had the wrong apartment. When the knock came again, you thought you'd better answer this time.

You opened the door ajar, just in case it was someone who wanted to steal any of the maybe four things you'd managed to unpack. A tall darker skinned man looked down at you, "Yes?"

"Hi ma'am, I'm Agent Morgan and this is Dr. Reid, we're with the FBI," he introduced himself, holding up his credentials for you to peek at. You opened the door the rest of the way, glancing at the second tall man standing in your door way. He had messy hair just below his ears and was wearing a collared shirt with two black pens tucked into the pocket over his chest, he was cute. He pulled his lips into a tight line and held his hand up in a wave.

Spencer's eyes glanced down your body briefly. He has certainly seen some strange outfits when people answer their doors but none that made his skin run hot like this.

You wore a baby blue tank top and grey adidas shorts, he could see a small sliver of skin between your two garments but that's not what caught his eye. You had your nipples pierced.

Now, Spencer really didn't mean to stare but they were right there. The air of your apartment was clearly chilly given how your nipples pressed against the fabric. He could see the little studs on either side of your hardened nipples and he felt like a Victorian boy seeing an ankle for the first time.

"Oh no, you found me," you joked, laughing at yourself lightly. They didn't laugh. Your smile dropped, "I'm joking. Uh, come in, please." You stood aside, letting the two men into your basically bare apartment.

"Just move in?" Morgan asked, looking around your small living room.

"Uh, yeah, yeah. I'm starting a new job in a week," You replied, trying to make small talk. "What exactly are you here for?"

"There was a murder in the apartment across from yours," Dr. Reid said abruptly, stealing the air from your lungs.

Your eyes were blown wide, "What?"

"Young woman like you, stabbed to death-"

"Reid," Morgan warned, shaking his head softly at the younger man.

"Shit, that sucks," you replied, glancing between the two men. "I assume you're talking to me because I live close by, huh?"

"It's just procedure," Morgan replied. "Can you tell me where you were around 11pm last night?"

"Uh, yeah. I was here, I had a lot to unpack, you know?" You replied honestly, wondering how you didn't hear that someone was being murdered across the hall.

"And you didn't hear anything?" Morgan asked, eyebrows furrowed as he stood to face you.

"No, no I honestly didn't. I had my headphones on while I was unpacking, I went to bed around midnight." Were you incriminating yourself? Maybe you should make some friends so you don't get caught up in this kind of stuff.

"The UnSub we're looking for is white male, mid 20s to 30s, seems out of place. Have you seen anyone like that around?" Dr. Reid asked.

"No, I mean, I just moved here, I don't know anyone. I haven't left my apartment since I got here," you replied, looking Dr. Reid in the eye. You caught him glancing down at your boobs for a moment before he caught himself, clearing his throat.

It was only then that you realised what you were wearing. Fuck. Two FBI agents, one of whom was your type to a T came to question you about a murder and your nipples were gazing upon the world like a deer in headlights.

You quickly crossed your arms across your chest before scampering across the room to grab your hoodie off your couch. You pulled it over your head before staring at the two men awkwardly, your skin feeling hot.

"I'm sorry about... my attire, I didn't even-"

Morgan smiled, chucking softly, "Please, this is your home, sweetheart." Morgan glanced at Spencer, who suddenly found the ceiling utterly fascinating. "You mind if I have a look around? We suspect he used the fire escape."

"Of course, yeah. You can see it from the bedroom," you replied, being left alone with the cute doctor. "You seem young to be a doctor," you said softly, trying to make small talk.

"Scarring, tearing and nerve damage is possible when you get your," he coughed, "nipples pierced... infections and bleeding are also common," he quickly said, lips pulled into a tight line.

"Mm, cute and smart... well, I've had them for five years so... I think I'm safe, Dr. Reid," you replied with a chuckle.

"Spencer," he muttered.

"Huh?"

"Spencer, it's my name. Spencer Reid," he said, hands clutched tightly around the strap of his leather satchel.

"Spencer," you smiled, "I'm Y/N."

"Well, we better get out of your hair," Morgan returned from your room, glancing between you and Spencer for a moment. "Let's go, Reid."

You opened the door for them, Morgan thanked you as he left and started down the hall to the elevator. Spencer paused for a moment, glancing at you for briefly before walking out the door.

"Hey," you called softly. Spencer spun around to look at you and you definitely couldn't let him escape without your number. "Do you have a girlfriend?"

"Uh, girlfriend? I, uhm-"

"He doesn't!" Morgan called from down the hall, making you smile.

"You don't know that!" Spencer retorted, making a face at Morgan who was grinning.

"So... you do?" You asked.

"...No, I don't." He muttered.

"Okay, well," you laughed, plucking the pen from the pocket of Spencer's shirt. "Call me sometime," you scribbled your name and number with a little heart onto a scrap piece of paper that once wrapped your toaster.

"Yes... Okay, I will," he replied nervously, holding your number in his hands gently. He glanced at it, a smile beaming across his handsome face.

"You, uh, might wanna go before your partner loses it," you giggled after a beat. Spencer muttered a quick 'oh' before walking quickly toward the elevators.

"Bye," Spencer said softly, waving at you with a little smile.

"Bye, Dr. Reid!"

Spencer stepped into the elevator with Morgan, the silence palpable in the tiny mental container.

"'Bye, Dr. Reid~'," Morgan raised his voice an octave, planning to tease Spencer relentlessly and text the group chat as soon as they got to the car.

"Shut up!"

reblog and follow me :3 also come chat, i love to yap.

dividers by @cafekitsune

#criminal minds #spencer reid x reader #dr reid #spencer reid #fluff #spencer reid fluff #x reader #criminal minds x reader #derek morgan #spencer fluff #dr spencer reid x reader #reid #criminal minds spencer

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solaireverie · 7 months

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cl16 | are we out of the woods yet?

summary: [ charles leclerc x f!driver!reader — social media au / fic ] after you get into a rough crash, charles is faced with difficult decisions

request: can i get a female driver reader injury/crash angst with daniel, seb or charles pls love your fics!

warnings: crashes and injuries, general medical stuff, unspecified mentions of death (implied to be jules and hervé), open/unclear ending

author’s note: hihi lovely!! tysm for requesting <3 hope this is enough angst for you ;) also i have no clue how to write injuries soooooo just roll with it

5,891 likes

ynupdates y/n has been taken to the medical center following her crash in the #brazilgp. no further news has been released yet. we're all behind you, y/n! 🤞

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user did anyone see if she was able to get out of the car by herself?

↪ user no, i think she had to be extracted by the medical crew 😬

user i hope she's okay...

Charles' phone is halfway out of his pocket when it starts ringing. Glancing at the screen, he swipes to accept the call when he sees that it's from your mother. He had called her a few minutes ago, when the sight of your crash had first appeared on the screens in the Ferrari paddock, but she hadn’t picked up. Her voice filters through the speakers of his phone, worry tinging her tone.

“Do you have news yet?” she asks.

“Don’t know,” Charles replies, “I’m on my way to see her now. It… might be good to book a flight — and soon.” He doesn’t want to alarm your mom but it seems inevitable and he knows that you would want her next to you.

“Okay,” she breathes shakily, “and Charles?”

“Yeah?”

“She better be okay when I get there.”

Charles winces. Of all the people in the world, he knows all too well why you can never make any promises, especially in Formula 1.

“I’ll do my best,” he says and ends the call.

There’s a marshal waiting for him in the tiny waiting area in the medical center. He’s pacing nervously and immediately strides towards Charles as soon as he sees him.

“Mr. Leclerc,” he begins, “the doctors wanted to see you before they take any further action. You have medical power of attorney for Ms. L/N in case of emergency, correct?”

Charles nods numbly. It had been a precaution at the time because you had insisted that out of everyone in the paddock, you trusted him the most. He had accepted it without thinking twice but now the weight of the responsibility settles heavily over his shoulders. He follows the marshal past empty treatment rooms until they reach one with its door thrown open.

Charles feels his lunch crawling back up his throat as he stares at your figure. You’re laid out on a stretcher and you’d almost look peaceful if not for the numerous medical apparatuses connected to you and the thin trickle of dried blood on your temple. He somehow finds his voice again.

“What happened?” he asks, almost afraid to hear the answer.

A paramedic steps forward. “Ms. L/N took quite a knock in her crash, I’m afraid,” she explains gently. “Something came loose in the cockpit and hit her head. We’re not sure if there’s any further internal injuries, but our professional opinion is that she should be moved as soon as possible to a hospital for further testing.”

Charles swallows around a lump in his throat. “Is there any particular risk with transporting her in this state?”

The paramedic shakes her head. “No more than the usual, which is relatively low compared to the risk that we run by keeping her here without knowing if there’s anything else wrong.”

Charles follows your ambulance all the way into the hospital in a haze. He barely registers the press grouped outside the entrance, pushing through them, always keeping you in his sights. He waits outside of the examination room they bring you into and follows as they wheel you around, receiving god knows how many tests.

After a while members of your team start showing up, although they keep a respectful distance from Charles. He’s glad. He knows, rationally, that you were just unlucky, but the irrational and protective side of him is screaming at him to place the blame at someone’s feet. He knows you wouldn’t appreciate him blowing up at your team, though, so he doesn’t say anything to them and keeps vigil by your side as the doctors poke and prod.

Eventually you’re carefully placed in a hospital bed and Charles is pulled aside by what seems to be the main doctor assigned to you.

“Unfortunately, it seems as if we will have to operate on Ms. L/N,” he says gently. “Someone else will go over the details with you, but long story short she’s bleeding internally and it’s imperative that we get to it as soon as possible. Of course, any operation of this size could potentially be dangerous, but I strongly recommend taking action sooner rather than later.”

Charles shakes his head, the words not yet registering in his scattered mind. “Is she going to be okay?” he mumbles, not meeting the doctor’s eyes.

He can feel the doctor’s pitying gaze on him and Charles doesn’t have it in him to tell him that he’s been here before — not this specific hospital, no, but he’s been on this side of the conversation that they’re having already, and it tears his heart up just as much as the first time. The only difference this time is that he’s the one who has to make the choice, not anyone else.

“We can’t make any guarantees,” the doctor cautions, “but it would significantly raise her chances of survival if we act now.”

Charles winces at the doctor’s words. Survival. Drive to survive, surviving to drive, the irony of the situation isn’t lost on him. He uncurls his fingers gingerly from where he had been unconsciously gripping his pants.

He wants to avoid the decisions he knows he will have to make in the next twenty-four hours. He wants to pretend that nothing happened, that you’re still on the track, passing everyone in your way. He wants to go back to this morning, when he had kissed you goodbye before jogging off to get ready for the race. He wishes he had taken time to do more than peck you and throw a “love you!” over his shoulder. Charles wants to hide from the cold, stark reality he’s faced with. Your life lies in his hands and Charles is so, so tired of bleak hospital hallways.

He wants to scream at the heavens. He’s suffered and given so much already. Is one shred of happiness too much to ask? Charles had known the risks going in when he started dating you — one Formula 1 driver was usually more than enough jeopardy in a relationship, let alone two — but he’d never really thought that the day would arrive where he would have to make decisions about you, without you.

Charles stares at your face through the window to your room, tracing the curves and slopes with his eyes. It’s the face he wakes up next to almost every day and he curses himself for not cherishing the time he’s already had with you more. His brain is moving a mile a minute, running through all the possible outcomes. At the end of the day, though, he’s only got one choice.

Charles Leclerc has always been selfish and he’ll be damned if he lets another person he loves slip through his fingers.

“Where do I sign?”

likes and reblogs are appreciated!

masterlist | taglist: @boiohboii @vellicora

#solwriting #f1 x reader #formula 1 x reader #formula one x reader #formula 1 #f1 #f1 fanfic #formula 1 fanfic #formula 1 x you #f1 social media au #f1 imagine #f1 smau #charles leclerc #charles leclerc x reader #charles leclerc x you #charles leclerc imagine #charles leclerc fanfic #charles leclerc smau

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moondirti · 1 year

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animalic (2)

← chapter 1 // series masterlist

pairing: Miguel O'Hara x F!Reader rating: mature word count: 2.2k summary: a game of cat and mouse warnings: enemies to lovers, canon typical violence, guns, death, blood, angst, no use of y/n (reader is referred to as ‘wraith’) notes: remember when i said part 2 would take a while? i lied. the next chapter is fun as all hell so i wanted to churn this one out as build up. teehee i hope yall like it regardless

He let you go.

No matter how Miguel tries to vindicate it, he rounds back to the same conclusion. You weren’t subtle, regardless of what you’d have yourself believe; he’d seen the calculations glaze over your eyes the instant he pinned you to the wall. He knew what was coming, how your heavy breathing was a cover for the clicks of his watch – of which he heard regardless – and your squirming a diversion from the movement of your busy fingers. He had a goddamn plan too, a fail safe in case you decided to attack instead of listening to reason.

(One he’d settled on for the duration of your lost consciousness, for knowledge that you would.)

So, there is no dismissing it. You’re obnoxious and lack precision, and he could have had you halfway back home by now, which isn’t the case – because he let you go.

The frigid air of his office thrums with irritation, weighing down on his shoulders until they collapse inwards, his hands coming up to rub the weariness off his expression. HQ has been unsettlingly quiet as of late – occupied by only a fraction of its regular population – and the peace worries him. History betrays its status as the precursor to havoc; lulls in the past have fooled him into believing his mission was drawing to a close, only for another anomaly, another mess, to spin that naivety on its head.

You were one such instance. A year ago, you’d popped up on an Earth that wasn’t your own, and didn’t leave until you’d drawn all that you could from it. It’s an empty husk now, lacking land to propagate its agriculture. Thousands – millions – dead, from the flap of a butterfly’s wings.

Parasite. A fucking parasite who just won’t quit.

The mantra surges through him, festering from the base of his gut to the cap of his tongue. It bursts out with a roar right then, the sudden violence finding monitors thrown across the room, smashed to bits of orange light and static. It does nothing to sate him, though, the heady anger filtering out like molasses. His back hunches as he draws in thin breaths. He doesn’t count, nor does he attempt to. Instead, he looks for his only real decompressor.

The video of Gabriella flickers at him from a distant floor, the transparent tablet wrecked with four distinct claw marks. He exhales, pulling it back to the platform with an extended web.

“Boss,”

His mija smiles toothily down at his digital self, winding her small palms in his hair for balance as he carries her. He recalls helping with hers, tying it back into shabby ponytails the mornings before a big game. How she wouldn’t let anyone fix it afterwards, not until her elastic slipped off the ends and her bangs hindered her playing. And she’d run to him, whenever, to get it fixed again.

“Boss.”

Her jokes resonate still, echoing laughter from when she’d poke fun at how bad he’d gotten at it, amused by the sudden decline in ability. To Miguel, it was one more reminder that the life he led wasn’t his own.

“Oh Miguel!”

So much for calming down.

“Lyla.” He looks up at the virtual assistant, her corporeal character a little fuzzy around the edges. She chooses to ignore his dissociative episode, rather projecting a map of the arachno-humanoid poly-multiverse, a point off centre highlighted in red. His heart skips. Placing the tablet down on his desk, he takes a step closer to survey the pin.

“Managed to track the Wraith down using the day pass you’d given her. Currently stationed on Earth-15, no signs of jumping anytime soon.”

Parasitic, and stupid enough to forgo destroying a potential tracking device.

Lyla snickers, seemingly able to read the sneer pulling at his cheeks.

“Seems like she’s afraid of glitching more so than she is you, Boss.”

His glare snaps to meet her heart shaped sunglasses.

“Funny.” His assistant shrugs at his admonishment. “Pull up the anomaly cam.”

A second later, your figure blinks into sight.

You’re crouched atop a tiled floor, the grout darkened to near-black with grime. In front of you lies a sparse spread of medical supplies; gauze, scissors, and miniature packets of disinfectant wipes. Miguel can’t help but wonder what you think you’re doing, treating your wounds in a bathroom as unsanitary as the one that cramps you. Graffiti littered walls, nests of used paper towels in every corner. You spring up to wash your hands after undoing the old bandages that hugged your forearm, but all that comes out is an inconsistent splutter of grey water.

His chest twinges, a tug of intrinsic sympathy playing against him. It worsens at the sight of your injury, the consequences of his talons’ assault on you, the puncture points brimming yellow and blackening closer to their middles. He can’t tell whether it’s gotten any better, whether you were good and had it treated by a professional, or made the common mistake of relying too much on your enhanced healing.

“Gave her a harsh gig there. You always that rough?”

“When I need to be.” Miguel murmurs, skimming over the conspicuous innuendo.

“Right. Until it comes to finishing the job, that is.” And, despite the offence taken to Lyla’s jest, he can hardly disagree. Newfound resolve hardens within him, sympathy fleeting at its failure to deter him.

“Set coordinates for Earth-15.” He rumbles, gesturing to his wrist as he walks away. The assistant does as she’s told, shrinking back to an icon on his watch. While waiting for the portal to configure, Miguel cocks his head, taking one last look at your oblivious form.

“I won't let her get away this time.”

“Put the money in the fucking bag or she gets it!”

Of all the spider-people you’ve met, you don’t believe any have been the hostage in an armed robbery situation. You imagine that they’d come in at the last minute, valiantly swinging through the window, accentuating their arrival in a shower of shattered glass. They’d demand the money be remitted, and all’s well that ends well. But – of course – there’s got to be a first for everything; your record just so happens to be the lamest of the bunch.

The masked man presses the gun further into your temple, bursting capillaries until the spot starts to ache with a raw tenderness. His body wraps around you, other arm waving wildly outwards, extending a plastic bag to the poor soul behind the register. You take a great gulp of air, staring at the buzzing fluorescents above, and pray.

Lord, now would be a really good time to phase out.

“P-Please, leave her be.” The owner throws a potful of crumpled fives into the bag, as if to punctuate her plea. The man is dismissive in face, urging her for more, shaking the receptacle with comedic insistence. You purse your lips, blinking up at the ceiling once more.

Or make this more exciting, at the very least.

“And you!” You’re jolted out of being a passive observer, rattled when the man diverts his attention to you. His gun thrusts harder against your forming bruise, adding to the list of damages sustained in the past week alone. You peer at him from the corner of your eye. His roll incredulously, pointing to the bill in your grip. “The twenty!”

“Is that a real gun?”

“Wha– Of course it’s a real fucking gun! Put the money–”

“In the bag. I know.”

His hold on you slackens, expectant. By contrast, you ball your fist and punch him square in the nose. The hit sends him reeling farther than it should for the amount of space you had in winding back, the feat prompting a deluge of pride to wash over you. It’s bolstered when he drops the spoils in the process, toppling into a rack of chips and cup noodles that consequently cushion his fall.

Your first save.

Filled with bravado, you snatch and pass over the bag to the cashier.

“Here you go, ma’am.”

But she doesn’t look at you. Rather, her stare remains trained on the man you’d just disabled. Nerves maturating, you join her line of vision, only to be met with the barrel end of his weapon. You catch the vicious conclusion in the way his hand trembles, veins protruding from the pale skin, supplying courage to the finger hovering right over the trigger. You process it all, aware of the ways it can end, at how fast it can sour.

Before you can so much as act on it, he shoots.

Your skin prickles.

You’ve heard stories of people who don’t realise when a bullet strikes them. Their bodies take time to catch up to the pain, cells stuck in paralytic shock, stimulus signals held somewhere between the existential and a will to delay the inevitable. You think you understand what they mean, your mind dragging in a rare bout of silence. Things slow, for a perennial moment, and you wonder how fast the blood loss will kill you.

You can do nothing but follow the man, who scrambles to a stand, letting him take the money – with whatever else – and watching as he runs out onto the street.

And even still, the pain hasn’t caught up to you.

Looking down, the case starts piecing itself together. No blood sticks to your shirt, the fabric still as pristine as it had been upon purchase. You check your arms, then your legs, then reach up to smooth over your head. Nothing. You’re okay.

The relief is short-lived when the morbid sound of gurgling meets your ears. Slowly, you turn, bracing for what you knew you’d find.

The scene unfolds with a distressing intensity as crimson liquid blooms from the cashier’s throat. The torrent is never-ending, every gush of ichor bringing forth a new momentum, splattering its macabre scene over the register. Her eyes gloss over with an unshed panel of tears, and she looks to you for help.

She looks to you.

(You don’t admit it to yourself, but it’s the novelty of that fact that pushes you into action.)

With a swift leap over the counter, you intercept her mid-fall, carefully cradling her weight as you guide her down to the ground. Scanning your surroundings, you search for a means to call for help. A rotary phone catches your recognition, situated a ways off by the back exit. Despite the inconvenient placement, it stands as your sole option at this stage.

In a split second decision, you sling your backpack off, hastily rummaging through its contents. You find solace in your hoodie, gathering its folds to tightly bunch it up, converting it into a makeshift compress. Knowing she lacks the strength to apply pressure to the wound, you move to wrap it around her neck, hopeful that it’s tight enough to stem the bleeding while leaving enough room for air.

Urgency fuelling your every step, you leave her side for a fleeting moment, dashing over to call an ambulance. Your medical knowledge only extends so far, and some selfish part of you itches to pass on the responsibility to someone more competent. It’s an impulse that derives from an innate acceptance, that resoundingly insightful voice in your head telling you it's too late. That she’s already dead, had been from the moment the bullet – that was meant for you – missed.

Perhaps your help isn’t really helpful at all, then. Perhaps it’s your attempt to wash your hands of the sin. You think back to the grey water in the bathroom, how exasperated you had been at your inability to stay clean.

(You don’t think you’ll ever rid yourself of this.)

“911, what’s your emergency?” The question crackles through the receiver.

The bell by the entrance jingles, the chime accompanied by heavy footsteps. You press yourself against the wall, the concept of the robber returning filling you with such dread that you feel your stomach tighten and congeal. It’s a heavy lump, icy cold and slippery, and it seems to weigh a hundred pounds.

“Hello?” The operator says.

But if it was the man, then he'd have to have changed into a navy and red suit. Somehow, your terror worsens.

“Hijo de la chingada…” The whisper is barely legible, but the deep baritone is discernible enough to validate the assumption pulled from your brief glimpse. You’d recognise him anywhere.

Shrinking in on yourself, you cup your palm over your mouth. “Hello,”

“Ma’am? Can you describe your emergency?”

“There was an armed robbery at the convenience off sixth and Third. Someone’s hurt.” You hardly register the words as they escape you, eyeing Miguel when he crouches over the lady. You’re propelled back to the conclusion of your last meeting; how his claws tore into you, how his persistence didn't falter until you pressed yourself onto him.

That kiss.

He runs a finger over your hoodie-turned-compress, wavering, like he can’t quite place where he’d seen it before.

Or, maybe he can, for he spins to meet your wide-eyed stare.

You drop the phone, bolting out the back door, charged on a paroxysm of adrenaline and pure, unadulterated panic.

chapter 3 →

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hitlikehammers · 4 months

Text

take the call

rating: t ♥️ cw: off-screen car accident (but EVERYTHING IS FINE), hurt/comfort, softness ♥️ tags: established relationship, married steddie, hurt/comfort, rockstar Eddie/teacher Steve, Steve's heart of gold is very possibly going to be Eddie's undoing one of these days, well-worn-soul-deep love

for @steddielovemonth day eighteen: Love is terrifying (@starryeyedjanai)

set in the 00s, with Steve and Eddie having two decades of loving under their belts, now ♥️

Eddie isn’t expecting a call, any call, really; he’s in the studio, like, if he gets a call someone takes a message or whatever.

And in fairness, Eddie doesn’t get the call.

He gets a message.

“Eddie?”

He rolls his eyes kinda automatically, kinda thoughtlessly at the cut of the audio track to let the mic system override from outside the booth.

“Okay, so, like, don’t freak out.”

He’s not thoughtless at all about the way he clocks the tension in Jeff’s voice even across the speaker system; it’s entirely automatic how he freezes, how he looks up and locks eyes with his friend through the glass and sucks in a sharp breath for the look on his face: pained.

Maybe, maybe scared.

Eddie’s heart drops somewhere near his knees, but beats there so fucking hard.

“This lady called, and she said she found Lainie’s card inside the case of a phone she picked up,” and okay, okay, that’s…that’s random but maybe it’s about their assistance manger, who just got her contract confirmed and got fancy new business cards for it and has been handing them out to everybody she sees, even gave Eddie extras to pass on to Steve, maybe he can share them at the school as if anyone at even a hoity-toity private 6-through-12 school would have a reason for a card from a record label but she’s excited, and Eddie’s excited for her, and Steve loves the people Eddie works with, and not just because they’re attached to Eddie and he loves the things that come with Eddie as a given—but that’s also true, and always has been, but—

“She, um,” Jeff’s voice is filtering through again, and Eddie clocks that there’s…there’s something more to it, more than his brain’s willing to grasp just yet but his body’s apparently picked up on because he thinks the slightest breeze would knock him over and shatter him into pieces, for the tightness in his body; he’s not focused enough to count the separate beats of his pulse but he can tell it’s quick enough already, still weighed down near his feet, that counting would be kinda hard, would take effort:

“She found the phone at a car crash?”

So: the more-to-it. The thing his body already knew.

Eddie…Eddie doesn’t even need to know what comes next to know he cannot fucking breathe.

“Sounded kinda like, uh, like it could have been Steve’s phone,” Jeff is trying to tell him, and part of Eddie hears it, part of him does but most of him is white noise, is pins-and-needles, is underwater and drowning and not even fucking thinking of fighting the pull because he can’t, he’s heavy at the legs and his lungs are seizing and there’s, he’s—

“Because it, umm, she found the card because the case was broken?” and just last night Eddie’d watched Steve pop off the case and slide the cards behind with a laugh and a promise to take them with him not today—because it’s one of those federal holidays that only schools notice happening, like the post office is still open—but definitely tomorrow, never knew which of the kiddos at the Rich People School might be a budding metalhead underneath their uniforms—

“And she said the case was, um, like bright—“

Green.

Electric lime neon fuckin’ green because after three times of Eddie taking Steve’s phone by accident he’d come home with that endearing eyesore, and a kiss to the bridge of Eddie’s nose and a soft hard to confuse that, babe nuzzled against him and—

“It could maybe have just been a coincide—“ Jeff’s talking but Eddie can’t fucking hear it, not really, not when he’s letting the door slam behind him and ripping off his headphones to drop to the groundnut when he’s gasping hard enough to crack a rib, not when the floor’s gone out from underneath him and his vision’s tunneled and nothing seems real, and everything feels too real, every world ending possibility shuddering through his foggy mind alongside every heartbreakingly perfect memory blossoming up unbidden just to serve as a reminder, an underscoring of what he stands to lose, what maybe he’s already fucking lost—

He meets Jeff’s eyes without the glass between them as he grabs his keys from his jacket on the couch and makes himself take the breath that’ll fuel the voice, that’ll give him words, just one word, he needs, he fucking needs—

“Where?”

_______________________

Eddie shouldn’t have driven himself, he knows that.

Like, on some other plane of existing, he’s sure he knows that.

But on this plane, he rips past his bandmates, all the extra people with them for recording, jams the close-door button before anyone can follow him into the elevator because he happens to know this one’s quicker than the stairs even on a good day, and this—

Eddie’s shaking so goddamn hard he can barely get one foot in front of the other, he really doesn’t think he can manage ten fucking flights of steps.

He burns rubber on the way out of the parking lot, and the nearest hospital to where Steve would have been—on his day off, because holiday, he’d have bene close to home, he mentioned food shopping, he thought he might make stir-fry but he wasn’t sure, they hadn’t made a vegetable haul from the Asian market downtown in a couple weeks and they need to, they need to but Steve wasn’t feeling like going on his own, because he might not say it out loud but they both know he enjoys Eddie’s excitability when new items hit the shelves and he can’t read the language they’re labelled in so he guesses frantically until the man who owns the place takes pity, only laughs a little and explains what this spice is for, or that that crazy looking thing’s a fruit, and they ultimately buy whatever it is because Eddie wants to try it now, because he got invested and—

Eddie should pull off the fucking road; his head’s a mess, he can’t see for the way his eyes are welling, streaming, the way he’s shaking with sobs that don’t exactly burst forth, just leak from his lashes as he trembles horrifically because…

Because they were maybe gonna have stir-fry, tonight. Even without the good vegetables.

They were—

Eddie thinks it’s fucking cruel, kind of unbearably so, that his brain’s dead-set on still processing the mundane little perfections of his life as if every single one of them might be dashed to pieces, might be hanging by a thread, might be entirely fucking gone, and he, he…

He can’t. He just, he fucking can’t.

Because that the thing, isn’t it: the scenarios he’s imagining aren’t hypothetical—they’re all memories, too. Steve bloodied, Steve bruised, Steve’s bones broken and flesh torn. Steve still, too still; Steve’s skin under Eddie’s hands when he can’t find a pulse because Eddie’s shaking, same as now how Eddie is fucking shaking—

Eddie knows all those things. They’re so long ago, now, so distant but his fucking cells will never forget every single moment he saw the man he loves bigger than his own goddamn life hurt like that; be risked like that. Be lost like—

And that’s the difference. That’s what is unravelling him as he speeds through the streets quicker than he should, probably breaking more laws than he could count and definitely more than he gives a shit to notice: it’s the losing.

Because the first times, even the times that came after Steve was his: they didn’t come with the loss of so much time, so much of themselves, so much glorious life that they’d built between them, the struggles and the triumphs, the hard choices and the easy things that weren’t choices at all: everything hand-in-hand, every night spent curled around each other, all of them, all of him, inside that chest since he was twenty fucking year old, and Eddie doesn’t just not know how to be outside of what he shares with Steve.

Eddie doesn’t think his own heart can survive, if if Steve’s isn’t next to him.

Eddie’s damn fucking sure no part of him would want to.

It takes him a minute to steady himself enough to get out of the car, once he finally reaches the ER. Steady his body, but more his fucking soul because the whole of him is shaking, is crying out, is wailing unfettered and breaking because he’s terrified, he is goddamn terrified of what he’s going to find when he walks in but he has to, he has to because whatever awaits him, that’s his husband, that is the love of his whole goddamn life and if the worst is going to come for him he’ll face it like he’s faced everything else: at Steve Harrington’s side.

If the worst comes for one of them, then it came for them both.

So he’s stumbling, shuddering, but resolute in his chest when he flies through the sliding doors, eyes still swimming, unfocused but he makes himself take a deep breath—it takes a few tries, and he doesn’t quite succeed, it’s still a tremorous thing and his lungs are still in revolt, but it’s something, and he’ll take something; he has to to take something—

“Eddie?”

He almost doesn’t register it, the voice from the sick-spiral of his memories, all the love on the table to be forfeit—

He almost doesn’t register that his name’s not coming from inside his head.

“Oh my god, what happened?” There’s a flurry over motion in front of him, and he blinks rapidly to try and pin it down because it looks familiar, it smells familiar, it aches familiar in his chest but:

“What is it, what’s wrong?” and fuck, it feels familiar when a hand reaches for his cheek where it’s still damp, tacky for the tears; when another hand slides itself into Eddie’s and draws him in, a hand that fits like no other hand in this world or any other, ever—

“Are you okay?”

And the hand on his cheek turns him and follows his eyes and it takes that long for him to clear his vision properly, but now he’s just blinking so much because that, that can’t be, even if it feels in every goddamn way like it really is, but it can’t…

It can’t be Steve here, whole and on his feet and looking at Eddie with so much worry, so much heart as he tilts Eddie’s chin a little this way, that way, squints to try and see…something.

Eddie’s breath tears out of him in a wet fucking gasp;

“Am I okay?”

Because Eddie’s really not the one to fucking worry about here, Steve had—

“You’re in a hospital, Eds, that’s not usually where you go when you’re okay,” Steve’s eyes widen as he he slides both hands now to Steve’s head, holding him still and assessing…something, maybe, Jesus: Eddie doesn’t know, but he does know that the touch on him now makes his…makes his heart feel safe and he’d been fucking terrified he’d never feel that again.

“Fuck, what happened, baby, did you hit your,” and fingers are dancing gentle across points on Eddie’s skull, so delicate and careful and he can’t fucking help it—

“Are you real?”

Because he needs to know, he needs to know with words because this feels…this feels right and warm and impossible but also true, so.

He needs to know. “Am I…?” Steve’s lips part and his brow furrows before his jaw clenches in that dependable way he has of squaring up to the monster at hand, no matter the kind.

“Shit,” he breathes out slow but then he nods: resolved; “shit, okay. Okay, let’s find—“

“You are real,” and it turns out Eddie didn’t actually need him to say it. He just needed to see the flash in Steve’s eyes when he was ready to take on the world for the sake of love, the way he positions himself a little different in front of Eddie as he keeps one hand at Eddie’s cheek but then slides to brace more at his neck, purposeful, like he’s splinting a wound or something, and then a hand grabs for Eddie’s own again and: oh.

Oh yes. That is Steve Harrington, living and breathing and solid and real, because no one else protects like this.

No one.

Eddie’s heart stumbles, jackrabbits around a little, almost like a reset: like it knows as the implications sink in to Eddie’s mind that it’s not destined to break anymore.

“Yeah,” Steve agrees too easily, distracted as he tugs the gentlest bit at Eddie’s hand, toward the nurse’s station; “yeah, and we should—“

“And you’re okay?”

“I’m fine,” Steve shrugs it off, but Eddie…Eddie’s vision is clearing. His pulse is settling. He can hear above the static and his limbs are getting lighter.

“You’re one-hundred-percent okay, not a scratch on you, not a single thing wrong,” he needs to make sure, like, so fucking sure.

“I am fine, Eddie,” Steve turns to look him straight on, exasperated and anxious and vibrant with it, so alive in it; “but you’re—“

Eddie’s hand moves almost without his conscious consent, definitely without a plan to grab at Steve’s arm and pinch his skin because Eddie was vaguely toying with the idea of pinches himself, and maybe with poking Steve a few extra times to make sure he didn’t disappear, but apparently his brain landed on: pinch Steve, avoid confirmation bias if your head wants to lie enough to make him real just you you, because you need him that bad.

Steve startles, and turns those beautiful brilliant bronze eyes on Eddie, stretches wide as he gapes a little at his husband.

Eddie…Eddie is here, in front of his living-breathing-gorgeously-aghast husband.

“Okay, oww,” Steve drops Eddie’s hand and pulls back, leaving Eddie’s head to its own devices as he looks a little shocked, shooting just shy of a glare Eddie’s way: full of questions.

Eddie—now that the biggest one’s solved, and solved so perfect, so gentle and sure and he doesn’t have to bury the soul of him; he doesn’t have to bury his soul—but now?

Eddie also has some fucking questions.

“Where’s your phone?” seems the most relevant to start with.

Steve blinks, frowns a little:

“It got lost in the crash—“

“Crash?” Eddie’s tone pitches up to squeak a little because: Steve’s here and whole in from of him, yes. But fuck, there was still a crash? He was—

“Not mine, my car’s still parked at fucking Jiffy Lube,” Steve adds with a huff; “I saw it happen so I stopped and—“

And Eddie knows his husband. He knows his husband better than he knows himself, and Eddie’s kinda made it a point of pride for how self-aware he’s grown to be these days, in living this life and loving Steve beyond the bounds of living at all. But he knows his Steve, and so he knows damn well what happened.

Car runs into car. Steve sees it and jumps out to help. Because Steve Harrington is a protector. Steve Harrington is a helper. Steve Harrington is the best man Eddie’s ever known.

Soon as he jumped into the fray, he wouldn’t have thought once about a fucking phone.

And Eddie, Eddie just, he needs to—

He grabs Steve’s hands and wraps them around his own waist, lets them go and then pulls Steve tight to his chest and buries his face in Steve’s shoulder as Eddie winds his way around his husband, feels him breathing, feels the tickle of his hair.

“You’re gonna kill me, Stevie,” Eddie whimpers, that going tight now all over again:

“You’ve got the biggest heart of fucking gold the world’s ever seen,” he moans into Steve’s collar; “and you’re going to fucking kill me.”

Steve doesn’t say anything, but his hands move up to rub Eddie’s back, rote and learned and he might not wholly get, yet, what Eddie’s putting together, and where Eddie’s head’s been, what his heart’s been through, but the first thing he knows, and does like clockwork, is to love of his partner, to soothe him even if he doesn’t know what for.

“Someone found your phone, and they, umm,” Eddie licks his lips, takes a suffering breath and tries to straighten but he’s not ready, not yet: he slumps right back onto Steve’s shoulder:

“They called the studio.”

“Shit,” Steve hisses, bunches his hands in Eddie’s shirt and draws him tighter to his chest: “shit, they interrupted,” and oh, fuck no, fuck regretting the interruption—

“They told me they found it at a crash site,” Eddie grits out, the hurt of it still raw, like just saying the words no matter where they landed in trust, just recalling those minutes that felt like full nightmarish lifetimes, reopens the tender wounds it’d left in hims; “they found it with the case broken,” and Steve leans back, then, eyes saucers as he meets Eddie’s gaze, breath catches harsh.

“Oh,” Steve whispers, eyes darting back and forth between Eddie’s, taking the whole of him in and then he exhales so heavy:

“Oh, babe,” he murmurs, fucking mournful before he takes his hands and links them behind the base of Eddies’ skull and draws him in to the center of his chest, envelopes him there whole: “come here.”

And Eddie falls into that chest—rising-falling-living—he falls into Steve so fucking fast

“I am totally fine, I promise you,” Steve breathes again Eddie’s ear, close and dear and real: “car’s fine—“

“I don’t fucking care about the car—“ Eddie tenses up, appalled at the implication that he gave one single goddamn thought to the car— “No, like, as proof,” Steve’s quick to correct him, to ease the hackles on him; “I wasn’t in the crash, but it was pretty bad and,” Steve shrugs a little then adds soft: “I keep my first aid certs up to date for a reason, I figure, right?”

Jesus; yes, okay. Steve’s savior complex had largely mellowed to a non-interdimensional-threat level with time but he’s meticulous about keeping every skillset he’d gone out of his way to learn from professionals before they’d gone up against the Upside Down for the last time sharp and at the ready for anything: even now.

Fuck, but this beautiful, brilliant, impossible man.

“I was helping, best I could, until the EMTs got there,” Steve tells him softly, fills in the gaps because he knows Eddie’s mind, all the pictures it paints for itself, and in times like these it’s always the worst possible pictures—he knows Eddie needs the slate wiped clean with the truths, blessedly softer, in this:

“Police wanted me to stick around for a statement but the girl who was driving the first car, she was so panicked and she didn’t want to go alone so, umm,” Steve huffs a little, shifts against Eddie gentle and solid and here: “she said she knew me, she was pretty desperate I think, so I rode here with her,” and of course he did, of course he did because he’s Steve; “now I’m just waiting to make sure she gets out of surgery okay,” he squeezes Eddie then, like a punctuation, and it feels so, so fucking good; “also still have to give the goddamn statement, but fuck knows that’s just hurry-up-and-wait,” he turns, and he kisses Eddie’s hair then and Eddie feels something snap in him, give way and the lingering tension spill from his frame as he gasp a little on a breathy exhale:

“I love you so much,” and he does, god: god, but how much he loves this man.

“I love you too, baby,” Steve mouths against his head and Eddie closes his eyes and nuzzles his a little closer as he puts it into words, because it feels like he needs to, it feels like in Steve’s arms like this, pressed up close to him to feel this undeniable life in him: it feels like the coast is clear enough to risk it, to confess:

“I was so fucking scared,” and the words only break a little, and that’s more than Eddie honestly expected.

“I am so sorry,” Steve bows his chin down to graze lips against Eddie’s hairline, delicate and intimate and shivery, trembly down Eddie’s spin for the best of reasons, now.

“Not your fault,” Eddie’s quite to counter, to make clear, because: “shit, you didn’t do anything, I just…”

Eddie makes himself pull back and meet Steve’s eyes, reaches out to frame his face, dear and desperate:

“I can’t lose you,” he moans a little, begs a little, says it with a bare line of something primal echoing in it, scraped straight from his bones: “I cannot ever lose you.”

“I know,” Steve turns and kisses one of his palms, and those two words hold the promise of five more they’ve said so many times, and held so true between them for so many year, through so fucking much:

It’s the same for me.

And to be loved the same as he loves is a fucking privilege; it’s heady and it’s wonderful and Eddie needs it, needs Steve, more than goddamn air.

“Sit with me?” Steve covers Eddie’s hands with his at his cheeks, and nods a little toward the blessedly-quiet collection of chairs by the windows; “while I wait?”

“Nowhere else I’d go,” Eddie says it like the given that it is, and pulls Steve close to kiss him full, to press his lips to Steve’s and drink his warmth, his breath, to feel it sink int past his heart and pump through his veins:

“Not ever, Stevie,” he speaks against Steve’s lips, all of him in it, every vow inside it:

“Not ever.”

tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson

♥️

divider credit here

#steddie #steve harrington #eddie munson #hurt/comfort #established relationship #established steddie #married steddie #rockstar eddie munson #teacher steve harrington #rockstar husbands #steve harrington's heart of gold #(will quite possibly be the death of his husband holy FUCK)#criminal levels of softness #steddielovemonth #love is terrifying #these two boys have been together for DECADES at this point and it FUCKING SHOWS #old married couple!steddie #stranger things

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x-on-the-calendar-business · 5 months

Text

exploring panic!'s a fever you can't sweat out/live in denver boxset

a couple of years ago, i managed to snag this for $150, which is still crazy to me, and it's definitely my favorite thing i've ever owned. i feel like i haven't seen many people detailing the contents of it, and since it's such a cool relic, i wanted to share this beauty with everyone.

it comes with the live in denver dvd (left) and a fever you can't sweat out cd (right). the cover art and discs are SO fucking pretty and cool i'm so obsessed with them. i love how it really feeds into that 20s/30s theme they had going on this era.

then it has these 4 photo cards which are all such beautiful photos. the first one especially is one of my all time favorite panic photos. the b&w filter also fits this era so well.

this is a phenakistiscope. you stand in front of a mirror and spin it around while looking through the cracks so it looks like the girl is dancing (instructions are included on the back).

this is a tour program for the live in denver tour. it includes all the tour dates, as well as a guide to their discography. including pictures of the inside would exceed my image limit, so if anyone wants a post detailing this item, i'd be more than happy to post that!

self explanatory but it's a mask reminiscent of the but it's better if you do music video.

there's this SUPER cool poster that i'd love to hang up on my wall but i'm too scared to in case it ruins it. i'm actually so obsessed with this thing.

this is something else i can't include detailed pictures of due to the image limit, but honestly there isn't a lot of lore or super interesting stuff inside of it. however, i'd still be happy to detail it more in another post.

there's this GORGEOUS notebook that i'm also too scared to actually do anything with. it is actually quite a thick notebook. i looove the detail of the "PANIC!" barely visible in the middle of the pages.

now onto my absolute favorite part of this thing:

these cards for each song on fever are SO fucking cool and i love them so much. they're printed on really nice material too; they don't feel cheap and have this grainy feel to them too (idk how else to describe it) and it works so well. luckily i'm able to post individual pictures of each one.

so the back of all of them have the lyrics printed like that but i won't be able to post pictures of that for each one.

they just all encapsulate the theme of each song perfectly while also fitting so well with the aesthetic that they had this era. like my jaw dropped when i saw these for the first time. (side note: i'm not sure why they numbered intermission as number 12 when it should be 8 based on the album. i also don't know why they skipped introduction since they included intermission).

all in all, this is the coolest piece of merch a band has ever put out imo. like no one is doing it like this anymore. i'd been yearning for it since i was 14 so i'm so glad i was able to find it as such a steal of a price. i'll never shut up about owning it and if you're able to get your hands on it i cannot recommend it enough.

#panic! at the disco #panic at the disco #ryan ross #jon walker #spencer smith #brendon urie #patd #live in denver #a fever you can't sweat out #afycso #now i just need the pretty odd boxset and it will be complete #but thats consistently $400 so it's gonna be a while #sorry it took me so long to post this btw

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alastors-antlers · 4 months

Text

Why Alastor is good aroace rep after all, written by an aroace

Hello all! I just want to start off this post by saying that I'm one person who definitely doesn't speak for all aroaces, but I wanted to make a post on this anyway, and maybe some folk would be interested in hearing out another perspective?

I'm not really caught up on everything that's been said over the course of HH's creation - only more recent interviews, since I'm pretty new to the fandom. Apologies if I've missed anything, but also I do not have the time to keep up with all the out-of-canon-material backstory unfortunately. I'm working with what we've got here.

So here's the thing:

Alastor is cruel, he's narcissistic, he doesn't care about anyone except himself, he's a serial killer and a monster.

(That's the argument I've heard - please tell me if that's not really what people are going for lol, in which case I've totally misunderstood?)

The issue with aroace rep when it paints asexual people with those traits is that it aims to dehumanizes them. Sex and love are essential to the human experience, right? So why wouldn't someone be interested? Because they're self-absorbed, and cold, and detached. They don't have the capacity to love others enough to feel romance.

And sure, Alastor is a killer, and a schemer, and prideful, and a monster by hell's standards. But no matter how above it all and stylish and in control and provocative he wants to be, he's a very human character, and his aroace-ness never serves to add to his alienation. You could even say that it makes him seem even more personable.

That's what I think is the key difference.

why he's human

Alastor's whole persona is about control, and he basically straight-up says this. He's controlling what his enemies know, what his public image is like. His goal is to be the Radio Demon -- overlord of Hell, charismatic, Machiavellian, and undefeatable. He's not. Despite that smile plastered over his face (a powerful tool, huh) he's so expressive for someone who's constantly pretending.

You see his exasperation with the Egg Bois and with Charlie's ranting; his nervousness in front of Zestial; his frustration with Lucifer and the petty lengths he goes to to piss off the ruler of Hell.

You see his desperation, making that deal with Charlie. He's surprised by the idea of being vulnerable in front of an enemy like Adam, and so close to danger. He drops the radio filter and the affect out of fear, and runs on broadcast TV to let out panic and anger and bitterness in his hideout, where no one else can see him.

He has a smile that tells us he's genuinely happy to see someone; it's a little wider than his default. You see it with Mimzy's greeting, you see it with Rosie. Rosie, especially, serves to make Alastor more human to the audience. More on this later, but for now, I'm just saying that you can see that he at least seems to respect her greatly. Whatever bond they have, we know that he trusts her to touch him, to share history with him, and with support that he trusts no one else for.

He pretends, but he can't pretend it all away. Loads of these emotions aren't even advantageous for him to show. It isn't necessarily how the typical asexual psychopath acts; he's not emotionless or only capable of anger or brutality.

He's so full of emotion that it leaks through, despite all that he does to avoid it. He's not inhuman and aloof, not really - he's so, so human, even when he tries not to be because he thinks that'll be what keeps him above all the rest. In control, and free from his chains.

(If anyone wants to see images about all this, I'll make a separate post - just let me know.)

(I also have another post, talking about why Alastor is at least a little attached to the hotel's residents too, shown via conversation with Niffty. In what way? different question.)

how the aroace part contributes to that

Now, to be fair, we don't hear much about his aroaceness in canon. It's just not relevant a lot of the time.

In the pilot, Angel's proposition ruffles his feathers so much that Alastor blanks for a moment. It's a joke, sure, but that ace panic face is a pretty popular Alastor moment in the fandom - Alastor, thrown off-balance by a sex joke of all things, after so many years in Hell that he should probably be used to this.

It's a moment that makes him more approachable; his aroaceness shows him unprepared for something someone else does for one of the only real moments in the whole episode.

And the other part: the ace in the hole statement.

Rosie apparently knows Alastor so well that she read that he's aroace. That tells us about their relationship; namely, that it is long-standing and genuine enough that she gleaned a piece of real information from him. It's a casual fact that she knows about him before he even figured it out himself. It lends legitimacy to their bond - this bond that shows us a more comfortable and warm side of Alastor that we don't often see.

If their relationship is purely business, isn't this something pretty frivolous and personal? It's not like he has anything to gain by telling her about his life, but she learned about it somehow. How close are they? That's where it adds a layer of complexity and personality to his character..

thoughts on representation

Overall, Alastor's an interesting character who has a level of depth and care and personality (outside of cruelty) that asexual psychopath tropes lack. Again, the moments where he's being represented as disinterested in sex or romance don't make him seem detached. Again, they don't say "look how hostile toward relationships his behaviour is - how separate he is from our humanity". That's what bad villain ace rep is. That's not what the show's doing.

Also: I'm not saying that we need to lower our standards or anything, but even if you think it's not the best rep, I feel like we should be supporting HH's efforts here. I know that on Tumblr we have a pretty queer-friendly space going, which is honestly an understatement lol but

Aces are incredibly underrepresented in fiction. There's a whole Wikipedia page about asexual characters in media, and it's short as all hell, and even if you consider what's on there you see quite a number of one-off characters who are never mentioned again.

In terms of real life business - before the DSM updated their definition of hypoactive sexual desire disorder (HSDD) in 2013, identifying as asexual wasn't even a recognized thing. If you talked to a clinician about your lack of sexual desire, you could be diagnosed with a disorder. Only in the 5th edition do we now have a little exclusion footnote about it.

The concept of asexuality hasn't been explored nearly as much as other queer identities in our scientific research. We get crumbs in terms of mainstream representation and understanding. House M.D. has an episode where House "disproves" us because he's just so smart.

Alastor isn't going to be perfect representation. There's no such thing as perfect representation, and from the moment he was conceptualized, you could see how people would take him poorly. Still, I think he's a net positive.

He isn't a side character or a token ace - he's a core part of the show, whose personality and character motivations we can reasonably presume are going to be explored much more deeply in upcoming season(s). He's loved by the fandom. Right now, given what we know, I trust Vivziepop to write the aroace representation he deserves, because with the way I've heard the cast/directing/etc. talk about him, they're trying to do the aroace community justice, so I wish people would let up just a little on the whole "Alastor is bad rep".

Let's give him a chance, all right?

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