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thevindicativevordan · 3 years

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On Livewire

You know Leslie is probably the most popular and well known female Superman Rogue mainly because they use her so heavily in outside media.

Which makes sense given her debut in Superman: The Animated Series, but it still kind of fascinates me. They didn't bring her into comics continuity until 2006 apparently, with Gail Simone and John Byrne (Byrne of all the creators!) being the ones to finally fold her in. Even after they brought her in, they still have never given her that much attention or focus which is a disappointment for me frankly, because Livewire is honestly fantastic in Scott McCloud and later Mark Millar's Superman Adventures runs, and I would say with complete sincerity that those two are probably her best writers. "Millar writing a female character well?" you scoff at in disbelief. I know, I was shocked too! But she's funny, clever, and a huge pain in the ass for Supes. Reading how she was used there, and rewatching her STAS incarnation recently, really made a big realization for the character hit me like a lightning bolt (couldn't resist):

She's basically an evil superpowered Lois Lane! I know I can't have been the first one to realize that, although I haven't seen anyone else actually outright state it anywhere, but c'mon it's so obvious! She's a reporter of a sorts as well thanks to being a disc jockey, her debut in STAS even has her interviewing Lois and Clark! She's got strong opinions on Superman that conflict with the general opinion about him (Lois being pro-Superman when everyone else is more hostile towards him at first, Livewire being anti-Superman when everyone else has embraced him as their hero). She's rude and abrasive, and doesn't care if her opinions offend people, which sure does remind me of Lois at her meanest.

Livewire to me is an examination of what Lois would be like if she abandoned her morals or never really had them in the first place. Leslie doesn't care about the "truth" which is the big difference between her and Lois. Lois can be headstrong, willful, and outright rude, but it's all in service of her pursuit of higher ideals. Livewire doesn't care about that, she carries about getting people to pay attention to her, and getting the recognition and wealth she believes she's owed.

What I'd Do With Livewire

It wasn't until I had that big realization about Leslie that I figured out what role she should play with regards to Clark: She should be Clark's old college ex who was the one who got him into journalism in the first place.

Clark's college years are unexplored territory narratively, typically we jump from his childhood in Smallville right into his debut in Metropolis. Now I know Clark dated Lori that mermaid back in Pre-Crisis during his college years, and while that's a fun bit of trivia, it doesn't really add anything meaningful in the same way that I think Leslie and Clark dating could. So I'd rather go with Leslie because I think she makes for a better foil for Clark and because the two of them would benefit from having a deeper connection established, plus Leslie could get fleshed out as a character more.

I like the explanation that Clark chose journalism in part because it challenges him in ways his powers can't, but in the comics they've rarely bothered to explain how he chose that field in the first place. I would have meeting Leslie at college be that big moment where he starts to figure himself out. She's assertive and confident, and Clark is attracted to that for similar reasons he's attracted to Lois. Leslie would start out as an optimist and idealist in the same way Clark is, and the two would bond and go into journalism together, with Leslie being the one who really believes in the field initially. They'd both be big believers in the duty of the press to inform and the presses ability to shape public opinion, with Clark attracted to investigative journalism and Leslie attracted more to broadcast and digital journalism. They start to date and for a moment, Clark seriously wonders if this is the one.

The big break between them comes when Clark and Leslie go on a trip around the world during their senior year of college. That trip would be where both of them learn how crappy the world is. Clark always had some idea of how bad things were because of his powers, but the trip is where he really starts to realize that there is a real need for someone of his powers to step up, and that there are hard limits to just how much he can accomplish as a member of the press. That same realization is what shatters Leslie's idealism and optimism. She loses faith in the ability to make a difference, to punch through the wall of public indifference, and as a result she gives up that dream. Instead she decides that if you can't beat them, join them: she switches instead to telling the masses what the powers that be want them to hear in exchange for money, to saying whatever the masses will give her attention and prestige for, embracing tabloid journalism that prioritizes clicks and engagement over information. Ultimately it destroys the relationship between Leslie and Clark with her viewing him as a sap and him viewing her as a sellout.

I think that origin really would help flesh out her worldview and motivation a lot more. She's a former idealist who has been broken by the world in a similar way to Poison Ivy. Leslie thus acts as a foil to Clark and Lois in that she's someone who let the world rob her of her idealism and sold out on the truth in exchange for material success. She's what Clark or Lois could've been if they took Lex's offer to work for him, and they should recognize that to some degree. Clark should have conflicting feelings for her, not romantically that relationship is dead, but in terms of sometimes he wonders if he's just wasting his life trying to fight for truth and justice. So few people seem to care about those principles, why hold on so tight to them? Why not just look out for his own self-interest the way everyone else seems to? It's the refusal to give up even when it looks pointless that makes the two of them different, and makes Clark a hero and Livewire a villain.

How I'd Like Livewire To Operate

There's a lack of imagination in how Livewire is used on the comic side as I see it.

Like most Superman Rogues the typical Superman writer doesn't seem to have a clue what to do with her beyond generic "villain" stuff, but that does a disservice to what Livewire brings to the table. Livewire does want to fry Superman to a crisp, but that's not what her daily goal is to accomplish. More importantly, she wants respect and she wants money, and the way she gets both is not by trying to rob banks, it's by leaning into her background as a media personality combined with her new powers. Unleashing electric bolts is honestly the least impressive part of her powerset in terms of her ability to manipulate anything and everything technology.

The Internet? Livewire can crash the entire thing with ease, or restrict access to portions of it. She can do the reverse and smash through firewalls and encryption like it's made of paper. Imagine Livewire shutting off the power grid or causing it to explode, secretly using your "smart" tech to record your every move, uploading ransomware to every piece of technology in Metropolis, emptying the bank accounts of anyone who annoys her, or bringing Metropolis to it's knees thanks to the "City of Tomorrow" being a test ground for the Internet of Things, so everything is connected and thus easily manipulated. Smart cars crash into each other, elevators randomly drop, trains are unable to stop and simply accelerate onward unceasingly, plans attempting to land find their instruments on the fritz, anything and everything is Livewire's to control. But terrorism, while entertaining and occasionally profitable, isn't Livewire's main focus either.

One of my favorite Superman Adventures stories with her had Livewire manipulating TV broadcast signals so that any time there was a male news reporter on screen, the signal wouldn't come through. Stuff like that, where Livewire is making life hell for people in a way that isn't immediately life-threatening is what I envision as her day to day operations, but her bread and butter is fake news. What Livewire is REALLY good at doing is manipulating the public due to her journalism background plus her powers. She can make fake videos that look totally authentic, fake articles that seem to come from credible sources, fake voice recordings, she can make anyone appear to do or say anything through the Internet, and then she can upload that to the devices of every single person in Metropolis.

You can get stories about the mayor being framed for taking bribes, local activists cast as grifters, and supposed upstanding citizens such as Lois Lane and Clark Kent appearing to take orders from criminals like Intergang on what stories to run. Basically you lean into the journalism aspect for Livewire stories where Clark and Lois have to investigate to see whether what Livewire is putting out there is fake or legit, with peoples lives and reputations at stake (including frequently their own).

And when Superman and Livewire actually do clash physically? I don't care how it gets justified, Livewire simply being that powerful, her lightning being "special", she has the ability to manipulate Superman's bioelectric field, whatever: she can hurt him. When she hits Supes with lightning, it burns. It's painful as all hell. Livewire needs to be a threat and I'd like her to be treated as a powerhouse since I don't see a reason why that shouldn't be the case. Livewire is a really cool Rogue, there's a reason she's managed to keep getting used long after the DCAU ended. I hope the comics creators start utilizing her to her full potential.

#superman #livewire #lois lane #dc comics

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supop · 2 years

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First Impressions: BTS’s individual instagram accounts & what’s next?

Dated: December 9, 2021

It’s me. I’m back. Not really. It’s been over a month and I told myself I’d write this the day after BTS announced their instagrams but never got around to it. Now that I’m finally on my way to the airport to catch a flight, I think it’s time (because if I don’t do it now, I’ll never get around to it). The truth is, life has been moving so fast for me these days. I love it and hate it at the same time. Imagine a lovely whirlwind, that’s me. But this post isn’t about me. This is about BTS, so let’s get to the good stuff. Oh, and as always a disclaimer: these are MY OPINIONS, so take with it what you will.

Since I’m short on time I think it’s best to start off with why BTS now have individual instagrams after years of screaming “7 or nothing”. And in this case, the only plausible “why” would be the reason mentioned by their company (BigHit Music):

Side note: I searched up the phrase “BigHit music individuality instagram” on twitter to find a translation of this article and this is the first tweet that popped up. I am in no way affiliated with the account in this photo, so relax before you go off and do some dumbass harassment shit (I’m looking at you pjms).

As you can see the keyword here is individuality. Meaning, the “OT7” era has informally met its end, and we are now in an age where the members are free to express themselves outside the constraints of the group. Wow, shocker. Now that’s been established, let’s get to the actual good stuff. First impressions. Shall we proceed in fan chant order?

Our art connoisseur. At this point I feel like Namjoon has successfully become the member synonymous for all things art, books, nature (you know all the things that either scream: appreciation for the little things in life or “I have a really high intelligence quotient”). Which works for him because no other member seems to have as deep of an interest in these things. After all he did travel all the way to texas just to visit an art museum. Let’s face it, it’s what sets him apart from the others, so it’s no surprise that his Instagram is just as reflective of his interests. When it comes to Namjoon, nothing has changed in terms of what’s expected of him on this new platform. The photos he would’ve otherwise posted on twitter, he’s now posting them on Instagram. It’s the same caption, same photos. The only thing that’s changed is the angles. Now he doesn’t have to choose his 4 best shots and can spill his entire camera roll (videos included). He’s also the only member who hid the total number of likes on his posts. Who knows why. I could list a few theories: self-preservation, insecurity, anti-establishment, but I digress. This post is about first impressions after all, not a psychoanalysis session. For now, Namjoon is giving us everything we could’ve ever asked of him. As someone who rarely visits art museums (much less reading books on art), I consider him to be a bit of my personal tour guide.

JIN

This whole instagram thing happened at a good time for him. People really liked his Tuna song so it’s nice that they can now follow him on his own personal platform. I don’t have much to say about Jin. His feed is very much him: day-to-day life shots of his work and personal environment. Nothing too exciting if we’re being honest. (I don’t want to use the phrase “nothing special”, because he’s still a member of the biggest boy band in the world after all). Jin’s Instagram feed reminds me a lot of what high-profile veteran Korean actors and actresses tend to post. Photos of food and being on set (aka on the job). Let’s face it, don’t expect to find any hidden meanings or secret messages behind Jin’s posts. What you see is what you get. However, on a rare occasion, do expect some comedy gold-worthy posts. He’s always been very straightforward in that way, to the point that he doesn’t even need captions for his photos.

SUGA

Surprised, but not surprised. First grass, then a red square, now the same selfie that he also posted on twitter and weverse days prior, and now a photo of him looking up at an industrial complex. I hate to say it, but this man is struggling. Don’t expect any captions from Yoongi unless he’s promoting his music or talking about the weather. Don’t expect any cute reels either. And definitely don’t expect him to post photos with other people in the frame. If the members took a vote on whether they should or shouldn’t open individual instagrams, I have a feeling Yoongi’s vote was for “shouldn’t”. He’s always been a very group-oriented person, so I can imagine him calling instagram “difficult (to navigate)” has more to do with what to post and less to do with actually figuring out how the app works. Let’s face it, a selfie post once a week on a twitter account he shares with 6 other people? He can do. A vlive once every 3 months updating fans on how he’s doing? He can do. A weverse comment here and there showing fans his appreciation? He can do. Letting the entire world into his day-to-day life on a social space he has to fend off for himself? error.exe. I doubt he wants to be in front of a camera unless he absolutely has to (aka for work-related stuff). Maybe the younger (2013) version of him would’ve integrated into this new world smoothly, but things change. And sure he could just post a selfie everytime he posts one on twitter and weverse but that’s boring. It might be entertaining to his fans but any onlooker would quickly lose interest. Here’s to hoping Yoongi figures out his aesthetic (aka the level of work-life balance he’s willingly to photograph and share with the world).

J-HOPE

Hoseok has been waiting for this moment since debut. If there’s any member that’s going to benefit the most from BTS’s new “individual” era, it’s him. Let’s face it, his (and Namjoon’s) posts have been the most interesting thus far. However, in terms of aesthetic, Hoseok has the upper hand here. Because unlike Namjoon who’s environment and scenery does most of the talking for him, Hoseok is the leading man (the main character) in all his photos. And every one of his posts tells a story worth diving into. It’s almost like opening up Pandora’s box (hehe get it?) When was the last time you saw an Instagram full of polaroid-esque photos? I have a feeling he’ll change it to something else soon (because he loves switching things up) but my question still stands. With just a few photos alone he’s singlehandedly shattered the myopic “hobicore rainbow sunshine” agenda and stereotypes the fandom (and company) has spent the last few years forcing upon him. I don’t think people have yet to realize just how much of genius Hoseok is. Others may see it as “just Instagram” but I guarantee you he already has an entire 10-step creative project plan figured out. What we’re seeing now is him in his fully multi-faceted glory. Music aside, there’s also so many aspects of his life he can share that has the tendency to go viral (Hope On The Street, anyone?). Hoseok is good at capturing the mood and making things engaging. Let’s face it, he’s always had one of the more vibrant (larger than life) personalities in the group. A personality that still shines through even though he’s been pushed to the sidelines when it comes to group dynamics. Well, now that he’s officially front and center in an even playing field with the others, all I have to say is be prepared for him to break the internet. And he’ll do so in a way only he’s capable of doing (call it the hobiprint).

JIMIN

My favorite member. So far, Jimin has been the least active member on Instagram. He’s also posted the least personal photos out of all the members. It’s interesting. To begin with he doesn’t post much on twitter. He only really ever posts right after a concert, before/after a flight, or after bts has accomplished something major. And most of the time it’s him telling fans how much he misses them, loves them, etc. Do you get where I’m heading? If not, then let’s face it, on his own, Jimin has as much personality as watching paint dry. He’s a boring person and a lot of his fan engagement comes from fan service. Strip that all away and all that’s left is an empty shell. Say what you will but he himself has said it: he has no hobbies, and on his off days he spends time lounging around on the couch watching tv, and he’s very much dependent on the other members. Still, I’m sure jimin engages in many regular social activities outside the group. Activities with non-bts members that probably don’t make for great instagram photos. Every other member of BTS has something going for them, something that makes them unique, a niche of sort. But all Jimin really has is a high-pitched voice and an “angelic” persona that fails to translate well on a platform like instagram. Don’t get me wrong though. Jimin could post a red color square like Yoongi and still get millions of likes. Except he’s too conscious of his image to shit post like that. For him everything needs to be purposeful and well-tailored for his fans. He mentioned instagram is “difficult”. And once again like Yoongi, it has more to do with what to post and less to do with actually figuring out how the app works. If the purpose of BTS’s instagrams is to showcase their individuality, then Jimin might struggle the most with this.

Taehyung needs to get it together. In less than a week he already managed to have his first social media scandal. And yes I’m aware that accidentally following and unfollowing someone on Instagram isn’t scandalous. But when you’re the member of the biggest boy band in the world… and the other person in question is a member of the biggest girl group in the world, you might want to be a bit more….careful. And let’s face it, we all know Taehyung knows how Instagram works, especially when some of the twitter photos he’s posted in the past were using Instagram filters. You only get profile recommendations like that when lurking around mutuals, but I digress. Accidents happen but coming to weverse to rant about it to your millions of fans (and calling the app “scary”) isn’t a good look. His actions consequently sent a barrage of hate towards him and Jennie’s direction and this probably could’ve been avoided had he been more conscientious with his words. Now that’s out the way, on to first impressions. There’s nothing much to say here. It’s photos that are undeniably him: selfies (odd expressions/shirtless/mirror), editorial shots, yeontan, and shitposts. So again, nothing we haven’t seen before. Though I will add, he’s definitely the member feeding into the “celebrity-aire” the most. He’s also the only member (so far) to have interacted with celebs outside of the group. Let’s face it, Taehyung knows how to keep people talking. Be it purposeful or accidental, and right now he wants the whole world to know that he’s arrived on Instagram.

A friend pointed out Jungkook’s Instagram is the only one missing the “new Instagram account” indication. So it’s fair to say this isn’t his first rodeo. He’s already making highlights and posting reels too, before you know it he’ll be making polls and doing Q&A sessions. I feel like Jungkook’s IG feed/experience will be a cross between an archive (similar to Namjoon’s) with the chaotic photo dump vibe of Taehyung’s, but the organized structure of Hoseok’s. That makes perfect sense, right? It does. I’ve always felt like he has a little bit of all their personalities, being the youngest and all. His username is genius. And it’s probably something none of us would have ever thought of in a million years so kudos to him for leveraging that unique aspect of his personality. Similar to Jin, I don’t really have much to say about Jungkook. Let’s face it, historically, he’s always been the least active member on social media, so I won’t be surprised if that’s the similar case for instagram. Unlike Jimin (who I think will try to be consistent with his posts despite the lack of quality content), Jungkook doesn’t come across as the type that particularly gives a fuck. I can see him consistently posting for like a week, only to disappear for an entire month (rinse and repeat with different time intervals). If he does post, expect more artistic scenic shots and lots and lots of reels.

Additional Thoughts

I think all the members have had personal instagrams at some point (especially V, JK, RM, & maybe J-HOPE maybe not; in that exact order). This is just the first time they’re official making things public. I also like that they’ve limited their comments to only allowing the other members access. I think this was a good precaution to take for now, as they get used to posting (publicly). Of course, I hope it’s not a long term deal because not allowing comments really limits the scope of their interactions on the platform (and kind of defeats the whole point of them each having their own instagrams to being with). If their plan is to integrate with the rest of society and show more of themselves, then they’d be better off moving away from their current brand of “exclusivity”. Everyone knows who they are and fans will always be fans. It’s better to get all the bs comments out the way now so they can move on to better things (aka more celebrity interactions). ARMYs need to realize BTS aren’t eunuchs who only have an interest in one another. They have lives outside of the group. Growing their platforms on this idea of “individuality” would actually entail them acting like individuals and not a secret society. I repeated myself in that last statement. It was purposely done for emphasis.

Ending Ments (lol)

Today’s catchphrase was: Let’s face it. I name-dropped it for each member. Did you notice all 7 times it was used? At the end of the day first impressions can be wrong. Things happen. People change. I still plan on making the posts mentioned here (probably after New Year’s). It’s really obvious what’s happening to BTS now. The signs are all there but neither the members nor the company will publicly acknowledge it until they absolutely have to (or are exposed in a way that leaves no room for denial lol). And of course army remains blissfully content and unaware. The surface is still, but behind the scenes there’s a lot of turbulence. If 2021 is considered calm, then expect 2022 to be an absolute storm. In the meantime I might be answering some of the questions you guys have sent (depending on the timing of my flight).

Ciao & Happy Holidays

#supop thoughts #instagram #bts #bts thoughts #namjoon #rm #jin #seokjin #suga #yoongi #jhope #hoseok #jimin #taehyung #v #jungkook #bangtan sonyeodan

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nutty1005 · 3 years

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Xiao Zhan, welcome to the cruel entertainment business

Original Article: https://mp.weixin.qq.com/s/6qaJPp9O1exu4M8xtbt71A Original Author: 杨晋亚 Translator’s note: The original author is part of Yuli Studio, this article is published in Yuli Studio’s Weixin Official Account on 15 Sep 2019 as a part of “Behind the Screens” Volume 210.

“I never thought it would happen this way, this was fated.”

A month ago, he was just accepted by audiences due to “The Untamed” and just became one of the most popular actors. Now, he had to take on the responsibility of a movie’s box office as the main lead actor, and show his worth to the movie industry.

Three days before “Jade Dynasty I” aired in the cinemas, Yuli Studio met up with the nervous Xiao Zhan, who told us his fears, “Movies, well, they are very direct, very pragmatic and very cruel, so there’s no choice, since we’re already here, I just have to work hard to do my best.”

With traffic and popularity, comes others’ views and opinions – some expected him to withstand the stress of the box office, but there were also others waiting to laugh at his failure. “Jade Dynasty I” was the first obstacle Xiao Zhan was breaking through, and the path ahead was still long.

Xiao Zhan, welcome to the cruel entertainment business.

Xiao Zhan at “Jade Dynasty I” Press Conference

Looking back at the movie journeys of all the traffic actors, no one was like Xiao Zhan, who took on a movie while he was still a nobody, and this movie aired just barely 2 months after he made a name, putting his resource conversion ability to a public test.

On the first day, the box office was 142 million, on the second day it broke 200 million, these were the results “Jade Dynasty I” achieved during the Mid Autumn movie season, which exceeded many people’s expectations. The first day was with fans support, the second day still had interested moviegoers, Xiao Zhan’s first time as the lead actor on silver screen and he miraculously withstood the box office.

“Jade Dynasty I” Super Topic + Maoyan Movie Professional Box Office Chart

This was Xiao Zhan’s third time on the silver screen.

The first time, he was a little monster dressed in flowery clothes in “Monster Hunt 2”, drowned in a sea of group actors, almost unnoticeable as the camera panned past him in a second. The second time, he was a special agent, a side character that barely had 1 minute of screen time, in “The Rookies” during that year’s summer movie season. The third time, he became the main lead actor and took on the entire movie, presenting the process of innocent Zhang Xiaofan becoming a demon.

The production team of “Jade Dynasty I” revealed that, whether or not Xiao Zhan became popular, the movie was planned to air on 8 Aug, however because the post production was incomplete, hence it was shifted to the Mid Autumn movie season.

Director Cheng Xiaodong said that the luckiest decision he made for “Jade Dynasty I” was to cast Xiao Zhan, “I never thought that his acting would be so natural so good, he is not pretentious, and he is very humble, when you tell him something he will listen and improve.”

Stage photographs from “Jade Dynasty I”, Xiao Zhan before and after demonizing

On set, Cheng Xiaodong even actively added some scenes for Xiao Zhan, for example the scene at the start of the movie where Xiaofan was fantasizing about his senior, Tian Linger, “I found that he could act in all layers, he could do dull and dimwitted, he could do the demonizing transformation later on, so this movie he had many layers, the pace kept changing.”

To Xiao Zhan, Zhang Xiaofan of “Jade Dynasty I” was an unforgettable milestone, it was considered to be his toughest filming. Filming in conditions under 20°C and being blown by a giant fan, hung upside down for a free fall of 30 meters, in order to maintain his sense of the role, he even turned off the heater in his trailer, just so that his body will adapt to the temperature outside.

Before “Jade Dynasty I” aired, Xiao Zhan once said, “If the reception of the movie isn’t very good, I just have to work harder in the future. If it was not bad, then I am grateful that you saw my hard work from that period of time.”

After the movie aired, Xiao Zhan became the center of discussion for “Jade Dynasty I”. The movie’s quality was the result of an entire movie crew’s hard work, but now that all the discussions had landed on Xiao Zhan, to a certain degree, that was the price to pay for fame.

Stage photograph from”Jade Dynasty I”, Xiao Zhan as Zhang Xiaofan

On 23 Aug, there was a video on Weibo that was reposted a few tens of thousands of times.

In the video, Xiao Zhan had just ended a day’s filming, and after he got off the car, the 20 over fans waiting at the hotel entrance got rowdy, they blocked Xiao Zhan’s path and took pictures of him in his face using their phones. Spotting a gap at the side, Xiao Zhan suddenly took off running, and then he safely entered the elevator.

During the filming period of “The Oath of Love” recently at Wuxi, crazy fan actions were happening everyday as Xiao Zhan went to and from his work, sometimes they would surround and block him in the underground car park, sometimes when he got into the car they would forcibly block the car doors from closing, sometimes they would knock on his hotel room door to stuff notes to him.

Xiaofan, a staff who worked around Xiao Zhan said that the sasaeng problems was already very serious, the company wanted to provide him two assistants and security guards, but Xiao Zhan insisted not to.

“Because he didn’t want to give off the impression that he started acting like a big shot after he got famous.”

During the interview, Xiao Zhan spoke about the sasaeng problems again

From the media’s perspective, we have witnessed many artists change after they got famous, some would have a star aura, some would be exuding confidence from in to out, Yuli Studio’s reporter Lanpangzi once visited the set of “The Untamed”, and one year later met Xiao Zhan again at the “Jade Dynasty I” press conference, Lanpangzi discovered that Xiao Zhan was still as warm and accommodating like the boy-next-door.

At the backstage of the press conference, a few tens of guests spoke to Xiao Zhan consecutively, he was smiling at everyone, and slowly fulfilled each and everyone’s request to take a photograph together, and only until 4pm that afternoon he was able to finally have time for a few mouths of a lunchbox. The continuous non-stop interviews started at 4.05pm, all the reporters wanted a photograph together, and he tried to accommodate even under such tight scheduling.

After becoming famous, Xiao Zhan had more and more interviews, and if he was not careful, he would be accused of putting on airs if the arrangements of the interviews were done wrongly. Xiaofan said that Xiao Zhan himself was especially aware of this point, “He is now even more nervous than before, and he had expectations of all of his staff, please don’t think that he is putting on airs just because of our errors.”

Xiao Zhan at the “Jade Dynasty I” Press Conference

After joining the “Jade Dynasty I” press conference in Beijing, Xiao Zhan had to quickly fly back to Wuxi to continue filming.

Before “The Untamed” finished airing, Xiao Zhan had already entered the filming for “The Oath of Love”, and filming while at the height of his fame would mean that he would miss a lot of event opportunities. When his fans were worried about his limited exposures, Xiao Zhan’s thoughts was that: “What’s there to be worried about, I feel that an actor’s life comes from his works.”

In fact, Xiao Zhan had received a lot of invitations from many events, so his biggest worry was how he could maintain his normal acting condition.

“Some events you just had to complete, and then I had some commercial obligations prior, like that day at Suzhou, that was a contract that I signed then,” Xiaofan said, “the last thing that Xiao Zhan wanted to do was to take leave.”

Xiao Zhan’s current schedule at “The Oath of Love” was from 8am to 10pm, if he had to take leave, it meant that when Xiao Zhan returned to the set he would have to work overtime to film his scenes.

Stage photograph from “The Oath of Love”, Xiao Zhan as Gu Wei

The performance teacher accompanying the filming , Yang Xu, witnessed Xiao Zhan’s helplessness and anxiety.

“His load in ‘The Oath of Love’ was especially big, basically we could only discuss his scenes that day while he was doing his make up in the morning, because the filming would end very late at night, I wanted him to go back for more rest. Moreover the fan problems now are too prominent, sometimes he would also talk to me a bit, although I don’t think this incident affected his mood or his performance, but it definitely affected his normal resting time.”

For a while, Yang Xu was very worried about Xiao Zhan’s condition, but what surprised him was that, although the filming would end very late at night, but by the next day, Xiao Zhan would have memorized his lines and made full preparations before coming to the make up room.

“That was what made him powerful, and I found that he would actually really use every bit of spare time to prepare for the role and his lines, for example, while doing his make up, even when going to the toilet, he would be holding the script, and then during the rest period after filming every scene, he would be reading his lines with me while drinking coffee, because lines reading needed partners, I said you just take me as your partner.”

When he was away from the set on leave, Xiao Zhan took late night flights between Beijing and Wuxi almost every time, and in the photographs taken by his fans at the airport, he would also be reading his script.

Stage photograph from “The Oath of Love”, Xiao Zhan as Gu Wei

Every early morning at the make up room would also be the spare time for Xiao Zhan and Xiaofan to talk about their work and release stress.

“Now he does not seem to enjoy the applause and glory from the opportunities that came with his sudden fame, a lot of it was some anxiety and confusion,” in Xiaofan’s eyes, these two months in Xiao Zhan’s life definitely changed.

“Suddenly, we experienced a lot of things that we don’t quite understand, it could have been a small mistake at work, but we would gain the attention of anti-fans or fans. He is more of an introvert, he doesn’t go out to entertain, stays at home more, leads simple life, and suddenly his life came under the spotlight, wherever he went there will be fans following, he was definitely anxious.”

The seniors in the industry would also give Xiao Zhan some advice, and share with him some of the survival rules in the entertainment world that he had not experienced. “For example we will having having a fun conversation, or someone would be telling some something he does not know about in the industry, the next day he will tell me that the conversation made him quite excited, he learned a lot, I feel like he is a sponge like person, continuously absorbing,” a senior in the industry revealed.

Xiao Zhan

On 10 Aug, a day before the filming starts for “The Oath of Love”, performance teacher Yang Xu finally met Xiao Zhan again.

The script for “The Oath of Love” was given to Yang Xu quite early on, Xiao Zhan also wanted to quickly get into the preparation for this role, but because the promotion schedule for “The Untamed” was too tight, they did not manage to squeeze out some time to discuss about the script face-to-face.

“That day’s morning he just fixed his costume, we only met briefly at night,” Yang Xu recalled, but what put him at ease was that Xiao Zhan already made full analysis and preparation of the script, “At that time, I felt assured, his analytical skills of his roles were getting stronger, he was already able to analyze the script independently.”

Yang Xu, who was once a teacher in Central Drama School, participated in many dramas, such as “Nothing Gold Can Stay”, as their performance instructor. When he joined “The Oath of Love”, it was already his third time working with Xiao Zhan.

Stage photograph from “The Oath of Love”, Xiao Zhan as Gu Wei

While filming “The Untamed”, Xiao Zhan told the visiting staff from Yuli Studio that he wished to improve his lines. After finishing “Jade Dynasty I”, Xiao Zhan proactively went to Yang Xu for a few classes.

The airing “The Untamed” in this summer made many viewers notice the actor Xiao Zhan.

In the “Bloodbath at Nevernight City” in episode 32, Wei Wuxian stood on top of a roof, facing off the accusations from all of the sects, crying and laughing, unable to explain himself. In this part, the Yiling Patriarch’s rage was at his max, and it was Xiao Zhan’s golden moment of his acting abilities, and many drama fans were surprised to find out that the filming of that scene was done in the same day as another scene – that day’s morning was the filming of youth Wei Wuxian in the library, and at night he immediately went into the condition of the Yiling Patriarch dying in Nevernight City.

We asked him how he could film such extreme conditions within the same day, Xiao Zhan confessed that he himself did not know, “I saw some gifs and clips, if I had to suddenly redo this scene, I don’t think I can outperform that me then, I guess that time it was the accumulation of time and condition, maybe that period of time I had already blended into the role.”

Stage photographs from “The Untamed”, Wei Wuxian at Nevernight City and the Library

Drama fans attributed this to Xiao Zhan’s “self-sacrificing styled acting” performance method, in the drama, Wei Wuxian depended on someone to use the “self-sacrificing curse” 16 years later to resurrect – this “self-sacrifice” meant that Xiao Zhan gave himself entirely to the role of Wei Wuxian.

To Yang Xu, Xiao Zhan’s instinctive acting method, where he became the role, actually came from this “sincerity”, and this was where the advantage of Xiao Zhan as an actor lied.

“Xiao Zhan is a very sincere person, I spoke to him then that sincerity is a very important quality in an actor. This sincerity meant that he could 100% give away himself, he was the same when he was taking classes with me. Because when we were practicing, he also needed to share some of his privacy or live experiences, he would share them very sincerely.”

Stage photograph from “The Untamed”, Xiao Zhan as Wei Wuxian

Yang Xu felt that the introvert and quiet Doctor Gu from “The Oath of Love” was more like Xiao Zhan in his everyday life. But Xiao Zhan felt nervous about this role having similarities with his own character, because he felt that he had not acted in any contemporary dramas. Before filming started, he constantly asked Yang Xu about the differences between contemporary dramas and period dramas, whether he was to portray life as more at will compared to period dramas.

Yang Xu told him, at its core they are acting out human emotions, therefore he must truly experience the life of this character, and then build a realistic communication with his partner.

“Yang Zi is a more quick-witted actress, her performances are very varied, if at this time Xiao Zhan wasn’t about to build enough communication with Yang Zi, or not focused enough, then the two of them might not be able to match up. But what’s good is that Xiao Zhan is very sincere, and he could receive Yang Zi’s performance, and then reply with his layered emotions. I was on set watching a few of their scenes, I personally feel that Xiao Zhan did very well.”

From “Jade Dynasty I” to “The Oath of Love”, Yang Xu saw the growth of Xiao Zhan within this half year. During the process of working with Yang Zi, Xiao Zhan became willing to try more variations, willing to breakthrough his fixed style of acting, and look for changes in every scene and every line.

“He is very concerned about how he crafts every single character, he has his own expectations of his performance and profession, he will never be satisfied with his results and what he has attained in performance. He will forever be seeking, and with this seeking, he will have motivation to learn and grow. And he is very talented, I always tell him, you definitely can become a good actor.”

“The Oath of Love” Character Poster

We reverse the time back to early 2017, Xiao Zhan has just joined the filming of “Battle Through the Heaven”, as the minor role Lin Xiuya.

Then, Xiao Zhan had just entered the entertainment industry for barely a year, and acted in a web drama that he jokingly called it his “dark history” later on.

During the performance classes before the filming of “Battle Through the Heaven”, Xiao Zhan stood out from all the newcomers, not only because of his outstanding looks, but also because he was well-mannered and polite, very hardworking during the filming, and left a great impression on the staff.

“Battle Through the Heaven” was filmed throughout the Chinese New Year period of 2017, the new actors did not go home, and one of the seniors in the crew was talking to them, telling them that as a singer in China, their career progression might be more limited, and they should go down the path of acting, but the path of acting is a path of no return, they could only move forward and not backwards, therefore you will need to put in everything for it.

Stage photograph from “Battle Through the Heaven” Season 1, Xiao Zhan as Lin Xiuya

Born in 1991, Xiao Zhan was the representative of “over-aged commoner pursuing an entertainment business dream”, he only started to learn dancing at the age of 24, debuting as a part of a boy group. That spring, the 26 year old took in what the senior said, and started to consider the possibility of changing his career path.

At that time, Xiao Zhan was not confident, he felt that he came from an idol group background, and he was not sure if he could become an actor. But one of the strengths of Xiao Zhan was that he would not consider whether he could or not, instead, he would “choose, I just want to do it well, do it first, we’ll see the results later”.

Just like him starting to learn dancing with no foundations, but he saw effects after a month; during the idol competition his mentor Shu Qi suggested that he train his gaze, and a few weeks later he started to shed off the commoner in his gaze; in the transformation to become an actor, the senior encouraged him to lose weight first, and come to the set of “The Wolf” 3 months later, he really lost 10lbs.

“The Wolf” was Xiao Zhan’s entry work, followed through the entire drama as a part of the lead actors, and gained an acting quality improvement from 0 points to 50 points. A member of the staff revealed that hotels with better conditions were further away from the set, and in order to leave more time to acting, Xiao Zhan took the initiative to pick a hotel that was near the set despite it having worse conditions.

Stage photograph from “The Wolf”, Xiao Zhan as Ji Chong

During the filming period of “Battle Through the Heaven” and “The Wolf”, transforming from a singer to an actor facing cameras, that sensation once caused Xiao Zhan to lose the sense of himself, unsure how he could let the audiences believe that he was that role. During the filming of “The Untamed”, Xiao Zhan was still not confident enough, compared to the newcomers around him that came from acting schools, Xiao Zhan did not have any advantages.

“My thoughts and intentions had always been very simple, that is I want to do it well,” Xiao Zhan said, during the filming of “The Wolf”, he filmed in the day and took classes at night, writing his acting analysis in the late night, he also broke down once or twice, writing them while crying, but eventually he persisted.

The seed of stubbornness and refusal to admit defeat is deeply rooted in Xiao Zhan’s body, as a child he would go to Shaoniangong every weekend to learn drawing, and nothing would keep him from it, because that was something he wanted to do from his heart; when competing in the idol competition, facing many teammates who were from music academies, he thought to himself that “if you could do it, then I could do it too, and I’ll do it even better”; when filming, he believed that viewers would not be concerned whether he came from an acting background, but the most direct answer would be whether he acted well or not.

“The Untamed” finally brought the actor Xiao Zhan to everyone’s notice.

That summer, he became the entertainment business’s new top traffic power, his supertopic firmly in the top three, all kinds of gossip forums had posts about him, and “Jade Dynasty I” also showcased his appeal.

Stage photograph from “The Untamed”, Xiao Zhan as Wei Wuxian

Why was he able to receive so much love this summer?

There were many within the entertainment circle that looked well upon Xiao Zhan, two of them could provide answers or a type of assessment:

“Xiao Zhan used his acting abilities to conquer me”; “I see the shadow of every worker on him, he carries the hopes and dreams of every man pursuing a dream.”

There was a microblog titled “Recording Xiao Zhan’s every man moments” that obtained 330 thousand likes, and within it, fans shared many little stories about him.

For example, after living for 28 years, Xiao Zhan’s most prideful moment was to have his logo sell well as a designer; the backgrounds of his group’s concerts and the web drama’s slides were all drawn by him; his mobile phone home screen was the God of Fortune, like every person who hoped for a sudden windfall.

One part was the recognition of his working capabilities; the other part, the Xiao Zhan, who became a designer after graduation and went through a year of working life before pursuing his “entertainment business dream”, was indeed very different from the idols that were cultivated from the idol machine, he came with common sense and life experiences, his past was definitely able to resonate with every man.

Xiao Zhan

A fan once sent this microblog – Xiao Zhan’s temperament is so good, perhaps it’s because he had been honed by his clients. Xiao Zhan himself replied her with a meme: “What do you mean?”

The experience as a contractor, plus always facing people with a smile, everyone’s first impression of Xiao Zhan was that he was a gentle person with a good temperament.

Xiao Zhan always habitually considered others’ feelings first.

Staff Xiaofan revealed that the previous assistant was not capable enough, made a lot of mistakes, but Xiao Zhan never lost his temper at him.

Yang Xu accompanied Xiao Zhan every morning in the make up room for script reading, there was once Xiao Zhan had insomnia the night before and was in a bad shape, he took the initiative to apologize to the teacher, “That day I could feel that he was actually very tired, but he still tried his best to maintain his condition to discuss his role with me, later on he came to me and said, teacher I’m sorry, my condition was bad in the morning, you took still so much effort to explain the role to me, I feel quite bad, you can come slightly later, otherwise you’ll feel bad looking at my current state. I was very touched then, I said you just rest well and don’t worry about me.”

In the idol competition, someone once questioned Xiao Zhan’s character as passive and unenthusiastic. To Xiaofan, this is because “he is always humble and polite to people he doesn’t know well, and he’ll treat everyone with a sense of propriety.”

A reporter once asked Xiao Zhan if he was a Mr. Nice Guy. Xiao Zhan replied, “I feel that those who feel like this are probably acquaintances. People who know me very well will know that I’m actually quite stubborn and quite strong-headed.”

Xiao Zhan

Xiao Zhan said, he did not like to make the atmosphere uncomfortable, he hoped that everyone could all be harmonious.

But in the “Secret Garden”, Xiao Zhan will unexpectedly shed off this shell of warm smiles and display the tenacious edge in his heart.

Xiao Zhan had a microblog that held the heartfelt words between he and his fans, and some words Xiao Zhan would quietly post in the comments, and those who care for him would always see it.

Last year after “The Untamed” started filming, there were those who believed that he would rise to fame very quickly, but there were also those who mocked him for “being famous on credit”, Xiao Zhan, who had a nickname “Brother Wealthy”, quietly posted a comment on the sentiments then, “I have money, I don’t go on credit.”

In his daily life, Xiao Zhan does not like to cry, he said he has given all of his tears to his characters. Once in a while, everyone can also see that soft Xiao Zhan coming out of his protective shell. Last year during the Hangzhou concert, he looked at the hall full of his fans’ support, singing the song, “Satisfaction”, that his fans fought for him, he tried to keep in his tears.

After bursting to fame, whether Xiao Zhan will continue to display his strong or soft moments, we would not know, but Xiaofan revealed that the staff do not control Xiao Zhan’s microblog postings, the “Secret Garden” continues to be his method of communicating with his fans.

But we can be certain that Xiao Zhan is slowly learning and adjusting to the rules of the entertainment business, becoming more careful, he will sometimes tell his staff, “We need to be more careful than before.”

Xiao Zhan’s Mid Autumn greetings

The night after the premiere of “Jade Dynasty I”, Xiao Zhan secretly went to record a program at CCTV. That night at 8.30pm, word from the scalpers circle came out, “Xiao Zhan’s activity, those who can come to the area near the world trade center message me! Limited seats! Hurry!”

Later on, there were a lot of fans gathering at the north entrance of CCTV, and until late night at 11pm, there were still large groups of fans quietly waiting. Xiao Zhan and his staff would sometimes wonder, when would days like this ever end, but they also understood that this is an anomaly, things would slowly stabilize after a few months, and the future still depended on his works.

After completing the filming of “The Oath of Love”, Xiao Zhan will go through a period of rest and adjustment, and enter filming again at the start of next year.

“What worried him previously what that he didn’t know where his opportunities were, didn’t know which path he should take; now of course he’s firmly decided on being a good actor,” Xiaofan revealed.

Xiao Zhan at the premiere press conference of “Jade Dynasty I”

His vlogs since his debut, until yesterday when he spoke to everyone online, Xiao Zhan always started with “I am still Xiao Zhan”.

After rising to fame, Xiao Zhan told himself that he needed to work harder in his life, and work hard to remind himself to stay common and still be that very initial Xiao Zhan.

However, no one would be able to foresee the possibilities of Xiao Zhan in his career, “No one restricted that I have to be this type of Xiao Zhan my whole life,” since he is someone who likes to stay on his feet, and very willing to try and change.

Entering this cruel entertainment business, Xiao Zhan still continues to be a honorable working class, lying on his sofa after knocking off; traffic comes and goes, he tells himself that he should not compare with anyone else, he should only compete against himself, and be a long distance runner.

Only passion and sincerity can withstand the long and slow passage of time.

Xiao Zhan looking at that year’s fireworks

#xiao zhan #sean xiao #xiaozhan #肖战

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charismaandcashmere · 4 years

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In the modern world, it often seems like it’s harder than ever to accomplish your goals.

It seems like everyone has already done the thing you want to do — that your idea is already out there, that your niche is beyond saturated.

Want to start a blog? You’re up against a million rivals. Thinking about starting a podcast? So is everyone else and their mom. Hoping to write a book? With the advent of self-publishing, you’re not only up against authors approved by major publishing houses, but anyone, anywhere, with a laptop. Want to become a YouTube star? Better hope you get noticed next to the thousands of other folks uploading new videos every day.

There’s seemingly a million graphic designers, a million wannabe filmmakers, a million other, probably more qualified candidates gunning for the same job you want.

And that’s just in the marketplace. In your personal life, the competition can feel equally fierce. In the days of yore, you were just competing against people in your college or church to win the attention of a lady. Now you’re up against every Tom, Dick, and Harry on Tinder. The dating marketplace hypothetically stretches beyond your community to encompass your whole state, maybe even the whole country.

Yes, in both economic and personal spheres, demand seems high, and resources seem scarce. It’s enough to make you decide to give up and not try in the first place.

Yet this feeling of scarcity is just an illusion, a myth.

In truth, there’s never been a more opportune time to live. Not only because it’s never been cheaper and easier to write a book, share your art, or start a business, but because the average person’s ability to execute on the basics has never been in such short supply.

While opportunities to achieve your goals aren’t as scarce as you think, there are areas where true scarcity does exist: in common sense, in social skills, in manners, in reliability. There’s a dearth of people who know, or have the will, to do the stupidly easy stuff to be charming and successful.

Let me give you just one example. Both off the air and on, guests of my podcast will tell me, “I can tell you actually read my book before this interview and I really appreciate that. It’s so rare.” I don’t bring this up to toot my own horn, but rather to point out how ridiculous it is that this might even be something worthy of mention! An interviewer reading someone’s work before asking them questions about it would seem like the barest of bare minimum job requirements — a prerequisite rather than something above and beyond. And yet the majority of podcasters aren’t even taking care of this most basic of basics.

There are tons of people doing what you want to do, but how are they executing? In 90% of cases, not as well as they could be.

That’s your opening. And such openings are absolutely everywhere.

To take advantage of opportunities, people typically concentrate on stuff like building up their resume — going to the best school or getting the right internship. And certainly, these things can help.

But what’s missed is that it’s often doing stupidly easy stuff that’s going to allow you to make friends and land your dream job. It’s doing the stupidly easy stuff that almost no one else is doing that can most readily set you apart from the pack, and up for success.

What is some of that stupidly easy stuff? Below you’ll find a (non-exhaustive) list of the things it’s hard to believe people don’t do more often, and which have a huge ROI because most people can’t be bothered.

1. Send a thank you text when you get home from a nice party/date. In my opinion, this is the #1 easiest and best way to be a more charming texter. Yet almost no one does it. When someone has you over for dinner, or you take someone out on a date, once you part ways, they typically worry a bit as to whether or not you had a good time. And a party host wants to know their effort to throw the shindig was appreciated. So even if you thank your date/host in person at the end of the evening, once you get home, shoot them a confirming text saying, “Thanks again for the delicious dinner. We had such a good time!” Trust me on this, it’s stupidly, stupidly charming.

2. Write handwritten thank you notes, always and often. When an occasion was especially nice, instead of sending a text, write the person a handwritten thank you note and stick it in the mail. And send handwritten thank you notes for anything and everything else. Received a gift? Thank you note. Job interview? Thank you note. Someone helped you move? Thank you note. Someone went to bat for you at work? Thank you note.

Thank you note writing has become such a lost art, and receiving snail mail is so delightful, that sending handwritten appreciation has become one of the most effective ways to set yourself apart from the pack.

3. Edit your emails/texts before sending. No one ever catches all of the spelling and grammatical mistakes contained within their communications, but giving your texts and emails a couple reads before you hit send will tighten things up. These “clean” missives significantly contribute to making a winning digital impression.

4. Know how to make small talk. We spend so much time behind screens, that when we finally meet people face-to-face, our conversation can often be awkward and stilted. But being comfortable with small talk opens a tremendous amount of doors; sure, it starts out with the superficial, but it’s the on-ramp to deeper discussions — the pathway to relationships with potential lovers, new friends, and future employers. Fortunately, once you know the simple methodology that makes small talk flow, it’s easy to master.

5. Don’t be a conversational narcissist. Related to the above. The only kind of talk many people know how to make these days, is about themselves. Someone who knows how to listen and ask good questions comes off as stupidly charming.

6. Don’t look at your phone during a conversation. In an age of scattered attention, a person who can concentrate their attention on you, and fight the urge to look at their phone while you eat or talk — someone who can make you feel like the most important person in the room — is a charmer par excellence.

Can’t seem to pry yourself away? Check out our complete guide to breaking your smartphone habit.

7. Dress well for a job interview. You don’t have to show up to a job interview in a three-piece suit (unless the position calls for it); overdressing can make as poor a first impression as under-dressing. But showing up dressed just one notch above what current employees at the company wear will immediately set you apart from many other candidates. Well-shined shoes, a pressed shirt, and good hygiene will help too.

8. Come to a job interview prepared to ask questions of the interviewer. Whenever we post this article on “10 Questions to Ask in a Job Interview,” HR folks always weigh in with how “amazed” they are at the number of candidates who stare blankly when asked at the end of an interview, “Do you have any questions for us?” Know some questions to ask going in.

9. Take a woman on a real date. In a landscape of “What’s up”? texts and non-committal hang outs, taking a lady on a real date puts you head and shoulders above other suitors. What constitutes a real date? Watch this video and remember the 3 P’s: Planned, Paired Off, and Paid For.

10. Offer a sincere apology when you mess up. My generation seems to struggle with saying “I’m sorry” when they make a mistake. Numerous times I’ve had my order messed up at a restaurant, and when I bring it to the attention of the waiter or manager, they just shrug, say “Okay,” and fix it, without saying, “I’m sorry about that.” Then the other day an order of mine got messed up, and the manager took a totally different tack — comping my whole meal and bringing me a free dessert. That kind of treatment is so rare, it was unbelievably winning. I even found the manager after my meal to tell her so, and let her know I would specifically make an effort to return because of her gesture.

As it goes in the restaurant biz, so it goes with everything else. Most of your fellow employees will just say “Okay” when an error is brought to their attention. Offering a sincere apology that demonstrates you take responsibility and understand where you messed up and how it affects the company, will easily set you apart (so will immediately trying to make it right and preventing it from happening again).

And in your personal life, apologizing when you stumble is stupidly endearing. You’ll probably mess up again, and often with the same issue, but even when you can’t completely overcome your flaws, showing you’re at least completely aware of them goes a long, long way.

11. Follow through. I get a lot of emails from guys who want to do something with the Art of Manliness, like write a guest article or strike up a business partnership. They are excited! They are passionate! They are…MIA. They never follow-up or follow-through on their idea. I’ve often wondered what happens between their excited initial email, and their descent into silence. But whatever it is, it can easily be avoided by those committed to following through.

12. Be reliable. No quality today can more readily set you apart from your peers than reliability. Doing the follow-through just mentioned. Showing up on time (and just plain showing up). Meeting deadlines. Managing expectations and not overpromising. Promptly responding to emails. Keeping your word.

Are freelance graphic designers, artists, video/audio editors, app developers, programmers, contractors, etc. a dime a dozen? Surely. But a reliable creative professional or handyman? A pink unicorn. If you couple talent and skill with reliability, it’s stupidly easy to dominate your competition and your niche.

When you survey the economic and dating markets, they can seem incredibly oversaturated. Demand seems high and resources seem scarce. But when you take a closer look, you’ll find that while there are plenty of people all grasping after the same thing, there are only a few executing well on the attempt. Setting yourself apart isn’t complicated or hard; it often involves simply doing the stupidly easy stuff that everyone else overlooks.

Their obtusity is your gain; see through the myth of scarcity, take care of the basics, and the world is your oyster.

#my links #art of manliness #etiquette #the myth of scarcity

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lloydskywalkers · 4 years

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*sweats* yeAH i know the one gbdfjgh. It’s very much a Halloween-centered piece so I was incredibly sad tumblr decided to end its life the one time i actually hit a deadline i’d set for myself, but it’s been kind of just...marinating in my docs folder since then. I might post it formally on FFN eventually, but in the meantime, i’ll post it on here below the cut!

“Guys, you will never guess what’s running around Ninjago City."

Jay’s announcement is met with a distinct lack of reaction, which is pretty disappointing, because it’s the kind you drop for a dramatic pause and reaction. And he did — try to, at least.

However, instead of reacting properly, like anyone in their right minds would, his team is woefully un-reactive. Nya continues to snore into the couch, her face pressed against the couch pillow in a way that’s gonna leave a spectacular mark later, and Cole’s too busy referee-ing Lloyd and Kai, who are in the middle of their sixth round of Dance Dance Ninja Revolution, which Jay can’t really blame him for, because they chose a Rihanna song this round and they’re getting a little too into it.

“How did you get that bonus and I didn’t!”

“You gotta pop your hip on that last move, like this—"

“What, and crack my spine in half?”

“I mean, your bones are pretty fragile.”

“Fragile?!”

“Yeah, ‘cause you’re so old.”

“I’ll crack your spine, you tiny brat—"

Zane is the only one to actually acknowledge him, even if it’s a slight cock of his head from where he’s video-chatting Pixal, making him the only one of these terrible people Jay actually likes right now, unless Kai manages to make a comeback and beat out Lloyd, in which case he’ll celebrate with him.

But it’s looking unlikely.

“Are you talking about the vampire rumors?” Zane asks.

Jay’s expression sours. Never mind, he retracts his appreciation of Zane now. Way to steal his thunder.

Kai snorts from where he’s waving his arms in a butchered kind of Macarena. “Seriously, Jay? Those rumors crop up every year. There’s no vampire.”

Jay glares at him, mentally switching his loyalties to Lloyd, as it looks like he’s going to wipe the floor with Kai anyways, because he’s just snatched that one difficult bonus Kai usually wins where you hair-flip like a diva.

“This is for real, though,” Jay argues. “It was reported on the police scanner. Someone’s running around biting people!”

“Maybe they’re just into that,” Nya yawns, burrowing her face further into the couch pillows. “Don’t be so judgmental, Jay.”

Jay colors, and Kai chokes. Lloyd gives a triumphant crow of victory, doubling his score at the last minute, leaving Kai solidly in the dust. Kai makes a sour face, collapsing on the couch and crossing his arms.

“You cheated.”

“Not my fault you got distracted,” Lloyd shrugs. He turns to Jay, wiping the sheen of sweat from his forehead and looking curious. “Wait, they’re really reporting that someone’s out there biting people?”

“Or something,” Jay says, quickly seizing on the attention. “Something bloodthirsty that goes around biting people’s necks, which obviously has to be a vampire.”

“It says here it steals their wallets, too,” Zane remarks, scrolling through the news article.

“A wallet-stealing vampire,” Jay amends.

The others look decidedly unimpressed, which is rather insulting and extremely disappointing. Geez, you fight one giant stone titan and a few mythical, apocalypse-bringing monsters and suddenly no one’s impressed by anything anymore.

“Sounds like petty crime, not our thing,” Kai yawns. “Besides, vampires don’t exist.”

Jay sputters. “Are you kidding me?” he exclaims. “They totally exist!”

Cole raises an eyebrow at him. “You know those vampire books are fiction, right?”

Jay presses his lips together tightly. “Are you telling me,” he says, stiffly. “That after everything — everything we’ve seen — which includes and is not limited to warriors made up of tiny snakes, a walking eldritch horror that’s actually another realm, and living skeletons — you don’t believe vampires can exist?”

“Well, yeah,” Kai says, simply. “Because those other things are real. Vampires aren’t.”

“You didn’t even think the Serpentine were real!” Jay accuses, because Kai’s opinion is clearly trash here, and he obviously should’ve started by attacking Cole, or Nya.

“Jay, chill,” Lloyd says, rolling his eyes. “Whatever it is, it’s not a vampire, unless someone stumbled off the set of a B-movie horror film. They don’t exist, Jay."

Jay opens his mouth, prepared to fire back, because of all the people to argue with him, Lloyd has no right at all, he’s a walking eldritch mutant himself — when Lloyd suddenly continues.

“It’s clearly a werewolf, if anything.”

Jay stops, his mouth half-open. He blinks. “Wait,” he narrows his eyes at him. “You don’t believe in vampires, but you’re game for werewolves?”

“Yeah,” Lloyd shrugs. “Werewolves make sense.”

“And vampires don’t?!”

Lloyd shrugs. “I mean, after Akita and the Formlings, you know?” He pauses, eyes widening as he contemplates something. “Wait. Is Akita technically a werewolf?”

Jay seizes the opportunity. “If she counts as one, then Oni count as vampires,” he argues.

Lloyd frowns at him. “What? No. That doesn’t even make any sense.”

“Oh yeah?” Jay counters. “Then explain why they both have fangs. And glowing eyes. And drink blood.”

“I don’t drink blood!” Lloyd exclaims, indignantly. “And neither do Oni!”

“How would you know?” Jay challenges. “You’re just a tiny little quarter Oni.”

Lloyd glares at him. “A quarter Oni with teeth that can bite you—"

“Okay, okay!” Cole says hastily, shouldering between them. “No one’s biting anyone, geez. I’m taking this opportunity to declare it time for bed.”

“Aw, but I didn’t get to trash Kai yet,” Nya yawns, waving absently at the still-scrolling game on the television. Zane quickly turns it off.

“We can trash each other tomorrow, after six a.m. practice,” Cole huffs. Everyone groans in unison at the reminder.

“We should start getting skip days,” Kai grumbles into the pillow. “Like, mandated days we get to just sleep in instead.”

“You would use that every day,” Zane sighs, tugging him up. Jay watches as they slowly pack up, preparing to head off to bed.

Unbelievable.

“Wait, so we’re just gonna let this thing run loose?” he exclaims, waving his arms in the air. “Ignore our civic duty for sleep?”

Cole pinches the bridge of his nose between his fingers. “Jay, there’s one article about it, and these kinds of things crop up every year,” he sighs. “It’s just some Halloween pranksters using it as an excuse for petty crime. The police can handle it, okay?”

“But a vampire,” Jay bemoans. “What if it’s real?”

“Or werewolf,” Lloyd corrects. Jay would elbow him for that, but — aha. Lloyd has that spark in his eyes, the one that means trouble. Jay’s hooked at least one person then, even if it’s for the totally wrong reason.

“Whatever it is, according to reports, it will still be here tomorrow,” Zane says. “Halloween isn’t for another day, and it usually strikes then. If it means that much to you, we can look for it then.”

Jay squints skeptically at him. Kai and Cole are both wearing expressions that say they will not be helping with that particular excursion, and Nya’s already halfway into her room, clearly writing him off as well. Hmph.

“But by then, we won’t have a sighting to follow,” Lloyd says, hesitantly.

“Good,” Kai grumbles, apparently done with the conversation. “Then we can forget about make-believe monsters.”

Jay is pleased to find that he and Lloyd are still just as effective at giving people the stink-eye in perfect unison as they’ve always been.

“Drop it, guys,” Cole warns, his dark eyes tired. “You can argue over this in the morning. When we’re all dead tired at dawn practice.”

Jay scowls, but he nods. He knows a lost cause when he sees one.

However, he also knows when a cause isn’t lost. He trades looks with Lloyd from the corner of his eyes, and Lloyd gives him a tiny, imperceptible nod. Halfway into their bedroom, Kai suddenly turns on them.

“And you guys better not sneak out to hunt it down by yourselves,” he says, his eyes narrowed. “The police have it covered. There’s no such things as vampires or werewolves, but if I wake up at three a.m. tonight and find out you guys snuck out, you’re gonna wish one had already killed you.”

“Geez, overreact much?” Jay mutters.

Lloyd rolls his eyes. “We’re not gonna sneak out just to chase down a few rumors, Kai,” he scoffs. “We’re not stupid.”

Kai eyes them both. Jay can almost see him mentally scrolling through Lloyd and Jay’s Best Hits, Screwing-Up Edition, in his brain, and he doesn’t like it. Like Kai has room to talk about dumb decisions.

Kai finally shakes his head, sighing as he heads for his bed. “I swear,” he mutters to himself. “If I have to fish you out of a river later…”

“You won’t!” Lloyd promises cheerfully. “Word of honor.”

**************

As it turns out, Lloyd’s word of honor is garbage. But so is Jay’s, so he’s not gonna judge.

“Okay, the reports said it was last sighted over in the east sector in the sewer tunnels, so I vote we start here,” Jay tells him in a hushed voice, as they plot their path from one of the city rooftops, the dim streetlights blinking down below. “There’s a bunch of bars and stuff around, so if I was looking to steal someone’s wallet by biting them, I’d go here. Down for a stakeout?”

“I’m game,” Lloyd says, slightly muffled through his mouth of—

Jay blinks at him incredulously. “Are you eating our garlic bread right now?”

Lloyd freezes, shifting guiltily and quickly swallowing. “No-o?”

“Lloyd!” Jay hisses. “We need that for the vampire!”

“Then you should’ve gotten actual garlic,” Lloyd hisses back. “I got hungry, and we’re carrying around garlic bread! Can you blame me?”

“Hmph.” Jay glares at him, then snatches the bag Lloyd had been hiding behind him. Lloyd makes a face.

“S’not like we need it anyways,” he mutters. “Garlic doesn’t work against werewolves.”

“It’s not a werewolf,” Jay retorts. “And even if it was, it’s not like we have any silver.” He frowns. “Wait, doesn’t silver work against vampires too? Maybe I should’ve gotten us some…”

“Got it covered,” Lloyd says, pulling a small ziplock bag from his sweatshirt pocket. They’ve opted to wear civilian clothes tonight, as one, they’re trying to be inconspicuous, and two, it’ll make it a lot more difficult for Kai to claim that they were out breaking their promise if they aren’t in very distinctive, undeniable gis.

“I snatched a pair of Nya’s earrings earlier,” Lloyd continues. “Sterling silver counts, right? ‘Cause they even have these little bits on the back you can stab people with.”

Jay blinks rapidly. “You snatched her—"

Well, actually, on second thought, it’s not the worst thing they’ve ever stolen from each other. And it’s definitely not the worst purpose for such a theft, either.

“Okay, nice, we got silver,” Jay says instead, trying not to think about what Nya’s reaction to finding out her earrings were used as lethal injections for a vampire is going to be.

“The better prepared, the lower the chances of dying horribly,” Lloyd says, cheerfully.

“Please don’t phrase it that way.”

“You literally said that exact same thing to me last week, on the Metallonia mission—"

“You must’ve had water in your ears,” Jay waves him off, knowing full well he did say that but having zero intent of admitting it. “Anyways, it’s just one vampire. We can handle this, easy.”

“Or one werewolf,” Lloyd says, pointedly.

Jay takes a very long breath, then lets it out. If it were Kai or Cole, maybe he’d pick the fight. But it’s Lloyd, and he’s risking Unholy Big Brother Wrath as it is.

“Fine,” he half-surrenders. “If it’s a werewolf, we can handle that too. But it’s not, because it’s clearly a vampire.”

“That’s what it wants you to think,” Lloyd grouses.

Jay rolls his eyes, shoving the rest of their supplies back in his ratty old backpack. He cranes his head over the edge of building rooftop, watching the evening crowds just beginning to flood into the bars.

“Now what?” Lloyd whispers, materializing next to him.

Jay, with his reflexes as sharp and well-honed as they are, does not nearly jump off the roof at Lloyd’s sudden appearance. He doesn’t squeak, either, the look Lloyd is giving him is just — Lloyd being a terrible gremlin.

“Now,” Jay clears his throat instead, taking on an air of expertise, because he is an expert. “We wait.”

**************

In the excitement, Jay has, tragically, forgotten how absolutely boring stakeouts are.

Really, he should’ve brought a board game or something.

“—somethin’ strange, in your neighborhood. Who you gonna call.”

Jay punches his hand in the air without enthusiasm where he lies on his back, yawning, “Ghostbusters.”

“Dun dun, dun dun, du-du-dun—" Lloyd continues humming the bridge, staring up at the sky where he’s got his arms beneath his head, sprawled out next to Jay.

“You know, I still swear I heard the ghosts playing this back at Styx,” Jay murmurs.

Lloyd’s humming halts, and he snorts. “Maybe they had a sense of humor.”

“Heh. Yeah.” Jay frowns. “So wait, this is your favorite holiday song? The song about ghosts? Really?”

Lloyd nods. “I ain’t afraid of no ghost,” he sings.

Jay makes a face at him, then shrugs. Well, he guesses he doesn’t have room to judge people’s coping mechanisms. He still deals with spiders by blowing the entire room up. “That’s one way to deal with it, I guess.”

“I like the irony,” Lloyd continues, with a lopsided grin. “Also, like, do any of us deal with our issues?”

“Ye—" Jay pauses, considering. Huh. He knows they’ve all been putting off therapy, but sometimes they, like…cry all over each other? At three in the morning? That counts, right?

He supposes that doesn’t quite equate.

“I stress-baked eight batches of brownies with Cole one night and ate half of them after the Oni thing?” he offers weakly.

Lloyd stuff a fist over his mouth, holding back a laugh. “I ate a whole container of frosting with Nya after the SOG thing.”

“That’s where it all went?” Jay snaps his head up, his eyes accusing. “Lloyd, that was our only cream cheese frosting! I was going to use that for a meltdown!”

“Oops,” Lloyd says, unapologetically. Jay digs his foot into his side, and Lloyd jerks away, giggling.

“You, I’d expect, but Nya…” Jay grumbles, processing this betrayal. “That’s like, cliché teenage heartbreak coping there.”

“Well, I mean,” Lloyd says, his smile suddenly painfully forced. “Kinda…was. A bit.”

Jay frowns. “Wha — oh.”

Oops. Too late, Jay realizes that he has accidentally stumbled into a mine zone. He should know better, seriously — Lloyd probably does not want to talk about teenage heartbreak right now. Or any time…soon, considering his last and only romantic excursion kind of…stabbed him in the back and got crushed by a building. Amongst other things.

“So!” Jay quickly says, trying to cut through the sudden awkwardness and turn the conversation to something better. “How is, uh, your life going, in that…area…?”

Never mind, Jay’s mind screeches at him. Abort, abort, this is going somewhere worse—! Maybe if he’s lucky the vampire will just come attack them now. That would probably go better.

Lloyd’s expression screws up, like Jay’s forced him to eat a lemon, or a ghost pepper, or like, swallow pure Venomari venom. “You mean my love life?” he spits, as if the word love is a personal insult.

“Not necessarily,” Jay says quickly. “I mean, no, but also…yes?”

“Nonexistent as usual, which is probably the best I can hope for,” Lloyd mutters, kicking at the ground.

Jay bites his cheek in sympathy. His poor baby brother. His voice finally stops cracking and he immediately decides to swear off love for life.

“Look,” Jay says tentatively, feeling like he should at least try to impart some wisdom on his kid brother. “Have you thought about like, I dunno, trying to meet new people? Just like, you know, being open to, uh, the idea of trusting someone…like that?”

“Yeah,” Lloyd grinds his teeth. “I’ve also thought about getting ‘love is a joke’ tattooed on my wrist as a nice reminder because that’s about how well it tends to go for me.”

Jay cringes. “Aha,” he breathes. That is — that is bad. Yikes, that’s…bad bad, maybe they should book a therapist. One of these days. Probably sooner than later, going by that statement.

Lloyd sighs, suddenly deflating. “I dunno, Jay. I just…maybe someday? I don’t really wanna think about it.” The edge of his mouth twists wistfully. “It’d be nice to just be a kid again, so I could stuff my face with candy instead.”

“Hey,” Jay says, elbowing him. “Who says you can’t stuff your face with candy now? We can totally hit up the store on the way home, you know. Zane can’t stop us if he’s not here.”

Lloyd cracks a grin, and Jay is infinitely pleased with himself. “After we catch the werewolf?” Lloyd asks.

Jay glares at him. “After we catch the vampire, and I prove all you heathens wrong,” he grinds out. Lloyd snickers.

“You’re fighting a losing—"

A piercing scream rings out from the streets below, and Lloyd and Jay jolt to their feet in well-experienced unison. Jay sweeps his eyes across the street below, his head whipping widely back and forth as he tries to spot—

“There!” Lloyd calls, already sliding down the fire escape. Jay follows his arm, and spots a disheveled man now crumpled in the street, other partygoers crowding around him. Lloyd’s hand is pointing just beyond, though, locked on the shadowed, dark figure fleeing into the alleyway.

Jay grins viciously at him. Lloyd grins back.

Normally, they’d have Zane at their backs, insisting on safety and such nonsense, but tonight it’s just Lloyd and Jay, who gold-medal at being an awful combination of adrenaline junkies. So by the time they’ve finished hurling themselves off the building and surfing down a couple of unfortunate clotheslines, they land in perfect synch just behind the fleeing figure. They immediately break into a sprint, following their quarry down the dark alleyways and gaining rapidly.

One of the few perks to being the smallest on the team — Jay and Lloyd are fast.

The figure jolts, finally realizing it’s being pursued, and suddenly takes a hard left. Jay yelps as he almost overbalances, his momentum nearly toppling him before Lloyd catches his arm, yanking him upright. They follow where the figure’s fled into an abandoned tunnel, one of the ones Jay recognizes leads to the sewer.

“Why in here?!” he gasps between breathes, as their feet splash through dirty rainwater the deeper they go. Ugh, he hates these tunnels — they’re too small and close and dark.

Lloyd doesn’t grace him with a reply, simply lifting his hand up in an eerie, makeshift green flashlight that lights up the tunnels around them.

“They went that way!” He hurls the bright globe of energy down the tunnel, throwing green shadows up all around, and illuminating their prey far ahead.

Darn it, Jay curses to himself. He forgot vampires are supposed to be fast, too. They need a way better plan then just running after it.

“Trap, we need a trap,” Jay pants. “What do they do in Scooby-Doo to catch the vampire?”

Lloyd glances at him incredulously as he runs beside him, his hair dyed a white-green in the eerie light where it bounces around his head. “Scooby-Doo?!” he exclaims. “There aren’t any vampires in Scooby-Doo!”

“Uh, yeah there are,” Jay argues, ducking under a rusted pipe. He almost has to pause to swipe his own hair out of the way before he gets blinded by falling curls. Mental note, book a haircut later. “Remember that movie with the bands and stuff?”

“Oh. Right,” Lloyd huffs, sliding through a puddle of water. “Forgot about that. Don’t they die or something?”

“I don’t know, that’s why I’m asking you! Come up with a plan, you’re leader!”

“Not right now, I’m not!”

“You can’t do that — you’re our designated team captain, live up to your role!”

“Only in big crisis situations!”

“This is a crisis!”

“Fine! Here’s me leading — I order you to come up with a plan.”

“Oh for — what kind of Green Ninja even are you, huh?”

“Oh yeah, static for brai—agh!”

Their argument is cut short as the floor suddenly decides to take the day off, and drops neatly out from beneath their feet. Jay screams, Lloyd shrieking beside him as they both go tumbling down the sloping sewer tunnel, sliding through broken rock and upturned stone. The sharp slope finally evens out, leaving them to roll to a graceless stop in a heap of limbs and freezing rainwater.

“Ew,” Jay scowls, swiping at his hair as he kneels, supporting himself on one hand. “Sewers are the worst.”

“Ge’off me,” Lloyd wheezes, hitting his shoulder. Jay belatedly realizes that he’s got one elbow and a knee digging into Lloyd’s middle, and pulls back quickly.

“Whoops,” he says, cheerfully. “Hey, no broken bones, at least!”

Lloyd just makes a face, straightening his hoodie. He pushes himself to his feet, offering a hand to Jay and hauling him up. Jay brings a crackle of lightning up in his fingers, squinting around the tunnel they’ve fallen into. Lloyd finally remembers to pull out their actual flashlight, and shines it warily around the tunnel, lighting up the old, molding stone around them.

“D’you think they fell, too?” Lloyd questions, taking a hesitant step forward as he brandishes the flashlight like a weapon.

Jay shrugs. “Vampires aren’t normally clumsy,” he says, starting down the tunnel. “But who knows.”

Lloyd pauses for a moment, reluctant, then quickly hurries to catch up, falling into step beside him.

“Ninja aren’t normally clumsy either,” he huffs.

Jay snorts. “Have you seen us?”

Lloyd eyes him. “I control your training schedule, you know.”

“A heinous abuse of power which never should have been given to you,” Jay sniffs.

Lloyd’s eyes narrow. “I’ll stick you on stair sprints. Endless. Stair sprints.”

“You wouldn’t dare,” Jay retorts. “You’re too chicken to do that. Too soft.”

“I am not!” Lloyd says, offended. “I’ll make you run a gazillion stair sprints, watch me.”

“Oh yeah? Whatcha gonna do when I start tearing up on you, Mr. Marshmallow Heart?”

“My heart is not a marshmallow,” Lloyd grinds out. “It’s—"

“More like cotton candy,” Jay nods. “‘Cause you hit it with one tear and it melts all over the place.”

“I will trip you face-first into sewer water,” Lloyd threatens. “And stop using candy metaphors. I’m starving, and you won’t let me eat the garlic bread.”

“That’s ‘cause we need it for the vampire!” Jay huffs.

“Werewolf.”

Jay throws his hands up. “Do you need glasses or something? Because tell me, please, if that looked anything like a were—"

Jay cuts off abruptly as he and Lloyd freeze. Directly across from them, a mere ten feet away in the connecting tunnel, the hooded figure they’ve been chasing freezes as well. For a beat, the three stare at each other, the only sound the steady drip-drip of the sewer tunnels around them.

Then—

“It’s the vampire! Grab it!” Jay yells.

He and Lloyd dart forward just as the vampire makes to run, turning for the tunnel. Jay side-steps, using the wall to push himself up and flip neatly over the vampire’s head, landing in the tunnel before them and neatly cutting them off. “Gotcha,” he grins.

The vampire’s eyes widen from beneath their hood, and they backtrack, only to nearly run into Lloyd, who points the flashlight threateningly at them.

“Stand down,” he orders. Jay rolls his eyes. Oh, now he decides to sound like a leader.

The vampire makes a hissing noise of frustration, shaking their head. Lloyd goes to move forward, a familiar green glinting at the edges of his fingertips—

When the vampire suddenly snaps into action, rushing at Lloyd. Before Jay can blink, they snap a leg up to kick the flashlight from Lloyd’s grasp, snag him with their forearm, bare two glinting teeth, and—

Snap. Lloyd gasps sharply, his eyes going wide as the vampire bites right into the juncture of his neck and shoulder.

Jay shrieks. “Lloy—!”

His scream cuts off, trailing into a gaping wheeze.

Jay is not entirely sure what — no, he’s not sure why what happen next happens. Maybe Lloyd panics. Maybe he forgets he’s a god-powered elemental with the capability of blasting people to heck with his hands for a second. Maybe both his Oni and dragon instincts decide to suddenly kick in and overpower the human. Or maybe he’s just so ticked at getting bit in the neck that his childish side comes out with a vengeance.

Either way, not even half a second after the vampire bites him, Lloyd snaps out his own too-sharp teeth and bites right back, firmly chomping down on the forearm pinning him in place.

The vampire gives a muffled scream, releasing Lloyd as they stumble backward, frantically clutching their arm. Jay takes this chance to send a bright bolt of lightning after them, just barely missing as they turn and flee, skittering away down the tunnels. Any other time Jay would give chase, but he’s got a slightly more pressing concern right now, and by that he means a big fat bad concern, because his brother is currently sporting a bleeding neck and trying to hack his own lung up.

“Oh god, the vampire bit you, Lloyd, the vampire bit you,” Jay babbles frantically, dancing around Lloyd as he doubles over, coughing and spitting frantically.

“—freaking — gross—"

“But —but then you bit the vampire,” Jay pauses, eyebrows furrowing. “So does that like — negate it?”

“—need hand sanitizer in m’a mouth—"

“Or does the vampire turn into an Oni?” Jay rubs his head. “Wait, wait no — you both swap, because you bit each other, so—"

“—tastes like battery acid—"

“Either way your neck is bleeding and why didn’t you just use your powers!” Jay shrieks at him.

“I panicked, okay?!” Lloyd cries in defense, wiping his mouth as he sticks his tongue out, clearly trying to rid himself of the taste. “Ugh — gimme that garlic bread, this is awful—"

“No way,” Jay snatches his bag away. “We definitely need it now.” His eyes narrow down on the two sluggishly bleeding marks on Lloyd’s neck, that he should really be patching up, actually, but first—

“Besides, garlic could be toxic for you right now! Since you might be turning into a…a vampire.”

Lloyd turns two smoldering, angry red eyes on him, and Jay swallows. Oh FSM, he’s already turning into a vampire, his eyes are red—

Oh wait, right, Lloyd’s eyes are red anyways.

“I am not turning into a vampire!” Lloyd hisses. He winces, clapping a hand over his neck. “I probably have like, rabies or something though,” he says, half-panicked.

“I don’t think vampires have rabies,” Jay tries to assure him, finally shaking himself into action, pulling his jacket off and pressing one of the sleeves against Lloyd’s bleeding neck. Lloyd jerks away on instinct, before letting Jay examine it.

“I can’t turn into a vampire,” Lloyd says, an edge of fear in his voice. “Kai’ll kill me if I turn into a vampire.”

“That’s your main concern?” Jay exclaims, swiping blood away — the bite doesn’t look too deep, and it seems like it won’t need stitches, or anything. He suddenly pauses, considering Lloyd’s words. “Okay, I will admit you have a valid point there,” he concedes.

Lloyd nods tightly, then makes a face before spitting again.

“So gross.”

Jay watches him, then speaks up hesitantly. “I mean…you have to admit that it’s definitely a vampire now, right, haha? Like, not to say I told you so, but—”

Lloyd turns his head, ever so slowly, his eyes narrowing into slits as he does.

“I will kill you.”

“Duly noted.”

**************

In a noble sacrifice of true brotherly love, Jay lets Lloyd get his weird mutant blood all over his hoodie as he uses it as a makeshift bandage.

“Rude,” Lloyd mutters, sounding wounded.

“Weird mutant blood is cool,” Jay assures him. “You Oni-dragon-hybrid, you.”

“I don’t even get any of the cool stuff, like shapeshifting or wings.”

“Yeah, that is a pretty lame tradeoff,” Jay admits. He pats his hoodie where it’s wrapped around Lloyd’s neck once more, nodding. “There. We’ll just…dump an entire bottle of sanitizer on it when we get home.”

“Can’t wait,” Lloyd sighs. His eyebrows furrow into determination. “After we catch this thing, though. It’s personal now.”

“Agreed,” Jay says. “But we definitely need a plan this time, ‘cause like, the biting thing worked, but it worst-case-scenario worked, you know? We need something a little less primitive, like, say, um…”

“Like this?”

Jay turns to Lloyd where he’s bent over one of the canal drains. He lifts the object he’s fished out, revealing a soaked but intact fishing net, likely abandoned from one of the boats.

A grin spreads across Jay’s face. “I have a plan now,” he says.

“Good,” Lloyd breathes in relief.

“You’re bait.”

Relief successfully obliterated. “Wait—"

**************

Jay’s wristwatch glows a dim 3:30 in the morning by the time their vampire finally takes the bait.

Said bait is very put out at being bait, granted, and is doing a frankly awful job at it, if anyone asked him, but he supposes that’s the best he can ask out of Lloyd when he’s been denying him their garlic bread the whole night.

“Oh no,” Lloyd intones dully, kicking through the tunnel water half-heartedly. “I’ve lost my way, whatever am I going to do with all this money in my wallet.”

“Boo,” Jay hisses at him, where he’s perched atop of a broken sewer pipe. Lloyd pauses his melodramatics to glare at him.

“I’d like to see you do better.”

“Oh no, you’re a much better damsel in distress than I am,” Jay assures him.

Lloyd looks furious. “Listen—"

He might’ve finished, but then the vampire jumps him from the shadows, and they both go tumbling as Lloyd’s voice turns to a shriek.

“Don’t die!” Jay hollers as he jumps down onto the vampire, startling a shriek out of them as he desperately tries to yank them off of Lloyd. “Roll, roll, get out of teeth range!”

“I’m trying!” Lloyd yelps, twisting himself free from the vampire’s grasp. The vampire makes to grab him, but Jay is already pouncing, tossing the net out so they run smack into it and go flailing to the floor, twisting themselves further and further into the rope webbing.

“Oh, thank FSM,” Lloyd mutters into the ground, where he’s yet to move. Jay ignores him, giving a cheer of triumph as he finishes knotting off the net.

“We got it!” he gasps, stepping back and surveying their struggling captive. “We caught the vampire!” He turns to Lloyd, grinning brightly in victory.

“Everyone else is gonna eat their words.” Lloyd nods, and Jay holds his hand out, slapping it against Lloyd’s before knocking their fists together.

Who’s stupid now, Kai? he thinks triumphantly.

Striding forward, he places his hands on his hips, smirking down at the vampire where it writhes against the net they’ve caught it in. He bends over, yanking their hood down.

“No use struggling. We got you now, you malevolent creature of the ni — ight, wait.” Jay blinks rapidly, staring at their quarry. “You’re….not a vampire?”

“No, you ssstupid human.”

Oh. Oh. Jay is incredibly, massively, thoroughly disappointed to realize that the figure on the ground glaring daggers at him, is not, in fact, a vampire. Not unless vampires come in Serpentine flavors.

“A Serpentine?” Lloyd blinks rapidly, looking as colossally disappointed as Jay is. “Aw man, we both lose, then.”

“A weird Serpentine,” Jay frowns, leaning closer. “This one’s got hair. Why do you have hair?”

The Serpentine — who is a she, from the looks of it — rolls her eyes. “I’m part human,” she hisses. “Ssso I do not look like other Ssserpentine. You humansss are just ssstupid enough to think I am a vampire.”

Jay opens his mouth, then shuts it. “Ah,” he says. He then brightens, glancing at Lloyd. “Oh hey, you have that in common, then! Lloyd’s a freaky mutant anomaly of nature, just like you.”

“Hey!” Lloyd exclaims, looking offended. “A freaky mutant anomaly?”

“I mean it in love, Lloyd.”

“Would you let me out of thissss infuriating net.”

“Uh, yeah, no can do, pal,” Jay replies to the furious Serpentine. “We aren’t letting you off the hook just ‘cause you told us what you were. You’ve been running around and biting people in the neck and stealing their wallets.”

“You bit me,” Lloyd accuses, glaring hotly at her.

“You bit me back,” the Serpentine snarls at him.

“You bit me first!”

“Guys, guys, it’s not a contest,” Jay laughs, a little nervously. “Please. Calm your mutant anomaly selves.”

Lloyd looks as if he’s going to smack him — which he probably should, all honesty, Jay’s been pushing him — but the Serpentine just frowns.

“How issss he one?” she scoffs at Lloyd. “He looksss like a normal human. Maybe with rabiesss.”

Lloyd looks incredibly offended. “Like you can talk.” He shakes his head, sighing. “I’m…part Oni. And dragon. A bit.”

The Serpentine's mouth drops open, and the color leeches from her face. “O-Oni?” She stammers. She looks at the hastily bandaged wound on her arm in alarm. “Did you poissson me?”

“Wha—no!” Lloyd exclaims. “Oni aren’t poisonous!”

He pauses. So do Jay and the Serpentine, leaving the tunnel in silence for a beat.

“I don’t….think?” He turns to Jay, eyebrows furrowed in question.

Jay shrugs. He’s not the one with a bunch of inhuman relatives. “I mean, she hasn’t gone all, y’know — grey-skinned, purple-eyed, turned-to-stone, so?”

This does nothing whatsoever to quell the look of fear on the face of— Jay frowns. “Hey, what’s your name, by the way?”

“What, ssso you can tell the copsss?” their Serpentine hisses dully.

“Well, you’re a criminal, so,” Jay shrugs. “But look at it this way — I won’t call you Elvira Vampira, Terror of the Night, the whole way back instead.”

The Serpentine rolls her eyes, but she does look mildly threatened at being called Vampira for the rest of the evening.

“My name is Sssiri,” she finally admits, looking put out.

“Siri?” Lloyd blinks. “Like the phone voice?”

The Serpentine makes a face as if he’s called her the scum of the earth instead. “I hate that ssstupid company,” she hisses. “And their ssstupid phone voicesss. I hate them.”

“That’s nice,” Jay tells her. He exhales, placing his hands on his hips. He glances at Lloyd, who looks every bit as tired.

“Time to drag her to the police?”

“Time to drag her to the police,” Lloyd sighs, sounding disappointed, if not a bit vindictive.

**************

The cops are nice, at least, and the guy whose wallet got snatched thanks them profusely, so the night doesn’t end up being a total bust. Everyone looks pretty relieved that there isn’t an actual vampire running around, though, which Jay feels a little resentful at, because he’s losing a bet here.

“Hey, cheer up,” Lloyd tells him, elbowing him lightly. “At least no one ever has to know about it.”

“True,” Jay admits. He gives a sigh of melancholy, watching as the cops lead a put-out Siri into the car. He glances at Lloyd, then grins wickedly.

“Hey!” he calls quickly, waving at Siri. He slaps a hand on Lloyd’s shoulder, shaking him. “You don’t have a boyfriend, do you? Because this guy here is a hundred percent single and looking to ack—"

Jay’s idea is immediately torpedoed by Lloyd viciously throttling him in front of the entire crime unit.

“Jay what the heck!” he whisper-shrieks, sounding on the verge of an aneurism.

“I’m trying — to get you — back in the game—" Jay croaks out.

“With a neck-biting criminal?!”

“I wouldn’t be oppossssed,” Siri remarks, cocking her head as she studies Lloyd.

Lloyd goes an odd purple-scarlet color, then immediately turns on heel, marching away and looking not a little bit like his father storming off to destroy a village.

“He’ll call you!” Jay mouths at Siri, before hurrying after Lloyd. “Well, I’d call that a mild success, at least.”

“I am not calling her,” Lloyd grinds out, as he stomps down the street.

“Oh, obviously,” Jay says. He snickers. “Can you imagine Kai’s reaction, though? He’d blow five blood vessels at once.”

Lloyd remains stubbornly stoic, glaring forward. Jay winces. Oops, crossed a line. Still too sensitive. Maybe he can try again in like…a year.

“Hey, on the bright side,” Jay tries. “We can eat the rest of the garlic bread now?”

Lloyd’s pace slows. Jay holds out half of the buttery loaf they have left. Lloyd eyes him for a second, but Jay can see his resolve quickly dying. Lloyd finally snatches it, sighing.

“Tha’ is a bright side,” he says, through a mouthful.

“Garlic bread solves half y’er problems,” Jay nods through his own bite, pleased to find that it’s still good, even if cold.

They walk in silence for a minute, quietly chewing at the rest of the bread. Then Lloyd speaks up.

“Like….can you imagine being a real vampire though? And you couldn’t eat garlic bread?”

“Oh yeah, that would suck.”

“Seriously. I wonder if it’s maybe like, a lactose intolerance thing, where they can have a little bit before breaking into vampire hives or something?”

“Or maybe it’s like a peanut allergy thing, where their throats swell up and they have to use like, vampire Epipens.”

“If I was a vampire, I’d risk it either way.”

“Oh yeah, same. Totally worth it.”

“Totally.”

**************

The thing people tend to overlook about Jay is that, despite how loud he can be — and yeah, he’s admitting it, he can be a big enough person to recognize that he can get a bit worked-up sometimes — anyways, despite how everyone seems to think Jay has one default mode, he is, in fact, one of the best people on the team at sneaking. It’s one of the perks of being small — he’s learned to be light enough on his feet that even Zane can’t pick him up. And everyone expects him to come in all excited and loud anyways, so Jay’s got that advantage. No one expects him to be quiet.

And it is, of course, a trait he’s dutifully passed on to his little brother, who already has experience from sneaking around Darkley’s and lurking in Serpentine tombs, so by the time the alarm is an hour away from going off, Lloyd and Jay are safely back in bed, snoring quietly with the others, who are none the wiser.

Granted, Jay’s got the worst eye-bags ever in the morning, and Lloyd’s running a record for how long he can get around without actually opening his eyes — but Cole doesn’t say anything, and Zane isn’t looking at them suspiciously, so voila! They are off the hook.

Jay supposes he has the usual array of night terrors to thank for that. Always a good cover for sleeplessness, those.

He does have to drag Lloyd to the bathroom first so they can fix his gi collar high enough to hide the rather incriminating bite marks. Jay doesn’t even want to think about explaining those, because any plausible excuses he can come up with for them are just more likely to make Kai barbecue Jay on the spot.

“Good to see you this morning,” Cole tells him pointedly, as he joins the team around the breakfast table. Jay resists the urge to shoot him a gesture, and grabs for the coffee pot instead.

“Did you sleep alright?” Kai is asking Lloyd from across him, his eyebrows furrowed in concern. Jay can’t really blame him, seeing as Lloyd keeps falling asleep in his cereal, dark circles vivid beneath his eyes.

“Jus’ tired,” Lloyd yawns. “Didn’t sleep that well."

Kai pats him lightly on the shoulder, looking sympathetic. “Take a nap or something later,” he tells him. “For my sake.”

Lloyd nods, and Jay leans back in his seat, sipping contentedly at his coffee. As he said, no one suspects a thing. All’s well that ends well.

And then Zane turns the radio on.

“—the neck-biting thief was caught early this morning by the Ninjago City Police, with the aid of two accomplices—”

Jay goes pale.

“Huh, isn’t that what you guys were talking about last night?” Nya remarks.

Jay and Lloyd look at each other, their eyes wide. In a desperate grab for survival, Jay dives for the radio, fully prepared to hit it with a lightning bolt if it means turning it off before—

“—special thanks, of course, to the green and blue ninja, looking out for us as always.”

Jay finally smacks the radio off, plunging the kitchen into silence. There is a long, ominous pause of utter dread. Kai slowly turns to look at Lloyd.

“You went after them—"

“We didn’t!” Lloyd says quickly. “That’s not what we were doing!”

“Oh yeah?” Kai says, and uh oh, that’s a scary look. “You’d better have a heck of an excuse, then.”

“We do, we have a really good excuse,” Jay defends quickly. “We were out there for something way more important.”

“Oh?” Cole says, looking close to blowing a gasket. “And what was that, exactly?”

“Well,” Jay says, looking Kai dead in the eye. “We were trying to get Lloyd a hot date.”

Then, before anyone can react, Jay grabs a sputtering Lloyd by the hand and runs.

#answered #my fic #i forGOT how long this one was gndjfgk

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idontwanttospoiltheparty · 3 years

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when/how did you realize beatles music was amazing and something you couldn't live without?

I'm trying to not start off every answer with "OOF" but you people do keep sending me loaded questions lol. That's fine though, I enjoy it, keep it coming! My close attachment to the bug boys (both their music and them) is new. It more or less started at the beginnng of May of this year.

I've always known about them and known a good handful of songs. We sang Yellow Submarine and Hello Goodbye in school, I have memories of playing Beatles Rockband once at my cousin's house and also the Love album used to be relatively regular car music for my family. Also, I was in class with someone who was obsessed with their music and sometimes she'd be playing songs. My opinion on the music for most of my life has been kind of… middling. There were songs I really liked or loved (like Help! or Eleanor Rigby) songs I thought were fine but didn't take much note of (something like Being For The Benefit of Mr Kite) and ones I just really didn't get the hype for (A Hard Day's Night comes to mind [I love it now]). But I have a sort of kneejerk sceptic reaction to people hyping stuff up for no discernible reason sometimes, and so the more I'd hear older people with little knowledge of music theory and history call them the be-all end-all of music, the more I sort of developed a kind of aversion to them. I just hate being told to respect and/or like things without knowing why, y'know?

PSA to older Beatles fans: you will NOT convince younger people to listen to your music by telling them their music taste sucks actually.

On the other hand, I had also sort of gotten the idea I should maybe go through their entire discography and get behind the myth of it all. I sort of attempted this a few times over the years, like I started listening to Sgt. Pepper once and then for some reason had to stop halfway, and I listened to the This Is The Beatles playlist on spotify a few nights in a row in 2019 lol.

What actually made me commit to doing it was 1) I had seen a LOT of backlash against Taylor for breaking the Beatles' records for 3 number one albums within the least amount of time in the UK last April, and like the sheer stupidity of some of the arguments being made why "Actually She Didn't Break This Record" really set me off (for example talking about it being "more effort" to buy an album back in the day… But the Beatles weren't competing for number one against anyone who had it "easier" to sell their albums and Taylor wasn't competing against anyone who had it "harder" than her. Or talking about absolute pure sales numbers when that's not what going number one means?) and 2) in a Discord I was in, someone shared a link to an 8-Bit version of Sgt. Pepper at the beginning of May, which I decided to listen to cause it seemed like good study music and I rather enjoyed! I found it really let their talent for creating good melodies shine through.

WHY DO I KEEP COMPLETELY EXPOSING MYSELF IN MINIATURE ESSAYS WHEN ASKED STRAIGHTFORWARD QUESTIONS

Anyways, so all of that made me go okay! I'm gonna go through this motherfucking huge discography then I will know this music better than a LOT of the people who hype it up and then I will be able to be objective about all of this.

So I listened to Sgt. Pepper and Please Please Me and then the White Album. The first was enjoyable but I didn't really ~get the immense hype, Please Please Me bored me at first (I think their early style is something you kind of need to get into and need to hear a few times to fully appreciate. But also Love Me Do sucks and why a record label thought it would be a good debut single is absolutely BEYOND ME) and the last one REALLY caught me off guard. There was stuff in there I loved (Ob-La-Di, Ob-La-Da is actually possibly my very first favourite song that wasn't a kids' song. I used to have to go to these psychomotor education classes and that song played there often and I adored it. Also Piggies slaps, send tweet) but also like a lot of stuff I found pretty weird and off-putting. And I still haven't warmed up to Yer Blues and Why Don't We Do It In The Road. That album did, however, get me very interested in the band. I think the weirdness of the album really just invited me to look into their history. I wanted to understand why they had broken up. That sent me down the rabbithole of the India trip history and I just kept reading more and more wikipedia articles related to all of it.

It was around this point I sort of came to realize that I'd had a lot of wrong preconceived notions about them, especially John. I was never someone like roaming around twitter, yelling for him to be cancelled, but he had simply never seemed sympathetic to me. For instance, IDK if I misunderstood what someone told me or if that person had misunderstood, but the story of John learning chords with Paul left-handed to follow him better (and maybe also Stuart not letting Paul change around the strings on his bass) had somehow been morphed into John finding Paul's left-handed playing off-putting and forcing Paul to play right-handed?? And I was like "Wow, what an asshole!" Also all the 1970 narrative that the two didn't like each other, plus I projected boomers' and gen-xers' Beatle snobism onto them and just got the impression they were pretentious narcissists. (I mean they were kind of that, but not to the extent or in the same way I imagined)

So I think learning these things opened me up to them more. Like I realized Hey! They were my age! And then at some point I found out about the Christmas albums and thought that was so fascinating, that that existed, (a huge part of my initial interest was my fascination with the marketing around them, which is why I watched AHDN and Help! super early on) so I listened to those and was like "Fuck! These guys are endearing!" and then I remember lurking on bug-tumblr and seeing that "Well that was very observant of them, because we aren't American actually" quote and I wanted to find the video of it and ended up finding this legendary video. And starting to actually like these guys and realizing they took all of this ten times less seriously than their Boomer fans do made me more excited to keep listening to the discography and look up more of the stories behind the songs and just kind of… Come to understand them better. I also found that once I accepted that some Boomers are just gonna hype up their fave music too much I'd enjoy it more. Like I'd listen to I Want To Hold Your Hand and get a bit defensive like "why do you love this so much??? the lyrics are so dumb??" but when I just kind of accepted that fact I realized no! It's an amazingly structured bop, which yes, has weak lyrics but it's fine!!! It's the Call Me Maybe of its day and that's NOT a bad thing!!

And in the end they have an amazingly versatile catalogue that covers most things you might be in the mood for. It is kind of hard (for me) not to like it.

There are still sort of two bands in my head: the archetype, the myth, the pretentious group of people who hate each other that I just sort of instinctively want to dislike and the band who sang all those songs I had NO IDEA existed and came into my life without any baggage or expectations from my part. I've pretty much never listened to say Hey Jude in the past months, even though I don't find it bad the outro is too fucking long because it's kind of got too much of that baggage to me still.

This was SUCH a ramble but I hope this makes sense to people to some extent. Anyways I'm a new fan, drag me, but maybe drag me more for how much I seem to know after three months. Seriously, this is a curse.

#mine #ask #bugs #anon

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atlafan · 4 years

Text

Take it Slow - Part Sixty-Four

a/n: okay this is my first shot at a harry:y/n fic, and it will be multiple parts. y/n had a bad experience with an ex over a year ago, and finally accepts her coworker and good friend Niall’s invitation to go on a blind date with his friend Harry.

Warnings: Fluff, angst, and the start of smut...

a/n: okay this is short only because the angst made me tired, and it’s late, and I wanna deliver on the smut so....that’s that on that.

Masterpost (all previous parts can be found in the masterpost)

“Holy shit! Someone got some sun!” Niall says as you get into his car Monday morning. He squints at your neck. “He knows it’s not really scarf weather anymore, right?”

“I’ve lost the energy to care or fight with him about it. Besides, I’m sure it’ll go right up Mark’s ass. What a nice treat for me.” You laugh. “How was it last week, anyways?”

“Good! The three of ‘em actually kept to themselves which was nice. You gave him plenty of work to do.”

“Oh good.”

“How was Harry, happy to see yeh?”

“Of course he was.” You furrow your brows at him. “Is there something you’d like to say to me?”

“I’m not the one who got into a fight.”

“Niall.” You sigh.

“Okay, okay, I’m sorry about all of it. It was stupid, and primitive.”

“I appreciate you both looking out for me, but I wish you wouldn’t be angry for me. I feel like I’m really moving on, and it’s hard to do that when the two of you can’t keep your cool.”

“I know, I really am sorry.” He gives your hand a squeeze and you smile at him.

“It’s okay. Wait! How was yours and Sarah’s six month? I haven’t had a chance to ask her yet?” Niall nearly stops short on the drive.

“Um, it was good, really good. I got her a new anklet, and she really liked it. We had a nice dinner out too.”

“Oh that’s great!” He parks the car and you both get out. “Hope you enjoyed what she got for you.” You wink at him and head inside.

“We’re not talkin’ about it!”

“Oh, I’m sorry, have we reached a point where we can’t talk about sex anymore?” You ask facetiously. Niall’s face was beat red.

“Don’t play with me. I know you two went shoppin’ together.”

“She wanted a second opinion.” You shrug.

“Wasn’t it weird for you to go shoppin’ with her?”

“Not really. They went shopping with me earlier in the day to get something for Harry. We’re all very close.”

“What else did you get for him?”

“What do you mean what else?” You cross your arms.

Just as he’s about to speak you both are greeted by Trish.

“We’ll talk later.” He says and you nod as you both go to your separate offices.

You had a meeting right away with Mark that you were dreading. He was waiting for you outside your office.

“Welcome back.” He says with a smile. “See you got some sun.”

“Thanks, and yeah I did.” You unlock your office door and he follows you in. “I just need a minute to get settled.”

“Take your time.” He says sitting down.

You plug your laptop into the docking station and get logged on. You start looking over some of the things Mark worked on, and you actually weren't disappointed.

“Took some time to watch some of those videos on the Adobe site, turns out you were right, it’s not that difficult to learn.

“I’m actually kind of impressed, Mark.” You smile at him.

“Thanks.” He smiles back. He notices your neck, but doesn’t say anything. You’re actually being nice to him and he doesn’t want to ruin it. “So, boss, what do you need me to work on this week?” You smirk at him.

“Well, I’ll have to go over all this and get back to you. Is that alright?”

“Course, I’ll just be with the others in the conference room.”

You weren’t sure what it was, but Mark seemed to have a serious attitude adjustment, and you liked it. Maybe the rest of the time he’d be working with you wouldn’t be so bad. You look over everything, and make up a list of what you’ll need from him. You go into the conference room right before you leave to meet Harry for lunch, it was Monday after all.

“Hey Mark, here’s what I’ll need from you this week.”

“Thanks. We’re all going down the street for lunch, do you wanna join?”

“Can’t, sorry, I go to Harry’s studio on Mondays.” You walk out, and go down to Niall’s office. “Need your keys to meet Harry.” He tosses them to you. “Thanks! Have a good lunch.” You smile.

“You too!”

Harry was having the day from hell. Somehow word got out that Harry and Mariah had become chummy outside of work, and that he set her up with Rachel. Someone must’ve seen a picture of them hanging out last week on Instagram.

“Harry?” Julia asks, coming into his office.

“Yeah?”

“This is sort of non work related, but I was wondering if you could help me with a school thing…”

“I thought you weren’t in any classes this semester.”

“I’m not, but we have a faculty member we’re supposed to pass things in to for the internship to prove that we’re actually doing stuff. I’ve never really put a portfolio together, and I was wondering if you could help me now that I’ve written a few things.”

“Oh…um…”

“I’d ask Myk, but I want it to look really nice and you’re so creative.” If Harry had any faults, it would be that he could be sweet-talked into just about anything.

“Sure, yeah, I’d be happy to help. I’d have to help you at the end of the day though when I have more time.”

“Really?! Thank you so much! Would tomorrow after work be alright?” You had your therapy appointment tomorrow, so it wasn’t like Harry would be missing precious time with you at home.

“Yeah, that works.”

“Thank you Harry, this’ll be such a big help!” Harry turns and sees you walking in.

“No problem, run along now, my lady’s here.” He nods towards you and she walked out of his office. You brush by her as you walk in. “Hey you.” He stands up to hug you, and squish his nose to yours. “Have I told you how happy I am that you’re back?”

“Maybe just a couple times.” You kiss him quick. “It’s nice out, wanna eat outside?”

“Sure.” He grabs his things and heads out with you.

“So, what did Julia want?”

“Oh, she wants me to help her put a portfolio together for school. I’m gonna help her tomorrow while you’re with Dr. Mara, is that alright?”

“Yeah.” You shrug. “Why would I care?”

“You don’t exactly like her.”

“Neither do you.”

“True.” You both chuckle.

Julia purposefully wears a tight dress to work Tuesday. She couldn’t wait to spend time with just Harry in the office alone. She wouldn’t make the same mistake she did last time. She needed to be less obvious, and she genuinely needed his help with her portfolio.

You: babe, want me to bring you dinner after my appointment? Can meet u at the studio

Harry: that’d be great! Pick up whatever u want <3

Julia comes into Harry’s office with her laptop at the end of the day. Everyone slowly starts to leave. He grabs a chair for her so they can both sit at his desk.

“So, I have these pieces that I’ve done, and I really have no idea how to organize any of them. I wanna give my instructor a virtual experience you know? But I don’t wanna just use prezi or screen record.” Harry hums along in understanding.

“With my photos, I’ve sort created these, like, virtual booklets almost. There’s this program, hold on, let me email you.”

Harry sends her the info so she can set up an account.

“I think your prof will be impressed that you’re putting in so much effort.” He smiles.

“It’s not every day we get to basically take a semester off from classes, so I just wanna prove to her, and to all my friends that think I’m not doing anything that I’m actually working really hard.”

“You shouldn’t care what other people think of you, but I get where you’re coming from. Alright, pull up all your articles and I’ll show you how to add them into the program.”

He leans in close and points to where she can drag and drop things. She tries her absolute best to not get distracted by the smell of his cologne. After an hour or so they take a little break.

“So, you have a year left?”

“Mhm.”

“What do you think you’ll do after you graduate?”

“I have no idea.” She sighs. “I think I wanna travel. I could see myself freelancing for a bit before finding something stable.”

“You should definitely travel! I’m glad I did. You learn a lot about yourself, helps you grow up a little bit too.” He smiles at her. “Also, it’s okay to have no idea what you want to do. It’s not like graduating automatically means you’ll have it all figured out. Your passions will change all the time, and you might find you didn’t want what you thought.”

“Was there something you thought you’d be doing but realized you didn’t wanna do?”

“Yes and no. I knew I wanted to be a photographer. I thought for a while I’d end up in marketing with my mate Niall, especially while I was going for my MBA. But the structure was just too rigid. I also didn’t wanna wear a suit every day.”

“That’s too bad, you look so good in a suit.” She jokes nervously.

“True, I do clean up pretty well.” He jokes back. “But I just knew it wasn’t for me. There’s too many people to answer to. Even here there’s a lot of people to answer to, but I feel like my vision gets trusted more and more and I’m able to just do what I want. I think that’s the key. Do something you want, not something that someone else wants for you.”

“That makes so much sense. You really have it all figured out.”

“S’not that I have it all figured it out, but I’ve had a lot of experience to steer me in different directions.”

“I feel like I have a better head on my shoulders than a lot of my friends. This internship alone has been such a big help.”

“Good. Let’s get back to it, shall we?”

He leans back in closer and shows her some other things to make the virtual booklet look more interesting and engaging. He cracks a joke or two and she ends up putting a hand on his shoulder while she laughs.

You were just coming up from the elevator with dinner. You picked up some of his favorite sushi. It was dark in the studio except for Harry’s office. Julia’s hand was still lingering on Harry’s shoulder. She gripped lightly at the material, and his eyes went wide.

“Woah, what are you-“ He starts to stand up.

“Hey!” You say dropping the food to the floor. You grab the back of Julia’s dress and yank her over to the wall in Harry’s office, practically throwing her into the glass. “What the fuck do you think you’re doing?!”

“Nothing, I was just-“

“You were just trying to kiss my boyfriend?!” Your hand wraps around her throat and you push her back against the glass again. Harry wraps his arms around your waist to pull your away from her the girl cowering in front of you. You try to break from him, but he’s too strong. “I will end your shit, do you understand me?!”

“Julia, get your shit and go, now.” Harry says, very pissed, but not wanted to add more fuel to the fire.

Her body shakes as she grabs her laptop.

“I’m so sorry, I didn’t mean to-“

“You didn’t mean to what?! Try to kiss him?! You’re a psycho! He already told you he wasn’t going to step out on me, remember when you tried to fuck him in Florida? He told me everything! I think I’ve been very nice, but I’m done. I am soooo done.” You look back at him. “Let go of me.” Harry cautiously loosens his grip on you and you get in her face. She uses her laptop to shield her. “As god as my witness, if you don’t leave him alone, if I even hear of you looking in his direction, I will end you. Your life will be over. You’ll get fired from this internship, cause guess what, you’ve been sexually harassing him. And don’t look at me like you don’t know that’s exactly what you’ve been doing. You’ll get fired, you won’t have a good enough reference for your next job, and you won’t get hired anywhere. You’ll live in your parent’s basement for the rest of your life all because you couldn’t keep your fucking hands to yourself after he said no.” You look her up and down. “You think you’re special just because he’s nice to you? Just because you wear a tight dress you thought he would get into your pants? Guess what little girl, I used to pull the same shit when I was your age. Grow the fuck up. And I don’t care if you’re the coffee girl. Have Dana do it, or Isaac. I don’t care. It’s not you anymore. Stay the fuck away from him.” You step forward again and she flinches.

You smirk at her, and she slips out of the office, running out of the studio. You turn around to Harry with wild eyes. He was absolutely stunned, and a tad frightened. You were fuming.

“Would you care to explain to me why her hand was on you in the first place?” You ask crossing your arms.

“I know you’re not blaming me for any of this.” He starts packing up his things. “You better hope she doesn’t report you threatening her.”

“She better hope you don’t go to H.R.! She’s lucky you didn’t report her when the thing in Florida happened!”

“You know as well as I do she could’ve turned that around and said I came to her room. It wasn’t worth the headache. I had the situation under control.”

“Did you?! It looked like she was about to kiss you, Harry!”

“You need to calm down! I would’ve never let that happen! I was about to stand up and tell her we were done.”

“Why. Was. She. Touching. You?” You step closer to him.

“I don’t know. I made some joke, she laughed, and then she put her on my shoulder. I noticed she started to grab at the material so I was about to get up. S’not like she grabbed my dick, Y/N.”

He walks out of the office and you follow him. He turns the light off and locks the door. He sighs and picks up the food from the ground.

“This should still be fine, nothin’ came out of the packaging.”

“How could you even eat?! I feel absolutely sick to my stomach!” You both walk over near Isaac’s desk where there’s more light.

“Babe, I-“

“Don’t babe me!” You put a finger in his face. “Only I get to touch you, do you understand? Me, only me!” Your eyes well up with tears and he puts everything down to wrap you in his arms. He hugs you to his chest. You cry into him.

“S’not worth your tears, love.” He strokes the back of your head. “I’m upset too, don’t get me wrong. I don’t like that anyone thinks they could touch me. You’re the only one I want touchin’ me. I only want you, Y/N.” You look up at him and he wipes your tears away.

“I didn’t mean to get so upset. I just came from therapy, and then I walked in and saw that, and I lost it.”

“I thought you were goin’ to throw her through the glass.” He chuckles. “Don’t think I’ve ever seen yeh like that before.”

“Oh, have I never told you that I’m a black belt? All my siblings and I did karate growing up. I could literally end her shit.”

“You’ve been keepin’ something like that from me all this time?” He says with a fake gasp.

“You’re only supposed to use it in certain situations.” He kisses the top of your head. “Shit, are there security cameras here?”

“Yeah, but Isaac’s the one who checks them in the morning. I’ll text him and ask him to not say anything to anyone.”

“Okay.”

You both leave and meet at home. Harry puts the sushi in the fridge, suddenly also not feeling hungry. He texts Isaac, and he tells him Julia is to not interact with him anymore.

“Harrryyyy.” You whine from the bedroom. He comes in to meet you.

“Sorry, I was just…textin…Jesus.” You had changed into the lingerie you hadn’t worn during the photoshoot. You had something behind your back.

“You were texting Jesus?” You giggle.

“How do you get more beautiful each time I see you?” A grin grows over your face.

“I have a lot of adrenaline built up.”

“Do you now?”

“Mhm.”

“What’s that behind your back?”

“I think you already know. I had a little chat with Sarah today. You and Niall tend to gossip more than she and I do.” Harry starts to sweat. You blush and toss the cockring to him. “Wanna have a little fun, baby boy?”

He smirks and nods. He puts the little package on the bed and starts to undress. He had never used one before, all he knew was that they made an erection last longer, so he just figured you wanted to go a few rounds tonight. But you had much more in store for him.

#harry styles #take it slow #harry styles x reader #harry styles y/n #harry styles x y/n #harry styles imagine #harry styles sluff #harry styles smut #harry styles angst #harry styles fic #harry styles fluff fic #harry styles smut fic #harry styles angst fic #yall i laughed when i saw this was under 3k im so sorry #i thought it was longer #i just couldn't write the smut man #tomorrow tho he gone get it #come hang in my ask box!

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salamandersofftheclock · 3 years

Text

Principles You Can Use From Rowling’s Philosophy of Writing

by Ruthanne Reid

If you’re like me, you loved the Harry Potter series. Maybe you watched the movies or even visited the theme park, and you wondered about JK Rowling’s writing process and the strategy she uses to write her best-selling books. If you’re like me, though, you’ve also been deeply hurt by things Rowling herself has said. On Twitter, on her website, in interviews, and more, Rowling has promoted harmful views of trans people, and you might be one of her many readers who find it painful, or even impossible, to return to the Harry Potter books you once loved.I understand. Before I dive into the wisdom we can draw from Rowling’s writing process in order to write our first draft (or others), allow me to share a principle with you. Death of the Author: Or, How to Love the Book, Not the Author In 1967, a French literary critic named Roland Barthes wrote an essay called La mort de l’auteur, or Death of the Author, in which he states that any piece of writing should be separated from the author that wrote it. In other words, he believed in judging the written work completely on its own merits, without involving personal beliefs or actions of the author in question. Sometimes, this is possible to do. Sometimes, it isn’t, and we readers have to apply discernment to what we read and the lens in which we view things.I have two examples for you. HP Lovecraft First, HP Lovecraft, whose incredible work literally created today’s modern horror genre. Do you enjoy any kind of tale with Elder Ones, or chaos gods, or even just good old Cthulhu? (I know I do!) His work was so creative, so new, that you’d be hard-pressed to find any horror story that doesn’t show at least some of his influence.Unfortunately, Lovecraft was also an extremely xenophobic racist. Now, I enjoy a good chaos god, and I’ve made the decision to separate his xenophobia from his writing. That means, of course, that I must view critically anything he wrote that implies white English people are somehow the pinnacle of humanity.It means I purposely do not allow his racism to infect my way of thinking. By doing so, I am practicing la mort de l’auteur. JRR Tolkien Here’s a second example: JRR Tolkien, whose work defined modern fantasy. Do you enjoy anything with elves and dwarves or made-up languages? We owe Tolkien for that. He redefined and polished the fantasy genre so well that everything from movies to MMORPGs still use his templates. Unfortunately, he also described his orcs as “squat, broad, flat-nosed, sallow-skinned, with wide mouths and slant eyes: in fact degraded and repulsive versions of the (to Europeans) least lovely Mongol-types.” Yowza. Now, was Tolkien a racist? Not exactly. In fact, according to the standards of the time, he was absolutely liberal and anti-racist. So then what do we do with this bizarro and racially horrifying description? We see it and choose to discard it. Generations of artists and authors have done exactly that, turning orcs into anything but“least lovely Mongol-types,” and aiding this genre.Again, it’s important to see the problem so you can avoid letting it influence your work. We enjoy the good parts while consciously discarding the bad, rather than being influenced by it. So What About JK Rowling? She’s not dead. In fact, she’s still saying harmful things, even as we speak. Instead of listening to her readers, who (at least initially) approached her in love, trying to help her understand, she doubled down, rejected their experience and their words, and in the process, caused an unbelievable amount of pain. Here’s the thing about la mort de l’auteur: it is entirely up to you whether to apply it to what you read, or to simply discard the whole thing and find less troublesome authors. Both roads are valid. In no way do I condone her attacks on the trans community, or her persistent sharing of misinformation. I choose to apply la mort de l’auteur for the simple reason that I benefited from the good things she’s written, and I wanted to share them with you. However, if you aren’t comfortable doing that, you are absolutely welcome to walk away. In fact, I’d suggest these writing articles instead: Neil Gaiman’s rules of writing, or how to create your own rules of writing. Okay. Awkward stuff done. Ready to dive into the process stuff instead? Let’s go! 9 Rules From JK Rowling’s Writing Process Over the course of her writing career, Rowling shared a lot of solid writing wisdom, and in my opinion, eight writing rules stand out—along with a ninth we can apply from her choices since. Whether or not you’re writing your first book like Harry Potter and the Philosopher’s Stone (Harry Potter and the Sorcerer’s Stone) or last book in a series (like Harry Potter and the Deathly Hallows), I think these rules speak to Ms. Joanne Rowling’s philosophy on writing.They are great writing tips for you to reflect on in your spare moments and then apply to your writing process, for short stories, novels, bestsellers, or even the first time you’ve ever attempted a book. Rule One: Protect your writing time “Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have “essential” and “long overdue” meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it.” This is especially hard for those of us with family. Our loved ones come first, and while that is important, our loved ones also need to understand that we need time to write. Setting reasonable boundaries is a crucial step for a writer—even if they’re as simple as, “Mommy needs fifteen minutes of quiet time, okay?” If you have trouble setting boundaries with loved ones, try setting a reasonable boundary for one week. See how it goes. If it’s too much time or too little, tweak it. Establish a routine that signals to others that it’s your writing time, but also lets them know that outside of your writing space, you’re there for them. Not only will this teach the importance of flexibility and discipline to others, but also that your writing is valuable. It’s your work, and your dream! Needing quiet time to write doesn’t mean that you don’t love your family. Your writing deserves your time, too. Open communication about this can help everyone understand and respect that. Rule Two: Treat your writing like a job “You’ve got to work. It’s about structure. It’s about discipline.” It’s easy to forget that writing is a job. We don’t always feel like doing our job. We certainly don’t always feel inspired. To be writers, we must train ourselves to sit down and write even when we don’t feel like it. Those moments are the ones that really matter, even more than the shining, flying, muse-kissed moments.Writing when we don’t feel like it is what turn amateurs into professionals and rough drafts into polished manuscripts. “The muse works for you. You don’t write at her beck and call—you train her to show up when you’re writing. “ Rule Three: Believe you ARE a writer “I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me.” Yes, writing is possible with another job. Yes, writing is possible with other responsibilities. Are you a writer? (I know your inner critic snarled no, but I also know a tiny candle-flicker of unquenchable hope in you whispered yes with so much longing you could cry.) You ARE a writer. That means you write. A runner runs. A painter paints. A cook cooks. You are a writer. You write. Accept this, fight to believe it, and be amazed at how far that takes you. Rule Four: Write what you know “Write what you know: your own interests, feelings, beliefs, friends, family and even pets will be your raw materials when you start writing.” This doesn’t mean you need to experience aliens in order to write about them. It means that all good stories have universal application. A great example is this Google Doodle. (Trust me. I’m going somewhere with this.) Take two minutes and thirty-six seconds to watch this: Halloween 2017 Google Doodle: Jinx’s Night Out It’s adorable, right? Without a single word, this video told an effective story. You felt for the little ghost, both when it was sad and when it was happy, right? News flash: you’re not a ghost. That was universal application. It doesn’t matter what culture you’re from or what language you speak; all human beings know what it is to be lonely, to feel left out, to be frustrated, determined, and to finally be with friends. That story works because the creators used their interests, feelings, beliefs, friends, family and even pets to tell this story. (I’m fond of the kitty, myself.) I’m greatly oversimplifying, but here’s the gist: you already know how to tell a moving story because you live one. If you’ve ever had emotions, ever responded to anything, then you already know what universal application looks like. Listen to the people around you, and apply empathy. You don’t have to be a ghost to write a good ghost story. Rule Five: Read “I always advise children who ask me for tips on being a writer to read as much as they possibly can. Jane Austen gave a young friend the same advice, so I’m in good company there.” Read. Read. Read some more! The more you read, the bigger your arsenal of words will be. The more you read, the better your grasp of metaphor, poetry, beauty, passion, and empathy will be. The more you read, the greater you will be as a writer (and probably human being). It’s like learning more dance moves or impressively difficult notes on an instrument. The more you learn, the better you’ll be. So read in your genre. Read outside your genre. Get in the habit of finding time to pick up a book instead of your phone (unless it’s to open up another book.) You DO have the time to read. Even if that’s just ten minutes a day. Any time counts. And the more stories you read, the more likely you’ll start to implicitly develop the skills you need to become a great writer. Rule Six: Persevere “Perseverance is absolutely essential, not just to produce all those words, but to survive rejection and criticism.” This is one of those unpleasant truths about publishing: you’re gonna get rejected. A lot. I wish there were a way around this. Harry Potter was turned down again and again because that’s just the way it goes sometimes. And it isn’t only publishers: when you get published, and your work is out there, you’ll get bad reviews, too. Mostly, they’ll just be people who don’t understand what you’re doing. Intellectually, you’ll know that. Your heart, on the other hand, is going to break into a thousand pieces. But here’s the secret: you can’t stop writing because of push-back. You MUST NOT stop writing because of push-back. Keep going. Don’t stop. When you get rejected, pick up your pen and keep going (and use the way you feel to put more universal application into your work). And when you’re feeling really discouraged? Remember that when someone doesn’t like your book, they might also just not be your ideal reader. That person just wasn’t your target audience.If your book isn’t to someone’s taste, that’s all right. It will be to someone else’s.Keep writing your book, because your ideal readers need it. Rule Seven: Bring your whole self to the page “What you write becomes who you are … So make sure you love what you write!” Writing is a little like a Mobius strip, in a way: Your beliefs and experiences and feelings all help craft your writing. However, your writing clarifies, corrects, and often reveals your beliefs, experiences, and feelings. As you write, you’ll discover things about yourself. You’ll clarify things, too, because it’s only as you come to write them that you realize they needed clarification in the first place. Now, understand: this means that if you haven’t given yourself a good look to find your biases (we all have them), you will bring those to the page, too. It’s important to see who you are as you bring your whole self to the page. Writing is a brave, bold venture, and life-altering discovery is part of the journey. Rule Eight: Accept that failure is part of the process “Failure is inevitable—make it a strength. You have to resign yourself to the fact that you waste a lot of trees before you write anything you really like, and that’s just the way it is. It’s like learning an instrument, you’ve got to be prepared for hitting wrong notes occasionally, or quite a lot. I wrote an awful lot before I wrote anything I was really happy with.” Failure is normal. Also, it is okay. You’re going to write a lot of crap. You’re going to push past those things and write more crap. It may take you twelve years. It may take you a million words. If it does, then you’re on the right path—the same one your favorite authors walk. Accept that it will take time, and that sometimes, your pencil won’t be your friend. If you accept it, then when it happens, you won’t throw in the towel and set the house on fire. Instead, you’ll be able to go, “Well, dang; that sucked, didn’t it? Knew it would happen. Time to write some more.” Rule Nine: Respect Your Reader Sadly, this rule doesn’t come from writing advice she’s given, but in a way, it’s the final conclusion of the previous eight. This involves bringing your whole self to the page. This involves empathy and universal application. This involves perseverance, never quitting, and willingness to tackle your writing troubles. If your readers value what you created, they will listen to what you say. Your words have the power to uplift or hurt others. None of us can ever really know where someone else is coming from, and it’s essential that both our stories and our interactions reflect respect. Respect yourself enough to be a better person. Respect your readers enough to hear what they have to say. This sounds scary, I know, but I promise you, it’s worth it.

#how to write #writing advice #writing #tw jk rowling #jkr #jk rowling #tw long post #long post #long text post #top writing advice #rules for writing

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werevulvi · 3 years

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Would you like to explain the nordic model of prostitution? Like what is it, why you dislike it and how it compares to the australian?

Uh, this is a big question, and it was a while ago I read up on those two models. So I had to sit with it for a moment before conjuring up a reply. I don’t know exactly what kinda info you wanted here, so I’ll just overwhelm you with everything I’ve got! Which... isn’t all that much, all things considered. I really don’t have any sorta energy to start digging for sources of it now or anytime soon, but I can ramble on a bit about my past findings and the conclusions that they led me to:

First off, what those models of prostitution are: are essentially sex industry laws that regulate buying and selling of any kinds of sexual services. They're what decide whether it's legal or not to sell/buy and to what extent you can legally do what, in regards to brothels, porn, being your own boss, etc. America has a completely different system of such laws, detached from both the Nordic and the Australian, which is probably one of the most dangerous such systems of laws, for the prostitutes. Although I'm not like SUPER familiar with its exact laws and regulations, I pretty sure it's illegal to sell sex there, which makes it very risky for those who do. In the Nordic model it's legal to sell (but with quite some caveats which I will shortly get into) but illegal to buy. In the Australian model it's legal to sell AND buy, but with safety restrictions regulating the how and to what extent.

Secondly, some highly relevant background info about me: Some years ago, I was actually interested in becoming a sex worker myself, because well, my trauma sought a new, exciting thrill... However, I wanted to do it as legally and safely as I could possibly manage. I also wanted to sell physical sex acts, not just sell foot pics on the internet. So basically I did a ton of research on how to be legal full service prostitute in my country, and to my sheer frustration, found that the Nordic model has so many flaws and contradictions in it that there's no way I could possibly sell sex without running into some serious trouble.

Although PLEASE keep in mind that I'm no longer interested in making prostitution my career!

But also to prove my point (before having even made it yet): even IF I'd still consider becoming a sex worker, I would feel safer doing that in the Netherlands, or possibly even in (certain parts of) America, and most definitely in Australia, than I would in Sweden. Of course it's good if the shitty Nordic model prevents me from starting up such a business, but if that's the only focus here, then you're completely missing a very important, in fact crucial, point: The reason it prevents me from doing so is not because it makes sex work seem more unappealing than it already is, but because the laws around it are unnecessarily FUCKED. That is the literal law putting me in danger, possibly even more so than the john's would, which is a huge failure on part of the government. The government's job should be to protect, not kick and step on people who are already fucking lying down, for daring to lie down to begin with, which the vast majorty of whom did not choose to.

Now, let's get into the issues with the Nordic model that I stumbled into during my research:

1. Although it's technically legal to sell sex, it's illegal to do it at your own home, the client's home, hotels, outdoors, literally any imaginable physical location. Which means prostitutes run a risk of facing eviction and getting arrested for the location (which is every location) they perform their services.

2. You have to pay taxes for the money you earn, like any other "job." However, the catch here is that the only way you can to do this is if you apply for starting your own business as a sex worker, which you're not technically allowed to do (???) by applying for something called an "F kassa" which is basically a form of private company financial set up (very Sweden specific, bureaucratic bullshit) which is the "lowest" and most difficult form of it to work with. Basically by that system, you have to manually calculate your taxes by yourself every month, which has a VERY high risk of fucking it up accidentally, which gets you at a very high liability for accidental fraud. It's also an extremely mentally taxing (sorry for the bad pun) way to pay taxes, unless you're a mathematician. Due to this, most Swedish sex workers do not pay their taxes, which you can probably imagine how living under that kinda stress could do to a person.

3. Because buying sex is still illegal under the Nordic model, prostitutes still have to stay quiet if something bad happens with a client, because giving up clients to the cops hurts their business, as well as increasing the risk of the cops finding more of their clients to bust, and fewer john's wanna go to a prostitute who is not trustworthy.

4. Trafficking is still happening a lot, even in Sweden. But problem is that because any and all such activity is strictly illegal, including brothels and the like, they hide underground and are not found out about until after having done severe damage for many decades... if at all. Pimps etc in Sweden are extremely skilled at keeping their business secret because duh obviously?! Hidden trafficking gets discovered all the time, but they get better at hiding, thus harder to discover.

5. There were a ton more issues I stumbled into, but these were the most concerning ones that really leaped out at me. Other issues includes: not being able to get safety stuff like condoms covered financially unless you go through hell and high water to record for every little rubber you buy and use and what exactly it costed, etc, but even then it's still pretty much impossible in practice. Not allowed to keep your income on a bank account because of the legal issues of where those money come from. The extremely high risk of keeping contact with clients without getting caught, whether you use a phone, e-mail, snailmail, etc.

Conclusions: In my opinion, the Nordic model only makes shit a hell of a lot worse, in an attempt to protect sex workers. But the result is that it only forces people to go underground and hide from the law to protect their business, which goes for both trafficking as well as individual prostitutes with their own businesses. It tries, but fails hard.

Basically, the law says you have to abide by things that are not actually possible to abide by in actual practice. I wrecked my head for months trying to figure out how to be a law-abiding prostitute, but to no avail. It made me not just frustrated for myself, but also worried about sex workers in my country, whether they're trafficked or otherwise forced, or choosing to do it on their own volition. The Nordic model makes sex work dangerous, not only because of the clients possible (or likely) abuse the sex workers might face, but because of the law itself. And that's where I personally think the law has gone very, very wrong. It should protect sex workers, not punish them further and putting them in even more danger.

(Also, although my knowledge of the Nordic model is very Sweden specific, I got the impression that it's flaws are quite similar in other Nordic countries, aside from a few details here and there.)

The Australian model, I have far less knowledge about. I basically just watched a few youtube videos about it and skimmed through maybe half an article, buuuut... what little I heard of it seems to do a far better job at both protecting individual sex workers who work for themselves, AND reducing trafficking, which really spoke to me. Yes, the Australian model allows far more, but that is not at all necessarily bad or dangerous. It allows the shit (trafficking) to float up to the surface much more easily, makes pimps far more careless with their businesses (ie easier to bust them) and can offer a far better safety net for those who (more or less) choose to do it on their own volition. But what exactly is and isn't allowed in that model, I'm admittedly unsure. But a lot of stuff pertaining to prostitution there has been de-criminalised, NOT legalised, and that's a very important point to keep in mind.

But also, I understand that the Australian model cannot possibly be "perfect" by any means. It's probably more so that I understand the Nordic model to be so horrific that whatever the Australian model does differently pretty much cannot possibly be worse. That's how badly I think of the Nordic model. It seriously angers me to the bone, how horrible it is. And thus, I can't help but getting very wrapped up in my emotions about it when I hear radfems praising the Nordic model, when all it does is brushing the inconvenient dust under the carpet, while the Australian model has already done quite some impressive actual cleaning, in the few years that have passed since they de-criminalised prostitution stuff.

The actual real life outcome should matter more than how nice the model looks like in theory. Sweden offers an absolutely terrible living situation for sex workers of any kind in actual practice, despite having such a "nice" system that's "meant" to make it safer for sex workers and reduce trafficking, which it absolutely does not do. Australia literally proved their "more allowing" system actually works in practice to improve the safety for sex workers and to reduce trafficking, despite it looks morally corrupt and too allowing in theory, and that's what matters to me. The outcome. The lives.

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youcantfiremebecauseiquit · 4 years

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Hi me again. I’m new to your blog so sorry if you’ve answered this before but what do you think of Kat Bjelland ? And Kat Bjelland in relation to Courtney Love? Do you prefer one over the other? I know this is a cliche question but I’d really like your opinion. You answer stuff in a really detained smart way. Your musical opinions are interesting.

Thank you!!! No it’s all fine it’s not cliche, i like answering music questions! Just prepare for a lot of reading cause i write A LOT haha.

Ok, so obvious things first. Yes, Kat is a better musician than Courtney Love. 2nd, she’s talented & interesting guitarist. She’s much worse lyric writer than Courtney Love. I like Katastrophy Wife music better than Babes in Toyland. 5th, i like Courtney more & these days I’m rather a casual fan.

Now, discussions „who wore those dresses first” is pointless, cause NEITHER of them wore babydolls first. Kim Shattuck of The Muffs was first. As well as that Divinyl chick. I think Courtney took babydoll ideas overall from Kat, in 1989 she kinda copied the look, but NOT LATER. Further, I have another theory: Courtney might have stolen black babydoll dresses from Kat, but Kat stole Courtney’s lacy white dresses & bleach blonde look. I think Courtney said somewhere she looked for white dresses specifically to avoid looking like Kat, then Kat got a bleach job and white dresses and sorry, but if anything, she made herself look like Courtney. Bruise Violet imo did her more wrong than right. They made that video implying Courtney is the doppelganger but to people unfamiliar with the whole feud it seemed like Kat is copying Courtney instead. She wasn’t even the only one to pull that trick: The Nymphs chick dressed as Courtney for a video too. Kat look nice and stuff, but in my opinion she only likened herself to Courtney at that point in time.

I don’t know if it makes sense, but in my opinion Kat was more „kinder” and Courtney was more „whore” (Courtney haters can stop laughing, I don’t mean it in a wrong way). I’m talking about pieces of the style. I think it was Courtney that coined the term??? Anyway, Kat Bjelland had much more pretty doll-like look while Courtney had that ragged, destroyed, provocative, literally kinder-whore style. Kat looked quite tidy and neat in those clothes. So they presented the opposite aspects of the style. But in my opinion Courtney Love fits the style better. No disrespect to Kat, but sometimes her dresses looked badly fitted, too big, etc. I’m talking about white dresses, she looked hot in black.

To be honest, I’m MUCH LESS impressed of Babes In Toyland than a few years ago. The music is good, but I became really disappointed with Kat and Lori Barbero after they fired Maureen Herman. Maureen convinced them to reunite, but then she got fired for ridiculous and disappointing reasons. If you don’t know what happened, Jackie Fox of the Runaways came out with confession that she was raped in 1975 by their manager, which was kept secret by other members of the band. Maureen was a rape survivor too and wrote an essay in support of Jackie & if i remember correctly she called out Joan Jett, cause Joan Jett apparently was the witness of the whole thing and never said anything (which is really fucked up, even if she was scared that leaves sour taste). Lori Barbero had a side project on Joan Jett’s label & became paranoid that Joan Jett will fuck them out because of that essay, so she wanted Maureen out. I found it:

“Kat gave me a list of seven grievances that Lori had for why I should be kicked out of the band,” Herman says, calling the list "ridiculous." "The catalyst, Kat told me, was writing the article about Jackie Fox, because [Lori] felt that me being critical of Joan Jett threatened Lori’s business relationship, which I had no idea even existed. With Kat’s help, I wrote a response to her grievances, trying to acknowledge my part in any of these things, and a willingness to try and work it out. What I did not apologize for was the article, because there’s nothing to apologize for. Kat never wanted me out of the band. Kat tried vehemently to keep me in.”

Herman says she eventually reached Barbero by phone, and says she was met with the response, “Kat was supposed to fire you.” A half an hour later, Herman says, she received a text from Bjelland reading, “Sorry, you’re done.”

And of course they deny it but i believe Maureen Herman. And that really made me disgusted with Babes In Toyland, so much that I wouldn’t listen to them at all for the next 5 years. I only got back into them this year. I lost my blind love for them tbh, music is good & I can listen to their songs when I’m in a mood, but it’s not like the best band in the world to me.

I used to think Kat is very cool, but now I actually like Courtney Love much more. It’s not that I hate her, but I like her less than before. Especially since Kat is always this „cooler” one. I don’t find Kat relatable at all, especially since she was a heading cheerleader and grade A student, lol.

Oh, also there’s one more thing that Kat says that’s always funny to me. She says „Courtney wanted to be famous and I wanted to play music”. People that don’t want any level of fame/success/recognizability don’t tour states/UK or sign with major labels, they play at home, or at some local hillybilly barbecue shows at most. If she didn’t want fame, she wouldn’t sign with Reprise Records, a huge label, literally part of Warner Bros.

I know it may look as if i really didn’t like Kat Bjelland or something, which is not really true. I know with Courtney, i kind of cut her some slack a lot, over the time I grew much more compassionate towards her, even if she seems fame hungry. Don’t get me wrong, Kat is an inspirational guitarist , but I can’t help that I’m much less impressed by her these days. I like her music, i reblog photos but idk. I’ll be honest, i have some mixed feelings now. So i like Courtney better, but Kat is great too, she for sure has a very original & distinctive playing style, good looks & angry screaming singing style which is kind of dead now because everybody goes for Lana Del Rey styled dream pop vocals.

My favourite band of her is Katastrophy Wife.

Thanks for questions! people go send me asks if you want, i like writing

#asks

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wesleybates · 4 years

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7 Interactive Elements That Will Help You Get Users Attention

Getting user's attention and getting them to convert is not an easy job. Most of the users are just passively scrolling through web pages and leaving them without actually doing anything. But you can get them to be more actively involved by using interactive elements on your landing page, so keep reading this blog post if you want to find out how.

Since landing page is a standalone web page explicitly created for the marketing and promotion purposes, it shouldn't be just a simple static page with a call to action at the bottom. It needs to spark interest in users right away, so they don't leave immediately.

According to the NN Group article, average page visit last less than one minute and users often leave within 10-20 seconds, which means that you don’t have much time to grab their attention. I often find myself in that situation - visiting a website for the very first time and if it is not what I expected, leaving within seconds unless there is something eye-catching such as fun animations or videos. So using interactive elements like these to transition between sections or to show off the key parts of your site will make users (like me) more engaged and willing to convert.

An interactive element is anything that a user can interact with. Or in other words, anything that is clickable. This doesn't mean that you should make anything and everything on your site clickable. Elements that should be interactive are the ones that help your users pay attention to the most critical aspects of your site. So here are seven interactive features that will help you improve your landing page

1. Animations make a page more unique and interactive

Simple and easy way to create visual interest and draw attention towards content is by adding animations. They make landing pages much more unique and interactive. Also, the whole purpose of animation is to enhance the design and fill in the gaps, so you should use this opportunity. When doing so, identify which elements to animate, which animation to use and when it is going to be triggered. Afterward, apply all that consistently to create a great experience. CSS transition and transform properties or keyframes are great to develop simple stuff like making a scroll down arrow bounce on hover or making paragraphs fade in on the scroll. Keep in mind that there are so many possibilities to explore with animations and it is easy to overextend, so be careful.

2. Don’t ignore buttons

Buttons are interactive elements that every landing page has and they are an essential part of every web page. But even with simple elements, you can create very unique and creative follow-ups. Usual challenge is that buttons might not be so obvious, easy to find or they are not indicating to users what happens after they click on them - this way users lose trust.

Having a cursor change on hover will point out that something is clickable and that way users can easily identify which elements are interactive. Having an animation to make it more noticeable or call-to-action text can help increase the clicks.

A simple example of a button is the one which reveals an additional text after the click. It helps your landing page stay clean and gives users a way to engage with your content. However, a more creative example would be the one on the Typeform site where they show different ways of their product use cases. On the right side, there are buttons, after they are clicked on, show one way of using Typeform and that part is also interactive.

3. Forms - fewer fields, more conversions

Forms are seen as the most popular method of conversion and standard part of landing pages. But it appears that their median conversion rate is somewhere between 3-5.5%, which means that forms are not as high-converting as they could be. Common mistakes people make with forms are: too many fields, confusing instructions, asking for personal information user is not comfortable to share, etc. Besides that, users are more prone to scanning than in-depth reading, and if they take a quick look at form and feel like it requires too much effort they won't fill it out.

To get users to fill out the form, they need to be interested in your content, and then you build up their interest with interactive elements. However, once a user is at the fill-the-form point, it should be very easy to fill it out, so they don't have time to change their mind. This means only asking for the necessary information and no distractions. Also, make sure to provide appropriate labels and other instructions if needed to avoid any misunderstandings.

4. Video sends a stronger message

The video is another common interactive element which is considered to be highly engaging. And that should not come as a surprise because people like to watch videos, they love stories, and they can relate to them. User remembers 95% of the message when it is viewed and only 10% when it is read (according to post by Monica Carvalho), which means that video often makes more sense then just necessary information and it can have a more significant impact. Having autoplay on a video is a good idea because it draws more attention that way. But it can be annoying for users who don’t want to watch the video or if something very loud starts to play - it can also drive them away from your site.

What you want to do is have autoplay on, but with audio turned off (a common practice seen on most social media platforms). That way users who want to watch it will have no problem looking for the unmute button, while ones who don’t want to watch it can easily skip it. Another option is a few videos with a possibility to choose before playing them. This way user can engage and get content based on their interest which will make them stay on your page.

Amazing video examples can be found on the Benchmark site. They have five different banners that serve as navigation and hovering over each plays a different video which makes you interested in exploring more.

5. Social media sharing buttons remind users to share the content

Lately, there have been more and more blog posts about people removing social media sharing buttons from their sites, claiming that users don't engage with them and that if users love your content they are gonna share it anyway. But even those say that having social media sharing buttons can remind users to share the content - so why remove them? In my opinion, they are still useful, because there are still plenty of users who would rather be just one click away from sharing something then having to copy URL and then going to their social media profiles to paste it and share it.

So yeah, you should still encourage users to find and share your product, business or idea on social media. And by doing so, these sharing buttons can bring you more users who will be easier to convert. But you can go beyond that and include share icons, latest Instagram photos, Tweets, etc., or even make parts of text shareable when highlighted. Also adding call-to-action text next to social media actions can help increase engagement.

Cheetos web is a great example of good practice. At the very top, they have the bar with Tweets from other people. Their main content includes lots of their Tweets, which when clicked on, also give options to share while in the footer, they got links to their social media accounts.

6. Quizzes, surveys, and polls provide valuable data about users

Interactive elements like quizzes, surveys and polls don't work for every site, but if they fit with your content, they can be really interesting for users - especially quizzes and polls which are super popular. Two reasons why people like quizzes are that we like to talk about ourselves and we like to learn about ourselves, which comes from a study by Harvard University researchers that showed how we are psychologically addicted to talking about ourselves. Quizzes are also specific because they can prolong users attention span to longer than 2 minutes and given that user already spent the time to take the quiz, there is a greater chance that they will leave the email. For you, quizzes are helpful with selling your product or getting opinions from users about a specific thing. They work similarly to forms in a way that once the user starts to engage with them, you shouldn't distract them and interrupt the flow with additional content. Instead, keep interface clean and minimalist so they can focus on what they are doing.

The Two Chimp Coffee has an amazing quiz example. It takes only a few questions to find out which of their coffee is best for you, and of course, you will be more likely to buy it afterward because the solution is personalized to your needs and they are giving you a value in return.

Surveys can be a quick and relatively easy way to get data about your users. But they tend to be lengthy and boring and research found that respondents tend to spend less time on each question the longer the survey is. Also if a survey is longer than 7-8 minutes, completion rates drop by up to 20%.

To have a higher response rate with surveys, you should try to have more closed than open questions so users have to type less. That makes a survey easier to complete and also easier to analyze, but if a survey needs to be lengthy, it is best to separate it into steps or just one question at a time.

7. Interactive Infographics can be a great communication tool

Infographics are a fantastic tool to show an idea or how something works in just a few seconds. They also present statistics in a much more appealing way than just looking at plain numbers. So if your site needs to showcase some analytics or communicate some lengthy topic, consider using infographics. Especially interactive ones, cause it will definitely be more interesting for users to explore and interact with them. They’re easy to understand and visually compelling, which will leave a great impression on a user.

A great example is one at Serio Verify site. They use interactive infographics to show how their platform works, its’ features and benefits.

These were some interactive elements that can help your landing page deal with user's short attention span and help to get them interested and more engaged with your content. Even the most basic interactive elements, like buttons and videos, can be made more fun and bring more engagement and conversions.

Before you go crazy on implementing all these elements, try to decide which ones best suit your website and business goals. Then try to make them eye-catching and easy to understand so users know instantly what is clickable and what isn't. Last but not least, keep in mind best practices for each in order to get the most out of them.

Wherever your business is located or whether you are targeting customers locally or nationally, the professional Web Designing St Petersburg, FL can help you engage more audiences. No matter the size of your business there is always a right plan and package to satisfy your requirements.

#Web Development #User Personas #user experience

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marshmallowgoop · 4 years

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Doing yearly writing reviews isn’t really a thing. But once you start doing ‘em, it doesn’t feel right to stop, you know?

Seeing progress in other arts is of course a lot easier than seeing progress in writing, but I think there is some forward movement for me, especially when I also consider my compilations from 2017 and 2018.

In regards to 2019, I’ve selected various kinds of writing for this post: analytical essays, opinion pieces, news articles, creative fiction, and maybe some works that can’t be categorized so easily, too. It was a very difficult year on many fronts; I dealt with job struggles, financial insecurity, destroyed relationships, medical hardships, seemingly endless cyberstalking and online harassment.

But there were good things, too. New friendships. New passions. New outlooks. I feel like I’ve learned and grown a lot more in these past couple of months than I have in a long, long time.

The end of 2019 is more than just the end of one year. It’s also the end of a decade. But I think the best advice I’ve received all decade comes from this year:

✄ Sometimes, you have to say yes to saying no.

✄ If you can’t do something well, do something poorly!

✄ The best option may be to simply not engage.

✄ You don’t have to apologize for disappointing others.

✄ Your worth isn’t measured by how much you “accomplish.”

✄ You have rights: the right to have your needs and wants respected, the right to make mistakes, the right to determine your own priorities, the right to not be responsible for the actions or problems of others, the right to express yourself, the right to be human. It’s not selfish or narcissistic to stand up for your rights.

And, since it is the end of the decade and all, here’s also a comparison between one nerdy fandom essay from August 2010 and another from August 2019:

2010 (with added spaces because yes, this really was just a huge block of text originally):

Also, in my own opinion, nobody really gave a damn for Xion all that much save for Roxas. I mean, yeah, Axel cared a little, but in the end, he got totally mad at her, got mad any time she was mentioned, got mad whenever Roxas worried about her, got mad when she showed up at the clock tower. She was his friend, yeah, and he didn’t want her to go, but in the end, he would have chosen Roxas above her anytime.

The other “mean villains” didn’t really care. Luxord didn’t care, Demyx didn’t care, Xaldin got exasperated once at her, but overall didn’t care, Xigbar didn’t care, Xemnas outright said he didn’t care, Saix was rather cruel to her, but really, in the end, he didn’t give a damn for her. The others weren’t around long enough to have an impression on her. I think even Riku didn’t really care all that much for her, in all honesty. He just wanted his best friend back.

Also, you have to keep in mind that we played the game through Roxas’ perspective, and it’s in my personal belief that he fell in love with Xion. And if you’re in love with someone, when she gets into a coma, or goes missing, or ignores you, you’re gonna be upset, and talk about it. So Roxas did.

But you know, he doesn’t actually do a lot of it until the end of the game. Before that, it’s all about the THREE of them. He loves his friends (even if he doesn’t know it), and he wants them to be together forever, but when Xion goes missing or whatnot and they can’t ALL have ice cream together, he gets upset.

2019:

I’ve written more on the subject here, but to keep it short, Ryuko only tries to take Nui’s life when she’s convinced herself that she’s a monster, and her development is less about her becoming less okay with killing people and more about how she won’t let her anger and rage control her. What makes Ryuko’s attitude so different in the end isn’t that she’s reconsidered her thoughts on murder but that she’s composed. Come episode 22, Ryuko ain’t saying that she’s gonna kill anyone to sound tough or to intimidate. She keeps her cool even against her worst enemies.

But that’s just what I think! Maybe I’ve interpreted the character all wrong. But Ryuko’s freak-out after she goes berserk and hurts others in episode 12, her devotion to defending even people she’s just met… I just struggle to see her as someone who’s actually a-okay with killing. The fact that Ryuko’s perfect fantasy in episode 20 depicts her as a sweet girl without any of the violent tendencies that she has in reality also points this way; not to mention, Ryuko outright admits that her picking fights and causing trouble are bad things when remarking on her childhood in episode 8.

And Ryuko? She doesn’t want to be bad. All the poor girl’s ever wanted is love, and I can’t imagine she’d ever think that getting angry and killing people would get her a lot of that.

Progress may be slow, but it does happen.

At least, I think so.

Image Texts

January 2019

And personally? I find that sweetness just absolutely, utterly charming. When I understood what the rap was trying to communicate, I couldn’t imagine listening to the song without it. Heck, even before I understood, I found the “without rap” edits empty and barren. No matter how “silly” the lyrics might come off, the unabashed cheese is fantastic. The rap section that I was once “meh” about legitimately became my favorite part of the song.

Plus, I really can’t stress enough how sad the song is when it’s purely Ryuko. The official [nZk] remix replaces Senketsu’s rap with a reprise of Ryuko’s first verse, which recounts how she and Senketsu met. And it’s tragic! She says, “But I’m all alone,” and she is. Senketsu isn’t singing with her, no matter her claim that she can hear his voice. Considering what happens to Senketsu in the end, his absence in the song hits even harder.

Full post: https://marshmallowgoop.tumblr.com/post/182361051017/oomoj-marshmallowgoop-the-rap-is-good

February 2019

The focus then shifts away from Ragyo, but Kill la Kill ain’t at all done with building the audience up yet. As the scene moves to the following day, viewers are met with quick, close-up shots of Uzu’s note to Ryuko, timed right to the beat of “Blumenkranz.” Uzu wants to duel, and we soon get to see his full request in an engaging low-angle shot where Ryuko looks up to this sign looming over her. The weight and gravity of the situation is effectively conveyed: the smooth transition from Ragyo to here, as well as the music and shot composition, let us know in no indirect terms that this fight isn’t something to be brushed off. Uzu’s duel is a big deal, and it’s very much connected to Ragyo’s expansive empire.

And the tension just keeps growing. Ryuko’s reaction to Uzu’s note is presented with a dramatic canted, high-angle shot. The camera—which is just slightly tilted—peers down at both Ryuko and the sign, communicating a sense of danger and unease. Viewers already know that the upcoming battle is important, but here, we also understand that it’s not going to be easy.

Full post: https://marshmallowgoop.tumblr.com/post/182841724817/all-the-discussion-around-episode-6-of-kill-la

March 2019

Kill la Kill the Game: IF is currently being featured at the 2019 Game Developers Conference that runs until March 22nd in San Francisco, and a flurry of new gameplay videos are now available for viewing. Notably, these videos feature full English subtitles for the character dialogue for the first time since EVO 2018 last year and never-before-seen stages, such as what seems to be the Fiber Castle in the Kiryuin Manor.

Full post: https://marshmallowgoop.tumblr.com/post/183766224117/kill-la-kill-the-game-if-gameplay-footage-from

April 2019

I mean, Kill la Kill ended over five years ago now. There’s been fairly minimal new content ever since—an OVA in September of 2014, a few pieces of merchandise here and there, a small crossover with Grand Summoners last year. And then, not even 11 months ago, out of seemingly nowhere, there was confirmation for a full-blown Kill la Kill video game. That we now know will be released in just 14 weeks!

Lots of jokes were made about the announcement for a game so many years after the series finale, but, like, seriously, as a longtime Kill la Kill fan, it’s hard to wrap my head around. Ever since the show ended, I’ve dedicated over half a million words to writing about it, spent tens of thousands of yen on books and Blu-rays and CDs, devoted nearly 60 GB to my own GIFs and edits. I’ve loved this thing to death. I’ve always found more and more that I want to write and create from this series, but I never really imagined nor expected that we’d ever get much more official content from the original creators themselves. And now we are getting so much more, and???

Full post: https://marshmallowgoop.tumblr.com/post/184228103137/kill-la-kill-the-game-if-releases-on-july-25th-in

May 2019

Kiznaiver: Oh, I was so excited to love this show! I was lucky enough to see an advanced screening of the first two episodes, and I was totally hooked. It was drop-dead gorgeous—and probably the prettiest series Trigger has ever put out—and I was very intrigued by the plot and characters. I remember just coming back to my hotel room at like 3:00 am after the premiere, utterly filled with excitement. I mean, Kiznaiver was directed by Hiroshi Kobayashi, the episode director behind the two episodes that got me hooked on Kill la Kill (episodes 5 and 18)!

But… my excitement quickly died. The story tried to develop way too many characters in way too little time, and I never enjoyed the romantic pairing of Katsuhira and Noriko, finding it shallow, undeveloped, and nonsensical (in a bad way), which… kind of ruins a lot of the series when that’s arguably the heart of the whole thing.

Kiznaiver is still super, super pretty, though. That last episode’s animation got me shook.

Full post: https://marshmallowgoop.tumblr.com/post/184700944732/so-have-you-watched-the-other-stuff-studio-trigger

June 2019

I do recognize that many, many matters do not warrant conversation. I do recognize that the phrase “I’m just trying to have a conversation” can be—and has been—utilized as a means of directing criticism away from inflammatory, unacceptable, inhumane remarks. I in no way feel that hateful, discriminatory comments should be promoted.

Simultaneously, however, “conversation” should not automatically be a dirty word in the field of analyzing and seriously engaging with fiction, and thoughtful reactions should be supported and striven for. Nothing in fiction is ever black and white. There are so many nuances and complexities to the storybook realities of our media. I want commentators and critics of fiction to be passionate about listening, considering, and rethinking those nuances and complexities. Isn’t that why we do this work at all? To share our own point of view and open ourselves up to others?

Full post: https://marshmallowgoop.tumblr.com/post/185289615202/we-need-to-change-the-way-we-seriously-discuss

July 2019

Initially, I was really bummed by this lack of development. But as I thought about things more, I… didn’t mind so much. If this dream or universe or whatever is something that Satsuki “experiences” before the events of the anime, of course she won’t grow as a character here. Maybe this game is kind of the Kill la Kill prequel I’ve been begging for for over half a decade.

And as much as I didn’t get anything, I thought the ending bits between Ryuko and Satsuki were so good.

Like, I suppose Ryuko’s absorbing the Life Fibers or something?? But wow, pretty.

And the part where they talk before Satsuki disappears? That’s my kinda anime bullshit. It’s the kinda anime bullshit I wanted from the OVA between Ryuko and Senketsu.

Full post: https://marshmallowgoop.tumblr.com/post/186648065467/goop-plays-kill-la-kill-the-game-if-satsuki

August 2019

That book, Log. 2, is a fan doujin from Kotaro Nakamori, who worked as an animator and animation director in Kill la Kill. There’s a bunch of assorted fanart in there, and I wouldn’t be at all surprised if Nakamori is a fan of Urusei Yatsura and wanted to make a little crossover between that series and Kill la Kill.

Personally, though, as someone not too familiar with Urusei Yatsura, I kinda just saw the image as oni-Satsuki (with oni being demon/ogre-like creatures in Japanese folklore). Oni are traditionally depicted wearing tiger skin loincloths, and Lum herself is definitely basically a space oni. So, I saw the cover and got super excited about oni-Satsuki because I love oni a lot, haha.

Fun fact: character designer Sushio has also drawn Kill la Kill characters as oni for setsubun, a celebration that’s held on the last day of winter (February 3rd). During setsubun, you might see folks dressed up like oni—who get beans thrown at them in an effort to bring in good luck and chase naughty demons away.

Full post: https://marshmallowgoop.tumblr.com/post/187228888187/do-i-see-satsuki-wearing-lums-outfit-in-your-last

September 2019

Though I don’t see it much anymore, I remember lots of comparisons between Ragyo and the villains of Saturday morning cartoons back in the day. She was described as a generic, two-dimensional “evilz for the sake of evilz” baddie and criticized for her simplicity.

And though I did admittedly agree to an extent—I craved a lot more depth and insight, particularly in regards to her haunting line about “still having something of a human heart” whilst brutally attacking her own daughter in the final episode—I also found Ragyo to be a remarkably compelling, powerful, and horrifying villain even without tons of backstory and explanation. Perhaps my write-up on her first scene in episode 6 best details why; this woman has such a presence, and the visual language of the series amplifies that presence spectacularly. Ragyo’s intimidating and scary without the audience even needing to know anything about her.

And… I’d say that’s a good villain. That’s exactly what a villain should do.

Full post: https://marshmallowgoop.tumblr.com/post/187987858537/on-ragyo-kiryuin

October 2019

And, though there are no visuals, so I can’t be sure if it’s an “Ocean of Light” or not, the fourth Drama CD also has the same kinda deal happening. In the CD—which takes place immediately after Ryuko learns the truth of her origins—Ryuko’s pain manifests as an explosion of light that knocks both her and Senketsu unconscious and pushes Senketsu away from her. The sound effect here is familiar, and I’m personally convinced that this is another “Ocean of Light” moment.

Which brings me to the “light” part of the terminology. Light is often associated with good, yes, but light is also associated with heat, and heat is associated with pain. In the Drama CD, Ryuko’s light is so hot that Nui even remarks that Senketsu “almost burned” from it, and when Mako embraces Ryuko after swimming through her “Ocean of Light” in episode 12, Ryuko’s touch scorches Mako’s skin.

I’ve already written an essay on the symbolic and narrative use of fire, warmth, and heat in Kill la Kill (that you should totally read because it’s actually maybe Kinda Good, Maybe), and relating to that, I see the “Ocean of Light” as a physical representation of Ryuko’s fiery spirit. That fire can be used for good, and that fire can also be painful, but no matter what, that fire is a part of Ryuko.

Full post: https://marshmallowgoop.tumblr.com/post/188247077227/i-always-wanted-some-explanation-you-are-smart

November 2019

She looks around her cottage. Her eyes find the walls and the furnishings. Her eyes find the scratched floors and stained wood. She does not voice it to the once-emperor, but she had never been able to remove the stains from the attack. Her son's blood has painted the brown wood red. It is a reminder of what she cannot remember. It is a reminder of the past she has forgotten.

“This home feels so desperately lonely,” she admits. “I do not know who is missing. But it is not complete.”

The man is quiet. He did not expect to find himself feeling sympathy for the woman's plight. Perhaps she is a fool, to have given her heart to a demon. But kindness ought not be punished, he thinks. Or has he grown so cold that he believes it should be?

December 2019

🏀 Michiru and Shirou’s relationship may be the focus, but Nakashima emphasizes that Michiru’s relationship with Nazuna is also involved in the story in a big way.

🏀 Nakashima stresses the importance of depicting teen girls realistically. Two women screenwriters are on board: Kimiko Ueno and Nanami Higuchi. Both wrote for Little Witch Academia. Ueno also wrote for Space Patrol Luluco, and Higuchi was behind the production reports in Trigger Magazine (and, interestingly, wrote the script for the anime adaptation of BEASTARS).

🏀In regards to Michiru and Nazuna’s relationship, producer Naoko Tsutsumi (also an animation producer for Kiznaiver and Little Witch Academia) provides input as well. Nakashima says that they greatly value and take to heart the opinions of the women creators.

Full post: https://marshmallowgoop.tumblr.com/post/189928986922/otomedia-winter-2020-bna-brand-new-animal

#shut up goop #goop makes a (kinda) personal post #ramblings #writing #on to 2020!#right before the new year in my time zone as per usual lol #image texts under the cut #kill la kill #kingdom hearts #brand new animal #kiznaiver

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duhragonball · 5 years

Text

Dragon Ball Z Movie 15: Resurrection F

“Dragon Ball Z: Resurrection F” premiered on April 18, 2015. Notably, it had a U.S. theatrical release only a few months later, in August. Movie 14 got a U.S. theatrical release, but it took a lot longer, and fans didn’t really have any reason to expect that much. In 2013, we were just waiting for Funimation to release it on home video. But I think it says a lot about how successful Movie 14 was. Not only did the sequel get made only a couple of years later, but the big shots in Japan who run all this stuff finally realized that there’s an international audience just as eager to pay for this stuff. I want to say the Broly movie got released in the U.S. even faster, but I’d have to look it up. And from what I understand, the Broly movie did even bigger business than Movies 14 and 15, so I think it’s safe to say that if they keep making more of these, we can count on a speedy localization.

Do we have Fox to thank for this? I mean, would any of this Dragon Ball revival have happened if “Dragon Ball Evolution” hadn’t bombed so badly? I mean, let’s say they did a good job and made DBE really kick ass, like the Thor movies. By now they probably would have made a nice little trilogy, starring a mostly whitewashed cast. Maybe the third one would be looked down upon, or they’d try to do a reboot like with the X-Men franchise, and people would write pointless thinkpiece articles asking stupid questions about “Dragon Ball fatigue”. Teenage Justin Chatwick stans would be blogging things like “OMG Did you know there was a Dragon Ball Evolution cartoon?!?!?” Maybe those live action movies would be better than Dragon Ball Super, but they’d probably also mark the end of the franchise. At least with things as they are, there’s no telling how much more Dragon Ball content we might be getting in the 20′s.

Gee, Toei, how come your mom lets you have two logos at the start of the movie?

I just found this out last night, but Res F has the distinction of being the first movie where Toriyama wrote the actual screenplay, as opposed to just coming up with the plot and story, as in Movie 14. I’m a fan of Toriyama’s work, obviously, but I’m don’t subscribe to the idea that anything he does is pure gold and everyone else who contributes to this franchise is ruining it somehow. There are GT apologists who would try to argue that GT was more legitimate because Toriyama had some vague influence on the production, and he drew SSJ4 Goku once, so that means it’s magically awesome. It just doesn’t work. Movie 14 is better than Movie 15, and I don’t think that’s because one screenplay was better than the other, but the point is that you can’t just add more Toriyama labor and guarantee a superior product.

So there’s three big problems I have with this movie, and when I rewatched it this morning, my opinion hasn’t budged since 2015.

First, the sole premise of this movie is that Frieza comes back to menace the good guys again. That’s a bad move, period. I find Frieza overrated to begin with, and they’ve already done handful of Frieza comebacks before this movie was ever conceived. Even if it was a good idea, it’s so obvious that it’s barely worth doing. When the DBS: Broly movie was first announced, I was worried that they were making the same mistake again, but then it turned out they had a bold twist on the character to justify the effort. And that’s what it takes. If you do something obvious and predictable, if you repeat an idea you’ve already used before, then you’d better have some sort of big twist to make it fresh. Movie 15 does not have this. It does an admirable job in spite of that flaw, but it’s a pretty serious flaw.

Second, the visuals are bland and unimpressive. The point of this movie is that Goku and Frieza are going to have a rematch of their epic showdown on Namek. I just went back in my archives and pulled up a still from the Frieza Saga, and it looks ten times cooler than anything in the movie. They were fighting on an exploding planet, surrounded by red skies, lightning, molten lava, and tornadoes. Movie 15 boasts the same guys, supposedly more powerful than ever, but they fight like they’re in a video game, and the background is just this dismal cloudy sky. They had 23 years to figure out how to raise the stakes, and all they could come up with was making Frieza yellow and Goku blue.

Third, everyone acts like an idiot in this movie. Like I said, we’ve done this dance before, but everyone just repeats the same mistakes and forgets that characters can do things that they’ve done in the past. Sometimes I can’t tell whether it’s an honest flub, or a deliberate callback to classic DBZ. All I know is that I remember how it went the first time, and you’d think the characters would too, since they lived it.

Now, in spite of those issues, this film does a pretty decent job working with what it has. It’s not nearly as bad as Movies 10 and 11, which commit these same three sins and puts the main characters on the sidelines. But it’s a step down from Movie 14, and around the same time, Dragon Ball Super was starting up on Japanese TV, and that show was just adapting the movies for the first 32 episodes, so I was pretty displeased with the state of the franchise in 2015.

All right, let’s get started. The movie opens in hell, which is pretty interesting, because up until now we’ve only ever seen Toei’s version of DBZ Hell. There’s a lot of inconsistencies, like whether or not you get to keep your physical body, and whether or not hell is even that bad a place to be. Since Toriyama wrote this thing, I have to assume this is his official version of DBZ’s Hell. Conveniently, we find that it’s got plenty of layers to it, including a scary looking realm full of bats, an ocean full of Pokemon fish, and underneath all of that we have an idyllic meadow with pink trees.

This is where Frieza’s being kept, and he just has to hang from the tree in some sort of testicle-looking thing. There’s angels and fairies and a stuffed animal marching band, and it’s pretty cute, but I can see where you’d get sick of it after a while.

And Frieza’s been here for a while. This movie is set in the year Age 779, and Frieza was killed by Future Trunks in Age 764, so he’s on Year Fifteen of his infinity-year sentence. Has he been stuck in this particular torment for the entire time? Who knows? I don’t know much about Japanese afterlife mythology, but my understanding is that it’s like an even more complex version of Dante’s Inferno, where there’s all these different ordeals you have to suffer through for extraordinarily long periods of time. Maybe they let him out part of the time so he can get beat up by Pikkon and watch Goku beat Majin Buu.

One touch I appreciate is that he’s still in his Mecha-Frieza form. Does it make sense for him to retain his cybernetic parts when Trunks chopped him up into so many pieces? I don’t know, but Mecha-Frieza is my favorite Frieza, so I like the nod to that moment.

Meanwhile, Frieza’s private army somehow still exists after all these years. This movie calls it the “Frieza Force”, which I’m not too wild about, but I’ll run with it. I think it’s kind of stupid to keep calling it that so long after Frieza’s death, but maybe it’s a bluff to anyone who doesn’t know Frieza’s dead. At this point, all they have left is the name. One of Frieza’s administrators, Sorbet, has taken charge of the whole thing, and I guess he’s done a fairly impressive job if he’s kept it going this long, but all he’s really accomplished is to oversee the slow dissolution of Frieza’s holdings.

Funimation made a lot out of the idea of Frieza as an emperor, suggesting he was a head of state and the planets he conquered were part of a vast interstellar nation. I think in the dub there was a comment about how the Frieza Force used to control like 70% of the known universe, but none of that’s in the Japanese version. The original premise of Frieza is that he just has a bunch of guys fighting his battles for him, and he buys and sells planets to finance all the wine and spaceships he goes through. I rather prefer that sort of aimlessness about his organization. If he were like a Roman Caesar, you could at least balance out his brutality with the semblance of authority he brings to his conquests. A Pax Friezae, if you will. But he’s not Diocletian, he’s a trust fund baby who just happens to be nigh invulnerable. He never cared what happened to anyone else, or how things would run after he was gone.

Anyway, Sorbet just doesn’t have the manpower to hold their territory, and all he can do is pull his soldiers out when uprisings get too intense. His only recourse is to wish Frieza back to life with the Dragon Balls, except he can’t find the Namekians’ new homeworld. There’s Dragon Balls on Earth, except that’s where all the Super Saiyans live, so it’s dangerous. But today, he’s decided there’s no other way. To be on the safe side, he leads an away team with just himself and his aid, Tagoma. That way there’s less chance of them being noticed by the ki-sensitive fighters on the planet.

Sigh... this is why I hate the fucking Frieza Force right here. It’s the same old spaceships, same old uniforms, same old plans. Their shuttlecraft just looks like their regular ship, only smaller. Frieza’s been dead for fifteen years, and after all this time, their biggest idea is to try to bring back LOWARD FUREEEZA SAWMA. If that was such a hot idea, then why did he get killed in the first place?

What annoys me is that there’s probably an interesting explanation for Sorbet’s strategy. You’d think he would be happier with Frieza gone. He runs this whole outfit, and even if their domain is smaller than it was under Frieza, it belongs to him, so he’s richer and more powerful than he’s ever been. But maybe he just can’t appreciate that, and he liked it better when he was a middle-manager for a big shot like Frieza. But that never gets explored in the movie. Sorbet just acts like he’s wishing back Frieza because he’s supposed to.

Anyway, it would be risky to try to go through Bulma to get the Dragon Balls, but Emperor Pilaf has a Dragon Radar of his own, so they strongarm him instead. I wonder where he got that thing. General Copper from the Red Ribbon Army had one that was never seen again, so maybe they stole it from him?

Meanwhile, here’s baby Pan. I thought Pan’s appearance in these later movies conflicted with the final three episodes of DBZ, but maybe not. The dub said she was three, but the subs said she was four. And those last three episodes took place in Age 784, while this movie shows her being newly born in Age 779, just five years earlier. So Pan could still be four years old when she fought Wild Tiger, and her birthday just hadn’t come along yet.

Anyway, Piccolo’s keeping an eye on her while her parents are shopping.

Then the sky gets dark, and Gohan and Piccolo know that someone’s wishing on the Dragon Balls, but they don’t know who or why. Oh, by the way, there’s a big statue of Mr. Satan here, and that’s his only appearance in this movie.

So Sorbet makes his big wish to have a resurrection... of F. Which stands for “Frieza.”

Just like the title of this cartoon!

But Shenron explains that it would be kind of dumb to do that. This was the thing I never understood when this movie was first announced. During the Frieza Saga, Shenron was used to wish back everyone killed by Frieza and his men, and Kami said that this would only work for those who had died within the past year. The implication being that Shenron can’t revive people who have been dead for a really long time.

But Toriyama seems to have taken that into account here. Shenron explains that he can revive Frieza, even after fifteen years, but he can’t restore all the damage to his body.

This leads to a quick flashback of Trunks killing him way back when. I’m glad they included this, since it’s worth explaining just how Frieza died in the first place. Trunks chopped him into pieces, then blasted the pieces. Apparently, after all this time, Shenron can only undo the blasting and the dying, but not the chopping.

However, the medical technology used by the Frieza Force has advanced somewhat since the Namek Saga, so Tagoma believes they could finish the job of putting Frieza back together. Sorbet decides it’s worth a shot, so we’re off to the races.

So Shenron plats along, and a bunch of Frieza chunks fall to the ground. I like the sound effects they make when they land.

Creepily, the pieces try to gather together again. I don’t know if this is Shenron’s power trying and failing to complete the resurrection, of if this is some function of Mecha-Frieza’s cybernetics. Either way, it doesn’t work.

But the pieces are all still alive, which is siiiick. Frieza’s eye even opens and looks at them, suggesting that he’s somehow still conscious in this state. See, this movie still has some cool stuff in it.

Then Shenron asks Sorbet what he wants for his second wish, and Sorbet had no idea that he would get more than one. He considers wishing back King Cold, but before he can decide...

... Shu wishes for cash, and gets it. Sorbet’s angry about this, but he has to hurry up and return to the ship before the Z-Fighters find him. The funny thing is that Shenron leaves after this second wish is granted, but in the Dragon Ball Super version, he grants a third wish, and Mai uses that one too. This is why I’ve spent the last 16 years confused over whether Buu-era Shenron grants two wishes or three. Apparently, the deal is that it’s three, unless you use one to wish a lot of people back to life at the same time. Then it’s two. So did Toriyama goof, or was the wish to bring back Frieza hard enough that it counts as two wishes? It doesn’t matter much, since Movies 10, 13, and 14 all played fast and loose with Shenron as well.

So now they have to load all the Frieza chunks into a big garbage can and haul them back to their ship.

They almost forget a piece, but Pilaf saves it for them. I wonder what would have happened if they left that eye behind?

So then they heal the pieces in their medical machine. I don’t know how this was supposed to work, but I assume they needed someone to stitch the pieces together, then they loaded him in the tank for a while, and then they had to take him out again, dress him up in his uniform, and put him back in to cure a while longer. Also, they have Japanese punk band Maximum the Hormone playing on the stereo the whole time they do this.

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“F” is a pretty good song, and I’m glad they put it in this movie, but I’d probably like it more if I liked Frieza more. The story goes that Akira Toriyama heard this song, probably because the band wrote it as a tribute to his character, and the song inspired him to create the story in this movie.

Anyway, Frieza breaks out of the tank and splashes green crap everywhere because he’s such a drama queen.

Sorbet explains everything that’s happened, and Frieza seems mostly bemused by it all. He’s displeased that he had to wait in hell for so long, but at least he’s out. Sorbet mentions that they plan to wish back King Cold next, but Frieza tells them not to bother, since he apparently doesn’t like his dad that much. This should be the tip to these idiots that this scheme will get them all killed.

Frieza kills a guy just to see how his skills are holding up, and he declares his intent to take revenge on the two Super Saiyans who defeated him. Remember, he still owes Goku for beating him up on Namek, but Trunks killed him before he could get to that point. And that’s my main problem with all of this. We already did a Frieza comeback, and it was Mecha-Frieza invading Earth in the Trunks Saga. He miraculously survived Namek, his soldiers spent months putting him back together, and then the very first thing he wanted to do was go to Earth and kill Super Saiyans. Does any of this sound familiar?

Besides that episode, we had several other stories that repeated the same theme. Movies 5 and 6 were basically the same idea, but with Frieza’s brother as a stand-in for Frieza himself. Episode 195 of the anime had Frieza come back as part of a revolut in hell. Movie 12 had Frieza come back, only to get killed again by Gohan. Dragon Ball GT had Frieza come back and fight Goku. I think Toriyama’s attitude is that he didn’t write those stories, so they don’t count, but it doesn’t change the fact that the audience still saw all of those. By the time this movie came along, “Frieza comes back for revenge” had been done several times.

Tagoma points out that maybe we shouldn’t rush back to Earth and get wiped out in a hopeless battle. Again. He suggests that it might be wiser to focus on rebuilding the Frieza Force, but Frieza kills him for his impudence, along with several other flunkies who just happened to be nearby.

At least Frieza has a reason for wanting to start with revenge. As far as he’s concerned, the Frieza Force can’t rebuild to its former glory, not if they have to hide from the Super Saiyans the whole time. Sorbet points out that Goku’s even stronger than he was before, citing his defeat of Majin Buu. Amazingly, Frieza’s heard of Majin Buu, since his father once told him that he should never mess with Buu or Beerus.

But this doesn’t worry Frieza much. He figured Goku would become stronger, and he thinks he can as well. Frieza was born with this unnaturally incredible power that he has, so he’s never needed to train or improve his strength. But now, he thinks that if he does train, he can surpass Goku after about four months. This is basically the Dragon Ball equivalent of “Why doesn’t Bluto eat some spinach and beat the hell out of Popeye?”

Here’s what blows my mind. In the subs, Frieza estimates that he’ll reach a power level of 1.3 million. I’m amazed that they’d even cite a power level this late in the franchise, let alone a number that low. Frieza claimed to be at one million in his second form, so I think everyone agrees that we passed 1,300,000 a long time ago. Hell, there aren’t any scouters able to measure that high anyway.

Seriously, is this official canon? It has to be right? Toriyama wrote that line himself. Is he saying eveyone from Second-form Frieza to Golden Frieza ranges from 1 million to 1.3 million? So like, Perfect Cell would be 1.1 million, I guess, and Majin Buu’s 1.2? That’s wild. I kind of like it.

What I don’t like is that it’s a little convenient that Frieza can catch up to Goku so easily. It took Gokue fifteen years to reach the level he’s at in this movie, and Frieza manages to tie him in just four months? If it was that easy, why didn’t he just do pushups for a week before he came to Earth the last time? He could have wiped out Trunks in an instant.

Moving on, a few months later, Jaco the Intergalactic Patrolman arrives on Earth to warn Bulma that Frieza is coming to Earth with a thousand soldiers.

I won’t get into Jaco’s whole deal, because I still haven’t read his manga yet, but baiscally he was friends with Bulma’s older sister back in the day, and Tights told him that Bulma knows the Super Saiyan who beat Frieza. The problem is that Goku and Vegeta aren’t on Earth right now, because they’re training with Whis on Beerus’ world. Bulma can contact Whis by holding up delicious food and calling out to him, but she doesn’t know if he’s listening. Also, Jaco waited until an hour before Frieza’s arrival to say anything, so now Bulma has to scramble to alert the others.

Here’s some bank robbers. I like this bit, because in the dub, they say “We’re as rich as rich guys!”

There’s just one problem...

Krillin’s a cop.

Then Bulma calls him and tells him the bad news. I feel like somewhere in the dub, Krillin observed that Majin Buu and Gohan could at least buy them some time, but then it turned out Buu was asleep the whole time, which was why he didn’t show up in this movie. I must be thinking of the DBS version. This is why I’m not big on Buu as a good guy, by the way. They have this insanely powerful good guy on their team, and then they never do anything with him. He slept through this crisis and the Tournament of Power, and I didn’t see him in the Broly movie either.

Anyway, Frieza killed Krillin the last time they met, but Krillin’s got big brass balls, so the first thing he does is suit up to fight his punk ass. 18 offers to go in his place, but he wants her to protect their kid while he’s gone.

Also, he asks her to shave his head, so he’ll look even cooler for this.

To be honest, I liked Krillin’s hairstyle in this movie, but yeah, bald Krillin is the way to go.

As he flies off into the face of certain doom, his big brass balls clanking as he goes, 18 thinks about how cool he is. Get you a lady who admires you half as much as 18 admires Krillin.

As Frieza returns to Earth, he goes over some details with Sorbet. In particular, no one could find the Super Saiyan who actually killed Frieza, and Sorbet speculates that he may have moved to some other planet or died while Frieza was in hell. Of course we know that Future Trunks returned to his own timeline, but Frieza doesn’t and never will. This loose end doesn’t seem to bother him much, and I don’t think that makes sense. Yes, from a dramatic standpoint, he ought to be more concerned about avenging his loss to Goku, but Trunks was the one to kill him, and I feel like Frieza doesn’t spend nearly enough time in this movie thinking about his own mortality.

Sorbet points out that even if Frieza kills Goku, he could just be wished back to life like Frieza was, right? But Frieza plans to destroy the Earth along with Goku, thereby eliminating the Dragon Balls and Earth’s hell. For some reason, Frieza seems to think that Earth has it’s own particular version of hell, and the only reason he ended up in that meadow of fairies is because he happened to die on that planet. So I guess he thinks that if he blows up the Earth, that hell will cease to exist as well? How does he know that?

Is that why he’s not worried about dying again? Does he think if he dies someplace else, he’ll end up in a more favorable afterlife? What happens if you die in outer space? What sort of hell is Tagoma in right now?

At any rate, Frieza thinks he has all the angles worked out, and he checks to make sure Sorbet is prepared for his “emergency plan” in case things don’t work out. This is as close as we ever get to any sort of character development for Frieza here. The last time he went to Earth, he didn’t have a plan B, and now he does.

Meanwhile, Goku is training with Vegeta and Whis, just as Bulma said. Recall that Whis is even stronger than Beerus, who dominated the boys in the last movie. So Whis can fight them both at once without any trouble at all.

But their training wakes up Beerus, so they have to explain how they pay Whis for his lessons with tasty food from Earth. Beerus is annoyed that Whis would eat this stuff without him but he’s awake now, so he can have some of the pizza they brought over.

Meanwhile, Frieza’s ship lands on Earth, and a bunch of his goons come out.

Then he blows up North City, which he calls his way of saying hello.

So it’s up to the Z-Fighters to hold the line until Goku and Vegeta check Whis’s voice mail. Unfortunately, they’re kind of light on guys. We have Piccolo, Tien, and Krillin, and Gohan’s here, but he hasn’t kept up with his training. That’s why he wore a tracksuit to this party, because he couldn’t find his gi after all this time. Tien told Chiaotzu and Yamcha to stay out of it, since this fight would be too much for them. Okay, but why? Frieza will blow up the Earth if he wins, so what difference does it make if they stay out of this? At least if they show up they can help.

On the other hand, Krillin brought Master Roshi along, He can’t even fly! Somehow, everyone involved in making this show decided that Roshi is cooler than Yamcha, which is stone cold, 100% false. Master Roshi belongs in jail, and it doesn’t even need to be a fancy jail with a roof because he can’t fly out anyway.

Then Bulma shows up with Jaco to tell the others that she couldn’t raise Goku and Vegeta. Also, she wants Jaco to help, even though he only planned to pass along the message and GTFO. Bulma trash-talks Frieza, because she figures they still have the upper hand. After all, Gohan’s strong enough to kill Frieza, right? But Gohan explains to her that Frieza’s much stronger than he was 15 years ago, so none of them stand a chance this time around.

She asks Frieza to wait for Goku, so he agrees to hold off for ten more seconds, and then he sics his army on the Z-Fighters. I bet she wishes she had told Goten and Trunks about this rumble.

People talk about this part as the highlight of the movie, and it’s definitely one of the better parts. It’s certainly fresher,since we normally don’t see six or seven guys battling a whole army like this. Also, I like the approach of limiting the cast to a manageable number. I think it’s tactically unwise to leave Yamcha, Gotenks, Buu, and Chiaotzu out of this battle, but leaving them out of the movie is worth it, if it gives Tien a chance to shine for a moment. I’m not saying I like Tien better than the others, but we’re in a situation now where they can’t all share the spotlight, so if we have to pick one, let’s make that decision and run with it, and hope Yamcha gets a turn in a later film.

The problem I have with a fight like this is that they have all these extras floating around in the background of almost every scene, so it’s like Piccolo will do some cool spot with five or six bad guys, while fifty more just sort of stand there and watch. The only explanation I can come up with is that the Z-Fighters are moving so fast that most of the bad guys simply cannot react fast enough to keep up.

For example, you have this scene, where Gohan zips through a whole bunch of guys and takes them all out while they look like they’re standing still. Also, it’s pointed out several times that the Frieza Force isn’t nearly as strong or as well-disciplined as they used to be. Hell, the next movie makes a plot point out of how hard it is for them to recruit good fighters.

Even Jaco makes these guys look like geeks, and he’s a comic relief guy.

But he’s clever, like when he tricks the bad guys into getting eaten by a giant fish. How did he know this thing lived on Earth?

At this point, Sisami enters the battle, and he’s at least strong enough to give Piccolo a hard time.

Also, his shorts are a size too small, but his slutty uniform is his only distinguishing feature, really.

But Gohan steps in and turns Super Saiyan to take him out. Not sure that was a smart play, since they’re trying to buy time for Goku to arrive. A drawn out battle with Piccolo might have been just the thing they needed. But I suspect this scene was intended to introduce the Super Saiyan concept to the audience.

To wit, Sorbet is horrified by how easily his best warrior went down, but Frieza isn’t surprised at all, since he’s the only one on his side who’s seen Super Saiyans in action. He didn’t know Gohan could turn into one, but it’s the same diff.

This blue guy tries to apologize to Frieza for their defeat, but Frieza blows them all up. I’m just pointing him out because this guy was voiced by Team Four Star’s Scott Frrerichs, which still blows my mind to this day. Also, for some reason, I thought he played Sisima--Shisami, Sashimi... the red horny guy.

Everyone agrees that they stand no chance against Frieza as he is now, and Frieza takes out Gohan first just to emphasize the point. I guess this is his meta-revenge for Movie 12.

Piccolo has to use a ki technique to restart Gohan’s heart, and a senzu bean helas him after that, but they only have one left, so that won’t last them much longer.

Finally, Whis checks his messages and Goku and Vegeta hear about Frieza. Whis can take them back to Earth, but it’s a 35-minute trip, so it’s up to Goku’s Instant Transmission.

All right, let’s get on with this. Frieza insists that he’s learned from their last fight, and he starts out with his “final” form, except it’s not his final form anymore, because he has a new one, so right off we see that he really hasn’t learned anything. He wants Goku to turn Super Saiyan, but Goku doesn’t need to, and they fight like this for a while. Does this really make sense. Frieza came here for revenge, so why is he bothering to play-fight like this?

Eventually Vegeta gets so bored with this part of the battle that he jumps in and starts attacking Goku. Frieza mistakes this for a show of loyalty to him, but in fact Vegeta’s just sick of Goku milking his turn.

They agree to put all their cards on the table, so Goku reveals his strongest form, which he calls a combination of classic Super Saiyan and the Super Saiyan God form he used in the last movie. This eventually came to be known as “Super Saiyan Blue”, because duh, but for marketing purposes it’s still officially called “Super Saiyan God Super Saiyan” or “SSGSS” for short. I have no idea who thought that was a good name for this.

So Frieza shows Goku his new form, which is just his “final” form with a different color scheme. He says he “settled” on this color, implying that he could have made it look different if he wanted to. I like that idea, because it goes along with my contention that the Xenoverse games should let you customize transforms along with your character. If you want your guy to turn into a Super Saiyan Purple, you should be able to, or if you want your Frieza Race guy to have a Crimson form instead of Golden, you should get to have that too.

On the other hand, this is fucking stupid. It’s the same fight from 1990, except the characters are different colors. This is the sort of thing critics make fun of DBZ for, and Toriyama did it unironically. I mean, I get it, Super Saiyan 3 is just SSJ1 with longer hair and no eyebrows, but it’s the way the character is used in the story that sells the form as being more powerful.

The problem here is that both guys have new forms at the same time and they’re supposed to be stronger than almost every other character we’ve seen before. And yet this fight doesn’t look all that different from what they were doing a few minutes ago, before they transformed.

On top of that, we have these really shitty CGI animations that look like they were taken out of a PS3 game. I mean that literally, because when I watched this movie, I noticed it right away, because the way the characters move looks exactly like they do in the games I play all the time. I didn’t mind it so much on the first viewing, but now that I’m looking at screencaps of it, it just looks really awkward and bad. It’s fine in the games, because it’s interactive, and I can control what’s happening. But in a movie, it doesn’t work at all, because Goku has this blank expression on his face the whole time. Also, there’s no physics on the tails of his belt. He’s rushing Frieza here but they’re just hanging at his hip like he’s standing still.

Seriously, who thought this was a good idea? These shots aren’t even that long, and they don’t look that complicated, so I don’t understand why they didn’t just go ahead and use traditional animation. I mean, the Frieza soldiers from earlier were rendered this way too, and I get that, because there were literally a thousand of them, and they wanted to have hordes of them milling about in the background. but this is the main hero and villain in the forefront of the action. If the entire movie looked like this, I wouldn’t have a problem with it at all, really. It’s a “contract with the audience” thing. If the whole movie is CGI or 2D animation, we can accept the visuals we’re given, but once you start switching media unexpectedly, it becomes very jarring.

Then Beerus and Whis finally arrive to collect the dessert Bulma offered them. Wait, he said it would take 35 minutes to get here. Have Goku and Frieza been fighting for 35 minutes?

I get the joke here, that you’ve got this interplanetary grudge match playing out nearby, and these two dorks are more interested in eating ice cream, but it sort of undermines what little tension there was to this story. When Res F was first announced, lots of fans joked that Frieza would find himself completely outmatched by the Z-Fighters. Goten could kill him by himself. But Toriyama introduced Golden Frieza to get around that, which means at this point, Frieza has leapfrogged Cell and Majin Buu to become the strongest villain again, to the point where he might rival Beerus if he put his mind to it. Frieza’s a big deal again, except there doesn’t seem to be much concern over it. Everyone seems confident that Goku can handle it, and if he can’t then Vegeta can, and if things really got out of hand, Whis could kill everyone in one hit.

At one point, Frieza finally notices Beerus and asks him if he’s going to interfere in the battle, but Beerus insists that he’s just here for dessert, and he’s totally neutral in this.

And Frieza seems to think he’s winning, but then Goku informs him that this Golden Frieza form has a weakness. Frieza was so thrilled to have the new form that he rushed to Earth as soon as he discovered it, but he hasn’t learned to regulate his power at this level, so he’s going to tire out in a few minutes. Goku should know, because he ran into the same problem with Super Saiyan 3 a few years back, and the same thing happened to Frieza when he fought at 100% of his full power because FRIEZA HASN’T LEARNED A DAMN THING SINCE THE LAST TIME THEY FOUGHT. This movie is just so dumb. The fact that Goku has to explain this to him again is absurd.

Frieza thinks Goku’s bluffing, but this time the CGI battle shifts into Goku’s favor, and Frieza can’t hit the block button fast enough or break Goku’s combos.

Then they fight underwater, which is just as murky and grey as the sky, only there’s bubbles down here.

Finally, we reach the point where Frieza’s punches don’t even work, and Goku pokes him in the tittly and punches him.

So Goku tells him to get out of here, just like he did on Namek, and Frieza throws a fit, just like he did on Namek. This fight is the worst. I mean, it’s not Gohan vs. Dabura levels of bad, but at least Gohan and Dabura did original stuff while they were shitting the bed.

Then Frieza signals Sorbet while he’s crying, and Sorbet shoots Goku with a ray gun to take him out of the fight.

And this is dumb too, because it’s the same mistake Goku made on Namek, twice. Only this time, Frieza actually got the drop on him, which is dumb because he’s basically doing the same thing Piccolo did to Goku at the 23rd World Tournamnet. Whis even warned Goku about this overconfidence earlier in the movie. I mean, it was forteshadowing, which ought to be okay, except when everything else in this movie is a retread of Frieza’s other appearances, foreshadowing is kind of a bad move.

But Goku’s not the only dumbass in this movie. Frieza decides not to kill Goku while he has the chance, and instead invites Vegeta to do it for him. He even offers to make Vegeta his second-in-command, although his entire Frieza Force is dead except for Sorbet. Geets declines, which isn’t exactly a shock, since he’s hated Frieza for destroying Planet Vegeta. You know, the thing that happened forty-odd years ago that Frieza probably should considered before asking Vegeta to rejoin his team?

Instead, Vegeta tells Krillin to give Goku a senzu bean, and when Frieza tries to stop him, Vegeta deflects his attack so that it kills Sorbet instead.

In return, Vegeta demands to take over the fight, now that we’ve come to his favorite part, the “Frieza-murdering” part. Frieza mocks him for thinking he stands a chance, but Vegeta turns Super Saiyan Blue himself, and now Frieza realizes he’s totally screwed. I guess he figured Goku would be this strong, but he never imagined he’d have to fight Vegeta at the same level at the same time.

This is my favorite part of the movie, where Vegeta informs him that he learned to go Super Saiyan shortly after Frieza’s death. Then again, why didn’t Frieza know about any of this? Sorbet had been spying on the Earth for years, and he seemed to know just about everything else about what was going on. Why didn’t he tell Frieza that Vegeta was living on Earth and that he was about as strong as Goku? “Hey, look, I know you think you can handle Goku with this Golden form, but just understand that you’ll probably be fighting Vegeta at the same time, and he’ll be about the same level.”

For that matter, why did Frieza invade without checking to make sure Goku was on the planet first?

So it looks like everything’s coming up Vegeta in this movie, although this part of the fight is anticlimactic, becuase Goku had already softned Frieza up for him.

But then it turns out that Vegeta swallowed a bottle of idiot pills too, because when Frieza’s Golden Form wears off, he gets desperate and blows up the Earth to escape. You know, just like he did on Namek. At least I can sort of excuse Vegeta for this, because he wasn’t there the last time Frieza pulled this trick, except that Vegeta should have seen it coming, because he pulled the same stunt himself when he first came to Earth.

So yeah, the Earth explodes, again, which just makes the Dragon Ball Wiki that much harder to read, because they count both explosions as dates of death for every character. Goten died in Age 774 and Age 779 and whenever else he would have died naturally.

But all the main characters who were watching he fight are okay, because they were standing next to Beerus and Whis, who made a force field to protect them. Vegeta’s dead, though, because he suffocated when the planet blew. On the other hand, Frieza would have survived, because he doesn’t need air. On top of that, he took out the Dragon Balls, so there’s no way to undo this with a wish.

Then Whis reminds Goku that he has the power to rewind time by three minutes. Yeah, I forgot about this. Earlier, when Beerus woke up from his nap, Whis mentions how Beerus has a nasty habit of destroying things accidentally, so Whis has the power to rewind time and undo it if Beerus does anything especially stupid.

So now Goku has a chance to kill Frieza properly, which he should have just done in the first place.

KILLER QUEEN DAISAN NO BAKUDEN BITES THE DUST

So Frieza’s dead again... until they bring him back for the Tournament of Power, because for some reason fans want him to keep coming back for more of this crap.

Vegeta is understandably upset, because he thinks Goku just jumped in for no reason, but he calms down once he finds out Frieza was about to blow up the planet.

Bulma promises a big feast for Whis and Beerus for helping them, but she adds that it’ll have to wait for them to wish back everyone who died when Frieza destroyed North City. Well, that’ll take six months, because the Dragon Balls haven’t reset since the last wish, right?

Then Goku proposes that he can Vegeta actually practice working together, in case they need to really join forces next time. Vegeta’s like “nuts to that” and Goku’s like “same here”, so at least they have that much common ground.

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The end credits are accompanied by “Z no Chikai” or “Oath of Z”, by Momoiro Clover Z. This song rules, and it’s really much better than Movie 15 deserves.

In the post credits sequence, Frieza finds himself right back where he started, and the angels and fairies welcome him back to hell. Looks like Tagoma had the right idea after all, huh?

And I guess that about sums it up. I feel like this movie wasted an opportunity to do something truly interesting with Frieza. You have a guy who was invincible, then he got killed and spent 15 years in hell, only to get wished back to life by his desperate troops. This could have been a chance for him to ponder his own mortality and the futility of power and revenge. What good does it really do to kill Goku when they both know what awaits them on the other side? What difference does it make to escape the afterlife when you know you’ll just have to go back eventually? You could try to have Frieza answer those questions and have him become a much more desperate and complex villain. Instead, Toriyama just went right back to what he had already written in the Trunks Saga.

Sadly, this looks like the final entry under the Dragon Ball Z brand. Now that Dragon Ball Super is a thing, it looks like any new Dragon Ball stories, like the new Broly movie, will be produced under the DBS branding. I kind of wish DBZ could have closed out on a better note than this.

On the other hand, that Broly movie was a lot better, and even if it was officially titled “Dragon Ball Super: Broly”, I find that it’s hard for the Z to drop out of the public lexicon. When I went to see it in January, the theater had it listed as “Dragon Ball Z: Super Broly.” Old habits die hard, I guess. Maybe one of these years, we’ll see the end of the Z, but not yet.

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letsblogwithlandy-blog · 4 years

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The Chinatown Experience

Whether you’re looking for a new place to visit for the sights, the food, the history, or the cultural exposure, Chicago’s very own Chinatown might be the place for you. Who would have thought that one of the most authentic, if not THE most authentic Chinatown in America was just a train ride away from where I live? As a resident of Back of the Yards, I have always made it a mission to explore my city and find new places to hang out at. I’ve been to Chinatown a number of times already prior to it being part of an assignment; however, this time, my eyes were widened to things I never even considered before.

My classmate Maria and I arrived at Chinatown via red line “L” train. This is the most optimal choice of transportation, in our opinion. Even if you have a car, you would be required to either find parking (which is somewhat likely if you are a fast and responsible driver) or pay for hourly parking. Get yourself a Ventra card. And if you’re a student, just use your university U-Pass. You’ll thank us later.

Upon exiting the Chinatown red line stop, we came across the Nine Dragon Wall, located on W. 22nd Street/Cermak Rd. The beautiful contrast of the dragons and the sunlight gave the wall an aesthetic that stumped us. I had never noticed this wall before. While we were in awe, we did wonder one thing: why are the dragons in an assortment of color?

(picture of wall here)

The dragons appeared to be in gold, blue, and red, and the reason for this is because of color significance according to Chinese culture. English teacher and Beijing instructor Campbell Alizzi describes the colors in detail, signaling that there is more than meets the eye. The Nine Dragon Wall had hints of red, blue, and gold. Red is a color of good fortune, blue is the color of immortality, and gold is the color for victory and prestige (Alizzi, 2019). Maria and I realized that these dragons are meant to set a strong first impression and presence to visitors. These dragons and this gate signify the strength, honor, and glory that is Chinese culture and welcome visitors with what is equivalent to a firm handshake.

(picture of gate)

Not far from the gate was the enormous, hard to miss Chinatown Gate, located on S. Wentworth and 22nd Street/Cermak Rd. The Chinatown Gate represents the official entrance to Chinatown. Architect Peter Fung developed this gate in 1975, making it a hallmark of Chinatown. Going beyond this gate is where all the fun begins.

In Chinatown, you gotta have a good eye for detail if you want to get the most out of the area. One such place where this skill was necessary was the Pui Tak Center on 2216 South Wentworth Avenue. The exterior of the building showed resilient attention to detail, especially when it came to the brick Chinese symbols which also come in a variety of colors.

(picture of census sign)

The building, along with the Chinatown Gate, has a dominant presence in Chinatown not just architecturally but also socially. According to the Pui Tak Center website, construction of the actual building itself went from 1926 to 1928, but the establishment of the building as the Pui Tak Center was on December 1st of 1993 (“Pui Tak Center: Our History and Mission”).

(picture of entrance to center)

Programs that Pui Tak offers involve English as a second language (ESL) classes and Food Sanitation Certification. Immigrant youth programs are also offered though the center, as their goal is to assist youth to transition into school and overall life a lot easier. One of the aspects of this center that stuck most to me was their programs for immigrants. The staff identify that immigrants of any place are at times unfamiliar with the way lifestyle is in Chicago. This city is fast paced and at times overwhelming, especially for newcomers. The center holds workshops that prepare immigrant families for everything from doing taxes to setting up immunization appointments. As the building hoisted a banner for the 2020 United States Census, the words “Everyone Counts” coincidentally stuck out the most. This center embodies that.

Our next stop was the Chinese American Museum of Chicago on 238 W. 23rd street. They have a ring-the-doorbell-for-entrance policy, so you mustn’t be shy to ring the bell! Otherwise, no experience. Right off the bat, the greeter who let us in was so enthusiastic! It’s as if she already knew what we were doing there. She allowed us to take photos of the interesting exhibits they had available for visitors.

(picture of museum outside)

Maria and I later asked the greeter if we could have access to viewing the 16 minute video on the history of Chinatown, to which she ecstatically said yes and led us to the second floor for viewing. The video had about 5-6 parts (cannot recall) that were each dedicated to a portion of what made up Chinatown and its rich cultural preservation. My favorite part of the video had to be the part about natural medicine and herbalism.

(picture of medicine)

I’ve always been a fanatic of tea and have been fascinated by alternative medicine, and to see that as part of a video for people visiting the museum is excellent. My appreciation for alternative medicine increased after finishing this video. There were moments we were startled though…like when the spotlight was on the robes.

(picture of robes)

I legit jumped in my seat because I felt they were gonna pop out. It was realistic and an experience to remember indeed.

Answer this, reader: have you ever been to an area, claim to know what that area is all about, but then you realize you actually don’t? Yeah, that was me our next stop, Chinatown Square. Located on 2100 S Archer Avenue, this is where most of Chinatown’s buzz comes from. The highlight of this walk was visiting the zodiac stone figures in the middle of Chinatown Square. I was born in 1997, so I was looking for the ox. However, here it’s titled Bull instead of Ox, so maybe it has something to do with traditional Chinese zodiac.

(picture of me with ox)

This area also has a plethora of restaurants and souvenir shops for visitors to explore and experience! Maria and I entered a shop and just observed the knickknacks that were available for purchase.

(pictures of inside store)

NOTE: always ask the store clerk if it is okay to take pictures; that’s just out of respect for the person.

The New Chinatown Library, located 2100 S. Wentworth Avenue (just across the street of Chinatown Square) was a library like none I have seen. This library was composed of two floors, wherein the first floor seemed like more of an organization-meeting oriented area and the second floor was where your typical library quirks (books, bookshelves, desks) were.

(picture of first floor library)

There was a large conference room on the first floor; conveniently, we saw that there was a meeting taking place there..possibly a neighborhood organization. We got a chance to see a room like that in usage.

The second floor of the library, unlike any other library I’ve been to, had a large mural that stretched a long distance.

(picture of mural)

I’ve never seen such a sight, especially in a library. It reminded me of the artwork by Takashi Murakami. The cosmic and chaotic color combination, along with the surreal, cartoonish animation added a contemporary spice to the library. Very nice addition.

Another interesting discovery we made while in Chinatown was a market right next to the library. The Park To Shop Supermarket was a marketplace that is unlike the ones in my neighborhood.

(picture of market outside)

Upon entry, the space was pretty limited. The marketplace was very tight. I had a duffel bag that day, so you can imagine how scared I was to bump into stuff. I noticed that there were a lot of elderly people there too. It warmed my heart to have been greeted by the people there.

(picture of inside market)

Another difference this marketplace had that mine do not is the display of produce outside of the shop. My stores don’t do this, not sure why, but here they had fruits and bagged goods prepared for people to grab and pay for upon entry. That’s a lot of trust on part of the owners.

All-in-all, Chinatown earned its title of authenticity through the extensive work of its locals and the love for wanting to keep things as culturally in-tact as possible. According to a Chicago Tribune article, in 2013, the Chicago Metropolitan Agency for Planning was launched to preserve the identity of Chinatown by improving upon public education, elderly care programs, transportation infrastructure, and creating more public parks (Eltagouri, 2016). It’s moves like these that help further the preservation of not just the culture, but the experience that fellow Chinese and Chicagoans can have.

If you haven’t already visited Chinatown, we highly recommend it. Just like many of the other great sights and places in Chicago, they might just be a train ride away.

Work Cited

Alizzi, Campbell. “Learn Chinese: Chinese Colors and Meanings.” Chinese Language School. Taiwan, China. 27 February 2019.

Eltagouri, Marwa. “Here’s why Chicago’s Chinatown is booming, even as others across the U.S. fade.” Chicago Tribune. Chicago, IL. 13 May 2016.

Pui Tak Center. “Our Mission and Out Goal.” www.puitak.org. 13 February 2020.

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