something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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fuck you ageism fuck you life ending at 30 fuck you makeup industry forcing us to feel bad about a natural process fuck you hustle culture fuck you instagram fuck you youtube fuck you glorification and deification of youth fuck you who make people feel bad for not having "achieved anything" in their 20s fuck you people who peaked in high school and try to drag everybody down by insisting it's all downhill after 19
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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ok this sounds insane but in 2018 i went to a few carnivorous plant talks at the botany conference in minnesota. i got caught up in conversation with one of the guys there who was a huge nepenthes guy who told me a story about another collector in the pacific northwest who'd been buying poached plants, like a huge amount, and eventually got staked out by the fish and wildlife service and arrested and had all his plants seized and went to prison for it. idk if i ever talked about this on this blog before-- i know i liveblogged a lot from that conference but cant remember what all i posted-- but ive avoided talking about it since then because i was never able to find like, news articles or anything covering it, but behold.... we now have proof it was real, and im like 80% sure this was this guy he was talking about. the raid happened in 2016 and they'd been staking them out since 2013. he had nearly 400 plants and had been sourcing many of them from poachers in indonesia and borneo.
remember folks: poaching happens with plants too! it's a huge problem not only in carnvirous plants (nepenthes especially, which this piece is dedicated to talking about) but also in native plant populations in the US, including native carnivorous plant populations (north and south carolina's venus fly traps, california's darlingtonia, and sarracenia from the east coast), native orchids (historically one of the most poached categories), desert plants/cacti/succulents, and slow-growing woody ornamentals (cycads, for example). never buy bare-root plants off ebay or facebook! your best bet is local nurseries (which usually purchase farm-raised plants that do well in a wide range of conditions, and as a result have a healthy population in the wild) or specialty greenhouses (more expensive, but at least in the case of carnivorous plants offer young plants bred from established adult plants in-house, raised in captivity).
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me, coming to this website every single day: don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look at the like/reblog ratio don't look-
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I think Jason is someone who hasn’t really thought of himself as a child since he was like 10 and this has been (canonically!) reinforced by adults in his life but at the same time he is emotionally stunted due to trauma + depending on which timeline you’re talking about losing actual years between the ages of 15-18 to catatonia, and thus in his early 20s he is rapidly approaching this phase of life:
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special operatives
(silly interaction beneath read more)
[ID: Digital Art in color of Trigun Maximum, characters included are Wolfwood, Elendira, and Legato in a casual meeting situation. The piece consists of orangey yellow lighting and purple shadows. Wolfwood sits on the left side, facing Elendira who’s on the right. He’s seated on a plain wooden chair with one knee up and he’s holding the strap to his Punisher in his left hand while his right sits against his thigh, He has an irritated expression as he speaks to Elendira. Elendira is sitting in a fancier seat, her right arm rests against Wolfwood’s propped up knee, her left hand holds her suitcase. She’s sitting cross legged with an amused expression. Legato can be seen in the back at the center of the image in his mobile body case, one of his eyes shown to be glaring at Wolfwood. End ID]
[ID: Sketch, uncolored comic. Elendira says to Wolfwood, “I’m not telling you to dedicate yourself to him, but just accept the situation at hand. We could get along better if we were on the same page.” Wolfwood responds, “Don’t peg me me for an optimist. I’m not dumb. But, I’m also not going to just live in resignation. Plus, I don’t have any interest in getting along with ya.” Elendira coos, “Aw, you sure? I have a wonderful shoulder to cry on when the weak people you’re trying to protect eventually dies in the coming months. Though, I guess it’s fine. Someone like you might just die before then anyway...” She snickers in her hand while Wolfwood is speechless and just glares. Legato is faintly drawn in the back, glaring at Wolfwood, muttering “worthless” repetitively. End ID]
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