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#paper for oil painting
clowningaroundmars · 1 month
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aaaaand done!
hobieposes 4 u <3
some ppl seemed to like the sketch i posted and then deleted so here u go ↓
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lionofchaeronea · 1 year
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Firs, Carl Gustav Carus, ca. 1840
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danielle-peaches · 2 years
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Your oil paintings are incredible! Congrats on your mad skills, you must have worked very hard. What kind of paper do you paint on?
That's so lovely! Thank you for appreciating the time I spent on this one ❤️ I use many different brands but this one was painted on:
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I hope you find it useful ❤️
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Carl Spitzweg (1808-1885) "Girl with Headload" (c. 1860) Oil on paper mounted on canvas Biedermeier Currently in a private collection
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naedsart · 7 months
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iwtv paintings from my sketchbook
prints
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megelizsa · 5 months
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art work in progress
oil on paper
(if anyone’s seeing this now please check out my new ig account @megelizsart i just made it and it’s so dead lol😌✌🏼)
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julianina58 · 9 months
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🥀 lestat de lioncourt oil study ⭐️
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vestaignis · 3 months
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Русский художник, представитель символизма и модерна,  Иван Мясоедов (1881, Харьков – 1953, Буэнос-Айрес) родился в семье  знаменитого художника-передвижника Григория Мясоедова. Был внебрачным сыном художника Григория Мясоедова и художницы Ивановой. Еще ребенком Иван Мясоедов начал учиться рисованию в частной школе, организованной его отцом. В 15 поступил в Московское училище живописи, позднее — в Императорскую Академию художеств. Он мало чем походил на своего отца, и никакой преемственности в искусстве  не было. Все, что было мило Григорию Мясоедову, Иван Мясоедов презирал (и наоборот). Его привлекали мифологические сюжеты, эпический размах, подвиги, боги, герои — все то, от чего бежали передвижники. Художник Иван Мясоедов был прекрасным профессиональным гравером, что стало причиной большой беды. Проживая с женой в бедствующей Германии в 20-е годы, он рисовал и печатал английские фунты- за что и был арестовыван как фальшивомонетчик. Три года Иван проводит в Моабитской тюрьме, где  расписывает тюремную церковь.  Выйдя на свободу, он пишет целый ряд ностальгических полотен и в 1938 году бежит с семьей в Лихтенштейн по поддельному чешскому паспорту (сам «нарисовал») на имя «профессора Зотова». В княжестве Иван Мясоедов стал придворным художником, создал великолепные эскизы почтовых марок. В Лихтенштейне художник вновь попал под арест за подделку  государственных кредитных бумаг, а всю его семью лишили гражданства княжества.  После непродолжительного заключения Мясоедов с семьей в 1953 году переезжает в Аргентину.  По приезду в Буэнос-Айрес Иван Мясоедов внезапно тяжело заболел и умер  от рака печени. Ему было 73 года.
Russian artist, representative of symbolism and modernism, Ivan Myasoedov (1881, Kharkov - 1953, Buenos Aires) was born in the family of the famous Itinerant artist Grigory Myasoedov. He was the illegitimate son of the artist Grigory Myasoedov and the artist Ivanova. As a child, Ivan Myasoedov began to study drawing at a private school organized by his father. At 15 he entered the Moscow School of Painting, and later the Imperial Academy of Arts. He was little like his father, and there was no continuity in art. Everything that was nice to Grigory Myasoedov, Ivan Myasoedov despised (and vice versa). He was attracted by mythological stories, epic scope, exploits, gods, heroes - everything that the Wanderers fled from.
The artist Ivan Myasoedov was an excellent professional engraver, which caused great trouble. Living with his wife in poverty-stricken Germany in the 1920s, he drew and printed English pounds, for which he was arrested as a counterfeiter. Ivan spends three years in Moabit prison, where he paints the prison church. Upon his release, he painted a whole series of nostalgic canvases and in 1938 he fled with his family to Liechtenstein using a fake Czech passport (he “drew it” himself) in the name of “Professor Zotov.”
In the principality, Ivan Myasoedov became a court artist and created magnificent sketches of postage stamps. In Liechtenstein, the artist was again arrested for forging government credit papers, and his entire family was deprived of citizenship of the principality. After a short imprisonment, Myasoedov and his family moved to Argentina in 1953. Upon arrival in Buenos Aires, Ivan Myasoedov suddenly became seriously ill and died of liver cancer. He was 73 years old.
Источник://kulturologia.ru/blogs/160919/44149/, https://dergachev-va.livejournal.com/86205.html,arthive.com/ru/artists/31745~Ivan_Grigor'evich_Mjasoedov/works/587071~Vid_na_SanSusi, /artifex.ru/живопись/иван-мясоедов-часть-1/, /artchive.ru/publications/4134~Zhizn'_i_udivitel'nye_prikljuchenija_Ivana_Mjasoedova.
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shmreduplication · 2 months
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my only issue with the Rothko On Paper exhibit is the curators did not talk about paper
like the fact that these Rothkos are On Paper is significant enough to be included in the title. A lot of the plaques mentioned that Rothko thought very highly of his works On Paper (he would gift them to friends and display them in his own house, and made some commissioned pieces on paper too)
there definitely is an idear in museamy art that paper=practice=not as important and on the one hand it pisses me right off due to papercraft being my primary medium (i'm a generalist but if I had to pick just one I'd go with paper) but on the other hand I get it because paper is cheaper than canvas and Museams Are Full Of Canvasses From The Old Masters. See also: the Cezanne Drawing exhibit at the NYC MoMA in 2021, a lot of those were legit sketchbook/practice/unfinished pieces unlike the Rothko On Paper pieces which were all (except for four) finished pieces
I legitimately don't think this is from my bias as a papercraft or science person, I do think this is an oversight on the curators that they didn't talk about the paper. The plaques would say wove paper water color paper or just like not mention the type of paper. The paints were tempura or oil or water color or ink and all of those sit on top or soak into different kinds of paper in different ways
idk I just think that the material that the art is on is part of the art, it's more than just a holder for the art. and I think that's especially true for Rothko's technique of diluting and layering paints. There's a clear disconnect that the works being on paper is important enough to be part of the title of the exhibit but not important enough to be talked about within the exhibit.
the selection of the pieces was great, the order that the pieces were presented in was great, the quotes from Rothko and his personal history that was included on the plaques were great but like why even call it Rothko On Paper if you're only going to talk only about Rothko and nothing about paper. Like ok he thought there was no hierarchy between paper and canvas but WHY? what are the differences between paper and canvas?
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minimavisibilia · 9 months
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Zak Prekop Transparency with Black Ground and Color 2012 Oil and paper on canvas 48 x 72 in.
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lesbianarthistory · 1 year
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Marie Vorobieff (1892-1984): I. Portrait of the Artist's Daughter, Marika (Rivera), aged 23, with a Lover (1942) II. Two Young Women (1943)
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takigawastudio · 2 months
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Makoto Takigawa
Wildflowers
Oil, ink on paper 30"x 24"(76cm x 61cm)
www.takigawastudio.com
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lionofchaeronea · 9 months
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Bonfire Celebrating Midsummer Night, Nikolai Astrup, 1912/1926
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miamaimania · 2 months
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Harmony of Forms: A Mixed Media Exploration of the Human Figure in 'Nude Study No*3'
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Albert Bierstadt (1830-1902) "Trapped" Oil on paper mounted on cardboard Hudson River School Located in the Buffalo Bill Center of the West, Cody, Wyoming, United States
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naedsart · 7 months
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warrior nun paintings from my sketchbook
prints
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