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#their expressions are just PERFECT
marc--chilton · 2 months
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humor me. imagine if you will. dearest wilson, who is in his mid forties and drunk and having a little mope time because he may be a freak but he's a freak with depression. and he's bemoaning to house about his looks bc he saw an old picture of himself from med school or whatever, like fully being a little loser about it. "i used to be so cute. i had friends that would tease me for being a 'prettyboy'. (little sigh)"
and house is eating this UP because of course they're drinking together, he gets to see wilson be like..... an unserious amount of pathetic. literally not even paying attention to the tv anymore. "do i need to insult you more to fill your quota or something"
"no, no it's not that it's just," and wilson is still present enough to know he's gonna regret showing a weakness to house of all people but whatever. "miss being a pretty face i guess, i dunno"
house (who is NEVER going to let this moment be forgotten holy shit) has to like bite his tongue so he doesn't actually laugh in his face and get him to clam up. "aw, jimmy, (takes wilson's jaw and shakes him a bit like silly dudes do or like when you roughhouse with a dog) you're always a pretty face" and he's teasing of course but also. house is house, and house says some peculiar things regarding wilson so how fr he's being is an absolute mystery
cut to house actually looking at him and wilson is staring right back at him like 🥺 with big big beautiful brown cow eyes which are still kind of unfocused, cheeks a little smooshed where house is still holding his face, the weight of his head in his palm when wilson relaxes a little. "you think i'm pretty? 🥺"
and it's so much house has to avert his gaze. loosens his grip into something a little more soft. "yeah. sure"
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balleater · 2 months
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despite being more often than not a "rules as written" fan over "rule of cool", i really do love me a good "rules be damned, i'll give you this awesome moment" call. like matt giving fcg the otohan kill despite what her hp was at or brennan giving cerrit an extra mage slayer reaction attack at the end of calamity. honestly, if anything, i think the fact they mostly play by the book makes these moments even better because it really has that extra weight towards those decisions to put the rules aside.
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conjuring-ghouls · 6 months
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There was no need for him to look this good. (video by ghuleh.on.a.cross on ig)
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herewegobebe · 3 months
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Kibum & Son and the little barking competition 🗝🐕‍🦺 [x]
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shootingstarrfish · 5 months
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shoutout to simeon for being the prettiest obey me character
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blaithnne · 12 days
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Local big sister experiences emotions, more at 6
Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.
The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!
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She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.
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These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!
This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.
ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos
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whereismyhat5678 · 4 months
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Me? Obsessed?? Nah man- you got the wrong guy 🙌 I ain’t obsessed with anything- PFF- yeah right-
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……..
Okay maybe a bit-
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stormofdefiance · 3 days
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True knowledge exists in knowing you know nothing || Dr. Ratio & Socrates
Okay, I legitimately laughed out loud writing that title, but listen. LISTEN.
Ratio's inspirations derive from many sources; from referencing Archimedes's brain-blast in the tub, to being doomed to have his head bonked by Newton's apple ad infinitum in his idle animation, to his ultimate line ('esse est percipi' / 'to be is to be perceived') a direct quote from Berkeley on Idealism - it's apparent that his design nods towards scholars across time periods rather than being a direct parallel to a singular academic.
Nevertheless, just for fun, I've been rotating Ratio and ancient greek philosophers around in my head and have had a great time chewing over how parallels Socrates in particular. I am in no way saying that Hoyo even thought about Socrates while they were designing Ratio, but I thought I'd share my thoughts. I think there are some worthwhile parallels to be drawn that touch on all aspects of Ratio's own philosophy regarding ignorance, the value of knowledge, and his deep appreciation of life. So, let's get into it.
Ratio is interested in humanity and curing 'ill minds with knowledge', that 'to turn a blind eye to the folly of others is not an etiquette, but a wicked worldly practice.' Ignorance is a disease - this is a concept that can be viewed through a Socratic lens. Socrates believed that that virtue and knowledge were impossible to separate from one another, and that virtue could be developed through acquiring knowledge and insight. If knowledge is virtue, then ignorance is vice. In Socrates's mind, no one would rationally choose to do something bad. People might choose to do bad things, but this is rooted in their own perception of the world - as in, someone would only choose to do something bad (for the world, or for themselves) because they believed (erroneously) that it was the right or good thing to do. To Socrates, the cure to this was knowledge: 'There are two kinds of disease of the soul, vice and ignorance.' & 'What does most harm in the world is not sinfulness but ignorance'.
To Ratio, 'If ignorance is an ailment, it is the duty of the scholars to weed it out and heal the universe'. He views his own ignorance as 'filth' that must be cleansed through methods such as reading. He also views knowledge as a method for humans to overcome their problems - 'Another day has passed. If your problem still hasn't been solved, is it possible the problem is you?' & 'You look distressed. Is something troubling you? if so, you can figure it out for yourself.' These statements sound harsh, but they also clue us into Ratio's philosophy - that through self-examination and improvement, one can overcome one's ailments.
Socrates was also known for being a trouble-maker, he was abrupt and tactless and did not care for someone's social standing nor decorum. He was also known for using what is now called the Socratic method, asking a series of questions that ultimately seek to show contradictions in the beliefs of those who posed them, and to move systematically towards a hypothesis free from contradiction. Socrates rarely made assertions himself - after all, he had no wisdom of his own. But he could interrogate others in order to expose their own foibles, much to the embarrassment and annoyance of those around him. He was once described as a 'gnat' chewing on the 'lazy horse of Athens', causing it to wake up and spring to life due to his persistent gnawing and prodding. Ratio also employs the Socratic method - 'I'm asking questions' - and also adopts sophist tactics such as playing devil's advocate and taking opposing sides (with both himself as seen a story quest, and with others as we see with his texts urging us to take up a side so he might debate us). Through questioning and interrogation, upsetting what we consider social convention and norms, we can dispel contradictions and thereby come closer to some form of truth.
To add to this - as highlighted in the replies below - Ratio’s skill ‘intellectual midwifery’ is a reference to the Socratic method. The idea being that Socrates helped those around him give birth to the knowledge that was already within them, rather than treating his students minds as empty vessels for him to fill with his own answers. Again this is beautifully echoed in Ratio - he doesn’t want to tell you how to live your life, he wants you to work out for yourself what it is you need, thus empowering oneself through self-examination and questioning.
Socrates did not believe in writing anything down. He believed that face-to-face communication was a far more effective way of communicating knowledge - which means, unfortunately, what we know of Socrates is primarily derived from secondary sources. Much of what we know about him today comes from Plato's dialogues, and Plato was known for liberally exercising artistic license.
Although Ratio is not dead, I find it interesting that his character story is told exclusively through secondary sources. To quote - '…There are no less than eight documentaries detailing his legendary exploits, and over a dozen memoirs about him. However, despite the plethora of commentaries, none of them seems to provide a compelling perspective.' It's as though there are no surviving fragments penned by Ratio's hand and all we have to go on is through the lenses of other people. This challenges us, perhaps, to try to think about our own interpretation of Ratio since secondary sources cannot be taken as a wholly unbiased account - and once again employing the Socratic method and empowering the reader to come to their own interpretation.
While Socrates left no writing behind, he was interested in spreading knowledge. Socrates spent most of his life in Athens, a city that was, during his lifetime (~470-399 BC), a hotpot of scholars, wisemen and philosophers. Athena, the Greek god of wisdom, was named after the city - her symbol the owl that is also appropriately perched on Ratio’s shoulder. Also in Athens at this time where the sophists. The sophists were a class of intellectuals who were known to teach courses in various subjects - but often for a high fee, and generally centred around the idea that persuasion and the use of knowledge as a tool was more important than wisdom or truth itself. There's some debate about whether Socrates could be characterised as a sophist himself, but, crucially, he is characterised as refusing to take payment for his teachings. He was born a plebeian (perhaps you might describe it as a mundane background.) He was known to dress in rags and go barefoot, speaking to and (often antagonising) people from all walks of life, preferring the marketplace as a center of debate than palaces or courtrooms. I can't help but think of the sophists as similar to the genius society (or at least Ratio's depiction of them in contrast to himself), cooped up in ivory towers and gatekeeping knowledge to the most privileged. He doubts if Herta's talent is always helpful to others, he compares Screwllum to a 'monarch'. Then again, the sophists may in fact be a bit of a parallel to the Intelligentsia Guild - from Ratio, 'when someone is willing to listen to knowledge that is being disseminated and circulated, a price is created'.
Socrates (or at least the Platonic depiction of Socrates) was at one time declared the wisest man in Athens by the Oracle of Delphi. Socrates balks at this assertion - how can he possibly be the wisest man in Athens when he in fact knows nothing at all? This was not a claim made of modesty - he truly believed that he had no wisdom, that he was unsure what 'wisdom' itself even was. Ultimately, Socrates concludes that the only way that the Oracle could be correct is that by actually acknowledging that he knows nothing he paradoxically is the wisest man in Athens. All wisdom, therefore, is rooted in wondering, with wondering only possible if one is open to admitting one's own ignorance.
What I love about all of this in relation to Ratio is that Ratio styles himself as a mundanite. The Intelligensia Guild advocates that 'all knowledge must be circulated like currency' and accepts 'all beings… who seek to learn'. Ratio has no time for the satisfied self-styling of intellectualism, he himself states that 'to speak knowledge, we must first make people realise their own folly.' No one is above criticism in this regard, even himself - again, to quote 'Whenever someone agrees with me, I feel like I must be wrong.' Again, I feel as though he would resonate with Socrates here: 'Smart people learn from everything and everyone, average people from their experiences, and stupid people already have all the answers'. With Aventurine, he is quick to mock his appearance as over-the-top and vapid - once again making it clear his distate for vanity and hollow displays of showiness (albeit he may have been acting for Sunday's sake here. Also, no comment about this coming from a man who runs around in a toga, lmao) Equally, with Aventurine, it is clear that Ratio is willing to learn from him - he apologises when he offends, he abhors his methodology and yet he still relies upon it and trusts in Aventurine's plan, he is drawn to him in some ways precisely because he is so different to himself. Aventurine (at least styles himself) as impulsive to Ratio's slow and steady methodology, Aventurine whose learning has been entirely self-made vs Ratio who has spent his life in classrooms, Ratio who scoffs at Aventurine's favourite games of chance yet adds slot machines to his simulated universe. And to Socrates, the experience of aporia – in all of its discomfort and disruption – is the very catalyst of wonder, and that wonder was not just the root of wisdom but also the way to live a good and happy life. There is something beautiful in this to me, and this extends to Ratio. Ratio fundamentally cares about life. For all his brashness, his lashing out against 'idiots', his harsh demeanour - he wants people to live good lives, he wants to contribute to the good of humanity - all people, even those he is annoyed by, he cares so profoundly and absolutely about life. The entire reason why he is obsessed with wisdom and learning is not to exalt or elevate himself, not as some kind of ritualistic expression of piety towards a deity, but it is instead an expression of devotion towards life itself. Ratio has a strict work out routine not so that he can show off his body, but because living healthily is living well and working out is a component of that. Even the way he fusses and worries about Aventurine, someone he is pointedly irritated by, reveals how deeply his care runs. So so much of his character is centered on caring for life, even if it is not immediately obvious.
Finally, I'd like to highlight some ways in which Ratio is not like Socrates. First of all, Socrates was repeatedly described as 'ugly' by fellow philosophers Plato and Xenophon - this is contrast to Ratio being repeatedly described as 'handsome'. This is an interesting subversion to me (albeit likely an indulgent one) as in both cases both men attempt to distance their physical appearance from the weight of their words. Ratio wears the bust for many reasons, but way to view it is that he is attempting to stop his appearance from bearing any influence in the subject of debate.
Socrates was also said to be blessed by a divine touch, and as we know, this is something that agonises Ratio as Nous has not yet turned THEIR gaze towards him.
Lastly, Ratio has - thankfully - not yet been ordered by the state to drink hemlock for all his trouble-making and blustering. Though perhaps he may someday be put on trial by the IPC if the theories that he is working alongside Aventurine to undermine the corporation are true - we will just have to wait and see.
Thanks for reading my little ramble. I'd be super interested in anyone's thoughts if they'd like to share, but regardless, I'll leave off on some of my favourite wee quotes from the Rat man:
'Even a life marked by failure is a life worth living - it is only in moments of solitude and despair, when help is absent, that fools grasp how to pick themselves up.'
'Do stay alive. I wish you the best of luck.'
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tabooiart · 6 months
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THIS thing ^ says hewwo. UNIRONICALLY.
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etrevil · 4 months
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have tiny skk to make your day better
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ayoarticulate · 3 months
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rewatching ep four of towl, and i’m seeing the scene where michonne is changing and rick is staring at her
at first i thought it was just “oh michonne is getting changed in front of him and he’s watching” type energy, but i don’t think that’s all! (ofc it’s some cause rick IS still a whore for her)
i think with the added knowledge later on we get of rick being so afraid to let michonne back in cause he can’t lose her again, being able to see these slivers of her actual body is pushing her to be reality for him again. he can’t let himself get used to this thought of her actually being in his presence because he’s SOOO sure he won’t be able to hold onto it
so seeing her fully, and seeing that x scar on her back as well, something new he knows nothing about, is scary as hell! it pulls him into her orbit. he wants to know what’s happened to her but he won’t allow himself that opportunity to ask, because it will only make it so much harder for him to push her away
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helmip · 1 year
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my dog makes some good faces when he plays
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herewegobebe · 3 months
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KEY 키 2024 KEYLAND ON : AND ON Concert Behind [x]
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aka-indulgence · 1 year
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@black-wolf-spirit-art made this art of hmf!sans around the time i was feeling down and 😳😳😳 LOOK AT HIM
HE’S SO BIG? BIG HAND? BIG HAND TINY HANDS BIG HAND!
(Also I look really cute here???? hdsggdf?? <3 <3 <3???)
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chatdae · 20 days
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okay GENUINELY what does "We call everything on the ice 'love'" mean??
I am not certain what Yuuri means... maybe that all of the collaboration, competition, and sharing of ideas that takes place in skating is all a form of showing love? Enough to make me shake and cry and fall over, but i'd still love to hear if people have other interpretations
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uncanny-tranny · 2 years
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I think this topic is underdiscussed in the trans community, so I'd like to talk about it.
It's okay for trans people to mourn that some of us don't have the option to have children the way we'd like to. It is okay if a trans woman mourns that she is unable to become pregnant, for example, and there is no reason to shame her for how she feels. Equally, I think it can be inappropriate to tell us that there are other options besides "traditional" means of conception, like adoption. We know that there are other options, and that isn't the point.
I go back and forth on if I even want to be a father, and in both mindsets, I mourn that I don't have all the options I want to have children. It sucks. It really, really sucks. And it's hard to accept that this isn't my fault or my body's fault. That's the hardest part for me. But whether or not it's hard to accept, it isn't my fault - it isn't your fault, either, if you feel the same ways I do. Our bodies and our selves aren't the problem. We are not broken because we don't have all the options we'd like.
No matter how you feel about this topic, just know... you aren't a problem or a burden. No matter what your journey looks like, happiness and fulfillment can be found, eventually.
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