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#this is anti bad writing
electricprincess96 · 25 days
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There are sadly a lot of moments in comic over the last 10-20 years that really try and depict Bruce as being a bad father particularly towards Jason.
However, while Jason fans will harp on about the Batarang throat slit and the Gotham War mind fucking. The one that will always be the worst for me is Bruce taking Jason back to where Jason died to demand Jason help him bring Demon Brat back to life because that is as close as DC have come to outright stating they don't believe Bruce's adoptive kids are his REAL children based on the way Bruce speaks to Jason and about Demon Brat in that scene and I find that disgusting.
Now sure they'll acknowledge Dick, he's been around too long and it too popular in his own right, the only way they'll ever be able to remove Dick Grayson from Bruce's family is if they made it Dick's choice.
But Jason, Cassandra and Tim? As far as DC are concerned they don't count and they made it abundantly clear during that scene (and plenty of others this is just the most egregious to me). Taking Jason to the scene of the most traumatic day of his entire existence and talking about Demon Brat like he's the first son you've ever buried, while speaking to the first actual son you buried, coupled with the fact Cassandra and Tim are basically forgotten by Bruce at this point just tells me that to DC they either don't believe these characters are Bruce's children OR they think Bruce believes that and I honestly don't know which is worse.
Like I don't care how grief striken Bruce was, if Bruce still loved Jason even the slightest bit he would not have done that.
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thesunfyre4446 · 9 days
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i hate hotd's "female rage".
do you guys realize that the only time alicent was allowed to be angry was when her son was maimed? and then, of course, she's ashamed of her behavior and regrets it.
do you guys realize that rhaenyra is only allowed to be vengeful and to want her throne only AFTER luke's death. she's not allowed to be angry that her crown was stolen, she only wants peace <3 it's only after her child is murdered that she's allowed to be angry.
meanwhile male characters like daemon are throwing a tantrum every other episode and it's cool and sexy when they do it <3 <3 <3
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super-nova5045 · 1 month
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sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)
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thrumbolt · 12 days
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It will never stop being amusing to me that the warning Ianthe gives Tamlin in the beginning of ACOMAF about how Feyre will get either killed or abducted by other high lords and kept for breeding essentially came true.
How Feyre ended up exactly how she feared she would with Tamlin: A waifu who does basically nothing except have her little art studio and her little desk job and pops out babies for the high lord. Sure, what you want in life can change and consent makes all the difference, but it is still an absolutely WILD narrative choice.
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genericpuff · 18 days
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my unabridged thoughts on 278-279:
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So I've been seeing a lot of will solace hate, and I'm here to defend my son.
First of all, he's not a toxic person at all he's a human who can mess up at times and be unintentionally rude, like in that one scene boo where he says
‘Oh, please.’ Will sounded unusually angry. ‘Nobody at Camp Half-Blood ever pushed you away. You have friends – or at least people who would like to be your friend. You pushed yourself away. If you’d get your head out of that brooding cloud of yours for once –
^ that is rude but he didn't have bad intentions because according to him nico wasn't scary and the people that he hung out with - Lou Ellen and Cecil- didn't think that nico was scary either as they were both friendly towards him when they met him at the Roman camping area outside chb so while his delivery wasn't good he meant no harm and he also helped nico realize that not everyone hates him and then there are a few jokes that he made that people consider toxic or offensive but nico was never offended or sad about these jokes he only rolled his eyes and acted exasperated so he knew will meant no harm .
Will is canonically described as a laid-back and calm person, but he is also stubborn when it comes to certain things like medical related things which is understandable since he can feel everything physically wrong with a person by just touching them and is persistent that they don't die and Take care of themselves which is understandable since he saw majority of his siblings die and doesn't want more ppl to die .
Will is actually quite a complex character he's calm and laid back but he's stubborn and strict when he needs to be he's supportive and loving to nico but since he's a kid he struggles with being understanding sometimes hence why he asks persephone for advice on how to be there for nico properly showing that he's mature enough to ask for help . He's also someone represses his emotions because he thinks that as head counselor, he has to be a perfect example, and he told this apollo in the 1st toa book. He's also pretty insecure about his abilities, as shown in boo
Evidence:
You did,’ confirmed Nico. ‘But it was the way you did it. You made it clear that you wanted me around. You said you wanted me to come to the infirmary and help, because … because you could use a “friendly face”.’
‘It was true. And you did help.’
‘You brought me closer instead of rejecting me,’ Nico said, his voice cracking. ‘I’d never been called a friendly face. Ever. You made me rethink everything – my place in camp, my crush on Percy, my future. It took you scolding me like you were the camp director to make me realize that I was … wanted.
___
But with Nico … It’s hard, Persephone. I want the best for him, and he seems to disappear into his darkness, like he’s hiding in a place where he doesn’t want my light.’
‘Then why not offer him your darkness
_____
Nico sighed in exasperation. He hated working with other people. They were always cramping his style, making him uncomfortable. And Will Solace … Nico revised his impression of the son of Apollo. He’d always thought of Will as easygoing and laid back. Apparently, he could also be stubborn and aggravating
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In conclusion will isn't toxic and he isn't perfect and if I'm wrong about something please point it out cause I haven't read the books in a while and if I missed something please point it out and I'm sorry for the typos I wrote this without wearing my glasses as 3 am after studying for a test
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lunar-years · 3 months
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I wouldn't say Ted Lasso did any of its abuse/abuse recovery narratives "well" but I do think they did parts of all of them like really well, which is what makes it all so incredibly frustrating. Like, showing how hard it can be to intervene by having the Diamond Dogs be avoidant and non-confrontational despite their mutual concern about Beard's relationship with Jane, but then having Higgins step up and say something anyway (and even though Beard didn't take his advice, it still felt like okay, this is a good, this is a realistic and messy and complicated narrative to tell that nevertheless highlights the importance of speaking up and being there for your friends even if it doesn't always work out how you'd planned), having Beard & Roy jump in to help Jamie at Wembley and Roy respond so well to Jamie's story in Amsterdam, humanizing Rupert in International Break and giving the backstory for why Rebecca fell in love with him and offering them a moment of real connection again without once pushing the narrative that he should be forgiven or that Rebecca even considers for a second taking him back...all that shit was GOOD!!! it was really nuanced and complex and good!! andddd then it ended with the BeardJane wedding, a James Tartt Sr. forgiveness agenda and Rupert morphing immediately into an over-the-top cartoon villain like what 😭 they had the capacity...and yet!!! nooooooo.
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arson-09 · 3 months
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Rhysand really thinks his trauma trumps everyone elses trauma
Ofc i feel bad cause rhysand was obviously abused UtM but that doesn’t excuse the fact he 1- does shit things to other people 2- can act like since he was traumatized he is morally superior.
and i know the rhysand-ites will yap about how “he knows hes not good” or “he doesnt think that at all!” but the narrative certainly thinks so. sjm jumps through HOOPS to convince you rhysand is a great and amazing person no matter what and good god it’s annoying
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yourhighness6 · 4 months
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I've seen a lot of people say that Zutara would just work in the live action if they eliminated Aang's crush on Katara in the first couple seasons and NO. no no no no NO. I want Zutara to happen as much as the next person, but I think Aang's crush should stay intact. If they include the want vs need plot line introduced in "The Guru" in book 2, it could be an easy way to launch some much needed character development for Aang. Having him struggle with letting go of an unreciprocated crush at the beginning of book 3 might actually be a jumping off point for what Bryke tried to do with his arc in the final book, making him seem wiser, more mature, and assertive without coming off as a complete jerk like he did in the animated series.
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just-j-really · 5 months
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Unsoulmates AU, part two!
Part one is here.
Hob isn't exactly expecting to run into his not-soulmate again. The man doesn't text him after Will's engagement party, not even to provide his name, and after a week of valiantly staring at his phone and willing it to buzz Hob is forced to admit that maybe he hadn't been serious.
It stings. For once it would have been nice to have someone realize he means it when he says that soulmates are bullshit.
But he's too busy to dwell on it, much. He has sets to build and an anxiety-inducing new job to get used to and about seventeen different hobbies he's accidentally abandoning.
He's at a party with some of Will's Strange Art Friends, digging through the top shelf of Will's absurdly tall cabinets, when a deep, familiar voice asks, "What are you doing?"
"Banditry," Hob says cheerfully, once he's finished not concussing himself on the cabinet door in shock. "Will promised me he'd bought some of 'those gross licorice things only I like' but he was really unclear about where they are." The cabinet he'd been rummaging in is clearly not the place, being full of expired soda and electrical tape, so Hob closes the door and leans over to the next one. "Did you come in here for snacks, too?" he asks, when there's no response from behind him.
"No," his not-soulmate replies, blandly. "I was hoping for a moment alone." His tone clearly implies that Hob's presence is ruining his evening, and Hob should either leave the room or cease to exist immediately.
"Ah," Hob replies. It stings, again, even though that's utterly absurd and he barely even knows this man. "I'll be gone in a sec," he adds, because he'll be damned if some asshole sabotages his Snack Quest, "just let me find my licorice."
The man- Hob should really get his name if they're going to keep running into each other like this- sighs loudly, but doesn't make any sort of verbal objection to Hob's continued presence. Hob ignores him, and resumes his Quest.
It takes three minutes of stony silence, but Hob eventually uncovers the licorice in a bowl on top of the fridge, which is not even close to being 'in one of the cabinets', Will. He's about to retreat from the kitchen with his prize, when the man says, "You actually do know Will," in a tone of utter confusion.
"Yeah," Hob says, slowly turning to face him. The man is sitting sprawled on the counter, his bearing almost regal except for the part where he's staring at Hob like Hob is a dog who unexpectedly started doing calculus.
"How???" the man finally asks. Hob can hear the extra question marks in his voice, even if his tone stays even.
"Used to date his archenemy," Hob says, with a shrug. "We stayed friends after Kit moved."
If anything, this seems to confuse the man further. "Or we became friends after Kit moved, anyway," Hob adds, possessed by a desperate need not so much to fill the silence as to keep voicing his thoughts. "Up until that point I'd wanted to support my boyfriend and all, but then he left and I wanted to keep building sets so I started to work with Will instead."
"You. What?"
"I volunteered to help build sets at that little theater Will used to work at," Hob says. "That was how I met both of them, actually. But then Kit and I started dating and that doesn't actually matter to what you were asking, does it?"
To Hob's utter bafflement, his not-soulmate nods at him to continue. Again, 'regal' is the only word for the gesture, even though he's sitting on a grimy counter in the nasty, yellowish lighting of Will's kitchen.
So Hob makes himself comfortable against the fridge and starts again, detailing the entire stupid saga of Kit-and-Will-and-Hob-making-the-whole-thing-much-worse-in-an-attempt-to-be-a-supportive-boyfriend. And at some point he swerves off into just talking about Kit-and-Hob, which is nice, because most of his friends were there for Kit-and-Hob, and don't find his sappy reminiscing terribly interesting.
And somehow that loops all the way around to how he was technically working for the government at that point, which, of all things, was the root cause of him getting on speaking terms with Will again. That and Kit moving, although it is really weird talking to Kit now because he can't avoid talking about the fact that he's accidentally befriended Kit's mortal enemy-
"You're still in touch with him?" Hob's not-soulmate asks softly.
Hob turns to fully look at him and regrets it immediately. Over the course of his ramblings, he'd moved from the fridge to the counter next to his not-soulmate, so that he could sit down and also easily share his licorice.
This means that his face is much closer to his not-soulmate's than he'd expected it to be, and for a moment he's lost in the blue of the man's eyes, the open intensity of his gaze.
"Oh. Uh, yeah," he says, when he's managed to remember the question. "The breakup was..." he trails off, looking for a word, and finally settles on, "amicable?"
His not-soulmate gives him that little 'go on' nod again. And Hob knows- he knows- that he should get some higher standards, but the quickest way to his heart is, and always has been, prompting him to keep talking, and he can feel himself falling as surely as he can feel the blush overtaking his face.
So he tips his head toward his not-soulmate, so that he can keep his voice low and still be heard above the crowd in the next room, and says, "Faustus got picked up. And like half of the filming was going to be overseas, but I couldn't leave London, at least not right then." His not-soulmate gives a look that isn't so much 'confused' as 'entirely uncomprehending,' so Hob adds, "I'd messed up my knee real bad." He gives the offending kneecap a hard tap and immediately regrets it. "Long story. I spent most of that summer in doctor's offices. And hospitals. So. 'Quit your job to travel with your boyfriend for a few months' was not really an option, for me. And he didn't want to do long-distance. So we broke up."
"Your soulmate left you alone, in pain, because he 'didn't want to do long-distance'?" Hob's not-soulmate asks. There’s something raw, close to pity but more tender, in his face, which makes Hob feel unbelievably guilty for laughing at the question.
"Oh, god, no," he says, with an expressive wave of his hand. "Kit wasn't my- No. Met his soulmate while he was filming Faustus, actually, otherwise we might have-" And then Hob shuts that sentence down, hard, because the breakup itself doesn't hurt as much as that part.
"Anyway," he says, and is about to ask if his not-soulmate wants to hear the story of how he busted his knee, it's pretty funny, actually-
"But if he wasn't your soulmate-" his not-soulmate asks, leaning toward Hob.
There hadn't been much space between them in the first place, is the thing. And now Hob's not-soulmate is leaning even closer, staring at him like an entomologist studying a particularly fascinating insect, and leaving Hob with exactly two options: tilt his head up, just a bit, and kiss him, or succumb to gravity and fall backwards into the sink.
"Hey, Hobs, I just realized-" Will says, walking into the room. He proceeds to choke on his own tongue, while Hob's not-soulmate jerks away from Hob like he's on fire, and Hob gracefully avoids the sink by falling off the counter entirely.
Will is the first to regain his composure. "Oh. Morpheus," he says, nervously, "I thought you left."
Hob looks sharply up at- at Morpheus, apparently, biting back a litany of questions. It makes sense that his aloof, mysterious stranger is the same aloof, mysterious stranger that Will credits for editing his first successful play to the point that it was a success. But with the way Will talks about Morpheus he'd been half-expecting a deity.
"I did not," Morpheus says. He's back to looking bored and regal, not a hair out of its artfully disheveled place, which is just rude given that Hob is still in a heap on the floor.
"Well if you're planning to stick around," Will says, "I'd been meaning to ask you about Midsummer-"
Morpheus' eyes light up, and he slides off the counter and sweeps out of the room, Hob clutching his candy in both hands to stop himself from physically reaching out to say, No, wait.
Will, at least, lingers for long enough to mouth, "Sorry," and shrug, before following him.
"What the fuck was that?" Hob asks aloud, when he's left alone with his bruised dignity.
The cabinets have no response.
He's not sure what he's expecting after that, but it certainly isn't for Morpheus to text him, Would you like to meet for coffee? the next day.
Of course Hob says yes.
He's smarter about it, this time. Makes sure he's seated in the café, with a double espresso and a plan, by the time Morpheus comes in. He doesn't even ask so what the fuck was that when Morpheus sits down next to him, no matter how much he wants to.
Instead, he says, "Why did you ask me to come here?" with all the frustration he'd felt the exact moment he'd hauled himself off of Will's kitchen floor, knee protesting viciously, trying to make sense of Morpheus, who'd willingly listened to him talk for close to an hour and then left without bothering to say goodbye. It's a step above what the fuck was that, but not by much.
"Because I'm interested," Morpheus says, his voice low.
"In. Me?" Hob asks.
"In your experience," Morpheus says, with more exasperation than Hob thinks is really fair for someone who just said he was 'interested' while staring at Hob's lips. "I want to know what it's like. Dating without looking for your soulmate."
Ah, Hob thinks. At least that makes sense. He's aware that avoiding his soulmate makes him an anomaly- sure, actually Waiting For Your Soulmate is less common these days than it used to be; plenty enough people are willing to have casual relationships in the meantime, but even then in the meantime is an implicit part of the equation.
He can accept it, if Morpheus' 'interest' in him is purely curiosity, as long as he knows where they stand.
And, to be honest, the fact that Morpheus is curious at all is... gratifying. Most people aren't even that.
So Hob downs his drink, grins at Morpheus, and proclaims, "It's fucking brilliant."
[Part Three]
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hainethehero · 2 months
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So I made the mistake of stumbling onto the NOT STEVE ROGERS FRIENDLY tag today and..
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You have to be a special type of delusional to be this obsessed with a character you don't like!??
Over 2k fics have the tag and are almost entirely Tony Stark-centered fics. I'm assuming these are the "fans" who totally buy into the MCU canon and don't know any other Captain America lore outside of what Feige and Whedon have done. Or, they're the "fans" who refuse to understand the politics behind Steve's character and how he was inherently undermined throughout the entire ten years of the MCU by the directors and writers for most of the films.
Because the arguments in most of these fics for being "not Steve rogers friendly" are really surface level shit like:
1) "Steve refused to sign the Accords and broke up the Avengers" (he was right & he didn't break them up, an overemotional Tony did when he refused to listen to Bucky's side of the story).
2) Steve fought Tony and almost killed him (yeah, like Tony didn't blast Bucky's arm off and shoot his repulsor rays directly at Steve).
3)Steve is homophobic (y'all are just making up reasons to hate this man atp)
4)Steve is racist (Steve hated racists & you'd know that if you read the comics, or you guys are just that deluded that you're making Steve racist & trying to project it as canon and therefore a "reasonable" explanation as to why you hate him)
5)Blaming Steve for Rhodey's accident (WHICH WAS TEAM TONY'S FAULT!)
6)YALL, THEY MADE STEVE THE BAD GUY IN A BROCK RUMLOW/BUCKY FIC! I stg I cannot make this shit up💀 Steve's bad for wanting Bucky to be Bucky again, but somehow Brock's the good guy for wanting Bucky to be the Soldier...
Steve left Bucky for Peggy (we'll get to this soon)
There's a hundred more irrational reasons for the Steve Rogers hate, but let me get to the WORST part.
THERE ARE BUCKY STANS WHO ARE ANTI-STEVE ROGERS.
And I'm sorry, no. I don't accept that you love Bucky Barnes but hate the one person he loves the most in the world.
They argued in a couple fics that "Bucky also went rogue after Siberia but he didn't want to associate with Steve, Nat & the rest of the team- WHO HELPED RESCUE BUCKY & EVENTUALLY EXONERATE HIM- but rather, he went off on his own & eventually Tony finds him, they hash it out and become friends to lovers."
Helppp???? Wdym Bucky isn't gonna stick with the one man he's been keeping diaries about to try and get back his memories? But he'll go to the one guy that re-traumatized him by blowing out his arm again?
Not only that, but Bucky absolutely hates Steve in some of these fics and the reason will be, "he left Bucky to go back to Peggy." Like, you cannot be a serious fan if you're still going with the Endgame canon. For a majority of us, we recognize Endgame as being nothing but terrible writing and mischaracterizations. Why are yall not analyzing and interpreting media critically? The MCU has never been on Steve's side and have always diminished his character in an attempt to make Tony the ultimate hero of the OG 6. Don't yall know the discourse? It's embarrassing atp.
And this is my stance on the entire thing: there's nothing wrong with writing fics about characters you don't necessarily like or aren't interested in. It's OKAY if you don't like Steve Rogers- but you've gotta be rational about him, instead of hateful. Most, if not all of these "anti-steve" fics are written in bad faith. Bad understanding of the character and pure, shameless mischaracterizations which just makes these types of fics fickle and weak- hilarious to read though cos that Brock one had me deadddd😭💀.
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thesunfyre4446 · 2 months
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honestly, my main beef with rhaenyra is that she's boring. i don't hate her, hell, i don't even dislike her, she's just meh.
there's no inner conflict, no arc. there's nothing interesting about her character for me to get invested in. even during ep 10, when she finds out aegon is crowned king her reaction was so mellow. like girl why are you not ANGRY?
and she stays the same, there isn't any character growth (positive or negative). hate her or love her, alicent's character changed during s1. she had an interesting arc.
idk, what do you guys think?
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babybells123 · 23 days
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Can you imagine Jon and Sansa reuniting (which actually feels more like meeting for the first time) and absolutely chaotic angsty tenderness unfolding.
Jon’s perception on Sansa…..initially mistaking Sansa as Ygritte and having to pinch himself several times as to how he cannottt be comparing his lover to his sister for gods sake!! What would Ned think ???? But omg when the light from the fire catches in Sansa’s hair….and when she sings in that soft voice of hers and tends him with gentle hands, brushes the hair from his brow (perhaps her lips ghost over it), holds her legs to her chest and just smiles at him with that easy Tully smile, and when she kneels next to Ghost and buries her face in his fur and Jon can’t help but think what a lovely sight it is but Lady is dead and Jon feels immense grief for Sansa because he knows what it feels like to not be able to sense your wolf and Sansa is kind and soothes him when he wakes from nightmares in the middle of the night and sometimes her face will get real close (and she’ll be all flustered) because she’s worried for him and Jon just thinks oh she smells so sweet.. like flowers and lemons , a warm summers day, ahhh the bliss of youth , and sometimes his eyes will flicker to her lips and just linger on her face but then he’ll start blushing like some green boy yet how does he lament this all to his half sister when he can’t even process his own feelings and they all just appear through this conundrum of fleeting moments? So then he visits the godswood and prays prays prays for reprieve oh father forgive me I have sinful wanton lust-filled thoughts I’m going to kms what is duty what is love , duty is death to desire, I have no nefarious intentions I just want to love her and be loved by her am I truly this depraved, and did I mention I want to love her? Spare me from this treachery 😔😔😔(I want to love her so bad)
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themattress · 6 months
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Why are these Disney heroines "adorkable"?
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Rapunzel (Tangled): Because she was raised in isolation her entire life. She doesn't have a clue about the outside world or social graces or other people besides her "mother" in general. But she's extremely eager to learn and eager to please, not to mention is a pent-up ball of energy waiting to run wild, which leads to her adorkability. It makes perfect narrative sense.
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Anna (Frozen): While not as badly as Rapunzel, she was also raised in isolation for much of her life, largely having to rely on the books in her castle library to teach her about the world and things such as proper etiquette, life skills and romance. But real life is not a book, so when she actually has to do these things, she often flounders due to her nervousness, excitement or inexperience, which leads to her adorkability. It makes perfect narrative sense.
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Moana (Moana): From early in her life, she was raised under a very strict set of rules and instilled with a strong sense of responsibility, which is at odds with her instinctive desire to break these rules and her fears that she isn't up to the challenge her responsibilities pose. All of this pent-up stress she carries within her will often cause her to explode with emotion at the slightest provocation, which leads to her adorkability. It makes perfect narrative sense.
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Mirabel (Encanto): As a young child, she failed to receive a special gift and room the same way the rest of her family did. Now feeling like the failure of the family, Mirabel's coping mechanism became trying to make herself as extravagant and quirky as possible. She's an incredibly "Try Hard" person, which leads to her adorkability. It makes perfect narrative sense.
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Asha (Wish): Um.....well, she.....yeah, I got nothing. There is no narrative justification here.
Disney doesn't have an Adorkable Problem. Just an Asha Problem.
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lnsfawwi · 5 months
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bucky is anti-peggy: their relationships with steve and why bucky will always overshadow peggy as love interest
hardly anything novel but I have to get it out of my system. interpretations are strictly in-universe just to be fair. also seb headcanons are canon, I won't hear otherwise!
the difference between stucky and steggy can be summed up by their respective reactions to beefed-up Steve. someone on tumblr points out that these two scenes also serve as analogies of their relationships. steggy would always be about peggy reaching out, their relationship would be under the spotlight, be the center of attention while stucky is the reverse. I just want to add to that.
Peggy was literally dazzled, she tried to touch his naked body, she was eager to see what this body could do (sexually, among other things). that's the first time she saw steve as sexually attractive, the first time she saw steve at all if we are honest, and what she saw was this jacked-up version of him, an icon-to-be, someone whom steve never really accepted as himself. In essence, the first time she really paid attention to steve as the love interest, was the moment steve became someone else.
Bucky, who was tortured for days, if not weeks, still delirious, was confused bc that was not his steve, he probably didn't even think Steve was real at first. Bucky was experimented on, he likely knew there were similar human experiments aimed to enhance, he knew science like that was possible, but whose science? so that's the first question, 'what happened?' Steve joined the army, okay, so this was not forced onto him, probably. then the next thing he asked was, 'did it hurt?' he didn't care how strong it made Steve, he only wanted assurance that Steve was fine. like, what if the process hurt? what could bucky possibly do? nothing. it's not about whether it hurt, it was just bucky simply giving a shit about steve's wellbeing. we don't even need to get into the 'little kid from brooklyn' line.
peggy witnessed a magical transformation and was amazed by the eventual product but bucky saw his best friend who must've gotten through something excruciating. peggy could never fall in love with skinny steve when that's all bucky saw, until the very end (sebastian said bucky probably never got used to big steve).
another contrast would be the final plane crash. sebastian was asked whether Bucky would've gotten on that plane with Steve or stayed behind like Peggy. seb's answer is that Bucky would've tried to get on that plane cuz he felt responsible for steve, and he'd fall again.
the thing is that, had Bucky been on that plane, Steve never would've crashed it. he would've done anything to save Bucky. he didn't have to crash that plane which was canon (pointed out by rhodey). steve could've got out but he didn't. Bucky being there would've given him the motivation to do so. any other person would tbh, but only Bucky would be willing to be on that plane bc Peggy canonly wasn't. in addition to bucky's willingness to follow steve literally into the jaws of death, in this hypothetical scenario, Bucky would be the reason for Steve to live in catfa.
that leads to yet another contrast.
'just go! get out of here!' 'no, not without you!'
steve, who had no idea what he was capable of, jumped through fire for bucky.
'don't do this, there's still time, let me find a way...' 'a lot of people are gonna die if I don't do this, peggy. this's my choice.'
despite peggy's pleading, steve crashed the plane.
the word choice appeared several times in catfa. the first time was when peggy told philip that it was steve's choice (to die trying to save bucky). the second time was when peggy told steve that bucky made a choice (to die fighting with him). and the third time was when steve told peggy it was his choice (to sacrifice himself). it's no coincidence that each and every time the choice was each other, steve echoing the word at the end made it clear that he was doing this for bucky.
a relationship goes both ways. steve and bucky are canonly willing to, and did, die and live for each other. peggy simply doesn't have that level of impact on steve. in fact, steve literally repeatedly chose bucky over her in catfa.
put it simply, bucky and steve care more about each other than themselves, peggy didn't even care about skinny steve in that sense. she also literally couldn't because she only met skinny steve twice. briefly.
plus as I said previously bucky is the only one standing in between a traditional cishet hypermasculine image of steve and the real steve, peggy is the one element that fulfils the false image.
everything bucky is, peggy is the opposite. the differences quite literally result in different interpretations of steve. and who can say honestly that endgame steve is better than cap trilogy steve?
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shyrgyrryn · 4 months
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y'all, I just remembered that Bow is the youngest of thirteen. Where did the other twelve go? Even when the world is quite literally ending, Bow shows no concern for or even mentions his brothers. His fathers don't mention them either. Not a single one.
What's the point of giving him siblings, especially that many, and not including them in the story some way. Especially in situations where it makes sense.
They could have easily made Bow's backstory involve these characters. In my rewrite, I plan(?) on having Bow have an older brother (only one because thirteen kids are way too many) who was killed by the Horde. This is the reason why he insists on fighting in the war. It is also the reason why his fathers are so against him being involved.
They could have easily added something like this in the reboot. Bow literally said in the second episode that "everyone has lost someone to the Horde."
Who did he lose? Where are his brothers? Are they okay? Does he not have a close relationship with them? I guess we'll never know.
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