#超人x | Explore Tumblr Posts and Blogs

welcometogehenna · 1 year

Text

超人X

#超人X #manga #monochrome #choujin x #superhuman x #daily manga #dailymanga #manga panel #tokio kurohara #kurohara tokio #black and white #manga series #manga cap #manga caps #manga edit

783 notes · View notes

elenfry · 5 months

Text

choujin x sato

#choujin x #超人x #digital art #らくがき #fanart #digital fanart #sato ichiro #ichiro sato #ishida sui #sui ishida #rkgk #manga art

54 notes · View notes

maxmsama · 10 months

Text

‎Tuesday, ‎March ‎14, ‎2023

#超人x #fanart #nue chimera #noh mask #myart #choujin x #batistahoshi #batista #artwork #tokyo ghoul #furuta nimura #kichimura washuu #TG #東京喰種

124 notes · View notes

kaelan1056 · 7 months

Text

SKETCH_108

CHOUJIN X | FANART | 17-10-2023

#イラスト #fanart #fan art #artwork #創作 #digital art #choujin x #nue chimera #noh mask #hoshi batista #超人x #digital illustration #Illustration #artists on tumblr #art #drawing #illustrations #creation

30 notes · View notes

mangaconnoisseur · 2 years

Text

#choujin x #manga #mangacap #超人x #superhuman x

488 notes · View notes

orangejuuuice · 2 years

Text

as the fledgling vulture floundered through the air, the boy realized that he was no longer the vulture's personal hero.

azuma higashi / moon beast

298 notes · View notes

mrsksposts · 2 months

Text

#sui ishida #chojinx #超人x #fanart #anime and manga

6 notes · View notes

hinomaru6 · 2 years

Text

#超人x #choujin x

111 notes · View notes

animehouse-moe · 1 year

Text

Choujin X Volume 2: Awkward Positioning

I'm trying really hard to like this story, I am. There's some parts that I really adore and love to see in the work. But alongside that, there's a lot of Tokyo Ghoul baggage attached to Choujin X, and a handful of questionable choices in how it's presented. So, is it worth holding on to hope?

That's a really hard thing to answer, and I think just because of my fondness for Tokyo Ghoul I'm still here. However, I'm not going to pretend that Choujin X is the second coming of Ishida. With that in mind, I want to dip into the negatives to start (I promise there'll be positives on the other side).

So, I'll start with what's holding it back: Tokyo Ghoul. I understand Ishida's a monster man through and through, and I'll even say that Choujin as a concept is far more broad that Ghouls. But, it's still that meek and underpowered main character, and still pieces that it clings to from those days. Take Yamato Mori, a safe haven for Choujin within the city. Not exactly a concept that sparks the thoughts of originality or "uniqueness" within readers.

Not all of it is very explicit or completely lifted from Ishida's work on Tokyo Ghoul, but I certainly found myself passively comparing Coujin X to it. Simple things like, "hey this feels similar", "oh, didn't TG:Re do something like this?". I don't think it's a deal breaker for everyone, but I for one really wanted to see Ishida break out of his shell with the creative freedom he's got with Choujin X, and it just feels like that's held back by its likeness to his prior work.

In terms of fresh stuff, it feels like Ishida is struggling with striking a solid pacing for his story. Some things are dragged out and taken very slowly (which I can appreciate), and then the next second they skip right over it. Take this, for example, Tokio and Ely are enrolled in a 40 day Choujin course, which comprises most of the volume. After the fight against Shiozaki, they get their Choujin cards. You know, the fight sequence that they weren't supposed to be a part of. I would have at least thought they'd have a follow up evaluation considering the fact that they used full beastification and fought against a Choujin in a chaos state.

Now, you might think, "well, isn't that a little too slow?", and you'd be right. That is, if a solid chunk of this volume wasn't about the little details and interactions coming from their 40 day Choujin course. They watch a video, they do an interview, and a few other small things, but the line is drawn at actually exploring, experiencing, and understanding their powers. It just seems so, odd to me, when in the presence of a professional and private organization that aims to assist and combat violent or chaos state Choujins.

Following this piece up (off the top of my head), Shiozaki and Tokio. I really like a lot of what Shiozaki is putting down, but with Tokio in the mix it gets muddy and rushed. Tokio's watching of Shiozaki's high school highlights feels hamfisted at the point that it's placed in the story, while Ishida had a perfect place to stuff it, that I think would have worked even better. Tokio's awkward discussion with Shiozaki at the bus stop.

Following this scene, Shiozaki goes home to his younger brother and sister, who live in their run down and empty home, before heading out to rob a bank. Spoiler, but Shiozaki's whole point in this story is giving up what he loved doing because of who he'd become, and having to find ways to grow up and make ends meet for his siblings.

I just feel like, alongside sentiment like that, Tokio's moment of innocence and admiration for Shiozaki's talent would come off as more dissonant and natural, than it being shown at a convenient time for the story. Now, I wouldn't go as far as saying there's lots of this kind of jumbled approach, but I also wouldn't say that it's a one off thing with the story. It's slightly disappointing as the content is solid, and just a bit of shuffling around can really bring out the best in it.

Last of the negatives: the scope of the world. A private organization exists for Choujins, and violent and evil Choujins roam the streets and take an active part in crime. If Choujins are an understood piece of society, that people accept, where are they in public settings? Considering the presentation and approach to the existence of Choujins, you'd expect celebrities and heroes, and privately hired defense contractors or security for higher profile places. But they don't seem to be there. It's not something you'll really recognize at first because of the story, but if you take a moment to stop and think, it feels like a rather gaping hole, no?

Anyways, we're finally out the other end of the negative. Time to start with the positive!

I really enjoy that Ishida's endeavoring to tackle poverty and class divides with Choujin X. There's a lot of great moments to it, I just wish that some of them could be a bit more subtle or nuanced in their approach.

In terms of good though, I'll start with Ely. Her simple idea that money will solve all problems is both accurate and a good line to take with someone at that age, and her understanding of it is well suited too.

Later on though, that naivete is washed away by the reality of the world. Money is able to fix almost everything, almost. It's a really solid line to take with a younger and more malleable character, and it's approached in a way that doesn't immediately correlate "money" and "poverty" with one another. It's a really nice and simple appeal that dives deeper than the words that joins it.

Similarly, we've got Shiozaki. A bit more literal, since he's able to understand the importance and value of money as he's directly supporting his siblings. Regardless, this spread of him pitching at Koshien is a really solid personification of his character and desires.

And the last little bit I'll share is of the hand lackeys that drag Shiozaki down. He wants to make an earnest living, he wants to be a good person that can provide for his siblings. It's when the greed of those around him grows to be too much, that he's sucked in. They bring him down, and while it's a bit of a hot topic, it is something that's commented on in poorer communities wherein someone has the ability to make it out and others from within will attempt to drag them down out of jealousy and greed.

Moving forward once more, I think the combat's solid. I wouldn't say it's been anything groundbreaking, or as awe inspiring as from titles like Soloist In A Cage, but it's no slouch and doesn't attempt to give the bare minimum. I will say though, that a lot of the "great" stuff is saved up for specific moments rather than being something that's dispersed throughout.

And lastly, the teasing of the direction of the story is interesting. There's a lot going on for sure, but there's also a good few ideas sticking out of it. How that soot guy gave his powers to Ely, how close he is to whatever that being is, what the tower really is, and so on and so forth.

So, I would say Choujin X is far from terrible, and maybe even bad, but I wouldn't put it all that far on the opposite end of the spectrum. Ishida is Ishida, so the art's gonna be outstanding, but the rest of what can make for a good series seems somewhat up in the air at this point in time. I really want to like, I really do, but it feels like one of those things where I just find more and more holes and points of confusion with. So, here's hoping volume 3 can mark a turning point for Choujin X

#choujin x #tokio kurohara #ely otta #超人X #sui ishida #manga review #anime and manga #manga

7 notes · View notes

vveakfish · 1 year

Text