The r/goth subreddit kinda swinging to the opposite side of the Goth Gatekeeping Discourse pendulum and like getting into incredibly nitpicky detached arguments that don’t really mean anything within the context of like. Going outside and actually engaging with the irl scene about, like, whether Disintegration by The Cure is “actually goth” or not will never not be funny. Someone asked recently if The Birthday Massacre is goth and some guy replied super condescendingly with a comment like “I’ve never heard of them before but listening to them now, they have to be the least goth band I’ve LITERALLY ever heard.” Like…. Come on now. 😭
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idk how controversial this is but I’m actually such a big fan of s3a. it’s the exact kind of phantasmagorical bullshit that makes me kick my feet and grin like a fool. the whole show goes haywire and completely abandons the generic structure of the police procedural, and it totally gets away with it because at this point the narrative has unravelled so much that the show can safely let go of whatever conformity it was barely hanging onto in s2b. and on a metafictional level the shift in external genre strangely parallels the progression of the two main characters: just as will and hannibal have changed each other, the show too has revealed its true nature
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bookterror on insta has this nice big database of 170+ ace books from last year!
you can also find the list on goodreads!
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Ive seenyou mention wuxia a few times now and i wonder what that is. Would you mind explaining it to me?
not the most qualified person to explain this as i'm not, in fact, from china; but i've read a couple of wuxia so here goes:
wuxia is a genre of fiction from china specifically, about martial artists in ancient china. i don't think a specific time period is like required? obviously some dynasties are more popular but idk how it goes in that front. it just has to be Not Today and probably Too Long Ago. like pre industral revolution i think. again idk if that's a requirement, but most i've seen are from around the same relative murky pre-electricity era.
xianxia is a subgenre of wuxia that's specifically more fantasy-like, and it's not just martial arts, but also spiritual powers and cultivation (which i have no fucking clue how to explain without two hours and three tangents other than chinese magic system. if you've ever heard of chi/qi as an energy, it appears there). so like- genshin is by all accounts a xianxia, it just doesn't use the more common specific xianxia terms like cultivation. some of those are very weird to translate and probably not common for the average non-wuxia reader, so it makes sense why they're going for alternatives.
chongyun and xingqiu and xianyun are very much straight out of a xianxia. xianyun's entire story quest was the closest genshin has gotten to a straight xianxia plot so far. i highly reccomend ashikai's video on unnecessary visions if you want more info on why genshin is a xianxia hahah
cyanide narwhal has some talk of some stuff from xianxia, but that's mostly because well- fucking liyue, that's how it works there. the whole light energy striking down someone who's getting powerful and giving them godhood if they survive the strike is, while not exactly like that, something that happens in some xianxia as well.
like the way adepti work in general is just very xianxia. ashikai does a much better job explaining it than i do tbh but yeah
TL;DR: wuxia is chinese martial arts fiction in ancient china, and xianxia is a wuxia subgenre with more magic elements. also genshin is a xianxia
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they should make a fantasy rpg video game but without the standardised racism and race science bullshit that fantasy tends to have and instead put in big fuck off mechs doing brutal melee combat violence at eachother
like maybe instead of having various non-human races be described as "savages" who are less intelligent and inherently evil, have an ancient purple sword wielding robot with a name like Ancient Machine Devil Vostfanger emerge from deep within the earth so its terrible power can be used to bring about the end of a vile kingdom through turn based tactical RPG gameplay
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this might just be an unpopular opinion in the jjk fandom but i love how little seriously things happen for the most part since the culling game started, like i miss being seriously emotionally invested in it a little bit ngl but i love the way the newer characters will just open their mouths and say things so much, they were all forced in this game against their will and the only ones that survived long enough to make it in the cast are the unhinged ones that makes so much sense to me. maybe I liked the plot until the shibuya incident a little more but tbh some of my favourite characters in the whole manga have been introduced or have been made relevant during the culling game, some of these guys are just pure gold on legs
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been seeing a lot of questionable takes on my dash lately, like “mitchum was right to tell rory she didn’t have it” and “rory writing a book about her life is stupid” and I’m just… stunned by them. not only are they flat out wrong, but both of them pointedly insult rory and her capability to perform as an adequate journalist and storyteller. we know rory has it because it’s established throughout the entire series—she does great at the franklin and even manages to put spins on what should be crap stories like the pavement piece; she also rises to the top at the YDN and becomes editor in chief. not only is she great when it comes to writing (which is drilled into the viewer and over—it’s an indisputable, canonical fact), but she’s also great under pressure and defying expectations. when she went to chilton the odds were against her—it was predicted that she wouldn’t be able to catch up and would flunk out. and what did she do instead? she became valedictorian and went on to attend an ivy league university. mitchum’s critique of rory is fucking laughable when you consider all of that, but it’s even more ridiculous when you factor in that he was barely around throughout her stint interning for him, and decided that she “didn’t have it” simply because she didn’t speak up during one meeting, even though doing so would usually be considered incredibly disrespectful. rory has amazing ideas and she’s fantastic at executing them, and we know she was a successful journalist until richard’s death, which is the only reason she was in a rut at all. therefore the idea that she “doesn’t have it” is, again, canonically incorrect.
as for the other thing, rory writing a book about her life is the opposite of stupid. to the people who agree with this: you do realize you just watched an entire show about her life and found it entertaining, right? it’s a memoir about her childhood, her relationship with her mother, and how being the daughter of a teen mother affected her. there’s absolutely a market for that sort of thing. not only that, but this is rory we’re talking about: she’s perfectly capable of translating the magic we see on screen onto the page. in fact, i think it’s kind of implied that the book will play out similarly to the show and have the same kind of vibe—it sucks you in and keeps you coming back for more. anyway, tl;dr, all the rory bashing and complete lack of faith in her ability to be a good journalist is pretty unfounded and unfair. i feel like it’s just another outlet that people are using to put her down, but it has no basis in fact (like most anti-rory takes).
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