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thisis-an-original-name · 1 day

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totally respect people tearing Taylor down after that subpar album but I’d like to take this space to hype up other female artists who haven’t completely drained their creative wells. Welcome to C’s music recs (women only because disliking Taylor doesn’t make you a misogynist.)

1. Cowboy Carter. Oh my god. This woman never misses. Beyoncé is consistently fantastic no matter what she’s up to. My personal favorites are AMERIICAN REQUIEM, PROTECTOR, and 16 CARRIAGES. This album feels a bit like listening to the radio while also listening to someone’s life story and it’s goddamn insane.

2. I listened to Feminomenon for the first time yesterday and I was jamming so hard. Yes Chappell Roan I too will prioritize my own wants and needs over the attention of some mediocre man who does not deserve me thank you queen. Like seriously I can’t stand clubbing but now I want to go out clubbing just so that I can dance to this song with my friends.

3. One of three songs that I actually enjoy on TTPD is Florida!!! And it’s only because of Florence. Because holy shit, Florence. I’ve become unhealthfully obsessed with Dream Girl Evil, Ship to Wreck, Shake It Out, Big God and Hunger.

4. Olivia Rodrigo continues to kill it. If my future relationship isn’t like so american, I don’t want it. And I know it’s been a while but Can’t Catch Me Now is still on my Heavy Rotation Replay every single week.

5. This is preemptive but…. New Billie Eilish in a month?????? Hell yes????

6. Honorable and continuous credit to Penelope Scott and Lorde

#feminism #i love women #anti taylor swift #taylor swift #chapell roan #beyonce #florence and the machine #billie eilish #olivia rodrigo #Penelope Scott #lorde

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leonsleftbicep · 23 hours

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Bake Me Back To Eden

Chapter: I

Ao3 Version

Word Count: 1,375

tags: Bakery AU, Modern Setting AU, Fluff, Domestic Fluff, Getting Together, Getting to Know Each Other, Vessel/II/III are dating, IV doesn't know them… yet!, Trans II, Nonbinary Vessel, Genderfluid III, They/Them Pronouns for III, It/Its and They/Them Pronouns for Vessel, Vessel and III are very creature they deserve creature pronouns

Summary: IV runs a bakery called Ivy Sprigs Bakery & Records, The Echo's work along with him. II, III, and Vessel are customers that don't yet know IV. yet! -- this is being cross posted on here and Ao3. alt names that are more "human" are used at times for the vessels, but i try my hardest to keep up with the numerical names for parts that are not being spoken verbally. The echo's or the esparas have made up names as well for i do not know their actual names and don't really want to use their actual names.

the alt names i will be using for each vessel and espara is listed below. please keep in mind that these names are fake and not anyone's actual names.

Vessel: Verna II: lii III: Thea IV: Ivy Espera/Echo 1: Evaline Espera/Echo 2: Erie Espera/Echo 3: Elanor

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Ivy Sprig Bakery and Records. A newer place that opened up just a walk away from Vessel’s house. It was II’s idea to check out the bakery, after the couple of times he bought coffee there on his way to work. He thought it was time to show them this cute little hobbit hole of a bakery.

III was apprehensive about all of this, not knowing if they would like anything. Vessel was just nervous in general. Vess hates going out in public, everyone stares at them because of its height. II might be the only one not nervous, for the main reason that he knew there was a certain person he had a feeling that would change their minds.

The three of them walking through an alleyway while II led the way. “ii are you gonna kill us or something, this is shady.” III says unnerved by this as they hold Vessel's hand. “where almost there, you know i'm not a big fan of main roads for numerous reasons” II smiles as he walks, taking a turn that leads to the front of Ivy Sprigs. “Here we are” II exclaimed as the two taller beings look at this lovely little bakery, with a dark cottage core almost witchy vibe to it. “I call dibs on the records!” III calls out before they run into the cafe. Both II and Vessel giggle as they hold hands and walk into the bakery.

they find III already scouring the records for old albums from a band they enjoy. III does squeak and bounce around when they find a limited edition color variant of a record.

“I'll go get coffee, while you watch him” II speaks softly to Vessel as he gets up on his tippy toes just to kiss Vessel's cheek. Which makes the taller blush and hum in agreement.

II making his way to the cafe/bakery section of the shop, he knew III and Vess would be on their way soon after III found their records. II gets in line and soon feels the presence of his two tall lovers, which calms his paranoia.

III’s jaw drops to the floor all of a sudden. II just chuckles when he feels Vessel also fluster, just by the way they are clutching onto II’s shoulder. “I told you guys I would change your minds” II say with a grin as he also checks out the person they are collectively looking at.

The person in question is a lovely brunette with grays at his temples and widows peak, thin wire oval glasses low on his nose as he smiles and talks to customers. ‘Ivy’ was the name on his apron, which if they all thought right he was the owner. II had met the man a couple of times, though never really had a super meaningful conversation with him.

“How can i help you lads today?” IV asks as he looks between all three of them. Smiling when he sees II “oh it you Lii!” IV expels like he was surprised. “Its II, i just say Lii for simplicity” II nods, knowing a lot of people find his name odd.

Ivy types out something on his ordering tablet, “i'm guessing the usual black eye” ivy smiles. II hums in confirmation, “and anything those two would like?” IV asks as he gestures to III and Vessel. “They are your partners, right? you mentioned a Vessel or Verna? And some one you called Red?” Ivy asks as he pulls out cups and starts to write down II’s name on it.

“Black coffee, please” Vessel says with a slight shake to its voice before they just whisper to II what they want. “And a blueberry scone” II adds on, wanting to make sure vessel got all it wanted. “And what's your name sweetheart” IV ask’s vessel so he can write down the name on their cup. Vessel at first flusters at the pet name being used so smoothly. “Vess- no, put down Verna” Vessel says with a soft smile, which makes II squeeze its arm gently in congratulations.

III smiles when IV turns to ask what they want, “what do you recommend..” III looks at IV’s name tag “..Ivy?” they finish with a smirk. IV just smiles “i fear I- it might be too sweet for you” he tries to flirt back.

II kicks III in the ankle “OW!”. this sight makes IV laugh and snort, which amazes all of them. “goodness. okay, too answer your question Red” IV say with a big grin “my favorites the cafe miel, coffee wise. but tea wise, i usually go with a london fog” IV responds as he plays with his pen “your pick though”.

III leans against the counter as they think, “I'll try the cafe miel” they say “as long as it's, as sweet as you” III purrs. “oh jesus christ” Vessel whispers “this is the same thing they did to me when we first met” Vessel tells II.

IV just snorts and writes it down “what's your name?” he asks with a soft expression “unless you just want me to write down Red?”. III shakes their head “put down Thea, but you can call me III.. or whatever you want” III chuckles. “III you are horrible at being subtle” II groans and crosses his arms as Vessel rests its chin on his head.

IV gets pulled away from the cashregister by evaline so she can discuss something with him. III just watches that and then giggles and turns to II and Vessel “i'm not trying to be subtle, i'm trying to get closer” III admits.

II’s eyes widen “you just met him, Thea!” II yelps. “I feel like that's what you said to yourself when you met me, Lii” III counters, being a smart ass.

Vessel takes a deep breath “ok my loves, can we not get into a tift at the moment. Both of you need coffee, and some food” Vessel says as it takes their partners hands. Both III and II take a deep breath.

“I'm going to finish ordering, you take III to look at the records. Try and find me something please” II mutters as he pulls away so he can finish the order with Elanor as vessel and III walk off to cool down.

After coffee and some food II and III hold hands as they feel normal now. “Sorry that i was rude” III apologizes. “I accept your apology. But you aren't wrong, there was a reason that Vessel was the one to start dating you first before I did. And it was because I felt it was too soon” II explains, even if this might be odd to discuss in the middle of a bakery.

IV walks over after finishing up what he needed to with evaline. “Sorry I had to walk away, evidently someone wants an ambrosia salad style cake for their wedding.” IV laughs as he takes off his apron and pulls up his sleeves to expose his forearms. Which the three men gawk at, seeing the ivy tattoos wrap around his wrists and up.

“So can I get you three anything before you head out?” IV asks with a soft expression that makes his eyes look more blue then they were before.

“Some ivycakes” III blurts out as their face reddens. “I've never heard of that, we do have angel food cake though!” IV responds obviously.

II clears his throat and chimes in, “we are good, we are just about to go purchase those records Thea picked out and then head off home.” II excuses.

“Well, come back soon. it was great to finally meet your partners, they are very sweet” Ivy says as he makes eye contact with III. which II notices, and so does Vessel by the way it grabs II’s waist and squeezes gently.

After they pay for the records and walk out the bakery, Vessel finally speaks about its experience. “I like Ivy, he has pretty eyes. I wonder if he's single” Vessel smiles as all three of them walk together.

“The ivycakes thing was about his ass… i asked for a slice of his ass” III explains.

Both II and Vessel look over at III in surprise.

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hldailyupdate · 5 hours

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Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis tomlinson #louis update #louis tomlinson live #euphoria #article #april 2024

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dailytomlinson · 8 hours

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Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There��s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis tomlinson #euphoria #article #review

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louisupdates · 10 hours

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FULL ARTICLE ON EUPHORIAZINE

By Saskia Postema 26.4.2024

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

#louis press #louis tomlinson #louis tomlinson live #26.4.2024 #album review

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velvetjune · 22 days

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the chapter songs in Alan Wake 2,, flawless

#they deserve more love and discussion #saying this while also not knowing what to say other than they’re so fucking good #alan wake 2 #i think it’s partially because poets of the fall’s tracks are iconic so of course they’re in the spotlight (as deserved)#but also the CHAPTER SONGS. them being made for a given chatacter(s) with the help of Sam lakes poetry #the changes with ‘this road’ by Poe with every Alan chapter. becoming more distorted and revealing lyrics and the spiral #the scratch song being 1) hilarious and 2) similar to Zane’s poetry in the aw1 arg #the emotion in superhero when saga feels lost at the story making it so Logan was gone #the lines of her feeling like a ghost in this story forming around her.. how she feels guilty and absent for both what the story’s doing #and being away from Logan because of her job. ashdhhhhjhh my heart #AND. follow you into the dark HAS to be alice. which kills me because at for at I thought of Alan #but no. Alice jumped in the dark place after him. it’s so !!!!!!!!!!!#the rabbit hole line. Alice spiraling deeper and deeper into a dream—into wonderland #the Lost at Sea one is also good. intrigues me. the Bowie and Lynch references are blatantly aw2 Zane #but it’s so similar to diver Zane and the ‘originals’ death. being lost in the dark place with illusions of escape #and losing any sense of identity. whether he’s real at all or the monster of this sea or just a lost soul.#the soft and calm vocals / instrumental really makes the whole thing #NEED to stop typing more tags because this is a Lot. however.#‘no one left to love’ is also a phenomenal song and one of my favorites from the album. GORGEOUS vocals and how it all flows together.#such a powerful and beautiful way to end a chapter #anyway that’s all I had to say :)#god. I’ve started to watch a few playthroughs of the game and 90% of people have skipped the chapter songs and every time im #that’s fair but my brain and soul might implode if I don’t see anyone else talking about how good these songs are

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finexbright · 1 year

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i know some people say that he relies on fans too much but i don't think you'll say that if you see the genuine emotion on his face while talking about fans and the support he's received over the years and how much we've done for him. the sheer overwhelm and gratitude on his face as he spoke about how if it weren't for the fans and how much we boost him up, he wouldn't have moved from the sound of walls to the sound of faith in the future, which to be fair are miles apart and takes some artists years to move between genres. he's well aware of how the industry has betrayed him but he's truly reached a point where he does what he does for the people who love him and no one else and i'm so proud of him for that. i know in this industry radio play and awards and public promo matters, but to see him talk about us has made me realise that to him success means that his music was loved by his fans and everything else is just a bonus. he was sat there, a full few weeks after his album going number one, and he still couldn't believe it. he looked like he didn't know how else to say thank you, and like words were falling short for the amount of gratitude he wanted to express. being in the crowd last night made me realise just how much he values the artist-fan relationship he's built with us and he wants to keep working towards keeping this connection strong and tight knit and creating this community together 🫂🤍

#like. i know so many people complain about him not getting radio play #but being there last night made me realise that he's aware of it and he will shade it but at the end of the day #to him what matters is us loving his music and being so gassed for him and his career #he even said that this album and the sound was a culmination of what both he and us wanted #like. it was his way of sort of saying ''i know you wanted me to go punk and so i did and i'm glad you loved it''#and like when i say he's truly doing it for the fans i don't mean it in a fan service way i mean that he's doing what he loves #while also completely trusting that we'll love it and give it all the hype that it deserves #given how much the industry has sabotaged i know it would've been hard to move from walls to fitf and its sound #but he only did it because he knew we'd eat that up #and i'm so proud of him for making an album that he genuinely loves and is so pumped for performing #you could see it on his face last night that he too was thinking about how he was gonna miss tour and how excited he was #i honestly can't wait to see how fucking awesome tour will be 🤍#meant to post this last night after the q+a but my hands were freezing so you get it now

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pherre · 5 months

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i forgot about mitski's new album i thought laurel hell was still her latest

#i saw on tiktok that apparently laurel hell was overhated and i was so confused because i only saw good things about her latest album #i fully forgot about the land is inhospitable #anyway you guys don't deserve her anyway. 'stay soft' soty all day every day

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thissmycomingofage · 5 months

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The thing is that the tgw deluxe tracks are the regular tracks' kids and there's actually a family tree :

Holy revival : coming of age/tgw

Yoko : two weeks ago/wendy

The Song: watch/lost the breakup

Guy On A Horse: yjab(aiktm)/BSC

Truth is : therapy/there it goes

The last one : the band & I/history of man

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sweetpaintedladie · 4 months

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listening to the hackney diamonds live “album” [those like 7 songs that they recorded live] and it’s honestly so jarring how much better the new material is without the horrific production, like truly just astounded the production of the album was so horrible that a group of 80 year old men just fucking around on stage sounds so much better ? you’d think it’d be the other way around but alas andrew watt seems to be in a competition with himself to see how horrendous he can make an album sound via production

#i like the album and all but i had to train my ears to not hear the production which is… not good #the first listen i tried not to let it effect my thoughts on the actual music but it was very hard to ignore #like my heart dropped when the first line of keith’s song came on and he sounded SO autotuned #i think it’s a fine album #good turn your brain off stones music #not like as good or as bad as other albums #but that production is so horrific #it sounds really good live which i guess is what matters since that’s what you really really pay to see #but like andrew watt really fucked it up in the studio #which sucks ! because this is proof that you really do not need to be doing all that #and i’ve said a few times but it should not have been *that* obvious keith wasn’t behind the boards at all #like him and mick produce in a way you barely notice and so having so much production made it so bad 😭#tired of andrew watt is a savior narrative because he really dropped the ball and im terrified for him to do new music with other artists #tbh #it’s really really…. mmmm #also if the stones release another album with the hackney outtakes they better not go with watt again #he deserves to be locked in a closet

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aromanticannibal · 5 months

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Hello I am once again asking you to listen to Feldup's new album (edit: ive made a rec post)

#I just listened to stared at from a distance the song (after waters which I had already listened to) and it has fundamentally altered my #brain chemistry #some info on the guy : he's french and also does YouTube videos on horror and internet horrific phenomenona but his music is in english #it's indie alternative rock for the most part #in stared at from a distance (the album) some songs are pretty long. I advise you to have lyrics under your eyes #his singing isn't for everyone but I personally love it #big tw warning for csa and sa in general in some of his songs because he's a survivor and sings about it. General warning for mental illnes #ig. don't listen when you're in a bad place I'm not even feeling that bad and started at from a distance (song) just killed me #he's really really really good and he deserves to have more fans of his music pls give it a try #if you don't want to bother with the full almums I'll make a rec list of my favorites from his two albums once I'm done listening #feldup #stared at from a distance #a thousand doors just one key #French artist #music recs

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waugh-bao · 6 months

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*

#I’m kind of shocked by how negative the comments under that new Sunday Morning interview with the Stones are #lots of ‘just retire. you haven’t made a good album in years’ and commentary on how it’s lost the plot without charlie #which…#I think that tells you a lot about how normal (mostly boomer) fans perceive the band #the people on IORR are invested in it to a borderline unhealthy degree #and they’ll worship at the feet of this album because it means they can go on pretending this will never end #whereas people with a little more objectivity #seem to be able to perceive a decline in musical quality and some mistakes in how they’ve handled it #they by no means deserve hate #but it’s kind of refreshing to see people who have been fans most of their lives put integrity above some warped notion of loyalty or being #a ‘real fan’

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lhrry · 2 years

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i need 1d to come back and tour mitam so that i can hear lilo own the hey angel bridge, so that i can hear the harmonies in infinity, the entirety of end of the day but especially when the sun goes down i know that you and me and everything will be alright, when the city’s sleeping, you and i can stay awake and keep on dreaming, you and i can stay awake and keep on drEAMING, so that i can hear the what a feeling chorus and literally watch them being kings beside each other, so that i can hear harry and liam lead the choruses in long way down and liam do those things he does in never enough, so that i can lose it to niall’s verse and louis’ bridge in love you goodbye, so that thousands of us can scream our own versions of the temporary fix bridge, so that i can sob my way through walking in the wind and AM, so that i can ascend when louis takes over the chorus in olivia, so that i can watch them give a whole new meaning to history and cry my heart out to if i could fly, not to me mention absolutely losing it during the bridge and breakdown

#so ive been awake since 5am because of work #listened to the entirety of mitam and it’s such a masterpiece #louis tomlinson the absolute king of bridges #shame niall isn’t given half the space he deserves tho that’s the only truly regretful thing about that album #and yes in this scenario they sing almost all of the album sue me #tag what you need to hear !!

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tpwkluv · 8 months

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after painfully waiting for almost a year, my decide vinyl finally came in! and let me tell you something dudes. it’s glorious

#i didn’t even want to take it out of the packaging #djo keery come give me a big smooch because you deserve it #this album means the world to me #i’ve played it 195 times this year alone according to apple music LMAO #djo #joe keery #decide

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musicrunsthroughmysoul · 1 month

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I don't know that I've ever mentioned this before, but finding that quote by Ruth Pointer about the Pointer Sisters' Break Out album reminded me that I have also never really liked its title (even though it's one of my all-time favorite albums). I get that whoever suggested that title (why do I assume it's their producer? Richard Perry, to be specific?) thought it was going to be like their 'break out' album and apparently confidently named it accordingly, but I also think it did a disservice to the Pointer Sisters, suggesting that their material for the past ten years was never good enough to warrant "true" hits of a 'break out' status. I feel that kind of title, for that album at that time, greatly discredited the work they'd done thus far and the effort they'd put into getting to where they were; PLUS, seemingly based on the concept of being a self-fulfilling prophecy, it also seemed to suggest (by popularity, and by quality) that they'd peaked, as none of their albums following Break Out were able to surpass, much less match, the success (chart-wise) of Break Out. I just think it was a shitty move, naming the album that, and the Pointer Sisters deserved better.

#crystal visions of lilies in the valley #sorry for the rant #I haven't even listened to all of the Pointer Sisters' discography but I've listened to at least five of their albums and #I just love them and think that they always deserved better. I don't care how many hits they had -#I think it would've been more interesting had they had more say in their material (early on especially) because #given the quality of the songs written by the sisters I would not be surprised if more of their songs had been passed up on their albums #(by producers) in favor of covers that were 'hit' material. well fuck that. hit material can be written by the singers themselves too! FFS.#but oh no sexism doesn't exist in the music industry. much less misogynoir. oh no. (SARCASM)#especially because the Pointer Sisters resisted genre labels especially early on...or at least they had massive amounts of crossover appeal #AND THAT WAS EVEN WITH THE SONGS THAT *THEY* WROTE THEMSELVES AHHHHHHHHHHHHHHHHHHHHHHHHHH #not to sound like a conspiracy theorist but to quote a completely different song and group:#''they just don't want a woman to control her body/or have the right to choose/ ... /they just want a male finger on the button''#(because what IS a woman's right to choose? a woman's right to choose what? ...you know? IT'S ALL interconnected...is my point.)

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ihamtmus · 1 year

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this fandom will never choose hoseok first huh? as long as ANY of the other members is an option?

why does this always always happen i really do not understand

#i can't comprehend it but then again i can't comprehend not choosing him first always #but yeah. anyway.#so many people in this fandom don't deserve him #yes this was prompted by the pre voting for m countdown but it's about sooooooo many other things #anyway i love jimin you guys know that and when i saw that hobi wasn't in the finale i voted for jimin obviously #i 💓 him and i'm glad he's happy #this is not about jimin tho just like the fan n star individual awards wasn't about jin #and just like the mama awards weren't about the other nominees #and just like the weverse albums aren't about the other members #it IS about this fanodm tho and their lack of interest whatsoever in jhope #i'm always sooooo baffled because like i said i can't imagine being in the bts fandom which means KNOWING jhope and his music #and not loving him with your whole entire heart #like wow couldn't be me good luck to y'all tho #(btw this isn't about you guys it's about twitter as always)#imagine loving bts and curating your timeline in a way that let you ''forget to check out arson'' for 8 months after the release #huh must be fun #all the people i follow have been constantly crying yelling throwing up becasue of arson and all the live performances #anyway. wild. wow hobi will disappear soon and i WILL leave twitter then #bts #my post #bts negativity #<- it's about the fandom not bts but i want that anon to be able to filter the negativity

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