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gallifreyanhotfive · 1 month

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Random Doctor Who Facts You Might Not Know, Part 38: Gallifrey at War Part 6

Tw: body horror, Time War stuff, death and destruction, lots of disturbing stuff, etc etc

During the Last Great Time War, Dalek experiments included mutating humans into Daleks to be used as cannon fodder. (Novel: Engines of War)

To fight against the Daleks, the Time Lords not only used Battle TARDISes but also time scooped N Forms, Bowships, and Black Hole Carriers from their own past to add to their forces. (Novel: A Brief History of Time Lords)

Mr. Saldaamir was a friend of the Doctor's parents. He originated before the first Time Wars, which erased his entire planet and left him as the last of his kind. (Short story: Mr. Saldaamir)

Gabrielideans are a race of liquid protean bioforms. During the War in Heaven, the Time Lords allied with them but poured packets of powder into them, which altered their biodata to an extent that it changed their physical form. This was to ensure that the Gabrielideans would be able to use humanoid skinsuits. (Novel: The Book of War; Alien Bodies)

The First Law of Time broke down during the War in Heaven, causing the War to spill over into the pre-War Era. Indeed, the Eighth Doctor (and other early incarnations, notably the Third but also the Fourth, etc etc) all had interactions with a future War. (Novel: Alien Bodies; Unnatural History; The Taking of Planet 5; Interference; Verdigris; Toy Story; Audio: The Judgment of Sutekh; Television: Pyramids of Mars; I don't think I'm missing any citations, but honestly I probably am. This happened A LOT lol)

The Predator Dalek is two times the size of a normal Dalek. The interior has a seat inside of it, surrounded by monitors, dials, probes, and spikes, including a large needle which would insert in the soft tissue at the back of a humanoid skull. This was intended to house the War Doctor inside of it. (Novel: Engines of War)

During the War in Heaven, the Celestis had used a fictional generator to bring to life H.P. Lovecraft's Elder Things. A group of Time Lords purposefully regenerated into bodies resembling these Elder Things in order to blend in and complete their mission. (Novel: The Taking of Planet 5)

The Celestis were the elite members of the old Celestial Intervention Agency who removed themselves from history to escape the War in Heaven. Other Houses typically thought of them as monstrosities. (Novel: Alien Bodies; The Book of War)

Project Revenant was a project set up by the War Council during the Last Great Time War to resurrect dead Time Lords from the Matrix. (Audio: Celestial Intervention)

It was housed in a pocket dimension connect to Gallifrey through the Death Zone, but when Daleks invaded the pocket universe to use the Project for their own ends, the pocket dimension was destroyed but not before the power core was removed. This power core allowed for the resurrection of Rassilon. His Martrix projection was imprinted on Valerian, which ended in Valerian's death. (Audio: Desperate Measures)

The planet Reave in the constellation of Kasterborous was so anti-Gallifrey during the Last Great Time War that they had graffiti depicting the demise of Time Lords and would douse their streets in Praxis gas to choke out any Gallifreyan that may be hiding in their midst. This was largely because the High Council was sanctioning terrorist attacks to blow up Reave's factories, but that did not prevent Gallifreyans not responsible for the attacks - like the Eighth Doctor - from getting Praxis gassed. (Audio: A Heart on Both Sides)

Considering that events in the Last Great Time War were constantly in a state of temporal flux, it was impossible to know for sure what happened. In truth, everything "has happened, then not happened at all, then happened again but at a different time entirely." (Novel: A Brief History of Time Lords)

The Moon of Tenacity was the site of a Gallifreyan Military Moon Base. The Eighth Doctor and his companions were taken here after they were captured. His companions were locked away to convince the Doctor to fight in the Time War, and he was conscripted to the recruitment camp. (Audio: The Conscript)

The Faction Paradox members wear masks made of skulls. These skulls sometimes belonged to Time Lords from an alternate universe where they lost the Eternal War. (Novel: Alien Bodies)

Not all Faction Paradox members used these AU Time Lord skulls though. Some wore the skulls of other species, and Godfather Auteur had his actual skull exposed. This was because his skin had been ripped off, so his body was just bones held together by shadows. (Short story: A Bloody (And Public) Domain)

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allysdelta · 5 months

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A while ago, while the Good Omens graphic novel was running its Kickstarter campaign, I saw the character designs for the Ineffable Duo and got inspired to create my own. Some of the details are still in flux, but I'm really quite pleased with how their basic looks have turned out and I'd like to draw them in comic form someday.

Notes on design and color choices under the readmore.

Though originally I'd intended for Aziraphale to be the shorter of the two, I like the implications that he still retains some vestiges of the angelic soldier he once was -- that hint in the way he carries himself that he could become very dangerous indeed if he has to. As a bonus, when Crowley became the smaller one, it emphasizes his personality, both as someone who must seek hiding places to avoid harm and as the guile hero who relies on his wits to survive and even thrive. So now we have a soft angel with a steel core and a pointy little garter snake of a demon.

They're not tied to any specific ethnicities, being celestial entities, but they both appear brown, partially because I like the nod to the Fertile Crescent housing the first known examples of human civilization, but largely because no one can stop me. Crowley ended up with a vaguely East Asian complexion and eyes, while Aziraphale has features that faintly echo the Middle East. Don't ask me about the halo of chestnut curls -- I don't know where that came from, but Aziraphale insisted.

Like his show counterpart's, Crowley's eyes get more snakelike when he's stressed, upset, angry, or exhausted. I gave him the presence of a sclera for the sake of facial expression, but because I didn't want to entirely lose the reptilian look, it now has a yellow tint. (I haven't designed his snake form yet, but it's based on a bush viper for their pretty scale textures and their cute little snub noses)

Aziraphale's eyes have a burst of sunlight yellow around the pupils, a feature I saw once on a real-life acquaintance and thought beautiful. The green-hazel irises are just 'cause I like them.

Surprising absolutely no one, Crowley's clothing scheme is blacks, grays, and reds, with flashes of silver. I haven't done any research on whether leather blazers were a thing in the late 80s, but it seemed very appropriate for him to wear, and it's a little nod to Neil Gaiman's liking for leather jackets as well.

Aziraphale wears heavenly colors (white, blue, gold) close to his chest, while the rest of his clothing grounds him with earth tones. He's just a little more up to date on fashion than the show's Aziraphale (whose clothes skew Victorian), but he still wears clothing that wouldn't look out of place in the 1950s.

I probably make Aziraphale a little too handsome compared to his descriptions in the book, but I like how it makes him all the more infuriating when he's being condescending. Like, you bastard, how dare you look that hot while you're lecturing me. Poor Crowley.

#Aly tries to art #Good Omens #Book Omens #Aziraphale #Crowley #Ineffable Husbands #good omens fanart #book husbands #was going to paint this but then I decided nah #it works better as a color key anyway

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evesaintyves · 8 months

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I just love the way you write Tonks, she's so much bolshy and dirty and crass, she feels like a real auror and an actual badass that people wouldn't want to mees with! I liked Tonks in books but I admit I was a bit bored by her 'cutesy sweetheart' personality..

thank you so much, that's such a kind thing to say! ❤️ i'm gonna ramble about this a bit if you don't mind!

obviously i extrapolate a lot, but i think there are seeds of that bolshiness etc in canon. from her very first scene we see Tonks kind of talking shit about Harry's house (and her parents!) and giving her mentor, a pretty intimidating dude, guff in front of everyone. she stands up to Remus when he deadnames her (though i agree with the common fanon interpretation that they're flirting a bit in that exchange). she's introduced as a character who speaks her mind and doesn't take any shit*. all of that is on a mission and in front of a kid, so i imagine she's probably even a little more outspoken under other circumstances. it's also clear to me that she's got to be strong-willed, a little singleminded, incredibly talented, and probably a little arrogant to make it as an auror so young: she talks about how difficult it is to qualify and not many do. she's also canonically kind of reactionary and impulsive - i mean, that's how she dies.

some of my characterization of tonks is just personal - so much of her plotline is pretty sad, and her personality disappears entirely toward the end as she becomes a fulcrum for lupin's character arc. and her death, honestly, is kind of stupid. so i feel this urge to give her some justice and a little bit of a fuller personhood in the way i write her.

to me, tonks is (on top of being obviously interpretable as queer) clearly punk/alternative coded, withe the hair and the way she speaks to her elders and her sense of humor. i'm old and i was a tween/young teen in the mid/late nineties when tonks would have been around, and i remember how discovering riot grrl and queer punk bands of that era completely changed the way i thought about myself and the standards i was being held to and just the possibilities for what girls could do and how they could exist in the world and in their own bodies. being gross and crude, rejecting and subverting and playing with the power of the male gaze, talking openly about fucking and bleeding and being gay and being angry: it all seemed like a superpower to me.

tonks is clearly, from the start, in a state of experimentation with her own identity - the way she changes her hair from violet to pink in front of harry - and she's uniquely positioned as a metamorphmagus to create herself from scratch whenever she likes. it reminds me so much of being a kid and discovering that there were all of these new possibilities for who i could be, if i could be brave enough to try them. and we know that Tonks is brave 😉. so like, why not write a Tonks who is liberated, doesn't give a fuck, insists that the world make room for her? i think the contrast with people-pleaser overthinker self-hater lupin is really irresistible, too.

my vision of tonks is as a person i would have looked up to as a kid at that time, but who is still from her pov very much figuring her shit out and trying to construct a self that gives her peace and fulfillment. she dies in that state of flux - having also just undergone the enormous identity-changes of marriage and motherhood. she's fascinating! i insist on it!

so thank you again, such a sweet ask!

* i bet she put up with a ton of bullshit trying to be in a relationship with lupin tho smh girl u can do better!!! we all been there though

#tonks #remadora #hp meta

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graphicpolicy · 2 years

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Preview: Mind MGMT: Bootleg #1

Mind MGMT: Bootleg #1 preview. What looked like the end was only the beginning as a former leader of MIND MGMT explores the darkest parts of the world and recruits a team of forgotten agents to rebuild the organization #comics #comicbooks

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#comic books #Comics #daniel brereton #dark horse #Dark Horse Comics #farel dalrymple #flux house #marguerite sauvage #matt kindt #mind mgmt #mind mgmt: bootleg

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duxbelisarius · 5 months

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The Dragon has Three Heads or, How I Learned to Stop Worrying and Believe That Young Griff is the Real Real

Before going any further, I want to warn anyone reading this analysis that it will contain spoilers for A Dance With Dragons, so proceed at your own risk.

This essay came about from an 'epiphany' I had while reading ADWD on break at work, specifically chapter Daenerys VII. In this chapter, Quentyn Martell and his companions present themselves to Daenerys and offer her a marriage alliance with Dorne. This being the day of her wedding to Hizdahr zo Loraq, Dany refuses and makes note mentally of Quaithe's earlier warning about not trusting "the Sun's Son." The identification seems simple enough, with House Martell's sigil featuring the sun and Quentyn being the son of Doran Martell, Prince of Dorne, but there are serious problems with this conclusion.

The issue with labeling Quentyn Martell the Sun's Son stems from how Dany reaches this conclusion; for starters, this is the original quote given by Quaithe in Daenerys II:

"No. Hear me, Daenerys Targaryen. The glass candles are burning. Soon comes the pale mare, and after her the others. Kraken and dark flame, lion and griffin, the sun's son and the mummer's dragon. Trust none of them. Remember the Undying. Beware the perfumed seneschal."

And this is how Dany identifies Quentyn as the Sun's Son in Daenerys VII and VIII:

Something tickled at her memory. "Ser Barristan, what are the arms of House Martell?"

"A sun in splendor, transfixed by a spear."

The sun's son. A shiver went through her. "Shadows and whispers." What else had Quaithe said? The pale mare and the sun's son. There was a lion in it too, and a dragon. Or am I the dragon? "Beware the perfumed seneschal." That she remembered. "Dreams and prophecies. Why must they always be in riddles? I hate this. Oh, leave me, ser. Tomorrow is my wedding day."

...

The pale mare. Daenerys sighed. Quaithe warned me of the pale mare's coming. She told me of the Dornish prince as well, the sun's son. She told me much and more, but all in riddles.

George has talked about the fickle nature of prophecy in the books and publicly, citing the Duke of Somerset's death at the Battle of St. Albans in Shakespeare's Henry VI as an example of why the literal or easiest interpretations are not always the most reliable. While Dany's conclusion that Quentyn is the 'Sun's Son' seems straightforward, she bases it solely on Barristan's description of the Martell arms. Her reasoning is mainly to justify marrying Hizdahr by dismissing the Martell offer, as Dany herself barely remembers Quaithe's warning and bemoans her 'riddles'.

Assuming that the 'Pale Mare' refers to the 'bloody flux' that the Astapori refugees bring to Meereen, and that the Kraken, dark flame, lion, griffon and mummer's dragon refer to Victarion Greyjoy, Moqorro, Tyrion, Connington and Young Griff respectively, the sequence of Quaithe's warning makes no sense with Quentyn as the 'Sun's Son.' At the end of ADWD, Tyrion is outside the walls of Meereen while Victarion and Moqorro are en route with the Iron Fleet, and Connington and Young Griff are in Westeros. If Dany's return to Meereen from the Dothraki Sea is followed by her journeying westwards, then this sequence makes sense. Victarion will likely destroy the Slaver's fleets and is seeking Dany's hand in marriage, while Moqorro is with him for the purpose of acknowledging her as Azor Ahai and encouraging her to free the slaves of Volantis. Given Tyrion's association with Varys, Illyrio, Jorah and now 'Brown Ben Plumm,' and his family's role in Robert's rebellion, it makes sense that he would not immediately seek out Daenerys on her return to Meereen. Connington and Young Griff await her in Westeros, but Quentyn as the 'Sun's Son' precedes all of them, breaking Quaithe's otherwise sensible sequence. If Quentyn were the 'Sun's Son' he could just as easily have been paired with the Kraken, since both are sent by the heads of their houses to offer her an alliance, while Tyrion and Moqorro travel together on the Selaesori Qhoran (the 'Perfumed Seneschal') and Connington and Griff are in league with Varys.

The far greater issue with Dany's interpretation is that we have access to Quentyn's POV, and there is nothing to suggest that he seeks to betray Daenerys. His purpose was to approach Dany with a marriage alliance, to assist her in reclaiming her crown; his party was even sent by Tatters to scope out the situation in Meereen for a possible double-crossing of the Yunkai'i, specifically to aid Dany. The only thing close to untoward that he does is attempt to claim one of her Dragons, and this was a desperation move driven by his insecurities and his fear of returning to his father empty handed, which would mean that his fallen companions died for nothing:

"What name do you think they will give me, should I return to Dorne without Daenerys?" Prince Quentyn asked. "Quentyn the Cautious? Quentyn the Craven? Quentyn the Quail?" (The Discarded Knight, ADWD)

Volantis, Quentyn thought. Then Lys, then home. Back the way I came, empty-handed. Three brave men dead, for what?

...

His father would speak no word of rebuke, Quentyn knew, but the disappointment would be there in his eyes. His sister would be scornful, the Sand Snakes would mock him with smiles sharp as swords, and Lord Yronwood, his second father, who had sent his own son along to keep him safe … (The Spurned Suitor, ADWD)

Disqualifying Quentyn as the Sun's Son leaves us with only three options, of which only one really works. Trystane is the only other son of House Martell aside from Quentyn via Prince Doran, and given his limited roll in the story thus far I think it's safe to cross him off the list. Doran could theoretically work as the 'Sun's son,' as his mother was Princess of Dorne before him; given that Quaithe describes the figures as going to Dany, Doran's limited mobility and poor health would disqualify him. This leaves us with only one 'son of a sun,' that being 'Young Griff,' aka Aegon VI Targaryen, the son of Rhaegar Targaryen and Elia Martell, Princess of Dorne.

This association of Aegon with the Martells via his mother fits with the copious amounts of imagery linking him to the Rhoynar and to 'Egg' aka Aegon V of "Dunk and Egg" fame, specifically that character's travels in Dorne. Tyrion finds him living on a pole boat in the Rhoyne River, home of the ancient Rhoynar culture that Dorne descends from. The Shy Maid is operated by Yandry and Ysilla, so-called 'orphans of the Greenblood' which are another allusion to Dunk and Egg's travels on the Greenblood River in Dorne:

A poleboat had taken them down the Greenblood to the Planky Town, where they took passage for Oldtown on the galleas White Lady.

...

When they’d been poling down the Greenblood, the orphan girls had made a game of rubbing Egg’s shaven head for luck. (The Sworn Sword)

In Tyrion IV of ADWD, a massive horned turtle appears in the river by the Shy Maid, an obvious reference to the Rhoynish 'Old Man of the River,':

It was another turtle, a horned turtle of enormous size, its dark green shell mottled with brown and overgrown with water moss and crusty black river molluscs. It raised its head and bellowed, a deep-throated thrumming roar louder than any warhorn that Tyrion had ever heard. “We are blessed,” Ysilla was crying loudly, as tears streamed down her face. “We are blessed, we are blessed.”

Duck was hooting, and Young Griff too. Haldon came out on deck to learn the cause of the commotion . . . but too late. The giant turtle had vanished below the water once again. “What was the cause of all that noise?” the Halfmaester asked.

“A turtle,” said Tyrion. “A turtle bigger than this boat.”

“It was him,” cried Yandry. “The Old Man of the River.”

And why not? Tyrion grinned. Gods and wonders always appear, to attend the birth of kings.

When Tyrion and Haldon visit the Painted Turtle inn to find information about Daenerys' whereabouts, we have an interesting description of the inn from Tyrion:

The ridged shell of some immense turtle hung above its door, painted in garish colors. Inside a hundred dim red candles burned like distant stars. (Tyrion VI, ADWD)

We once more have Rhoynish symbolism in the turtle, while the 'garish colors' are reminiscent of Young Griff's hair, which is dyed blue in the Tyroshi fashion. Tyrion's description of inside the 'Painted Turtle' is one of dim red candles burning like stars, which can be seen as an oblique reference to the red rubies on Rhaegar's black breastplate, thereby associating the red of Targaryen heraldry with the cultural symbols of the Rhoynar.

The 'Dunk and Egg' imagery goes further, with both Egg and Aegon wearing distinctive straw sun hats, and being accompanied by their Hedge Knights from the Stormlands, both of whom have titles derived from their own simplistic personalities (Duncan the Tall, Rolly Duckfield). Moreover, Egg's journeying to Dorne ends up giving him refuge from the Spring Sickness that ravages Westeros, while Aegon's time in Essos serves as a refuge from Robert's spies and the chaos of the War of the Five Kings. While these similarities might be viewed as a doomed attempt by Varys to recreate Egg through Aegon, I think the purpose of these parallels is to establish both princes as following similar trajectories: both are sons of a Targaryen prince (Maekar, Rhaegar) and a Dornish noblewoman (Dyana Dayne, Elia Martell); become King of the Seven Kingdoms through unexpected circumstances: and if George plans to end ADOS with a mini-Dance of the Dragons, I would expect Aegon VI to meet a fiery end like Egg did.

If Young Griff is actually Aegon VI Targaryen as well as the 'Sun's Son,' this leaves the 'mummer's dragon' without any clear identity. Part of this is due to the conviction that Dany's identification of the cloth dragon from the undying visions with a 'mummer's dragon' or puppet dragon must be correct. In truth, there are countless cases from ADWD alone that show us that a mummer's object is not necessarily a puppet, but more broadly means something which is not as it appears:

I know one stands before me now, weeping mummer's tears. The realization made her sad. (Daenerys III, ADWD)

"Not here," warned Gerris, with a mummer's empty smile. "We'll speak of this tonight, when we make camp." (The Windblown, ADWD)

"My lord, I bear you no ill will. The rancor I showed you in the Merman's Court was a mummer's farce put on to please our friends of Frey."

...

I drink with Jared, jape with Symond, promise Rhaegar the hand of my own beloved granddaughter … but never think that means I have forgotten. The north remembers, Lord Davos. The north remembers, and the mummer's farce is almost done. My son is home." (Davos IV, ADWD)

His reign as prince of Winterfell had been a brief one. He had played his part in the mummer's show, giving the feigned Arya to be wed, and now he was of no further use to Roose Bolton. (The Turncloak, ADWD)

Fat Wyman Manderly, Whoresbane Umber, the men of House Hornwood and House Tallhart, the Lockes and Flints and Ryswells, all of them were northmen, sworn to House Stark for generations beyond count. It was the girl who held them here, Lord Eddard's blood, but the girl was just a mummer's ploy, a lamb in a direwolf's skin. So why not send the northmen forth to battle Stannis before the farce unraveled? (A Ghost in Winterfell, ADWD)

Mummer's tears and smiles are obviously false emotions, being affectations put on to hide what someone truly feels. Wyman Manderly is engaged in a mummer's farce wherein he pretends to be loyal to King Tommen and Roose Bolton, but in truth is scheming to restore the Starks to Winterfell and assist Stannis against the Boltons. Roose Bolton, Petyr Baelish and the Crown have in turn engaged in their own mummer's farce by sending Jeyne Poole north to wed Ramsay Snow in the guise of Arya Stark, "a lamb in direwolf's skin." If the 'mummer's dragon' is in fact a dragon that has been made to appear as something else, then Jon Snow more than fits this bill. By birth he should be a Targaryen, having been fathered by Rhaegar Targaryen upon Lyanna Stark; instead, his fortuitous Stark features inherited from his mother, and Ned's claiming Jon as his bastard and raising him amongst his children at Winterfell, has allowed Jon to hide in plain sight from those who would kill him for being Rhaegar's son.

The significance of Dany, Jon and Aegon being the three heads of the dragon is due to their mirroring a less conspicuous triad in George's World: elemental magic and it's connections to the Long Night. We are aware of three forms of elemental magic in the story, being pyromancy, cryomancy and hydromancy. Pyromancy is the most obvious, being the control and use of fire as we see with followers of Rhllor, and also tied to dragons. Cryomancy or ice magic appears in the powers of the Others and in the Wall separating the Seven Kingdoms from the lands beyond. Finally we have hydromancy or water magic, which was used by the Rhoynar against the Valyrian Freedhold and by Nymeria's Rhoynar settlers to support their communities within the deserts of Dorne. Company of the Cat has an excellent video discussing these three 'schools' of magic, but to summarize what she's said: Blue, Red and Green are the colours commonly associated with Ice, Fire and Water/the Sea in ASOIAF; in addition to being featured on the arms of ancient houses such as Massey and Strong, these elements are in turn associated with three magical items in the books. The first, The Horn of Joramun, can raise and lower The Wall (Ice); Dragonbinder, a horn that was likely used alongside similar horns to control the volcanoes of the fourteen flames in Valyria (Fire); and the 'Kraken summoning horn' which is most likely the Hammer of the Waters, since the Hammer raised the seas to swamp the 'Arm of Dorne,' which would have filled the seas fill with corpses of the dead and 'summoned' krakens, which would have fed on the bodies of the drowned.

The Valyrian, Northern and Rhoynish heritage of Dany, Jon and Aegon ties them to these three forms of magic respectively, and by extension to the Long Night. We are given three accounts of the Long Night between ASOIAF and TWOIAF, which I dub the 'western,' 'far eastern' and 'near eastern' versions. The 'western' account concerns the First Men, the Night's Watch, the Last Hero and the Others; the 'far eastern' account covers the 'Jade Compendium' and the Yi Tish account of the Blood Betrayal; and the 'near eastern' or Rhoynar account in which the children of Mother Rhoyne sang a song to return light to the world. Aegon is tied to the Rhoynish account through his mother's heritage, with references to the Rhoynish account in the 'Old Man of the River' appearing in ADWD and Dany's vision of Rhaegar talking about Aegon's 'Song' (that of Ice and Fire):

The Rhoynar tell of a darkness that made the Rhoyne of Essos dwindle and disappear, her waters frozen as far south as the joining of the Selhoru, until a hero convinced the many children of Mother Rhoyne, such as the Crab King and the Old man of the River, to put aside their bickering and join in a secret song that brought back the day. (TWOIAF: Ancient History: The Long Night)

...

“Will you make a song for him?” the woman asked.

“He has a song,” the man replied. “He is the prince that was promised, and his is the song of ice and fire.” (Daenerys IV, ACOK)

Jon's connection to the Northern account is obvious given his Stark lineage and service in the Night's Watch, as well as his dreams in ADWD:

Burning shafts hissed upward, trailing tongues of fire. Scarecrow brothers tumbled down, black cloaks ablaze. "Snow," an eagle cried, as foemen scuttled up the ice like spiders. Jon was armored in black ice, but his blade burned red in his fist. As the dead men reached the top of the Wall he sent them down to die again. He slew a greybeard and a beardless boy, a giant, a gaunt man with filed teeth, a girl with thick red hair. Too late he recognized Ygritte. She was gone as quick as she'd appeared.

The world dissolved into a red mist. Jon stabbed and slashed and cut. He hacked down Donal Noye and gutted Deaf Dick Follard. Qhorin Halfhand stumbled to his knees, trying in vain to staunch the flow of blood from his neck. "I am the Lord of Winterfell," Jon screamed. It was Robb before him now, his hair wet with melting snow. Longclaw took his head off. Then a gnarled hand seized Jon roughly by the shoulder. He whirled … (Jon XII, ADWD)

Finally, Dany is directly referred to as Azor Ahai in the books while her visions from Daenerys IX of AGOT connect her bloodline to the Great Empire of the Dawn. The eye colours of the figures she sees match the titles of four of the eight emperors of the GEOTD, Opal, Jade, Tourmaline and Amethyst, with the Bloodstone Emperor killing his sister the Amethyst Empress and causing the Long Night. Azor Ahai and the Bloodstone Emperor are themselves connected, and I recommend David Lightbringer's Nightbringer series and "Azor Ahai the Bad Guy" video for a concise explanation. It's worth noting that David is well within the Faegon Blackfyre camp, but I think his theories here more than fit my own conclusions also.

Aegon being one of the three heads also fits in with the symbolic relationship between water, fire and ice and the green, red and blue colour scheme. As Company of the Cat points out in her video about the magic horns (timestamp 26:52), green is a secondary colour made from a 'cool' and a 'warm' colour, placing it in the middle of the spectrum while red and blue are polar opposites. Similarly, fire can melt ice back into water and water in turn quenches fire, situating Aegon at a middle ground between Jon's ice and Dany's fire. Whereas Jon's only aspect of himself that ties him to House Targaryen is his father and otherwise he is firmly associated with his mother's house, Dany is tied symbolically to her Targaryen identity in the books, being a product of Targaryen incest, the first to hatch dragons in over a century, and her ties to fire through her 'rebirth' on Mirri's pyre under the Red Comet. While Aegon's physical appearance and his father tie him clearly to House Targaryen like Dany, the support of his mother's family alongside his Rhoynar lineage and symbolism place him in a similar situation to Jon, besides their being half-brothers. This also calls to mind the three accounts of the Long Night: if Jon is the Last Hero leading the Night's Watch and Dany is Azor Ahai driving out the darkness with her 'lightbringer' (ie her dragons), Aegon is the unnamed hero who rallied the children of Mother Rhoyne to sing a secret song which brought back the day. To quote alexis_something_rose's essay about Young Griff, "I can wager who will be bickering and who will tell them to set their differences aside and join together in a secret song that will bring back the day."

Whether or not all three or some combination of them will play a decisive role in defeating the Others, or if that will be Bran's part to play, I believe strongly that Dany, Jon and Aegon will be the 'three heads of the dragon.' If 'Young Griff' is truly Sun's Son, Aegon son of Rhaegar, his joining with Dany and Jon represents a unification of the three Dawn Age narratives of the Long Night and it's eventual end. Uniting the icey North, the dragon lord's fire and the songs of Mother Rhoyne would make the endgame a true 'Song of Ice and Fire.'

#aegon vi targaryen #young griff #faegon #jon snow #daenerys targaryen #elia martell #quentyn martell #lyanna stark #rhaegar targaryen #asoiaf #asoiaf spoilers #asoiaf speculation #dorne #rhoynar #azor ahai #george rr martin #house martell

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smashpages · 1 year

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These are preview pages for Hairball #1 (Dark Horse, April 2023), which comes out this week.

#hairball #dark horse comics #flux house #matt kindt #tyler jenkins #hilary jenkins #dark horse #comics #comic books #out this week

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a-wartime-paradox · 8 months

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Paradox of the Thirteenth, or "There's a surprising amount of Faction Paradox in Series 11-13"

Despite not being many fan's top choice, the Thirteenth Doctor's era shared concepts with the Faction Paradox series surprisingly often. Some of these were explicit, such as The Paradox Moon featuring Siblings Same and Different (although these Siblings' Faction is otherwise unrelated to the FP Faction, as of 2023), whilst others are simply similarities in creative choices, again varying in how obvious they are, from the "Ashad" (Series 12 - The Timeless Children) resembling FP's technosapiens, to Time Lords "binding" time in Once, Upon Time (part of Series 13/Flux)

So, here I will attempt to list every possible connection between the Thirteenth Doctor/Chris Chibnal's era of Doctor Who and the Faction Paradox mythology

Firstly, an explanation as to why this is all happening...

Explanation as to why the Thirteen Doctor is meeting Faction Paradox-esque entities.

The War has been ended for a long time, and the Great Houses have finally, actually, fallen (see The Timeless Children) leaving no one to hold up their imposed metastructure of history. Why didn't anyone invade in Series 1-7, before the Time Lords returned?, you ask. Well, it's not because The Day of the Doctor is a bootstrap, as I don't believe in perfect bootstraps, but rather because well... They did. During Series 1, the Reapers arrived, explicitly due to the lack of Time Lords (Father's Day), and so did a lone Dalek (Dalek), and finally the original Dalek Emperor's last Time War fleet (The Parting of the Ways). Then in Series 2, the Cult of Skaro arrived (Army of Ghosts/Doomsday), followed by Davros (The Stolen Earth/Journey's End)- who along with the Supreme Dalek, somehow survived the Crucible's fall (The Magician's Apprentice/The Witch's Familiar)- and then the New Dalek Paradigm emerged, from survivors of the War (Victory of the Daleks). All this interference from War-time participants is what's preventing pre-Anchoring entities entering the Third Universe, as it echoes the status quo which was so hostile to their very existence.

Oh, and "Dvapara Yuga" means "the Dark Times, as understood to not be an early period of universal history, but rather the state of history metatemporally predating Rassilon's anchoring of the thread"

She is born out of an interaction with a past Doctor (Twice Upon a Time) - if it wasn't for acausal (and unintentionally) intervention of the First Doctor, the Thirteenth Doctor never would have existed. This is a bit of a stretch, as interference forwards in a timeline is much less paradoxical than the reverse, but this is her first appearance so...

The Solitract, from It Takes You Away, is an intelligent & conscious universe, exiled from the main universe in order to allow for it's creation. "Creation" here probably refers to Event One/The Big Bang, but, if one is on the train of "the universe before the Anchoring of the Thread didn't have a beginning, and the Big Bang was retroactively added by Urizen [Rassilon]", then this is very easily re-interpreted as a mention of the early Sun Builders (a.k.a Time Lords) cleaning up their area of spacetime in preparation for imposing rationality on it. To be even more bold, I may suggest that this isn't a universe at all, but instead an intercreational, a class of being first mentioned in The Book of the War, although one type was first mentioned in the BBC Eighth Doctor Adventures novel The Taking of Planet 5, as a "Swimmer". I propose that the Solitract is not a Swimmer, or a Leviathan, but rather a smaller intercreational, perhaps growing out of the Third Universe (the main DW/FP universe), before being banished by the Great Houses. See Explanation as to why the Thirteen Doctor is meeting Faction Paradox-esque entities at the top of this post.

The Ux, from The Battle of Ranskoor Av Kolos, are clearly some gods from the Dvapara Yuga.

Orphan 55 features a future version of Earth which deviates heavily from most other depictions of it. Speculatively, this means the Thirteenth Doctor travelled to an aberrant timeline, or that the Ghost Point has somehow worsened since the degradation of the Great Houses's imposed metastructure, rather than healing.

During Fugitive of the Judoon, the Doctor interacts with Gallifrey's distant past. I can't really explain this even by the standard explanation at the top of this post. However, one thing interesting to note is that the ancient Time Lord "Gat" considered "Mutter's Spiral" to be a "tiny galaxy". This is notable because Gallifrey is basically always said to be in the centre of Mutter's Spiral - that is, the Milky Way - and naming a galaxy as "tiny" kind of implies that you aren't from it. Maybe Gallifrey wasn't always in Mutter's Spiral, and got moved? Or maybe Gat and the Division come from some alternative Gallifrey? I don't know, just interesting to note.

The novel At Childhood's End (written by Sophie Aldred, actor for Ace) featured Ace meeting the Thirteenth Doctor, and descriptions of the former's fractured timelines. Notably, the next time Ace and the Doctor met (in The Power of the Doctor), neither one of them mentioned this, almost as if the timeline in which it happened had fractured...

Rakaya and Zellin from Can You Hear Me? are clearly some kind of pre-anchoring gods like the Ux. In Time Lord Victorious short story The Guide to the Dark Times, it was confirmed that they were, specifically, Eternals (not the MCU kind), and another Time Lord Victorious text, a novel called The Knight, the Fool, and the Dead, claimed that Eternals were among the other inhabitants of the Dark Times, the "Old Ones". Interestingly, multiple Eternals do indeed appear in the "classic" series of Doctor Who, implying that the Anchoring did not fully remove them, but as they didn't appear in NuWho until now, I feel safe in speculating that the War somehow barred them from it - perhaps they'd joined the conflict, on the side of both the Time Lords, Daleks, the Enemy, and others, "helping out" wherever it benefited them?

Ashad, first appearing in The Haunting of Villo Diodati, and then in the following serial Ascension of the Cybermen/The Timeless Children, is an "emotional Cyberman". Any readers of Faction Paradox could immediately draw the connection between this and Faction Paradox's "technosapiens", named as such partially to avoid infringing on the BBC's trademark, but also because The Book of the War showed that many sects of posthumanity had become cyborgs, but many were not emotionless and evil like the Cybermen.

The Timeless Child, first appearing in The Timeless Children, is vaguely reminiscent of the idea hinted upon in The Book of the War that the Great Houses stole the power of regeneration from another species, in The Book of the War being the Great Vampires, and in The Timeless Children being the titular Timeless Child. This note of continuity was expanded upon by the writer @aristidetwain in his short story Out of the Box introduced the "Child-That-Was-Taken", intended to be a member of the Yssgaroth species, and to be the Timeless Child itself. Additionally, this Child was the motivator for the Great Vampires' war with the Great Houses, the Eternal War (a.k.a First War in Heaven).

In The Timeless Children, Tecteun is shown alongside Rassilon and Omega. Previously, the figure alongside Rassilon and Omega was the Other, a version of the Doctor from before he was the Doctor. My personal fix for this, which I admittedly took from @/aristidetwain, is that there were many Others, assisting Rassilon and Omega at different points in time. Other Others may be the human Dr. Who from the novel Human Nature, the Eleventh Doctor "Cheesemaker" (The Lost Dimension), Osiris (in his car future), and the Sixth Doctor (The Scrolls of Rassilon)

In Shadow in the Mirror, the Thirteenth Doctor released Aphasia / Daughter of Mine from her mirror of entrapment, despite the fact that Aphasia mentioned a "ginger haired doctor" who "believed himself to be the last" (likely Muldwych/Merlin), meaning that the Doctor had been interacting with Aphasia out-of-order, which is... Reasonably dangerous.

Throughout Flux, the villains "Swarm" and "Azure" attempt to remove the Mouri from the planet Time, effectively de-anchoring the thread. They're method, strangely, is to try to destroy the entire universe using "the flux".

Village of the Angels features the first instance of Weeping Angels being shown to posses proper intelligence, as they ally themselves with Tecteun, presumably in exchange for something, and even more interestingly, they have a rogue member, suggesting power structures in their ranks. This isn't particularly Faction Paradox -related, but it feels like it is, and I hope Faction Paradox writers use Weeping Angel - analogues to continue to explore this.

Eve of the Daleks features the Doctor "resetting" the TARDIS, causing a localised time loop. However, perhaps more notably, the Daleks which appear in this episode are "Dalek Executioners", which make their debut in Time Lord Victorious.

The Power of the Doctor won't be mentioned here, perhaps I'll grant it a full post going over all of its batshit-insanity (affectionate?) some other time.

This post was made after I saw @familyparadox remark at the high amount of Faction/Thirteen content

#faction paradox #doctor who #dweu #thirteenth doctor #jodie whittaker #chris chibnall #ashad the lone cyberman #eternals #long post

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lunawho47 · 5 months

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Hold Me Like You'll Never Let Me Go -- a Fourteen and Rose One Shot

A/N: Okay, so for the first time in actual years, I was bitten by the writing bug. And, as I should have expected, it was Doctor Who (and specifically the possibility, however small, that I may get a Doctor and Rose Tyler scene at some point) that nipped me. I am firmly on the Metacrisis Ten and Rose lived happily ever after train, but this is a scene between the Fourteenth Doctor and Rose and is canonically how I think a scene between them would play out. Spoilers for what we know about the upcoming episode of The Giggle and a lot of supposition based on what I remember from the First Doctor story of The Celestial Toymaker. Spoilers also for the Titan Comics story of Empire of the Wolf and the short stories about the Metacrisis Doctor done by Big Finish Audio. The only thing that's not canon is that rubbish short story Jenny Colgan wrote for Target Books.

Give it a read and let me know what you think!

<0>

The Doctor could feel the buzzing starting underneath his skin. Multiple times throughout his battle with the Toymaker, his next self had already come through; in truth, it was only by using the differing skill sets of both incarnations that the Doctor felt he was going to regenerate again and not just simply die. But, oh...he was now so, so tired. The artron energy shot through him again and he watched as reality flickered in and out around him.

The Doctor's legs gave out from under him and he collapsed on the sofa in Donna's house. His best friend and her family were all safe. They weren't unscathed, of course -- that was nigh on impossible when it came to playing inter-dimensional games with a Celestial being -- but they were alive and Donna could remember him. The Doctor even lied to himself for a moment and promised himself that he would come back and visit her with his next face, that a regeneration would not stop him from keeping up his friendship for once. But with the next burst of arton-induced pain, he stopped lying to himself. Donna would need to move on with her life and protect her daughter, Rose. As long as he kept showing up at her doorstep, she would be in danger. And Donna would never turn him away. And one day, she would let him in and it would be the time that would get her or someone close to her killed. No, the Doctor would tell Donna goodbye and then he'd slip away.

After a nap, maybe. Yeah, a nap sounded good.

He lay down on the couch and closed his eyes. Goodness, he was running through regenerations. This most recent one, even though it had been manipulated into its appearance by the Toymaker, had only lasted him a few days. As the Doctor thought about it and remembered that he had no idea how many new regenerations the Time Lords had gifted him with, he mentally schooled his future self to try to live as long as possible. His Thirteenth self had only lasted a few decades, and most of those she had been in prison. No, his next self needed to last at least three hundred years because otherwise he would be really dead before he could find a way to restore what he could of the universe. And he needed to fix what the Flux had destroyed.

When the Doctor coughed, even more energy burst from his lungs. As he lay on the couch in Donna's house, he couldn't help but remember another regeneration with the same face. *His* Rose had sat beside him then, dealing with an alien invasion while he had slept and healed himself. Up until Jackie had made him a nice cup of tea anyway. He had been so hopeful then. With his pink and yellow human beside him, he had felt like he could run forever, and he had foolishly thought that that particular Christmas would be a day that felt like every other day. But Rose was gone and she had been gone for millions of years. However, over the previous few days, the Doctor had seen his old face return, come across one of his oldest enemies he had never thought to see again, had gone on an adventure with his best friend again and seen his old friend Mel working at UNIT. Why couldn't he see the love of his lives show up again, too? The Doctor smiled a bit at the thought.

He tried to picture what his Rose would be like now. He imagined his Metacrisis self would look a lot like his fully Time Lord self currently did. He would be thinner in the face, a bit more salt and pepper in his hair, and he would probably have to wear glasses because he needed them and not just to look clever. Rose, he was sure, would be beautiful. He hoped she would have laughter lines around her mouth and crow's feet at her eyes. He also hoped that by this point in their lives, Rose would have a couple of rings on her finger. Maybe they even had children together! The more he thought about it, the more clear the image became in his mind. He was sure that if he thought about it long enough, he'd even be able to hear her voice.

Even sooner than he could have hoped, his imagination provided him with a crystal clear rendition of an older Rose Tyler's voice.

"Yes, Mia, you can stay the night at Yvonne's. Just don't...I know you get tired of me telling you to stay away from the Cybus kiosks, but it's better than listening to your dad tell you the entirety of that adventure over again, isn't it? And it's definitely better than having to listen to your Granddad's rendition of the tale... Yes. Yes, I will tell your father you love him. Yep. Yep. Be good and I'll see you tomorrow. Love you, darlin'. Goodnight, sweetheart."

The Doctor kept his eyes closed. He had pictured his former love's voice many times over the centuries and this was as clear as it had ever been. Her voice was a bit scratchier than he remembered, and she spoke with a much more cultured tone than she'd had at 19 years old. His mind had even taken the motherly tone he'd heard Donna use with her daughter and molded it on to Rose's and it melted his heart completely. If his imagination was right and Rose was a mother, then Rose was a remarkable one he was sure. Definitely a better mother than he was a father.

"Oi! Sleepy head, it's time to get up! Aliens to battle and young, teenage girls to raise. Though you get a bit of a break on that one this evening. Lucky you."

The Doctor felt Donna nudge his foot. He tried to raise his head, but felt no desire to open his eyes. Donna's words could match Rose's voice if he kept his eyes closed. But if he opened them, then the fantasy was over and his regeneration would knock away all the happiness he had brought back to himself over the previous few days.

"Doctor! Wake up, you numpty!"

"Sorry, Donna, I just really wanted to rest my eyes."

"Donna? Have you been dreaming again, Doctor?"

The Doctor forced his eyes open. His imagination had done a very good job constructing a realistic fantasy. The Doctor's eyes were looking up at a pair of honey brown eyes framed by light brown hair and a face that was rounder than he last remembered seeing it four lifetimes previously, and a body that possessed less curves than he remembered, but that looked healthy and warm.

The Time Lord then moved his eyes around the room as much as he could without moving his head. He was no longer in Donna's house. Instead, he was in a living room painted a dark blue and in the window over Rose's shoulder, he could just glimpse a zeppelin floating across the London skyline. As with his best friend's home, fantasy Rose's house looked lived in and comfortable, with various knick knacks spread across the coffee table adjacent to the couch and what the Doctor guessed was a television mounted on the wall. It looked like the flat screen he was familiar with in the 21st century, but was see through instead of black.

The Doctor praised his clear memory of everything Rose Tyler related because he adored that the fantasy version of her managed to raise her eyebrows at him exactly the way her real counterpart had always done. He had often feared that his memory of her was fading, but everything about her at this moment was in high definition visual and stereo sound. He theorised that maybe his regeneration sickness was helping to make his illusions more detailed.

"You feeling okay, love? You're staring at me like I've grown another head. And of the two of us, I'm the one least likely to do that."

"Rose," he muttered. It was a name he'd said multiple times over the previous few days, and after centuries of not saying it at all if he (or she) could help it, it felt like a revelation to be saying it to the face that word always conjured to mind. Without warning, he was seized with pain again and he saw the regeneration energy encircle his hand.

His illusory Rose stood up, her eyes going wide as she stared down at him.

"Oh my god, you're regenerating! How are you regenerating? I thought you couldn't regenerate! Does this mean Mia can regenerate? Wait, why are you regenerating? You didn't even go into Big Ben today! I know you didn't because Mum was complaining that you weren't around to stop Melvin disrespecting her when he came through the canteen earlier today. What did you do? Pick a fight with a Weevil? No, you couldn't have done. No bite marks or anything. Doctor, answer me. What's happened? What do I tell Mia when she asks me why her father looks like a completely different person when she gets home tomorrow? Oh god, what happens if you go full alien?"

The Doctor wanted to answer her, but in addition to not being left any room or space to throw his voice into the ring, he was also taken aback by how detailed his mind was being about the kinds of questions a parent version of Rose would ask. As he breathed out more energy, he saw the room and Rose flicker in and out, the flashes interspersed with Donna's living room.

"Wait," Rose said, her voice slowing down and getting softer as she sat down on the edge of the couch next to the Doctor's torso, her hand reaching out to grab the Doctor's own. The Doctor held his breath as he felt two warm fingers reach down to his wrist and put themselves against his pulse. The Doctor allowed his dark brown eyes to meet the lighter brown of Rose's as she then put both her palms against the two sides of the Doctor's chest and felt his heartsbeat. "Doctor," she muttered softly.

"Hello, Rose Tyler," he whispered. Rose took in a shaky breath as the Doctor let out another cloud of energy. The room flickered again, but the Doctor noted that the warmth of Rose's skin was still present against his own body. The Doctor couldn't help but acknowledge the truth then. His imagination was good, but it wasn't as flawless as what his senses were telling him now. He didn't understand fully how it had happened -- doubtless the Celestial Toymaker's machinations with dimensions had thrown things briefly out of whack at the quantum mechanical level and the Doctor was reaping the most unbelievable benefits from it. He may be regenerating, but he was getting one last wish out of the bargain. Oh, if his Tenth self could see him now. His tired, regeneration sick mind couldn't quite work out all the whys and wherefores, but he knew a gift from the universe when he saw it, and damn it, he was going to take advantage of it.

"I should have known it was you and not my husband. You have a slightly different dress sense than he does. Oh, and the wedding ring is missing, of course."

"Of course," the Doctor agreed. His eyes went down to her hand and he smiled to see that his Metacrisis had done what the Time Lord had always dreamed of doing and made a full life with his favorite human woman.

"So, I take it you were with Donna still when you found yourself here. Is that why you thought I was her?"

"Well, more like with Donna again. It's complicated."

"Oh, of course it is. Wouldn't be you if it was simple."

The Doctor watched Rose as she took in his ensemble and his face after all their years of separation.

"Wow. You and my husband look exactly the same in the face. I mean, I know you did last time we saw each other, but I didn't think you'd age. God, how many years has it been? I mean, it has to have been awhile because you've changed your outfit a bit and I didn't think you did that very often."

"Oh, I'm not the same incarnation you remember. I've regenerated a few times since we last met. Ended up with this face again earlier this week, but it turned out the fact that I came back with this face was a bit of a setup from an old enemy. It was more like I got paused mid-regeneration and I can feel the next one fighting to come through."

Rose and the Doctor both looked down as he said this and saw his hand pulse with energy and shift to a black hand and back to white again.

"Okay, so you obviously don't have long. I won't ask how you ended up here because I don't think we have time for that explanation, but...how are you? All these years, that's the main thing I've worried about. I knew one day you would regenerate and I'd never know, and I worried you'd be alone."

"Sometimes I have been. I've lost people. I've lost a lot of people. I found out I saved Gallifrey." The Doctor almost laughed at how wide Rose's eyes got at that point. "And then I lost it again two lifetimes later when the Master -- I'm guessing I've told you about him -- destroyed it when he discovered that the Time Lords had lied to us. We didn't get our regeneration gift naturally. They got it from me and then they scrubbed my memories -- whole lifetimes I may never remember -- and then they destroyed over half of the universe to cover up their mistake. I've blown up the TARDIS numerous times. Fell in love a couple of times..." The Doctor sheepishly looked up at Rose's face as he squeezed her hand. He was happy to see that she only smiled softly, squeezed his hand back with her right hand and used her left hand to brush his hair back from his forehead.

"What were your incarnations like? The ones after I last saw you, I mean?"

"Well, there was one who looked like a twenty year old professor who liked to wear tweed. You actually met him once -- he came to tutor you in maths back when you were in year 4 and I was so proud of how quickly you learned what you claimed made no sense -- and then I became an angry, white haired Scotsman, and then a young, blonde Yorkshire woman. And then I got this face again."

"You were a woman?"

"Yep!"

"Bet you were a babe."

"Oh, I'm always a dish, Rose Tyler." He paused. "I take it that is still your name, isn't it? I didn't make you Rose Smith or something when I married you, did I? Because that would be absolute rubbish! To work so hard to make you fall in love with me and save you from marrying Mickey Smith, only to saddle you with the same name."

"When you married me, you said, and I quote, 'You have always been and will always be Rose Tyler,' and then you asked if you could take my name. You had been going by John Noble on legal documents up until then, but you didn't have any sentimentality for the name, outside of your connection with Donna, so you didn't mind giving it up. I agreed that you could take my name as long as we could remember Donna through at least one of our children, if we ever had any."

"And then came Mia?"

"And then came Mia Donna Tyler."

"It's a shame this dimensional breakdown is only working with me because Mia has a cousin who I know would really love to meet her. I've spent the last few days getting to know Rose Noble and she is so much like you. One of the first things I heard her do was ask about an alien's pronouns. You would have loved her."

"I already do. Just listening to the way you talk about her."

"What's Mia like? Is she more like you or me? Just whatever you do, don't say she's like Jackie."

Rose laughed the loud belly laugh that always made the Doctor smile in response.

"Well, she's too smart for her own good, like you. She's more than a bit rude, like you. And she has a tendency to wander off, like me. She also cares about everyone and everything, like you."

"Oh no, Rose Tyler. That kind of caring isn't from me. That's all you."

"Agree to disagree on that one, love."

The Doctor seized again. He could feel his insides morphing, the change becoming insistent.

"What can I do, Doctor? What do you need?"

"Nothing. I just needed to see you. I need to tell you something. This particular incarnation has one thing about it that's very different from my previous self. I'm not afraid to say things anymore. I've lost too much now for it to scare me. I know now that not saying things doesn't help me let them go. I spent days wondering why this face came back. And I kept thinking I had figured it out and then I would be proved wrong. But I understand now.

"The last time I had this face, I didn't want to let go of it. And it made me a vengeful, frightening, reckless god and other people paid the price for it. But I didn't want to let go because I was terrified of what person I would become without you there. Because you had been there for me before I had even met you -- it's a long story, don't worry about it -- and I held on to you, to the memory of you and all the things I wanted to say that I was too afraid to, and as long as I had this face, I thought there was the possibility I would see you again. And then I saw you for the last time, do you remember?"

Rose furrowed her brow and tilted her head to the side in question.

"2005. January the First. I told you that you were going to have a really great year."

"Cognitive dissonance most likely. You weren't thinking at the time about the fact that one day I'd be without you, so why would it occur to you that I would ever go back in time to see you?

"Oh my god. I held on to that message from what I assumed was a drunk for months. Until I met you in Henrik's. Of course that was you. I can't believe I never put that together before. That was your voice. How did I never recognize it when you first changed?"

"Anyway, within hours of getting this face again, I found myself face to face with Donna, and then I met her daughter, Rose (whose name nearly gave me a hearts attack at first, let me tell you), and then I came across an enemy I haven't seen since just after I first left Gallifrey! But in these last few days, everything my Tenth self was terrified to say has come pouring out of my mouth. Any person I find attractive -- male or female -- I say it! The love I've always felt for Donna and her family? I've admitted it to them. The feelings I had for the wife I had after you -- River -- and for my friend, Yaz -- I've talked about them with other people and without having to be prompted!

"The one thing I haven't done is tell you -- my greatest love -- how I feel about you."

"Doctor, you don't have to ---"

"And I know you know. I know the version of me that is your husband tells you every day. I know because I would have even then, if I wasn't so afraid of what losing you a second time would inevitably do to me. But I need to say it. Not because I think you need to hear it. But because I need to say it for me. I need the memory of having the words come from my lips just one time."

Rose leaned over the Doctor's prostrate body. Her right hand disentangled itself from his and reached down over his face to caress his cheek. It was at that moment that the Doctor realised, much to his embarrassment, that he was crying.

"Then say it."

"I love you, Rose Tyler. I always have. And I always will."

"Quite right, too."

"I guess I deserve that one."

"Damn right, you do. But I love you, too, you daft alien."

The Doctor felt the heat under his skin start to itch the familiar tones away. Despite the pain, he was soothed by the briefest touch of Rose's lips against his own. It wasn't the passionate kiss he'd witnessed between she and his Metacrisis all those years before, and it wasn't what he had fantasized about for many a lonely night on the TARDIS, but it comforted him. This was the kiss from someone he loved and who loved him and he felt the warmth of it through every inch of his body and soul.

"Y'know, Rose Tyler...For the first time ever, I think I'm ready to go."

"Then I guess this is goodbye."

Rose's voice broke and the Doctor noted for the first time that she was crying. And oh, how that hurt him. Every time they said goodbye, she was crying for him. He just wished he could find some way to stop breaking her heart.

"Oh, it's never goodbye for you. This face will be coming through that door to greet you before you know it. It's never over for you. You get my forever, lucky girl."

"I am a lucky girl. Because you loved me enough to make sure I would get a happy ending you couldn't get. Know this, Doctor. I love you. All your friends love you. We will always love you and if you ever need any of us, no matter what face you wear or what trouble you bring to our door, you are always welcome. I may not have met all of your friends. But I know what kind of people you take with you, and I can guarantee you, you never have to miss any of us.

"Until we meet again. Goodbye, Doctor."

"Goodbye, my Rose."

The Doctor closed his eyes and felt Rose's lips once again chastely embrace his own. After a few moments, the warmth of her mouth faded, along with the solid build of her body. When the Doctor opened his eyes, he once again saw the familiar surroundings of Donna's living room. He still was not entirely positive if he had really slipped through dimensions or if he had merely fallen asleep, but the tingling in his lips from Rose's kiss made him inclined to believe the happier of the two options. After all, the Toymaker had shown him twice in his lifetime that reality is shaped by how people perceive it, and the Doctor's desire and will to see his former companion had been the strongest thing he had ever known.

In the quiet hours of the early morning, the Doctor slipped out of Donna's house and took the TARDIS to an isolated beach. As he stood outside, watching a sunrise in this too short regeneration for the last time, he smiled. As he had told Rose, for the first time that he could remember, he was ready to go.

#doctor x rose #fourteen x rose #otp: better with two #fourteenth doctor #rose tyler #my stuff #my fanfic #mia tyler #tentoo x rose #spoilers...kinda?

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