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greensparty · 6 years

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Talking with Harrison Whitford

Last week I got to see Noah Gundersen in concert at The Sinclair in Cambridge, MA. The opening act was Harrison Whitford. If you don’t know him yet, you’re going to soon. The singer-songwriter took the stage just him and his guitar. His brand of indie-folk reminded me a lot of Elliot Smith. I got to interview Mr. Whitford via email after that show.

Harrison Whitford performing at The Sinclair, Sept. 2018

First and foremost, my son (who is almost 3) is named Harrison. Nice to meet and talk to another Harrison!

Thanks, man! I think it’s a good name. It’s a strong name. It has legs. Though I can take no credit for it.

At your show at The Sinclair the other night, you mentioned that you were born in Brookline, MA. Even though you are closely connected to Nashville, is it really special for you to perform in MA?

Not particularly. I was born in Brookline and grew up 40 minutes south of Boston until I was 9, and then I lived in New York City with my mom before relocating to Nashville towards the end of high school. Now I live in Los Angeles and it feels weird that I ever lived in Nashville because it doesn’t necessarily feel like home to me. I like being by the sea. Maybe that comes from growing up on the east coast. Shows are also so variegated: on one hand, where I am dictates how a show will go and on another it may be totally irrelevant. I don’t know what the formula is for a good or special show, if I did I’d be incredibly satisfied all of the time, which I’m not.

In addition to opening for Noah Gundersen on this tour, you also joined him to perform select songs during these shows. How did this tour and collaboration come about?

Noah asked me to open for him after doing a tour with him whilst playing with my friend Phoebe Bridgers. He just liked my record and my guitar playing. It’s literally that simple, it always is. And also we have a fucking great time hanging out, that helps.

Harrison, his dad Brad and brother Graham in 2008 (courtesy wire image)

Your brother Graham is the guitarist for Tyler Bryant and The Shakedown (who I saw back in 2012). Your father Brad is the guitarist with Whitford / St. Holmes (who I saw in 2015) as well as some other band. I have to ask, what is in the water in the Whitford home that has so many talented guitarists in your family tree?

Good question, I’m searching for an answer everyday because I’m constantly at odds with my own playing. My dad and my brother Graham were vital in showing me key elements of being a guitarist. One of the first things my dad had me do when I started playing was to map out the fretboard, which is important for developing an intimacy with the instrument. As far as what’s in the water, I’m not sure, I suppose just a deep shared love of the guitar.

Who are your Top 5 Guitarists of All-Time?

I can’t do just five, here are the ones that come to mind immediately: Jeff Beck, Bill Frisell, Adam Levy, George Harrison, Blake Mills, Jimi Hendrix, Hubert Sumlin, Marc Ribot, Jon Brion, Tony Berg, John Lennon, Neil Young, Robert Randolph, Jonny Lang, Tom Waits, Keith Richards, Derek Trucks, BB King, Bob Dylan, Albert King, Jeff Buckley, Jimmy Page, Ali Farka Toure, Ry Cooder, Daniel Lanois, Alex Labrie...to name a few...

Afraid of Everything album cover

Earlier this year you released your debut album Afraid of Everything. I was disappointed at the merch booth to see there wasn't a physical copy of it for sale. Will there be a vinyl or CD release?

There will be eventually. It’s hard to print CD’s and Vinyl at this juncture as I’m not making a ton of money on the road but making enough to pay rent and get by. When there are some, I’ll be sure to send you both and as well have them available on the internet.

This tour with Noah Gundersen is going into November. What's next for you?

After this there’s a tour with Phoebe Bridgers that lasts all of November, then time off. I’m just going to be still for a minute and explore. Set up my 4 track recorders and just experiment for a while, until I have to leave again.

For info on Harrison Whitford: https://soundcloud.com/harrison-whitford

#harrison whitford #interview #music nerd #noah gundersen #graham whitford #brad whitford

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rockaramarocks · 7 years

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São Paulo Trip: Guns N' Roses e Alice Cooper encerram evento em grande estilo

Foram quatro noites eletrizantes de São Paulo Trip, com o público da cidade vendo de perto grandes nomes do classic e hard rock, como The Who, The Cult, Bon Jovi, Aersomith, Def… - https://goo.gl/9j1FRe

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ljones41 · 6 years

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“THE POST” (2017) Review

"THE POST" (2017) Review When one thinks of Katharine Graham, Ben Bradlee and The Washington Post; the Watergate scandal comes to mind. So, when I heard that filmmaker Steven Spielberg planned to do a movie about the famous newspaper's connection to the "Pentagon Papers" . . . I was very surprised.

As many know, the Pentagon Papers had originated as a U.S. Department of Defense sponsored report that depicted the history of the United States' political and military involvement in Vietnam from 1945 to 1967. Sometime between 1969 and 1971, former military/RAND Corporation strategic analyst Daniel Ellsberg and RAND colleague Anthony Russo secretly made several copies of classified documents about the U.S. involvement in Vietnam since 1945 and submitted them in 1971 to The New York Times correspondent, Neil Sheehan. The Times eventually published the first excerpts of the classified documents on June 13, 1971. For years, I have been aware of The New York Times's connection to the Pentagon Papers. I had no idea that The Washington Post had played a major role in its publication, as well. There have been several productions and documentaries about the Pentagon Papers. However, most of those productions centered around Daniel Ellsberg or The New York Times's roles in the documents. "THE POST" marked the first time in which any production has depicted The Washington Post's role. Many people, including employees from The New York Times, have questioned Spielberg's decision to make a movie about The Post's connection to the Pentagon Papers. Some have accused Spielberg of giving credit for the documents' initial publication to the The Washington Post. And yet, the movie made it perfectly clear that The New York Times was the first newspaper to do so. It even went out of its way to convey Post editor-in-chief Ben Bradlee's frustration at The Times' journalistic coup. Following The New York Times's publication of the Pentagon Papers' first excerpts, the Nixon Administration, at the urging of Secretary of State Henry Kissenger, opposed the publication. Later, President Richard Nixon ordered Attorney General John Mitchell to obtain a Federal court injunction, forcing The Times to cease publication after three articles. While The New York Times prepared a legal battle with the Attorney General's office, Post assistant editor Ben Bagkikian tracks down Ellsberg as the source of the leak. Ellsberg provides Bagdikian with copies of the same material given to The Times, who turns them in to Bradlee. The movie's real drama ensues when the newspaper's owner, Katherine Graham, finds herself torn between Bradlee's urging to publish the documents and the newspaper's board of directors and attorneys, urging her not to. I had at least two problems with "THE POST". I am certain that others had more problems, but I could only think of two. I had a problem with Janusz Kamiński's cinematography. I realize that the man is a legend in the Hollywood industry. And I have been more than impressed with some of his past work - many of it for Steven Spielberg's movies. But I did not like his photography in "THE POST". I disliked the film's grainy and slightly transparent photography. I do not know the reasons behind Spielberg and Kamiński's decision to shoot the movie in this style. I do know that I found it unappealing. My second problem with the film centered around Spielberg's directorial style. In other words, his penchant for sentimentality nearly made the film's last ten minutes slightly hard for me to swallow. I refer to the scene in which one of the reporters read aloud the Supreme Court's decision to allow both The Washington Post and The New York Times, along with any other newspaper, to continue publishing the Pentagon Papers. It simply was not a matter of actress Carrie Coon reading the Court's decision out loud. Spielberg emphasized the profoundness of the moment with John Williams' maudlin score wailing in the background. A rather teeth clenching moment for me. Otherwise, I enjoyed the movie very much. Superficially, "THE POST" did not seem that original to me. When one has seen the likes of "ALL THE PRESIDENT'S MEN" and "SPOTLIGHT", what is so different between them and "THE POST". But there was a difference. For the movie's real heart focused upon owner Katherine Graham and her conflict over whether or not to allow the next excerpts of the Pentagon Papers to be published. And what made this even more interesting is the woman's character. If one had read Graham's memoir, "Personal History", one would learn that for years, she had suffered from an inferiority complex since childhood, due to her strained relationship with her more assertive mother. In fact, her father, who was the newspaper's original owner, had handed over the newspaper to her husband, Philip Graham, instead of her. And she saw nothing wrong with her father's decision. Following her husband's death, Graham found herself publisher of The Post. During the movie's setting - June 1971 - not only did Graham found herself dealing with Ben Bradlee's urgent demand that the newspaper publishes the Pentagon Papers, but also with the newspaper's stock market launch. Even worse, Graham also found herself facing a board of directors who did not take her seriously as The Post's publisher. So in the end, "THE POST" was more than about the Papers itself and the question of the United States' involvement in the Vietnam War. It seemed to be about how an unpopular war had an indirect impact upon a woman's life through a political scandal. The movie also seemed to be about a struggle between the media's belief in free press in order to inform the people and the government's belief in its right to control what the people should know. In a way, the Vietnam War and Daniel Ellsberg's release of the Pentagon Papers established The Washington Post's rise as an important national newspaper. And it opened the public's eyes about the U.S. government's involvement in Vietnam - something that had been hidden from the government for over two decades. The war and Ellsberg also kick started Katherine Graham's elevation as a newspaper publisher willing to take a risk for an important news story and of her self-esteem. Spielberg's movie could have simply been about The New York Times's scoop with its publication of the first excerpts of the Pentagon Papers and its battle with the Nixon Administration. But as I have earlier pointed out, his narrative has been seen in past productions. Aside from my disappointment with Kamiński's cinematography, there were other aspects of "THE POST" I admired. I certainly had no problems with Rick Carter's production designs. One, he did an admirable job of re-creating Washington D.C. and New York City circa 1971. And I was especially impressed that both Carter and set decorator Rena DeAngelo's recreation of The Washington Post's newsroom was as accurate as possible. I had learned that the newsroom depicted in the 1976 movie, "ALL THE PRESIDENT'S MEN" was slightly larger. Apparently, sometime between the newspaper's coverage of the Pentagon Papers and Watergate, its newsroom had been renovated and enlarged. Good catch on Carter and DeAngelo's part. Hollywood icon Ann Roth designed the costumes for the film and I must say that I was impressed. I was not impressed because I found her costumes dazzling or memorable. I was impressed because Roth, who had also served as costume designer for three of director Anthony Maghella's films, perfectly captured the fashion styles of the conservative Washington political set of the early 1970s. Both Meryl Streep and Tom Hanks earned acting nominations - for their portrayals of Katherine Graham and Ben Bradlee. Streep is the only one who earned an Academy Award nod. I am a little conflicted about it. On one hand, I cannot deny that the two leads gave very good performances. Streep did an excellent job in conveying Graham's emotional growth into her role as her late husband's successor as owner of The Washington Post. And Hanks was first-rate as the ambitious and tenacious Bradlee, who saw The Post's acquisition of more excerpts from the Pentagon Papers as a step into transforming the newspaper as a major national periodical. The movie also featured an interesting performance from Bob Odenkirk, who portrayed Ben Bagkikian, the assistant editor who had decided to set out and find Ellsberg after the Attorney General's Office forced The New York Times to cease publication of the Papers. Another interesting performance came from Bruce Greenwood, whose portrayal of the besieged former Secretary of Defense Robert McNamara really impressed me. I was surprised to discover that "THE POST" won a Best Ensemble award from the Detroit Film Critics Society. But you know what? Perhaps I should not have been that surprised. With a cast that included Carrie Coon, David Cross and Philip Casnoff; I really enjoyed those scenes featuring Bradlee with his senior staff, whether they were discussing or examining the Pentagon Papers. The movie also featured solid performances from Bradley Whitford, Sarah Poulson, Matthew Rhys, Tracy Letts, Michael Stulhbarg, Alison Brie, Jesse Plemmons, Pat Healy, and Zach Woods. I can honestly say that I would not regard "THE POST" as one of my top five favorite movies directed by Steven Spielberg. In fact, I am not sure if I would regard it as one of his best films. But the movie proved to be one of my favorites released in 2017, thanks to Spielberg's direction, a first-rate screenplay written by Liz Hannah and Josh Singer, and an excellent cast led by Meryl Streep and Tom Hanks. I have a feeling that it is one movie that I would never get tired of watching.

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stevenspielbergchronicles · 6 years

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2017 Steven Spielberg’s The Post is based on true events in the early 1970s, starring Meryl Streep and Tom Hanks.The Washington Post publisher Kay Graham and editor Ben Bradlee fight for their right to publish the Pentagon Papers which will get the US president into trouble.

Supporting roles are played by Sarah Paulson, Bob Odenkirk, Matthew Rhys, Bradley Whitford, Carrie Coon, Jesse Plemons, David Cross, Alison Brie, Bruce Greenwood, Tracy Letts, Michael Stuhlbarg, and Zach Woods.

The screenplay is written by Liz Hannah. Principal photography begins May 30, 2017 (to be completed for this year’s awards season).

The trailer is released on November 7.

Production for another Spielberg-directed film, The Kidnapping of Edgardo Mortara, (originally slated for spring 2017) is delayed indefinitely - while the open casting call for a child actor who will play the title role continues.

Spielberg’s decision to move forward with The Post is undoubtedly influenced by the Trump administration’s attacks on free speech and the press. At the same time, Spielberg fulfills his long-standing wish to work with Meryl Streep (she had a voice cameo in A.I. - Artificial Intelligence).

Photo: Niko Tavernise

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#2017 #steven spielberg #meryl streep #tom hanks #pentagon papers #washington post #kay graham #ben bradlee #2010s #liz hannah #sarah paulson #bradley whitford #bob odenkirk #matthew rhys #carrie coon #alison brie #michael stuhlbarg #the post

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krispyweiss · 4 years

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Quarter Notes: Blurbs & Briefs from Sound Bites

NEIL YOUNG, AMERICAN: More than five decades after first coming to the United States from Canada, Neil Young is officially an American citizen.

“I’m happy to report I’m in,” Young wrote on Instagram, where he posted a photo of himself saluting next to a U.S. flag and a sign reading “Democrats register to vote here.”

“Vote your conscience.”

DAVID CROSBY IS BUSY, BUSY, BUSY: David Crosby said he’s “definitely open to” playing with Stills, Nash and Young, “but I’m already working all the time.”

On tap for Crosby in 2020 are “two (solo) tours and one with Shawn Colvin and Marc Cohn ... plus some one-offs,” he tweeted.

ADRIAN BELEW IS BUSY, BUSY, BUSY: Adrian Belew is working on “two live records from two different bands (more on that coming later) and ... a collaboration with a ‘famous friend,’” the former King Crimson guitarist wrote on Facebook.

“(Don’t bother guessing, please, you might spoil the odds),” he added.

LET’S PLAY 50: Aerosmith will play a 50th-anniversary show Sept. 18 at Fenway Park with Extreme opening. Ticketing info here.

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dear-indies · 3 years

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your fc suggestions are always so helpful. thanks for all you do! when you have the free time could you list some of your favorite fcs in their 60s? any gender is great! thanks in advance and again thanks for all the wonderful work you do.

Two-Spirit:

Tomson Highway (1951) Cree - Two-Spirit - he/him.

Alec Butler (1959) Métis of Mi'kmaq heritage - Two-Spirit trans man - he/they.

Women:

L. Scott Caldwell (1950) African-American.

Tantoo Cardinal (1950) Metis of Cree, Dene, Nakoda Sioux, and French.

Jane Lind (1950) Aleut.

Joan Armatrading (1950) Saint Kittitian - not straight but otherwise unsepcfiied.

Shabana Azmi (1950) Indian.

Maryam Mursal (1950) Somali.

Lillias White (1951) African-American.

Margo Martindale (1951)

Geraldine Keams (1951) Navajo.

Tracey Norman (1952) African-American - trans.

Annette O'Toole (1952)

Alfre Woodard (1952) African-American.

Charlayne Woodard (1953) African-American.

CCH Pounder (1952) Afro-Guyanese.

Katey Sagal (1954) Ashkenazi Jewish / German, English, Swiss-German, French, Scottish.

Rene Russo (1954) - has bipolar disorder.

Marsha Warfield (1954) African-American - lesbian.

Marina Sirtis (1955)

Kate Mulgrew (1955)

Kim Cattrall (1955)

Sandra de Sá (1955) Afro-Brazilian - bisexual.

Michelle Yim (1955) Hongkonger.

Karasuma Setsuko (1955) Japanese.

Ann Dowd (1956)

Catherine O'Hara (1956)

Linda Hamilton (1956) - has bipolar disorder.

Carla-Rae Holland (1956) Mohawk, Seneca, and French.

Lesley Manville (1956)

Yo Kimiko (1956) Japanese.

Geri Jewell (1957) - has cerebral palsy.

Kathy Najimy (1957) Lebanese.

Sheri Foster (1957) Cherokee.

Ratna Pathak Shah (1957) Gujarati Indian.

Jenifer Lewis (1957) African-American - has bipolar disorder.

Amy Aquino (1957) 75% Italian 25% Ashkenazi Jewish.

Velina Hasu Houston (1957) African-American, Pikuni Blackfoot, Japanese, Chinese, Native Hawaiian, Cuban, Argentinian, Brazilian, Armenian, Greek, German, English.

Faith Nolan (1957) Mi’kmaq, African Canadian, and Irish - lesbian.

Jamie Lee Curtis (1958) Ashkenazi Jewish / Danish, smaller amounts of English, Scots-Irish/Northern Irish, German, Swiss-German, remote French.

Holly Hunter (1958) - is deaf in left ear.

Susanna Thompson (1958)

Madeleine Stowe (1958) Dutch, German, English / Costa Rican {Spanish], one quarter German.

Jennifer Tilly (1958) Chinese / Finnish, Irish.

Allison Hedge Coke (1958) Metis, Huron, Cherokee, Chickasaw, Seminole, Choctaw, Muskogee, French, Portuguese, English, and Scottish.

Angela Bassett (1958) African-American.

Kristin Scott Thomas (1960)

Rena Owen (1960) Māori.

Elaine Miles (1960) Cayuse, Nez Perce.

Lorraine Toussaint (1960) Afro-Trinidadian.

Lou Bennett (1960) Yorta Yorta, Dja Dja Wurrung - lesbian.

Orla Brady (1961)

Julia Louis-Dreyfus (1961)

Men:

Ron Perlman (1950) Ashkenazi Jewish.

CJ Jones (1950) African-American - deaf.

John Goodman (1952)

Sammo Kam-Bo Hung (1952) Hongkonger.

David Byrne (1952) - is autistic.

Mandy Patinkin (1952) Ashkenazi Jewish.

Graham Greene (1952) Oneida.

Thom Gossom Jr. (1952) African-American.

Gil Birmingham (1953) Comanche.

Robert Finley (1954) African-American - blind.

Gregory Zaragoza (1954) Akimel O’odham and Mexican.

Raoul Max Trujillo (1955) Spanish, Tlaxcaltec, Apache, Comanche, Pueblo, Ute, Métis, Sephardi Jewish, and Moorish.

Jimmy Smits (1955) Dutch-Surinamese / Puerto Rican.

Chow Yun-fat (1955) Hongkonger.

Mark Boone Jr. (1955)

Nathan Lane (1956) - gay.

Keith David (1956) African-American.

Anil Kapoor (1956) Indian.

Jeremy Wade (1956)

Julian Richings (1956)

Ernie Dingo (1956) Yamatji.

Steve Buscemi (1957)

Dirk Blocker (1957)

Richard E. Grant (1957)

Dolph Lundgren (1957)

Isaach de Bankolé (1957) Ivorian.

Ray McKinnon (1957)

Daniel Day-Lewis (1957) Ashkenazi Jewish / English, Northern Irish, remote Welsh.

Kim Coates (1958)

Peter Capaldi (1958)

Gregory Scott Cummins (1958)

Giancarlo Esposito (1958) African-American / Italian.

Alec Butler (1959) Métis of Mi'kmaq heritage - Two-Spirit trans man - he/they.

Ken Watanabe (1959) Japanese.

Bradley Whitford (1959)

Tony Slattery (1959) - is gay and has bipolar disorder.

Hugh Laurie (1959)

Sanada Hiroyuki (1960) Japanese.

James Spader (1960)

Jean-Claude Van Damme (1960) - has bipolar disorder.

Cyril Nri (1961) Igbo Nigerian - bisexual.

Emilio Rivera (1961) Mexican.

Please note that not all of these have resources at time of posting!

Thank you so much for your kind words too!

#fc help #rph #rpc #olderfcs #pls lmk if any of these are problematic i did google!

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breannacasey · 4 years

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Fic Masterpost

Since I just made it to 100 posted works on my ao3 since I created it in January 2014, I thought I’d make a masterpost on here of all of them to celebrate. Also, shameless self promo. I’ll also include some of my upcoming things, because they would make it 100 without counting the translations.

I’ll put them by fandom and in the order I started writing for each fandom. And I’ll put a ⭐ next to my personal favourites. And 🌟 for my faves of faves.

Fandoms I’ve written for in alphabetical order: 911, 911 Lone Star, Buffy the Vampire Slayer, Criminal Minds, Hannibal, Harry Potter, House md, Leverage, Limitless, Lucifer, New Amsterdam, Prodigal Son, Sherlock, Supergirl, Supernatural, White Collar

Total per rating: General (21), Teen and Up (72), Mature (7)

Total per warning: No Archive Warning Applies (85), Chose Not To Use Warnings (1), Major Character Death (10), Graphic Depictions of Violence (3), Rape/Non-Con (1)

Supernatural (10 works)

Let Me Go (series, 2 works, 1 354 words, Teen) Castiel/Dean Winchester: Dean Winchester struggles with suicidal thoughts.

A Crowley Valentine (one shot, 1 899 words, Gen) Castiel/Dean Winchester: It’s Valentine’s Day and Crowley is tired of Dean and Cas not admitting that they’re in love with each other so he decides to take action.

Never Stop Fighting (multi chapter, 9 chapters, 21 274 words, Teen, Graphic Depictions of Violence) Castiel/Dean Winchester, Lucifer/Original Female Character: The brothers go investigate a weird occurrence but they end up rescuing someone who might be able to help them fight Metatron and put heaven back in business. But could she have an agenda of her own?

Demon Love (one shot, 1 117 words, Teen) Castiel/Dean Winchester: Dean uses his demon powers not exactly in the deadly way Crowley had hoped.

There’ll Be Peace When You Are Done (one shot, 1 076 words, Gen, Major Character Death) Castiel/Dean Winchester: Dean dies and goes to heaven

A Different Kind Of Family (one shot, 1 455 words, Teen) Castiel/Dean Winchester: Sam and Dean go on a hunt for what turns out to be zombies.

A Good Combo (multi chapter, 5 chapters, 11 680 words, Teen, Pizza Place AU) Castiel/Dean Winchester and more: Castiel meets Dean at a weird time in his life. He just got out of a relationship and, with the death of one of his siblings, he isn’t sure if he is ready to jump into another one just yet.

Please Stay With Me (one shot, 906 words, Gen) Castiel/Dean Winchester: Set some time after 11X04 “Baby”, Castiel is still staying in the bunker, resting and getting better, but the brothers are barely ever there and Dean won’t even stay in the same room with him.

+ one crossover

Criminal Minds (3 works)

Prentiss’ Secret (one shot, 1 209 words, Teen) Aaron Hotchner/Emily Prentiss: Prentiss left the BAU to work in London. Now she’s coming back to help them, but she has a secret.

Outside The Comfort Of Innocence (one shot, 1 354 words, Teen) Aaron Hotchner/Emily Prentiss : As a kid, Emily Prentiss and her family move in next door to the Hotchners. Hotch and Prentiss grow up best friends, but a dark secret brings the real world into their childhood. ⭐

Everybody Loves Halloween (one shot, 991 words, Gen) Aaron Hotchner/Emily Prentiss, Jennifer Jareau/Will LaMontagne: Emily comes for Halloween and the Hotchners go trick-or-treating with the LaMontagnes.

Sherlock (8 works)

Filling The Holes (series, 6 works, 8 960 words, Gen, Teen and Mature, Major Character Death) Sherlock Holmes/Jim Moriarty: This is a series that goes on in the spaces between what we see on the show. It takes place after Reichenbach Fall. ⭐

John Watson’s Missing Wednesday (one shot, 854 words, Teen) Sherlock Holmes/Jim Moriarty: At the wedding, Sherlock mentioned a time when John missed an entire wednesday without even noticing, what happened that day?

The Dead Are Busy Too (one shot, 618 words, Gen) Sherlock Holmes/Jim Moriarty: Nearly two years after the events of Reichenbach Fall, Moriarty’s network is close to being a thing of the past.

Harry Potter (20 works)

1998, or the year everything changed (series, 18 works, 77 224 words, Gen, Teen and Mature, Major Character Death) Various ships: A series taking place the months following the Battle of Hogwarts. Each story focuses on a different character, but they all interlock with one another. (aka I didn’t like the epilogue so I made my own.) ⭐

Light in the Darkest of Times (one shot, 742 words, Teen) Luna Lovegood/Ginny Weasley: Feeling his constant support of Harry Potter in his magazine might cause the Death Eaters to try something, Xenophilius has Luna stay in Hogwarts for the holidays, thinking she’d be safe there. But things aren’t the same in the castle since Dumbledore’s death.

The Potion Master’s Daughter (multi chapter, 14 chapters, 67 001 words, Teen, Major Character Death) Luna Lovegood/Original Female Character and more: Severus Snape had a daughter several years ago. A year behind the famous Harry Potter, she’ll navigate her years at Hogwarts, punctuated with all kinds of events, like the opening of the Chamber of Secrets, the Triwizard Tournament and Voldemort’s return. 🌟

Hannibal (1 work)

Love and Dogs (one shot, 137 words, Gen) Will Graham/Hannibal Lecter: Hannibal wakes up at Will’s place

Limitless (10 works)

Screw, Marry, No Kill (one shot, 1 317 words, Teen) Brian Finch/Ike, Brian Finch/Mike: Brian thought having a one night stand with a coworker wasn’t a big deal, but not everyone had the same opinion.

Distracting Thoughts (one shot, 1 508, Teen) Brian Finch/Ike: Brian takes too much NZT and suddenly gains the ability to hear thoughts.

Keep You Safe (one shot, 832 words, Teen) Brian Finch/Ike: Set during 1x22 Finale: Part Two!! With Brian under side effects from the NZT, Ike worries for the man’s life.

Undercover! Again! (one shot, 2 601 words, Teen) Brian Finch/Ike: Brian and Ike are sent on an undercover mission, but things don’t exactly go as planned.

Rebecca Harris’s One Sick (Valentine’s) Day (one shot, 1 137 words, Gen) Rebecca Harris/Lucy Church: Rebecca was about to head off to work, but when a surprise visitor shows up at her door, she has another idea.

The Influence A Person Can Have (multi chapter, 3 chapters, 10 340 words, Teen) Brian Finch/Eli Whitford, Brian Finch/Ike: Sometimes, you meet one person and it changes your whole life. Everything else after that would’ve been different. For Brian, it all comes back to that moment he met Eli. It seems some people are simply meant to enter your life at the right moment, to stir you in the right direction. From figuring out who he is to falling in love for the first time to getting his life together and even meeting the love of his life, Brian’s life wouldn’t have been the same. 🌟

A Little Bit of Ice and Rube Goldberg (one shot, 1 875 words, Teen) Brian Finch/Ike: When freezing rain takes over the city, everyone goes home while it’s still safe outside. Brian insists on finishing what he’s working on, forcing both he and Ike to stay alone in the office to weather the storm.

Fulfilled, Not Finished (one shot, 4 861 words, Teen, Major Character Death) Brian Finch/Ike: When the squad finds a potential witness for their case, Ike volunteers himself and Brian to go check it out. But things take a dark turn. ⭐

Curve Ball Field (one shot, 7 196 words, Teen) Brian Finch: When Brian gets kidnapped for ransom, the CJC isn’t clear on how to handle the situation, or how to reassure his family. 🌟

+ one crossover

House (2 works)

Lean On Me (one shot, 1 414 words, Teen, Major Character Death) Gregory House/James Wilson: A short evolution of House and Wilson’s relationship, from their first meeting to their last. ⭐

Don’t You Know I Care? (one shot, 1 364 words, Teen) Gregoy House/James Wilson: House ended up in a hospital bed, again, but this time the familiar face of Wilson is missing from his bedside.

Supergirl (4 works)

My Hero (one shot, 650 words, Gen) Kara Danvers/Lena Luthor: When Lena gets pushed off her balcony, Supergirl is there to rescue her once again.

When It Starts (one shot, 1 908 words, Gen) Kara Danvers/Lena Luthor: Lena loves being Kara’s friend, but she wouldn’t say no to being more than that.

Hero in Need of Saving (one shot, 2 180 words, Teen) Kara Danvers/Lena Luthor: When a gunman shows up at Catco, Kara gets hurt and ends up stuck in the elevator with Lena and some kryptonite. ⭐

If I Could Find The Way Up (multi chapters, 3 chapters, 4 959 words, Teen) Kara Danvers/Lena Luthor: Lena Luthor is depressed and she doesn’t understand what she calls an obsession for Kara Danvers. Kara who keeps cutting their time together short, maybe on purpose. Lena is struggling to deal with all that pain she feels inside and trying to figure out what she feels around Kara might mean.

Lucifer (1 work)

Grow On Me (one shot, 4 051 words, Mature, College AU) Lucifer Morningstar, Marcus Pierce: Lucifer and Marcus are college roommates. When Lucifer learns Marcus doesn’t have plans for the holidays, he convinces him to come to a cabin with him and pretend to be his boyfriend to get his siblings off his back. ⭐

Prodigal Son (7 works)

Bright Ideas (one shot, 3 560 words, Teen, Graphic Depictions of Violence) Malcolm Bright/JT Tarmel: Because Malcolm is Malcolm, he goes after a suspect on his own and gets taken. And then JT helps.

Unleashed (multi chapter, 8 chapters, 53 452 words, Mature, Graphic Depictions of Violence) Gil Arroyo & Malcolm Bright, Malcolm Bright & Martin Whitly, Gil Arroyo & Martin Whitly, Gil Arroyo/Jessica Whitly: Martin Whitly has escaped. He is finally free to get back at those who have hurt him. Everyone is anxious for him to be found and locked up again. And worried about what he might be planning to do. 🌟

On An Island (one shot, 1 704 words, Teen) Malcolm Bright: While on vacation, Malcolm finds he misses home and reflects on the past.

Shivers and Soup (one shot, 1 340 words, Gen) Malcolm Bright & Dani Powell, Malcolm Bright & Ainsley Whitly, Dani Powell/Ainsley Whitly: Malcolm has a cold and is sent home

Hold You Close (one shot, 2 077 words, Teen) Dani Powell/Ainsley Whitly: Ainsley gets injured while covering the team’s latest case and Dani decides to check on her.

Only One Safe (one shot, 2 609 words, Teen) Dani Powell/Ainsley Whitly, Malcolm Bright & Ainsley Whitly: When blackouts spread across the city, Malcolm’s friends lock him up to make sure he won’t get himself into trouble. He worries about everyone else.

+ one crossover

911 Lone Star (12 works)

Stranded in Smoke (one shot, 2 339 words, Teen) Carlos Reyes/TK Strand, Owen Strand & TK Strand: During a fire, the floor collapses under TK’s feet, his radio stops working and he finds himself completely separated from the rest of the crew.

There For You (one shot, 1 235 words, Gen) Carlos Reyes/TK Strand: When Carlos doesn’t show up to work and cancels their plans, TK wants to make sure he’s okay.

Not Your Choice (one shot, 3 236 words, Teen) Carlos Reyes/TK Strand: A man holds up TK’s therapist office and Carlos is the officer sent in to deal with it.

My Only Sunshine (one shot, 2 553 words, Teen) Carlos Reyes/TK Strand: Carlos gets hurt while pursuing a suspect and, despite Michelle’s advice, he insists he’s fine and doesn’t need to go to the hospital. He is wrong.⭐

Late Night Bruises (one shot, 2 385 words, Teen) Carlos Reyes/TK Strand: TK gets himself into trouble, but Carlos is there to help.

Classic Happiness (one shot, 1 021 words, Teen) Carlos Reyes/TK Strand: TK invites Carlos over to the house for their first actual date.

Don’t Leave Me (one shot, 2 384 words, Teen, Major Character Death) Owen Strand & TK Strand, Carlos Reyes/TK Strand: TK had been the one unconscious, on the edge of death before, and he knew it had to hurt for those around him, but he never fully understood what it felt like until he was the one standing over someone he cared deeply about, begging for them to wake up.

A Long Day (one shot, 4 245 words, Teen) Carlos Reyes/TK Strand, Marjan Marwani & Paul Strickland, Marjan Marwani & TK Strand: Some days, nothing truly bad happens, but without anything good either, small things pile up and drag you down.

Pain Leaves Traces (multi chapter, 3 chapters, 5 958 words, Teen) Carlos Reyes/TK Strand, Owen Strand & TK Strand: TK is getting closer to Carlos, but there is still a part of himself he’d rather he didn’t know about.

Stay Behind, Make A Friend (one shot, 524 words, Gen) Carlos Reyes & Paul Strickland: Paul is alone at the firehouse when Carlos shows up, so they hang out.

Another Heart Robbery (one shot, 4 886 words, Teen) Carlos Reyes/TK Strand: When the building he’s robbing catches fire, Carlos thinks he’s the most unlucky man on Earth. Then comes a very handsome firefighter. 🌟

Off Balance (multi chapter, in progress, 8/10 chapters, 10 399 words and counting, Teen) Carlos Reyes/TK Strand, Carlos Reyes & Michelle Blake: What Carlos thinks is a simple cut, turns out to be much worse. 🌟

Leverage (4 works)

The Past Job (one shot, 1 565 words, Mature, Rape/Non-Con) Damien Moreau/Eliot Spencer: Damien Moreau learns Eliot wants to leave his organisation. He decides to deal with it himself, and why not enjoy it while he’s at it. ⭐

The Protection Job (one shot, 1 785 words, Teen) Alec Hardison/Parker/Eliot Spencer: Eliot falls off a roof during a job, leaving Parker and Hardison unprotected. ⭐

+ two crossovers

911 (15 works)

In My Heart (one shot, 2 410 words, Teen) Evan Buckley/Eddie Diaz: While on a call, Buck gets exposed to a toxic substance and it makes Eddie put things into perspective.

Worry, Worry, Worry (one shot, 3 238 words, Teen) Evan Buckley/Eddie Diaz: No matter how many times Buck gets told that he will be safe, when Eddie accepts to be serial killer bait, Buck worries about him. ⭐

Who’s First? (one shot, 1 322 words, Gen) Evan Buckley/Eddie Diaz, Howie Han & Hen Wilson: Hen and Chimney bet on who, between Buck and Eddie, will be the one to make the first move.

A Gay Old Time at the Mini Golf (one shot, 2 004 words, Teen) Hen Wilson/Karen Wilson, Evan Buckley & Hen Wilson & Karen Wilson & Michael Grant: When Buck gets woken up by the sounds of people in his apartment, he doesn’t expect the day to turn out so fun.

When Things Are Bad, Better To Laugh It Off (one shot, 1 525 words, Teen) Howie Han & Tommy Kinard, Howie Han & Hen Wilson: The story of how Howie Han became Chimney.

His First Choice (one shot, 1 209 words, Teen) Evan Buckley/Eddie Diaz: Buck feels lonely, like everyone around him has a family, someone who cares about them more than anything, but he doesn’t. Turns out he is wrong. ⭐

Always Come By (one shot, 1 196 words, Gen) Evan Buckley & Bobby Nash: Bobby’s afternoon alone is cut short when a sad Buck shows up at his doorstep. ⭐

Beautifully Cold (one shot, 1 463 words, Gen) Bobby Nash & Grant Family, Athena Grant/Bobby Nash: The Grant-Nash family goes on a trip to Minnesota in the middle of winter.

Give Her The Comfort She Needs (multi chapter, 2 chapters, 2 912 words, Teen) Evan Buckley & Maddie Buckley, Evan Buckley/Eddie Diaz: Eddie, Buck and Christopher are having a morning like many others when Maddie shows up to take her brother to a funeral he doesn’t seem keen on attending.

Let Me Take Care Of You (one shot, 596 words, Gen) Maddie Buckley/Howie Han: Maddie is sick and Chimney takes care of her.

Loving Exasperation (one shot, 571 words, Gen) Evan Buckley & Maddie Buckley: Maddie comes home for Thanksgiving during her first semester of college. ⭐

At Least We Have Each Other (one shot, 666 words, Teen, Chose Not To Use Archive Warnings) Howie Han & Karen Wilson: Something happened to Hen during a call and Chimney is the one to deliver the news to Karen.

Wait Happy (one shot, 650 words, Gen) Maddie Buckley/Howie Han: After they learn about it themselves, Chimney and Maddie have to wait to tell the others about the pregnancy.

Gratefully Together (one shot, 632 words, Gen) May Grant & Michael Grant: Michael helps May move into her dorm room.

Barbie Boy (one shot, 618 words, Mature) Evan Buckley/Eddie Diaz: Buck’s karaoke performance has quite the effect on Eddie

Crossovers

Supernatural and Buffy the Vampire Slayer:

Nobody Picked The Family Business (multi chapter, 6 chapters, 14 796 words, Teen) Dawn Summers/Sam Winchester, Tara Maclay/Willow Rosenberg, Spike/Buffy Summers, Castiel/Dean Winchester: When Sam doesn’t get a scholarship to Stanford, John lets him go to UC Sunnydale, hoping all the stuff going on there will convince him to keep hunting.⭐

White Collar, Leverage and Limitless:

The Grey Area Job (multi chapter, 4 chapters, 15 992 words, Teen) Neal Caffrey/Eliot Spencer, Sophie Devereaux/Nate Ford, Alec Hardison/Parker, Brian Finch/Ike: When he and Peter encounter a particularly complicated case, Neal calls his friend, Sophie Devereaux, for help.

White Collar and Leverage:

The Informant Job (one shot, 2 675 words, Teen) Neal Caffrey/Eliot Spencer: While searching a warehouse, Eliot finds himself in a situation he wasn’t expecting.

Prodigal Son and New Amsterdam:

Stay Right Here (one shot, 5 129 words, Teen) Malcolm Bright, Iggy Frome: After being kidnapped, Malcolm ends up at New Amsterdam to get treated for his injuries.⭐

Traductions

Du Poison (vf de Poison, Supernatural)

Je Tiens à Toi (vf de Don’t You Know I Care?, House)

Quelqu’un Sur Qui Compter (vf de Lean On Me, House)

Une Vie que Personne ne Choisit (vf de Nobody Picked The Family Business, Supernatural, Buffy the Vampire Slayer)

Soon

Henren Week: Everything I Need (one shot, 534 words, Gen) Hen Wilson/Karen Wilson: Hen and Karen enjoy a quiet day off together. ⭐

Buddie Week: Good Things Don’t Come Easy (one shot, 1 272 words, Teen) Evan Buckley/Eddie Diaz: Eddie couldn’t fall for someone like Evan Buckley, but the heart hardly ever listens to logic. ⭐

Buddie Week: How To Handle Friendship With Smart Idiots (one shot, 836 words, Teen) Evan Buckley/Eddie Diaz: Carla is tired of watching Buck and Eddie being oblivious about their feelings for each other, so she decides to get involved.

Tarlos Week: The Best Farmer’s Market Find (one shot, 810 words, Gen) Carlos Reyes/TK Strand, Carlos Reyes & Owen Strand: TK wakes up to the sounds of his dad making breakfast, not alone. ⭐

Owen Strand Week: Snow Day in Austin (one shot, 1 060 words, Gen) Owen Strand & TK Strand: Owen has been feeling down and missing the New York winter, but he has an amazing son.

Evan Buckley Week: Under The Stars (one shot, 532 words, Gen) Evan Buckley & Christopher Diaz: Buck and Christopher go camping.

#my fanfic #my post #this post took me way too long to make #but those who bother clicking on it and going through get a sneak peek at my 911week fics #fyi the spn and most limitless fics are older #so i would've had to reread them to pick faves because it's far in my memory hence why they don't have stars #but i do love them

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