I've always wondered,
Why does Bad carry all his backpacks in his inventory? Why doesn't he wear one on his backpack slot? Even when he had his backpacks in backpacks before the restart he still didn't have one on his back. And it always bugged me, like it's taking up inventory space?
And while watching really old vods (like I'm talking early days of Dapper) I was confused when Bad put his main backpack in his backpack slot and not in his inventory. Because like if he did it then, why doesn't he do it now?
I DISCOVERED THE REASON!
After an amount of hours of vod watching (you will have to pry that number from my cold dead hands, I will never ever share the amount of hours I spend catching up on old vods) I finally found the reason! I feel like I just made like a monumental archeological discovery because it just, a missing puzzle piece has been found. I'm so satisfied now.
I hate myself that I lost which vod this came from but I just wanted to share this because it just, aaaaaaaaaaaa. I'm so happy I have an answer to this unanswered question I've had since I started watching Bad late last year and maybe other Ghosties had the same question?
I found the origin story, buried deep in one of the vods I was watching while falling asleep last night and wrote"backpack because item recovery backpack slot in danger dungeon with dapper" in my notes app at 3am (big props to past Rhia for that, I would've totally forgotten)
And then opened my notes today to note down smth from today's stream, admittedly I don't remember what, but I found the note and remembered I was gonna share my newfound knowledge so here it is!
Bad doesn't wear a backpack on his backpack slot because when you die your artifact slots don't immediately transfer to your body when you hit transfer items. You have to do it twice in order to get all your stuff.
Bad is in a dungeon in which there is no easy way to get Dapper out as soon as things go bad. Bad gets downed and purposely forces the respawn so Dapper won't try to come help him. He set a bed beforehand so he runs back into the dungeon, yelling for Dapper to stay wherever he is. He gets to his body, collects his stuff and goes back to fighting. But THEN he tries to grab something from his backpack and Oops, his backpack is still in his corpse. He gets knocked again, respawns again, gets his items, kills the mobs and THEN he recovers his main backpack.
Dapper was fine, he didn't get knocked at all but the fact that Bad couldn't immediately access his items in an emergency scared him about it happening in a more dangerous situation and he never puts it in his backpack slot again from that day on.
It's another habit he's picked up from being a paranoid babysitter, I finally have an answer! VINDICATION!
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had a human au thought of Barnaby and Wally. idk doing their taxes or going through bills together since they share a house & Barnaby going "hey we could get married for tax benefits and health insurance. wait no what if i want to marry Howdy someday? it's illegal to be married to two people." Wally goes "we could get divorced" and Barnaby gets legitimately sad like:
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im so glad that vasco whisked machete away from everything (in denial) and took him to florence where they lived happily ever after (im denial) and im glad alonso wasnt ever mean to anyone (in denail) and and and (explodes) (this is a joke but also i wanted to say i love ur work and ur ocs :).)
;v;
You know, every now and then I think about that potential alternate ending, a scenario where things come close to falling apart but somehow the final blow is avoided, very narrowly. And maybe the bad times have taken their toll, they've changed for worse irrepairably and have to learn to live with themselves now, but it's comforting to think that there could be some light at the end of the tunnel for them, some kind of karmic reward. That after years of living on survival mode they get some peace and succeed in buying a little bit more time for themselves.
I've grown sappy and as much as I veer towards and appreciate good tragedy, sometimes it simply feels earned when characters somehow manage to save themselves and each other from a hopeless situation right at the end, even if it's a little cliche and unrealistic. It's nice to daydream about that.
It's just hard to figure out how that aforementioned whisking away could be arranged though. They're pretty backed into a corner as far as I'm concerned.
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
indeterminate age, indeterminate gender
religious fanatic (unclear which religion)
lives alone somewhere in the steppe
dislikes everyone but is nicer to children than anyone else
has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague.
TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not?
CHANGELING: What is it that you are asking me to do?
TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
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you;re having a normal one about round 6 huh?
GRRRRRRRAAGFARRAEAGGRRRRRRRREASAAAAGHHHHHRRRRRRRGRGRGRGRGRRRRRRRRRRGROWWWWGGHHHHHGRAHHHHJJJHHHHHHHHHHHHHGRGREGWFFHADGDGADFYAFHFQFHAHFGDAFHSFHDGAHFHWFFHSUFFHAFHSRRRRRRRRRR
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i would love to hear about the ollie and handler crack ship here’s a silly doodle as well
LOVE THE DOODLE YOU SEE THE VISION!!!
Also this got my ass to design Ollie so:
(Love him - Also redesigned Reggie for this too so thanks!!)
And idk if it's moreso a crackship or a rarepair that only works in an AU (HACKS up Starstruck), but Reggie's line of "...and I hope Ollie made it out too. I hope a lot of things." It's totally me reading into it but like,,,,I want them to talk because Ollie is not dead to me in my heart of hearts.
Maybe the only change is like Reggie taps into the communication on the radio in Hot Water instead of using the earpiece, so Ollie ends up hearing him also? And they end up getting along really well (with Reggie having to jump through a couple hoops to be like "haha what agency..."). There's an Agency base in the South-East coast of Australia and maybe the Agency ends up adopting him after he washes up on the shore with the escape pod (after HEAVY questioning).
Alas take a doodle of my own:
Transcript (it's just canon lines):
Ollie: "She's being controlled, it's not her fault."
Reggie: "Agent, I have 0 experience dealing with giant security squids."
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so if v1 never attacked the prime sanctums... how would F! Gabriel approach Minos and Sisyphus? Would he feel any regret for his actions and try to make up for them? Possibly more folks for this newfound family????
(see this!)
i think gabriel would CONSTANTLY have the sanctums in the back of his mind, stuck on what he should do about them because he sees no good outcome and yet to leave them as they are would the pinnacle of cruel cowardice. his words cannot restore their lives, their people's lives, nor do anything for all the machines have killed with his failure to stop them, but to not say anything, to let them remain imprisoned, is far worse. he wants to find the best apology he can offer before releasing them, yet it's complicated by the fact that he could be killed if they're unwilling to listen...and he wouldn't blame them for it. but his hand is forced either way really - with v1's curious nature, he's on a time limit knowing it will discover them sooner or later (and he believes v1 is also in great danger of dying that way)
all that is rendered moot though as sisyphus destroys his own prison and of course follows up with the same for minos, which is a worst case scenario for gabriel who is genuinely still far too accustomed to things happening on his timetable lol and minos is quite literally hellbent on finding gabriel, no longer the fair philosopher king that had been executed so long ago - his torture inside the flesh prison has twisted him nearly beyond recognition, yet sisyphus sees no other recourse for them. his grudges had never been so personal and gabriel was a cog in the machine to him, yet all that is left of him wants nothing more than to struggle until he is killed again. they are both ghosts, caught in the emotions of their deaths, and that is the trade-off of being a prime soul - no longer fully realized, they are just what they were when they died and so contain only echoes of who they once were. minos, defined by his grief and his betrayal, sisyphus by meaningless war he knows will end in tragedy. and so all that is left for them is to survey the ruins of their fallen kingdoms and confront gabriel - the latter far more important to minos, but sisyphus accepts it despite gabriel no longer being an agent of heaven. it's still pretty worth it to take out at least one archangel regardless of his current status
so when they meet each other once more, gabriel's not only caught off-guard but he's also woefully ill-prepared for a minos that is just as unwilling to listen as he once was. after the initial shock, gabriel's heart breaks to see what he did to a man he had only ever known to be gentle and wise, his spirit now consumed by a violence so antithetical to his true nature. he did this, he knows. this is what he has sown, not just in minos but in so many before him too, yet now gabriel is unwilling to fight to the death...at least, not to minos's. he will not plead forgiveness, but he will confess his wrongs, he will denounce god's will in all of this, he will condemn his weakness for betraying minos. see him now, a demon of treachery fully revealed as minos always knew him to be - because gabriel acted against his own morals, he acted against a friend he cared for...against all the people in hell he loved. he was weak, he was spineless, and they all paid for his conscious betrayal. he can change nothing now, yet he can....leave what is left. there are still husks, still human souls trapped here in a hell worse than they have ever felt. and they need someone. they still need a king.
and i think this is the only thing that could stop minos. to know there are still "living" husks, and for gabriel to make a treaty with him. that he and v1 will leave any husks left, slaying both demons and machines that threaten them, so they may go to minos to live under his care. orphans. it's uh. not the easiest sell to v1, yet its protests must also contend with the fact that it and gabriel were struggling terribly in their fight against minos and sisyphus. but importantly too, v1 recognizes on some level this is deeply painful for gabriel, that this is someone he wants to do anything he can to reach and if no comfort is found, something in him is never going to heal. so. while i don't see minos as being particularly on good terms with gabriel, i do like the idea that they come to an agreement that sees gabe protecting the remaining husks so they can find safety with minos. it will never be as lust once was, but they could have a little community fully under the protection of a prime soul who can (and WILL) easily crush the stray angel/demon/machine that tries to interfere. a haven for those left. this puts his spirit to rest so to speak, and he accepts gabriel's terms as providing the humans left with happiness is his primary concern beneath his revenge. this is far more important, and it revives something in minos that he thought he lost in all the years trapped in the flesh prison.
sisyphus, however, doesn't hold the same values, yet his fight is not necessarily with gabriel at this point since he's now fallen. he wishes to, at the very least, rid the angelic presence in hell, and i absolutely love his biggest target being michael when he shows back up. of course sisyphus is fighting until his death to collapse what he can of heaven's structure, but michael is the archangel that binds hell as well as the one now most concerned with returning god's order in hell, so if sisyphus can kill one guy at the top, it's him. this proves far more complicated for gabriel, because sisyphus is honestly right in his stance yet gabe is personally connected to the very people he wants dead - both his virtues and the other archangels as his family. i haven't fully worked out how i want this to end, but i do know this is one of the biggest nightmares for gabriel being so stuck in the middle, especially as he is meant to help protect the people minos is now watching over...and michael would see them all bound back to their "proper" places.
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Hi, can you do 003 for Arima Kishou please?
I ABSOLUTELY CAN! Fun fact this is about the length of Edgar Allen Poe’s The Telltale Heart. God I was hoping someone would ask for him yet, despite my excitement I feel like I'm going to disappoint the Arima likers and dislikers twain, but no matter.
Mood for this entire thing: Screaming.
Behold the most horrendous thing I’ve ever written.
How I feel about this character: all caps warning for about a paragraph bellow the first sentence.
Places him in a shoebox with no notable amount of affection nor violence, simply acceptance that this is where he belongs.
THIS IS A MAN THAT SLEEPS WITH BLANK, WHITE SOCKS ON IN THE MOST NEUTRAL, BORING NIGHTCLOTHES YOU’VE EVER SEEN. AS A CHILD ANY POTENTIAL EXTRAVAGANT FASHION TASTES WERE FORCEFULLY SUCKED OUT AND ABSORBED BY SOUTA LIKE A BLACK HOLE OF REPRESSED HOMOSEXUALITY AND TOXIC MASCULINITY, AND THE SCRAPS OF ANYTHING BARELY NOTICEABLE LEFT BEHIND WERE TAKEN BY RIZE TO MAKE THAT LOVELY DRESS. HIS UNIQUE HAIR COLORS ARE A GIFT OF PITY FROM GOD BECAUSE OTHERWISE HE WOULD BE SO TERRIBLY NON-DESCRIPT THAT ABSOLUTELY NO ONE COULD RECOGNIZE HIM, EVEN IF THEY’D KNOWN HIM FOR YEARS. HIS FACE AND CLOTHING ARE TOO NEUTRAL TO BE IDENTIFIED BY THE MOST ADVANCED AI. GOODNIGHT.
Okay. Now that I’ve cleared up the feral screaming, funny story. I don’t know if I’ve ever detailed my terrible facial blindness here (probably not, it’s not a crucial detail about myself) but that applies to fictional characters as well. Things like moles, hairstyles, clothing, and speaking mannerisms are lifesavers. I do genuinely believe him to be a very neutral looking character, but half the reason for my rant above was the fact that I kept wondering “Why is Kaneki fighting himself” for 2 pages of the end of the first manga, and did not recognize him as the same guy for a truly unfortunate number of chapters in the second despite moving on to :re very quickly after finishing the first tg. Then I thought he and tatara were the same person for a while. It was bad. And I don’t know why the glasses didn’t mark out SOMETHING for me, I think I’m just too used to seeing them on and off faces at different times that it just… didn’t register? But I really don’t have any good justification for it.
I don’t understand why some people hate him so violently but at the same time his adult version falls into the “a guy” category for me. Had his moments, but I definitely could’ve found more constructed sympathy for his plight had the story not been so afraid of allowing the reader to be bored by focusing on someone else that it wasn’t constantly bashing me over the head with “but don’t you care about how KANEKI is affected by this?!?” No actually I don’t, because I understand him well enough from the last hundred-something chapters that have revolved around this guy to have a good idea of what’s going on inside his head. Arima remains a mystery, his choice to put the responsibility of the fate of this all on Kaneki instead of someone else when he passes or trying to tough out his inevitable fate up to interpretation, and I think that’s a portion of the reason he’s passionately disliked by a large portion of the fandom. This is all speculations of a madman, but from my point of view his mistreatment of Haise/Kaneki/Whatever, while ultimately motivated by the desire to exploit, wasn’t the byproduct of explicit malevolence, but rather in that aching pattern of every garden child, say it with me folks, being afraid to/not knowing how to healthily love, or even care about a person in a genuine way that doesn’t end up hurting both people involved. He did care about Kaneki, but first and foremost he felt a responsibility to use him.
Tangent to more general and less Arima-focused thoughts, this isn’t to say that writing a character in a way that leaves things up to imagination is a bad thing in writing. In fact, I really enjoy taking the broken pieces of a puzzle and attaching them together into an image of my own liking after being left with little to work with (Hi Shikorae), but the thing about Tokyo Ghoul is that this is the case for a lot of characters. It’s the inverse of the Arcane (the show not the game) problem, instead of every side character being so deeply fleshed out when they don’t always need to be, the vast majority of side characters are left to interpretation though some of them logically shouldn’t, we could’ve been given a little more to work with… maybe. I’ll never know if this is just my sadness over the lack of content for my own favorites when I speak like this but still, I feel like every character I’m attached to is left in this awkward “almost works perfectly but not quite” area as a byproduct of lack of attention, whereas Kaneki does the same but as a byproduct of too much (Juuzou lives in the middle ground good for him). I am filled with righteous fury that is only quelled by unending love for this story, somebody sedate me.
Not the worst option for “One-Eyed King” placeholder but I’m not even going to pretend I understand the why of it enough to criticize or praise. I don’t think it was necessary if the One-Eyed King was more of a symbolic concept of revolution than a person to begin with but honestly I could just be missing content. Such a cool name for something that seems ultimately underutilized, but I do like the note of Arima being unknown as the One-Eyed King when, similarly, unlike his brother’s, his revolution is a quiet, bitter and clever thing that takes years instead of equally clever but flashy, impossible to ignore. I could ramble for hours on the dichotomy of their plans to take down the circumstances and system of the origin, the merit of taking things down from the inside out and planning for the generation to come, vs. screaming the injustices of the world in everyone’s face, making a mockery of it all until you can’t look away because it’s always been everywhere but now you can see it too. How unfortunate the conclusion of their plans both ended up in the hands of Kaneki to execute, by design or otherwise.
Oh hey back to my issues with the lack of focus, those were almost completely gone with Jack! I love Jack-Arima and half of the reason for it is his dynamic with Fura. I live for the extremely controlled, calm, quiet, powerful and intelligent yet isolated Arima being temporarily pulled out of his almost machine-like world by the aimless yet fun-loving Taishi, who in turn learns what it means to be striving to protect something, and what it means to take a life. My qualm with it? I wish it was longer. It would’ve hurt even more to know he had to live the rest of his short life pressed back into a stifling role if he actually got to learn, even briefly, what it means to live normally. But, something something in order to know how to love you must be loved, the world didn’t raise him right and even that small period of time would have thrown a ripple in the chain of events that led to his choices and bad father figure role. Even so I like to imagine he looks back on those few weeks where he got to try to “live normally” (even if it trailed right back to ghoul extermination) with fondness.
Anyways to summarize Arima is another one of those characters I am choosing to be oh so normal about. I say choosing but I couldn’t stop if I wanted to. Just a guy, but in a way that makes me want to pelt him with beanbags affectionately. It’s funny how little and how much I care about him simultaneously. The disjunction of man, am I right?
Any/all the people I ship romantically with this character: And thus the disappointment of everyone commences. Congratulations on being the first person to pick a character I actually have opinions on. I see the arieto in your icon, you’re so right for that, but I flip between seeing eto as aro or shipping her with Itori, Rize, or both, and I want everyone to die alone unless it’s tragic, witnessed, unpreventable or caused by themselves, seeing their lover in their final moments is not a kindness to either but a cruelty. Hello, yes vashwood and lawlight did shape me fundamentally, and I am the world’s most spiteful creature, a russian nesting doll of mutually assured destruction. Anyways I especially want Arima to die alone, besides Kaneki, unloved with that as an exception and staring the one child who latched on to him and hoped for so much in the eyes with the guilt of knowing “I did this to him and because of me there’s a good chance he will get worse from here on out.” Arieto is a hilarious pairing conceptually and personality wise, and outside of a canon universe I can absolutely get on board, the hijinks would be legendary, but in-universe? Eto’s LEAGUES too good for you Arima. Love you, but you could stand to suffer some more.
Oh also I’m not quite sure if I ship them but Arima and Fura kind of have the energy of guys who kissed once in highschool and have adapted the mentality of “if I don’t talk about it, it didn’t happen.” But they do think about it. So maybe I ship them in the Jack era for 5 minutes of poor judgement, teenage-ness, and the intrinsic desire to make that rivalry homoerotic, and then I’m just here for the bisexual denial.
My favorite non-romantic relationship for this character: H a i s e that is his son and he does not know how to raise him and I can’t even say he’s really trying but he’s definitely there and just. Oh I wish he knew how to lead a normal life. Also Furuta, they never met in the parts of the story we’re shown, and they don’t particularly need to for me, but just conceptually they’re such fascinating foils. Living manifestations about everything I love and hate in the non-protagonists of Tokyo Ghoul, they should both burn. The most siblings to ever not sibling.
My unpopular opinion about this character: I don’t care what power scaling this universe gives us and how far up on it they place him. I could beat up this old man in a fight. I COULD. I WILL. I’M GOING TO KICK HIM DOWN A FLIGHT OF STAIRS, WITNESS AND REVEL IN MY SPECTACLE. Also he has no charisma. None. He’s strong and intelligent, that is all he has going for him.
And some nice hips but you didn’t hear that from me.
One thing I wish would happen / had happened with this character in canon: The realization. Some kind of spinoff that further detailed the schemes and functions of his collaboration with Eto behind the scenes. Give me the forbidden one-eyed monarchs, not their narrative child.
Favorite friendship for this character: Oh… the potential of Kureo being a healthy mentor figure (if you don’t elaborate enough on what happened with him teaching arima about quinques, I will assume the best for today), Akira (take notes on how to parent, Arima), Fura (but particularly the potential of them growing more distant and formal over the years as Arima is absorbed by his work and quiet aspirations.)
My crossover ship: I don’t have one so I’ll just note that I listened to “The Way It Ends” from the Death Note musical for most of this and by god I have never felt so cringe.
Oh wait actually Elendira the Crimsonnail but just the Trimax version obviously. Trans queen.
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Sometimes I think about that moment in NMH2 when Travis’s talks about how ‘despite assassins being super fucked up, are still human beings that deserve respect’ and I just… kinda get emotional over that because even though he is a pathetic loser, he’s not wrong!! He’s absolutely correct!!
Assassins are more than just tools! They are more than just bloodthirsty killers! They had lives! Dreams! Personalities! Interests!! Family!! They had things that they cared about but had no choice but to abandon them, because the life of an assassin is cruel one with constant competition. The genuine horror of it is realising that at any moment, a ranking fight would be set and on that day of the fight you’d have to accept the fact that you might not walk out the door, it’s sad!! It’s horrifying! And with each little bit of info on the assassins you get you can’t help but feel bad for them. Sure they knew what they were signing up for but that doesn’t mean they can’t have a dignified/honourable death !!
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time to go back to my mc and genshin addiction :D
(pspspspspspspspspspsp i got my america account back in order so im tryna grind for level up mats since its AR 37- HOLY SHIT. anyways time to use that 25 fragile resin!!)
Ohhh yeahh, I like am hyperfixated on the game (again) but I can’t bring myself to actually play it?? 😭
I think I’m like AR 50 but all my characters r under leveled or have shit builds and I haven’t finished the Inazuma story line so I just… don’t feel like playing..
pulled up my account on hoyolab and gagged when I saw Childe’s build /j
also shout out to Chongyun being my only friendship level 10 character, latched onto him the moment I pulled him on one of the banners.
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started watching hopecore right before bed and MAN. what a life it is we live on this earth.
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do you think there's a chance of akutagawa coming back?
LOVE THIS QUESTION EXCELLENT QUESTION 10/10 thank you. So uhm, uhhhmmm. It's admittedly hard to tell! From a technical standpoint, he shouldn't be able to come back– moreso, that would actively create a plot hole, since then virtually anyone could be brought back from death thanks to the combination of Bram and Dazai's abilities. That being said, I'm not sure the narrative would benefit from him staying dead; it might result underwhelming, storytelling wise, to have all the vampirized people come back except for Akutagawa, and this might be an instance of intentionally leaving a plot hole in the name of a satisfying conclusion of events. But it's also true that Akutagawa does fit the profile of the tragic character who's the (only) one doomed by the narrative since the beginning... Under multiple aspects, Akutagawa never had the chance to be a good guy and be happy, so what would make him worth of an happy ending? It mostly depends on how the author decides to handle this aspect, if elaborating on the tragic aspect of the character who was cursed by destiny, or opting for the “everyone deserves a chance for redemption / happy ending” route that will ultimately save Akutagawa. Do you think bsd is a story about salvation? There's a consistent number of characters who have been saved (namely, Atsushi, Dazai, Kyouka, but there's a lot more); the very story starts with its protagonist saving someone and, simultaneously, as he'll come to realize later, being saved. Do you think Akutagawa deserves the same fate? Because bsd does simultaneously push a rethoric of the kind “life is unfair, not everyone is lucky enough to be saved”. Kouyou wasn't saved and is compelled to live the rest of her life in the darkness; I have mixed feelings about it, but according to some interpretations Chuuya is doomed to the (unfortunate) fate of staying in the pm, mirroring Dazai who was effectively “saved”. It's quite impossible for me to foresee which narrative will prevail in the end, but it's interesting to ponder on it nonetheless!
Finally, there's material considerations to the matter– do you think they would definitely kill off someone who, I believe, is the third most popular character between fans? It's the same reason why we can pretty accurately guess Chuuya is not going to die. But who can really tell?
One last personal note– in the end, does that really matter? Chapters 87-88 were so satisfying, absolutely adore them, peak romance; I've already said Akutagawa wouldn't have wanted to go any other way, and I still stand by that. Akutagawa's death was so satisfying that tbh I'd be okay with him staying dead with the clause of the story elaborating on the other characters' feelings for his death. Besides, the story takes so long to enwrap, I feel like I'll be quicker to die than Akutagawa to resurrect ahah
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hm. okay someone said something on twitter that got me thinking. okay i am very firmly a yoohan truther supporter lover all that stuff. and i think there are many situations in which they can be and will be together in some shape or form, without kdj. coming to mind instantly are the three year gap, 1865th round, and 1863rd round. prime yoohan material. but at the same time i think these situations are sort of haunted by kdjs absence, and/or really set up to fail. yoohan are people who work well together in achieving a shared goal, for better or for worse. like with 1863 - which would have the least amount of kdj influence - they are pretty much on a path of mutual destruction, hastened by one another. all of these situations, in which theyre working together for some reason or another, it never feels like they can bridge in to anything really vulnerable, you know? i love yoohan on its own, and i do think they can get shit done on their own, but at the same time, kdj coheres them in a way i dont think they can really achieve without him being there. do these words strung together like this make any sort of sense.
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Guys guys guys I decided to quit smoking wish me luck
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Honestly I find it hilarious that I've accidentally made it a thing of Vash being a horse girl (gender neutral) bc I'm writing his tomas as a weird horse
Chica the tomas was an accident. She was unplanned. I just tossed her in on a whim, realized I loved her, realized VASH loves her, & now a bunch of readers love her too
I've also gotten a few comments like "man I hope nothing bad happens to her!" And I'm over here just Sweating bc like
Objectively? That Bird Cannot Stay In The Story. If Vash keeps her, she will die. There is no WAY a normal mount would survive the utter chaos of his life in the coming months. Either he gets rid of her, or she dies. There's really no middle ground.
Which makes me sad :( I love Chica the tomas and itnl Vash loves her too
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