#I drew it when I was at the beginning of the wano arc and now I’m starting the onigashima raid…

[kyuyua]

Iconic duo ✨✨

#captain and first mate #meat and booze #sharers of a single brain cell #one piece #op #monkey d. luffy #roronoa zoro #luffytaro #zorojuro #wano arc #this took longer than I thought it would lmao #I drew it when I was at the beginning of the wano arc and now I’m starting the onigashima raid…

[warlordgab]

LuNa analysis: Emotional and Intellectual chemistry

This is a special edition meant to help a friend explain this aspect of Luffy and Nami's relationship as potrayed in Oda's works (excludes the anime adaptation). It's no something truly new, it's more like a summary of multiple analyses made in this blog and other places.

The first time we mentioned this particular subject in this blog, the idea was to showcase the difference between "sexual tension" and the concept of chemistry.

Shallow fans sometimes used both terms interchangeably as if they were the same thing. Well, they're not.

Chemistry refers to the natural connection between two persons, a common feeling between two characters that leaves a impact strong enough to move their hearts and stimulate their minds. Needless to say, it's something complex, sometimes subtle, but very appealing.

It's not something tied to sexual attraction, and it's definitively not a mere infatuation. It's something much deeper than that...

However, some popular newcomers to the One Piece community mistake this concept with "dynamic." They may focus on character(s) they grow fond with, and then claim their dynamic is a sign of "chemistry" because of how much they like it.

The "character dynamics" would refer to the way characters work with or against each other within the story. While chemistry is about how the characters bond with each other throughout the story.

But then, how does LuNa showcase actual chemistry? By relying on more than one kind of chemistry.

We've seen it before, the development of a bond that grows naturally through mutual trust/faith, with the most importat trait being the capability of regulating the partner's emotions.

This kind of chemistry is marked by emotional support producing a remarkable attachment. In such a relationship, the distressed person feels comfortable enough to express their anxiety, grief, and helplessness to their partner because said partner is capable of providing with relief, comfort, and/or hope.

It's probably starting to sound familiar, right? LuNa fans would certainly think of Arlong Park and the pass of the hat, a gesture that provided Nami with the relief and hope she needed to stand up and keep going.

But, we have the moments from Skypiea too:

When she was overwhelmed by fear and doubts, Luffy does something similar, but this time is to remind Nami that she's the companion of the future Pirate King, and as such, she has nothing to fear. It was so effective that it led to a remarkable character moment from Nami, and her brief skirmish with Enel, in which she drew courage from her captain. That creates enough confidence for Nami to open her heart when there's something troubling her. Remember Water 7? After learning the truth about Robin's desertion, and shortly after missing the train Robin got in, Nami didn't seem distressed at all. In fact, she got up determined and unwilling to give up. But, how did she act when she got the chance to explain the truth to Luffy?

She and displayed the helplessness, frustration, and sadness she truly felt when she got to Luffy.

A smilar scene plays out when we get to Zou. Sanji was taken away, and while Nami seemed ok and even elated at the fact Luffy and the rest are back, is when she's in Luffy's arms that she once again expresses how helpless and anguished she feels...

This is how emotional chemistry looks like! It's not about meaningless flattery, flowery words, nor a mere infatuation. It's about growing attached to one another through a strong companionship, mutual trust/faith, offering support/comfort when needed.

Now, true chemistry occurs when characters affect each other in meaningful ways. And Nami also has an effect on Luffy. When Oda wrote the Strong World movie, we get to see how she affects her captain. When Nami got no other choice but leave a message in which she seemingly doubts Luffy's strength and capabilities, Luffy reacts this way...

This shows how much Luffy values the perception Nami has of him.

Another perceptive reader explained the difference between this situation and Ennies Lobby. During that massive rescue mission "Luffy is angry at Robin for not worrying about her own safety." In Strong World, the idea of Nami not believing in him is something Luffy takes personal. And as explained in multiple posts, we later learn Nami never stopped believing in Luffy, and the idea of Luffy hearing about it was pretty embarrassing to her.

Well, what about Intellectual Chemistry?

This is a tricky one, because most people think is having a similar level of intelligence. But, even in real life, it's pretty likely potential partners have different degrees of education, so they're not always going to perfectly click or match in this regard.

Then, how people can develop this kind of chemistry under such circumstances? One of concepts of intellectual chemistry is the capability of challenging each other's perspective and beliefs on subjects and matters relevant to both persons.

LuNa fits the second bit, for the greatest challenge each character's perspective has is the other's...

...Nami’s character from the very beginning had a very clear distate for pirates and had trouble trusting others. Her perspective served as not only a contrast to Luffy's idealism, but also as a challenge Luffy and his ideals had to actively overcome. This kind of chemistry covers other aspects that, even people who are not fond of LuNa, could see and mention. For example:

Unlike Zoro, Robin, and others crewmates who, more often than not, go along with Luffy's course of action without questioning their captain, Nami is usually the one who challenges Luffy's decisions. It makes sense given Nami's role, as she herself explained in Weatheria...

While Luffy is the one who chooses where to go, Nami is the only one can get him where he wants to go. She seeks to provide Luffy with the  guidance he needs to survive his journey. She’s the compass leading Luffy towards his adventures.

Now, Intellectual Chemistry not only consists of challenging each other’s perspectives, it’s also about openly discussing each other’s ideas with the right mindset, not because you’re trying to win an argument, but as a mean to learn more about your partner, and as a result, you get to better understand that significant person and both parts work together as a team.

In this regard, it's true Nami is one who questions Luffy the most, but  she doesn't actively try to change his mind, instead she attempts to get Luffy to rationalize his choices.  And once Luffy voices out his reasons and/or motivations for doing something, she offers her assitance and full support. We see one example in Skypiea:

At first, she questions why Luffy is making such a great effort to climb the beanstalk and fight Enel a second time, Nami even urges him to stop and flee with her. She keeps pushing until Luffy clearly states why he's not running away.

Nami could easily run away on her own, but as soon as she understands Luffy’s reasons, she stays, and they’re able to work together to ride the beanstalk so Luffy can finally defeat Enel.

This is not one-sided either. If we go to the Dressrosa arc, we got Nami communicating Luffy her plan of splitting into two teams to keep Ceasar and Momonosuke away from Doflamingo. 

And Luffy not only fully supports her idea, he even follows it up with a mission for the team that stayed at Dressrosa.

Another possible example could be one particular scene from the Zou arc. Luffy’s original intent was going to rescue Sanji on his own...

...until Nami reminds him how much he needs her and her navigation skills to keep going. Luffy accepts the reasons she gave him, and alters his original plan accordingly.

We can find other moments to showcase this aspect of their relationship, but to make things short, we can sum it up like this: when their different perspectives clash, they challenge each other’s ideas to the point of gaining a better understanding of each other, and end up acting according to that understanding, they display Intellectual chemistry.

Bonus: Physical Chemistry?

I wasn't going to include this one, but given a japanese fan brought it up ages ago, I decided to leave a couple of scenes that may fit the concept.

That japanese fan based his comment on Strong World, the movie written by Oda. To make it short, physical chemistry doesn't necessarily means "sex" either, it really comes down to how comfortable a person feels with their partner. However, the details and quirks in this particular kind of chemistry vary from people to people. Just like it can vary from writer to writer.

We often mentioned in this blog certain moment in Fishman Island, where Nami had no problem with Luffy wrapping himself around her...

...she indeed bickered with Luffy, but it was about Luffy's wanting to venture through a dangerous route rather than their physical closeness. A nice way to show how comfortable she feels around him. In contrast, she doesn't pull any punches, or thunders, when punishing people for pervying around her. Something that remains consitent even in the Wano arc (at least in the original source: the manga) Regardless of whether or not these count as “physical chemistry,” we can still appreciate how Oda crafted a solid emotional chemistry, and intellectual chemistry as well, in the way he wrote Luffy and Nami.

#one piece #luffy x nami #LuNa #lunami #chemistry #analysis #ルナミ

[recentanimenews]

FEATURE: The Top 10 Fight Scenes of 2020 According to YOU!

  One of the defining features of anime as a medium are the fight scenes. From their diversity of visuals and dramatic staging to their use in narrative development to the off-the-wall powers and techniques their characters employ. Watching weightless CG battles in superhero flicks, it’s hard not to feel like Hollywood is decades behind. Let’s fix that by letting YOU decide who gets some accolades.

  If you’ve read this article’s companion pieces on 2020’s OPs and EDs you know the drill. What follows is a list of the Top 10 fight scenes of 2020 as determined by viewership on the Crunchyroll Collection YouTube channel, weighted at 30 days so anime from earlier in the year don’t get an advantage and to balance flash-in-the-pan popularity vs iconic moments that will continue on in the fandom’s consciousness. It’s not a perfect metric but I’ve gotta say, the results do show some great taste ...

  10. Is It Wrong to Try to Pick Up Girls in a Dungeon? - Ais vs Asterius

    Is It Wrong to Try to Pick Up Girls in a Dungeon? has always been measured with its action, honing its greatest moments into dramatic peaks, so it was great we were able to finish 2020 with not only some of its biggest battles, but Ais finally stepping on the gas for the first time on television since 2017 by battling the legendary minotaur Asterius. Ais didn’t disappoint, as she shouldn’t with her place at the very top of the adventuring world and an unreachable ideal Bell aspires to. Also, opening the fight by shearing off her opponent’s arm may be the most brutal kickoff to a Danmachi fight we’ve seen yet. This battle topped 500k in its first 30 days and I’m confident will make a lasting impression.

  9. Tsugumomo2 - Kazuya vs Kyouka

    Tsugumomo’s second season delivered some absolutely huge battles, but I gotta say I’m surprised the top fight wasn’t Kanaka terrorizing the entire cast of the series with their hunt for blood. That said, Kazuya’s battle against Kyouka had some spectacular effects, a few creative obi adaptations, a divine possession, and a shorted punch to secure the victory so it had all the primary features that make Tsugumomo fights great … And for fans of the series, yes it also had that … This fight drew 600k views in its first 30 days to secure its spot on the list.

  8. A Certain Scientific Railgun T - Level 6 Mikasa vs Touma and Sogiita

    A Certain Magical Index and its various spinoffs have a penchant for going completely off the rails very quickly. This fight in spinoff A Certain Scientific Railgun T is every bit as absurd. Mikasa is pushed into Level 6, giving her godlike power and sending her into a berserk state that only Touma’s magic destroying hand can take down. We also get a guest appearance from one of the series' best side characters in Sogiita whose ability to literally turn guts into power is impossible not to love. 

  Basically, the fight was amazing, Mikasa’s Level 6 form and its absurd power were wonderfully adapted by JC Staff and Touma and Sogiita showed off some amazing combo attacks to prevents the destruction of the city. In particular, Sogiita’s “Super Amazing” punch and princess carrying Touma drew 700k viewers in its first 30 days.

  7. Golden Kamuy - The Stenka

    The most common phrase I hear from Golden Kamuy fans is that the series is underappreciated and, as a Golden Kamuy fan, I’m inclined to agree. This series is so violent, I’m constantly surprised by what it gets away with. I’m hard-pressed to think of another series that has aired in the past five years with the same level of brutality. Basically, I’m saying I’m overjoyed to see Golden Kamuy made the list, even if it's from one of its most tame battles that is simply a no-holds-barred free-for-all where everyone gets their nose broken by a berserk Sugimoto. 

  Might have been the JoJo's reference (not really) but this battle got 700k views in 30 days and just barely beat out Railgun T by ~1k views.

  6. JUJUTSU KAISEN - Gojo vs Sukuna

    Another series I’m unsurprised to see on the list but with an unexpected battle. I would have imagined Gojo’s battle against Jogo might have drawn more attention, or perhaps more recently, Itadori’s battle with Mahito. This clip does make sense after a fashion. It was a breakout moment where MAPPA showed they really meant business adapting JUJUTSU KAISEN and the fight was between two characters that have become fan favorites. 

  Definitely, a defining moment that pulled in double the seventh placer's views at 1.4 million in its first 30 days! Since JUJUTSU KAISEN is still attracting new fans and already topping popularity lists, I imagine it would have been even higher given a bit more time in 2020. Gojo vs Sukuna has continued its upward climb to almost 3 million views, putting it only a few days away from claiming the Number 4 spot in lifetime views. Not bad for an anime in the year's final quarter!

  5. Boruto - Sarada vs Sakura

    BORUTO: NARUTO NEXT GENERATIONS has delivered spectacularly animated battles for just about its entire run that prove this anime is no afterthought to the Naruto franchise. Despite a wide selection of quality battles that dropped in 2020, I must admit I knew this one would be at the top. What self-respecting Naruto fan wouldn’t be interested in seeing a less-than-friendly mother/daughter slugfest between Sarada and Sakura? Although theoretically a training match to help Sarada develop her Sharingan, the amount of destruction makes it clear that one wrong move and even Sakura’s medical Jutsu would have trouble putting either of them back together again.

  The Uchiha family battle secured its place with 1.5 million views in its first 30 days. Sarada's family moments, even the ones without fighting, are always winners and Sarada vs Sakura is the third youngest clip on the list so I'm guessing this one is going to withstand the test of time.

  4. One Piece - Zoro vs Hitokiri Kamazo

    One Piece has been on a tear since the beginning of its much-anticipated Wano Kuni arc. Even after delivering a huge battle between Luffy and Katakuri at the end of Whole Cake, there has been a notable bump in the frequency and quality of standout animation in the long-running series, which is great to see since the Wano arc is a series of back-to-back skirmishes that can be elevated by some explosive visuals. 

  No moment this year stands out more in my memory than Zoro’s battle against Hitokiri Kamazo and it seems the fans agree. Zoro borrowing his enemy’s weapon to pull off an amazingly animated Purgatory Onigiri may be one of the coolest sequences in One Piece’s almost 1,000-episode long run. This moment also got 1.5 million views in 30 days, narrowing beating Boruto by about 13k views.

  3. Black Clover - Everyone vs The Devil

    Black Clover has grown as a production to develop a unique visual style for magic-heavy battles and really deliver some hugely impressive battles. It’s ramp up hit a peak in 2019 with the battle between Julius and Licht and it’s been riding high ever since. The top fight of 2020 is an obvious one, as the climactic moment of the series' insanely escalating arc kicked off by Julius and Licht’s battle. It seems like half the cast piled into Hell to take on the unnamed devil and his overpowered word soul magic. To be honest I was surprised the series kept going at all after a moment this climactic (I’m not complaining though).

  The final attack of this battle drew 1.6 million views in its first 30 days and now sits proudly in the Number 2 spot for lifetime views on this list at over 5.5 million!

  2. The God of High School - Jin vs Jaegal

    With its sheer number of lovingly animated battles, The God of High School was a shoo-in for this list and might represent 50 percent or more of its total entries if I hadn’t limited it to one entry per series. Jin vs Jaegal is a natural choice, as the climactic battle of the fast-paced fighting series which delivered on the much-anticipated reveal of Jin Mori’s charyeok. This one really put the god in the high school, jumping far past One Piece to pull 2.1 million views in its first month.

  1. My Hero Academia - Endeavor vs Special Nomu

    My Hero Academia had a huge climactic battle to cap off the winter season, so I gotta say I’m surprised to see it’s the other one that secured the top spot as the Number 1 battle of 2020. Deku vs Overhaul was a huge moment for the series and definitely sits in the upper half of this list, if not the Number 2 spot — but something about Endeavor fighting a Nomu really pulled in a crowd, even putting the clip on YouTube’s trending list. It continues to creep upward at 7.5 million views. One of the most-watched moments of the entire year!

  On reflection moments that show a theoretical power ceiling of a series are always impactful, such as Orochimaru’s battle with Sarutobi or even My Hero Academia’s own battle between All Might and All for One. Endeavor definitely pulled out the guns for this battle to leave an impression before the long wait until the next season ... Or maybe it was just because he said “plus ultra?” Regardless, Endeavor blasted past even the Number 2 spot on this list at 3.7 million views in its first 30 days.

  Those were the best battles of 2020 according to you and, consequently, the last of this series of Top 10 lists. When it comes to fights there’s a lot more to look forward to in 2021. Boruto, Black Clover, and One Piece have all been building toward their current arcs' big conflicts and each seems primed to pull the trigger early next year. If that weren’t enough JUJUTSU KAISEN is about to kick off its school event and MHA is set to make its return.

  That does it for 2020. Hope to see you all at the same time next year.

  If you feel the fandom has missed a great moment, feel free to share it in the comments below!

      Peter Fobian is an Associate Producer at Crunchyroll, writer for Anime Academy and Anime in America, and an editor at Anime Feminist. You can follow him on Twitter @PeterFobian.

  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: Peter Fobian

#Anime #News #Latest in Anime News by Crunchyroll!

[leoandreeda]

Samurai references in One Piece

Even when this is "short" this took me a long time to made but I finally finished it. I know that maybe I do not have ALL the references, but I'll mention the ones I've been seeing since I'm watching One Piece again. Also you'll read a lot about Zoro because he seems to be the character in which Eiichiro Oda likes to represent these warriors. I couldn't avoid pointing them out, especially since we're actually in Wano, to show you all a little of the influence they have in One Piece (at least in this arc.. or just in Zoro...). Of course there'll be manga spoilers.

1. The breath of all things.

While Zoro and Daz Bones were fighting in Arabasta, Zoro sees that he is at a disadvantage against his rival because this one is the user of the Devil fruit of steel, and that is a material that he wasn't capable of cutting. After a few attempts, he remembers a particular moment from his childhood about one of the lessons that his teacher and Kuina's father, Koshiro, teach him after a young Zoro asks if it is possible to cut steel. Koshiro gives him a demonstration when he tries to cut a piece of paper with his sword, but fails. After receiving a confused look from his student, he says what is in the pic beneath.

This teaching is inspired by one of the legends of Masamune Ozaki. In this story, Masamune (Who was not a samurai but a blacksmith who still was closely related to them) is challenged by his disciple Muramasa Shinji to see who of the 2 is the best blacksmith in Japan. Masamune accepted the challenge and after days of dedication and effort he created Yawarakai Te (Soft Hands / 柔らかい手). Muramasa also worked tirelessly and, finally, shaped Juuchi Yosamu (10,000 cold nights / 十千夜寒).

To test the value of each of them, Masamune and Muramasa were summoned on the riverbank one day at dawn. Once there, Muramasa submerged the first the tip of his sword in the water, against the current. Juuchi Yosamu, the Muramasa blade, cut everything that came close to its edge: it split the leaves that floated in the river and cut in half the fish that swam nearby. It even cut the morning air and the same sunlight. Masamune recognized with a deep reverence the great work of his disciple Muramasa. Indeed: there could not exist in all of Japan a sharper blade than that blade and only a Grand Master could make a sword like Juuchi Yosamu. But now his turn had come. He closed his eyes for a few moments and unsheathed Yawarakai Te. The brightness of the soft forging of his blade was reflected on the water while the old blacksmith dipped the tip of his sword into the river. And, then ...

Nothing happened because the fish that came close to Masamune's sword swam peacefully around him, without getting hurt. The leaves that floated down the river collided with it, turned on themselves and followed their course where the current led without splitting or cutting. Sunlight shone on the sword and the wind whistled softly as it struck its edge. Muramasa began to laugh at his master's sword. "You are no longer able to make a sword that really cuts. Now the best blacksmith in Japan is me" he said. Masamune did not answer. He drew his sword from the water and, still smiling, dried it first and then put it in its holster.

An old monk who had seen everything from the other shore said: "There is a sword that is very well made, that is very beautiful and sharp, but is eager to cut and does not discriminate against who or whom. But the other sword is undoubtedly more beautiful and more perfect because its edge is still finer and does not need to cut what is innocent and does not deserve to be cut. There is a sword that takes away life and another sword that gives it. "

Note: Of course this is only a legend since Masamune Ozaki and Muramasa Shinji are many years apart (almost 100 I suppose), so I understand they did not even know each other, but you get the point.

2. The Kitetsu.

The kitetsu are a "trio" of Yōtō ( cursed swords / 妖刀) that are said to bring misfortunes to their owners until they find death in horrible ways. They are demonic swords whose thirst for blood is insatiable and whose edge and ease to cut things are incredible, almost incomparable.

Now, this is related to one of the aforementioned blacksmiths, specifically with his clan, the Muramasa. Muramasa Shinji was a person of unstable and violent character, it was said that his swords leaves, shorter, more curved and more affiliated than those of Masamune, instilled in the warriors that carried them an uncontrollable desire to kill.

But the swords of Muramasa fell into disgrace when Tokugawa Ieyasu arrived at the shogunate, at the beginning of the 17th century, due to the many misfortunes that these swords caused to his family: the Kaishaku (end of the seppuku ritual in which the assistant beheads the suicidal with a katana) of Ieyasu's son, Nobuyasu, was made with a Muramasa; in his childhood, Ieyasu was wounded with a Tantō Muramasa; Ieyasu's grandfather was killed with a Muramasa katana; Ieyasu's father was attacked with a wakizashi Muramasa. Therefore, the shogun banned the use of Muramasa clan weapons in Japan. Even the Bugyō (commissioner / 奉行) Nagasaki, who was a collector of Muramasa weapons despite the ban, was executed under direct orders from the Shōgun (army commander/ 将軍) Tokugawa Ieyasu for considering this as an obvious conspiracy against his clan.

For all this, they said, Muramasa's katanas brought their owners misfortunes and unnecessary deaths, while those of Masamune were only unsheathed when the situation inevitably required it.

3. Taken from movies.

Maybe some of you already know it, but I do not lose anything mentioning it. Issho (or Fujitora) is based on Zatōichi (座頭市), the protagonist of a television series and a large number of films about a blind, but very skilled swordsman.

Literally is the same thing without scars, they even have the same sword... However, the designs are not the only thing that Oda has been inspired to add to his work. There are a number of thoughts/quotes that he has also taken from different movies like this one, that he says is one of his favorites, called Shichinin no samurai (The Seven Samurais/ 七人の侍).

I won't make much spoilers. In one scene of the film, while the protagonists are looking for another samurai to join them, they hear that one has arrived at the town. To test if he's worth of joining them, one of them hides to the side of the door to ambush him, saying: "If he is a true swordsman he will be able to dodge it, a samurai never lets alcohol take control on himself". Does it remind you of something?

4. Roronoa Zoro's "true" inspiration.

Even though we all know Zoro is based on François l'Olonnais, who was the cruelest pirate of the Caribbean Sea; I can say that he is also a little based on Date Masamune.

Excellent military tactician, was popularly identified because of the lack of one of his eyes, commonly being called "dokuganryū" (Dragon of a single eye/ 独眼 竜). The exact cause for which he lost his entire eye is not known, but it is said that as a child he lost it because of smallpox and to save himself he took it off. After this, his mother told him he could never become a warrior, explaining to Masamune's father that having just one eye already put him in an abyssal disadvantage on the battlefield. Because of that, he swore he would never let anything else get over him, not even something like an illness. At the young age of 17 or 18 years old, he took his father's place as the leader of Date's clan; later becoming one of the most powerful Daimyō (大名) of the old Japan.

This fiery samurai was also known because of his cruelty and cold personality. Not caring who he was talking to, he'd always be a prepotent and shameless man who gained the respect, but mostly fear, of those who were around him.

5. Pirate hunter's journey.

As we all know, in the begining of the serie when Luffy asked Zoro why he sailed, the swordsman told him he was looking for someone (Dracule Mihawk) but then got lost. Sailing to the sea to find recognition and become the greatest swordsman, as he promised to Kuina, sounds like certain practice called Musha shugyō (warrior training/ 武 者 修行) that's based on traveling or pilgrimage to which the ancient samurai were ascribed. A practitioner of this concept has to roam around Japan practicing and honoring his abilities without the protection of his family or his school, all alone and exposing himself to the dangers necessary to prove his worth. The possible activities of the adventurer could include training with other schools, fighting a duel, working as a bodyguard/mercenary, and looking for a Daimyō to serve.

Soooo he found a "Daimyō" to live and to die for.

Note: I'm not saying Zoro is a samurai, in fact and sadly, he isn't. I repeat, I'm just pointing things that I can relate to them.

6. Kaidan.

Kaidan (怪談) is a Japanese word consisting of two kanji: 怪 (kai) meaning “strange, mysterious, rare, or bewitching apparition" and 談 (dan) meaning “talk” or “recited narrative.”In its broadest sense, kaidan refers to any ghost story or horror story, but it has an old-fashioned ring to it that carries the connotation of Edo period Japanese folktales. Kaidan entered the vernacular during the Edo period, when a game called Hyakumonogatari Kaidankai (A Gathering of One Hundred Supernatural Tales / 百物語怪談会 ) became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.

Originally based on didactic Buddhist tales, Kaidan often involve elements of karma, and especially ghostly vengeance for misdeeds. Onryō (Japanese vengeful ghosts / 怨霊) are far more powerful after death than they were in life, and are often people who were particularly powerless in life, such as women and servants. You all know who were servants? There's certain transtalion or meaning to samurai that says "those who serve in close attendance to the nobility"; Not only that, since Kaidan appeared in Edo period these warriors are the co-protagonists of many of those stories. If we look up at some of those stories we can conclude something; at least two of them are the "inspiration" to certain samurais in Wano and they are Kin'emon and O-kiku. We need to be clear on something, they are considered ghosts by the people of Wano that seek to avenge Oden's death so thinking that Oda made this on purpose is pretty logic, right?

Lets start with Kin'emon. He's, at least a bit, inspired in Botan Dōrō (The Peony Lantern / 牡丹燈籠) This tale tells that on the first night of Obon, a beautiful woman and a young girl holding a peony lantern stroll by the house of the widowed samurai Ogiwara Shinnojo. Ogiwara is instantly smitten with the woman, named Otsuyu and vows an eternal relationship. From that night onward, the woman and the girl visit at dusk, always leaving before dawn. An elderly neighbor, suspicious of the girl, peeks into his home and finds Ogiwara in bed with a skeleton. Consulting a Buddhist priest, Ogiwara finds that he is in danger unless he can resist the woman, and he places a protection charm on his house. The woman is then unable to enter his house, but calls him from outside. Finally, unable to resist, Ogiwara goes out to greet her, and is led back to her house, a grave in a temple. In the morning, Ogiwara's dead body is found entwined with the woman's skeleton.

Why I relate Kin'emon with this story? To be honest it reminded me of him for dumb reasons ;;; The woman's name sounds like Kin'emon's wife's name, O-tsuru. Also I have the feeling that he won't be able to resist any longer being apart with his wife, wich he seems to love very much. Or not necessarilly because he wants to be with her but to warn her to run away at some point and someone will notice and bla bla bla.

Now, O-kiku is inspired by the history of Banchō Sarayashiki (The Dish Mansion at Banchō / 番町皿屋敷 ) that tells that once there was a beautiful servant named Okiku. She worked for the samurai Aoyama Tessan. Okiku often refused his amorous advances, so he tricked her into believing that she had carelessly lost one of the family's ten precious delft plates. Such a crime would normally result in her death. In a frenzy, she counted and recounted the nine plates many times. However, she could not find the tenth and went to Aoyama in guilty tears. The samurai offered to overlook the matter if she finally became his lover, but again she refused. Enraged, Aoyama threw her down a well to her death. It is said that Okiku became an Onryō who tormented her murderer by counting to nine and then making a terrible shriek to represent the missing tenth plate – or perhaps she had tormented herself and was still trying to find the tenth plate but cried out in agony when she never could. In some versions of the story, this torment continued until an exorcist or neighbor shouted "ten" in a loud voice at the end of her count. Her ghost, finally relieved that someone had found the plate for her, haunted the samurai no more.

In some versions of the tale, Okiku is a maid who incurs her mistress' jealousy. Her mistress breaks one of dishes that Okiku is responsible for and Okiku commits suicide. Similar to the other versions, her ghost is heard counting the plates, but her mistress goes insane and dies.

Did you notice the same name, that in her first apparition she is holding a plate and that she refuses someone who's looking for her to be his lover? Hmmm.

7. Extras.

These are just mentions so I'll compilate them here.

⦁ Zoro's name in Wano is Zorojuro, which sounds a lot like Sanjuro, the name of the protagonist from another samurai movie called Yojimbo (which probably Zoro got his personality from); casually made by the same director from The seven samurais, and a lot more movies about these warriors, Akira Kurosawa.

⦁ It's possible that Shuusui is based on, it is said to be, the best sword ever made by Masamune Ozaki, called Honjo Masamune. I think this sword was "stolen" and is still lost.

⦁ Zoro's way of seeing the world is absolutely based on Miyamoto Musashi's lessons writen on his book Go Rin no Sho (The Book of Five Rings/ 五輪書). Not only that, Musashi felt that he won his duels not because he had mastered the strategy, but because he was stronger, prepared or just lucky... we all know Zoro likes to leave all to luck.

⦁ Vivi calls Zoro "mr. Bushido". Bushidō (武士道) is a strict and particular ethical code to which many samurai gave their lives, which demanded loyalty and honor until death. If a samurai failed to maintain his honor, he could recover it by practicing seppuku.

⦁ O-Tama saying that is a disgrace for a warrior to feel hunger is also said in The Seven Samurais.

⦁ The Gorōsei (The Five Elders / 五老星) the leaders of the World Government and, as such, the world's rulers and the highest authority only below Im, are based on The Council of the Five Regents, or council of the five great elders (go-tairō / 五大老). This was a council formed by Toyotomi Hideyoshi to govern Japan instead of his son, Hideyori, until he came of age. Hideyoshi chose his five most powerful daimyō for this task: Ukita Hideie, Maeda Toshiie, Uesugi Kagekatsu, Mōri Terumoto and Tokugawa Ieyasu.  With the creation of the council formed by five people, Hideyoshi hoped that the different components of the same one would be balanced, preventing that none of them took control of the power. However, almost immediately upon the death of Hideyoshi in 1598, the regents were divided into two groups: Tokugawa on the one hand, and the other four on the other. The war, however, did not begin until the mid-1600s, ending the same year at the Battle of Sekigahara, where a difficult peace was agreed upon that left Hideyori alive and in control of Osaka Castle.

⦁ It was said that Miyamoto Musashi, the most famous samurai of all time, could win any duel with one look. Ehem... Haoshoku haki?

⦁ The Iaidō (居合道) is a Japanese martial art related to the unsheathing and sheathing of the katana. It was practiced by the samurai, especially in the Edo period. These techniques arise mainly to be able to attack or defend at the same time that it was unsheathed, beginning therefore the confrontation with the weapon still in the saya (sheath) and unsheathing with the appropriate speed to attack or counterattack the opponent without giving him time to react. The main idea of Iaidō is to be able to react correctly to any unexpected situation. The first letter 'I' has as a translation of its ideogram the meaning of Spirit, Being, Will and also Intention, therefore, decomposing the term Iaidō we find its philosophical meaning as "the path of the harmony of the Being or the path of union of the spirit "('I' is spirit, 'ai' unite or harmony, and the suffix 'dō' way). I don't know about you but it reminds me a bit of the meaning of Wado Ichimonji (Straight Road of the Harmony / 和道一文字); of course not ignoring that this style is used sometimes in the serie.

⦁ In the second point "the Kitetsu", I also mentioned that there was a certain time in Japan when Tokugawa Ieyasu banned muramasa's swords around the country. Well, in chapter 926 we were shown that civilians couldn't carry weapons because that would be a clear statement of rebellion, just saying.

⦁ Ishho is based more in a Sōhei (Warrior monk / 僧兵) than in a Samurai.

⦁ Even when Miyamoto Musashi was known for fighting with 2 Bokken, he had an actual sword. The Tsuba of this sword, now in the Art Musseum of Fukuoka, is a little bit similar to Wado Ichimonji's tsuba.

⦁ Shimotsuki Yasuie or better known as Tonoyasu or Yasu, the happy man from Wano that lives in Ebisu, was shown to be based on the Shōgun mentioned in the second point, Tokugawa Ieyasu. The most famous Shōgun in the story of Japan.

⦁ Gyukimaru on Oihagi Bridge is based on Saitō Musashibō Benkei (西塔 武 蔵 坊 弁 慶 1155 - 1189), popularly called Benkei (弁 慶), Was a Sōhei who was under the orders of the samurai Minamoto no Yoshitsune. He is generally presented as a man of great stature, very strong and loyal, and is one of the favorite characters of Japanese folklore. Tells the story that Benkei would have been located on the bridge Gojo in Kyoto, where he challenged each warrior who passed, taking the sword of their defeated opponents, reaching a total of about 999 swords. In his 1000th duel, Benkei was defeated by Minamoto no Yoshitsune, son of the warlord Minamoto no Yoshitomo. Therefore, he became a warrior of Yoshitsune and fought alongside him in the Genpei war against the Taira clan. Curious, don't you think?

⦁ The relationship between O-kiku/Kikunojo and Kin’emon implies that they’re very close, we can see it in their flashbacks and even when they reunite, however, if we look at things in a more... real life way, we can say that their relationship is, or was, influenced by Shudô (衆道 ). Shudô was a samurai custom in which adult samurai engaged in pederastic relationships with younger samurai. This custom is most prominently seen, or discussed, in the Sengoku and Edo periods. The older man in the relationship, known as the nenja (念者), and the younger man, known by a variety of terms including wakashû (若衆), formed a close, tight personal relationship with one another. A nenja typically engaged in such relationships with only one wakashû at a time, and vice versa. Though much discussion today, based in modern/Western social mores about homosexual relationships, focus strongly on the homosexual sexual acts involved in the relationship, Shudô relationships went beyond this, and were strong personal and sentimental or emotional relationships, which involved as well strong elements of mentorship. Mentorship and training in the "warrior" lifestyle and values of the samurai was a major element of the relationship.

This is all I have so If there's something I missed please let me know, thanks for reading.

#I made this research until cap 943 #so I still have to study recent chapters #Samurai #One piece #Wano #wano country #samurai references #samurai country #zoro #roronoa zoro #luffy #monkey d luffy #nami #sanji #usopp #brook #franky #chopper #jimbei #koshiro #o-kiku #kikunojo #kin'emon #yasuie #yasu #momonosuke #kozuki momonosuke #kozuki oden #kozuki clan #komurasaki

[sparda3g]

One Piece Chapter 956 Review

Wano Country Act II is over. It’s time for the next act that promised to be climatic and riveting. Before the chapter release, I had a hunch that perhaps Oda will shift the scene to elsewhere; taking a small break from Wano and begin building up to other world problems. Fortunately, my hunch was spot on, but the development is not what I’ve expected. It’s a whole lot bigger than I anticipated.

The chapter can be considered as intermission report. When it comes world building, leave it to Oda to overwhelm his fans with crazy amount of developments. When you have a chapter titled, “Big News,” it’s going to be far more than a character reference. As soon as the chapter opened up with Fishman Island, it hits me the notion that Reverie is done. It was bad enough that it shifted to Wano Country before the fun began, Oda continue to toy with fans’ expectations. After this chapter, it now occurred to me that Reverie wasn’t going to be full of reveals, but instead, full of secrets.

Garp continues to be the best man from the meeting with his kindness to escort Neptune and his family. They briefly discuss the meeting that can be best described as the usual government misfit or in other words, the usual day at the office. There’s a ruckus between countries’ leaders, which was expected. Funny how Oda drew a Hitler-esque character design for one of the leaders. Even if they join hands, it’s not like they hold back their ill intention. Based on the discussion, Reverie would have left off as a simple debate that has no need to be explored. Then, the real entrée appears with the reported incident that happened soon after it was adjourned, and it involved with Kingdom of Alabasta.

This one got me thinking like crazy. Worst of all, it’s not even addressed what exactly. My best guess is it has something to do with the World Government and Im. I remember vividly that he was carrying the poster of Vivi in his hand; highly foreshadowing his next action revolve with her. Not to mention, when he sat on the throne, we don’t know what he has in mind, but to me, it has to be about Alabasta. What is exactly? I don’t know. I have seen fans speculating Cobra was murdered or Vivi has disappeared. It’s extremely vague and I curse Oda for toying with my head. Not really, but damn, he knows how to temper fans’ feelings.

Morgans has been busy with tons of headline news and there’s no stopping. That is until an assassin, a CP member to be exact, from World Government threatens him to stop or else, well, prepared to die. Shockingly, Morgans is strong enough to beat up an official, so his words will spread on. There’s couple of takeaway from this. One is that he admits that he has spread lies in his news before, yet also decide when not to. You may be thinking, “That’s journalist for you.” You may be right, but the intention is whether to believe the next news is true or not. More on that very soon.

The second is he’s targeted by World Government. In a way, Morgans can be considered as a wild card, where he can report something valuable for us fans, or deceive us for falsified report. I guess you can say he will spoon feed us the plot whether it’s true or false. Lastly, the scene ends with a cliff note of him receiving another news from King Wapol. It could be important or not. Once again, it ended before anything was revealed. Speaking of unrevealed, the news that is spreading across the world is vague for fans, but more importantly, something has happened with Sabo.

There’s two important details to consider. One is Sabo was caught in the midst of Reverie. The last time we last saw him was him trying to sneak in. According to the news, Sabo was reported in a way that upsets the Revolutionary Army. It could mean either he is captured or worse, he’s dead. Going back to Morgans, he stated that he is willing to falsify news for sake of drama that ultimately translate to profit. Dragon wasn’t going to buy it just yet, but it is very alarming. This ploy is tempering the fans’ emotions. While I don’t believe it, it is hitting me with concerns. Poor Koala. Killing a pairing before it sets sailing. No pun intended.

The second important part is the world now knows Sabo is or maybe was alive. It’s why Oda intentionally showcase the world’s reaction towards Sabo. Now, everyone knows. If he returns, this will spark huge news. DoFlamingo can only laugh at the downfall of the world and that’s enough for him to be satisfied. So much for coolest guy ever idea, eh? The report on Sabo is a mystery and very concerning; however, that’s not all what Oda wants to exploit here.

I know I have said, “There’s couple or two” here and there, but there are tons of important key elements in this chapter. It’s mind-blowing to be honest. With that said, there’s more. While sailing with Marines, Coby is seen speaking to someone to update the status of the world and to me, it sounds like we only got a small portion of what transpired from Reverie. Wano Country may not be the focus here, but it doesn’t mean there’s nothing crucial to learn here.

X Drake is confirmed to be a double agent for Marine; the man who is currently speaking to Coby. This blows my mind. I knew somehow the Marines would get involved with this arc and it’s only getting started. Now that he told them about the dangerous alliance of Kaido and Big Mom, they’ll take action. But the surprise doesn’t stop there. Apparently, CP0 member is in Wano Country right now. What the hell? Too much hype. But seriously, who can it be? Lucci? The point is, the Government is now invading Pirate-ruled country. Something huge is going to happen soon. Speaking of huge, there is one huge development. This series can’t rest at all.

I was confused when Coby said he was going to see Hancock and arrest her. This is clearly intentional to leave the fans going, “Huh?” Maybe the explanation would have been the Government learned about her helping Luffy. Then it gets more confusing when a person (nick) name dropped three Shichibukai members. Then, the truth comes out. The Shichibukai System is officially over. Now, that’s how you drop a major development.

The privilege for those pirates is over; like losing an insurance from a newly established law until the next passing. That one marine practically summarized Buggy with one line, “You’re now a lowly pirate.” You can say that again. Hilarious how Buggy acted like the boss, as if he is not intimidated, yet his inner mind is already set to escape, leaving his men to die. That marine fellow really hit the bullseye with that remark.

Mihawk is now targeted, though this excites me because now, he can roam freely. We can expect his involvement sometime later and that has me hyped. Imagine him meeting with Zoro with his new sword, Enma. Whitebeard Jr. is targeted. This is now a really good time to prove his worth. Is he strong as his name should be or is he just a fake, like I still predict he is? Lastly, Hancock is targeted by Coby. I really wonder who is stronger between the two. I wonder if the topic on Luffy will be brought up there. Perhaps it’s a way to excuse her if she somehow loses. So many expectations; the worst Oda can do is off-screen all conflicts. Sadly, I’m prepared for the likely direction.

This chapter was one massive info dump with tons of new developments. This series continue to build its world in a very exciting way, while also developing more excitement lurking within Wano Country. With the mystery of Alabasta and Sabo, along with the end of Shichibukai, it’s hard not be incredibly interested. I should mention about Blackbeard. It appears that he’s ready to recruit someone from former Shichibukai. This series just keeps on giving. Oda is set to obliterate Marineford War Arc, and if this is where he begins to build to that expectation, it’s going to be glorious. What a time for me to return to review.

#one piece #chapter 956 #review #spoilers