Their First Christmas With You: Albert Wesker
It caught Umbrella by surprise when Wesker told them he wasn’t going to be working over the holidays. They didn’t really know how to handle their best operative suddenly disappearing with only a phone call explaining that he was only to be contacted in an emergency.
And that emergency was only applicable if his work had been stolen or destroyed; Umbrella was under nuclear attack or an outbreak was going global. The rest they can deal with on their own.
You were just as surprised, but considerably more excited, about Wesker staying home over the holiday.
And you spent as much time as possible with him. It had been a long time since the two of you got to sleep in during the mornings together. Or stay up late talking without his phone going off and him having to leave on business.
It was nice spending everyday not worried that your moments weren’t going to be interrupted because someone in a lab dropped a viral sample.
Wesker has had your present planned for months. And worked on it throughout that time.
Umbrella has never allowed him to contact you on missions without their supervision. Usually monitored over secure lines with specialists listening in to make sure he didn’t give any information that was classified.
And sometimes, it would be months before you get even a hint of whether he was alive or dead.
So, Albert designed a small device that, no matter the distance or lack of signal, would alert you with a gentle vibration when touched, if Wesker was still alive. He had a paired device that would give a small vibration in response anytime you touched your present. They were both in the shape of a bracelet. A neat, simple design that Wesker could hide under the sleeve of his coat. Made from leather and metal that when, or if ever seen, would be passed as a watch band.
Your gift to him was not nearly as high tech or fancy. But you got him a little chain and pendant with a picture of you hidden inside. You did try to get something complex, where the pendant had a small trick mechanism you had to solve before it clicked open. Which Wesker solved mere seconds after opening the gift.
Albert complained all the time that he missed seeing you, so you gave him something to take with him.
His silence at first worried you. The thoughts of him not liking your gift swelled in your chest. Maybe it was too sappy? Were you being too forward in your relationship?
But Wesker shattered those thoughts by kissing you. His hands held the sides of your face as your lips crashed together. It was such a loving, tender kiss that your mind melted into a puddle of giddiness. Leaving you smiling as Wesker pulled away to gaze down at the pendant in his hand. Bright red eyes shining as he wrapped the chain around his wrist. The same one his bracelet was clasped around.
“So everytime you check in on me, I can see your face.” He said softly.
To Wesker, it was perfect. He had never been given a gift that made his chest tighten like yours did. And after those holidays, he found his work to be a little more bearable when it took him away from you.
Now able to see your face and feel your touch every morning and night.
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I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits
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I think there can be some expectations in some progressive spaces that your political interests must cover every issue possible, that you must be as educated as you can be, and that no issue should go unnoticed by you. I can see why it is important to be educated, but I also think it's important to let people specialize in different interests.
If you want an example, I'm a trans man, and so many of my political interests are informed by this, and my "specialty" is on trans male issues. While I definitely am interested in more than this, I recognize there are some issues I shouldn't be centered on. I will learn about different people and their struggles, but it isn't my place to speak on it as an authority.
I think it's important to let people do this. It is only an issue when you refuse to listen to other people or disregard other people and their needs. It's fine for me to be interested in trans male issues, but if I used that interest to say that other trans people don't deserve anything, then that's the issue. It isn't an issue that I am invested in a particular "niche" issue.
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Forget about Celegorm hair colour discourse, my controversial take (in the sense of going against the main depiction found in fandom) is that Maglor and Curufin are brunettes (as is the Noldorin standard*).
Maglor is the only son of Fëanor without any kind of physical description whatsoever, implying he doesn't deviate from the norm in that regard, and Curufin is only ever said to resemble Feanor "very much in face" (HoME XII), i.e. sharing his fathers facial features, but is never noted for black hair the way Finwë ("he had black hair", HoME XII), Fëanor ("his hair raven-dark", The Silmarillion VI) and Caranthir ("he was black-haired as his grandfather", HoME XII) are.
The same also goes for Fingolfin and his children.
*I take dark brown (at most) as the "default", since every instance of black hair is specifically mentioned, similar to the other deviations from the norm such as Mahtan, Maedhros and the Ambarussa, or Míriel, or the Arafinwëans. So I find reading a simple "dark" (or lack of any description to the contrary, regarding Noldor) as "brown" the most plausible.
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Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.
Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.
But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.
But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.
It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.
So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.
He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?
So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.
Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.
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