#I'll be making the fragments in another post

[bonefall]

So, your Clear Sky post is absolutely horrifying, but it was very needed, so thank you. What are your general thoughts on tackling his abuse for the AU? Like you've said, pretending he's a good guy is not the way to go, but are you planning on toning down *some* of the situations, just to give some of the cats a break? Clear Sky is a very realistic depiction of abusers, but that seems to come across even without victim number 25, yknow? I'm very curious about how you'd like to go about this.

My most recent big change was bringing Slash back into the fold, because I realized that it was actually a disservice to not address where DOTC's themes dip into Colonialism. It's a hard topic, and I'm still trying to work out the details, but I realized it was important.

With how BB!DOTC is such a MASSIVE overhaul, to properly address abuse and the ways it impacts you, ableism and its violence, and xenophobia broadly, a huge reworking of Slash belonged here too. He's one of the greatest examples of how badly WC demonizes non-Clanborn cats. I shouldn't dance around it.

That's what I need to do with Skystar.

MANY of his victims have happier endings than canon, though. Bumble is one of the most famous, bumped up into a major character and directly responsible for the formation of ThunderClan. Bright Storm is taking most of Gray Wing's roles. Birch and Alder are getting examined, with either a father who wants his kids back or Milkweed as the mate of Misty.

A lot of people will die because of him, even more will be hurt, but I see BB!DOTC as a story about victims and survivors.

Others might grab POVs here and there, but as a response to canon which I feel is Clear Sky's story told in many parts, I center this rewrite around Thunder Storm. The path of kindness he marches down, with love and with anger, and the people he helps.

So BB!Star Flower...

Previously I was playing her as ENTIRELY just manipulating Clear Sky. She was loyal to One Eye and trying to get at Skystar to bleed him dry for 8 lives to sacrifice; but connected to Thunderstar over recognizing him as a victim who deserves her idea of justice. So, she offers Thunderstar the final kill, so her father will be grateful to him and he'll get power AND the death of his abuser.

(When Thunderstar looks upon Skystar, pathetic and neutralized down to one life, he thinks about the collateral damage that will descend upon the forest if he accepts the deal. He decides that he has found the line between Justice and Justification. Of course he wants the power to make his enemies cower, protect his people, and eliminate Clear Sky so he never threatens them again; that's not the problem.

He can still do these things. He wouldn't NEED the power of a war god to do so.

But if One Eye returns, he will be endlessly hungry, ruthlessly dedicated to revenge, and set out to devour the whole forest. Everything would get worse, and even more people he loves would die. It's where his desire to destroy a monster would lead to him BECOMING one.)

Even on its face, it was previously missing an element. There's a step between "Starf decides to bring One Eye back" and "Starf offers Thunderstar the final kill" that was bare. This is the piece that was missing-- That she, herself, is trying to reach out to the only person who's ever really understood her.

But more importantly... I do feel this topic belongs here, in BB!DOTC. Abuse is a MAJOR theme. SKYSTAR is a monster already. He's harmed two wives in BB (Bright Storm and Falling Cry) and played toxic games with all three kits (Thunder Storm, Pale Sky, Tiger Sky).

And I'd avoid Star Flower being abused... why? Because it's uncomfortable to confront the pattern that Clear Sky displays? That in-canon, he tries to cut all his victims into the same ideal shape, from Storm to Thunder to Star Flower? ...it should be uncomfortable. Everything that I described in Clear Sky Is A Monster is rooted in the same desire for control, power, and punishment most abusive people share, he just happens to be a severe example.

Yes. That includes how he treats his child and romantic partners. The parallels that are drawn between Starf and Thunder are there because he wants power in the form of obedience. Starf replaces the son as a narrative award for his "growth" of not killing random people anymore for a while.

A cookie cutter is an effective tool because IT ONLY MAKES ONE SHAPE.

You know what's more uncomfortable? Reading canon!DOTC and seeing someone who hurt you reflected almost perfectly in the character the writers think did nothing wrong. Because of "good intentions" that were not there.

I will say though, just to be clear; I don't see a purpose in being more than PG-13 about serious topics for this project. I promise none of my intentions have changed. Nothing will be more graphic or gorey than canon WC-- just more intentional.

I'm keeping the sacrifice because it's dope. No one is taking this from me. Girl Moment: Killed her awful husband 8 times to count as 8 sacrifices and offered the last life to her buddy as a show of good will. How else do you make friends outside of high school

But I know now that Star Flower NEEDS to keep the canon fact she has very little agency, UNTIL that moment she snaps.

She's sacrificing one abuser to try and bring back a bigger, badder one, because in spite of everything, her father One Eye always made her feel safe. Even though he promised her off to Skystar, and expected her to be willing to die for him. She's followed every command, every order, past the death of his mortal vessel.

The first, and only, selfish choice she's ever made was in reaching out to Thunderstar to offer him the power of her father.

Thunderstar's Justice is a story about a Thunder Storm at the pinnacle of his arc, how the survivors of his Clan are settling into the new normal after the carnage of The First Battle, how Skystar's arrogance brings a violent god to the Forest... and the connection Thunderstar makes with the daughter of a monster.

#Kronk meme: ''Oh Yeah. It's all coming together'' #I'll be making the fragments in another post #Just because this one's getting really long #It works well as an explanation of my intentions #I think I had been making a mistake previously to conceive of BB!Starf as a femme fatale who seduced Sky #Again: I'm not perfect! As I analyze and re-read with a more critical eye. My art changes. #Tho I will admit I do like the idea of a Starf who is totally cognizant of how she can manipulate a villain #Into doing what she wants. I do love myself a powerful and scheming woman #It's that it didn't fit my story or my themes OR even the purpose of BB as a fixit that addresses canon #Better bones au #BB!DOTC #BB!Star Flower #BB!Skystar #BB!Thunder Storm #Also imo this philosophy will let me make BB!One Eye what I think he deserves and works best as #THE WORSE OF TWO EVILS #The Tyrant of Tyrants #And man.... the idea that Skystar becomes the Clan patron of war... #The God of Summer laughs at him. #''Outdone and reeling your wounded pride speaks the words your tender mouth can never say'' #''That you were outclassed and now you obsess over the bigger monster you aren't good enough to become'' #''You fell into the step of a lion and think you can replicate what my paw does without effort.'' #Cw abuse #Tw abuse #Abuse #Child abuse

[wombywoo]

do you have any ghostsoap favorite fics, perhaps?

boy do I....

I should preface this by saying that I'm pretty...particular with what types of fics I enjoy reading (I only like certain character interpretations/tropes/writing styles, etc) so bear with me...

These are all mostly canon-compliant, non-AUs, ones that I regard highly~

Seasons--by StinglessWasp: This is pretty much my go-to fic rec for anyone into CoD and ghostsoap in general. It showcases everything I love about these characters, in a setting that feels as authentic to the games as possible, while also exploring the depth and sincerity hidden under the surface. So well-written and paced--the dialogue and military references all contribute to that 'feels like a mission out of the game' experience. Plus, I just love this interpretation of our boys--the humor, the inner struggles, the intimacy--Wasp 100% *gets* these characters and it's a joy to read <3

Except You, You Can Stay--by Iravaid: While this one isn't *technically* ghostsoap until the last chapter, in my opinion, it's required reading for anyone who gives a shit about Simon Riley. This is *the* character study--an intimate dissection of Ghost's past that seems so realistic and grounded, you forget how ludicrous those comics really are. Ira takes such care in treating these heavy topics with delicacy and effectiveness. Each chapter has you going 'oh wow, this is even better than the last', but as a whole--it's a stunning, fleshed-out glimpse into Simon as the character he was always meant to be. And the final chapter which eases you into his relationship with Johnny is so authentic and sweet, it just makes perfect sense that they should be together, and that this poor poor man deserves some goddamn love <3

bleeding in the house of god--by revolvermonkcelot: This is a really great 'missing scene' fic, a perfect opportunity to explore the in-between moments that the game so carelessly chooses to gloss over. I can't praise Monk's writing enough--it's slick and crisp and very tasty; the imagery just jumps off the page and you can practically feel the sweat. Plus, the dialogue exchanges between our two boys are so well-timed and in-character--love all the slang and British references~ This whole fic reads like an addition to their mission flirting, and I'm all for it! You can truly tell this author has such deep understanding and experience with this franchise (winkwinkwink, this is a joke) Read it--it's good!

The Dead are all Living--by Kabbal: This fic blew me away when I first read it. It's such a unique take on the retirement trope, I just adore this interpretation of Simon as an aging recluse while he builds his home. I tend to lean towards more subtle, grounded characterizations of Mr Riley, and this really fits the bill. All of these glimpses and fragments into his post-military life contribute to an overarching love story; the scenes with Johnny are so poignant, it's like you're pining alongside them both. I love how not-perfect they are; flawed and difficult and real. There are some moments and lines that just....struck something in me so deeply. I'm sure I'll still be thinking about it for a long long time <3

Portrait of Taction--by a_platypus: Another Simon-centric fic that I absolutely love. The character voice in this is off the charts, I can hear him so vividly in all of his inner dialogue and stunted attempts at conversation. Simon is so endearingly dense in this fic, you're just waiting for him to finally get his act together, but the clumsy, oblivious steps he takes in his relationship with Soap are truly a treat to read. I love this version of Johnny too--confident and considerate, but still hopelessly crushing on his superior. It's comedic, well-written, and the paragraphs describing Soap's journal give some of the best insights into his character I've seen <3

come on, haunt me--by flyby2: This was a really good long fic that I took my time savoring. What could have been a typical 'on leave' fic instead took time to develop a unique spin on the backstories as well as throwing our boys into some wholesome encounters. Both Soap and Ghost felt very true to character, and I appreciate the exploration of PTSD and the subsequent struggles that come along with...all that. There was a really nice balance in having their romance spread across the chapters, and I can promise a very sweet, happy conclusion <3

in the mess of it all--by flowersferns: A lovely one-shot that exhibits some of my favorite aspects of these two characters. I'm a sucker for 'one of them is hurt, the other is freaking out, they are both idiots in love, etc'. There are some really great dialogue and character moments in this, plus the overall prose hits hard. Love this take on their romance--the mutual trust, the familiarity of their bond. And just the general theme of impermanence--the inevitability of what this relationship means for them--two soldiers, willing and ready to sacrifice their lives at a moment's notice, still clinging to each other because...god...that's all they have---big fan of this :'D <3

Lapsus--by Lisbetadair: Another really great one-shot and 'missing scene' fic. The authenticity in the writing is spot-on--it's like you can feel Soap's pain right off the bat. I love how smoothly the banter flows between the two, and the attention to detail and references all help lend to that 'hardened military man' exterior. Ghost smelling like flowers because of a face wipe is such a delightful addition, plus the scene where Soap is, ah, donald-ducking it in just a t-shirt with his jewels out is such a funny mental image, I still think of it fondly from time to time. It's funny, it's surprisingly cute, it's very in-character. Stick around for some awkward but adorable cuddles <3

I'm sure I have more to recommend, but these are the ones I can personally endorse for now~

#asks #fic rec #I've never actually done a fic rec list like this before... #a small glimpse into my nightly routine of browsing the ao3 trenches for something remotely readable 🫡 #funny how most of these are Ghost centric... #I'm *very* particular on how I prefer Soap to be portrayed and wooo boy...is it a struggle 😔

[mask131]

The gods of Gaul: Introduction, or why it is so hard to find anything

As I announced, I open today a series of post covering what some can call the "Gaulish mythology": the gods and deities of Ancient Gaul. (Personal decision, I will try avoiding using the English adjective "Gaulish" because... I just do not like it. It sounds wrong. In French we have the adjectif "Gaulois" but "Gaulish"... sounds like ghoulish or garrish, no thank you. I'll use "of Gaul", much more poetic)

[EDIT: I have just found out one can use "Gallic" as a legitimate adjective in English and I am so happy because I much prefer this word to "Gaulish", so I'll be using Gallic from now on!]

If you are French, you are bound to have heard of them one way or another. Sure, we got the Greek and Roman gods coming from the South and covering up the land in temples and statues ; and sure we had some Germanic deities walking over the rivers and mountains from the North-East to leave holiday traditions and folk-beliefs... But the oldest gods of France, the true Antiquity of France, was Gaul. And then the Roman Gaul, and that's already where the problems start.

The mythology of Gaul is one of the various branches of the wide group known as Celtic mythology or Celtic gods. When it comes to Celtic deities, the most famous are those of the British Isles, due to being much more preserved (though heavily Christianized) - the gods of Ireland and the Welsh gods are typically the gods every know about when talking about Celtic deities. But there were Celts on the mainland, continental Celts - and Gaul was one of the most important group of continental Celts. So were their gods.

Then... why does nobody know anything about them?

This is what this introduction is about: how hard it actually is to reconstruct the religion of Gaul and understand its gods. Heck we can't ACTUALLY speak of a Gaulish mythology because... we have no myth! We have not preserved any full myth or complete legend from Ancient Gaul. The pantheon of Gaul is the Celtic pantheon we probably know the least about...

Why? A few reasons.

Reason number one, and the most important: We have no record of what the Gauls believed. Or almost none. Because the people of Gaul did not write their religion.

This is the biggest obstacle in the research for the gods of Gaul. It was known that the art of writing was, in the society of Gaul, an elite art that was not for the common folks and used only for very important occasions. The druids were the ones who knew how to read and write, and they kept this prerogative - it was something the upper-class (nobility, rulers) could know, but not always. Writing was considered something powerful, sacred and magical not to be used recklessly or carelessly. As a result, the culture of Gaul was a heavily oral one, and their religion and myths were preserved in an oral fashion. Resulting in a great lack of written sources comng directly from the Gallic tribes... We do have written and engraved fragments, but they are pieces of a puzzle we need to reconstruct. We have votive offerings with prayers and demands inscribed on it - and while they can give us the names of some deities, they don't explain much about them. We have sculptures and visual representations of the deities on pillars and cups and jewels and cauldrons - but they are just visuals and symbols without names. We have calendars - but again, these are just fragments. We have names and images, and we need to make sense out of it all.

To try to find the explanations behind these fragments, comparisons to other Celtic religions and mythologies are of course needed - since they are all branches of a same tree. The same way Germanic mythology can be understood by looking at the Norse one, the same way Etruscan, Greek and Roman mythologies answer each other, the mythology and religion of Gaul has echoes with the Celtic deities of the Isles (though staying quite different from each other). The other comparison needed to put things back into context is reason number 2...

Reason number two: The Romans were there.

Everybody knows that the death of Ancient Gaul was the Roman Empire. Every French student learns the date of Alesia, the battle that symbolized the Roman victory over the Gallic forces. Gaul was conquered by the Romans and became one of the most famous and important provinces of the Roman Empire: it was the Gallo-Roman era.

The Romans were FASCINATED by Gaul. Really. They couldn't stop writing about them, in either admiration or hate. As a result, since we lack direct Gallic sources, most of what we know about Ancient Gaul comes from the Romans. And you can guess why it is a problem. Some records of their religion were written in hatred - after all, they were the barbarian ennemies that Romans were fighting against and needed to dominate. As such, they contain several elements that can be put in doubt (notably numerous references to brutal and violent human sacrifices - real depictions of blood-cults, or exaggeratons and inventions to depict the gods of Gaul as demonic monstrosities?) But even the positive and admirative, or neutral, records are biased because Romans kept comparing the religion of the Gauls to their own, and using the names of Roman deities to designate the gods of Gaul...

Leading to the other big problem when studying the gods of Gaul: the Roman syncretism. The Gallo-Roman era saw a boom in the depictions and representations of the Gallic gods... But in their syncretized form, fused with and assimilated to the Roman gods. As such we have lots of representations and descriptions of the "Jupiter of Gaul", of the "Mercury of Gaul", of the "Gallic Mars" or "Gallic Minerva". But it is extremely hard to identify what was imported Roman elements, what was a pure Gallic element under a Roman name, and what was born of the fusion of Gallic and Roman traditions...

Finally, reason number three: Gaul itself had a very complicated approach to its own gods.

We know there are "pan-gallic" gods, as in gods that were respected and honored by ALL the people of Gaul, forming the cohesion of the nation. But... Gaul wasn't actually a nation. It was very much like the many city-states of Greece: Ancient Gaul was unified by common traditions, a common society, a common religion and a common language... But Gaul was a tribal area divided into tribes, clans and villages, each with their own variations on the laws, each with their own customs and each with their own spin on religion. As a result, while there are a handful of "great gods" common to all the communities of Gaul, there are hundreds and hundreds of local gods that only existed in a specific area or around a specific town ; and given there were also many local twists and spins on the "great gods", it becomes extremely hard to know which divine name is a local deity, a great-common god, a local variation on a deity, or just a common nickname shared by different deities... If you find a local god, it can be indeed a local, unique deity ; or it can be an alternate identity of a shared divine archetype ; or it can be a god we know elsewhere but that goes by a different name here.

To tell you how fragmented Gaul was: Gaul was never a unified nation with one king or ruler. The greatest and largest division you can make identifies three Gauls. Cisalpine Gaul, the Gaul located in Northern Italy, conquered by the Romans in the second century BCE, and thus known as "the Gaul in toga" for being the most Roman of the three. Then there was the "Gaul in breeches" (la Gaule en braies), which borders the Mediterranean sea, spanning between the Alps and the Pyrenean mountains, and which was conquered in the 117 BCE (becoming the province of Narbonne). And finally the "Hairy Gaul", which stayed an independant territory until Cesar conquered it. And the Hairy Gaul itself was divided into three great areas each very different from each other: the Aquitaine Gaul, located south of the Garonne ; the Celtic Gaul located between the Garonne and the Marne (became the Gaul of Lyon after the Roman conquest) ; and finally the Belgian Gaul, located between the Marne and the Rhine. And this all is the largest division you can make, not counting all the smaller clans and tribes in which each area was divided. And all offering just as many local gods or local facets of a god...

And if it wasn't hard enough: given all the sculptures and visuals depictions of the gods of Gaul are very "late" in the context of the history of Gaul... It seems that the gods of Gaul were originally "abstract" or at least not depicted in any concrete form, and that it was only in a late development, shortly before the Roman invasions, that people of Gaul decided to offer engravings and statues to their gods, alternating between humanoid and animal forms.

All of this put together explains why the gods of Gaul are so mysterious today.

#gods of gaul #ancient gaul #mythology of gaul #gallic mythology #gallic religion #gallic gods

[edgeray]

Arlecchino is a corrupt person.

(Arlecchino x Reader Blurb)

It is why it comes to everyone's surprise when they find out she has such a pretty little thing like yourself hooked around her finger, following her around like a lovesick puppy at times (what people do not know is that it's her that is the lovesick puppy). After all, how can a 'dove' such as yourself, innocuous and pure, follow around a Fatui Harbinger like herself? When you're out in public with your beloved husband, hand-in-hand, the two of you frequently garner gawks from strangers: stares of concern, sometimes of disgust, and most infuriating of all? Pity.

That's only because they don't know she's already debauched you.

When a romance blossomed between the two of you, Arlecchino was quick to inform you of her depravity. She tells you that her hands are dipped in sin: the blood of many and the destruction in any. She tells you of the rumors that surround her, whether exaggerated or accurate, they are, nonetheless, a statement and reflection of her character. She tells you that the public, Fatui, Harbingers, and her children alike are terrified of her. She tells you that no amount of atoning will allow her to repent the atrocities she has caused. You, who is the closest thing to an angel, are with someone who is one of the closest things to a devil. Surely, she will drag you to the depths of hell with her, won't she?

She asked you one day, near the start of the relationship, if you would traverse the barren and harrowing landscape that is hell with her when it came to it.

Her words are as crass and undignified whenever she's with you--she sees no need to hide this part of herself from you as it was only another fragment of her decadence--but her body language is subtly different. Her gaze is sweeping over your expression, her shoulders are more upright (tense, you later corrected), her brows sporting a slight knit, and her expression is not as unreadable as she likes to believe. Something as uncharacteristic of her as hesitance and uncertainty makes its way into her speech, regarding you.

It makes you pause, your thoughts halting to a stop as you take in her expression. Arlecchino, an ever-assured and sophisticated diplomat of the Tsaritsa and Snezhnaya, is reluctant. It's here that humanizes her, and displays to you her own insecurity, no matter how small it is. It's... almost adorable, gratifying, even, to be able to see this hint of vulnerability. The Fourth Harbinger isn't as infallible as many believe, but only she allows you to see it.

You raise your hand to cup one side of her face delicately and tenderly stroke her cheek with your thumb; not because she is fragile glass but because despite her corruptedness, you love her wholly and untaintedly. And because it is you, she visibly melts, leaning forward and placing some weight on your palm as you hold her. Your other hand searches for hers, intertwining an angel's fingers with a devil's; it only feels like bliss. You gaze into her red-crossed eyes--the distinct crimson akin to the blood she's spilled, the same pupils that have struck terror in others, the very rubies that hold compassion only when they're on you--warmly.

You tell her that the two of you will rule hell if she so desires.

Even if she is corrupt, your love will always be uncorrupt: unwavering and pure. And for that, maybe, for loving someone like that, that makes you just as debauched.

To hell with it.

Arlecchino is a corrupt person. So are you.

---

A/N: Sorry for the delay on posting today's blurb! I'll try to make it up tomorrow. <33 Soft Arlecchino has my heart.

#arlecchino x reader #arlecchino x you #edgeray.blog #edgeray.writes

[adarkrainbow]

Given I have made two posts already about "Hansel and Gretel", or variations of the story, I'll make this fairytale the Grimm fairytale of this season. And since everybody knows Hansel and Gretel, and I already spoke somehow about it, I'll just leave below several notes, trivia and facts.

I have spoken before about the "original" version of the Brothers Grimm fairytale - aka the first edition of the text, and how it changed and evolved up to the story we know today. Many of these changes are well-known by the public - for example how the wicked stepmother was originally a wicked MOTHER (but the Grimm changed it because they had a mother-worship thing going on) ; or how the whole "duck scene" where the kids are helped crossing the river by birds was added later and not present in the original text. Some are less known, such as the fact that the "heavenly wind" rhyme was not part of the original text, or how Hansel's prison was originally not some sort of stable like in the final text but a tiny hicken coop.

In terms of "sibling stories" when we look at the great patches of historical fairytales and older literary works, you will find a lot of people pointing out to the Italian fairytale "Ninnillo and Nennella" by Basile - but I have to strongly disagree with this claim, because while Basile's fairytale does contain the motif of "boy/girl sblings abandoned several times in the woods, using various objects to find their way back, until it fails and they are lost forever", beyond that the fairytale has little to no relationship with Hansel and Gretel. A more direct ancestry and relationship has to be found in the French fairytale. More precisely in Perrault's Little Thumbling, Le Petit Poucet, which is also a story about children abandoned in the woods due to a lack of food, that found their way back several times before the birds eat the bread, and that end up in the house of a man-eater, an ogre trying to kill them. But we are still quite away from the German tale - and it is another French literary fairytale that forms the "missing link" in this chain. Madame d'Aulnoy's "Cunning Cinders" (Finette Cendron). This story doesn't involve children, but four young women - however it still follows the Hansel and Gretel formula very closely. Abandoned by their parents in the wilderness, manage to get back several times before it fails, end up trapped in the house of man-eaters, and the titular character defeats the ogre by pushing hm into a fiery oven... Of course, beyond that d'Aulnoy has a ton of additional content - such as the ogre having a wife that must be beheaded ; the lost girls being helped by a fairy godmother ; and the second part of the story being an alternate Cinderella.

But all in all it shows a point I made previously, and talked about in my ogre posts: the structure and type of the "Hansel and Gretel" story is originally an ogre tale. All older versions of the story involve ogres, not witches - but since the German do not have "ogres" in their folklore, the ogress was replaced by a witch. And despite this replacement, the witch of the story keeps several ogre traits - such as a motif of "the elderly devours youth", the idea of the witch having a poor eyesight but a keen sense of smell, or the entire "maternal perversion" motif. Which is my next point.

"Hansel and Gretel" is a familial tragedy, like many other fairytales. But the family of Hansel and Gretel is an actually extremely bizarre one. You can see, once you know your folklore and fairytale lore, that despite it being considered a "classic" and a "foundation", this tale is actually a fragmented and pieced-together story that leaves numerous gaps and is much more muddled and confused than its equivalents and predecessors. What I mean by that is that, when you look at the familial relationships in this story, you will discover several remnants of an older and more commonspread familial structure that was erased, and only leaves bizarre analogies in the new set of characters the tale offers.

To be clearer. We know that Hansel and Gretel are siblings, and that they have two parents - the father and the stepmother, formerly mother. The witch is an unrelated character acting as an outside element - or so it seems. The fairytale actually establishes a parallel and a connection between the wicked stepmother and the witch. They are parallel characters, two wicked women that want the death of children, but whereas one wants to throw the kids out of the house to leave them to starve or be devoured by beats, so she can have more food herself, the other imprisons the children in her house and overfeeds them to devour them later. A more direct link is established whenn the children return home, at the end of the tale, and discover that their step-mother is dead.

Some dark and edgy adaptations will have things such as the stepmother being killed by her husband, or killing herself, stuff like that - but by the tale alone, on just reading the words, and the first impression it leaves on a child, is that the stepmother mysteriously dies in unexplained ways right after the children burned the witch in her oven. The fact that the two wicked women end up deceased for the tale to end happily, the fact the stepmother's death is left unexplained while the witch's death is graphic and fully presented, the fact the stepmother's death is announced after the witch was killed... It all leaves the impression that the two were connected, and that by some sort of "parallel magic", killing the witch triggered the stepmother's death.

This is something many adaptations picked up upon, and you find versons where the witch and the mother look a lot alike, or are played by the same person, or are the same being. (One can compare it to Russian variations of the stories of Baba-Yaga, where wicked stepmothers sometimes send their nice stepdaughters a la Vasilisa the Fair, to the Yaga's house claiming the Yaga is their "sister"). All in all this continues the idea that the witch is a perverse take on the mother figure - nourishing and protecting children only to gulp them down into her stomach. Which, by the way, is the very symbolism and essence of ogres: fathers that kill, mothers that eat.

But while this is the most famous of the "perverse family connections" in the tale, there is another people tend to forget: the connection between Gretel and the witch. I talked heavily of the difference of treatment the witch has between Hansel and Gretel in a previous post ("Why was Hansel the meal of the witch?"). People have noted the strange discrepancy of Hansel being the one locked up and fattened up to be eaten, while Gretel became an abused slave. Many modern adaptations played on this element by having the witch planning on not eating Gretel, but making her an apprentice in witchcraft, an heir to her house, and treating her like a daughter/witch in training. After all, she does malnourish her, so she seems not keen on the idea of eating her at first...

But these modern adaptations actually picked up on something deeper and more fascinating. You see, the witch not locking up Gretel and treating her as her slave seems to be a leftover from older variants of the tale, because there is a widespread archetype in fairytales known as "the witch's daughter" or "the ogress' daughter". In many ogress or man-eating witches tales, the antagonist has a daughter that assists her in her chores. Sometimes the daughter will secretely help the protagonist escape and be an ally - but these are quite rare, and most of the time the daughter is the one the witch/ogress charges of killing-cooking the protagonist. Then the protagonist tricks the daughter, kills and cooks her instead of themselves, and serve her to their monstrous mother, who believes she is eating the protagonist, when in fact she devours her own daughter. It is a very typical structure in those tales, found from the Baba Yaga legends to the Kabyle tales of the teryel.

The witch's daughter archetype also exists in fairytales where the witch is not a man-eater, but rather an antagonist that imprisons people, or that imposes impossible tasks - and here, the daughter will be a more benevolent figure that will secretly help the protagonist escape the witch and/or overcome the trials and tasks the mother imposes. In fact, in several of those stories, the protagonist fights for the right to love and marry the witch's daughter.

All in all, the fact that Gretel is treated as a slave and assistant to the witch, that she is to help feeding and fattening her brother, etc, etc, implies that her character in the story of the Grimm is a leftover of the "ogress' daughter" or "witch's daughter" of older stories. As a result it makes even more sense for adaptations to have the witch treat Gretel as some sort of surrogate daughter, and it makes the whole family picture of the German story very messed up. The witch who tries to eat the children might be their mother/step-mother, and Gretel might be the witch's daughter.

Another motif that has been picked up by various adaptatons is the motif of birds. I remember long ago I stumbled upon a fascinating art series depicting the witch as a half-bird half-human creature - unfortunately the pictures are now lost in the vast pit of the Internet. More recently, another artist posted an image of Hansel in his cage, with the witch appearing a large, black bird above the cage, wearing a witch's hat.

All those art pieces reflected a true fact: "Hansel and Gretel" is a bird story. You have the birds that devour the bread crumbs, but also the pretty bird that leads the children to the witch's house, and the ducks that helps them cross the stream in the added ending of the Grimm. Some variations also have Hansel claim, when he keeps looking back at the house, that he is seeing a "pretty bird" instead of a "pretty cat" like in the Grimm's final text. As a result, some people did identify the birds that eat the breadcrumbs and/or the bird that leads the children to the house with the witch. The anime "Grimm's Fairy Tale Classics" notably depicted the pretty bird luring the children to the house as the witch's familiar.

A last note: The idea that the witch's house is made of tons of various candies and sweets was popularized by various modern adaptations and retellings of the story. In the Grimm tale, the house isn't made of candy. It isn't even made of gingerbread as so many people believe! While it is common for people to think of this tale as "the one with the gingerbread house", I don't know where that comes from. In the text of the Grimm, the house is merely made of bread, plain old bread, with sugar for the windows. There are however cakes that are said to cover the house, as ornaments. Maybe people in retellings decided to mix together the "cake"and the "bread" and decided to make it "gingerbread"? I don't know.

#hansel and gretel #fairytale analysis #gretel #fairytale witch #the gingerbread house witch #grimm fairytales #german fairytales #the brothers grimm #hansel #birds in fairytales

[topaz-mutiny]

I think the fans are underestimating how differently people can process things.

I am consistently seeing posts say "Ashton/Tal were repeatedly warned the shard was not for them/will 100% kill them", when this was absolutely not the case, and, more importantly, it is very likely for groups of people to completely misinterpret the warnings. Even if they've known each other and loved each other for a decade.

I certainly thought the warnings were not clear or frequent enough so I was shocked like lightning in the latest episode that they were meant to be absolute death flags.

Please note that I'll mostly refer to the fictional characters, I don't want to bring the people behind the characters too much into this.

First, I would like to point out, the show takes place over weeks and months with plenty of breaks and interruptions. That is plenty of time and opportunity for memories to get faded, muddled, crossed-over with other memories, etc.

The "warnings" happened two weeks to a month ago. And even when they were fresh on the cast's mind, here are the warnings verbatim (bold is my emphasis):

But be warned, holding the strength of the two in one vessel might sunder it. You bear the dormant strength of the empress. Find and bestow the might of the emperor.

- Evontra'vir, episode 74, aired October 5th. The conversations move on to unrelated things with no followup.

Ashton: He also said it might be dangerous for these two shards to intermingle. Or he didn't say dangerous, he said that-- it could destroy me. Orym: --A chance the vessel could break. Laudna: --The vessel <air quotes> could break. Fearne: Wasn't there something if you put them together with the right thing that it'll be okay? Ashton: It might come together and be okay, yeah. -- Dancer: Maybe if it were to meet one of its own ilk, it could awaken. Allura: What you said as a point of warning likely is true. To have both within a singular vessel, it's possible one could survive, but it's also highly possible that it would rend you into a thousand pieces. -- Allura: We're in a strange area of experimentation and unknown knowledge. -- (after finding out Ashton has a fascimile of a Luxon beacon in their brain) FCG: So he's got two things in him or them? Allura: It would seem, which is why I'm a bit--Well, you're either the greatest weapon we could hope for in this time, or will be our end. I couldn't tell you. Orym: Boy, maybe we don't add a third thing. Ashton: I was put together by bits and pieces. This was not an intentional thing and it, I honestly shouldn't have survived it. It was, literally, I was put together with junk. Allura: In an odd way, your fragmented nature might be what keeps all of this in check. ... Perhaps we don't put another powerful entity within your form.

- Various, episode 76, aired October 19th.

To me, these warnings were not clear in the slightest.

To me, these warnings were interspersed with so many words like "possible", "might", and "chance" that I completely misinterpreted the situation as "For Ashton it is dangerous but doable" instead of "The Game Master is telling you Ashton's character sheet will be ripped up."

This is the problem with using in-character voices and using descriptors that imply chance or flexibility. They can drastically weaken the meaning of a phrase such that people like me will mistake it for something else.

Because that's how my brain works. "May", "chance", "perhaps" suggest to me a reasonable set of odds for an action and does not come across as the grave warning a game master would want.

And as a reminder, these muddled warnings were weeks apart and weeks away, which can make remembering the meaning even worse if you've already misinterpreted them. That's why I was 100% on board with Ashton taking the shard. It seemed reasonable but dangerous, so when Matt said "I warned you." in that grave tone and with that grave look I was thrown for a loop. I went "oh no! those were serious warnings!?" and the panic started setting in.

Also a contributing factor was the pressure and lack of communication from Bells Hells.

Fearne did not want the shard, and finally stated that thought aloud to Ashton. For Fearne and Ashton, that meant the only choice left was Ashton, because, for one reason or another, the 5 other people in Bells Hells repeatedly assumed and pushed the shard onto Fearne and wrote themselves out of the equasion. FIVE characters absolved themselves of being active participants. Once the idea of Fearne came to mind and this Emperor Fearne/Empress Ashton/Callowmoore shipping dicotomy, Bells Hells just stopped talking about it and never once considered if any of them should take the shard should Fearne refuse.

So... yeah that's how my brain works.

#critical role #cr spoilers #critical role spoilers #c3e77 #ashton greymoore #fearne calloway #bells hells #evontra'vir #taliesin jaffe #matthew mercer #communication breakdown #tl;dr Bells Hells needs to talk to each other more instead of just assuming how things will be #do you want explosions and dead PCs? that's how you get explosions and dead PCs. #people will think differently and can misinterpret what you say #even this loving group of 8 people can misinterpret each other despite being together for like a decade #tbh I thought the shard going to Orym would've been ideal #I might repost this for the Monday crew idk

[sonic-gallery]

Another World Ogiri August 2023 [What are Blaze and Silver doing...? ]

Please come home, master!

Two characters appear every month in surprising outfits and situations! Let's enjoy Ogiri together with illustrations that will make your imagination run wild!

This time, Blaze and Silver are back with a new look! High fighting ability and awesomeness that are unbecoming of a maid or butler! What kind of enemy will these two fight against, relying on each other and working together?

What kind of lines or narration would you use?

You can style it based on the atmosphere and world view of the two of you in the game, or you can create a bold arrangement! In the example, it seems reliable enough to turn away any unwanted customers... Even such free and interesting stories are OK!

Please enjoy it and tweet with the tag "#Isekai Ogiri" on Twitter ♪

We will introduce the good ones in a reply from Sonic's official Twitter account.

We are looking forward to your fun Ogiri posts!

Act8: “Reunion of the Magical Princess”

＜＜Gashaaan! >>

A large number of sharp pieces of window glass are scattered on the hotel's luxurious scarlet carpet...!

The monster's strong arms didn't stop as it tore down the glass wall of the second-floor atrium with all its might... It gouged through the floor, grabbed a white cafe table that had been thrown up, broke it into pieces, and headed towards a point. I threw it.

＜＜Dogagagaga! >>

The terrifying throw of destruction seemed to crush the poor waiter who was near the kitchen...but all of it was blocked by a psychic barrier that shone in cobalt blue, and it shattered into pieces. Masu.

"A monster that obstructs business! I'll eliminate it!"

It was Silver, a silver hedgehog with psychic powers, who screamed and his whole body was filled with psychic green light.

The monster that stands in the way is a giant golem that looks up at you and is made of a collection of toys and junk. The moment when Silver, his black garcon apron flapping in the air, tried to wield his "power" towards the monster...!

＜＜Dooooooong! >>

This time, the crimson flame arrow grazed Silver's side and hit the monster. Blow away that giant body.

After a roar, the maid descended to protect Silver while brushing off a veil of flames, turned around with her elegant black silk apron skirt, and spoke to him without even moving an eyebrow.

"Run, waiter. This is no place for ordinary people."

...Silver is not amused by being suddenly interrupted and treated like an amateur.

"You're a maid, aren't you? What on earth are you!" "The one who protects the weak from evil monsters... is the Magic Princess Blaze!"

"Magic, Koujo...?"

Blaze jumps towards the monster, leaving behind Silver, who becomes stunned for a moment. Silver couldn't resist protesting as he hurriedly chased after him.

“Who is the weak one?”

The fight against monsters is only a defensive battle.

The flame wielded by Blaze does indeed hit the monster, but it only scrapes the surface of the monster's body...Then, the fragments are immediately pulled together by a mysterious force, coalescing and returning to their original state. It is.

"First of all, I came here with the intention of doing an undercover investigation as a maid, but I didn't expect to be suddenly involved in a battle..."

Blaze, who can't move as much as she wants in her maid uniform, can't help but click her tongue.

``I was also asked to be a bodyguard at this coffee shop, and I became a waiter waiting for a monster, but I didn't find him as good as this.''

Silver agrees that he is an unexpectedly strong enemy.

"I mean, this store provides uniforms, right? Why did you bring your maid uniform?" "I-is that so? Emmy told me to wear this..."

Blaze flinched at the unexpected remark and blushed as he pinched the frills on his shoulders...but in the meantime Blaze turned around and said this to Silver.

"Hey, don't move around in front of me! You're getting in the way and I can't concentrate my firepower!" "Attack isn't working, right? First, find the weak point that triggers recovery!"

In the end, an argument begins instead of a battle. And the monster didn't miss that chance...

<< Zugon! Dogogo...! >>

The monster slowly...gathered its strength deeply, raised both of its fists, and fired a powerful blow toward the ceiling. The impact pierced the ceiling on the coffee shop floor and the ceiling on the floor above, all the way to the roof of the hotel, causing a major collapse.

A huge waterfall of frighteningly heavy rubble attacks Blaze and the others, increasing its muddy flow as it falls. When they both looked up, it seemed like it was too late...

The next moment!

"Huh!"

Silver instantly jumps over Blaze's head, spreads his arms out as if to protect her, and deploys a psychic barrier...! After deflecting the incoming collapse, Blaze uses it as a counterattack to repel the attack of the monster that attacked Silver from within the dust, and at the same time blows away the surrounding dust with explosive flames.

...This is a moment of perfect cooperation with no compromises. After catching their breath in a close call, the two finally opened their mouths.

"My body moved on its own...I don't feel like I'm meeting you for the first time." "...Ah."

Then, as he regained his stance and restored his body, Blaze continued with a serious look on his face as he looked at the monster approaching the two of them.

"I made two mistakes. The first was that I underestimated the enemy and came here without being fully prepared."

Still in the same position, this time I continued to look into Silver's eyes.

"Waiter. Please give me 20 seconds..." "I don't mind...but before that, can I ask you the second question?"

After a moment's hesitation, Blaze answered with a resolute look on his face.

"Secondly, I was disrespectful and disrespectful to my comrades who I should be relying on. That..."

Blaze interrupts him by saying he's sorry, and Silver agrees to Blaze's request.

"It's okay Blaze, we're both good friends! It's okay. I'll hold out for 20 seconds or 200 years! ...So, would you like one for me too?" "...?"

"My name is Silver."

The next moment, Blaze is immediately engulfed in scorching flames. With her eyes closed and her mind concentrating...Silver senses that she is trying to control some great power.

"Silver, thank you......Haaaaaaaaa!"

Blaze is about to unleash a blow that will change the situation, knowing the risk of exposing his defenseless side. That expectation and trust inspired Silver.

"I'll do it! Ha!"

Silver deploys full power of psychic energy in all directions. Hold the rubble all over this floor and prevent the monster from restoring, while at the same time hitting everything with psychic attacks to keep it in check...! I will protect Blaze.

However, fighting for a long time while protecting immovable objects is disadvantageous. Since you have to endure every attack that comes your way without avoiding it, you end up in a very poor situation.

Silver's plan was to survive the attack by not allowing it to attack, but the monster also seems to have noticed the plan and intensifies its attack.

What a long time 20 seconds is! How long can we hold out? Just when Silver's knees are about to fall due to repeated bullets...!

＜＜Doooooooo! ! >>

As the explosion of loud flames spread, Blaze, enveloped in such dazzling flames that it was impossible to keep his eyes open, finally released his power... and blew away the monster. It's ready.

"Aaah...! Mysterious sun, respond to the power of my flame...!"

The seven jewels on Blaze's pochette begin to contain flames and grow brighter one by one as her power grows.

Just when the monster was about to make a desperate attack with all its might, all of its power imploded on her...Blaze declared the execution of great power.

"Magical Princess Blaze! Burning Unlimited Mode! Haaaaa!"

Blaze wears multiple layers of flame in seven colors and transforms into a pillar of scorching heat. For a moment, huge wings of flame spread across her back, but they immediately dispersed and condensed into her outstretched arms...! It becomes a tremendous torrent of flame and pours out towards the monster.

"Haaaaaa!" "Haaaaaa!"

The monster also tries to resist by taking a defensive stance, but Silver supports Blaze from behind as he is pushed by the recoil of the flames, increasing its power, and he can no longer withstand it.

Everything that formed the monster was blown away, and the energy body at its center caused a huge explosion.

<< Zudoooon! >>

A huge roaring explosion that could be heard all the way to an island in the sky. The monster finally disappeared.

"Ciao, chao!"

After the dust from the explosion finally dissipated... In the remains of the monster's explosion, there was a small Chao of light crying.

The true nature of the monster was Chao's residual thoughts.

As Blaze and the others watch, the Chao of Light eventually finds a hole in the dilapidated floor, and as if realizing something, it happily steps inside.

"......?" "this is!?"

When the two of them follow Chao, they discover that they are in the basement of a coffee shop...and beneath the floor is a lush green garden with a clear stream.

The Chao of Light then stepped inside, looked around, and with a satisfied smile, disappeared into a pale light. I see...the two of them said.

"When building this coffee shop, you blocked the Chao's home..." "That monster was a mass of grudges from the Chao's who wanted to return to their hometown."

The two of them, who have come to understand the circumstances of the incident, look relieved, but sigh at the devastation surrounding them. The area has been completely destroyed, and there is no trace of that wonderful interior.

"Well, the incident has been resolved for the time being...but the store was destroyed in a spectacular manner, so we have to clean it up."

Blaze responded in a calm manner while smiling bitterly at Silver's suggestive tone.

"Okay. What should I do?"

When the two of them looked up at the light shining in from above, what they saw through the hole in the collapsed ceiling was a dazzling blue sky cut out beautifully like a painting. It was filled with clear light, as if reflecting the brightness of their hearts.

"One month later..."

After major renovations, this shop, which connected the mysterious Chao garden as an open cafe area, has been renovated as ``Chao Garden,'' a maid-style cafe that combines formality with a Chao-friendly warmth, and has gained a great reputation. Ta.

While Silver and Blaze are busy helping rebuild the store, an unexpected visitor appears. As soon as they saw each other, they stiffened without even serving customers...

"S-Sonic...!? Are you Sonic!?" "Why are you dressed like that...and us too!? What the heck is going on!?"

The moment they saw Sonic, Blaze and Silver regained their memories.

"Hey! You guys...!"

Sonic was also surprised by this, but Tails noticed that at this time, the chaos emeralds that Sonic and his friends were holding, the jewelry of Blaze's tail, and the silver pendant all glowed faintly at the same time. I didn't miss it. While Tails was deep in thought, the two of them searched through their memories before and after the incident.

"The moment I came to this world under the guidance of the Sol Emerald, I was caught up in that light."

Blaze said while stroking the seven jewels on her pochette. Marin, who came with him, wonders what to do.

"I was fighting at Eggman's base just moments ago. I was trying to prevent some kind of weapon from activating..."

Silver worries that he can't remember properly.

"In any case, how did the two of you manage to regain your memories?"

Tails took out his proud ``energy sensor'' and explained it to Sonic.

＜＜Beep beep...＞＞

"I knew it! Blaze's tail jewelry and silver pendant are mutated Chaos Emeralds! Just like ours."

Tails explains that from the wavelength of the energy emitted, they are definitely Chaos Emeralds, which is why they definitely glowed when the two regained their memories.

“As a phenomenon, the Chaos Emeralds have the power to resist this strange phenomenon.Although one is not enough, there are several nearby, and one of them has the original memory... I think that's the condition for resurrection.'' ``There certainly doesn't seem to be any problem thinking that way. As expected, Tails!''

Tails gets shy after being praised by Sonic, and Blaze and Silver also respond.

“I hear that emeralds sometimes attract each other with a mysterious power in times of crisis.I was forced to have this one from Emmy because it was the guidance of the stars...This is also one of those powers. Maybe it's Tsuna.' ' ``Certainly. It's so easy to gather four of them like this...? Huh? Isn't it strange? If that's the case, how come Sonic and Tails, who only have one each, are safe?'' Did you?”

At the obvious question, the three people's eyes focused on Tails.

"That's... At the moment the incident occurred, Sonic and I were together, each holding a Chaos Emerald. I think that's why it didn't work from the beginning... , I guess. Sorry, I can't be sure..."

Tails was starting to lose confidence as he continued to make deductions, but Sonic assured him with a smile.

"In other words, it's because of Tails that I'm safe, and vice versa, right? Isn't it great that we're the same? This is it!"

Blaze and Silver agree while looking at Tails, who is confused and extremely shy.

"Hmm. At this point, it would be best to have a better interpretation of the details of truth or falsehood. The most important thing is..." "It means that we have found a way to restore our friends!"

"YES! That's right!" "That's right!"

Tails finally regains his composure and starts proposing strategies to his friends.

``...I'll give the detector to Blaze and Silver as well. Now let's divide up and find the friends who have Chaos Emeralds and revive them! And in the end, we'll collect 7 Chaos Emeralds. I’m sure it will be your trump card.”

"I understand. I agree with your strategy. I'll leave the rest behind." "I understand. My Sol Emerald also says we should do the same."

Blaze agrees as he strokes the Sol Emerald, which trembles as it emits a pale flame.

"It's getting interesting," Sonic said in his usual tone as he stood up, and the remaining three got ready to leave with fearless smiles on their faces.

"That Eggman guy. I don't know what he did, but we'll definitely hunt him down with our hands!"

Sonic and his friends took another step forward, and with a new hope in their hands, they took another step forward...!

#Sonic #Otherworld Comedy #Silver The Hedgehog #Blaze The Cat #Sonic The Hedgehog #Miles Tails Prower #Sonic Channel

[your-local-grubdog]

Pikmin 4: Heritage Theory

Warning for MAJOR Pikmin 4 spoilers, including: various end of day conversations, post-credit events, late game piklopedia and treasure hoard entries, and also the final boss.

As a sort of re-boot of the franchise, Pikmin 4 introduces a lot of new ideas to the series. Among them is the idea that the various alien species in the game are much more closely related than we first realized - and perhaps more connected to PNF-404 than we would have ever thought in the other three games. I wanted to go over the various texts in the game that touch on this idea and talk about them a little because, hoo boy, the IMPLICATIONS. I call it a theory in the title for a lack of better wording but it honestly just feels like a canon fact that's never directly stated. There's just that much evidence, much of which all but outright says what happened.

Apologies if the images are a little low quality, Tumblr crunched them up badly. I provide image descriptions so hopefully that makes up for it.

As this has many end game spoilers (which, final warning for those), I'm going to assume that anyone reading beyond this point knows the basics of the game's story, world, and characters. Thus I won't be explaining every last little thing.

Somewhat early on, Olimar makes the following observation in his Voyage Log:

[ALT ID: Olimar's Voyage Log, entry 60, "Lost Civilization": Some of the objects I call treasure seem to be more complex than they initially appear. It makes me wonder... who made these? And where are they? I don't sense their presence here at all, but I suppose they could be hiding in the shadows, secretly watching me. END ID]

This vaguely threatening entry does confirm that the characters, or at least Olimar, are aware that there was indeed a civilization on PNF-404 at some point. It should also be noted that the Japanese website includes notes from another character who is also aware of the ancient civilization, though the canonicity of it is debatable. I'll get back to that "they're in the shadows, watching" line in another post, as it presents its own can of worms. For now, what matters is that the characters are aware that this planet was once inhabited and Nintendo is drawing attention towards that.

Where this starts to get weird and interesting is with Olimar's Treasure Hoard entries on the Heroic Shield, Memory Fragment (Center Right), and Buddy Display. I can't show all of their text in just one screenshot and the pikipedia hasn't added every treasure note to the Pikmin 4 treasures as of writing, so I'll only be including the segments most related to this conversation.

[ALT ID 1: Treasure Hoard, Olimar's Notes, Heroic Shield (segment): That would mean these living beings must have looked something like us... I wonder who they were and what their faces looked like. Could they have been our ancestors who migrated through space to our planet long ago? (the treasure is a pin showing the helmet of a human-style spacesuit) END ID 1]

[ALT ID 2: Treasure Hoard, Olimar's Notes, Memory Fragment (Center Right) (segment): I'm amazed that such a similar species could exist in the far reaches of outer space. I've heard that organic components can travel through space on meteorites and comets. Could there be a connection between my planet and this one? (treasure is of a puzzle piece with part of a dog's face on it) END ID 2]

[ALT ID 3: Treasure Hoard, Olimar's Notes, Buddy Display (segment): I can't find any evidence of them in any of the existing creature databases. But there's something familiar about them. It's almost as if I've met them before... I guess I'll chalk it up to an ancient memory that's been imprinted on my genome. (treasure is a photograph of two earth dogs) END ID 3]

There is so much to unpack here alone. Olimar straight up theorizes that there may be a connection between PNF-404 and Hocotate, even going to far as to propose if maybe the people of PNF-404 (or at least the people who made the Heroic Shield) may be his ancient ancestors. He does also theorize that a meteorite may have carried "organic components", which is technically possible, but I'm not sure how that would occur in a way that carries said components from one non-destroyed planet to another and leading to creatures evolving in eerily similar ways. Honestly, I'll chalk that one up to an early theory of his, a red herring on Nintendo's part, and thus not something to think about too much. Especially sense, in the Buddy Display, he considers his ability to somewhat recognize Earth dogs as an "ancient memory... imprinted on my genome". While I'm not sure of the science behind such a claim, we also have to take this from a story telling perspective - which is that Nintendo is all but screaming "there is a connection here". Not just in relation to the aliens and the planets, but also in relation to the dogs.

Speaking of the dogs, Olimar's notes on the final boss of the game presents yet more evidence to a connection - this time focusing more on the connection between Earth dogs and space dogs.

[ALT ID 1: Piklopedia, Olimar's notes, Ancient Sirehound (segment): These results would indicate that 99.9 percent of the canine creature's DNA matches Oatchi's, and that the only difference between Oatchi and Moss may be the natural presence or absence of a leaf tail. END ID 1]

[ALT IDs 2 and 3, as one naturally leads into the other: Piklopedia, Olimar's notes, Ancient Sirehound (segment): If these two theories prove to be true, it would suggest the possibility that this ancient creature is a common ancestor to two canine species from vastly remote star systems. And that, perhaps, there are even more hidden secrets out there that could hint at a fascinating yet inconceivable truth the universe has yet to reveal... END IDs 2 AND 3]

I'm not sure what else to say here; the evidence speaks for itself. The Ancient Sirehound and Moss - both from PNF-404 - closely match the genetics of Oatchi, who is from an entirely different part of the universe. For the Sirehound to be genetically related to Oatchi, then members of the Sirehound's species would have had to leave PNF-404 and migrate to other planets. Their care takers - humans - would have had to go with them.

I also find it worth pointing out that the Sirehound's arena is filled with various human items, such as shoes and toys. It's honestly a little haunting to find them so deep in a dark cave, unused by humans for who knows how long. The ruined toys in particular really get to me. We don't know how old the Ancient Sirehound in particular is, but the idea that humans once hid in this cave from something or that their dog brought the items here for comfort is really depressing.

[ALT IDs: various hard-to-see images of the human items in question, including: pillows, pipes. gardening tools, a fork, adult sized shoes, baby sized shoes, various children's toys, and other objects I couldn't quite make out. All of them are either partly submerged in water or at the very edge of water, leaving them covered in mud. END IDs]

I think by now it's safe to say that, yes, humans left Earth with their dogs at some point in time. Yet there are still MORE pieces of evidence to suggest this idea, this time coming from Shepherd's family history. Because we really needed to be beat over the head with evidence, I suppose. All are presented in numerical order as shown in-game.

[ALT ID 1: Rescue Journal, Shepherd Family History, entry 1: Thanks to the technology that has come from space exploration, our lives have grown much easier and far safer, and on-planet rescue requests have decreased dramatically. But as migration into space continues to grow, our services continue to be needed. So I'm happy to announce we are extending our rescue services to the frontiers of space! Signed, Paniya Shepherd, 82nd Captain. END ID 1]

[ALT ID 2: Rescue Journal, Shepherd Family History, entry 2: We've done it at last! We have flown to space! Out in this great, limitless expanse, not a sound can be heard. And yet, I can still clearly hear the pounding of my own heartbeat. Space--how it overflows with possibilities! There can be no doubt. This is one giant leap forward for our kind. Signed, Ed Shepherd, 65th Captain. END ID 2]

[ALT ID 3: Rescue Journal, Shepherd Family History, entry 6: The Shepherd family has lived with dogs from the very beginning. We understand that if we love and respect these creatures as we do our own--if we pay attention and observe their behavior closely--then we can break down the walls between our species and truly understand one another. Signed, Kain Shepherd, 16th Captain. END ID 3]

[ALT ID 4: Rescue Journal, Shepherd Family History, entry 7: "Beyond the sky itself there lies a beautiful blue planet." Those words have been passed down from captain to captain, calling to each of us. I can't imagine what sort of place this blue planet might be, but it's said to be home to even more dogs and folks that we have here. One day, I hope to fly beyond the sky...and into space. Signed, Maris Shepherd, 7th Captain. END ID 4]

[ALT ID 5: Rescue Journal, Shepherd Family History, entry 8: Many years have passed since we first began to make this land our new home. Still, we need more time to complete our environmental adaptations. In the meantime, we must survive so that, one day, we can pass down this new history to our children, and pass down the ways we've learned to rescue and protect everyone. One day we will live here in peace. Signed, Mark Shepherd, 2nd Captain. END ID 5]

[ALT ID 6: Rescue Journal, Shepherd Family History, entry 9: The surface! We made it at last! Finally, we can begin making a fresh start here on this planet. Of course, it will take many long months and years before what we've built here will be anything like what we once had. But we won't be alone. Our beloved dogs will be by our side as we walk this long, difficult road. Signed, Aral Shepherd, 1st Captain. END ID 6]

There is so much here, all confirming that ancient Giyans (and Captain Shephard's direct ancestors) 1) migrated to this new planet in search of a "fresh start" and 2) proceeded to migrate to other parts of space many generations latter. It also hints that they know of a "blue planet" - a common nickname for Earth - which is home to more people and dogs. Most certainly, it is the planet they came from - making Giyans human, or at least an evolution of humanity, and perhaps all other alien races in Pikmin 4 (from Hocotations to Koppaites to Ohrians to Conohanins to anyone else from the twenty one named planets (excluding PNF-404) in the series) are also descendent from Giyans. It would explain why they all look so similar in game - though we can safely assume that Hocotations are at least descendent from Giyans based on Olimar's notes. Further more, the leafling cure requires cells from a non-leafified individual who is genetically similar to the individual in question. We're never told how Yonny gets these cells (and, given we're talking about Yonny, I'm too afraid to even ask) but the fact that the medicine works for anyone regardless of what their home planet is suggests that they are, in fact, more or less the same species.

How different the various aliens look from Humans is easily chalked up to evolution. We know minor changes in height could, theoretically, happen within just one or two generations spent on a planet with different gravity than Earth's. It would make sense that this would be exacerbated over many many more generations, especially if the gravity is much stronger. Which, to quote the Pikipedia, "According to Brittany, the gravity on Koppai is roughly ten times stronger than on PNF-404." Given their matching heights, it's probably safe to assume similar applies to the other planets, and thus over the generations the people shrunk. Again, the exact scientific validity of this is questionable, but given the semi-fantastical nature of Pikmin I believe we can suspend our disbelief enough to let this story work. We already have to do that for how the Pikmin as a species function, after all. As for oxygen becoming toxic in the 8th history entry Mark Shephard does state that "we need more time to complete our environmental adaptations". Be these natural or artificially induced (as he is only of the second generation), it is again safe to suspend our disbelief to say that humans just adapted to these new worlds. Besides, Koppaites at the very least retained (or possibly gained back?) the ability to tolerate at least low amounts of oxygen.

The real problems come in the time frame and the loss of history. It's never stated one way or the other if people are aware of their ultimate connections back to Giya, so I won't discuss that, but it is very obvious they have forgotten their connection to Earth/PNF-404. Furthermore, it's made clear that the Giyans lost the ability to travel through space by the 7th generation and only regained it by the 65th. If they had access to space flight, they would certainly have archives of their heritage - and they do indeed seem to have some idea of what it is, given how Earth has become a legend. Yet, the Shephard family history as far back as the migration to Giya was preserved - why not anything else? The inconsistencies and questions make this part of the tale hard for me to ignore, yet we have no answers. This is pure speculation, but if I had to provide an answer I think a solar flare hit Giya and destroyed their technology, making them start over. Perhaps these early Giyain-Humans were so reliant on technology at this point that there were no books or oral traditions to preserve this heritage lost when the tech was destroyed? Though, somehow, the Shephard family would have to be one of if not the exception to this. Again, the previous is pure speculation, but it's the best we can do for the time being.

There's also the question of when and how Earth dogs changed to look like the Sirehound, which would of had to happen before the migration to space given that Oatchi has the same body plan. And then why did Moss's species become so much smaller?

Still, even with all these plot holes, I think it's pretty damn clear that Nintendo intended for our favorite little aliens to be the evolutionary decedents of humans. How and if they'll use this plot point remains to be seen, but it does open up a whole bag of opportunities for the universe of Pikmin. One that, frankly, deserves to be explored.

#pikmin #pikmin 4 #pikmin theory #borb screams #THIS TOOK SO LONG TO MAKE AAAA #I am open to discussions and questions btw

[rin-and-jade]

Reflections Beyond One Could See: A Detailed Post on Subsystems

"Just like a mirror, capable of depicting a whole scene.. once shattered, it shows many other angles and views that also made the initial reflection less coherent and fragmented."

Before you proceed, this post is the continuation of the previous post , here we cover many other details and information that people had never talked about for these 4 types. If you had seen it, let's begin!

The purpose it has..

I will be talking about the type 1 and 3 first.

Subsystems can be said as a different variant, though a related form to splitting (where it popped a part off someone) which may or may not be related with the initial alter, usually more distinct/unrelated.

In general means, subsystem is emphasized as a form of splitting for the specific alter to cope from distress, or to keep functioning, that isn't involving the whole collective.

All about type 1 & 3..

A reminder that the frequency and severity of how many facets it can break off, or how easy it can create subsystems come from the alter's own stress tolerance; which means some can form them easier (like me), while some are still holding on and stable.

Type 1 - Polyfaceted Subsystem

This type happens to be inside an alter due to still having reasons of feeling intact or together, usually different sides of the same alter. This is made to understand that there might be conflict with some thoughts or views, or due to instability with no intention of rejecting its own sides of selves.. fragmenting to each facet one has, now more autonomous that makes it easier to organize/understand each facets.

(Selfmade name from Poly in Greek; and facette in French, means "many face")

The common obstacles found in this type:

Switches are not as noticeable, especially in lesser distinctions between each facets

Prone to be blurry, or struggle with communicating as the opinions are not synchronized

often causing confusion or disorientation in decision making, due to having many sides but one body trying to operate its own ways

Type 3 - Monodive Subsystem

This type happens when there has been a rejection of identity/trait, or no longer able to cope with the presence of the problem to the core, trouble moving on or trouble keeping other facets together,, so in order to adapt, it splits distinct alters that separates from the main in order to lessen the burden/symptoms. Now all independently autonomous, it may have a similar appearance or an incredibly different look along with it's personality.

(Selfmade name from Mono in Greek; and Divisus in latin, means "separated one")

The common problems found in this type:

Contrasting views and opinions, which creates difficulties finding the middle ground

Problems with gathering evidence due to compartmentalization of memories, or traits, as it is harder to identify or understand fully autonomous splits

May follow with memory loss or skill for the initial alter, if still existing, and foregoes a personality change which can be confusing/distressing

The other meaning..

Okay, now I'll talk about 2 and 4 here.

Subsystem can also be defined by a group of alters by any means, for the most frequent examples such as having the same set of roles, or origins.

Theyre different from polyfaceted and monodive as these two types of systems can extremely vary from one system to another, there is no 'general' rules or requirements and only by reason of grouping.

All about 2 & 4..

Type 2 - Tersynd Subsystem

This type is about a set of specific alters that can traverse out-of-reach innerworld regions with ease that most people couldn't access, or have a hard time reaching to the destination, even staying for a prolonged time, and especially if it needs that specific alter to bring others there. (Also knew from personal experience)

This can also be applied to communicational barriers as some can talk easier compared to others, as it might sound more distant or blurry or can't 'click' nor mediate.

(Selfmade name from Iter in latin; and Syndedemenos in greek, means "travel and connected")

How tersynd works:

It is based on the level of connectedness to a particular area of interest/origin, which is made to be a home or area for similar kinds of alters exclusively. Be it origin or roles

Other folks may not be able to enter or stay in an exclusive area due to a different purpose or off-synchronized with the intention of the area, as there is no personal significance to connect with

Barriers do not only exist in worlds, but also communication too. There might be ease of conversing with a similar group of alter than to the less connected ones as it might have different jobs/roles, thus lesser importance to interact (This can be practiced to build better communication, as the brain loves compartmentalizing and keeping alters separated for survival)

Type 4 - Neofamile Subsystem

This type is for those out there, who developed a connection, or a familiarity who all belonged from different origins,, for example, elves and vampires may not be directed by the same species but they have similarities that connects them together such as longevity and supernatural/fictional beings.

This one is rather self explanatory too.

(selfmade name from Extraneo in latin; and familia in latin, means "from outside but family")

Last words..

I hope that covers every part of what people rarely talk about in this topic, and has been informative from start to finish!

Also, what do you guys think of the names? Should we keep them or stick to "types" instead??

And thankyou for reading to the end, i tried my best to make it as compact as possible.. let me know your own subsystem experiences, or your thoughts on this topic,, i wish you all a good day <3

I can elaborate in a separate post on how to integrate subsystems for healing, just let me know

- j

#did #actually did #did community #did osdd #did system #dissociative identity disorder #sysblr #plural #system stuff #Jeducates

[bonefall]

Better Bones AU Masterpost

Last Update: 8/23/23, Version 1.0

"What is the Better Bones AU?"

I'm so glad you asked, convenient question-speaker!

Better Bones (BB) is a full-series rewrite project that seeks to have a more conclusive stance on anti-authoritarianism, revamp the bonds and beliefs of individual characters to make more interesting drama and politics, and overhaul the progression of morality and history throughout the timeline to make the society of the Clans into a living, changing culture.

To do that, we've got 5 goals;

Fix the tangled family tree and give it clearer rules, expanding on kinship between cats while not neglecting friendships

Make the environment accurate to northwestern England, including education on how different biomes are managed and lists of local flora and fauna, to understand how environment has impacted Clan culture.

Build out technology by giving the Clans tool use and food preparation, additional traditions and customs, their own language, and medicinal treatment guides from sniffles up to HRT.

Change the themes of canon by addressing its problematic elements, giving the cats consistent politics and making the narrative conclusively anti-authoritarian.

Be cool as fuck, with wilder deaths, more clanborn villains, bloodier battles, and even MORE complicated innerClan drama

BB is told in notes and outlines, with the "end point" being a full skeleton for the entire series complete with chapter-by-chapter notes, which anyone would be able to write out fully, just as if they were a ghostwriter being handed a draft.

This project is open-source. I encourage you to take any inspiration from this AU that you'd like, or use the Clan culture expansions for your own projects. They don't HAVE to be warriors-related, we have a few folks who like to apply parts of this project to Rainworld! Go bananas.

I only ask that you don't steal any drawn art (as seen in the fanart, character summaries, and culture expansions) to pass it off as your own. Please respect the contributions of these artists.

"Boy howdy! Where do I start?"

WOWZERS another perfectly timed question I'm proud of you

HISTORY LESSON. This is a "brief" summary of the ENTIRE history of BB, breaking down each block of history into Periods, divided into Eras. It sprawls from the founding to the most recently completed arc. NOTE: BB does not cover arcs until they are complete. ASC has not been completed at the time of this post.

Character Summaries Every character gets a redesign and a summary, covering who they are, their role in the story, and their connections to everyone around them. NOTE: You are encouraged to put your own spin on the designs if you'd like! I do not design with genetic accuracy or MAP-friendliness in mind, so you have my blessing to alter them or request a modification for an animation.

Clan Culture Expansions Crafts, Herb Guides, the flora and fauna they encounter on a regular basis, and the Clanmew conlanguage is all in here.

Family Tree Overhauls This is almost done i swear

Fragment Bin This is where I'm going to eventually be putting everything still "WIP" material. I call these "fragments" because the full story isn't planned yet, but I talk about the little 'pieces' that I want to shuffle around. If you're new around here, basically I just sorta babble about a wishlist and then work through it with ask/reply suggestions.

FAQ I'll need this too at some point im sure

#better bones au #clan culture #Better bones au masterpost #hOKAY that should be fine as a master-masterpost for now and i can make the Fragment Bin without being worried it's too messy #ADHD is like living with a bridge troll in your mind who makes dumb rules and your whole life becomes a game to outsmart it

[thefaiao]

What are your inspirations for drawing? Like other artists or things

I'll start with my biggest inspiration, which got me into art as a whole: Adam Adamowicz. I got introduced to him through Skyrim concept art, but I honestly think his Shivering Isles concepts are some of the best concept art out there. You can see how much he just takes an idea and completely sores with it. A torrential stream of beautiful sketchy goodness.

I love Oblivion's flat ass dough faces and early Xbox 360 charm, but this shit is simply crazy. Look at this, it makes you wish to dedicate your life to bringing this to life, as all good concept art should. It inspires more of itself.

I could post all the images there are out there, because I sincerely think this is the type of work that has stuck with me the most. It's something to strive for. You can see it for yourself instead. That was what got me started. After that, and through my journey on Tumblr and Twitter, I think what stuck to me the most was the art done by small artists, my "compatriots". The things you don't see. There is so much love in little things, and maybe in another universe there are entire cultures dedicated to them. I wish we had time to explore each and every one of the smallest pieces of media, especially narrative media, weird media.

I'll concede that it's a bit of an abstract thing to be inspired by, but once you realise how much work goes into the smallest of things, I believe you'll find inspiration anywhere you go. I think the reason why my Batter drawings are the way they are is my inspiration from just the design of letters and fonts in general. I think making something that blurs the line of symbol and representation over and over is fun.

One artist that has stuck with me is the late great Gunner Leatherwood. He passed away earlier this year. I watched this guy grow from a hundred followers to thousands. I saw his art improve. I think that inspiration transcends just the visual aspect of the art. It's a story, a lived experience, as all art is, but I felt I understood it much more. I think going after and following these small artists pay off because of this. Everyone can make something truly great, and some people have and no one noticed. Many amazing animated movies have been made, but never got to the people who would understand them, who'd have dedicated themselves to easing other people into it. We like to think we understand media in a completely intuitive, isolated fashion, but it's not true at all. Our shared experience contributes to classics being recognised and loved. Sometimes you need the right person at the right time to understand. Gunner was a great artist because of how intuitive and visceral his drawings were. It was like he was drawing from his entire life experience to express himself in a page. At first he had little control of it, but with time it was molded and polished so that the madness was discernable, but not gone from the drawing. His mindset for drawing was fun, and he too was always going after small artists of all kinds.

But going back to Batter drawings and abstraction, an artist that has also inspired me over the years in that aspect of bluring symbol and representation into one solid thing, and similarly started somewhat small like Gunner, is Matt Lesniewski. His hatching is out of this world, and his character design is evocative and never boring. The characters are huge balls of symbols made into physical objects. Recently he straight-up draws the belts of characters floating. It's wonderful.

Another artist that does this bluring very well, and is very inspiring, is nailgun waowao. They really, well, nail the appeal of making images that have all the defining elements of a certain scene or character, but open closer look they are fragmented and completely abstracted. It's like a bigger image overlayed with many smaller stories and symbols.

But to go back to talking about active inspirations that came before, and got to me to where I am at the moment, it's a bit harder. I can't really make it sound smart besides going "uuh I don't know like abstract stuff, cubism idk lol." Just try to appreciate the great things your friends make, and try and work together to make something even greater.

Some of the most improvement I had in art was from learning with friends. Art ultimately is a form of communication, understanding other people and yourself will make you better at it. Technical skill is fun and speaks for itself, but your experiences will reach much deeper. In a world where we can't even begin to compreehend the powers that be, loving and understanding what is close is probably gonna make your life and art much better.

#long

[icedragonlizard]

I very much like my headcanons of all the villain-turned-dream-friends still being very flawed people one way or another.

I'd say that they could all be considered morally grey to various degrees. Some may be nicer than others, but overall I wouldn't really call any of them saints. None of them are irredeemably evil, and Kirby is friends with every single one of them, but they're all still flawed. And Kirby is basically their 'parole officer' as he keeps them all in check.

This post got quite long as I wrote everything I wanted, so I'm gonna post a 'Keep reading tag' down below.

Feel free to click on it if you'd like to see my interpretations on the flaws of some Kirby characters! I'll be covering Marx, Dark Meta Knight, Daroach, Magolor, Taranza, Susie and the mage sisters here.

Marx may be on Kirby's good side now as he's not looking to attempt conquest on Popstar again, but he's still essentially an agent of chaos. He's loud, he's obnoxious, he's widely known to be a prankster, and he loves getting a rise out of people. He enjoys causing scenes purely for the sake of it. And his sense of humor isn't exactly good at having tact, as he'll make jokes out of things that most others wouldn't dare do. He can be considered the most insufferable one out of the bunch.

But there are good qualities to him, too. Some people legitimately think he's the funniest guy alive, so there's that. Marx loves attention in general, regardless if it's bad or good attention, and so he gets delighted if someone likes him and enjoys his antics. He loves it when people decide to join him on mischief. If you're his friend, he'll often give you stuff to laugh about and you're likely to find yourself having fun with him. If he likes you enough, he'll even stand up for you if someone else antagonizes you. His friends are literally his homies.

He's still quite the wild creature, though. It requires a lot of patience and a lax/chill attitude to be able to put up with Marx. It's not uncommon for him to find ways to instigate chaos in Star Allies gatherings. But he CAN be forced to behave, albeit not always easily. Kirby and Magolor are the ones that can most easily get him to listen.

Dark Meta Knight is still a standoffish jerk with a temperament. He's rude, brutal, and isn't at all afraid to say things that might run shivers down people's spines. He's prone to violence if he feels even the least bit agitated. He's also a rather detached person that does not care to make friends with most of the other star allies, and is quite a big hater for the ones that get on his nerves. He has a bad habit of being too blunt about wishing death or general ill-will for people he hates.

Not just that, but I headcanon that Dark Mind is technically still alive as a neutralized little fragment that desperately needs assistance. DMK hasn't given up trying to bring DM back to its former glory, and is still devoted enough to do what DM asks of him to do. It's not actually as frightening as it sounds, though. Trying to bring DM back to its former glory may be impossible due to how much it'd take, so that threat may not warrant much concern, but DMK still strives for it.

But DMK can be kept in check at times by a few others in the cast. I headcanon that DMK is friends with Daroach, Adeleine, Ribbon and Kirby, and he does care about what they think of him. But I hc those are the only friends he has in the cast, as he's the dream friend with the least amount of friends. He doesn't care about anyone else. He's also willing to do art stuff with Adeleine, and will protect his friends from danger. But overall, DMK is still a ruthless son-of-a-gun.

Daroach has a notably kind-hearted side to him, but he's also absolutely still a thief. Some people are ticked off by his persistent thievery. He likes the challenge of breaking into certain areas and to see what's he capable of successfully stealing. This can get especially irritating for some if he's brought the entire squeak squad with him for these instances. Daroach also has a trollish/smug side to him, as he thinks it's funny to get reactions out of people as he steals from them.

He does have standards, though. There are people that Daroach will NOT steal from. This includes Kirby, Adeleine, the entirety of Ripple Star (he'd feel bad to rob from that planet) and he also respects Meta Knight enough to never steal anything from the Halberd. He's also a softy around Kirby. And there's times in the day where Daroach decides to be chill and not steal anything. He can be quite a laidback bro if he's your friend. He has a big sense of humor and if you don't mind him pulling lighthearted fast ones on you, he'll gladly do that.

But he's still our resident thief! Hahaha. And he often has a rather shady demeanor that might make some people put their guards up.

Magolor did make a well known apology and created an amusement park to back it up, but I headcanon he's still very much a flawed person. Much like his buddy Marx, Magolor is a mischievous prankster that likes getting a rise out of people at times, although he's much more tactful than the jester in this regard. There's other problems with Magolor, like how he often says awkward things that make it evident he doesn't have the best understanding of social cues. He also has a tendency to insert himself into things, due to still having a bit of an ego, and he can sometimes be a blatantly obvious suck-up.

It's also arguably somewhat flawed morality-wise on Magolor's behalf to have made all the masks he did for Merry Magoland. He had great intentions with that, as he wanted to honor many people with that, but he made a lot of them without permission. And it ended up being pretty awkward for some people to see the masks. Thankfully, it didn't elicit any reactions bad enough for Magolor to lose any friends, but he arguably should've gotten many people's permission first.

Magolor is still buds with Kirby despite his current flaws, though. And he actually cares about being liked and cares about making people have fun, and so he makes sure that he has standards accordingly for that. He also just has very weird ways of going on about trying to be a better person than what he was before. But regardless, he's trying!

Taranza may be mourning the death of his beloved queen, but as a matter of fact I do not headcanon him to be a complete softboy! Once enough time passed for him to start properly recovering from his loss, he's eventually started coming back to being a snobby rich-theater kid type of guy like he was before. He can be very bizarrely smug and confident at times. He has an iconic devious smile. He makes webs at people's homes with often trollish messages. Don't be surprised if he sneakily rearranges the stuff in your home without you looking.

And believe it or not, he also has a secretly vengeful and vindictive side to him. He'd love to torment and beat up everyone that picks on him. And because it was a dimensional mirror that corrupted his queen, he heavily resents the mirror world and talks smack about its inhabitants. Honestly if he saw a dimensional mirror again he'd love to break it and smash it to pieces. He also legit wants DMK to die.

But overall, Taranza is no serious bad guy anymore. He does have a definite nice and caring side to him. He's really grateful to all of his friends that have helped him out with his grief (especially Susie, who understands him better than anyone else does) and he'd panic like frick when one of his friends gets hurt. He doesn't want to lose any of his current friends, the last thing he needs is MORE things to grieve over. He's also glad to show people about flora. He's also still just a silly-ass rich theater guy that can be quite a big, dramatic handful.

Susie, while no longer the terrifying colonizer she once was, is still very much a corporate-minded woman with a lot of unhinged stuff going on with her. The HWC's practices are substantially improved in her rule compared to what it was in her dad's rule, but she still makes corny business decisions at times. She has a notable stubborn streak, and is often a bit too blunt and formal to people she isn't close enough to be friends with. She's also feisty and a bit too ruthless when it comes to combat, as it may require others to calm her down. And like Magolor, she gets awkward at times with her low understanding of social cues.

She's also still a mad-scientist at heart, although she's mostly stopped mechanizing people (except for those that explicitly WANT it) and has largely shifted to applying her mad-scientist desires on inanimate objects such as toys and accessories. I headcanon that Susie has an entire hobby of making super-detailed custom furbies as I wrote a post about it. But despite the improved shift, she often gets way ahead of herself when experimenting on inanimate objects to the point that the final result of her creations are pretty darn freaky and unnerving to some people. She really loves doing it, though! And the unhinged level of detail to her creations can be hilarious to some.

Susie does have friends that she cares about, and she lets them reign her in as she doesn't want to disappoint them. And despite usually being rather cold, she's not entirely without her kind moments. Susie is at her nicest when interacting with Taranza and Kirby, and she has other friends like Magolor and the mage sisters that she can be great with. Her friends are the one thing that help motivate her to get better. But despite that, Susie is still absolutely a big handful in terms of flaws. She's still a vindictive, standoffish, corporate mad-scientist that's ballsy enough to constantly snap back during confrontations!

The Mage Sisters are still chaotic menaces. They're exceptionally grateful to Kirby and co. for saving them and Hyness in HiAD, and so they definitely ain't doing that Void Termina crap again, but these women still engage in absurdly violent and bombastic activities. They love to destroy random buildings for no real reason other than just for kicks and giggles. They cackle like hyenas when they cause mischief.

Francisca is perhaps the most obviously flawed mage sister, as she literally keeps her frozen trophy collection and even tries to expand it! That's a bruh moment. It doesn't exactly help that she's close buddies with Marx as those two will just make some absolutely absurd hijinks together. Her relatively quiet nature can also be rather unnerving. It's not all bad, though, as she can be genuinely sweet to people that she cares about. And she's kind enough to give you free water with her soda gun if you'd like that, but overall she's an extraordinary freak.

Flamberge is the nicest of the three mage sisters, but she still has her fair share of chaos as she loves causing big booms with her fire abilities. She can be considered a daredevil with that sort of thing. Another notable flaw with her is that she lets Francisca get away with anything. She will NEVER hold her psychotic blue sister accountable. And there's of course her temperament, but she's surprisingly chill a lot of the time and is really only angry if given an actual reason to be.

Zan Partizanne can be quite rude with excessive name-calling, as she has a mentality of "it goes both ways" when her name can't be said right. If you can't say her name right, then she'll make it even by giving you some unhinged nickname. She also has a guilty pleasure of starting playful bickering matches with people purely for fun. That being said, she's something of a leader alongside Hyness at the Jambandran base and is always glad to help guide people around the place, but she can overall be quite a standoffish and feisty person.

The mage sisters do care about trying to be better, though. They want to make Kirby proud as he's essentially their little hero. They're still incredibly unhinged people by virtue of being raised in a literal cult, though, and they still love to start ruckuses and cause chaos. With the amount of mischief they cause with their weapons, it may be wise to keep some distance as to not get caught in their weapons' range.

-----

That's basically everything I got. All these characters are still very flawed people to me. They're all redeemable to various extents, but yeah. I like to think that they all need occasional slaps on the wrists by Kirby. He's their 'parole officer' like I said at the beginning of the post. He keeps them in check. And it works as they all respect him!

But despite sometimes slapping them on the wrists, Kirby does care about all these people. He's friends with all of them. He cheers them on as they progress in life. When they do good things, he's proud of them! He also can't help but feel sorry for the more traumatized ones.

Kirby has remarkable tolerance. He can basically be friends with bad people, lol. He always has faith and sees the good in people. He's the perfect little guy to motivate people to get better. He can keep someone in check from doing bad things, and is merciful enough to always give them a second chance. Man, thank this universe for Kirby!

Thanks for reading if you did. See you for the next one.

#kirby #marx #marx kirby #dark meta knight #daroach #magolor #taranza #susie haltmann #susie kirby #francisca kirby #flamberge kirby #zan partizanne #the mage sisters #kirby super star #kirby's return to dreamland #kirby triple deluxe #kirby planet robobot #kirby star allies #kirby and the amazing mirror #kirby squeak squad #kirby and the forgotten land

[mr-gekk024]

Day 31. The switch is now OFF

Based on the lyrics of Over the Rainbow by Judy Garland!. More specifically this fragment:

"Somewhere over the rainbow

Bluebirds fly

Birds fly over the rainbow

Why then, oh, why can't I?

If happy little bluebirds fly

Beyond the rainbow

Why, oh why can't I?"

Ok I kinda like this one, but honestly it could be better. Anyway whit this I'm glad to say that I finally beat the OFFtober and my first promt list!

So what's next?

Well, in the beginning of the challenge (day 1) I say that at the end of the challenge I will make a poll to select the doodles that will be passed to my serious/normal art style. The drawings are going to be separated by week (although I will combine and delete some days) and you will select the ones that you want to see at their maximum potential!

Of course, these drawings will take me at least a month, why? Well, I have other responsibilities (school lol) and also because in general I want to do this at my own pace and not in a rush. This ensures a better drawing with more detail!

Speaking of rush, I know that many people started following me on OFFtober and I want to say two things:

1. Thank you very much for joining me in this!

2. I normally post once a month for the same reason, I don't have much time and the little I have I use on other things. So don't expect me to be very active here or on any social media in general

Also another thing I would like to say, a lot of people I imagine only came for my OFF content and on the one hand I like that. But on the other one I also like to publish other types of content. Originally this account was made to publish only fandom stuff lol

I'm not going to stop publishing OFF content (if that happens it's because I'm dead lol) but expect me to also publish other things, generally from fandoms or things that I like!

It's okay if you don't like it and only come for the OFF content, but don't worry because I'll continue drawing it lol

Anyway, I hope you liked this and I will see you another time, the day after uploading this the poll will most likely already be scheduled for the next day, so I hope you can participate!

#off game #off rpg #off fanart #offtober #the batter

[weepingbluebirdblaze]

Reticent ❄

┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

Megumi fushiguro x reader

── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──── ⋅ ⋅ ── ✩

Implied yuta x reader, megumi being sad and jealous, gojo trying to figure out what the hell is wrong with megumi, megumi's POV, slight possessive fushiguro, part 2 will be posted soon, fem! Reader

── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──── ⋅ ⋅

Unfair, it is not fair at least not for him, he feels rage boiling up in his stomach when he saw you with okkotsu, he always felt that way after what you have told him

"I.. Really Like him" is what you told him when you were at the beach after fighting off some curses, his eyes twitched at the words that left your lips, he felt his heart being shattered "but he's our senpai" he tried almost making it look like a desperate attempt to make you dislike him "c'mon you don't look for their bio data in the first meet.. Plus he's only two years older than me" you say playfully rolling your eyes at him, you bring your face near to his ears and whisper "I am planning to propose him today" you say and bring your face back and smile. That's it, that was his last straw he cannot bare it anymore "well I wish you a good luck" he huffs gets up leaves, you frown and tilt your head at his behavior but then turn your face back at the shore.

He cannot bare with it anymore, WHY WHY WHY can't it be him? Why can't you look at him the way you look at okkotsu, just give him the fragment of your affection and he'll give you his world.

Your eyes when you look at okkutsu the eyes he wishes would only look at him, the brightness in them the he wishes was only because of him, your lips oh the smile on them oh how he would LOVE to kiss those sweet lips. Your cheeks flushing at okkutsu's terrible attempt for a joke he would love to hold them in between his palms and bite them.

How just how could he imagine you in another man's arms when he couldn't just bare to see you simply talking to one, he leaves just the second he sees you closing a distance between you and okkotsu "shit!" He punches the wall beside him anger boiling inside his heart "oh my my my what's the matter here" he hears certain someone say he turns around and looks at the person behind him with certain white hair and a blindfold "yo fushiguro" the man says lifting his hand to wave and his Lips in a skittish smile "you seem to be mad may I know the reason for your annoyance?" Gojo says now in front of megumi with his hands behind his back "nothing" he says and turns around to leave "wait wait wait where are you going everyone is outside" he says and goes beside megumi "I don't want to" he says getting more annoyed "well tonight there's a festival at the beach do you wanna attend?" He says "I don't know I'll see" he says and looks down "well everyone was going so I thought I would ask you too, there would be some celebrity they're saying" he exclaims "yeah" fushiguro replies uninterested

"Well..can I ask you something?" Megumi says now looking ahead of him "yeah, go ahead" Gojo replies "if you like someone and..." He pauses "...and they like someone else..what would you do?" Megumi completes "well its actually impossible because I doubt if anybody would not Like me" he says and laughs, megumi frowns at his answer looks at him and sighs then leaves being done with his shenanigans "but wait!" Gojo shouts "who do you like?" He asks "no one" say megumi and turns to his room "huuh" gojo stands and wonders what's wrong with megumi "I'll talk to him later then" he sighs and leaves with his hands in his pocket's

There will be a part two in some days, I just had this in my mind for a really long time but I was just too scared to put it out anyways I am sorry for any grammatical errors and I am still trying to improve in the conversations

Thanks for reading

#jujutsu kaisen #megumi fushiguro #megumi angst #jujutsu kaisen megumi #megumi x reader #fem reader #jealousy #yuta okkotsu #yuta x reader #gojo saturo

[aspecpplarebeautiful]

Hi there! How are you doing? I have some questions, well, a rant *plus* some questions.

I feel... safer with allo allies than I do with aro/ace communities (online). Does that make me aphobic/bad? I don't go by labels because for me, they're not necessary. If I *were* to label myself based purely on definitions, I would be aroace, specifically, demiromantic asexual. I used to go by this a while back.

I don't fit the stereotype of being aroace at all. I'll talk about the aromantic side. Unlike most arospecs i've seen online, I LOVE Valentine's day! I LOVE shipping! I LOVE consuming romance fiction. I LOVE romance et cetera et cetera and yet I don't experience it like allos do. I need a strong bond with someone in order to fall in love and it takes me really, really, long to do so. But once it happens, my love is not 'weak'. It makes me pass really well as allo because of this, but it makes a lot of people in the aro community mad because I'm 'stealing' a label to 'feel special'. I was always told I was not aroace, that I couldn't be aroace by definition. That I was alloromantic asexual pretending to be on the arospec. That I was too scared to be 'basic'.

On that topic, and I think this is unintentional, but... why is nobody batting an eye when an aro or an ace person shames an allo or calls them weird or basic? Because they're doing exactly what allo aphobes are doing to them. I had this conversation with a friend and he said, 'that doesn't happen, allo people don't get shamed especially by aspec people', yet, I keep seeing things like 'I fucking hate allos so much' and 'To all my aces, we're not like allos, we're better' or something along those lines.

Whenever I enter an aspec online space, I'm made to feel like an intruder because, as I said, my experiences are very similar to the allo experience EXCEPT for the fact that I don't feel romantic attraction unless a strong bond has been formed. I'm not saying the aroace community is bad in any way, don't get my wrong, I'm saying that there is a massive gatekeeping problem going around and so much bubbling hatred and separation, and I don't understand any of it. In a prefect world, I'd happily identify as aroace, but I feel ashamed to do so now.

The gatekeeping... the infighting, I don't want to hate the online community of which I'm supposed to belong but this... this isn't right. The allo allies don't do things like this. They don't make me feel insecure about myself. And yes, while I don't experience romance like an allo would, I feel safe around them. I need to ask, have you seen this too? Have you experienced this? Is this truly all in my head? What do you think?

I apologize for the vent or if I seem aphobic, I just really need answers and I'm tired of the constant hatred... How are you? Did you drink enough water? Did you sleep well today? Did you eat? Again, I'm so sorry if I made you uncomfortable with this!

Vents are totally welcome, Anon. Don't worry.

I'm really sorry you ran into gatekeeping, Anon. I feel like that's something that's really been on the rise especially over the last couple of years. It's a real issue and it causes a lot of harm. This should go without saying, but demiromantic people are aro, and have just as much right to be here as anyone else on the aro spectrum.

I do think at least part of the problem is social media in general and how things are set up these days. We don't have community spaces as much anymore, in particular we've lost moderated spaces where gatekeepers can be properly dealt with. And there's very little curation or organization. Things are chaotic and fragmented, and one person's experience and what kind of posts they say see may vary wildly from someone else's. There's also a competing needs issue, where one aro may need to vent about romance, another may need their romantic side validated and there's no way to organize so each can find the space they each need.

If finding aro spaces/blogs that are more accepting is important to you, Anon (and it's OK both if it is or isn't), my big advice would be seek out demiromantic blogs and posters specifically. There's some very good ones around and they'll be posting about aro things that are relevant to you, and even more importantly won't be gatekeeping demi identities.

For more aro-general blogs, there are ones out there that are also inclusive and anti-gatekeeping, but it may take a bit of work to find them. Be very liberal with your unfollow and block buttons. If someone is gatekeeping block on sight, but also if they're not posting the type of aro content that you need or want to see, you're allowed to organize things so you don't see their posts. Sometimes unfollowing is enough, but blocking also doesn't necessarily mean the other person has done anything wrong, it's just a tool to make sure you're not seeing a blog you don't want to see.

For the shaming allos question, I do think it's a complex topic. For me it depends on context. I definitely do not believe in any kind of ace/aro superiority, being ace and/or aro, or being allo are both neutral. Nobody's smarter or more moral or more pure or anything like that. But sometimes people say things as a vent in the moment and are reacting to a difficult situation they've been in. So for example someone may say 'allos suck' but it comes from a place where they've been very badly treated by allos for being ace or aro but they're referring more to the societal systems that are in place that privilege allo people and make life more difficult for ace/aro people, they don't actually believe being allo makes someone a bad person. (It can be hard to tell what's going on just from a post, again it's OK to unfollow and block, especially if it's just not what you personally need to see in the moment).

Personally I don't come across a lot of this type of stuff, but this is what I mean about things being fragmented, the blogs I follow just aren't posting about the infighting or gatekeeping and I don't happen to see it in the tags when I go in there. But I do hear about it second hand, and it seems like it's a problem on other social media sites I'm not on as well.

I'm sorry you've had a hard time, Anon. But I am glad you've found people you can be comfortable with and be yourself around. That's really important too. And thanks for the reminder that I really should drink more water today.

Hopefully at least some of this is helpful, but if you have more questions or want to discuss anything in more detail, feel free to send in another ask.

All the best!

#aspec antagonism #vent post

[daresplaining]

Mike Murdock's Sunglasses: On Character Design and Autonomy

I've written a little in the past about character design in regards to the translation of zany alter ego 1960s Mike Murdock into slightly-more-grounded, at least 85% more real 21st century Mike Murdock. Specifically, I talked with artist Phil Noto about Mike's outfits in Daredevil #606-612, and analyzed the clothing choices made by the creative team in the 2020 Annual. However, one specific detail that I find interesting in Mike's transformation from Matt's hyperactive id to his own autonomous person that I haven't really written about yet is his sunglasses-- when he wears them, when he stops, and how this shift may or may not align with his journey.

Matt: "Let's see now-- I'll just muss up the mop, to give myself that carefree tousled look! A fella like Mike wouldn't be caught dead with a simple Ivy-League hair comb! And, I'll have to give my specs a coffee break for a while, as I cover my sightless eyes in a more colorful way-- If the attorney-at-law business ever gets slow, I might just decide to open a school of method acting! Yessir! Stanislavsky had nothing on me! Now, all I've gotta do is change my personality! I figure a clown like Mike Murdock is sure to be on all the time!" Daredevil vol. 1 #26 by Stan Lee, Gene Colan, Frank Giacoia, and Artie Simek

Matt and his dark glasses were inseparable in the 60s-- literally, to the point that he even apparently wore them under his Daredevil mask (fortunately, he doesn't do that anymore). The clear hesitance of DD artists in this period to draw their blind protagonist's uncovered eyes is likely one of the reasons that when it came time for Matt to invent himself a fake sighted twin, the sunglasses stayed on. This has not always been the case. In the years since, Matt has taken on several sighted identities in which he does not wear glasses at all-- notably, con artist Jack Batlin in the 90s. Of the two approaches, the former makes slightly more in-universe sense. As someone with no vision at all, who was blinded in a physically damaging accident, logic suggests that Matt's eyes would look different from those of a sighted person-- most likely due to chemical burns/scarring, but at the very least from things like a lack of eye contact. Thus, the choice for Matt to simply switch up his style of shades for the Mike look, rather than taking the risk of foregoing them entirely, feels logical (even if it doesn't always match up with the way Matt's eyes are actually depicted, but that's a topic for another post).

As it turned out, the oversized, colorful shades ended up tying perfectly into the loudness of the rest of "Mike's" outfits, becoming a memorable staple of the look that Matt crafted for his fake twin-- a look that was as distant from the classic Matt Murdock suit and tie (and simple, dignified shades) as he could manage. These shades were iconically, undeniably Mike's. However, they were still born from the use of sunglasses as a visual shorthand for-- and Matt's in-character response to-- his blindness. A Daredevil reader in 1968 might have looked at ol' Loudmouth Mike and asked the question: If this guy were a real person, independent of Matt, with his own backstory and reasons for dressing the way he does-- would he still choose to wear dark glasses?

Mike: "Well, as I live and breathe! You're Daredevil, right? Friend of my brother, if I don't miss my guess. Real pleasure to meet you at last." Daredevil vol. 5 #606 by Charles Soule, Phil Noto, and Clayton Cowles ("As I live and breathe" is such a funny thing for him to say in this scene.)

Enter: Fragment-Boy Mike, and the beginnings of an answer.

When it came to transforming the concept of Mike Murdock into a fully realized character of his own -- not to mention pulling him out of the 1960s and into the 2010s-- some core Mike Murdock elements were dropped by the creative team, both for the sake of streamlining the narrative and in order to match the tone of the contemporary comic. Fragment Mike is no longer Daredevil's alter ego; in fact, he claims in his first appearance in Daredevil #606 that he has never even met DD before. Gone are the loud clothes, the primary colors, the waistcoats, the fedora with the feather in it. Curiously, all that remains of his original Look(TM)...is the sunglasses.

Foggy: "That is...correct. How did you...?" Mike: "Because I ain't him. I'm me. And now, Foggy...you need to call my brother." Daredevil vol. 5 #608 by Charles Soule, Phil Noto, and Clayton Cowles

Fragment Mike existed in a kind of limbo that neither he, nor Matt, nor even his "creator" Reader really understood-- a tortuous state of both being and non-being, in which he believed himself to be real and then had his worldview shattered by learning that no one else saw him that way. Mike claimed his autonomy and fought for his right to live throughout that story arc, but the simple truth was that he was born out of Matt-- specifically, out of Matt's case files, from which Reader accidentally spawned him-- and the memories he possessed of being anyone/anything else were false. He was nothing but a twisted, reanimated echo of an identity his brother had created, dark glasses included; Matt but not Matt, physically separate but still bound to his brother.

Mike: "I'm Matt Murdock's twin brother, but...but I'm not. I've got some fake memories. I'm like a shell of a thing...but inside...I can tell I didn't live through anything...and I think...I think it's driving me crazy." Daredevil vol. 6 Annual #1 by Chip Zdarsky, Manuel Garcia, Le Beau Underwood, Chris Mooneyham, Rachelle Rosenberg, and Clayton Cowles

But! Fragment Mike, just like Matt, maybe because of Matt, is a fighter. He does not take being fake lying down. Through some Norn Stone magic, our fragment became a Real Boy, with real memories of a real backstory. And if we take a look through that backstory, we finally receive an answer to that 1968 DD fan's hypothetical question, because...

Daredevil vol. 6 Annual #1 by Chip Zdarsky, Manuel Garcia, Le Beau Underwood, Chris Mooneyham, Rachelle Rosenberg, and Clayton Cowles

The moment Mike Murdock becomes a real person, the sunglasses vanish.

Look back through Daredevil volume 6. Once he is officially, cosmically real, the only time we ever see Mike wearing dark glasses is when he is dressed up as Matt (ohhh, the poetry of it all!). He is wearing them, standing in Matt's apartment, when he dies in Matt's place-- fated, in the end, to never entirely escape his brother's gravitational pull-- but what matters is that the sunglasses tied Mike to his origins as his twin in a costume, and the loss of them indicates fully and utterly that Mike has broken away and become his own person. We even get this fascinating scene at the beginning of volume 7:

Matt: "...It was Matt. He came back from rehab, went to his apartment... I don't know what the #$@% Fisk was thinking, but I know they've got history and... Ah, Butch. He killed my brother." Daredevil vol. 7 #1 by Chip Zdarsky, Marco Checchetto, Matthew Wilson, and Clayton Cowles

This is Matt Murdock, in the year 2022, once more pretending to be Mike...post-Norn Stone reality rewrite. And this time? No sunglasses. In fact, Matt claims that the key to a foolproof Mike Murdock disguise is in the eyes: "Not just making sure they faced the right direction...but that no matter what, he had kindness in them..."

Do I love Mike Murdock wearing smarmy shades? Of course I do. But I love a good piece-of-clothing-as-allegory just as much, and I love peeling back the layers of identity to discover who Mike really is when he is not his brother.

#Mike-ing like I've never Miked before here... #Daredevil #Matt Murdock #Mike Murdock #Mike Murdockalypse #Adventures in Continuity #ID in alt text