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#I'm not correcting that typo
dorenarox · 1 year
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Not to be that guy but what if our FIVE SNIPERS took out the Heavy and his Medic girlfirend?
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lynaferns · 1 month
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Thinking about redrawing this with my current style (not a promise).
I never stopped thinking about this piano.
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This is kind of an art dump, this happens whenever I get nostalgic and look at old folders. I have more stuff buuuut I'll save that for another day.
(I originally posted these on instagram in two artdumps I made with more unfinished old art)
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queenie-ofthe-void · 2 months
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“Led Zeppelin? Never heard of them,” Steve lies, like a liar. Of course he’s heard of them, thinks maybe Hop’s mentioned them before. Doesn’t really know the band well, and probably definitely couldn’t name a song. But the comment serves its purpose, and the trap is set.
Eddie calls it the Zep Campaign. Every day they’ll listen to one album, and Steve will pick his favorite song from each. Eight days for eight albums. On the last day, they’ll narrow it down to one song to rule them all– because apparently even Led Zeppelin likes the Mordor books Dustin doesn’t shut up about. 
Each day, Steve struggles to pick a favorite. Day four isn’t bad– doesn’t mind a song that is actually called Rock and Roll, which is just a lazy title in his opinion– but they’re only half way through and the songs are all starting to sound the same. An endless stream of too-fast guitar melodies and weird, wobbly sounds he’s sure he’s never heard before. The vocals are his favorite part, but the lyrics are vague and confusing.
Long story short, he’s not a fan.
But this growing thing between him and this ridiculous metalhead is new, fragile. So if it’s important to Eddie, it’s important to Steve. 
“Stevie, we really don’t have to keep doing this,” Eddie concedes. It’s day eight, the final album, and he thinks even Eddie might be desperate to listen to something different. “You’ve listened to every other album and honestly this one is the worst. They were all on drugs, and this isn’t even their sound ya know? Like it’s not even real metal.”
And honestly, Steve does know. He’s been listening to this band for eight days and yeah, all the songs sound the same. But these ones are different. Softer. He’s made it this far, and he’s nothing if not persistent for the people he loves.
Sprawled out on the floor next to the boy he likes, passing a fading joint back and forth, he thinks he can suffer a bit longer. 
“No Eds come on, we’re halfway through anyways. Just flip it over and we’ll smoke while we finish.” Eddie huffs a sigh, but Steve can see the slight uptick of his lips, reminding him of why he’s doing this. He flips the record and crawls back, presses himself flush up against Steve’s side.
The next song is long, too long to keep his attention. They burn down their joint and Steve leans heavily onto Eddie’s open chest. He gets lost staring at the vinyl art. A guy dressed in a fancy white suit sits alone in a dive bar, the only splash of color against a dull background. The bartender looks gruff, like the rest of the bar, making the man stand out even more. He wonders if that’s how he looks posted up at the Hideout during Eddie’s shows. Wonders if he looks just as out of place in Eddie’s life as this man does, even though he looks comfortable there too. 
Eddie shifts his arms around Steve, bringing him back to the present. The song has changed and Steve feels the slow melody wash over him.
“Wait,” Steve cries out, flailing up and out of Eddie’s arms as he registers the new song. It’s soft with a steady beat. It’s got synth-- the sound Eddie told him he likes in pop music. This song isn’t loud and chaotic like the rest. The voice is soothing and the lyrics are mostly simple enough. It’s different, and he can’t believe it but–
All of my love, all of my love
all of my love to you, oh
“This one. I like this song. Like actually like it.”
Eddie sits up and stares at him. He can see the dramatic shock and annoyance on Eddie’s face. But it’s doing nothing to hide his broad smile and shining eyes. 
“Steven. Stevie. Baby, sweetheart, this absolutely cannot be your favorite Zeppelin song. Out of all the songs on all the albums and all the hours of poetic melodies I’ve forced upon you, you choose the most non-Zep Zeppelin song.” Steve laughs sweetly as he watches Eddie fail to keep the glee out of his supposedly annoyed voice.
The cup is raised, the toast is made yet again
One voice is clear above the din
“This song isn’t even metall!" Eddie screeches. He rants and raves, waiving his arms as he regales Steve with all of the reasons he should absolutely not like this one particular song. He's shining with happiness, dial turned up to a hundred and it's all aimed at Steve. He can't help but to gaze back fondly, enraptured in the adorably obnoxious spectacle.
"It’s all synth, almost no guitar because Page didn’t even write this one! He wrote all of them except two songs, Stevie, and of course that’s the one you chose. No one who knows good music even likes this album. It’s not even metal music and honestly I almost didn’t show it to you, that’s how bad it is!” They're both giggling, leaning falling slowly into the other's space. Facing one another, their feet tangled together, Steve twists and pulls on Eddie's rings. Just to touch.
“Well, maybe that’s why I like it,” Steve snarks, taking his hand. “Plus it’s a love song.” Daring to reach out.
All of my love, all of my love, yes
All of my love to you
Eddie’s smile dims a bit, softens at the edges as he grows serious. “It’s not a love song Stevie, not like that.” He’s looking at Steve but he isn’t. Looking past him into the back of his thoughts. “The lead singer, he wrote it for his son. His kid died of some kind of bad illness while he was on tour. Didn’t make it back in time.”
He pauses, and Steve waits. Knows Eddie has more to say, hoping his patience will pay off. Eddie’s sight refocuses and he heaves a heavy sigh. His eyes glisten as they lock onto Steve.  
“My mom used to sing it all the time. While she was cooking, or putting me to bed, or pulling weeds in the garden. She’d sing it constantly. Hell, she didn’t even know all the words, but she’d still try and sing the interludes– ya know, the music between the lyrics.” He laughs lightly, a stray tear just barely hanging on. Steve tightens his grip around Eddie’s hands and presses a kiss to his knuckles. A silent sign of gentle support and encouragement. 
“Sounds like a love song to me,” Steve whispers. Leaning forward, he presses a kiss to his forehead and pulls Eddie into a tight hug. 
All of my love, all of my love, to you now
“A love song just for you, from both of us.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I've always headcanoned that Eddie loves Led Zeppelin, because he plays guitar and loves metal and reads Lord of the Rings so of course he would.
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mercifullymad · 9 months
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i feel passionately about the need to enfold people experiencing (or diagnosed) with "just" depression or anxiety into the mad pride project. the more people who view themselves as mad, the better. much as the rhetorical move from "neurotypical" to "neuroconforming" emphasizes the artifice & social construction of "neurotypicality," so too will expanding identification as "mad" expose the sane/mad dichotomy as a false one.
it's true that (some) people with "just" depression and/or anxiety have an easier time navigating the psych system than people who have more stigmatized diagnoses. but this is not to say that they necessarily have an easy time — the carceral psych system is hostile to everyone subsumed by it, even the most "privileged" patients. we should of course critique & examine how our experiences are shaped by various intersections of privilege, but we cannot forget or ignore how someone with "just" a depression/anxiety diagnosis can still experience the full force of the carceral psych system brought down upon them (including but not limited to involuntary institutionalization, police intervention, & forced medication or other forced treatment).
we must encourage, if not insist, that those with the least-stigmatized diagnoses view their difficult experiences navigating the psych system as bound up with the liberation of people who have more stigmatized diagnoses &, often, a more violent experience of the psych system. we need more people to drop the "i have anxiety/depression but i'm not crazy" line and say loudly, "i have anxiety/depression & i am crazy. my access to just treatment is linked to the conditions of all other crazy people, who are my allies, peers, & friends. we are united in our cause & we all deserve a more liberating system of care."
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hobermen-archive · 5 months
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Lilac + Apalone themed merch for a homework assignment featuring Donnie, of course 🐢💜🌸 (These are NOT merchandise I'm actually making, it's just a design assignment)
(15 Apr 2021)
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selenicsoul83 · 2 years
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Vico Ortiz: Being in Trans is my super power 💅💁‍♂️✨
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indigozeal · 4 months
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AT LONG LAST: the interview translations from the Baten Kaitos artbook are finally finished with conversations with composer Motoi Sakuraba and the Japanese voice cast. (If you haven't checked it out previously, this document also contains translations of interviews with illustrator Nakaba Higurashi, scriptwriter Masato Kato, and the producers & directors.)
For many, the interview with Sakuraba will be the highlight, but I personally found most memorable this spoilery bit below the cut from Kalas's Japanese voice actor Kousuke Toriumi, which explains precisely why he was chosen for the role:
In the middle of the story, there's a scene where you betray your comrades; your performance there must have been difficult, wasn't it? Toriumi: I didn't think it was particularly tough! I actually ended up enjoying that scene itself, and when I read it, I thought, "oh, wow, I betrayed them!! Yahoo!"
Congratulations, you absolute, perfectly-cast dick.
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yellowymellon · 27 days
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I BROUGHT YALL ANOTHER CRAZY THEORY
not mine actually it's from tieba, ppl are theorizing that sunday is possibly going to get recruited by elio. fascinating yet crazy right? LEMME LAY EVERYTHING DOWN
okay so sunday's design is very much inspired of ena, both his old one and the new one. it has many eyes, the halo, the golden accents. not to mention his personality that resonates with her path.
this will not make sense if u dont pay attention to elio's concept art (most likely will change by the time he appears but) here it is :
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notice the amount of eyes, the sun and the similar patterns, a picture of ena for reference :
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they also said that ena seems to be holding a puppet string and it could be related to "destiny's slave", i dont completely agree but it's A COOL THEORY!!
i've always assumed elio to be an omen vanguard of terminus the aeon of finality. since he has blessing/curse of seeing the future unlike finality followers i believed he might be our first finality emenator BUT! emenators could follow a different path, it's so interesting to think he could be a finality emenator but an order follower, and it makes sense! who would greatly seek to stop nanook and restore balance? well hooh too but ena would very much dedicate themselves in stopping nanook. now ena is debatably dead but paths don't disappear. but keep in mind we actually don't know which aeon gives the stellaron hunters powers.
so far we don't know what the stellaron in penacony does, it doesnt seem to be the threat itself but the one who obtains it might be dangerous. that's why elio wants the nameless to go after the stellaron. but that doesnt make THAT much sense either, why wouldn't the stellaron hunters themsleves do the job? they're already capable. if u ask me penacony feels the best place for kafka/SW instead, it might be easier for us to obtain it if we help the family but anyways- we can go on forever abt why it's not right so lets force this theory to make sense tehee~
i talked abt how sunday might learn a truth after his "death", gallagher's voice line abt him is "He reminds me of the "Odes of Harmony," but I caught a whiff of something behind the facade he puts on... something real." the odes of harmony is basically a song praising xipe, he means sunday being a reserved religious saint like person, is a facade and gallagher saw something real. based on my post where i discovered that i'm a follower of nous after all (i'm not-) https://www.tumblr.com/yellowymellon/746431759854551040/you-know-it-would-be-funny-if-the-actual-villain?source=share
gallagher might've caught on it earlier and targeted sunday from all the family heads, if he was going to kill in any case he needed the best victims that could give him the break through he needed, robin might've been just the stepping stone to kill the oak family head (important) who conveniently might be the one to side with him (YALL IM COOKING AND IT'S BURNING)
sunday is described as perfect on the outside but secretly a freak, he shows no mercy to what he thinks is wrong and doesn't compromise. but i don't trust him with what he thinks is wrong. he might be shrewd and manipulative fitting for a head, but still young and emotional to make absolutes (judgements). see, the family is a perpetrator to many MANY evil stuff that shouldn't be in his book (literally lol)
u see where i'm going? me neither elio could potentially need to ally with sunday if his stance changes after learning the whole, purest truth
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greenerteacups · 10 days
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I’ve meaning to send this ask for ages and finally found the courage to do so :) I started reading lionheart on a whim in the beginning of November and since them after reading everything a couple of times, all I can say is that it is a masterpiece. I am so in love with your writing, especially with how you give Draco the space to be gracious and grow up. I love for example when they are in the Slytherin common room and Draco see for himself that the mermaids are sentient beings just like him. Also, I am completely enamored with the golden quartet (?), the relationships between them feel much more balanced, and I have so much love for Harry, Hermione, and Ron. I do think you does the characters justice, if not written in a better and more honest, human way. Btw, I love your Narcisa because I am such an apologist for her and her crimes. (If Narcisa has million fans, then I'm one of them. If Narcisa has one fan, then I'm THAT ONE. If Narcisa has no fans, that means I'm dead.). This also aplies for hermione. Anyway, all I am trying to do is to put into words what the world you design means to me, but alas I do not seem to have. When the time comes for my unborn children to read the Harry Potter series, I am showing them your books and telling them it is canon.
Now that I am done showering you with complements, I have a couple of questions. First, after reading the last chapter (which I adored), the fight between Draco and Sirius, one of my favorite moments, kept coming to mind. Was it intentional for Draco to give such honest wake up call for Theo basing himself from the talk he had with Sirius years ago? Secondly, I am not sure with you already answer this, if so, feel free to tell me, but if you could choose Poet, Soldier or King for each – Draco, Harry, Hermione, and Ron – which one would they be?
Thank you for taking the time to read. I usually download each chapter because I like to highlight my favorite parts, I will try to be more present on AO3! And sorry for any English mistakes, it is not my first language!
Thank you, my friend! This is a completely lovely ask, and as I often do with lovely asks, I've hoarded it for a while to re-read whenever I want a nice treat. However, I've left the question unanswered long enough.
If we're going to do the Soldier/Poet/King test, I want to complicate it a little. You can either do it by personality (the way we do when we say "I'm soldier!" or "I'm poet!") or you can do it by narrative role, i.e. what you actually do in the context of the story. Those can be different. For instance, you can be a poet-coded soldier (your chosen weapon is your word, but you're pushed by your circumstances to fight), or a soldier-coded king (you carry a mighty sword, but you're forced off the battlefield to rule, i.e. you want to fight but you can't). That opens up the range of ways to fill the role. So it's like:
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Obviously, the central axis here is going to be the most satisfied/content with their lot in life, but there's a broad range of happinesses.
If you ask me, Harry is a poet-coded king, because he's incredibly reluctant to take leadership, and he doesn't want anyone to fight for him. He runs away in Deathly Hallows because he can't stand to be at the center of a war (which is going to happen anyway) and has only accepted Ron and Hermione's sacrifice begrudgingly. It's also worth saying that Harry's best moments come when he's trying to talk someone down: he's telling Remus to go back to Tonks, he's telling Slughorn to preserve Lily's memory by being noble for her sake, he's telling Riddle to "try for remorse." Harry is at his best when he's giving consolation and understanding, not when he's fighting; his signature spell is Expelliarmus. Kid's not a soldier. And he hates the idea of being a king. (This is, not coincidentally, one of the unhappiest combinations.)
I read Ron as a true soldier, not because he enjoys fighting, but because that's almost always his knee-jerk reaction to conflict, and it's also where a lot of his strengths lie. Ron is brash and bold and he will swing if you step to him, and that's why people love him (or hate him, if they do). Even in his best moments, when he's being a strategist and tactician, he's employing his skills in the service of battle. And the narrative is happy to put him in positions where that's the skill he has to contribute. He thinks of the basilisk fangs and the house-elves in the kitchens; he's good at tactics, but he doesn't do broad-strokes strategy.
Hermione is king-coded soldier, because I think in a different series of novels, she is absolutely the protagonist, and she kind of thinks she should be. She's proactive, driven, clever, and calculating, and she orders people around like she's the boss of them — usually with good reason, but she still does. She sees herself as the HBIC, and she often gets a bit irritated when other people don't jive with that idea. It's funny how often Harry gets along by just doing what Hermione tells him. That being said, her narrative role is being sworn in Harry's service, and as the books go on, she increasingly embraces that. She defends him and offers to risk her life for him, sacrifices volumes (her parents!!) and compromises her safety (gets tortured!) for his sake, all without complaining or seeming to begrudge Harry at all. He's her king; she's his knight. Which is another way of saying soldier.
Draco is a poet-coded soldier, or possibly a poet-coded king, depending on what direction you take his arc from the source material. In the books, he's kind of a flop, God bless him, he doesn't really manage much in the final days of the war. Besides refusing to identify Harry (after identifying both of Harry's well-known travel companions... booboo you tried), he's basically fit for neither use nor ornament from Book 6 onward. But taken more broadly, he is someone who absolutely does not want to be here — he doesn't want to fight, he doesn't want to be in danger, he doesn't want to risk people — getting conscripted forcibly into a conflict that was running for years before he was born. And he's conscripted, like Harry, because of his heritage; it's a position he was born into. Depending on how you read his relationship to power, and having it, he can either be a soldier or a king, or someone teetering on the cusp between them.
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bisonaari · 2 months
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I wanst. To see himm…
The jukku the juk tge jùkkaa…
Show me him………
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bubblegumflavor · 27 days
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Thinking about an AU where Dally and Rusty-James are twins and Johnny Cade and Daniel are twins and Johnny Lawrence and Steve Hays are brothers and
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lynaferns · 14 days
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Hi, hello. Did you say big bat vampire dca au? As in, they’re big bats? 👀
That sounds really cool!
Yeah, although I don't have a clear image of them yet.
I made a doodle of the three half(?) transformed
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They are mixed species but each resemble one more than the others. (I messed up eclipses ears, drew the wrong shape)
(whoops little ramble about bats)
Sun is an Indian Flying Fox, a fructivore bat. They are one of the bigguest (1 to 2 ft tall and 4ft wingspan (great for hugs/j)) and helps with the forest pollinization. They can fly 40km in one night. They lack echolocation but has a better eyesight than other bats. It's endangered due to humans haunting them for their meat.
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Moon it's a Common Vampire bat (and a bit of White Winged bat for the colors), they eat mammal blood. There are 3 vampire species: the common, White-winged and Hairy-legged, the common can eat blood from any mammal while the other two eat mainly from birds and humans. The common vampire is a good crawler, so they'll prefer to get close to their prey from the ground. The white-winged has these glands in its mouth that uses to spit a really nauseating smell when its being molested (like skunks but these spit on you), there is sulfur in the spit.
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Eclipse has the more clear mixes to see and it's the smallest of the three, its a Welwitch bat (it has freckles!!), a big eared and has part of canyon bat (because of the colors too). It's insectivorous, they help with plagues. They pretty much just vibe, just leave them be eating half their weigh in bugs and both of you'll be happy.
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Nor the vampire or fruit bat has tails.
And they all can give you
Rabiessssss ✨
I didn't look into every especie there is of bats, first of because there are like 1,000, most of them insetivorous, and second because there is varely any info about any especie that aren't the common ones.
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tswwwit · 1 year
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Hey, do you have an ao3? I really like your writing style
I do! It's BurnerAccount, at this link here.
There's also a masterlist of the fics I've written on Tumblr, compiled by weirdeggi, over here!
Most of my stuff is set in Familiar AU, so starting with Faking It is recommended.
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deepwithintheabyss · 8 months
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Creepy stalker boy Tim who's horny for all Robins
Which includes himself and people dressing up, but these are a bit different because he obviously can't get any good action material or shots with them, and knowing it's himself and kmowing he knows about this just makes it kinda weird
Doesn't stop the stab of arousal though
He has like a stash of videos with Steph Jason and Dick beating people Up that he regularly wanks too
(not Damian though but more because he doesn't want to test himself about how far this goes)
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guillemelgat · 1 year
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Hey hello I made a thing! As perhaps a few of you know, I have spent the last half a year being completely unhinged about Patrick O’Brian’s Aubrey-Maturin books, and I’ve always been particularly interested in the character Stephen Maturin and his relationship to Catalonia. I saw that there was a lack of stuff about this part of his identity, and, being me, I felt the need to fill it in the only way I could: compiling music and yelling about it for thirty pages. Hence this playlist.
You really don’t need to know anything about these books to listen to this playlist. You also don’t need to know anything about Catalan (I hope). Catalonia and the Catalan Countries in general (including Valencia, the Balearic Islands, and parts of southern France, Aragon, and Sardinia) have a really interesting musical and literary tradition, and I wanted to make that more accessible, so I put together a few songs I liked, translated them, and wrote a bit about each of their significance, including the most important cultural tidbits I could. Some things don’t translate super well, and I hope my Catalan followers will forgive me for trying to adapt them more for English-speaking audiences than perhaps would be preferable; I usually don’t choose to do that, but in this case I wanted to open the door, and not to intimidate people.
Now that that’s out of the way, here is a link to the PDF of the liner notes (graphic design is my passion, as they say): https://drive.google.com/file/d/1MUpRM84W8aypznEIrt0eA1jG5OxaRZvz/view?usp=sharing
Under the cut I’ve included the ephimera and unnecessary commentary that you know and love, feel free to read or ignore it as you will
These roughly follow the order of the songs and are varying levels of seriousness
If you like "Sant Joan, feu-lo ben gran" then I'd highly recommend listening to the whole Tornaveus album. I almost included the “Stabat Mater de Sudanell” and the “Goigs de Sant Julià de Lòria”, which are both from western Catalonia, and they also have more cançons de pandero, in perhaps a slightly more traditional style. A lot of the other songs have interesting cultural commentary in them, especially on feminist topics, and they’re very well-researched because literally one of the members of the group is basically the ethnomusicologist of Catalan music at the moment. Anyways, if people would like the liner notes perhaps next time I’m home I’ll scan them, they’re in Catalan and English and very well-written. Also note the legendary Lluís Llach song which has been turned into a polyphonic piece lol (and I did not include the “Goigs de la Nostra Senyora de la Llibertat” but tbh that might have been a mistake on my part) (Blorbo side note that I think this fits Stephen’s childhood very well which is mostly why I chose it)
“L’Hereu Riera” is one of my favorite Catalan folk songs I love it so much and if you want to hear the Catalan version (as opposed to the Valencian one included here) and see the dance and also see a cobla, I am including a link to this version by Germà Negre which is tragically not on Spotify. I chose the Valencian one because (1) Al Tall and (2) I think it fits The Blorbo better (specifically I was thinking of his fiancée who dies before Book One who idk if anyone ever remembers shdjfhskf). That being said, Stephen would probably know the Catalan one (and almost certainly not the Valencian one). Also, on a memey-er note, Hereu Riera bisexual king and literal icon <3 love how he has to remind his girlfriend on her deathbed that actually he'd technically be interested in both her sisters AND her brothers if he wasn't so into her that he never wanted to marry anyone else
I literally did put in Roger Mas just so there would be at least one person with a Lleidan accent, #diversity win
Many points about the “Cançó de pandero de l’Urgell” and “Jo no canto per la veu” so here we go:
I put these two songs in mostly because I got very obsessed with the cançó de pandero from Alcarràs (which is a great movie that came out last year about a farming family in a village near Lleida that is winning all the awards atm). Anyways, since Carla Simón has been too busy winning things to put up the gotdam soundtrack, I did a bit of digging and it turns out that it was written for the movie?? By her brother??? It's excellent and very anticapitalist and you can listen to it here and see the trailer for Alcarràs all in one! (Includes English subtitles)
The original “Canto per un amic meu que per mi daria la vida” is probably from a Valencian cant de batre, although I could not get any confirmation on that. But regardless everyone should listen to Pep Botifarra's version of it, which I would literally marry if it had a physical form it’s so so good. (I posted it here back in ye olden days but it's been long enough I think I can post it again)
Valencian music side note because I can’t stop myself: the second pair of verses in the "Cançó de pandero de l'Urgell" (starting with “vos esteu ben acotxada…”) are sung by Miquel Gil, who is a very famous Valencian traditional singer, anyways you should listen to this version of him singing “Del Sud” by Obrint Pas (you want to go down a Valencian music rabbit hole so so bad)
I firmly believe that Stephen would canonically be obsessed with Ausiàs March, and the fact that he has not yet recited any of his poems is Patrick O’Brian’s biggest failing in my eyes. Anyways I have more thoughts but I’m saving them for other posts shdfjsd
If you read this before listening to the playlist please just listen to "El testament d'Amèlia" and follow along with the lyrics in real time before reading the blurb, it's such a good experience to let that song hit you as it comes. I won't say more than that but you'll get it when you get it. (Also obligatory listen to Marala they're so good <3)
From the Càntut album, I also quite like the songs "El pomeró" and "El divino vull cantar", and Càntut in general is an incredible resource, it's a database of folk song field recordings from northeastern Catalonia.
Brief pause to scream about the fact that Maria Arnal and Marcel Bagés WERE ON NPR??? AND NO ONE TOLD ME???? Anyways link in the sources section, also they're great and you should listen to their whole discography
As the #1 Roba Estesa stan blog on Tumblr, listen to Roba Estesa. And Ebri Knight. And El Diluvi.
I chose this version of "La presó de Lleida" because I like it but here's a more traditional one sung by Joan Manel Serrat, another Catalan legend. Here's another one in Catalan rumba style with Sílvia Pérez Cruz singing, the sound is a bit wonky but it's also one of my favorites. The Valencian version of this song is called "La presó de Tibi" and El Diluvi have done a very explicitly anti-monarchical rendition of it (the Balearic one is "La presó de Nàpols").
I'm sorry for never putting the Sílvia Pérez Cruz version of "Corrandes d'exili" but if you want it here it is. Also note that the statue of the Virgin in the poem is a reference to the Virgin of Montserrat, it literally all goes back to her shfjkshdf (also apologies for being very bad at Christianity and Catholicism, if I mistranslated things let me know)
HOO BOY SARDANA TIME
Okay so I have a whole essay to deliver on this that I've been holding inside for the past like two months or so, I apologize in advance for my excessive pedantry on the topic.
In Master and Commander, Stephen delivers this speech:
"‘Then I must tell you that on Sunday mornings it is the custom, in that country, for people of all ages and conditions to dance, on coming out of church: so I was dancing with Ramon Mateu i Cadafalch in the square before the cathedral church of Tarragona, where I had gone to hear the Palestrina Missa Brevis. The dance is a particular dance, a round called the sardana.’"
I hate to be a hater but it is very, very unlikely that anyone would have been dancing a sardana as far south as Tarragona in this time period. The sardana as the symbol of equality and brotherhood emerged in the Renaixença and would not yet have been a thing; Stephen could well have heard sardanas in Ullastret, but they would have been a more typical folk dance, and not anything like the way they're described in the book. It's very ironic, then, that they've become THE Catalan music style for Aubreyad readers, but hopefully this playlist can change that a bit :)
(also sorry for being a sardana-hater on main, someone bring me to dance a sardana and maybe I'll feel better)
Songs that didn't make the cut: La cançó del lladre, Rossinyol que vas a França, La balanguera, La gavina - I'm always happy for more recs!
Originally, this list was also going to include songs in Irish; I quickly realized that I was in over my head with that one, but the working list of songs is here (may be subject to changes so save songs elsewhere if you like them!). Also I would add "Fé Bhláth" by Imelda May and Kíla if it was on Spotify but alas it is not; and "Amhrán na Leabhar" which I have not had time to add but was kindly recommended by someone. I'd love it if someone was interested in actually doing a proper playlist for Irish though—it's a gap in my knowledge that I'd love to start filling.
Aaaaaaand that's a wrap. I hope. Final comment to say thank you to everyone who voted in the cover image poll, turns out you all won :) (Pirineus did win and take the cover of the liner notes though)
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acesammy · 3 months
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welp forgot how much i hate college. i got one (1) word wrong in a program and got an F on the lab
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