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#Musketier Rock
originalpersonalfox · 6 months
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Wie gut die Stimmung während eines Konzerts ist, realisiert man dann übrigens, wenn während eines Songs schnell das Schlagzeug repariert werden muss, weil der Schlagzeuger ein Teil davon erfolgreich zerschossen hat 🙊
Hiermit dann eine kleine Impression vom 28.10. auf dem dArtagnan Felsenfest Konzert in der Essigfabrik Köln.
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dArtagnan mit neuem Album “Felsenfest”
dArtagnan mit neuem Album “Felsenfest”
Die Folk-Rock-Band dArtagnan rund um den Feuerschwanz-Sänger Ben Metzner haben ein neues Album in der Mache. Es wird den Titel “Felsenfest” tragen und am 29. Oktober 2022 erscheinen. Das fünfte Werk bricht mit der bekannten Musketier-Tradition. Bei “Felsenfest” handelt es sich um ein Doppelalbum und enthält neben den zwölf Titeln auf der Haupt-CD acht Coverversionen bekannter Folk-Nummern auf der…
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emptymasks · 3 years
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It’s finally happening! After saying I wanted to do this for months, I’m finally going to be hosting streams for non-English language musicals. Every one of these musicals has English subtitles on (apart from a couple that are in English). I have a little FAQ here about the streams, but essentially anyone is welcome to join, you don’t have to know anything about musicals or have interacted with me before, and there is a text chat you can take part in if you want but there’s no pressure to.
This is the link to the room: https://kosmi.app/nrs5nx. It is open now and will continue to be open, so please don’t misbehave in there between streams. You don’t need to make an account to join, but it would be best to do so if you want to join in the chat as without an account you’ll just appear as ‘anonymous’ and several anons will make the chat confusing. There may be music playing when you join because I’ve set up a little playlist to play if anyone shows up to the stream early you can just chill for a bit with me and some music.
I’ll likely start the video up to 10 minutes after the scheduled time for anyone who is just setting things up or slightly late, but I won’t be hanging around for people for ages. Once the stream starts I will stop it in the intermission for 10 or so minutes for people to get snacks or drinks or toilet breaks. I’ll get everyone to check in when they come back and once everyone seems to be back I’ll start act 2, sorry in advance if I start act 2 and you’re not back yet, it’s hard to keep track of everyone if there’s a fair amount of people.  You can still join in at any time during the stream, the room will not be closing once the video starts, I just won’t be rewinding the video for you.
I have seen a number of these musicals before and some are my favourite musicals, but I haven’t seen a lot of them before, so I can’t speak as to the quality of some of them, but at least a good amount of them I would recommend. Almost all of these are original non-English language musicals, I did put a couple of productions of Jesus Christ Superstar in here that I love and haven’t had the chance to watch all the way through yet (Amstetten Austria 2005 which is still performed in English, and 2014 Sweden). (And I definitely didn’t just add them because I love Drew Sarich and him as Judas in Amstetten 2005 and I think he’s amazing and my favourite Judas and I just want other people to fall in love with him as well). I’ve also tried to put some trigger warnings down but I haven’t watched a lot of these, but the ones that I know contain anything to do with suicidal themes I have noted.
If you want more info on European musicals while I do post about them here I also run @europeanmusicals​ and you can check that blog out and the posts tagged with #masterlists if you want the information posts. I have this general introduction post that I am still working on remaking into a video essay for Youtube.
The streams will happen every Saturday at 11pm UK time, which changes from BST to GMT at the end of October.
Week 1: Tanz der Vampire 2011 Berlin Production
28th of August 11pm BST/GMT+1 Language: German Cast: Drew Sarich (Graf von Krolock), Amelie Dobler (Sarah Chagal), Anton Zetterholm (Alfred), Veit Schafermeier (Professor Ambronsius), Kai Hüsgen (Yonie Chagal), Goele de Raedt (Magda), Marc Liebisch (Herbert von Krolock) Summary: Professor Ambronsius and his young assistant Alfred are on the hunt for vampires and stumble upon a small village. They suspect that the villagers know more about vampires than they let on, and soon discover there is a castle in the woods where the vampire Graf von Krolock and his son Herbert live. While staying at the inn, Alfred meets Sarah, the innkeeper’s daughter, her father being so overprotective that he keeps her locked in her room every day and every night. Sarah longs to escape her life and has been secretly conversing with Krolock for some time. She’s no damsel in distress, she’s attracted to him and what he offers and so she sneaks out of her home and goes to his castle. Alfred is convinced she has been kidnapped and he and the Professor go to the castle to rescue her.  Things I love: Music by Jim Steinman!! Who you may better know as the song-writer of ‘Holding out for a Hero’ and ‘Totale Eclipse of the Heart). Canon lgbt characters: Graf von Krolock is very hinted at being bisexual, tries to seduce both a female and male character and mentions a past male lover, and his son Herbert is gay. And dance sequences! Amazing dance sequences!
Week 2: Elisabeth das Musical 1992 Original Vienna Production (Proshot)
4th of September 11pm BST/GMT+1 Language: German TW: themes of suicide, depression, anxiety Cast: Pia Douwes (Elisabeth), Uwe Kröger (Der Tod), Ethan Freeman (Luigi Lucheni), Viktor Gernot (Franz Joseph), Andreas Bieber (Rudolf), Else Ludwig (Sophie), Christa Wettstein (Ludovika/Frau Wolf), Wolfgang Pampel (Max) Summary: The musical follows the life of the Austrian Empress Elisabeth ‘Sissi’, but with a supernatural twist. Her obsession with death grows as her mental health declines, as Death falls in love with her and tries to convince her to kill herself so they can be together. He watches her from her marriage to Kaiser Franz-Joseph in 1854 to her murder in 1989 at the hands of the Italian anarchist Luigi Lucheni. (None of that was a spoiler, you find out she dies at the end in the first minute of the musical). Things I love: Mental health: In particular both Elisabeth and Rudolf suffer from anxiety and depression. LGBT+ characters: death can be seen as genderfluid or non-binary, in the original production and vienna revival has scenes where he presents as male and later female, and the original actor has described him almost genderfluid in interviews. death aims to seduce both a female and a male character, and rudolf is shown as being bisexual.
(I’ve put both this version and the revival for the first two weeks. I love the original, I think Pia and Uwe are perfect in the roles. Every Der Tod/Death is different and Uwe plays him beautifully inhuman and mysterious and I find that lacking in some performances. However, the 2005 cast is still good and Serkan Kaya as Lucheni is the best and it has some extra songs. If you only want to watch one of these I recommend the following stream of the 2005 revival, but I’d really recommend watching both of them).
Week 3: Elisabeth das Musical 2005 Vienna Revival (Proshot)
11th of September 11pm BST/GMT+1 Language: German TW: themes of suicide, depression, anxiety Cast: Maya Hakvoort (Elisabeth), Máté Kamarás (Der Tod), Serkan Kaya (Luigi Lucheni), Andre Bauer (Franz Joseph), Fritz Schmid (Rudolf), Else Ludwig (Sophie), Johann Ebert (Young Rudolf), Luzia Nistler (Ludovika/Frau Wolf), Kerstin Ibald (Gräfin Esterhazy), Sigrid Brandstetter (Helene) Summary: See earlier summary.
Week 4: Rudolf: Affaire Mayerling 2009 Vienna Production (Proshot)
18th of September 11pm BST/GMT+1 Language: German TW: themes of suicide, depression, anxiety Cast: Drew Sarich (Rudolf), Lisa Antoni (Mary Vestera), Uwe Kröger (Taaffe), Carin Filipčić (Marie Gräfin Larisch), Claus Dam (Franz Joseph), Wietske van Tongeren (Stephanie), Kai Peterson (Moriz Szeps), Dennis Kozeluh (Edward, Prince of Wales), Robert D. Marx (Graf Gyula Andrássy), Sasha Di Capri (Georges Clemenceau), Martin Pasching (Wilhelm II), Kathleen Bauer (Mizzi) Summary: Based loosely on the book A Nervous Splendor: Vienna 1888-1889 by Frederic Morton. Based on the life of Rudolf, Crown Prince of Austria and his extramarital relationship with Baroness Mary Vetsera, as well as touching on his strained relationship with his father. Their deaths in 1889 at the Mayerling hunting lodge have long been believe to be the result of a murder-suicide pact, though some historians still debate this. It doesn’t include his equally strained relationship with his mother, in fact Elisabeth makes no appearanceat all.
(I thought this was fiting to put after Elisabeth as it’s about the same Rudolf, the same historical figure as who’s in Elisabeth).
Week 5: Rebecca das Musical 2011 Stuttgart Production
25th of September 11pm BST/GMT+1 Language: German Cast: Christina Patten (Ich u/s), Jan Ammann (Maxim de Winter), Pia Douwes (Mrs Danvers), Kerstin Ibald (Beatrice Lacy), Carl van Wegberg (Jack Favell u/s), Matthias Graf (Frank Crawley), Isabel Dörfler (Mrs Van Hopper), Oliver Heim (Ben), Giles (Raphael Dörr) Summary: Based on the novel of the same name by Daphne du Maurier. The second Mrs. de Winter (credited as ‘Ich’ (German for ‘I’) in the musical) falls in love with Maxim de Winter and the two quickly get married and she moves to his large estate in England, Manderly. She soon learns that all Maxim’s staff loved his first wife, Rebecca, and find her quite strange. Non more so than the housekeeper Mrs. Danvers, who’s devotion and love to her former mistress seems to go beyond that of a housekeeper, and seems to talk as if Rebecca’s ghost was in the air around them. As time progresses the nature of who Rebecca was and how she died starts to come into question.
Week 6: Notre Dame de Paris 1998 Original Paris Production (Proshot)
2nd of October 11pm BST/GMT+1 Language: French TW: sexual assault Cast: Hélène Ségara (Esmeralda), Garou (Quasimodo), Daniel Lavoie (Frollo), Bruno Pelletier (Gringoire), Patrick Fiori (Phoebus), Luck Marvil (Clopin), Julie Zenatti (Fleur-de-Lys) Summary: Based on Victor Hugo’s novel The Hunchback of Notre Dame. Quasimodo, a hunchback who spends his life hidden in Notre Dame, falls in love with the bohemian girl Esmerelda, but she is in love with Phoebus, the fiance of Fleur-de-Lys. Meanwhile, Frollo, the priest of Notre-Dame, feels uncontrolled and violent desires for Esmerelda. This musical has a much darker tone and ending than the Disney one (Random fact, according to the Guinness Book of Records, had the most successful first year of any musical ever.)
Week 7: Mozart das Musical 2015 Vienna Revival (Proshot)
9th of October 11pm BST/GMT+1 Language: German Cast: Oedo Kuipers (Wolfgang Amadeus Mozart), Mark Seibert (Prince-Archbishop Colloredo), Franziska Schuster (Constance Weber), Thomas Borchert (Leopold Mozart), Barbara Obermeier (Nannerl Mozart), Ana Milva Gomes (Baronin van Waldstätten), Brigitte Oelke (Cecilia Weber) Johannes Glück (Emanuel Schikaneder), Jon Geoffrey Goldsworthy (Graf Arco), Stefan Poslovski (Fridolin Weber) Summary: Based on the life of composer Wolfgang Amadeus Mozart. The musical starts with Mozart leaving the employment of Prince-Archbishop Colloredo and travelling through Europe, and focus on his relationship with his wife Constanze, his friend a collaborate Emanuel Schikaneder, his sister, his on-and-off employer Colloredo, and his deteriorating relationship with his father.
Week 8: 3 Musketiers 2003 Original Netherlands Production (Proshot)
16th of October 11pm BST/GMT+1 Language: Dutch Cast: Bastiaan Ragas (D'Artagnan),Tooske Breugem (Constance), Henk Poort (Athos), Cees Geel (Porthos), Rein Kolpa (Aramis), Pia Douwes (Milady De Winter), Stanley Burleson (Cardinal Richelieu), Ellen Evers (Queen Anna), Christo van Klaveren (King Louis XIII/Theatre Leader), Bart de Vries (Lord Buckingham/D'Artagnan's Father), Ids van der Krieke (Rochefort/James) Summary: D’Artagnan wants nothing more than to be a musketeer just like his father, but his father disproves. After his father’s death, D’Artagnan decides to find his destiny and sets of to Paris, where he accidentally encounters Athos, Porthos and Aramis - three of the king’s most loyal musketeers. Meanwhile, Cardinal Richelieu plots to turn the King Louis XII and Queen Anne against each other as he wants to wipe out the Huguenots (Protestants) and keeps Milady de Winter under his thumb as a spy. D’Artagnan falls in love with Constance, the handmaiden to the Queen, and is entrusted by her with a mission that takes him to England. The two vow to see each other again. Athos tries to move on from the ghost of his past love, but perhaps she not a ghost after all.
Week 9: Jesus Christ Superstar 2005 Amstetten Production (Proshot)
23rd of October 11pm BST/GMT+1 Language: English TW: suicidal themes Cast: Steven Seale (Jesus Christ), Drew Sarich (Judas Iscariot), Kudra Owens (Mary Magdalene), Rob Fowler (Pontius Pilate), Tom Tucker (Caiaphas), Eric Minsk (Annas), Pehtom Quirante (King Herod), Ronnie Vero Wagner (Simon Zealotes), Ivo Chundro (Peter) Summary:
Week 10: Dracula the Musical 2008 Graz Production (Proshot)
30th of October 11pm BST/GMT+1 Language: German Cast: Thomas Borchert (Dracula), Lyn Liechty (Mina Murray), Jesper Tydén (Jonathan Harker), Uwe Kröger (Professor Abraham van Helsing), Caroline Vasicek (Lucy Westenra), Eric Minsk (Renfield), Lucius Wolter (Arthur Holmwood), Rory Six (Dr. Jack Seward), Robert D. Marx (Quincey Morris), Marion Furtner & Stefanie Tydén & Bucky van Zijl (Dracula's brides) Summary: A retelling of Bram Stoker’s Dracula. Jonathan Harker, a young lawyer from England, travels to Translvania to meet with Count Dracula. However, the Count notices a picture of Jonathan’s fiancee Mina Murray and becomes obsessed with finding the women in the picture. (Originally a Broadway musicals, but it was re-written for it’s St Gallen production and then re-written again with extra songs for the Graz production.)
Week 11: Demon Onegin / Onegin’s Demon 2016 Original St Petersburg Production
6th of November 11pm GMT (UK will have left daylight savings time) Language: russian Cast: Ivan Ozhogin (Eugene Onegin) Summary: Based on the 1837 Russian novel Eugene Onegin by Alexander Pushkin. In 1820s St. Petersburg, Eugene Onegin is bored of his life of balls, concert and parties. When his wealthy uncle dies, leaving him a fortune and an estate, he moved to the countryside. He soon discovers this new life is not what he thought it would be, and struggles to emphathize and relate to his new friends and neighbours. He is selfish and cold and lives to regret his blasé rejection of a young woman’s love for him and his careless incitement of a fatal duel with his best friend.
Week 12: Der Graf von Monte Cristo 2009 Original Swiss Production (Proshot)
13th of November 11pm GMT Language: German Cast: Thomas Borchert (Edmond Dantès), Sophie Berner (Mercédès), Fernand, Carsten Lepper (Mondego), Christoph Goetten (Gérard von Villefort), Karim Khawatmi (Baron Danglars), Dean Welterlen (Abbé Faria), Kurt Schrepfer (Jacopo), Daniel Berini (Albert Mondego), Barbara Obermeier (Valentine de Villefort), Ava Brannan (Vuisa Vampa), André Bauer (Morrel) Summary:  Based on the 1844 novel of the same name by Alexandre Dumas. Edmond Dantès is set to be happily married, but is fasley accused of treason, arrested, and imprisoned without trail on a grim island fortress. While in prison he and a fellow prisoner Abbé Faria work out that he was set up by his friend Fernand Mondego, who is secretly in love with Dantès’ fiancee, his crewmate Danglars who is jealous that Dantès got promoted over him, and the magistrate De Villefort, who sent him to prison knowing he was innocent because the true criminal was his own father. Dantès plans to escape, return home, and take his revenge.
Week 13: Mozart L’Opéra Rock 2010 Original Paris Production (Proshot)
20th of November 11pm GMT Language: French Cast: Mikelangelo Loconte (Wolfgang Amadeus Mozart), Florent Mothe (Antonio Salieri), Claire Perot (Constanze Weber), Melissa Mars (Aloysia Weber), Maeva Méline (Nannerl Mozart), Solal (Leopold Mozart), Yamin Dib (Count Rosenberg), Merwan Rim (Innkeeper/Clown), Delphine Grandsart (Cäcilia Weber), Estelle Micheau (The Diva), Jocelyne Sand (Anna Maria Mozart), Mathias Jung (Colloredo/The Stranger), Patrice Maktav (Lorenzo da Ponte), Jean-Michel Meunier (Fridolin Weber/Joseph II), Marjolaine Piémont (Josepha Weber), Laurie Peret (Sophie Weber), Nuno Resende (Gottlieb Stephanie) Summary: Based on the life of composer Wolfgang Amadeus Mozart. It starts with Mozart leaving the employment of Prince-Archbishop Colloredo and travelling around Europe, just as Mozart das Musical does. However, this musical focuses more on Mozart’s time in Vienna and his relationship with fellow composer and rival Antonio Salieri, while also looking at the relationship with his wife and his father. 
Week 14: Roméo et Juliette 2001 Original Paris Production (Proshot)
27th of November 11pm GMT Language: French Cast:  Damien Sargue (Romeo Montague), Cécilia Cara (Juliet Capulet), Tom Ross (Tybalt), Philippe D'Avilla (Mercutio), Grégori Baquet (Benvolio), Eléonore Beaulieu (Lady Montague), Isabelle Ferron (Lady Capulet), Réjane Perry (The Nurse), Sébastian El Chato (Lord Capulet), Jean Claude-Hadida (Friar Laurent), Frederic Charter (The Prince), Essaï (Paris), Serge Le Borgne (The Poet), Anne Mano (Death) Summary: Based on the Shakespeare play of the same name. An age-old fued between the Capulet and the Montague families erupts into bloodshed. A group of masked Montagues decide to show up to the Capulet’s ball, where Romeo Montague instantly calls in love with Juliet Capulet, who is due to marry her cousin Paris.
Week 15: Jesus Christ Superstar 2014 Swedish Area Tour (Proshot)
4th of December 11pm GMT Language: Swedish TW: suicidal themes Cast: Ola Salo (Jesus Christ), Peter Johansson (Judas Iscariot), Gunilla Backman (Mary Magdalene) Summary:
Week 16: The Last Trial 2016 Russian Production (Proshot)
10th of December 11pm GMT Language: Russian Cast: Evgeny Egorov (Raistlin Majere), Elena Minina (Crysania), Andrey Lobashov (Caramon Majere), Vera Zudina (Takhisis), Alexey Tolstorkorov (King-Priest), Irina Kruglova (Tika), and Anton Kruglov (Dalamar) Summary: The dark mage Raistlin Majere seeks to descend into the Abyss and overthrow his mentor, the dark goddess Takhisis, and take her place as a god. To achieve this goal, he recruits his twin brother Caramon and the innocent cleric Crysania into helping him. But when Raistlin falls in love with Crysania, his bond with Caramon begins to deteriorate, and Takhisis begins to taunt him about his shortcomings, how high of a cost is he willing to pay to achieve godhood?
Week 17: Les Dix Commandements 2001 Original Paris Production (Proshot)
18th of December 11pm GMT Language: French Cast: Summary:
! Skipping two weeks as both Christmas day and News Years day land on Saturdays !
Week 18: I Am From Austria 2019 Original Vienna Production (Proshot)
8th of January 11pm GMT Language: German Cast: Iréna Flury (Emma Carter), Lukas Perman (Josi Edler), Elisabeth Engstler (Romy Edler), Andreas Steppan (Wolfgang Edler), Martin Bermoser (Richard Rattinger), Dolores Schmidinger (Elfie Schratt), Matthias Trattner (Felix Moser), Karim Ben Mansur (Pablo García), Martin Berger (Rainer Berger) Summary:
Week 19: 1789: Les amants de la Bastille 2012 Original Paris Cast (Proshot)
15th of January 11pm GMT Language: French Cast: Louis Delort (Ronan), Camille Lou (Olympe), Rod Janois (Camille Desmoulins), Roxane Le Texier (Marie Antoinette), Sébastien Agius (Maximilien de Robespierre), Nathalia (Solène), Mathieu Carnot (Lazare), David Ban (Georges Jacques Danton), Yamin Dib (Auguste Ramard), Charlie Loiselier (Sonia Ben Ammar/Morgane Rouault/Elisa Bergomi/Eva Baranes), Philippe Escande (Louis XVI), Tatiana Matre (Yolande de Polignac), Guillaume Delvingt (Jacques Necker), Cyril Romoli (Charles X of France) Summary: Set in France during the rule of King Louis XVI, a found revolutionary named Ronan wants to take down Paris after his father is killed by a nobleman. When he arrives in Paris, he encounters and falls in love with Olympe, an assistant governess to the children of Marie Antoinette. But can their love endure as their classes collide and they are separated, determined to find each other again.
Week 21: Le Roi Soleil 2005 Original Paris Cast (Proshot)
22nd of January 11pm GMT Language: French Cast: Summary: Based on the life of King Louis XIV of France. The musical follows Louis from when he is first consecrated King at Reims until his marriage. The musical focuses on Louis’ many relationship with Marie Mancini, an Italian emigrant without nobel birth and his fall in battle that leads his people to believe he is dead, and the fights and opposition his family, the court, and the church have to him wanting to marry someone not of nobel birth.
Week 20: Elisabeth das Musical 2002 Essen Production (Proshot)
29th of January 11pm GMT Language: German TW: themes of suicide, depression, anxiety Cast: Pia Douwes (Elisabeth), Uwe Kröger (Der Tod), Carsten Lepper (Luigi Lucheni), Andre Bauer (Franz Joseph), Jesper Tydén (Rudolf) Summary: See earlier summary.
Week 21: Roméo et Juliette 2004 Hungarian Production (Proshot)
5th of February 11pm GMT Language: Hungarian Cast: Dolhai Attila (Romeo Montague), Szinetár Dóra (Juliet Capulet), Szabó P.Szilveszter (Tybalt), Bereczki Zoltán (Mercutio), Mészáros Árpád Zsolt (Benvolio), Csengery Ottília (Lady Montague), Janza Kata (Lady Capulet), Náray Erika (The Nurse), Csuha Lajos (Lord Capulet), Földes Tamás (Friar Laurent), Németh Attila (The Prince), Homonnay Zsolt (Paris) Summary: See earlier summary.
Week 22: Elisabeth das Musical 2004 Budapest Production (Proshot)
12th of February 11pm GMT Language: Hungarian TW: themes of suicide, depression, anxiety Cast: Janza Kata (Elisabeth), Szabó P. Szilvester (Der Tod), Földes Tamás (Luigi Lucheni), Bereczki Zoltán (Franz Joseph), Dolhai Attila (Rudolf) Summary: See earlier summary.
Week 23: Roméo et Juliette 2010 Paris Revival (Proshot)
19th of February 11pm GMT Language: French Cast: Damien Sargue (Romeo Montague), Joy Esther (Juliet Capulet), Tom Ross (Tybalt), John Eyzen (Mercutio), Cyril Niccolaï (Benvolio), Brigitte Venditti (Lady Montague), Stéphanie Rodrigue (Lady Capulet), Ida Gordon (The Nurse), Sébastian El Chato (Lord Capulet), Frédéric Charter (Friar Laurent), Stéphane Métro (The Prince), Arié Itah (Paris), Serge Le Borgne (The Poet) Summary: See earlier summary.
Week 24: Le Rouge et le Noir 2016 Original Paris Production (Proshot)
26th of February 11pm GMT Language: French Cast: Summary: A French comedy musical based on the novel The Red and the Black by Stendhal. Set during the reign of Napoleon Bonaparte, it tells the story of Julian Sorel’s life in France’s rigid social structure that has now been restored to what it was before the French Revolution. Julian attempts to rise socially beyond his modest upbringing through a combination of talent, hard work, deception and hypocrisy. 
Week 25: Cléopâtre, la dernière reine d'Égypte 2009 Original Paris Produciton
5th of March 11pm GMT Language: French Cast: Summary:
Week 26: Adam et Ève: La Seconde Chance 2012 Original Paris Production
12th of March 11pm GMT Language: French Cast: Summary: A retelling of Adam and Eve. Eden is a major city populated by humans. Solus is about to annonce the marriage of his daughter Lilith to Adam, a general-in-chief of the soldiers of Eden. The end of his speech is interrupted by the rebels, lead by a man called Snake, who have been driven out of the city walls by Solus’ rule. Adam and the other soldiers fight them, but Adam’s attention is captivate by one of the revels, Eve. As Adam and Lilith prepare to say their vows, the revels intervene and Eve convinces Adam to go with her. Solus and Lilith are enraged, and are determined to get Adam back and punish Eve and the other rebels.
Week 27: Ein Wenig Farbe (A Touch of Colour) Original 2018 Vienna Production
19th of March 11pm GMT Language: German Cast: Pia Douwes (Helena) Summary: A musical with only one character, Helena, a trans woman, who recounts her life.
Week 28: Artus Excalibur 2014 Original St Gallen Production Proshot
26th of March 11pm GMT Language: German Cast: Patrick Stanke (Arthur), Annemieke van Dam (Guinevere), Mark Seibert (Lancelot), Thomas Borchert (Merlin), Sabrina Weckerlin (Morgana), Alexander Bellinkx (Ector), Robert Johansson (Loth), Kevin Foster (Sir Gareth) Summary: Based on the legends of King Arthur. Uther Pendragon lusts after the beautiful Igraine and makes a deal with the wizard Merlin to magically disguise him as Igraine’s husband so he can sleep with her. Igraine becomes pregnant with Uther’s child and dies giving birth to him. Merlin names the child Arthur and takes him away to be raised by Sir Ector. In his anger, Uther violates his daughter Morgana before banishing her to a nunnery. Years later after Uther dies, Merlin places the sword Excalibur in a stone and says whoever can pull it out is the next true King of England. Arthur goes to the stone with his best friend Lancelot, and manages to pull the sword from the stone. Arthur now has to deal with suddenly being King, learning his childhood was a lie, the threat of his jealous half-sister, and falling in love and the betrayal it will bring.
Week 29: La Légende du roi Arthur 2015 Original Paris Production Proshot
2nd of April 11pm GMT Language: French Cast: Florent Mothe (Arthur), Zaho (Morgan le Fay), Camille Lou (Guinevere), Charlie Boisseau (Lancelot), Fabien Incardona (Maleagant) Summary: Based on the legends of King Arthur. The musical opens with members of nobility trying to pull Excalibur from the stone, but in the end it is Arthur, a young groom in the service of his adoptive brother, who pulls the sword free. The Kingdom turns their nose up at the idea of a King from lowly birth, but when Merlin reveals Arthur’s true lineage as the son of the last King, some refuse to accept the rule of an illegitimate royal child and declare war.
Week 30: Der Besuch der alten Dame Vienna Boot
9th of April 11pm GMT Language: German Cast: Pia Douwes (Claire Zachanassian), Uwe Kr  ger (Alfred Ill), Ethan Freeman (Klaus Brandstetter) Summary: Based on the play The Visit by Friedrich Dürrenmatt.  Claire Zachanassian is an enormously wealthy older woman who returns to her hometown with a terrible bargain for the townspeople. She wants them to kill the man who got her pregnant and then abandoned her. In exchange she will give them all enough money to revitalize the decrepit town.
I may find more musicals with English subtitles and more people may make and upload ones with English subtitles so just because the list ends here doesn’t mean there won’t ever be more streams after this. (There’s been 2 updates so far.)
I cannot believe how much time this is lasting?! So, if anything happens in my life that means I can’t still host streams in 6 months time please don’t get angry at me and understand I cannot see that far into the future. 
If anything happens that means a stream can’t happen one week, everything will be pushed back one week. If this or anything else happens that effects this schedule I’ll post about it and tag it with ‘#emptymasks musical streams’
Taglist: @tanzderwhat @ladysapphire928 @du-gehoerst-nur-mir @into-the-stratosphere @sloanedestler @me-another-fangirl @ami-fidele @sirona-art @octaviangrey (i cant tag you, i’m guessing you have your privacy settings so people can’t tag you) @smilingwoland @the-weird-dane @ringwraith100 @kisstheghouls @ashadeintheshade @senna-things @aphaea21 @calebara​  @senna-things​ @kreepykittyreturns​ @gaymelie​ @gothic-aesthetic-gal​ @freshbloodandgothicism​ 
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longliverockback · 3 years
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Blackmore’s Night Nature’s Light 2021 Ear Music ————————————————— Tracks: 01. Once upon September 02. Four Winds 03. Feather in the Wind 04. Darker Shade of Black 05. The Twisted Oak 06. Nature’s Light 07. Der Letze Musketier 08. Wish You Were Here 09. Going to the Faire 10. Second Element —————————————————
Ritchie Blackmore
Bard David de Larchmont
Candice Knight
* Long Live Rock Archive
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concerthopperblog · 3 years
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Review: Blackmore's Night Continues to Perfect Renaissance Rock on 'Nature's Light'
Blackmore's Night has always been a polarizing band. Some like the blend of semi-traditional folk and rock the band has pioneered for 20 years. Others lament that a Rock and Roll Hall of Famer and man widely acknowledged to be a pioneer of hard rock guitar is plying his trade in the world's most famous Renaissance Festival act. Blackmore's Night's new album Nature's Light, releasing 3/12, isn't going to change the minds of either of those groups. But, while the majority of the album is very much in the vein of the group's previous outings, there are moments that should appeal to fans of Blackmore's more rock-oriented side as well.
As has always been the case, the driving force behind Blackmore's Night remains the pair who gave the band their name; Blackmore and Candice Night. Blackmore may be known as a guitar hero, but here he proves himself adept at practically any instrument with strings. Over the course of Nature's Light, Blackmore not only plays acoustic and electric (more on that momentarily) guitar, but also mandolin, mandola, hurdy gurdy, and nyckelharpa.
But for those unfamiliar with the band, the real not quite so secret weapon is Night. In addition to her always stellar vocals (and if you really want to see just how far those stretch, check out her guest vocal on the title track of Avantasia's Moonglow), Night also contributes all of the album's “back to nature” lyrics as well as a number of period woodwinds. Throughout the album it is Night's voice, even more than Blackmore's guitar, that offers the album's grandest moments.
About that guitar, though. Even detractors of Blackmore's Night should give a listen to the album's two instrumental tracks. “Darker Shade of Black” begins slowly enough but builds, with Blackmore trading his Deep Purple era earworm hooks for sustained notes and jazzy riffs. Even more enticing to fans of Blackmore's guitar work is “Der Letzte Musketier.” While still retaining the “everything for the song” musicality displayed by Blackmore throughout, this is one place where he truly flexes his hard rock muscles.
Another highlight of the album is the band's only cover, “Wish You Were Here”, not the one by Pink Floyd (though I'd pay to hear that), but by Teijo Olavi Leskela. It's most perfect melding of the soaring vocals of Night and wailing guitar of Blackmore that has always been the band's creative backbone.
The remainder of the album is nothing more or less than you'd expect from a Blackmore's Night album. The musicians are strong throughout, although with “names” like Bard David of Larchmont and Scarlet Fiddler, it isn't doing anything to deter the haters. But that's the point of Blackmore's Night. Always has been. Ritchie Blackmore has accomplished everything he could possibly want in his musical life and Night's vocal and songwriting skills could support her anywhere he wished to ply her trade. The fact that they've chosen Renaissance rock and challenged themselves to blend Fairport Convention with a Renaissance Faire imbues the album with a passion that likely wouldn't be present if either had stayed in their respective “lanes.”
And, in the end, that's what makes Nature's Light stand out. Often, when an artist is phoning it in, it can be heard through the speakers. No one in Blackmore's Night is phoning in even a note of their work. Instead, the pervasive mood throughout is a musical joy, a pure love of craft that is hard not to get caught up in.
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theart2rock · 3 years
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BLACKMORE'S NIGHT mit neuem Studioalbum "Nature's Light"
Am 12. März 2021 erscheint mit “Nature’s Light” das 11. Studioalbum von Blackmore’s Night. Die Band besteht aus Ritchie Blackmore und Sängerin Candice Night.
Die zehn Songs sind eine von Grund auf ehrliche Liebeserklärung an die Folkmusik der Renaissance-Ära, inspiriert von den Mythen und Legenden vergangener Epochen.
“Die Geschichte von ‘Nature’s Light’ ist auch die Geschichte von der Kraft der Natur, die uns jeden Tag umgibt, genauso wie die alltäglichen Wunder, die direkt vor unseren Augen geschehen”, sagt Candice Night. “Wenn man sich von seinem Umfeld eingeschränkt oder bedrängt fühlt, ist es wichtig, auf sich selbst zu achten, seine Energien wieder aufzuladen und dem eigenen Herzen zu folgen. Manche zieht es dabei ans Meer, manche in die Wälder und für andere sind es einfach die Sonnenstrahlen auf dem Gesicht, um wieder Energie zu tanken. Unsere Musik ist ein Ventil für den Stress und den Druck der Neuzeit. Eine Reise zurück in eine einfachere, magische Zeit, in der Musik in unser Herz und unsere Seele dringt.“
Und so findet auf der gefühlvollen Neuauflage der Ballade “Wish You Were Here” auch die Romantik ihren Platz, während “Four Winds” und “The Twisted Oak” verwunschene Geschichten erzählen, stets begleitet durch das einzigartige Gitarrenspiel von Ritchie Blackmore. Vor allem mit den beiden Instrumentals “Darker Shade Of Black” und “Der letzte Musketier” zeigt Ritchie Blackmore einmal mehr, dass sein Gitarrenspiel noch genauso magisch ist wie eh und je.
Copyright: Minstrel Hall Music / Credit: Michael Keel
Das Studioalbum erscheint am 12. März 2021 in mehreren Formaten bei earMUSIC. Darunter ist eine streng limitierte 2CD Hardcover Mediabook Edition inklusive einer Bonus-CD mit neun sorgfältig ausgewählten musikalischen Highlights aus Blackmore’s Nights umfangreichem Backkatalog. Zudem wird “Nature’s Light” als CD Digipak Edition sowie gleich zweimal auf Vinyl erhältich sein – in einer streng limitierten 180g 1LP Gatefold Edition auf gelbem Vinyl und einer 180g 1LP Gatefold Edition auf schwarzem Vinyl.
“Nature’s Light” Album Tracklisting 01. Once Upon December 02. Four Winds 03. Feather In the Wind 04. Darker Shade of Black (Instrumental) 05. The Twisted Oak 06. Nature’s Light 07. Der Letzte Musketier (Instrumental) 08. Wish You Were Here 09. Going To The Faire 10. Second Element
“Nature’s Light” ist ab sofort vorbestellbar: CeDe / Amazon
Weitere Infos unter  Web: www.ear-music.net Web: www.blackmoresnight.com Facebook: https://www.facebook.com/blackmoresnightofficial/ Youtube: https://www.youtube.com/user/TrueBlackmoresNight
Quelle: networking Media
BLACKMORE’S NIGHT mit neuem Studioalbum “Nature’s Light” was originally published on The Art 2 Rock
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So.... what would everyone's favorite musicals be?
Mikasa: The Addams FamilyReiner: Jerry Springer: The OperaBertholdt: Mamma Mia!Annie: Phantom Of The OperaEren: 3 MusketiersJean: Pink Floyd - The WallMarco: Singin’ in The RainSasha: Avenue QConnie: A Very Potter MusicalHistoria: American idiotArmin: HamiltonYmir: Hedwig And The Angry InchLevi: Doesn’t like musicals, reallyHanji: Legally BlondeErwin: The ProducersNanaba: Mary PoppinsMike: The Rocky Horror ShowMoblit: School Of Rock
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dArtagnan – neues Album
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einer für alle, alle für einen – das berühmte Motto aus Alexandre Dumas‘ mehrfach verfilmten Roman gilt auch für dArtagnan, die Nürnberger Band, die sich dem Musketier-Rock mit Leib und Seele verschrieben hat. Die drei Musiker stehen bereit, um mit ihrem dritten Streich "IN JENER NACHT" und ihrer eigenen Mischung aus Pop, Rock, Folk und Schlager erneut die Gunst ihrer zahlreichen Anhänger zu erobern. Nürnberg, Anno 2015 – dArtagnan ziehen hinaus in die Welt, um nach alter Sitte edler Musketiere mit musikalischen Heldentaten die Herzen schöner Frauen zu erobern. Doch die Neue Deutsche Folkmusik der drei Musiker findet auch bei den Herren großen Gefallen, sodass bereits ihr Debüt "SEIT AN SEIT" auf Anhieb Platz 7 der Deutschen Albumcharts erobert und sogleich vergoldet wird. Dabei sorgen dArtagnan zunächst medial für Wirbel und treten erst einmal in Samstagabend-Shows auf - ein Tabubruch für Mittelalterrock- und Metalkreise, die sich als Gegenpol zur TV-Unterhaltung verstehen. Doch dArtagnan gelingt das Kunststück, auf beiden musikalischen Hochzeiten zum Tanz aufzuspielen. „Wir fühlen uns im Fernsehen wie auch auf dem Wacken Open Air zuhause“, betont Ben Metzner. „Wo immer die Leute unsere Musik hören wollen, treten wir auf.“ Die Erklärung für dieses Phänomen, Zuschauer von jung bis alt, vom Schlagerfan bis zum Headbanger zu begeistern, ist überraschend einfach: Qualität! dArtagnan überzeugen durch handwerkliches Können, was in zahlreichen Live-Shows immer wieder unter Beweis gestellt wird und dazu durch starkes Songwriting. Die Band mit Ben Metzner als kreativem Kopf landet sowohl Gassenhauer als auch kernige Folk-Hymnen zum Mitsingen. Mit Gold in der Tasche machten sich dArtagnan prompt an ihr zweites Album: "Verehrt & Verdammt" brachte der Band neben einem erneuten Chart-Erfolg ganz nebenbei mehrere Stadionkonzerte als Support bei Andreas Gabalier und eine noch deutlich vergrößerte Fangemeinde ein. Nun wagen sich Ben Metzner und Tim Bernard zusammen mit neuem Teufelsgeiger Gustavo Strauß auf zu neuen Ruhmestaten. "IN JENER NACHT" steht bereit die Herzen der Fans im Galopp zu erobern. Das Album zeichnet sich durch die scheinbare Leichtigkeit aus, mit der dArtagnan nicht nur Brücken über Genregrenzen bauen, sondern auch ihrer Erfolgsgeschichte neue Facetten hinzufügen. „Für mich ist IN JENER NACHT ein Befreiungsschlag“, verrät Bandkopf, Sänger und Multiinstrumentalist Ben Metzner. „Nach dem Gold-Award lastete beim Schreiben ein riesiger Erfolgsdruck auf mir. Ich dachte, ich müsste es allen recht machen. Das neue Album ist dagegen eher aus dem Bauchgefühl entstanden und mit Gustavo Strauss an der Geige haben sich uns Welten an neuen Möglichkeiten eröffnet.“ Für die exzellente Produktion von "IN JENER NACHT" zeichnet Thomas Heimann-Trosien verantwortlich, der bereits mit seinen Arbeiten für Mittelalter-Rocker wie Schandmaul oder Saltatio Mortis erste Plätze in den Charts und Goldene Schallplatten einheimsen konnte. "IN JENER NACHT" VIDEO: https://youtu.be/e5zB05l5wdg "SING MIR EIN LIED" VIDEO: https://youtu.be/gm2FkNWN3V8 MCS Marketing & Communication Services Read the full article
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hittveu · 5 years
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  Kultur- und Festspielstadt Bad Elster Aktuelle Presseinformationen zu Veranstaltungen der Chursächsischen Veranstaltungs GmbH für die KW 20
RUCKSACK, REISEN & ANDERE KATASTROPHEN! Am Dienstag, den 14. Mai lädt der Multigitarrist Krishn Kypke um 19.30 Uhr zu einem musikalischen Reisebericht unter dem Titel „Rucksack, Reisen und andere Katastrophen!“ mit Bildern und exotischen Instrumenten in das Königliche Kurhaus Bad Elster ein. Der weltreisende Multigitarrist nimmt sein Publikum mit auf eine Reise durch die Klänge der Welt. Denn nach seinem Musikstudium bereiste er selbst Länder wie z.B. Indien, China, Malaysia oder Usbekistan. Die auf diesen Reisen gewonnenen Eindrücke hat er in einem klang- und kontrastreichen Konzertprogramm verarbeitet. Er reiste auf der Seidenstraße, bekam in Indien einen Kulturschock und überstand im Himalaya 40 Grad Fieber, um in Kashmir das »Grab Jesu« besuchen. Auf seinen Abenteuerreisen lernte er aber nicht nur die Kultur, Land und Leute kennen, sondern auch deren Musik und Saiteninstrumente. Diese stellt er nun auf seinen konzertanten Reiseberichten vor. So bekommt das Publikum einen Abend geschenkt, an welchem im besten Sinne »Worldmusic« zu hören ist. Neben der Gitarre erklingen so Sitar, Dutar, Pipa und Tumbi. Dazu werden Reiserlebnisse erzählt, die mal heiter, mal dramatisch und manchmal auch beides gleichzeitig sind. Es erklingen exotische Instrumente und Melodien aus fernen Ländern, aber auch Bearbeitungen und eigene Kompositionen. Tickets: 037437/ 53 900 | http://www.chursaechsische.de
Der Konzert-Tipp der Woche: MUSKETIER-ROCK IM KÖNIG ALBERT THEATER! Aufgepasst Ihr Haudegen, Edelfräuleins, Kavaliere & Königinnen: Am Freitag, den 17. Mai beehren die Jungs von d’Artagnan um 19.30 Uhr mit ihrem Musketier-Rock das historische König Albert Theater Bad Elster. An diesem Abend heißt es: Einer für alle und alle für einen! Nachdem die Jungs aus Nürnberg in die Top Ten einstiegen, Preise abräumten und sich in die Herzen der Fans spielten, darf sich nun Bad Elster auf den dritten Streich der Musketier-Rocker freuen! Mit »Seit an Seit« eroberten sie über Nacht den Pophimmel, wurden ausgezeichnet als »Newcomer des Jahres« und erreichten Goldstatus. Im März 2019 erschien nun das neue, dritte Album »In jener Nacht« und damit erobern sie nun das Königsbad. Das Album sprüht voll Spielfreude. Der Sound der Band ist zum einen folkiger, zugleich aber geradliniger geworden. Dazu testen d‘Artagnan weiter die Grenzen aus. Von mitreißenden Rocksongs, über epische Werke über den 30-jährigen Krieg bis zu schmissigen Party-Hits ist alles dabei. Bleibt die Frage: Seid Ihr dabei??? In den Abend starten die Gossenpoeten mit irischen Folksliedern, britischen Heldensagen, Tavernen-Anekdoten und Seemannsgarn! Für alle, denen ein »normaler« Konzertabend noch nicht genug ist, gibt es für die Bad-Elster-Show auch noch einige wenige, besondere VIP-Tickets mit Soundcheck-Besuch, Meet & Greet und Überraschungsgeschenk. Tickets: 037437/ 53 900 | http://www.koenig-albert-theater.de
Der Theater-Tipp der Woche: DIE VÖGEL – DER HITCHCOCK-KLASSIKER IN BAD ELSTER Am Sonnabend, den 18. Mai präsentiert das renommierte Berliner Kriminaltheater um 19.30 Uhr im König Albert Theater Bad Elster eine fesselnde Bühnenadaption des Thrillers »Die Vögel« von Conor McPherson in der Regie von Wolfgang Rumpf. Die weltberühmte filmische Umsetzung des Stoffes von Alfred Hitchcock aus dem Jahr 1963 gilt als Klassiker des Horror-Genres. Das Publikum erlebt nun diesen Thriller in einer fesselnden Bühnenadaption zum 2. Rhododendronfest mit dem renommierten Berliner Kriminaltheater – Vögel frei. Ein halb zerfallenes, verlassenes Haus an einer Bucht. Hier suchen Nat und Diane Zuflucht, zwei Fremde, beide Ende vierzig, um sich vor dem apokalyptischen Ansturm der Vögel zu schützen. Aber das Haus ist nur vorübergehend sicher: Der Strom bricht zusammen, die Lebensmittel werden knapp und die Vögel bedrängender. Nach und nach schwinden die Zeichen anderen menschlichen Lebens: Die Schreie der Überlebenden draußen verklingen, das Radio hört auf zu übertragen. Was bleibt ist das Heulen des Windes und das zwei Mal täglich wiederkehrende Wüten der Vögel. Tickets: 037437/ 53 900 | http://www.koenig-albert-theater.de
SPRITZIGE MUSICALREVUE ALS REISE ZUM BROADWAY! Am Sonntag, den 19. Mai heißt es um 19.00 Uhr wieder Vorhang auf für »Broadway’s Best« im König Albert Theater. Diese heitere Musicalshow präsentiert dem Publikum zum Abschluss des 2. Rhododendronfestes eine unterhaltsame, kurzweilige Reise durch lebendige Musicalgeschichte! Die Musical Company Leipzig präsentiert an diesem Abend die unterhaltsame Theatershow gemeinsam mit dem Chursächsischen Salonorchester unter der Leitung von Ekkehard Meister als mitreißenden Querschnitt weltweiter Musicalerfolge. Auf einer spritzig-heiter inszenierten Reise zum Broadway erklingen dann im König Albert Theater berühmte Titel wie »Somewhere over the Rainbow«, »Memory« oder »Cabaret« bzw. die bekannten Melodien aus Musicalwelterfolgen wie »My Fair Lady«, der »West Side Story« oder dem »Kleinen Horrorladen«. Aber auch weltweit erfolgreiche Musicalhits aus dem »Tanz der Vampire«, »Der Schönen und das Biest«, »Starlight Express« oder »Dracula« werden das Publikum charmant verzaubern. Die erfrischenden Darbietungen begeistern dabei als pures Musicalvergnügen und bieten große Unterhaltung im glänzenden Showambiente Bad Elsters – Wir sagen »Willkommen – Bienvenue – Welcome«! Tickets: 037437/ 53 900 | http://www.koenig-albert-theater.de
Abgerundet wird das blühende Programm in den Königlichen Anlagen der Kultur- und Festspielstadt Bad Elster mit verschiedenen Kammermusikprogrammen von Ensembles der Chursächsischen Philharmonie und Folklore-Konzerten mit Orchestern der Musikregion Vogtland. Die Veranstaltungen können selbstverständlich jederzeit mit Rahmenprogrammen aus Erholung & Kulinarium kombiniert werden. Alle Infos zum Aufenthalt: 037437 /53 900 | http://www.badelster.de
VORSCHAU BAD ELSTER
Mo 20.05. | 19.30 Uhr | König Albert Theater Eröffnung des Clara-Schumann-Jahres 2019 in Bad Elster MICHÉLE RÖDEL & RADIM VOJÍR: »Die gute Nacht, die ich Dir sage« Romantischer Liederabend zum 123. Todestag von Clara Schumann
Di 21.05. | 19.30 Uhr | Theatercafé THEATERCLUB SCARLETT O‘ & JÜRGEN EHLE (ehem. Wacholder/Pankow) Lieblingslieder aus 15 Jahren
Mi 22.05. | 19.30 Uhr | König Albert Theater HEIKE-ANGELA MOSER & DAVIDE OSELLAME: »Polonaise für (m)einen Ur-Ur-Uropa Robert Schumann« Klavierkonzert auf zwei Flügeln mit vier Händen zum 105. Geburtstag des König Albert Theaters
Fr 24.05. | 19.30 Uhr | König Albert Theater GOLDMEISTER Hip-Hop trifft Swing
Sa 25.05. | 19.30 Uhr | König Albert Theater FRITZ KARL & TANGO DE SALON: »Du hörst mir ja doch nie zu« Verissimo-Lesung mit Tangomusik
So 26.05. | 19.00 Uhr | König Albert Theater DÉSIRÉE NICK: »Die letzte lebende Diseuse – Blandine Reloaded« Glamouröse Kabarett-Revue
Quelle: Marketingdirektion Chursächsische Veranstaltungs GmbH
Chursächsische SommerNews Bad Elster Kultur- und Festspielstadt Bad Elster Aktuelle Presseinformationen zu Veranstaltungen der Chursächsischen Veranstaltungs GmbH für die KW 20…
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ask-cherrytale · 6 years
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Isn't it obvious he wants you sangu wants your soul cherry if you can help us cherry me muskety and jasmine will make sure your safe from him so please
*Another rock flies in What's the point in trying I'll just lose control again(Note: Cherry lost control of the souls in the chapter before you arrived )
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Newsflash (dArtagnan, Notorious B.I.G., Wu-Tang Clan)
+++ Die Nürnberger Band dArtagnan, die, die sich dem Musketier-Rock verschrieben haben, geben mit In jener Nacht Grund zur Freude. Denn dieser ist Vorbote, Video und Ankündigung zum kommenden, gleichnamigen Album, das am 15. März 2019 via Sony Music erscheinen wird. Den Song gibt es ab dem 18. Januar auch bei Spotify und Co zu […] Der Beitrag Newsflash (dArtagnan, Notorious B.I.G., Wu-Tang Clan) erschien zuerst auf tongues of destruction. http://dlvr.it/QvcQLt
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emptymasks · 3 years
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Where to watch and listen to non-English language musicals?
I’ve been thinking about making a post like this for a while but wondered hm do I want to be giving out links to free downloads of musical audios publicly when really I want to promote people still buying CDs because one, it supports the artists, and two, I think it’s better to own things still rather than just own things digitally. But I found an extra treasure trove I didn’t know about before and I feel a need to share because I didn’t make it, it’s already online, so why shouldn’t I tell people about it? And then this was just going to be for audios and not videos and I was going to make a separate post but figured it would be easier if all the info was on one post. I actually was going to post this on my sideblog @europeanmuscials but I accidentally made the draft under my main blog which meant I couldn’t change it later and I couldn’t be bothered to cope and paste and redo all the images and tags because I didn’t save the images I just copy and pasted them so oh well.
Purchasing
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So as I always preface when I share info on where to stream musicals, PLEASE try always support the artists by buying CDs and DVDs! I know a lot of the musicals here are 10/20+ years old and you cannot get the CDs anywhere anymore, but when a new musical comes out please try and get the CD without instatnly looking for a download.  You can purchase non-English language musical CDs, DVDs and other merch from places like soundofmusic-shop.de or Ebay, or Yahoo Auctions for Japanese musicals, using a proxy shipping service, I personally use ZenMarket. Those are how I’ve gotten all of mine, getting them off Ebay or Yahoo Auctions means they’ll likely be second hand and there is nothing wrong or weird about buying second hand goods.
Streaming Audio
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Spotify. A lot of German and French musicals are on Youtube. I have a series of playlists that will help you find them easily: one is my favourite songs from a bunch of different non-English language musicals, one of songs from solo albums from European and Asian musical theatre artists, and this one which is going to be the most help that is a huge playlist of every single full cast album of every non-English musical cast album I have found on Spotify. Please let me know if I’ve missed any on there and I’ll add them.
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Youtube. Some official cast albums are also on Youtube, normally official uploads that match the Spotify uploads. Ones I know of that aren’t on Spotify for example is the original 2003 Dutch production of one of my favourite musicals 3 Musketiers and the 2005 German production of it.
Streaming Video
I want to preface this with how unlike Broadway and the West End, it’s fairly common for European musicals to get proshots and DVD and Bluray releases and so you don’t normally need to resort to looking for bootleg videos and can watch and purchase the pretty official proshots instead.
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Youtube. There’s so many different channels uploading them to Youtube that for ease I made a playlist of every full length production on Youtube starting with the ones that have English subtitles. I also have playlists for different individual musicals and misc European musicals that are full of shorter videos: clips, interviews, behind the scenes, concert performances and other videos that aren’t full length production videos. These playlists are constantly updated.
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Bilibili. A Chinese video sharing website. It has a lot Asian musicals of course, but European musicals, in particular French and German ones, have a very dedicated fanbase in Asia and so there are a lot of videos on here. You can search for then using the English/Roman alphabet and they normally come up fine. Easiest way I search on there is using the name of the musical/actor and a year.
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VK. A Russian social media similar to Facebook. There are multiple fanpages for specific actors and musicals where I’ve found videos, but you can also search over all of VK. You might need an account to do this, I don’t remember but I think you do and that’s why I made one there. Here’s links to fanpages for Drew Sarich, Jan Ammann, Mark Seibert and Thomas Borchert.
Downloading Audio
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r/castrecordings on Reddit. It’s a community of traders and you can make a reply to their request threads for the month asking if anyone has the audio you’re looking for, but please check first to see if it’s already been uploaded. I have downloaded many audios off there and I also have uploaded audios to there if I see someone request something that I have because I feel that it’s only fair for me to help others out there when I’ve downloaded things off there so many times. Be aware download links on here often get deleted and so a lot of older posts don’t have working download links anymore, but you can just request for a new working download on the request threads.
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archive.org. Now I would never have thought of looking there, but I was on there because they have a lot of old silent films and so I was looking to watch the original Phantom of the Opera film and when I searched Phantom I was surprised by some cast albums that came up. So I wondered what would happen if I just looked at audios and oh I have found a wonderful little treasure trove. User musical_lover_1980 has uploaded over 1 thousand cast albums of Broadway, West End and non-English language musicals and a few film soundtracks. A lot of ones on there I’ve found before on r/castrecordings, but I was so happy to find a number that I didn’t already have. There’s even one Takarazuka album on there, which isn’t a lot but do you know how rare and hard those things are to find. And the Korean Frankenstein musical cast album!!
EDIT: also the account @ WennLi3b3 on archive.org is uploading audios and proshot videos 
Because I will be link to external sites this might not show up in tags so I appreciate the reblogs. Please don’t share this post outside of Tumblr, nor any of the audios I post here outside of Tumblr. If I find that happening I’ll delete everything and not post audios or information like this anymore. Apologies if there are typos or any mistakes here.
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musikglut · 7 years
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dArtagnan – der Musketier-Rock geht in die zweite Runde wurde von Newsbot auf fotoglut.de veröffentlicht
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vollständiger Artikel auf: http://a.fotoglut.de/f61E2
WEITERLESEN auf: http://a.fotoglut.de/f61E2
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1-50 #notevensorry #ily
oh wow, so much for going to bed early today^^
1. what’s your favorite musical?
ALL OF THEM
but my top faves over the years have been Elisabeth, 3 Musketiers, Into The Woods, RENT, Jesus Christ Superstar, Book of Mormon, Hamilton, and most recently, Dear Evan Hansen
2. favorite character in your favorite musical?
Robert from Company, Elphaba, The Witch from Into The Woods, Angel from RENT
3. what’s your favorite play?
bruh, SO MANY. recently i’m really into chekhov again, I recently saw an amazing Ivanov. other than that, I’m absolutely into Shakespeare, and I have a weakness for Schillers Die Räuber. Oh, and Andorra by Max Frisch.4. favorite character in your favorite play?
Viola from Shakespeare’s Twelfth Night maybe?? I love her.
5. what’s your dream role?
macbeth. andri in Andorra. Robert in Company. Mercutio in Romeo and Juliet. Antigone.
6. what’s a role you’d like to play that you’d never be able to?
I’m probably never able to play any of the roles I just mentioned, so…
7. do you prefer being behind the scenes or in the spotlight?
i mean going into dramaturgy, I will have to be happy with staying behind the scenes, but my heart will always bleed because I’m not on stage
8. do you like hamilton?
IT’S MY JAM I LOVE IT SO MUCH I CRY
9. have you seen hamilton?
AND I CRY SOME MOREmaybe one day, now that it’s coming to London
10. how do you feel about hyped up shows like hamilton, les mis, and rent?
Honestly, I couldn’t care less about how hyped they are. I love all my faves equally, doesn’t matter if it’s Wicked or some obsure 40’s book musical no one has played for decades. the good thing about hyped shows is: better cast recordings, better bootlegs, movie versions, all that nice stuff.
11. did you like this year’s tony awards?
didn’t watch the last tonys tbh. i don’t even know why, there wasn’t any particular reason
12. what award should there be that isn’t?
huh, don’t know, maybe one that specifically honours female writers and composers?
13. what shows have you been in/helped with?
mostly plays: my first one was Andorra, then a Shakespeare mashup thingie, then an original play about a teen with Aids, then an awesome one that was called The Trojan War Will Not Take Place, then Pension Schöller, then I was singing Carmina Burana, then Andorra again, and then a revue kinda thingie where we did various songs from musicals, operetta, opera, some choreographies, some other stuff… I probably forgot a few things, but oh well.
14. have you ever been paid to act onstage or on camera?
haha nope
15. do you prefer broadway or west end shows?
well I’ve never been to broadway. I’ve seen a couple of shows on west end tho. but one day I will go to Broadway and watch all the shows. have to get awfully rich first though
16. favorite stage actress?
Pia Douwes was one of my first stage crushes. of the german speaking ones, I also really love Sabrina Weckerlin, Annemieke van Dam, Lucy Scherer, Isabel Dörfler and Kerstin Ibald. Internationally, i have a huge crush on Kelli O'Hara, Phillipa Soo, and Alexia Khadime.
17. favorite stage actor?
Carl van Wegberg was my first crush, 12 years ago in Elisabeth. Rasmus Borkowski tho. And Oliver Arno and Serkan Kaya and Ben Platt and Nic Rouleau and tbh I have a bit of a thing for Aaron Tveit. Neil Patrick Harris, I know, I know, but DAMN i’m still not over his “Being Alive” and never will be.
18. favorite show currently or recently running?
Might be Dear Evan Hansen. I don’t know it well enough yet to say for certain, but damn, I love it!!!!
19. what’s your dream #ham4ham (even if you don’t like hamilton)?
my favorite one? obviously the schuyler georges. and the one where they got various people to do guns and ships. or is the question, who would I want to be at a ham4ham? Then my answer is Dame Julie Andrews of course. damn, forgot to mention her at my fave actresses.
20. who should host the tony’s next year?
LMM? With Dwayne The Rock Johnson as a co-host.
21. do you watch broadwaycom backstage vlogs?
from time to time. though it’s been ages since i last did that.
22. what’s your opinion on movies turned into musicals?
well, everything is turned into musicals these days. I don’t care so much what the source material is, as long as the music is good and the characters are great and it works with the plot. i mean, generalizing doesn’t really work, because you got stuff like Heathers, and then something like the Spiderman musical, so…
23. do you prefer musical movies or live musicals?
i love both, for very different reasons. i mean live theatre though. i have yet to find anything in this world that compares to it.
24. do you have an opinion on american psycho?
haven’t seen it. don’t care about it.
25. what movie would you want to be turned into a musical?
hmm. something gay. Imagine Me And You maybe? Or, wait, hold on, holy shit. PRIDE THE MUSICAL.
26. what role would you like to see your favorite actor play?
umm…. Ben Platt should go places, and get the parts he wants to have, and get to create new parts, because he’s amazing and he deserves it and I would probably watch him play a banana peel for two hours straight because he’d be amazing at that as well.
27. do you prefer musicals, plays, or operas?
I LOVE ALL OF IT???? DON’T MAKE ME CHOOSE THAT’S SO RUDE
28. dramatic plays or comedies?
again, cannot choose. both is good.
29. andrew lloyd webber or stephen sondheim?
Sondheim, always. I love JCS and I will fight anyone for the trash show that is Joseph and the Amazing Technicolour Dreamcoat, but that’s about it with Webber. Sondheim hasn’t done anything wrong in his life, ever, and I know this, and I love him.
30. neil patrick harris or james corden?
i mean, I love James Corden, but I mentioned it before, NPH in Company. BRUH.
31. did james corden do a good job hosting the tony’s (in your opinion)?
don’t know, didn’t see it
32. create a show mash-up and explain the plot (ex: legally todd = sweeney todd + legally blonde)
umm???? okay I’m tired and not very clever anymore, so the only thing I can come up with is
hamilrent - a couple of angry twenty- and thirtysomethings trying to make a change in american politics while being broke af
33. what song always makes you cry?
“Being Alive”. Isn’t it boring that I keep on bringing this up over and over again? I know. I still cry. Also “Children Will Listen” from Into The Woods. And “Wo ist der Sommer” from 3 Musketiers. And so far, “You Will Be Found” from Dear Evan Hansen.
34. how do you feel about musicals using other artists’ music?
like in jukebox musicals? I’m mostly trash for it tbh. We Will Rock You is such a trash fest but I love it, and I will always fight anyone on Mamma Mia.
35. what celebrity would you like to see on broadway next?
idk amandla stenberg?
36. favorite show you’ve been in?
we did a huge medley of “Im Weißen Rössl” once and tbh i love this operetta. it’s cheesy af but who cares.
37. would you like to act professionally?
i would. i gave that up a while ago though, when I realized I was too disabled to be accepted into acting schools.
38. television or stage acting?
i would personally always choose the stage over television acting, but I don’t necessarily think one is better than the other
39. what disney movie should be a musical that isn’t?
not sure if moana could work on stage but damn i love that music
40. if you could see one show on broadway or west end, what would it be?
i really miss book of mormon and I want to see it again, but hamilton or dear evan hansen would be first i guess. or fun home.
41. what musical should be revived next?
i’m so glad miss saigon is coming back, i love it. how about we bring back Into The Woods?
42. are musical sequels okay?
i personally don’t care much for them, but i don’t condemn them. like, i dislike theatre that’s made solely for the purpose of making money, which is something sequels are usually about. but that doesn’t mean that sequels are always and will always be a bad thing.
43. what musical sequel would you like there to be that isn’t?
umm???? well it would make sense for there to be a wicked sequel, since the book has a sequel as well? or, maybe not exactly a sequel, but more history musicals in the style of hamilton? that’d be rad.
44. have you ever had a crush on a character from a show?
umm. … no? *sweats nervously* why would you ask that…….? … never
45. how do you feel about musicals being done live on tv now?
i think it’s a cool idea in general, making musicals more accessible to a wider audience, in a way that’s closer to live theatre. i just think the format is still too new and it needs a lot more practice until it’s going to work.
46. did you like grease live?
haven’t seen it
47. are you excited for hairspray live?
i was really excited beforehand, and then i was absolutely disappointed because it was more racist, more sexist, more ableist, and generally worse than the movie version, and while the cast was good, it wasn’t good enough to save bad directing.
48. what show do you desperately want your school/community to do?
well, I want RENT to be back in Germany, and not in the horrible German translation please. Maybe my current employer could get on that? they’re known for excellent stagings of musicals, and they also did Anything Goes in the english original.
49. are you a stronger singer or dancer?
i’m not great at either but I love doing both. since my body is a bit shit though, I suppose i have a slight advantage for my singing.
50. would you rather design the set, direct the show, or help with effects?
i already helped with video and audio effects once, that was fun. i’m no good at set design, and directing doesn’t sound too bad, but I’m not into the creative pressure that comes along with directing. i think I’ll just stick to my dramaturgy. :P
thanks love, for all the questions!
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emptymasks · 3 years
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I love the fact that you have this master playlist of European musicals on YouTube. Could you possibly make a separate playlist of all the European musicals which specifically include English subtitles?
That's a good idea! I originally would put all English subtitled videos to the top of the playlist, but now the playlist is so long it takes forever to move videos up there and sometimes Youtube just glitches out half way through me trying to scroll up and ah.
So, yes I can, and I have now.
european musicals: so you want to get into non-english language musicals | euro musicals, asian musicals: https://www.youtube.com/playlist?list=PLLBkeZOvj5B8bSgfsMiGBnF_OnmqTbDdW
european musicals (ENG SUBS ONLY): so you want to get into non-english language musicals | euro musicals, asian musicals: https://www.youtube.com/playlist?list=PLLBkeZOvj5B9Bpc4XYhZhPEEPpSkWKgQd
Note: These are only the videos that are on Youtube. There are some videos that have been taken down off Youtube/channels deleted/videos blocked in certain countries. I constantly save videos from Youtube and if a Proshot with subtitles gets taken down, I reupload them to archive.org where Youtube can't touch them. So far I have two on here (Mozart das Musical 2015 in HD 720p and the Mozart L'Opéra Rock 2011 3D) and I am in the process of uploading Les Dix Commandements as it just got blocked on Youtube: https://archive.org/details/@wennli3b3 You can stream and download the videos from there. (If you don't want to scroll through all the Musical CD audios I have posted there that you can stream and download, you can filter by 'movies' in the side panel).
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emptymasks · 3 years
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I’ve seen a lot about your thoughts on Elisabeth and Tanz der Vampire, and they’ve been really helpful getting into those musicals! But you have a huge list of other musicals that people can get into…
So I was wondering if you had any musicals you hadn’t mentioned in a while that you really like or would like to talk about??? (preferably something from your lists that has a blue heart please?)
Oh if only you knew how long the list of European musicals really is... I however have only seen 9 (if I counted right) and I have a lot more that I still need to watch. Oh also, I only put the blue hearts on any musicals that I was providing multiple links for so people could see which version I reccoment the most highly. If a musical only had one link and didn't have a blue heart it doesn't mean I didn't like it.
I've watched: Mozart das Musical, Elisabeth das Musical, Tanz der Vampire, 3 Musketiers, Mozart L'Opéra Rock, Dracula (the Graz production), Rebecca das Musical, Roméo et Juliette and Schikaneder.
If you enjoyed those two you're likely to enjoy Rebecca! It's written by the same composer/lyricist team as Elisabeth and Mozart (and same lyricist as Tanz der Vampire - though if you're listening to any German musical, original or translated, 90% of the time the lyrics will have been done by Michael Kunze that man is everywhere). The Stuttgart production has my favourite set design of any musical! Well... Actually probably. There are so many big set pieces it's insane, way more than I've seen in some Broadway and West End musicals. You can tell so much work went into it and the visual effects that I won't spoil if you don't know the plot but if you know the plot you know what I mean by the effects at the end are so good and I didn't expect them at all and I freaked out so much the first time I watched it. Jan Ammann as Maxim in the Stuttgart production is the best Maxim. No I won't take any argument. Other actors feel a bit one-dimensional to me, but the way Maxim acts at times comes from trauma and some actors and productions seem to forget that, but Jan really goes for it and his Maxim is a lot more sympathetic and I just want to give him a hug. Pia Douwes as Mrs Danvers, if you've seen her in Elisabeth what more do I need to say, she's amazing. A musical goddess. Her Danny is a bit more wild than some, but she kills it. My favourite video, which I put the blue heart next to, has understudy Christina Patten as Ich/I, but I adore her she's my favourite. She adds some spunk to Ich in act 2 and her voice is so pretty and aaaa. I just love these three actors together in these roles.
Roméo et Juliette is another favourite of mine! It's hard to choose which one to recommend, but it has to be the original 2000/2001 production because of the sweetness and chemistry and voices of Damien Sargue and Cecilia Cara as Romeo and Juliet. They're so pretty and work together so well. The only reason I say it's hard to pick is Mercutio. I adore him, but in the original production they cut out a song they had planned for him and he doesn't really do much at all? In the 2010 revival they gave him two more songs and you care about him so much more and John Eyzen plays such a good Mercutio. So I'd recommend the original but if you want to like Mercutio more, which you should he's amazing, I'd recommend watching at least clips of John's. It's an interesting musical because all productions are non-replica and also change around the order of songs, add or take away characters, all sorts. The Hungarian production is also very popular and I'm sure it's great, I just haven't' gotten around to watching it yet.
Mozart das Musical was the first non-English language musicals I watched so I have a fondness for it, but it's not my favourite. However, I do realise I have forgotten most of the songs and the few I've gone back and listened to are better than I remember.
Dracula isn't super popular and I understand why, I don't love the plot of the Dracula/Mina romance in it, however. I do love this musical because despite how I find the plot lacking, the songs are so good! At least, I love them. And the actors are all doing a great job. And it's one of the few Dracula adaptions to keep Quincy Morris so they get bonus points for that.
Mozart L'Opéra Rock and modern French musicals... This isn't necessarily a bad thing, but they're often more like pop-rock operas now. So if you're not into musicals with that style of music it might not be for you, but I still enjoyed it even though I didn't think I would because of the style of music. Mozart and Salieri's chemistry is very good, Salieri's bisexual crisis song is iconic, actually all of Salieri's songs are iconic.
Schikaneder... eh. I didn't like it that much and I didn't really like any of the songs. There's no English subtitles, but someone sent me the entire English synopsis and I watched it with a German friend so I had double the help of understanding it. Doesn't mean others might not like it, just none of the songs stood out to me and I had no desire to listen to any of them again. It's by Steven Scharwz of Wicked fame and I love Wicked, but I didn't love this.
3 Musketiers!! God it's so underrated and not spoken about within the European musical fandom that I even forget about it and literally forgot to write about it earlier in this post. It's a Dutch musical (though did also have a German production) and it's really good!? Faces you might know are Pia Douwes as Milady de Winter, Stanley Burlseon as Cardinal Richeliu (Netherlands Der Tod in Elisabeth), Henk Poort as Athos (Netherlands Phantom and Jean Valjean). The dialgoue is funny, the songs are good, some of the set pieces have no right to exist in this tiny musical?? They made this giant boat and pelt the actors with rain just for one 5 minute song and then we never see the boat again? And while I recommend the Dutch one because Dutch musicals deserve more love and it has official English subtitles!! Official ones, not fanmade! I have the DVD and it comes with English subtitles (and Dutch and German subtitles) which is so nice. The German version is also good, good cast, Pia came back and Uwe Kroger as Richeliu and omg they rearranged the songs and the German arrangement of Nicht Aus Stein is insane and amazing and frankly iconic.
That's all of the ones I have watched. Next on my list to watch are Rudolf and Notre Dame de Paris, both of which I have listened to some songs from and already love (I've listened to way too much of Notre Dame de Paris and am so in love).
I want to start organising streams where I'll host the musical either by getting the video from Youtube or my own files and anyone who wants to join can come along and watch with us, chat with us if you want or just watch there's no pressure to chat. I thought about doing weekly streams? This would also make me finally watch some of the ones I've been meaning to for ages. But I keep wondering about time zones. I'm in the UK and would want to stream at about 11pm at the latest (11pm BST/GMT+1 as we’re in daylight savings at the moment, if the streams continue past the end of October which would be wild then I’ll make a note of the time change that would be to 11pm GMT), which I know can work for other UK and Europeans, but for any Americans would be in the afternoon. So, I wondered if doing it on a weekend would be better? Then it doesn't matter if it's in the afternoon? Maybe Saturday evenings then? It would either be Saturday evenings UK time or Friday evenings UK time. What do you guys think? If people are down then I'll make a separate post with a list of what we'll be watching each week and if anything happens to me that means I can't stream one week then everything will just get pushed back a week, but I don't see that as likely to happen. And I'll only be streaming those that have English subtitles, so don't worry about not being able to understand anything.
edit: am also open to 10pm bst if others want that, im just trying to think of what time works best for everyone so sorry if 11pm is a little late for europeans, i know 10pm could be a little early for americans. also in case it sounded like these are the only musicals i will be streaming, thats not so, ive got more than just the ones mentioned on this list!
(Tagging some people who I know are or might be interested in streams to see what you think of that plan: @sirona-art @ringwraith100 @tanz-der-trash @smilingwoland @the-weird-dane @witchgaye @ami-fidele @kisstheghouls @looking-4-happiness @ladysapphire928 @sloanedestler @tinywound @persephonaae @phoenixdewinter @uwucoffee @freshbloodandgothicism )
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