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#Pont-Aven School
liturgical-agenda · 1 year
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The Beekeeper's Daughter, 1881 by Henry Bacon
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geritsel · 1 year
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Paul Gauguin - Paintings, all from 1888, the year he embraced symbolism as a fitting art movement.
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maertyrer · 1 year
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Jan Verkade St. Sebastian
Tempera on board, 6.5 x 23 cm, 1891-94
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Some watercolor landscapes by the very prolific French artist Henri Rivière (1864-1951)!
I normally find landscapes quite boring, but the way he uses color makes me feel things inside.
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nancydrewwouldnever · 9 months
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Paul Gauguin, Vision of the Sermon (Jacob Wrestling the Angel), 1888, oil/canvas (Scottish National Gallery, Edinburgh)
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ai-dump · 4 months
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the inside of a hospital room has no windows, in the style of destroyed gadgets sculptures, joachim patinir, light blue and dark beige, associated press photo, pont-aven school, found footage, ferrania p30 --ar 4:3 --v 5 --iw 1 --ar 4:5 --s 500 --c 20
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ozu-teapot · 1 year
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Films Watched in December 2022
Home Sweet Home | TV | Mike Leigh | 1982
The Girl Chewing Gum (Short) | John Smith | 1976
Caprice (Short) | Joanna Hogg | 1986
Don't Worry Darling | Olivia Wilde | 2022
The Eternal Daughter | Joanna Hogg | 2022
The Two Mrs. Carrolls | Peter Godfrey | 1947
Kamikaze Hearts | Juliet Bashore | 1986
Ladies Who Do | C.M. Pennington-Richards | 1963
Mais Ne Nous Délivrez Pas Du Mal (Don’t Deliver Us From Evil) | Joël Séria | 1971
A Christmas Carol (AKA Scrooge) | Brian Desmond Hurst | 1951
Charlie et ses deux nénettes (Charlie and his Two Chicks) | Joël Séria | 1973
Les galettes de Pont-Aven (AKA Cookies) | Joël Séria | 1975
Bad Santa | Terry Zwigoff | 2003
Marie-poupée (AKA Marie, the Doll) | Joël Séria | 1976
Scrooge | Ronald Neame | 1970
The Man Who Came to Dinner | William Keighley | 1942
Scrooged | Richard Donner | 1988
Carry on Christmas | Ronnie Baxter | 1969
Back for Christmas | TV | Alfred Hitchcock | 1956
Black Christmas | Bob Clark | 1974
The Muppet Christmas Carol | Brian Henson | 1992
Big Business (Short) | James W. Horne / Leo McCarey | 1929
Nite Owls (Short) | James Parrott | 1930
Ladrones (Short) | James Parrott | 1930
45 Minutes from Hollywood (Short) | Fred Guiol | 1926
Call of the Cuckoo (Short) | Clyde Bruckman | 1927
The Second 100 Years (Short) | Fred Guiol | 1927
My Old School | Jono McLeod | 2022
Bold = Top Ten
Some notes: I lined up just a few Christmas themed or Christmas adjacent movies for the festive season, but there were a few unseasonal detours, notably a brief Joël Séria fest - or was it a Jeanne Goupil fest?
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tynatunis · 1 year
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#Repost @paintings_i_love № 3169 Maxime Maufra (French, 1861 – 1918) Grosse mer à Étretat Oil on canvas Private collection • Maxime Maufra was a French landscape and marine painter, etcher and lithographer. Maufra first began painting at 18. However, he did not fully embrace his painting career right away. He remained in the first place a businessman and only painted in his spare time from 1884 to 1890. During this period, Maufra discovered the work of the Impressionists. He also displayed his works at the Paris Salon of 1886. In 1890, Maufra decided to give up business and to become a full-time painter. He left Nantes for Pont-Aven in the Finistère department of Brittany, where he was met Paul Gauguin and Paul Sérusier. Maufra had his first solo exhibition in Paris in 1894, at Le Barc de Toutteville. He subsequently exhibited with Durand-Ruel, to whom he remained under contract for the rest of his life. Returning from Brittany, Maufra was the first painter to take up residence in the Bateau-Lavoir in Montmartre, a famous Parisian residence for artists. He returned to Brittany each year, in particular to the Quiberon region. Maufra was mainly an artist of landscapes and marine views. In his compositions, Maufra sometimes quoted the pointillist technique of Camille Pissarro or Alfred Sisley, and also took from the strong colors and powerful drawing of the Pont-Aven School. Maufra remained an independent artist his whole life through and dedicated his art to recording the beauty of nature. • #MaximeMaufra #Maufra #postimpressionismo #postimpressionisme #oilpainter #oilpaintings #oilpainting #artforeveryone #fineartpainting #paintingoftheday #peinture #historiadelarte #storiadellarte #peintures #historyofart #arthistory #beauxarts #instamuseum #artmuseum #pittura #arthistorian #peintre #malerei #19thcenturyart #20thcenturyart #oldmasters #impressionism #postimpressionism #europeanart #landscape https://www.instagram.com/p/CpZknR0Im7T/?igshid=NGJjMDIxMWI=
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myartspacehaven · 8 months
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Caroline Emilie Mundt (22 August 1842, Sorø – 25 October 1922, Frederiksberg) was a Danish painter, known for her portraits of children.
Her father, Carl Emil Mundt, was a Professor of mathematics at the Sorø Academy. Her mother died when she was three and her father moved the family to Copenhagen. As a child, her home was filled with political and philosophical discussions, as her father was also a member of the Danish Constituent Assembly and her uncle, J.H. Mundt [da], was the Mayor of Copenhagen.
She and her sister, Jacobine, received their basic education at N. Zahle's School and, in 1861, she took an exam to become a private tutor. However, her drawing teacher, Frederik Helsted was impressed with her artistic talent so, after graduation, she became a drawing and writing teacher at the school.
At the age of thirty, she finally set out to become an artist and enrolled at the "Painting School for Women", operated by Vilhelm Kyhn. It was there she met her life partner, Marie Luplau.In 1875, she unsuccessfully sought to gain admission to the Royal Danish Academy of Fine Arts so, following the advice of Elisabeth Jerichau-Baumann, she and Luplau went to Munich to continue their studies with Eilif Peterssen.
During a later period of study in Paris at the Académie Colarossi (1882-1884), she was influenced by the works of Jules Breton and Jules Bastien-Lepage. Their depictions of the lives of poor people inspired her to create a series of paintings on the lives of poor children, many of which were done at a local orphanage.
In 1886, she and Luplau set up their own painting school for women in Frederiksberg, which was in operation until 1913. They were also diligent campaigners for women's suffrage and, in 1890, adopted a young girl named Carla. In 1916, she became one of the first members of the Kvindelige Kunstneres Samfund (Women's Art Society).
In addition to paintings of children, she is known for scenes of peasant life; many created during a stay at the art colony in Pont-Aven, Brittany.
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indianabeach · 1 year
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Audrey Barcio
Muncie, IN + Chicago, IL
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she's got eyes of the bluest skies 2022 acrylic on paper inserted into a Guns N' Roses greatest hits CD, 4.75 x 4.75 in $300
Audrey Barcio is a 2019 Pollock-Krasner Foundation Grant recipient and a 2021 Joan Mitchell Fellowship nominee. She earned her MFA from the University of Nevada, Las Vegas, and her BAE from Herron School of Art and Design and has completed residencies at the Pont-Aven School of Contemporary Art, Vermont Studio Center and Rodgers Foundation. Her work has been covered by New American Paintings, New Art Examiner, Occhi Magazine, PATTERN, NUVO, and Las Vegas Weekly. Recent exhibitions include solo shows at Syracuse University, Tube Factory Artspace, Las Vegas Government Center, Echo Arts Bozeman and New Harmony Contemporary. Her work is included in the collection of the Barrick Museum of Art, Las Vegas and The Rogers Foundation. Barcio splits her time between Chicago, IL and Muncie, IN, where she is an Assistant Professor at Ball State University.
Audrey Barcio uses elemental abstract symbology to posit a primordial heritage of abstraction voiced in the multifarious present. Her work addresses hidden structures and challenges perception to reveal more than what’s visible.
audreybarcio.com @audreybarcio
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deepartnature · 2 years
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Pont-Aven School
“Pont-Aven School (French: École de Pont-Aven, Breton: Skol Pont Aven) encompasses works of art influenced by the Breton town of Pont-Aven and its surroundings. Originally the term applied to works created in the artists' colony at Pont-Aven, which started to emerge in the 1850s and lasted until the beginning of the 20th century. Many of the artists were inspired by the works of Paul Gauguin, who spent extended periods in the area in the late 1880s and early 1890s. Their work is frequently characterised by the bold use of pure colour and their Symbolist choice of subject matter.  ...”
Wikipedia
Everything You Must Know About Pont-Aven School
YouTube: The school of Pont-Avent
Le Matin Diélette (Morning, Diélette) - Henry Moret (1912)
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wetreesinart · 5 years
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Roderic O'Conor (Irish, 1860–1940), Paysage Breton-, 1894, oil on board, 54.2 x 73.7 cm.
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geritsel · 1 year
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Paul Sérusier - Breton country life paintings, Brittany
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nympheiad · 4 years
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Les rochers rouges, Roderic O’Conor, Pont-Aven museum. 
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overdose-art · 7 years
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Émile Bernard & Paul Gauguin Self Portraits of Each Other Pont-Aven, 1888
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books0977 · 2 years
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Portrait of Madeleine Bernard (1888). Paul Gauguin (French, 1848-1903). Oil on canvas. Musée des Beaux-Arts, Grenoble.
Madeleine Bernard was the sister of the painter Émile Bernard, an important member of the Pont-Aven School of painters.
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