'Yes, that old oak with which I saw eye to eye was here in this forest,' thought Prince Andrei. 'But whereabouts?' he wondered again, looking at the left side of the road and, without realizing, without recognizing it, admiring the very oak he sought. The old oak, quite transfigured, spread out a canopy of dark, sappy green, and seemed to swoon and sway in the rays of the evening sun. There was nothing to be seen now of knotted fingers and scars, of old doubts and sorrows. Through the rough, century-old bark, even where there were no twigs, leaves had sprouted, so juicy, so young that it was hard to believe that aged veteran had borne them.
'Yes, it is the same oak,' thought Prince Andrei, and all at once he was seized by an irrational, spring-like feeling of joy and renewal. All the best moments of his life of a sudden rose to his memory. Austerlitz, with that lofty sky, the reproachful look on his dead wife's face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon and ... everything suddenly crowded back into his mind.
'No, life is not over at thirty-one,' Prince Andrei decided all at once, finally and irrevocably. 'It is not enough for me to know what I have in me- everyone else must know it too: Pierre, and that young girl who wanted to fly away into the sky; all of them must learn to know me, in order that my life may not be lived for myself alone.
From War and Peace by Leo Tolstoy
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i dont really infodump in general at all but im doing it cus i need some ideas off my chest. do you freak with angst? perhaps an unhappy ending?
// sdr2 chapter 5+ending spoilers ig. kuzuhina au baybee
ok im, pretty positive that if there's two people left then neither of them can get out together and just split the prize bc that'd be pretty bullshit (idek if they ever cleared it up, imo tho one man standing would be the most logical)
so what if nagito DID bomb the island, taking everyone out?
fyi ive written this nearly entirely so im sparing u with a little summary(this is not a summary)
so bombs are spread all around the islands forreal this time. after nagito's video, a chain of them went off right as they were running out of the plushie factory, barely on time. everything started crumbling around them, and all the others were downed one by one, either caught in the explosions or crushed underneath falling structures
but somehow haj and fuyu survived, the others killed right in front of their own eyes. but they ran away, retreating to the warehouse, to which they find nagitos body. and the realization hits– it’s just them now, they’re the only ones left, and neither of them know what to do
im sure u can imagine hajime was fucking RAGING at that point just breaking down and stressing out
they didnt know what to do, they couldnt do anything, but fuyuhiko was here, so the first thing they did was to get off the island since the fire was spreading. from there, they wander around, hoping maybe then something would happen, but there wasn't any sight of monokuma or monomi. all they could do was look onto the destroyed islands, before they inevitably wait in a safe spot at the military base, officially at a dead end
they just kinda sit there for a while, not knowing what to do. but they cant wait here forever, and fuyuhiko knows what he has to do
eventually, he hands hajime a pistol(acquired from the truck of firearms outside), and asks him to kill him so it could finally be over
obviously hajime refuses at first, but fuyuhiko begs him, because he isn’t a good person and he doesn’t have much else to live for, while hajime has singlehandedly saved everyones asses, he deserved to escape more than anyone else here. by now, hajime was crying, but they’ve been at this dead end for so long, he knew he had to do it or else they’d never be getting off this island. so hajime just holds em close and says his final goodbyes (maybe a kiss teehee) before making it quick for him
pulling that trigger hurts him more than anything, ANYWAY BOOM hajime is the winner, simulation ends
also postgame babey; when things end here, hajime would wake up from the simulation, and since he never got to choose his own future alongside everyone else, he wakes up as izuru kamukura. he's not entirely empty i think, izuru and hajime still would have "merged" afterwards, so it'd moreso just be hajime somewhere in there half of the time just mourning but its deeply suppressed, but thats a WHOOLE thing to get into. he just chills
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OH, speaking of misao, while i'm still here... let me talk about how she was introduced to playing instruments + why she still does it often to this day. as you may know, misao's mother — kaiyah — did suffer from mental health issues, and in ancient japan... they were very behind in terms of providing the appropriate care to those who had mental health concerns. while doing research on it, i also discovered that it was also unfortunately HEAVILY stigmatized and thought of to be caused by spirits and/or brought about by spiritual means. and so kaiyah would often have to find ways to try to help herself cope with her symptoms; one of which turned out to be music. and misao remembers which instrument kaiyah used to play vividly because listening to her play music, as well as sing, was one of the ways that they'd bond despite them having a rather complicated relationship. kaiyah used to play the biwa, which is a plucked string instrument that sort of resembles a guitar and whenever she'd play, kaiyah would sit cross-legged. and this wasn't only because that was the traditional way to play the biwa, but so that misao could sit in her lap as she strummed the instrument. and misao also remembers kaiyah just looking at her with this look that was just made up of pure happiness during those moments. which, although they were very ephemeral, kind of helped her pull through her childhood because they gave her hope that maybe she could be like this all the time at first; and then upon discovering that although that might not be the most realistic thing to think... it helped her pull through because she would believed that she rather hold onto whatever scrap of happiness she could get, rather than try to forget these experiences with her mother, because of the fact that they hurt her so badly emotionally sometimes. and this was because she wanted to help kaiyah the same way that music seemed to — she just didn't know how. but as the years passed, misao came up with the idea that maybe learning to play it could be a method in which she could assist kaiyah with feeling more... at peace, i guess you could say, and so she did.
though misao only got to play the biwa for her mother a few times before ryu was born, and whenever that happened, everything changed. but of course... none of it was his fault. all those good feelings that misao had associated with the biwa now had a sort of bitter taste to them because of kaiyah's neglect towards ryu and once more, although this conflict was a lot more nuanced than it might've appeared because of her mother's illness, misao felt this strong urge to just completely smash her biwa into pieces because she felt so bad inside. though, honestly, misao is glad that she didn't today. because it honestly is one of the few things that she still has around that reminds her of kaiyah, and although she literally cannot play it because the last time she did, misao just sobbed all the way through it — she was able to pick up another instrument that vaguely reminded her of the biwa and allowed her to reconnect with that old part of herself: which would be the guitar. but it is a very private part of herself that she doesn't reveal to a lot of people. she'll really only play the guitar around people she really trusts, as whenever she's playing it, it's almost like she's playing to her mother again.
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how was playing hsr? was there anything that you liked in the game and the story?
ITS BEEN AMAZING AS EXPECTED!!!!!!!!! i actually havent played genshin in a while since starting it, i have no motivation to do the filler event while a perfectly good star rail is sitting there waiting to be played :')
but for mechanics, i love they have auto battle so you dont have to nessecarily sit there and invest in every little battle you gotta do....and i love that the resin (resin??) system is a lot more forgiving with a higher cap, lower cost, and allow for overflow...thats nice...i also love that the mc and starter units are very useful. im so emotionally attatched to the star rail crew so im glad they never have to leave my team !!!!
storywise im LOVING IT SO FAR!!!!!!!!!!!!!!!! i started playing it at the beginning of spring break 2 weeks ago and im almost all caught up!!! i went through belabog and penacony and now im just doing those leftover intermission main quests which im only now realizing i shouldve done before going to penacony LMAO
and of course.....danmarch....im so soft for them......and also i love sampo i cant wait to see what they do with him
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WoL Think Thonkers
8. What is one of their biggest regrets? Has it had an effect on how they act moving forward, for better or worse?
Haurchefant is a big one, of course. Canonically he is the WoL's main regret, but in Tsuna's case I have been mulling over the idea inspired by this post that she tried so hard to bring him back that not only did she perform the taboo of using her own life energy for her white magic once she drained herself both of mana and ambient aether, but that the sheer strength of her wish caused his corpse never to rot-- similar to Niellefresne's condition. It ensures that he is tethered to the world for as long as she is.
Does it have an effect on how she acts moving forward? Yes. Despite her meetings with Fray telling her that she can't save everyone, and that to sacrifice is to renounce everything. She becomes distant for a time, and quicker to anger.
Aside from the obvious canon losses that she couldn't prevent, the other regret (coincidentally also around the same time) is having a drunken, one-night stand with a certain rogue. No, it doesn't go well. It affects their relationship negatively well into Shadowbringers.
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Anne Rice on transgender people
Writer, actor and activist Phaylen Fairchild wrote a Medium post calling Rice her friend and “first LGBTQ ally,” recalling when she reached out to Rice in the early 2000s via the email address listed on the author��s website. Not only did Rice respond, she encouraged Fairchild’s newfound writing aspirations.
“At the time I was a navigating difficult territory of gender and sexuality, and she was the first person I came out to as gay,” Fairchild said in the piece.
“Anne, although I never heard her voice, felt like a safe place. … She gave me confidence to live authentically, telling me ‘Your life is a story, every day is a new page. Live a story worthy of telling again and again.’”
In 2009, Fairchild came out to Rice again, this time as transgender.
“In typical Anne fashion, she thought it was fabulous,” Fairchild remembered.
“She told me at the time that she believed transgender people were sacred, that we possessed a unique gift of life experience that few ever would, which would allow us to see the world from ‘a view from the greatest height.’ She shared with me stories of trans figures in history that she had learned about in her own extensive studies. ‘The most fascinating figures in mythology were always transgender or genderless’ she once told me. ‘And in so many cultures reaching back thousands of years, transgender and intersex people were deified, perceived as wise and powerful.’”
“Anne Rice was the first person who made me feel that it was OK to be comfortable in my skin, and that my journey as a transgender woman was special — not because I was by any means odd, weird or different — but that I was worthy of celebrating because my very existence was ‘a remark on the magic of the complex human condition,’” she continued.
from this article.
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