#i like the story and characters...i like that you can play as bad guys while theyre still bad guys???? like blade and kafka???

[twst-rose-prisms]

Twst boys and their respective Vocaloid songs

Part 2 of this post!

Characters: All NRC students Warning: Some of these songs contain angsty/dark themes or imply self-harm, however it's nothing too much as that's the nature of Vocaloid songs in general and I recommend you checking them out if you guys can!

Part 1 | Part 2

🕌 Scarabia 🕌

Kalim: Tondemo-Wonderz

This song is full of fun, excitement and upbeat, colorful beats that make you want to smile and dance along, just like the ball of sunshine Kalim he is! The song talks about embracing the unknown and excitement the world offers to us while also having fun, encouraging us to have faith in the wondrous possibilities, while also embracing the failure and mistakes with laughter and positivity. I’d say it’s a perfect song for Kalim, from the vibe to the lyrics!

“Even in this sort of era, We still believe in "wonders," no, no, no? Know! The adult's sharp, money-making memories Make us worry too much! I'm gonna go cross-eyed!” "Why?!" "Do it like this!!" I love everything! That's fine, isn’t it? In this plot to make everyone laugh I can call them rival monsters, right?! We live in a wild, awesome world.” “I reckon it's fine to have troubles you can't do a thing about! I make a pose like I'm gonna save everyone. How about this smile, it's not gonna crumble at all! Even if I fall 100 times, I'm like a phoenix. I won't get upset! Wan wan, too quick, three four! Everybody, showtime!” “Come on professor! This exam is so tough! Agh! Alright, done? Is it final? If I don't get 0 points, it's OK! Let's rain a shower of arrows on those true and false questions! Right and wrong answers are important memories." "There are days when I fail too. You still deny "wonders", no, no, no? Know! Before I'm taken to pieces, listen, wait! This slanted society is too on edge. Charge in, leap in, one more time! Are you ready?!”

-----------------------------------

Jamil: Ghost City Tokyo

Like a ghost who is almost invisible to other’s eyes, Jamil used to do the same too, he always makes sure everything he does is at an average level so nobody will notice him. That’s why I picked this song for him, also because of the lyrics - he’s used to losing, to not be able to shine and stand out for the sake of others, and it’s not something he dreamt of at all. Also I think the city here can be interpreted as Scarabia too, because he still wants to be here despite everything that happened in Book 4.

“The lights of the brilliant shining city Shine down on me in stark contrast They mix with the neon colours changing and escaping from the spaces between those buildings" "I trade my time and this world And sink into the night” “It’s fine, someday it will all be fine How many days I’ve thought so, that have piled up on each other But even today, the me who fades into the Tokyo scenery all alone Seems like a ghost” “Even as I grow used to losing These important feelings that I haven't lost - When I held them close to myself, my tears fell suddenly Because I think I still want to Keep living in this city”

-----------------------------------

👑 Pomefiore 👑

Vil: Cinema

This song is pretty self-explanatory with the lyrics, it’s like someone views their life as a movie, their story is like an unchanged script, yet they’re being satisfied with everything - they want to be the leading star, the protagonist of the movie. Being someone who always has to play the villain role, I picked this song for Vil because it just fits him so much with his backstory and his goal as a whole!

“A delusion of dawn Invaluable escapades and A misunderstood hero play-pretend Traffic's already jammed up now- Oh well, nothing I can do about that anyway” “No, it can't be this, not this. This is a bad fit for me I'm not suited for it- Should I quit it now, or— But that's not right, right! I wonder, when will I get to be The leading star of this show?” “We're not here yet, yet. This can't be the end, so If you're not suited for the role Then just rewrite the script! Look, for the most part, I'm sure it'll always just be me The leading star will only be me!” “The future I wanted to change has come. Whatever you like, however you like it, This is it. I made it here, all the way from the bottom. Just like a movie, this is my story.”

-----------------------------------

Epel: Telecaster B-boy

A song talking about the struggle of growing up, trying to find one’s place in this vast world, the singer desires to be loved and appreciated but always gets misunderstood and underappreciated and also frustrated with society,  just like Epel himself. He hates being the stereotype, cliche thing. If you know his story and goal then this song is very fitting for him! Also the funky, youthful but somewhat fast beat and lyrics fit him very well too!

“The more I grow up DeDeDe The less I fit in, a vacant temple. The girl the life philosopher spoke to Turns into a bird … With just lip service PaPaPa I'll tie up my raggedy shoes … The boy whom a believer in digitization cursed Turns into wind …” “No matter how you look at it DeDeDe It's a stereo bias, sadistic The girl who sang like she was stung by a bee Turns into a flower... Even if you cover your ears PaPaPa Those guys' voices become loud The boy who got these words stabbed in his chest Turns back…” “In this world where I can't Even breathe for a bit Declaring a goodbye to reality Won't you just forgive us? We, the weak ones Let's meet up again somewhere”

-----------------------------------

Rook: Liar Dance

Rook is a bit hard to find, but in my opinion this is the best song for him. It talks about a couple who both hide and lie to each other. But it also means that the singer’s POV is them knowing they’re a liar, a criminal just like other people. Rook himself is not an exception, he also lies and hides many things away even to his friends or someone like Vil. Also I think the lyrics fit him really well, with constant mention of love and lies many times throughout.

''Stolen? Just whatever do you mean?'' Feigning ignorance today as well Having made a vow, to you and you alone Declaring this loveless love of mine in front of you" "Stolen? Just whatever do you mean?" Committing myself to this performance, set lines and all Those memories we've desperately created and clung to, they blend together and feelings between us intensify” “Dance away liar This love has swelled up like a balloon let's turn it into a lie with the prick of a needle On the count of "I-love-you" “Dance away, liar It's too late to apologize We're already partners in this crime called "love" Who cares if there's no going back?”

-----------------------------------

💀 Ignihyde 💀

Idia: All I Need are Things I Like

While there could be many other songs that fit Idia, I decided to pick this one because of the lyrics and overall meaning. The song talks about indulging solely into one’s interests and favorite thing everyday, almost every time without paying much attention to reality much at all. Even though the singer sounds happy and satisfied, they also sound lonely, deprived of energy and strength and also longing for actual companionship instead of coping up to the things that they like. It sounds like Idia himself after what happened to him and also his backstory!

"I don’t like weekdays, I like the weekend I don’t like work, I like going back to sleep It’s impossible to live on slacking like this My consciousness recedes" "I don’t like vegetables, I like hamburgers I don’t like barley tea, I like juice Don’t be sweet on me, but I like sweet tasting things My lifetime’s first page" "Only looking at things I like gradually my eyesight gets worse Only being filled with things I like gradually my mind gets duller" "I don’t like living things, I like machines I don’t like the real world, I like the virtual Your tastes were always biased deteriorating and ceasing to think" "Surrounded by the things I like I’ve become unforgiving to the things I don’t like Living only with the things I like I'm resented by someone, somewhere"

-----------------------------------

Ortho: Near

This song is gentle, yet emotional and bittersweet, its meaning also fits Ortho and Idia + their relationship a lot if you take it into their backstory context too. At first, Ortho is just a robot that only acts according to how he was programmed but gradually, he starts acting outside his intended programming and learns his own sentience and emotions - just like the robot girl as the song progresses. Overall, I think this fits him a lot!

“Hey, Near. If I don't make fun of someone And if I won't be able to forgive myself How do you feel about This horrible person?" "Hey, Near. Watching other's strides Stepping out without a purpose How do you feel about this Dull person? Hey Near” “Hey, Near. I think living every day with a smile Is something natural How do you feel about This arrogant person?" "Things that do not take any form and cannot be predicted Will interfere with the calculation process" Even so" "Ah, I'll still continue to believe And ask you who doesn't have a heart Because your hand was So much warmer than mine”

-----------------------------------

🐉 Diasomnia 🐉

Malleus: Hare wo Matsu

I feel like this song fits Malleus the most with how the lyrics constantly talk about one’s loneliness and about past’s memories. For Malleus, his biggest fear perhaps is his dearest, most cherished people leave his life, like Lilia - his guardian that raises him up ever since he’s still a little lizard or maybe even MC - his ever first friend that treats him so dearly despite his status or his fearful magic power unlike others who is afraid of him. Even the beat is also beautiful but sad, full of longing for your loved one when they leave - just like Malleus himself.

"I'm not getting tired of this morning, One that I've waited for. Very faintly, I'm laughing while appearing to be sorrowful, And wishing to completely forget you." "Because there's no end to this curse Of sleeplessness and the painful past. I'm singing a song in the morning glow, If only I could completely forget, it would end." "There's just one thing I can't yield, And still, without knowing the reason, I live, even now..." "Since I don't have a dream I want to protect, These are days with no answer, But that isn't kindness, isn't it?" "Look, since absolutely nothing hurts, It's alright," I say. Someday, when you'll be gone, ah~ Will I be living alone?”

-----------------------------------

Lilia: Kanade Tomosu Sora 

I feel like this song fits Lilia the most in terms of the vibe, the lyrics that matched well with his backstory. This song, while sad, full of longing and reminiscent from the past yet it’s like a glimmer of hope somewhere in the deep, dark sea of sad memories. Lilia was the same too despite how we see him acting outwardly. He gives love to others, but he also needs love and hope. He went through events that could crush him easily and yet, he still stayed strong - for a whole 200+ years, for the sake of others. (I recommend checking out the 25ji, Night Code de version too!)

“Every time I trace back my memories, I feel as if I’m going to be crushed, yet Since I have no place to take refuge,  I just keep questioning myself over and over. Ah…” “There are too many things in my way,  It’s as if there are only things I can’t see Is it alright if I try touching it a little? I want to say it. Even though it might surely be impossible, I want to somehow. Hey, more; hey, more; I want to see more” “So I can turn the images I’ve found of your world still unknown to me Into song" "Blaming myself all this time,  I simply live and breathe but only just barely I’ve always shut it away in a cage I’m not asking for a plain, simple story. I simply wish to hear your voice” “It still hurts. Words keep tightening the cord round my neck, but... These eyes of mine I closed so gently as well, still hurt a little, but… I want to say it. Even though now, I still don’t know when it’ll be but someday for sure. Hey, more; hey, more; I want to see more”

-----------------------------------

Silver: Ice Drop

I think this song fits Silver a lot mostly because of the lyrics, and the deep sea could symbolize the dreams that he dives into in Book 7. Although it’s upbeat, the lyrics are full of longing and reminiscing of the past and also his father, but eventually move on and “grow up” from it.  Not to mention, you could even take it as a SilverMC song if you think about that aspect! But even if it's not in a romantic sense, it's still a song talking about how much the past affects us and how we long for our loved one even if it's just a memory, that's why to me this song is really for Silver!

“Even the memories of the past are merely a thousand-year tale I take a deep breath as I fall into the deep sea” “Uh- that voice of yours drenches my whole heart Tangled up and captivated by each other, we sing our unchanging love once more You, not letting go of your hands become a rule of mine It's a heart that will melt away the rusted last page That one and only magic will turn this world around” “I’ll be waiting. Inside my dream, I reach out my hand” “Uh- On this planet, I fell in love without sleeping I longed for you and hesitated what to do, but from now on, I'll grow up You, If it’s with you, I’ll dive in without hesitation”

-----------------------------------

Sebek: Kashika

Sebek was the hardest to find for me in the entire list mainly because while he has his own character, he doesn’t have too much depth but I tried my best and I think this song fits him the most! This song is powerful, full of willpower and hope towards tomorrow despite the hard, tough times. The song encourages us to keep living, even in the most uncertain moments, you need to cherish each moment of your life as well your living heartbeat, which represents the tenacity and perseverance of life. I feel like the energy as well the meaning of the song fits Sebek a lot overall for his character - with the desire to rise, stand up and protect he always have.

“When my quivering voice breathed life into a song, It was then I realized, That was the first time my breath could be seen. They say that in the end, the value of music is subjective– Well then, I'll sing as I please, I'll show you the message I want to convey. I won't despair over Or be afraid of my mistakes. They say to "live the right way," But I want to fight against that. My whole life has consisted of "it's my fault." Even if I'm treated like a fool, I'll be hurt and I'll hurt others, I'll live, causing both kindness and injury. The present I see is everything to me, So I don't want to cling onto ideals of the past or the future. Beat, beat, o heart of mine! It might be unsteady, but even so, this is my pulse.”

-----------------------------------

#twisted wonderland #twst #disney twst #twst wonderland #disney twisted wonderland #vocaloid #vocaloid music #kalim al asim #jamil viper #vil schoenheit #epel felmier #rook hunt #idia shroud #ortho shroud #malleus draconia #lilia vanrouge #twst silver #silver twisted wonderland #sebek zigvolt

[musubiki]

how was playing hsr? was there anything that you liked in the game and the story?

ITS BEEN AMAZING AS EXPECTED!!!!!!!!! i actually havent played genshin in a while since starting it, i have no motivation to do the filler event while a perfectly good star rail is sitting there waiting to be played :')

but for mechanics, i love they have auto battle so you dont have to nessecarily sit there and invest in every little battle you gotta do....and i love that the resin (resin??) system is a lot more forgiving with a higher cap, lower cost, and allow for overflow...thats nice...i also love that the mc and starter units are very useful. im so emotionally attatched to the star rail crew so im glad they never have to leave my team !!!!

storywise im LOVING IT SO FAR!!!!!!!!!!!!!!!! i started playing it at the beginning of spring break 2 weeks ago and im almost all caught up!!! i went through belabog and penacony and now im just doing those leftover intermission main quests which im only now realizing i shouldve done before going to penacony LMAO

and of course.....danmarch....im so soft for them......and also i love sampo i cant wait to see what they do with him

#besides the star rail crew and sampo im not too attatched to anyone else #im very much a (what would happen in canon) type of player so the only units i REALLY want are himeko welt and imbibitor lunae #(and sampo) #everyone else i can go without #so this game is probably gonna be a lot better for my wallet #overall it just like it better than genshin minus the open world part #i like the story and characters...i like that you can play as bad guys while theyre still bad guys???? like blade and kafka??? #cuz in genshin you always gotta redeem them somehow first before theyre playable #not here hueheuhe #also i love that they actually kill off playable characters #(spoilers from here on out) #i know were supposed to be all sad for fireflys death but honestly.......i didnt care about her too much LMAO #i was actually a little annoyed for the secret base part because her base was SO FUCKING DEEP IN ENEMY TERRITORY #i was like (damn bitch how far away is this shit??!) #that by the time we got to the emotional part i was just mad #i never liked characters where the game tries to like....force you to care about them #and its implied you have some super close relationship ESPECIALLY when you havent known them long #now if march died that would be a whole different story #but firefly??? i mean rip but i didnt really know her #im loving the penacony quest so far though #any setting where its like a place of mind tricks and gambling and spending money and sin is always so scary to me #especially the dream within a dream within a dream shit #the mind fuck aspect is always a good plot that i enjoy #i also love that theyre not afraid to upgrade units #like we have dan heng and the dragon dan heng #so characters arnt stagnent forever #everyday i hope we one day get to see a 5-star secret power march #cuz that girl has some shit going on i swear #i just did her luofu memory quest #and those fuckers in the garden of recollection............

[dilf-phoenix-rights]

Insane to me when ppl criticize a mystery series having mysteries left “unfinished” at the end. Girl, it’s not “unfinished” it’s setting shit up for later, and, as someone joining in on a mystery series, you signed up for that being a possibility.

#aa opinions that annoy me #aa4 and dgs1 are not ‘unfinished’ they were meant to focus on a certain arc and set up things for a separate arc #aa4 just got shafted because capcom demanded an aa5 while Shu Takumi was too busy to write it but that’s not aa4s fault #and if you still feel that way about dgs1 knowing that it gets tied up it dgs2 youre insane #I can understand finding it worrying because of things that happen like the aa4 to aa5 transition #because gaming companies have ruined your trust #but to call it bad writing when you are playing a game you are well aware is part of a series #just sounds really short sighted #because the only alternative is to either simplify the story till it has lost so much that it isn’t the same anymore #or to haphazardly rush everything in one game #which would again take away a lot of other things and it would feel cheap #——— #DGS 1 & 2 spoilers coming up #Like say whatever you want about the pacing of dgs1 #(I loved it personally personally) #but so much of dgs2 would NOT have fucking hit the way it did without the character explorations in 1 and the time given to stew #If you think Kazuma dying in like episode 1 before we can get to know him at all #and then rushing Ryunosuke’s grief (which now surrounds a guy we arent nearly as endeared to) identity crisis and character development #through 1-2 1-3 and 1-4 so that you can get to a case 5 where ‘WHOAH that guy we dont know is back’ #and then rush through the ruinion and brewing tension and explainations that were in 2-4 and 2-5 now into one case #…is somehow better than properly exploring Ryuu’s growth and the people & relationships he makes along the way #while ​letting Kazuma haunt the narrative for a good chunk of the games before suddenly being there again but not how we remember #than…idk what to say

[rosielovesf1]

spilling secrets on stream | LN4

what better place to hard launch a relationship than twitch?

word count: 1.3k

warnings: none!

author's note: it's been so fun thinking up little story ideas and this is the product of one of them. fair warning that it's been forever since i've played fortnite so probably not very accurate when it comes to that 🤦‍♀️ thank youuu for reading and have a great day!!

also my requests are open if you would like to see a certain story/driver!! 🫶

“Hi guys, sorry I’m late,” Lando said, adjusting his headphones as he started the stream. There were a surprising number of people online for this Thursday afternoon, but he had posted on his story that Max would be joining him, so that could explain the popularity. Not that he would ever tell him that. 

“Max is joining now.” He stretched his arms over his head, smirking when the chat quickly noticed the sliver of skin he’d exposed in the simple motion. Oops. “Is Max with you right now? No, chat, I’m in Monaco. How’s offseason? It’s good. I’ve been doing a whole lot of nothing.” 

Lando read through and answered a couple more questions until Max’s face popped up on his screen. 

“Hello hello,” Max said, waving to the camera. “How are we, chat? What are we playing?” 

After a couple minutes of debate, they decided on Fortnite. The first round was short lived- Lando got shot pretty much immediately. Now, him and Max were two of ten players remaining, but the sound of the front door opening caused him to turn his focus away from the game. 

“y/n?” Lando called out after muting himself, turning away from the screen to see if his girlfriend had just arrived home. 

“Bro, what are you doing?” Max protested, his character running circles around Lando’s still one. Two other characters spotted them over a nearby hill and started firing immediately, with Max left alone to defend them. “You muppet!” Within seconds, Lando had died, and Max didn’t have enough time to resuscitate him in the midst of defending himself. 

“My bad.” Lando turned back to the screen, laughing at Max’s distress. 

“That was entirely your fault.” Max responded, pausing to look at his phone alert from Lando. 

I think y/n just got back and she doesn’t know I’m on stream. Can you stay on until I get back? 

Even though Lando and his girlfriend were practically living together at this point, staying at each other’s homes almost every night during the offseason, they were yet to make it official in the eyes of the public. Max knew this better than everyone- often having to cover for the couple when they weren’t cautious enough- and smirked as he typed back a yes. Lando took that as a sign to communicate his exit. “Be right back, chat. Don’t be too mean to Max while I’m gone.” 

He opened and shut the door to the room behind him, padding down the soft carpet runner of the hallway. “y/n?” Her bright pink trainers were by the front door, and seeing as he could hear the shower down the hall, she must’ve just come back from a run. 

All of a sudden, music started blasting- a Doja Cat song, Lando knew from y/n's time on the aux whenever they were in the car together. 

“y/n,” Lando laughed, knocking on the bathroom door, “I’m on stream darling.” It wasn’t that he minded the noise, or that the chat would know very quickly that there was a girl in his house (he wasn’t really the Doja Cat type). If it were up to him, he would’ve posted y/n the day they had made it official, four months ago. But they’d decided to wait a bit and enjoy the privacy. 

No response still. He tried the bathroom door handle but it was locked. She must’ve not known he was coming home, Lando thought cheekily to himself. Otherwise, it would’ve been open. He gave up and retreated back to the room with his setup, shooting a quick text over to y/n that he was home. 

Lando settled back into his chair, turning the camera on. “Alright, chat, I’m back. Sorry to leave you with Max.” 

Max raised an eyebrow at the music that filtered in through Lando’s mic, choosing not to comment on it. The chat wasn’t as sly though, with every other comment questioning the source. 

“Didn’t know Lando was a Doja Cat fan. I’m not.” The ambiguous comment sparked even more questions, and Lando just shook his head jokingly as they started another game. As he died for a third time, Max cursing and threatening to find someone better to play with, the music cut and the distant sound of the shower running stopped. 

“Lando?” y/n called out, freezing as she read over his text in the hallway. Lando’s eyes widened and he quickly muted himself, sliding his headphones off. As he stood up he heard y/n's footsteps nearing the door and managed to shut the camera off just in time. 

Lando pulled open the door and the scent of coconut and hibiscus floated in. y/n looked up at him with wide eyes in sweatpants and a stolen Quadrant t-shirt, her hair still wet from the shower. 

“I’m sorry! I didn’t realize that you were streaming.” She peeked over his shoulder and her eyes widened at the rapidly scrolling chat, the viewers going crazy about the distinctly female voice they’d overheard. Max had given up at pretending to ignore them and had shut off his camera as well, only adding to the viewers assumptions. 

He pulled her into a hug, mumbling “You smell good.” into her hair as a way of greeting. She wrapped her arms around his waist and squeezed tightly, rocking back and forth. 

“Did they hear me?” 

“Yeah.” They shuffled over to the computer together, her almost afraid to read the chat that was still scrolling at a million miles a minute. Lando read out one comment that said “can Lando’s girlfriend fight?” and raised a questioning eyebrow at the girl next to him. 

“Heck yeah. Look at these muscles. Try me.” She bounced back and forth on her heels, hands up in a boxing stance.

Lando laughed at her, locking her in a headlock that she quickly wiggled out of. “Not fair,” she whined. “Caught me by surprise.” 

He pulled her in front of him to straighten out the locks of hair he’d mussed, and kissed her forehead before looking down at her. “What if we told them about us right now?” 

“You think?” She worried her bottom lip between her teeth, and he ran a gentle thumb over it to get her to stop. 

“I think they’re going to love you as much as I do.” She leaned into him at that statement, and he watched her eyes as she seemed to process his statement. 

“Alright,” she still looked hesitant, but brightened up as she opened her mouth to speak again. “I’m already wearing the right shirt and everything.” 

“Quadrants #1 fan.” He smiled, pulling her over to the computer. They split the chair so that both of them could sit, and she draped her legs comfortably over his. He rested one hand on her thigh, using the other to restart the stream. “Ready?” 

She nodded, and all of a sudden they were back online. 

“Hi, chat.” Lando smiled, laughing as the comments started pouring in. “I’ve been meaning to introduce you to someone. This is my girlfriend, y/n.” 

“Hi, everyone,” y/n said, sporting a smile to match her boyfriend’s. “How are you doing?” 

“Finally.” Max let out a sigh, clicking his camera back on. 

“Thanks for covering for us, Max.” The trio sat and talked for a little bit, y/n answering questions for her from the chat that Lando pointed out every once in a while. They eventually turned the game back on, y/n holding her own and often outranking Max and Lando. In the midst of waiting for a new game to load, Lando wrapped an arm around her waist, squeezing her side. 

“I’m so glad I get to show you off now.”

@landonorris: kiss me more 👩‍❤️‍💋‍👨

@y/nl/n: cat’s out of the bag 🤭

#f1 fanfic #f1 x y/n #mclaren f1 #f1 fic #lando norris fluff #lando norris x y/n #lando norris x reader #lando norris #f1 x reader

[hungerofhadarr]

Sometimes I cannot tell if you guys want villains who do not want to be redeemed or not bc we get gortash and everyone trips over themselves to make this version of him that is absolved from his actions and he’ s changed … Anyways another day another time Wyll gets put to the back burner with crumbs of content yet everyone huddles around like “ OMG THANK YOU LARIAN … oh yeah sorry about Wyll : ((( “

You guys get you are a part of the problem right . You are letting Larian know they can get away with being racist as long as they feed fandom and whatever . Instead of actual quality of life updates and patching in content that would Actually help the game run better and feel finished , they just bloat the game and let companions go untouched with minimal content while playing into whatever the loudest voices in fandom demand the most .

The studio account should not be interacting with fandom so often . This blur between creators and fans is bad ! This leads to fans blindly defending and protecting a Game Studio that they have no connection to because haha larian mad a funny reply . And this also causes a feeling of ownership that should not be there ! You do not own a piece of bg3 and you should not be dictating it ! This is different from criticism btw . Just so we are Clear . Larian deserves and needs criticism .

It is super telling that they voices they are choosing to listen to are not voices that actually care about the game at its story . If they were , we would not have Zero Story for the Son of the Duke of Baldur’ s Gate and yet we have so much for a character that isn’ t actually tied into any major story beat ! We have no more for the character directly tied to Gortash with a prototype of the Steel Watch in her chest , but we can take a side character a few people wanted to bang and speed to have him included ad a full companion ! Instead of Dark Urge getting more content with Orin , Savrok and anyone else that had a tie to Bhaal , they get their relationship with a guy unrelated to all that be made to be read more and more explicitly romantic when that is just ruining the character !

Wyll should have a proper sex scene . He should have a romanced greeting that changes after the proposal . He should have more personal story content . He should have scenes of him in Baldur’ s Gate . The Emperor reveal as Balduran should not have been the main focus of HIS FINAL STORY QUEST . He should have hug and kiss options in the epilogue . People should comment on the engagement ! He should have all of this !! AND MORE FRANKLY .

But because everyone is so quick to forgive Larian , they’ ll never feel pressured to add any of this . They’ ll never feel like they’ ll loose players if they don’ t . Because you guys don’ t actually care . No , I am not saying thank you to larian for not giving me anything I have been asking for and sending feedback on for months . I am not thanking larian for choosing to bend over backwards to random big name fandom people who are racist and just want to fuck the pale guys again and again .

Larian Studio is not your fucking friend, stop acting like they are .

#bg3 #baldurs gate 3 #bg3 critical #larian studios #larian critical #wyll ravengard #astarion #astarion acunin #enver gortash #bg3 gortash #patch 6 #read it and weep idgaf

[kingofbodyrolls]

Stuck in a Snowstorm (m) | pjm

*Part of 'the winter collection'. Read part two. Part three coming soon!

Summary: You don’t know how you ended up here. Stuck with your mortal enemy, Park Jimin, in you car – in a fucking snowstorm.

Pairing: Jimin x female reader

AU + genres: enemies to lovers, pwp (very little plot – let me be honest, it’s just pure smut). Humor/crack, smut.

Rating: Mature/explicit/R18 - this is mature/explicit content, so minors, please do not interact.

Word count: 6,1K

Disclaimer: I do not own BTS or know them personally and this work of fiction is purely fictional and for entertainment purposes only. The actions and personalities described in the story do not reflect those of BTS— it’s just fiction. Also, if you would kindly read the tags/warnings before reading, that would be lovely: and if you don’t like whatever is described in the tags, just hit return and find something else to read. Thank you 🌸

Warnings (general) + triggers: Jimin is just a mean jerk and reader is a brat 😂 Lots of banter, crack and anger towards each other.

Warnings (explicit): unprotected sex, dirty talk, orgasm denial/delay, hair pulling, oral (female and male receiving), breasts and nipple play. Also, use of a tie 👀

Author’s note: This is actually a story that I planned to write all the way back in 2017 – better late than never, right? 😂 I had only made the plot with some outline, so I basically started from scrap. But it had been stuck in my mind since FOREVER and now I just miss Jimin a shit ton, so I made this. I hope you enjoy it! Also, it shouldn’t be taken too seriously, it’s just smut with minimal plot and don’t question the characters bad actions or some minor plot holes 😂 (Also, I did not proofread this, just because).

Also, merry Christmas / happy holidays – this is my gift to you wonderful people out there 💜

AND are you guys looking forward to Jimin’s ‘Closer than This’ tomorrow???? 💜

If you prefer to read on AO3 you can read it here 😀

“I can’t believe this…” in disbelief, you mutter, your voice tinged with uncertainty, while you desperately activate the windshield wiper, yearning for even a fleeting glimpse through the thick curtain of falling snow.

“I can,” Jimin declares from his spot beside you in the passenger seat. His playful critique follows swiftly, delivered with a pout and a firm voice, as he shakes his head in mock disbelief, “You're a terrible driver.”

“Am not!” you retort defiantly, your voice cutting through the air, even as your unwavering gaze remains fixed on the snowy expanse ahead.

A curtain of thick snow descends, veiling everything in an opaque white shroud. The road ahead is swallowed by the relentless onslaught, turning visibility into an elusive challenge.

Your hands clench the wheel with a vice-like grip, the strain evident as your knuckles whiten under the pressure. The tension in your entire body is so palpable that it hurts to fucking drive.

Exhaustion weighs on you heavily, a relentless burden, yet the realization hits that you're only halfway to your friends' Christmas party. Two more hours loom ahead, a daunting stretch of time spent in the company of Park Jimin, your sworn enemy.

The decision to share a car ride is a mystery even to yourself; perhaps it was a fleeting concern for the planet, a noble intention to save fuel by consolidating into one vehicle. Yet, as the journey unfolds, the real reasons behind your choice become an enigma.

Regret courses through you like a bitter undercurrent as you ponder the altruistic intentions behind considering the planet and the environment. The thought of advising Jimin to take his own car nags at you, a missed opportunity for a peaceful solo drive. In a self-cursing moment, you rue your own kindness.

“Let me drive; I’m a better driver than you anyway.” Jimin declares with casual confidence, his tone carrying an air of nonchalance.

“Fuck off, Jimin!” you hiss, frustration dripping from your words like venom.

You squint against the relentless assault of heavy snow, the world outside morphing into an indistinct blur as visibility dwindles.

Your pace is deliberate, a cautious dance with the road, but after several minutes, you relent, succumbing to the inevitable by slowing down even further.

“Fine!” you declare, seizing the steering wheel in a determined clench, bringing the car to an abrupt halt.

You pivot your gaze towards Jimin, the words cutting through the tension, “You fucking drive then.”

Shifting the car into park, you unclip your seatbelt with a determined click, swing the door open, and brave the biting embrace of the freezing snowstorm outside.

In synchronized movements, Jimin mirrors your actions, and together, you step out into the frigid air. The two of you converge outside, a silent agreement palpable in the crunch of snow beneath your feet, as you navigate around the car, preparing to swap seats.

“If you crash my car, I’ll kill you.” you menace, venom seeping through your words as you stride past him, positioning yourself in front of the vehicle.

He nonchalantly shrugs his shoulders, a smug satisfaction evident in his demeanor, relishing the fact that you've conceded to let him take the wheel.

Jimin confidently eases his plump figure into the driver's seat, and you avert your gaze (definitely not looking!). With a self-assured demeanor, he expertly adjusts the seat to accommodate his frame.

You attempt to thaw your chilled hands under the blast of hot air from the air conditioner, the sour mood hanging heavy around you as you settle into the passenger seat, donning a visible pout.

“Relax, I’m not gonna crash your precious car,” he teases, the playfulness evident in his voice, just before smoothly shifting the car into gear and forging ahead.

In response, a huff escapes your lips, arms instinctively crossing in a silent declaration of your lingering displeasure.

You surrender to a sense of ease as Jimin takes the wheel, his deliberate pace aligning with caution. It's a mutual understanding — in this snow-laden terrain, slow and steady becomes a shared creed for safety.

The once teasing atmosphere now gives way to palpable tension, the air thick with the weight of swirling snow that has intensified. Jimin, too, struggles visibly against the heavier onslaught, the challenge of navigating through the snow turning the car into a place of shared unease.

Your gaze fixates on Jimin, observing as his fingers clench the steering wheel with a tension mirroring your own, and his shoulders stiffen in sync. A chuckle escapes you, unexpectedly audible, as you notice the ironic similarity between his reaction and your earlier demeanor.

“What’s so funny?” Jimin spits, the tension reverberating unmistakably in his voice, each word a note in the symphony of strained emotions.

“Your driving,” you start to chuckle, the amusement laced with a hint of mischief.

“You're not exactly outclassing my skills,” you declare, sinking into the seat with a self-assured smirk, relishing the satisfaction of your own driving prowess.

“You’re a fucking brat, you know that?” he seethes, the words charged with anger, his gaze sharply turning towards you, locking onto your eyes.

Despite Jimin's cautious speed, the car subtly veers, casting doubt on whether you're still on the road or lost in the oblivion of the thick snow. The blinding white landscape offers no clarity, leaving you uncertain and immersed in a disorienting wintry haze.

“I can’t see fucking shit!” he exclaims, abruptly bringing the car to a halt and cutting the engine in an instant, plunging you both into an eerie silence amid the obscured surroundings.

Your gaze locks onto him, urgency etched across your face. “What are you doing? We've got Seokjin's Christmas party in less than an hour!” The frustration in your voice reverberates, a ticking clock amplifying the stakes of the impending deadline.

“It’s not safe to drive in this freaking snowstorm!” he bellows in response, frustration escalating in his voice, punctuated by the sharp flick of the hazard warning lights, signaling the urgency and danger of the situation.

“I just want to get there already. I'd rather not be stuck with you,” you seethe, teeth gritted, a visible huff escaping in a cloud of anger. The tension hangs heavy, fueled by the biting words that linger in the now frosty air.

“Like I'd willingly be stuck with your sour attitude,” he retorts, his gaze sweeping you from head to toe for some inscrutable reason. “I don't even like you,” he declares, the words loaded with an unspoken tension that hangs in the frosty air between you two.

You gape at him, the bitter truth resonating in the air—an unspoken agreement that neither of you harbors any liking for the other. The animosity between you has solidified into a hostile dynamic, despite the shared circle of friends that consistently throws you together, much to your enduring displeasure.

Jimin exudes an infuriating level of cockiness, ceaselessly pushing your buttons and expertly tapping into the art of annoyance until it feels like your nerves are unraveling at his mere presence.

You'd willingly brave the biting cold rather than endure the prospect of an unpredictable future confined with him inside the car. Fate seems to revel in mocking you, as the car rapidly succumbs to the encroaching chill, each passing minute intensifying the unwelcome cold that now permeates the confined space.

You clutch your arms tightly around your body, desperately running your hands up and down in a futile attempt to gather some warmth. A curse slips from your lips as you question your own sanity—why in the world did you take off your jacket for the drive? Now it's trapped in the damn trunk, and the thought of braving the freezing cold to retrieve it is utterly unappealing.

“Cold?” he chuckles, the sound carrying an edge of amusement that only amplifies the chill sinking into your bones.

You nod your head.

“Well, I’m not giving you my jacket,” he states matter-of-factly, cocooning himself in the evident warmth of his puffer jacket. Damn Park Jimin and his infuriating nonchalance, he's truly a master of being a jerk!

“Can't even manage a simple act of kindness,” you mutter with disdain, the words escaping in a sharp hiss, a low and almost grumbling tone, accompanied by a dismissive eye roll.

“What's that?” he asks, a smirk playing on his lips, relishing the snug warmth of his jacket while you shiver in the cold. 

“Fuck you, Park!” you shout directly in his face, your words laced with frustration. Instead of a retort, he just chuckles, the sound taking on a manic edge that lingers in the frosty air, leaving an unsettling resonance to your heated exchange.

An indeterminate amount of time slips away, lost in the relentless snowfall that shows no sign of relenting. Frustration building, you reach for your phone and decide to text Seokjin, realizing that this damn snow isn't planning on letting up anytime soon.

You [15.42]: Stuck in a snowstorm with fucking Park Jimin. I don’t know when we’ll arrive ���

Jin [15.48]: Just stay safe 😂

Fuck Seokjin! You’re convinced that he’s somewhere enjoying a good laugh at your misfortune.

A surge of realization hits you like a bolt of inspiration—there's a blanket tucked away in the backseat. Swiftly moving up, you make your way to the center console.

“What’re you doing?” Jimin questions, his curiosity evident in the quirk of his eyebrow as you navigate over the center console, leaving him bewildered by your sudden, mysterious movements.

“There's a blanket back here,” you announce triumphantly, finally laying hands on the sought-after comfort. With a satisfying plop into the seat, you tug the blanket snugly over your cold body, a gesture that transforms the atmosphere within the car from chilly discomfort to a brief oasis of warmth.

After a few contemplative minutes, Jimin breaks the silence with a question that hangs in the air, “Mind if I join you?”

Your mouth falls agape, and your eyes widen in astonishment at his unexpected question. Collecting yourself, you respond with a hint of sarcasm, “You weren't keen on sharing your jacket with me. What makes you think I'd be willing to share my blanket with you?” The tension between you and Jimin escalates with each word, hanging palpably in the cold air.

Without a pause for your response, he defies the silence, navigating over the center console with the same determined crawl you had exhibited moments before. The unspoken tension between you both amplifies, turning the confined space into an arena of silent rivalry.

Seated beside you, he makes a grab for the blanket cocooning your shivering form. Resolute, you refuse to surrender it, your hands engaging in a tug of war with him.

“Share, you brat,” he hisses with a mix of irritation and amusement, his determination evident in the forceful tug at the blanket. 

“No!” you hiss back defiantly, the word laced with a stubborn refusal as you hold your ground.

With a forceful yank, he wrenches the blanket from your grasp, and in the struggle, he ends up with it draped across his lap. The victorious outcome of the skirmish leaves a charged atmosphere between you and Jimin, the warmth of the blanket now a coveted prize in his possession.

A triumphant smirk plays on his lips as he envelops himself in the captured blanket. His eyes lock onto your moping expression before descending further, a mischievous gleam indicating that his victory goes beyond the simple conquest of the blanket. 

“I can totally see your nipples,” he chuckles. 

You glance down, and sure enough, your nipples stand out against the satin material of your dress. Swiftly, you react, pressing your hands over your breasts in a sudden move to conceal their visibility. 

“Why the fuck are you look at my tits?” you yell at him, your frustration audible, but he merely chuckles in response. 

“You must really be freezing, huh?” he observes, and you simply nod in agreement, a silent acknowledgment of the biting cold that permeates the confined space. 

“I can warm you up,” he suggests with a playful wink, both eyes and eyebrows conspiring in unison. The underlying implication of his words hangs in the air, and you instantly grasp the nature of his playful proposition.

“I'm not that desperate, Park,” you scoff with a hint of disgust, the rejection laced with a prideful undertone. In response, he simply chuckles, finding amusement in your candid dismissal.

Following his suggestive remark, an electric charge seems to surge through the atmosphere in the car. Your mind involuntarily races, envisioning the prospect of warming up next to him, his hands tracing every contour of your body,  his di—

Stop. You admonish yourself sternly, a mental command to cease the vivid thoughts involving him. He's your enemy, you remind yourself, emphasizing the intense dislike you harbor for Park Jimin. The internal conflict heightens, the struggle between attraction and animosity weaving a complex web within your mind.

His chuckle resonates beside you, a sound that grates on your nerves. Irritation mounts, and you sharply turn your head towards him, your annoyance evident in the flicker of your gaze. 

“Need help?” he inquires, his gaze suddenly deepening, the darkness in his eyes unveiling a subtle intensity that lingers in the air. 

“With what?” you spit back at him, the confusion evident in your tone. 

“You're grinding against the seat,” he bluntly points out, his gaze fixed on your crotch. You glance down, discovering your unconscious movement against the fabric of the seat. A sudden realization dawns, and an expletive slips from your lips. 

A wave of discomfort washes over you, an intense desire to squirm and disappear into the ground, engulfed by the embarrassment that now saturates the air. The profound sense of shame hangs heavy, making the moment so excruciatingly humiliating.

You inhale sharply, drawing in a breath that seems to shudder through you, and with a deliberate move, you roll your hips once more.

“No…” you murmur, the word escaping with a shaky uncertainty that even your own ears can detect. 

Jimin scoots closer to you, the warmth radiating from his body sending sparks that seem to dance through yours. 

He leans into you, his mouth dangerously close to your ear, and in a breathy whisper, he offers, “I can help you with that.”

His words alone send a jolt through your body, a sudden tightening that ignites a fiery sensation. Damn it. The internal conflict and desire entwine, creating a tumultuous storm within you in the presence of him. It's undeniable—your entire being yearns for the touch you never thought you'd crave. 

His warm hand finds its way to your thigh, and a low moan escapes your lips at the contact. Fuck. 

His hand ventures down to the hem of your dress, grabbing and pulling it back to expose more of your thighs. A shiver runs down your spine as the cold air embraces your newly exposed skin, and a hiss escapes your lips. However, the sensation is quickly replaced by a different kind of warmth as his hand cups your clothed core. A breathless expletive escapes your lips, leaving your mind in a blissful blank state.

Instantly, you feel the warmth of his hand intimately against you, and your head falls back against the seat involuntarily. A soft gasp escapes your lips as you respond to the touch, unable to resist rolling your hips into the sensation.

“You’re needy,” he breathes against your ear, the words carrying a provocative weight that reverberates through you. 

His warm breath sends a cascade of shivers down your spine, clouding your thoughts in a haze of desire. The desire for release intensifies, eclipsing any reservations you may have about seeking it from your mortal enemy. 

“Shut up and just touch me,” you utter in frustration, the words punctuated by the deliberate grind of your hips into his hand, a desperate quest for any kind of friction. You're acutely aware of the desperation seeping through your actions, but at this moment, you don’t give a fuck.

And touch you he does. His fingers begin to rub your clit over the fabric of your panties, and you don't hold back your moans.

Your hips gyrate, a rhythmic dance in pursuit of your impending orgasm. The sensation builds rapidly, a cascade of pleasure on the brink. The question lingers in your mind—why does your body respond so eagerly to his touch?

He tugs your panties to the side, his touch on your clit eliciting a gasp of pleasure from your lips. The warmth of his fingers against your skin amplifies the sensation, and you're already soaked.

“You're so wet already,” he chuckles against your ear, his lips teasingly grazing your skin. The desire to retaliate surges within you, but then, with a sudden and deliberate movement, one of his fingers enters your pussy, stealing your breath away.

He skillfully fingers you with one finger, the motion of his wrist simultaneously stroking against your clit, creating a sensation that's nothing short of delicious. The desire for more intensifies, an insatiable craving building within you.

“More,” you breathe, your voice escaping chapped and laden with a raw, lustful edge. 

Jimin adds one more digit, and you relish in the precision with which he finds your soft spot, hitting it perfectly.

“Are you gonna come on my fingers?” he whispers in your ear, the suggestive question sending an instant jolt through your body, a yearning for more. 

A throaty moan escapes your lips as you willingly spread your legs wider, granting him more space.

He deftly introduces a third finger into you, and you feel yourself losing control, swept away by the overwhelming pleasure. It's already so good—how is he so skilled with his fingers?

The way he skillfully uses his fingers inside you while simultaneously rubbing your clit with his wrist propels you relentlessly toward the precipice of climax. The knot in your stomach tightens, and you're on the verge of that intoxicating release.

“Jimin, fuck. I'm gonna come soon,” you pant, the urgency in your voice underscored by the rhythmic grind of your pussy against his hand. 

He accelerates the pace of his fingers inside you, bringing you to the brink, but just as your body teeters on the edge of release, he abruptly withdraws his fingers and hand altogether.

His fingers and hand vanish, leaving you hanging on the precipice of your orgasm. The abrupt absence intensifies the frustration and desire you feel surge through your body. Fuck!

Your legs tremble beneath you, and a frustrated hiss escapes your lips as you pant for breath.

“You didn't want to share the blanket,” he spews, a self-satisfied smirk playing on his lips as he revels in your evident frustration.

You're on the verge of tears, overwhelmed with anger. The desperate desire for release compounds the emotional turmoil within you. The audacity of him! The frustration boils over, cementing Jimin as nothing short of a fucking jerk in your mind.

“I'm not letting you come unless you beg for it,” he adds in a smug voice, a smirk playing on his lips as he purposefully puts some distance between you. 

You can't believe him. The brink of pleasure was within reach—just a few more rubs and you would have unraveled on his fingers. The yearning is palpable, a frustrating ache that intensifies with each passing moment. 

You growl at him, caught in a heated internal debate about whether to plead with him or not. 

Your pussy clenches around emptiness, a visceral reminder of your desperation.

“Please, Jimin. Please let me come,” you implore, locking eyes with him and turning your body toward him. The desperation in your gaze is palpable. Almost inadvertently, you press your chest closer, your stiff nipples drawing his gaze downward.

He licks his lips teasingly, a wicked glint in his eyes, before seizing your hips and drawing you irresistibly toward him. With a swift yet controlled motion, he manipulates your body, guiding you to lie on the seat. As you settle into the unexpected position, he chuckles at the genuine confusion etched across your face.

“Because you asked so nicely,” he murmurs, his voice dripping with sarcasm, and in a bold move, he shoves your dress up to your stomach. With swift precision, he snatches your panties, sliding them down your legs. “I'll give you what you want.”

He discards your panties with a deliberate flick, his focus unwavering as he plunges down to your throbbing pussy. There's no hesitation; he immediately delves into licking at your folds and clit with a hunger that matches your own. 

Your body instinctively arches off the length of the seat, a wave of pleasure coursing through you. It feels unbelievably good. In the heat of the moment, your hands find his hair, fingers gripping and pulling at the strands, eliciting a guttural groan from him. 

Your muscles tighten, and the echoes of the previous orgasm, forcefully ripped from you, return with an intensity that feels tenfold. Each breath is a furious pant as he continues to lap at your folds, the relentless pleasure building and intertwining with your gasps. 

Then, with a skillful touch, he adds a finger to your clit, rubbing it in tantalizing circles. Your senses heighten, and just as you succumb to the pleasure, he skillfully continues to ravish your entrance with his tongue. 

“Jimin!” you scream his name, a raw and unrestrained cry escaping your lips as you reach the peak of ecstasy on his tongue. Your body tightens, toes curling, and you involuntarily hitch your heels against his legs. In the throes of pleasure, your vision blurs, and you fight for air.

He chuckles, a throaty sound that reverberates in the aftermath of your high. Not giving you a moment to fully come down, he skillfully inserts two of his fingers inside you, drawing a hiss from your lips at the touch—your body rendered oversensitive.

He extends his fingers, proudly displaying them, glistening with your intimate juices. A wicked glint in his eyes, he issues a command, “Clean them.” 

You meet his gaze defiantly, a spark of challenge in your eyes, before obediently rising to carry out his command. Taking hold of his hand, you sensually draw his slick digits into your mouth, swirling your tongue around them like a provocative dance. Your eyes lock onto his, witnessing the raw desire in his gaze as you release his fingers with an audible ‘pop’.

“I hate you,” you declare, breathless, the words carrying a mixture of frustration and desire. His response is a low chuckle, his perceptive gaze catching the teasing glint in your eyes.

He leans back, a provocative smirk playing on his lips, and starts palming himself through his dress pants. Your eyes involuntarily follow the movement of his hands, and a jolt of desire courses through you as you realize he's already rock hard. The unmistakable bulge strains against his pants, a visual testament to the arousal simmering between you two. 

“I can help you with that,” you purr, a sultry promise lingering in your eyes, eager to reciprocate the pleasure.

He chuckles, a mischievous glint in his eyes, and smoothly turns his body to fully face you. With a teasing smirk, he unzips his pants, skillfully pulling down both his trousers and underwear enough to liberate his hardened dick.

His cock springs free, defiantly brushing against the bottom of his loosened tie, a sight that's undeniably tantalizing. Perfectly sculpted, it's veiny and slightly flushed at the tip, mirroring the allure of every inch of him. A surge of conflicting emotions overwhelms you – the hate, the desire, the acknowledgment of his undeniable appeal. You despise how effortlessly good-looking he is, from the tousled blonde locks to those lips you now crave to taste. 

However, your gaze returns to his dick, noting its average size but with a satisfying girth that catches your attention. A subtle hint of anticipation flickers in your eyes, and your tongue instinctively darts out to moisten your lips. 

“Then get to work,” he pants, a breathy command, as he sensually spreads his legs, creating an inviting space for you. 

You descend eagerly, ensuring your mouth is generously coated with saliva before you engulf him, starting with just the tip. 

He hisses the moment your lips meet his dick, his head instinctively colliding with the window behind him, an involuntary exclamation escaping, “Ah, fuck.”

You engulf more of him, your mouth descending entirely, and the sound of his primal moan reverberates in response. You add a sultry hum, a note of satisfaction coursing through you.

You initiate a slow, deliberate pace, skillfully sucking him off, and anything beyond your mouth's capacity, you sensually stroke with your hand. 

His hands seek out your hair, effortlessly capturing the neatly arranged high ponytail that he grasps with a possessive confidence. 

You revel in the subtle tension, accelerating your descent on him with a newfound urgency. Your tongue skillfully traces intricate patterns, dancing across his tip and the sensitive folds of his frenulum.

He moans in ecstasy as you withdraw with a satisfying ‘pop,’ only to treat the head of his throbbing dick like a tempting lollipop, your tongue swirling around it with deliberate sensuality.

As you glance up at him, he appears utterly lost in the moment. His eyes, once vibrant, are now dilated orbs of desire, his parted lips releasing audible breaths. The state of bliss enveloping him transforms his features into a breathtaking display of vulnerability and beauty.

You envelop him once more, relishing the subtle tremor that courses through him, a tangible response to the sensations you're skillfully orchestrating with your lips and tongue.

He yanks you away from him, his voice a raw whisper laden with desire, “I want to fuck you.”

You prop yourself up, captivated by the transformation before you. The usual arrogant Park Jimin is replaced by this vulnerable, needy version, and against your better judgment, a desperate craving for him builds inside you. You ache for him to consume you entirely.

A mischievous smirk plays on your lips as you echo his earlier taunts, “Beg for it,” you challenge, aware of the palpable tension between you, a shared desire pulsating in the charged air.

A low, throaty chuckle escapes him as his fingers glide through the tousled strands of his blonde hair, a mixture of frustration and amusement dancing in his eyes. “You’re really a fucking brat,” he hisses, a smirk playing on his lips.

He sits up, a subtle smirk playing on his lips as he sheds his open jacket, the confined warmth of the car now turning uncomfortably sweltering. You can't help but acknowledge the irony; at least you're not freezing anymore, which, after all, was the primary objective of this unexpected detour, wasn't it?

“Please let me fuck you,” his plea hangs in the air, a desperate echo of your own request, and you can't help but chuckle, slowly crawling closer to him.

“Turn around, let me straddle you. Leaning against the headrest will give us more space,” you suggest, and he shifts in an instant, his arousal evident in the casual sway of his dick with each movement.

Then you confidently straddle him, your hand instinctively reaching for his dick, guiding him to align perfectly with your eager entrance.

Before you lower yourself onto him, you sensually trail his dick through your wetness, relishing in the intimate friction. A moan escapes your lips as you then descend onto his lap in one smooth, sultry motion.

The exquisite stretch sends a shiver down your spine, and he effortlessly glides in, eliciting a breathless ‘Fuck!’ from your lips.

As your hands find their place on his shoulders for support, his eyes, now hooded, follow your every movement as you begin to ride him with a rhythm that echoes the passion pulsing between you.

You pant furiously, your breath hot against his face. The sensation of him inside you is nothing short of heavenly, an electrifying connection that feels as if every contour of him aligns perfectly with every curve of your pussy.

“Ah,” ecstasy courses through you with each fervent bounce on his throbbing length, a harmonious rhythm of pleasure escaping your lips in breathless gasps.

“You’re so tight,” his ragged breaths synchronize with the rhythmic clench of your walls, his hands anchoring to your hips, adding an electrifying intensity to each blissful plunge into your velvet warmth.

Between gasps, you manage to growl, “Fuck. I hate you,” only to be met with his deep, throaty chuckle as he continues the relentless rhythm of his thrusts, each one a tumultuous clash of conflicting desires.

Amidst heavy breaths, he accuses, “I know you're lying,” his words punctuated by the rhythmic tempo of his panting. Undeterred, he leans in for a searing kiss, his lips caressing yours with a softness akin to pillows. Your defenses crumble as you melt into his touch, tongues colliding in a fervent dance that defies the lingering tension.

“Why is it that you feel so damn good?” you gasp, interrupting the kiss only to plunge back into its intoxicating depths. Each moment spent in his embrace feels like a surrender to a passionate whirlwind. His every thrust reverberates through you, sending electrifying shivers down your spine, an exquisite dance of pleasure and desire that you find impossible to resist.

“Perhaps I should prolong your climax, just as you did to me?” you purr with a mischievous smirk playing on your lips, resurrecting the playful brat within you.

He chuckles, his hands leaving the curve of your hips to gracefully undo his tie at his neck. Your gaze fixates on him, observing each deliberate move as he frees himself from the constriction of the tie, all while you continue to ride him with an unabashed hunger.

“You really are a fucking brat,” he mutters, the corners of his lips quirking into a sly smile as he pulls off his tie. “Now, shut up,” he commands, silencing any potential retorts by expertly stuffing the tie into your open, protesting mouth.

You yield to the makeshift gag, sinking your teeth into the fabric, muffling the symphony of your own desperate moans.

A smirk plays on his lips as his hands reclaim your hips, commanding, “Now take it like the fucking brat that you are.”

His movements become a relentless rhythm, thrusting deep inside you. All you can do is cling to his shoulders, swept away by the force of his desire.

Ecstasy courses through you, and you can't help but moan into the fabric of his tie. It feels too damn good to contain.

His voice drips with satisfaction as he senses your walls tightening around him, and a smug grin plays on his lips. “You like that, huh?”

A guttural moan escapes your lips in response, the crescendo of pleasure building, and you sense the impending climax drawing near.

“Fuck yourself on my dick,” his command hangs in the air, thick with desire, as his hands abandon your hips, embarking on a journey down your back. With a swift motion, he unzips your dress, letting it cascade down your shoulders.

Your naked breasts dances to the rhythm of his powerful thrusts, an erotic ballet of passion and desire.

“Fuck. You’re not wearing a bra, just like I thought,” his eyes widen in delighted surprise, a devilish grin playing on his lips. His hands eagerly exploring the contours of your exposed tits.

His words hang in the air, sending a shiver down your spine. “Your tits are beautiful,” he murmurs, his fingers tracing delicate patterns around your stiffened nipples. Your body reacts instinctively, a primal moan escaping through the tie as desire courses through you.

Every grind and movement becomes a challenge as he expertly tweaks and pulls at your nipples, sending waves of pleasure and distraction through your body. You fight to maintain a rhythm, desperately trying to pleasure yourself on his dick amidst the electrifying sensations dancing across your chest.

As your walls clench around him, a whirlwind of sensations floods your body, signaling that the peak of pleasure is just a breath away. Every nerve is on edge, and the anticipation of an imminent climax tingles through you, a storm about to erupt.

As he skillfully massages your tits, he breathlessly teases, “You’re gonna come, aren’t you?” his words send shivers down your spine, intensifying the pleasure that's building within you.

With a fervent nod, you surrender to the sensations, your muffled moans echoing through the tie as pleasure courses through every inch of your being.

As he plunges into you, he urges you with a guttural command, “Cream my cock, brat.” The raw desire in his voice fuels the intensity of your connection, igniting a blaze of passion.

Overwhelmed by desire, his dick finding every exquisite spot within you, you unleash a guttural moan, your pleasure echoing into the fabric of the tie as you climax on his pulsating cock.

Jimin's fingers twist around your hardened nipples, sending electric shocks of ecstasy through your body. A guttural exclamation escapes your lips, muffled by the tie, as pleasure courses through every fiber of your being.

He pounds into you relentlessly, the rhythm building towards an intense climax. His hands firmly grip your hips, fingers digging into your flesh as he desperately seeks his own release.

He reaches the peak of ecstasy, his body shuddering with the force of his release as he spills into the warmth of your pussy.

Heaving for breath, the silence between you two speaks volumes, a shared understanding lingering in the air as you descend from the euphoric heights of your climaxes.

Collapsing onto his chest, you revel in the soothing aftermath, liberated from the restraint of his tie. As his body relaxes within you, the intimacy lingers, a tangible connection forged in the heat of passion.

His lips graze your neck with a gentle touch, igniting a cascade of thoughts about the significance behind this tender gesture.

As laughter fills the air, shattering the lingering tension, your attention shifts to the foggy windows and the oppressive heaviness in the car, making each breath a deliberate act.

As you hastily redress, Jimin slips into his jacket and steps out of the car, retrieving your coat from the trunk. With a gentle handoff, he passes it to you, and you quickly slip into its comforting warmth.

“Thank you,” your gratitude escapes in a hushed whisper, laden with a touch of bewilderment. The encounter, while undeniably electrifying, leaves you grappling with conflicting emotions. It's Park Jimin, your sworn adversary, and the intensity of the shared moment hangs between you, a paradox of pleasure and rivalry.

“You’re welcome,” his response carries a self-assured smirk, echoing the lingering traces of the shared intimacy. As he confidently returns to the driver's seat, you mirror his actions, settling into the passenger's seat, both enveloped in a charged silence that speaks volumes.

The snowfall has eased, no longer as relentless as before. A subtle nostalgia creeps in as you reflect on his desire to keep you warm. The gentle flakes now fall, leaving you yearning for the lingering warmth of his touch.

As he revs the engine to life, a gust of chilly air sweeps through the car, causing you to emit an involuntary grunt. His chuckle fills the cabin, accompanied by a smirk and a teasing wink. “I can warm you up anytime,”

You shoot him a moping gaze, wondering if he has a knack for deciphering your thoughts. Can he sense the magnetic pull, the unspoken attraction that mirrors your own inner turmoil?

You return his smile, a silent agreement resonating between you as he steers the car forward, setting the wheels and unspoken possibilities in motion.

Three hours fashionably late, you finally arrive at Seokjin's Christmas party. The distant hum of music greets you as you step out of the car, signaling that the celebration is already in full swing.

As you rap your knuckles against the door, you steal a glance at Jimin who's busy adjusting his attire. His fingers deftly tighten the knot of his tie, and his pants get a quick, inconspicuous tug into place.

As Seokjin swings the door open, a tantalizing waft of mouthwatering aromas envelops your senses, instantly sparking a smile on your face.

Seokjin's laughter echoes as he playfully accuses, “You fucked Jimin!” and your jaw drops in disbelief to the floor.

#jimin x reader #jimin bts #park jimin #jimin #jimin fanfic #jimin fic #jimin imagine #jimin smut #jimin x you #park jimin imagine #park jimin smut #park jimin x reader #bts jimin #park jimin x you #bts jimin x reader #park jimin imagines #park jimin bts #bts park jimin #pjm x you #pjm smut #pjm x reader #bts pjm #pjm #bts x reader #bts x you #bts fic #bts fanfiction #bts fics #jimin fluff #bts smut

[sunshine-jesse]

Control: The Strange Dynamics of Andy and Leyley or

The Incest End Is Not The Fucking Bad End, Stop Coping

EDIT:

Hey guys! This post is blowing the fuck up, but this was my first essay on this game, and I think I've had many more insightful things to say since then. Here's a link to a masterpost with all of my essays, which I'd definitely suggest reading after this one:

Anyways, without further adieu...

I heard a lot about this game going in. I knew the general story beats and the funny haha incest memes. I knew it was about a toxic codependent relationship where Ashley, the sister, acted like your standard overly-controlling person who used various abuse techniques to keep someone in line. I expected Ashley to be a yandere-type character where she was borderline psychotic, irrational, and had a skewed perception of reality. I expected her to be a crazy bitch, and I love me some crazy bitches.

But then I actually played through the game. ...That is not what I got.

The game advertises Andrew as a doormat extraordinaire who is strung along by his Very Not Good sister and has no agency of his own' that he's just a henpecked abuse victim. But in practice, that doesn't seem to be the case. One of their first exchanges that in the story is when the occultist played his music and Ashley wanted them to check it out. He says 'no', sure, but then he smirks and says 'but I'll come along if you do.'

That is not the dialogue of someone who has no will of their own, that's the dialogue of someone who willingly gives up their own agency.

This is not, on its own, a sign of anything out of the ordinary. What caught my attention with it, though, is how it flew in the face of the common narrative surrounding their relationship dynamic. But that's not the first time I noticed it, it's just the first time, in retrospect, that their actual dynamic begins to show. The first time I personally noticed it is in the choking scene.

There are a lot of ways to view this situation. But my own reading? This was not a crime of passion. This was not him trying to break free. This is him doing something he's thought about for a while. This is premeditated. In this scene, Andrew is done playing along with Ashley's shit. In this scene, I firmly believe Ashley is the victim.

Ashley is the more openly abusive of the two who seeks to do whatever she can to trap Andrew so he'll never leave her. That much is clear. But Andrew-

-clearly has these same tendencies. He says this shortly after Ashley mentions putting her name up on a call girl's wall for money. There's protective brotherly instincts, and then there's this. This is not something you'd threaten a sister with, this is something that a man would threaten his wife with, which is directly brought attention to in the story.

(hey look he accepts the framing of it being WIFE beating at face value, and says Ashley is the only one who makes him like that! HMMMMMMMMMM WONDER WHAT THAT IMPLIES???)

It also implies that this is not the first time physical force has been threatened! I mean, that much is obvious, because of the choking scene that happened before, but I more mean that this implies that Andrew either threatening or utilizing physical force is an established pattern of behavior. However, the Decay route implies that she never thought Andy would kill her (but Andrew would) which can either be for or against depending on one's perspective, so I don't hold to the idea that it's an established pattern too strongly.

Okay, so. Andrew has some controlling and possessive tendencies too. So what? Their relationship is codependent. It's advertised as such. What of it?

Well first of all, it pretty much blows the lid off of the idea that Ashley is the sole perpetrator of abuse in their relationship. I've seen a lot of people view Andrew's behavior as justified retaliation against abuse, but frankly, I don't believe that him threatening to strangle Ashley for violating boundaries by trying to hold him accountable for his actions (given the strangulation part happens after she brought up Nina's death and how Andrew was ultimately responsible) is justified. And I ESPECIALLY don't believe that him threatening to backhand Ashley for her transactional attitude towards sex is justified in ANY circumstance.

EDIT: This part was edited in from the original post for the sake of readability so they don't have to see the reblogs to see the updated version! This post gained more traction than I was expecting!

…But perhaps even more telling is what she DOESN'T do.

Pushing someone's boundaries until they lash out is a pretty common tactic in abusive relationships. It's easy to see why, too: It justifies prior behavior and paints them in a negative light to others. This can be an important aspect of using DARVO (deny, attack, and reverse victim and offender) against someone, although the two ideas aren't necessarily linked.

It's pretty easy to argue that this is what Ashley does, but if you look at the one time her boundary pushing DID go too far, when Andrew lashes out with physical violence… she doesn't do that. She doesn't blame him. She doesn't paint herself as the victim. She doesn't even try to give a reason as to why she shouldn't be killed outside of the comfort she gives him. Why is this notable?

Because the mom does, in fact, engage in what could be considered DARVO against Ashley:

(i will elaborate more on this screenshot in particular below)

Ashley is directly compared to Mrs. Graves by Andrew, and yet she crucially displays none of the habits that Mrs. Graves does. Mrs. Graves lays the blame on Ashley, but Ashley doesn't lay the blame on Andrew. Mrs. Graves tends to paint herself as the victim of Ashley, but Ashley does no such thing to Andrew. The mom denies her culpability at every turn; Ashley doesn't. Ashley tries to hold Andrew accountable for his role in Nina's death, which could be considered a kind of DARVO. But she never denies that she had a role to play in it. She just mentions that he was the one who pulled the trigger. And he was.

(and the point was more that she DIDN'T engage in it when threatened with physical violence; the perfect chance to)

In Mrs. Graves' mind, she is the victim of either Ashley, or society as a whole. In Ashley's mind, she knows what she is, what she does, and what she's about. The only thing she's oblivious to- or doesn't acknowledge, at least- is the threat Andrew poses to her. In her mind, she's the bad guy. In Andrew's mind, Ashley is the bad guy. In official art, she is the bad guy:

And yet, in the game itself, Andrew is the one holding the cleaver. Not her. Hm.

Ashley is the world's most convenient scapegoat. She allows people to mask their own worst habits and pretend they're better people than they are. She accepts this role. She embraces it. She doesn't try to deny it. But when that mask slips, people lash out at her. Both Mrs. Graves and Andy (NOT Andrew, crucially) predicate much of their self-perception on being what she's not.

But they're the ones who enabled her to become like this, every step of the way.

And that's what blew my fucking mind, and made me question just who the victim really is. She was never given a chance to be normal, because other people relied on her NOT being normal.

By the end of my second playthrough, I felt worse for Ashley than I did for Andrew, and I still do.

So. What am I getting at? What does this show me about the relationship between Ashley and Andrew?

(I also wanted to point out that Andrew does engage in DARVO too but I didn't want to distract from the behavior of the mother. Unlike what Andrew does, it doesn't require someone to reassess the narrative they have towards the game in order to realize the implications of it, whereas it's pretty easy to justify Andrew's words as not qualifying as DARVO if you buy into the narrative that he's the sole victim and/or that Ashley is the main perpetrator of abuse. A friend of mine pointed out that it's a pretty key part of the push/pull dynamic they have, and I completely agree.

However, the direct comparisons to the behavior of the mother can't be ignored no matter your narrative, so I felt as if I needed to highlight that more.)

EDIT OVER

It shows me that their relationship is all about control.

Specifically, the push and pull of who controls who in any given situation.

Andrew weaponizes his incompetence. He always looks to lay the blame on Ashley. This is drawn attention to several times, and said explicitly in the Decay route.

He is always surrendering control to her, and yet he never HAS to. He could always just say no. He could always refuse. What are the consequences? Her being upset? Well, unfortunately, it's not that easy. That's not how abuse dynamics work. He probably feels like he has to, or rather, feels like there's no other option. That he's in too deep, and stuck with her no matter what. But personally, I think it's pretty clear from his willingness to surrender control to Ashley that he still feels like he has it at points, because the moment he feels like he's about to lose it, he either considers violence, even as a child-

(the actual scene of slicing her finger is pretty sus too with this reading in mind)

-or resorts to it, outright, in both the choking scene and the vision in the Decay ending... when Ashley doesn't have enough bullets to defend herself (this will be important later!).

SO WHAT POINT AM I TRYING TO MAKE??? AM I JUST MAKING ABUSE APOLOGIA (the answer may surprise you)?

No. I don't think so.

Ashley is obviously very bad. She's controlling and uses pretty textbook abuse and entrapment tactics on Andrew whereas everything he does to her is inference, with Ashley too daft to realize just how much danger she's in until the vision in the Decay ending spells it out for her- and I don't know if a true abuse dynamic allows for one to be completely unaware of the consequences of breaking free. She could just let go of her desire for control and Andrew would be a much happier person.

And that's the point, because so would she.

I bring up control because that push and pull- that desire for control over each other- is exactly what's tearing their relationship apart, and this effect most obviously manifests in the two endings of episode 2. In the Decay ending, Ashley either tries to exert control over Andrew due to a lack of trust, or Andrew allows his feelings of entrapment to truly take root in his mind and guide his actions. In the Decay ending, Andrew becomes a true doormat with no will of his own, allowing his feelings of bitterness and resentment to fester and grow, eventually resulting in their deaths.

In the Burial ending, Andrew does the exact opposite. He takes control of the situation and does exactly what Ashley would do without much of a fuss. This eventually culminates in THAT scene (assuming you take the Questionable route), where his facial expression alone speaks volumes:

Look at how fucking confident this man is. This is not the face of someone who's unsure of himself; this is the face of someone who knows exactly what he wants and takes it. He is absolutely in control of this situation, and everyone is happier for it.

And what does Ashley have to do to get this ending?

Let's go back to Decay for a moment. If Ashley has bullets in her gun, she has control over the situation. She, at any point, could put an end to Andrew and survive. And yet, at the very end of it all, she could choose not to. She could choose to surrender control to Andrew, allowing herself to die. And that ending, I believe so much of his life and willpower will have decayed that there's nothing left for him to take control of, leaving him no choice- or rather, no use for the control he now has- but to die with her.

And in the Burial ending, she has to let him out of his cage before it's too late. She has to surrender control to him, and when she does-

-He will become everything she ever needed him to be.

It's all about her surrendering control, and it's all about him taking control. Because, no matter what, as long as that happens... the two of them will be together forever.

In life...

...or in death.

How romantic.

So no, the incest end is not the fucking bad end. They're going to be together forever in the end either way, so they might as well live through it.

#gaming #the coffin of andy and leyley #gravecest #ashley graves #andrew graves #someone help me i can't stop thinking about this fucking game

[araminakilla]

Regarding Death Wolf...

Hear me out (NO, it's not the kind you are thinking)

We know Death has a job, right? To collect souls and most likely release them to the afterlife.

And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.

Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.

Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.

And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."

Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.

But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.

While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.

Someone with a code of honor, morals, opinions, beliefs, etc.

Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.

The answer is something you may relate to, and that is: Creativity and escapism.

To be the embodiment of Death, the guy is a very creative fella.

First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.

Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.

His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.

The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.

As for the escapism part...

When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.

But what has to do with Death Wolf you may ask?

Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.

He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.

It was a way to escape a monotonous, grim "life", if just for a short moment.

So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"

And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"

Death knew the chase had to end eventually, but he didn't want it to end.

He didn't want to return to his own world

And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.

In the Shrek Franchise:

Monsters can be loved

Princesses don't have to fit the perfect standards of beauty

Handsome guys can be possesive jerks

Love at first sight doesn't work like one would think

Happily ever afters had to be built and not just obtain them with magic

And Death is the most creative and "full of life" being in the world

Because he would absolutely go crazy with his life/work if he wasn't.

Because in a world of Kings, Poets and Soldiers, he's the Supreme King

And he's also a perky goth but none of you are ready for that conversation.

#100% sure that if Tumblr was a thing in the Shrekverse... #Death would have an account #puss in boots #puss in boots 2 #pib #pib 2 #pibtlw #pib the last wish #puss in boots the last wish #the last wish #death wolf #death the wolf #lobo muerte #pib lobo #puss in boots lobo #puss in boots wolf #pib wolf #pib death #puss in boots death #puss in boots analysis #character analysis #escapism #creativity #shrek #dreamworks shrek #dreamworks #this is probably the discovery of the decade #or the stupidest thing I ever wrote on this website

[wilwheaton]

favorite goncharov character

Goncharov! Holy shit I haven't thought about Goncharov in YEARS!

I remember seeing it at the Vista theatre downtown in ... I want to say 1983? It was either 82 and I was 10, or 83 and I was 11. Now that I think about it, it must have been Spring of 83. I remember that Kimmy Mendini was my babysitter, and she drove my friend Ahmed and me all the way downtown to see Goncharov. She would have been at least 16, but I feel like she was a little older. I remember that she LOVED movies and just never stopped talking about European cinema.

Ha! I can still her her sort of roll "Cinema" out of her mouth. Movies were for the masses to watch, while sophisticated adults experienced Cinema. I'm just realizing now that she absolutely pronounced it with a capital C. She was like "you are so lucky to see a clean print of Goncharov!"

I had no idea what a clean print was, but I understood it was important and impressive.

She had read about this screening in the LA Weekly, which I didn't know at the time was TREMENDOUSLY subversive in our suburban part of Los Angeles County, and we were going to an old theatre in maybe not the greatest part of town, but Kimmy had been watching me since I was in second grade and was like my big sister. I knew we'd be safe with her.

That old theatre (which is now a fucking swap meet) was just so beautiful inside. 100 foot ceilings, box seats, gold paint and murals. It felt like a place you went to experience Cinema, but, like ... it had absolutely seen better days. I remember that I felt kind of bad for the place, a little embarrassed, like when I got a good grade and accidentally made eye contact with a friend who got a D.

Okay. This clearly hit a memory artery, and I appreciate you staying with me this far, when we finally get to the fireworks factory. We're walking up to the box office, and she tells Ahmed and me that we have to wait on the sidewalk, because *technically* it's rated R, and she's not our legal guardian, but what does this guy making two bucks an hour know about art anyway?

So we wait. She buys the tickets, and then we all walk in as casually as we can.

I remember how scared I was that we were going to get caught and they'd call the cops (that's how it worked in my anxiety-ridden brain), but literally nobody cared. The theatre wasn't even half full, and everyone there was a dude at least as old as my parents.

You know the story, so I don't have to recount all of it, but I can at this very moment remember how shocked I was when Bruno was shot. This was the first time, ever, I had felt an emotional connection to a character. I didn't cry when Bambi's mother was shot, I didn't cry when ET died, I didn't cry E V E R.

But when Bruno died? I didn't make a sound. I just silently wept. Tears just poured down my face and I wanted to roll back time, rewrite the movie, and get him out of that room.

I obviously understand now, all these years later why I connected to him and why his story meant and means so much to me, but at the time I had no idea. I just thought the actors were that good.

I can't believe that guy who played him died so young. I think he was like 40? I remember thinking that was old. Now I know different.

When the movie was over, Kimmy asked us how we liked it. Ahmed was obsessed with the photography (he grew up to be an illustrator), and I obviously had my Bruno Moment.

We got Thrifty ice cream on the way home and listened to Donna Summer in her Datsun.

I haven't thought about Goncharov or Cinema or Kimmy in FOREVER. Leave it to Tumblr to boost my nostalgia check to a natural 20.

tl;dr: Bruno. I know he's supposed to be that character we all hate, and there are so many valid reasons for that. But when I was 12 ... well, I was a different person.

Oh! And now that I know what a "clean print" is, having seen so many "dirty prints" in revival houses before they all turned into swap meets or churches (hey, two places where people sell you stuff and take your money!), I retroactively appreciate it in a way that would make Kimmy happy.

Thanks for the trip into the crumbling mall that is my childhood memories. I haven't been here in awhile and it was nice to visit.

#Goncharov (1973) #goncharov #bruno #yes bruno #unreality

[gacha-incels]

“Arknights/Limbus Company/etc is obviously very political, why are these incels playing it?” Here’s a longer answer if you’re interested.

If you haven’t been watching gacha communities for the past decade this might be confusing to you, but these guys see the games as just apolitical stories with a majority or all-female cast being there to titillate the male viewer. They are for his consumption. It’s why in both eastern and western “gacha game” communities you can see them talking about how these games are better for having “beautiful” anime women versus the hideous hags of western media. I’ve seen so many people asking “how are incels playing a game with so many strong female characters?” They see them not as “strong female” characters but rather “eyecandy made for me”. tbh when it comes down to it I wouldn’t call any of the designs in these games absolutely groundbreaking for the anime genre they’re aiming for. Arknights even follows the standard “fully animal faced-guy” and the female equivalent “small featured anime animal girl with some fur”. This doesn’t mean the designs are bad or you’re foolish for enjoying them of course, there are a lot of fun ones. Anyway, you can see the same sentiment in the majority of anime communities as well. Like do you think that stereotype of an anime nerd who “loves 2D women but hates 3D women” means he’s a feminist because the 2D girl is still female?

To be frank, after some of the actions taken by these companies (ex. the firing of women for posting anything vaguely feminist) can you honestly say an “apolitical game with anime babes” is not the way the games are often enjoyed? The company Yostar who publishes Arknights in Korea literally wrote a statement saying the game is apolitical and calling feminism a dividing force. If the publisher can say something so flippantly like this just to appease their incel fanbase, how can the game be making any meaningful, hardline progressive political statements? I am of course not saying this renders any positive message you get from these games moot nor am I saying it’s impossible for the writers to be passionate about their work, I’m just relaying the thoughts of the incels/“gacha gamers” playing them because there seems to be confusion. What I’m writing here doesn’t mean the worst interpretation of these games are their defining interpretations. I’m trying to explain how the games that many people see as being antithetical to incel beliefs can have these same men as high-spending fans.

Gacha games are unique in the world of consumer media in their extremely close and constant relationship with the consumer. You have to not only love each character’s design (and sometimes story) but also be willing to drop serious gambling money to “buy” them every single month. It’s like merchandizing on steroids. I think the term “whale” has been watered down since younger kids have started playing, but these people spend thousands per patch. Over the years I’ve heard about multiple games like this being sustained by just a couple of high spenders. In 2018 there was even a western news article about a man who had spent $70k+ on FGO. The publisher can’t rock the boat too much to displease the consumer too many times without risking EoS. Every character design and story of a gacha game is affected by this FIRST while any artistic intent comes second.

A Korean woman who had lost her job due to similar “feminist hunting” tactics wrote an article describing the way these incel men think. I posted it here and part of it summarized: the men that play these games see themselves as buying and “owning” the female characters in gacha games, who are often dressed and presented to them in a highly sexualized manner and will obey their commands. In the same way they “own” these 2D women, they also want to own the thoughts of the real live female illustrators who work on the games. Therefore, if these women have expressed ideas that the male gamers find upsetting, they will be angry she doesn’t conform to what they want like the servile 2D girl and do everything to get her fired (this is where she mentions Limbus Company as the most recent example of this happening).

You can argue for some of these games, maybe the girls aren’t dressed super provocatively and give (you) shit instead of being a simpering doll, but in the end it’s not like they can physically walk away or stop speaking to you. For the “waifu” hunter guy it’s just a different type of anime girl to collect.

The stories in these games are generally not what gets targeted as much by incels. In gacha “gamer” communities, especially the Korean incel ones, their main concerns are: how revealing are the summer swimsuits? How many women work for the company designing characters? and related, Are the male characters designed for women or for men and do they “look gay”? If you search through this blog, you can see them directly speaking about these things in regards to their hatred of Genshin Impact and Star Rail. All of these have also been encapsulated in the original Limbus Company incel attack: they hated that the summer female character looked more “clothed” (wearing a skintight suit instead of a bikini) than the male summer character. They thought the collar necklace and open shirt on the male summer character meant he was “a slave” for the female viewers, so obviously it was designed by a woman. When they learned a man designed and illustrated those characters, they searched to find a female illustrator who worked in the game and went after her instead. These guys WERE FANS that played the game beforehand and didn’t think anything in the story was upsetting enough to attack the company about. They were familiar enough with the works of Project Moon to name their little group after an antagonizing force in one of PM’s previous (non-gacha) videogames. And Project Moon saw them as such a significant part of their gacha fanbase that they wrote an immediate apology and fired the artist. How do these actions in reality inform their fiction and the interpretation of it? Getting this out of the way, they were NOT in any danger, the “fans” were not clamoring to get in their offices or camping outside, they were let in and calmly had a meeting with some employees at the office. You can still find photos of them goofing around, the ridiculous write up they brought with them and a transcript of the conversation. This was not a “guy shows up at Mihoyo’s offices with a knife” situation. In the end it was a financial and moral loss for the studio with many new and longtime fans completely dropping the games and Limbus Company taking one of the biggest financial and D/MAU drops for a gacha I’ve ever seen. You can read more regarding the ramifications of this here, this post is already pretty long for this website anyway.

Again I’m not writing this to shame anyone who plays these games, loves their characters or enjoys their stories. I don’t really care either way, and I obviously find the genre interesting or else I wouldn’t have been monitoring it and the fans for a decade. I just want to shine a light on the thoughts of the more “incel” gamers that play some of these games since I have seen a lot of genuine confusion as to why they would play them. In the future my aim is to write a more in-depth post about these issues, their history and the way antifeminists think.

#Arknights #yostar #hypergryph #project moon #limbus company #Genshin impact #long post #korean incel #incel ideology #gacha #fate grand order #fgo

[fixyourwritinghabits]

No Such Thing As Filler

Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.

The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.

The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.

Instead of thinking of that writing as filler, try to approach it with three things in mind:

Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?

Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.

Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???

A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.

Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.

When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?

Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.

But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.

#writing advice #plotting #filler #writblr #the wiffle bat is a metaphor #for uuuuh something that sounds cool and interesting #let's go with that

[comicaurora]

what’s your opinion of the relatively rare trope/scene where the protagonist is ordered to be captured alive so they pull out a gun or a knife or something and hold themselves hostage?

also minor shout out to the otherwise terrible borderlands Telltale game that had a pretty funny bit where the protag does this and his two guards respond by also putting their guns to their *own* heads and instigating a tense reverse Mexican standoff where you have to intentionally fail a QTE in order to chicken out and let the guards just shoot themselves.

It's an interesting one! I think the reason it's so rare is it requires the protagonist to be the type of person who'd unhesitatingly threaten to do that (and be believed by the bad guys) AND wouldn't instead use that badassery to just fight their way out. A character with even slightly normal levels of self-preservation would probably rather take their chance to be able to escape later. It's a slightly delicate balance to strike, which means you either get it in stories that are a little bit internally wacky and can get away with the protagonist doing something deeply silly, like your borderlands example, or in cases that are played dead serious when the protagonist is a stone-cold badass AND the threat of capture is so uniquely horrible to them that they wouldn't hesitate, which is a rare character beat.

I've been recently rewatching Stargate Atlantis, and they actually did a minor variant on that trope in the episode "Sateda" - the protagonists had been captured by some vengeful bad guys who wanted to turn one of them over to the Wraith as punishment for him accidentally leading the Wraith to their settlement years before while they were hunting him, on the assumption that if they turn him over the Wraith will appreciate the gesture and spare them all, and he responds by immediately holding himself at knifepoint and demanding they let his friends go first. It's a notably more-unhinged-than-usual move for the character in question, and an indicator of how bad he thinks the situation is.

An easier-to-execute variant is probably the one where the protagonist's ally immediately takes them hostage when they hear they need to be captured alive, because that can run the spectrum anywhere from "this ally is morally dubious and may legitimately be ok with making good on that threat" to "the ally is the protagonist's best friend and they're just having a great time hamming it up together to scare off the bad guys"

#asks #tropes #writing stuff

[breathlesswinds]

(Devlog) What We Learned Making A Trans Dating Game

Hello, Amelia here, the writer for Breathless Winds. It's been 250,000+ words, countless revisions, and three years since this game entered development, and I wanted to talk about what I've learned leading up to release.

The concept for Breathless Winds was actually sort of a joke between friends. I was talking with Doris about how there should be a dating game where you play as a trans woman and your dating options revolve around certain ‘tropes’ we’d both seen in trans fiction-- the totally accepting cishet guy who falls in love with the trans heroine before she even knows she’s a woman, the cool trans woman who the heroine doesn’t know if she wants to date or wants to be, and so on.

Doris wound up suggesting we make this game ourselves. We both like visual novels and want to tell LGBT stories. Still half-jokingly and half-seriously, we started fleshing out what the romance options would be and coming up with a setting-- and soon, we were fully committed to making this game real.

I was a fan of visual novels but had only ever written prose. I knew which visual novels I liked and which scenes stood out, but I didn’t know why they did or how to make my own. 

I read some great advice from visual novel developers, but a good amount of my knowledge came from just working on Breathless Winds. As our first project, this game has grown a lot with us and we’ve learned a lot while making it.

Learning How to Write Visual Novels

A bad habit I had to break out of was only using the ‘novel’ part of the game and not the ‘visual’ part. I would sometimes write “He smiled” or lines like that, and Doris informed me that we can convey this much more simply with a sprite change.

It sounds obvious in retrospect, but lines like that are often pretty invisible when you’re reading a non-visual novel. These lines change the sprite of the character inside your head (if that makes sense, haha). I realized that I’m so used to them being ‘invisible’ that I didn’t notice their absence in visual novels I liked, so I would accidentally include them while writing. 

I was also writing these routes in a word processor, so I didn’t have the visual portion to reference, myself. I wound up making a lot of ‘tone’ notes like, “Lantana should be smug here” so that the meaning would carry when revising and implementing these into Ren’py. 

So, while visual novels share a lot with prose, they’re an entirely different medium. On the subject of representing things visually, I’ve struggled trying to figure out how much can be visually represented and how much should be written. 

Every asset in the game has to be drawn by Doris, so if I want the characters to go to a new location for a scene, I have to keep in mind that’s another background that Doris has to draw. If I want a new character to show up, that’s another sprite she has to draw. I don’t want to overload her, but if I’m trying to avoid this entirely, characters sometimes wind up standing in one room talking for ages without anything significant changing on-screen.

I’ve learned that it’s recommended for something to almost always be changing on-screen, though, so sometimes I just have to ask Doris to make a new asset for a certain scene. I still try to stick to locations/characters that already exist more often than not.

Every single thing in a visual novel is deliberate. Another thing I’ve had to learn that I never even considered before is how to write each line so it fits in the text box. It sounds obvious, but when I’m playing a visual novel, I don’t usually think about how each line has to be carefully constructed so it doesn’t need to be split up into two or more text boxes. In my mind, if a visual novel is well-created, there’s not much that breaks a reader’s immersion.

Planning & Outlining

The previous section might sound really weird to some people, so let me elaborate.  I’m a lifelong ‘write by the seat of your pants’-er, so the biggest trial-and-error of creating Breathless Winds for me was planning out the game.

Initially, I created outlines for each of the four routes, and we agreed ahead of time on which CGs each route would have. That way, Doris could draw the necessary backgrounds and CGs while I was in the long process of drafting this game.  My original outlines weren’t great. I know a lot of people have different experiences with writing, but for me personally, a story is always shaping itself in my mind. When I started making the outlines for Breathless Winds, I knew the concepts we wanted to convey, but I didn’t know what each route (and the game as a whole) was really about yet. This might sound weird and unprofessional, but sometimes, I don’t know what a story is about until I finish the first draft.

So while I was writing, I would look at my outlines and I would think, “this doesn’t actually make sense, he wouldn’t say that” or “this plot point would work better if moved to this other section” or “there’s a plot hole here I didn’t notice”. The story wound up changing a lot in this way as I learned what it’s really ‘about’. 

And even after I finished the first draft, I’d get feedback from Doris and/or my editor and they would suggest fixes to problems that even I hadn’t noticed, and then I would revise the route some more, and later on I’d come back and need to redo part of the route to comply with something I wrote in a later route-- I haven’t really felt ‘finished’ with Breathless Winds at any point, and I think I’ll still feel this way after the game is released.

This means that sometimes, a background was created but would go unused because there was no space for the scene that would use it, or we’d need a new CG last-minute, or so on. 

When I’m figuring things out as I go while writing a non-VN, the only person that I can adversely affect is my own self… so I’m eternally grateful for all of Doris’s patience with me on this matter. I think Breathless Winds has come out a much better game for all the re-plotting and revision. 

I redid the outlines several times as I went. I think I’ve understood how to create outlines that personally work for me-- ‘living’ outlines that hit all the main points, but leave wiggle room for moments when a character does something unexpected, work the best for me.

Scope Creep

So, originally, each route was meant to be 40,000 words. “With four routes, that’s only 160,000 words!” I thought. “And some of my favorite visual novels are about that long, so I can write that much, too!” ← clueless

This is the most infamous mistake that new creators make, and I walked right into it. I should have known better since I’ve bitten off more than I can chew with past non-VN writing projects before, but I was starry-eyed and didn’t realize how much work it is to make a VN. Some of those favorite visual novels I referenced were made by much larger teams, writers whose full-time job was writing (I wrote all of these routes on the side while working at a day job). 

If I could have done it again, I would have asked Doris to start out with a really short VN. But, I don’t regret making Breathless Winds at all. It’s brought Doris and I a lot closer, for one. Every time I thought I wanted to give up on this, Doris would motivate me to continue. Without the two of us both and our strong friendship, Breathless Winds wouldn’t exist, and I think that’s beautiful. 

No matter what, we’re going to see it through to the end. (I hope people like it, though…)

Anyway, here I am talking about how much 40,000 words is. Each route now is about 60k to 70k words. The problem with having evolving outlines is that they can often evolve into double their original size.

We came up with the idea of the poachers really early in development, and then not addressing the poachers felt like a failing, but by that point it was too late to remove the poachers entirely… and so the game wound up a lot longer dealing with the poachers. 

I think that if we had an editor sooner on in the game’s development, then we might have had someone to tell us, “do you really need all of this in the game? Does this plot point really need to be there? Will you be able to write all of this in a reasonable amount of time?”, haha. But Doris and I were really excited about the possibilities of this game when we started creating it, and without anyone to reel us back in, we wound up coming up with more and more things we wanted to put in the game.

Did you know there was going to be an island full of talking rats who say things like “the big cheese” and stuff all the time in Breathless Winds? Yeah. 

The Core Design Philosophy of Breathless Winds

So, for anyone who’s read this far but doesn’t know yet-- the premise of Breathless Winds is that you play as a trans woman who doesn’t know she’s trans yet, and she finds love with one of four love interests as she discovers her gender identity. 

In real life, it can be a lot messier for a person to date when discovering their gender identity. To put it briefly and mildly, a trans person’s life and sense of personal identity can rapidly change during a gender crisis and the early stages of transition. 

However, we wanted to make this game a ‘wish-fulfillment’ type story-- a trans fantasy about acceptance, community, and love. During a gender crisis, it can be easy to feel as if one has lost touch with themselves and become isolated from others. A sincere wish shared by many trans people is to be accepted, loved, and even celebrated as their true gender, not just tolerated. 

Since many trans people don’t get love and acceptance in real life, especially with the ongoing transphobic moral panic, we wanted to create a game that would bring this feeling of trans joy and celebration to trans audiences. 

We also hope that cis players will still enjoy the story and characters, and maybe come away from the game with a new understanding about being transgender and other aspects of LGBT identity (although we never intended this game to be ‘educational’).

Making Characters that Celebrate Trans Identity

Although we went through several revisions, the core identities of each character stayed the same since the game was first ‘jokingly’ pitched. In another post, I discussed how each character is themed around a change in seasons. (I also wound up theming them around the four humors when I was initially concepting them-- I really wanted to avoid too much ‘overlap’ in the LI’s personalities, haha). 

Ultimately, characters are created to serve a role. The LIs in Breathless Winds were designed to be love interests, of course-- characters who would appeal to the hypothetical trans femme audience. As mentioned earlier, we modeled them after other trans fiction tropes because these types of characters have a certain tried-and-true appeal, but this left plenty of flexibility to put our own spin on it. 

A trans woman being loved as a woman by a cishet guy can feel like a high form of ‘passing’, ‘fitting in’ to the female gender role, and being validated by his orientation. He only likes women, and he likes you, so you’re undoubtedly a woman. As a cishet guy, he represents a sort of acceptance into a societal norm that trans women can desire to live to. (Lantana, as a cis lesbian, represents the sapphic counterpoint to this-- although there is of course a big gap between the ‘normalcy’ of a cishet man and a cis lesbian woman, and I don’t mean to say those two are equivalent.) 

But not all trans women want to live to that (cis) societal norm. Rue and Valerian, as a trans woman and a trans man respectively, are the t4t options. 

Rue’s route represents that trans/sapphic ‘envy’ (“do I want her or do I want to be her?”) as well as finding power in community aside from what society considers ‘normal’. We’ve always been pretty clear about what we wanted to do with Rue’s route.

We went back and forth a lot more on Valerian’s route. Initially, we were unsure if he should be trans. He and Rue are the two less-friendly love interests (at least initially), so I was afraid it would come across that t4t is a more hostile option, which is not true at all. But it also felt like a mistake to not have a trans man in the game-- but making Gallardia trans would have required a big overhaul of what we had in mind for him and his route. (Although, childhood friends t4t is a really good idea...)

Beyond that, Valerian takes a villainous role in any route that isn't his own. We were worried that it would be wrong to have a trans antagonist who represents unjust power. However, Breathless Winds is a queer game with other positive trans characters, and we've always approached Valerian as a hot anti-villain man that you can't help but like.

In the end, Valerian’s route is about breaking generational cycles and what it is that makes you a man, and I also managed to sneak in a scene where they dance at a ball in the royal palace, so in the end I think it all worked out great.

Wish Fulfillment and Catharsis

Doris and I both agreed that we wouldn’t depict on-screen transphobia in Breathless Winds. Poppy worries about not being accepted, but fear of acceptance can come with any change in identity. Rue was rejected by her family for being trans, but this doesn’t take place ‘on screen’ in the game. There exist certain metaphorical parallels for transness and transphobia, but every route has a happy ending. 

Following up on this-- it can be difficult to write about discovery of gender identity without writing about transphobia, considering how many trans people suffer from internalized transphobia during their period of repression.

Sometimes, repressed/closeted transgender people ‘hyper-perform’ their assigned gender as a form of denial. A trans woman might grow out a beard and join a gym, while a trans man might become very interested in makeup and feminine clothing. 

In Breathless Winds, Poppy often struggles with ‘strength’ and what it means to be a man. In several routes, she tries to prove her strength under the assumption that being stronger would make her happy. Afraid the world would reject her if she became who she really is, she preemptively rejects herself.

Not every trans person suffers from prolonged denial, internalized transphobia, or even gender dysphoria. I don’t think it’s impossible to tell a purely-positive story about trans joy. 

While Poppy never gets rejected for being trans, faces transphobia, gets called a slur, etc, she faces both internal and external (metaphorical) obstacles to realizing and accepting her identity. 

Gallardia represents a societal norm that Poppy can’t live up to herself as a man.

Lantana suffers from certain aspects of her identity as a woman, which makes Poppy feel guilt for wanting to be a girl.

Rue is isolated from town at the start of her route, a ‘punishment’ for breaking this societal norm.

Valerian has to hyper-conform to his masculine gender role at first in toxic ways before finding acceptance from within and from his loved ones.

These struggles are real to a lot of people, but instead of pretending they don’t exist, I hoped to tell a story about catharsis. Poppy is able to live up to her truth as a woman and finds love with Gallardia, Poppy and Lantana redefine what being a woman should and does mean to them, Rue and Poppy find community in others who don’t fit the norm, Poppy and Valerian stop seeking gender validation from a society that was never made to serve them. 

Although these powerful forces of oppression exist, loving yourself as a trans person- and loving those around you, protecting the natural world, and standing up for what you believe in- can save the day. That’s the kind of story we wanted to tell.

Wrap-up

There’s a lot more I could write, but this has already gotten really long (sorry!) so I’ll wrap it up here. 

Learning how to write a visual novel in terms of technical skill (how to depict events on-screen, how long each line should be) as well as in terms of writing skill (how to outline the game, how to plan visual assets) has been a massive undertaking for me. 

Writing Breathless Winds has been a big challenge but also deeply rewarding, and all of your support has made the experience even more wonderful. Thank you for reading and thank you for supporting the game!

#visual novel #otome #dating sim #amare #trans #lgbt #breathless winds