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#TAKES TIME TO MAKE MONEY
kedreeva · 3 months
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There's some dude (derogatory) on FB who is PISSED people are pricing their farm fresh eggs at $2 and $3 a dozen instead of $4+, saying it's "disrespectful" and "undignified" and "I'm trying to feed my kids" like Sir, you are on a Facebook group page bitching about your neighbors egg prices because your pet chickens aren't earning you a living wage and you think it's your neighbors' fault, you do not have a leg to stand on here wrt dignity.
Also half the answers are like "I give them to friends and family free" or "I donate them to food banks" or "I'm making them affordable to folks who might not otherwise be able to get them now that they're so expensive in the store" and "if you think you're going to turn a profit keeping backyard chickens you have been wildly misled" and so on, and so forth, and I'm so living for it.
and I can tell you right now, he did NOT like my answer of "if you're trying to feed your kids, I hear eggs are edible."
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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confessedlyfannish · 25 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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taintedco · 1 year
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Making Money Streaming...
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Do not go into streaming thinking you will make a lot of money because it is not true. Do not do it for money because you will get your feelings hurt. 
We have been affiliates since 2018 on twitch and we just got our first payout ever December 15th 2022. It was not much but we are surely thankful for it. 
It does not matter if your content is good or anything like that. I say this because to make money on twitch you are going to need subs, bits and ad revenue. Ads are 1 cent per view and bits are one cent. If someone subs for a month on twitch you are getting $1.93 per sub and it takes a lot to get to the minimum payout which is $50.
YouTube is the same way. You earn cents from ad revenue so you will have to have a lot of views on your videos to even make a couple bucks.
Trovo is kind of easier. Their affiliate program is called Trovo 500 and sounds a little more promising than twitch since small streams will show up on the home page also.
You will have to build your community and do not do follow for follow it gets you no where. You have to find those who enjoys you and your content and not just be there because they do not want to or don't show up. 
Trust me we are still building our community cause most of the people who was there left or never came into stream and only followed us just to be following thinking I will do follow for follow in which I do not do.
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tapakah0 · 2 months
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Animation commission I guess...
Um... ha-ha, okay, it has been stuck in my head for the whole month, but if I will keep it any more I will explode, I need to busy my brain even more I'd like to take an animation commission. Like, a fully colored, shaded, with lightning, with in-betweens, with the clean line (and background). Up to 5 seconds depending on what you want to get I guess the price may start from 250$ and be higher or less depending on complexity of the details, character or movement (<- of course everything will be negotiated) I never took such commissions before so please be patient with me since I might spend even months ha-ha (really wanna beat this fear of taking something more complex) But I will do my best since it will be first experimental time for me 1. Payment via Boosty after acceptance of the sketch animation (very rough idea) 2. I think I can draw mostly anything (but won't 18+, guro and I can decline something if I feel like I will not like to do it) 3. You must have a reference of the character, I'm not ready to work with something that doesn't have a ref to start working right away 4. Please, properly think of what you'd like to see, I will not make 3 different rough animations of different ideas because you suddenly had another idea ;~;; 5. Note me in dms if you'd like to take commission... (I'd like to move to discord later since it's more comfortable in here) Uh... I have only this as a more or less proper example (it was based on amazing storyboard by yeye23)
Okay, I'll just leave it here if someone really will be interested and will delete if it if it will be decided.... I just feel like my brain is dying if I don't have an enjoyable/stressful more complicated work on a side that demands an attention from me. Have a nice day
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wis-art · 7 months
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Not a big fan of capitalism
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fewderpewders · 1 year
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HAPPY TRIGUN 25TH ANNIVERSARY here’s smth for vashwood week !!
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willowser · 4 months
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Just a lil hc but I definitely bakugo is the type of boyfie who likes helping you get ready. I mean he won't come and ask if he can help no no no. He'll just stand there, staring at you... and then randomly walk over hand you an earring and go "this'll look nice with that dress" and just go back to lurking XD but also when you DO WEAR what he choses for you he just feels so happy inside and go "heh she's weaing what I chose for her :>" but on the outside he makes an expression like he suddenly got food poisoning lmao.
(also I think he'll probably have atleast an above average fashion taste since his parents are both fashion designers~)
aww i think this is how he gives you gifts too 😌 just hands you a brand new pair of earrings like, "should wear these," trying to be all nonchalant LOL and i think he is so proud of himself when he sees you wearing something he picked out !! like he knows you well enough 😌😌😌 like you agree with his input 😌😌 and i also think he has an eye for fashion !!! bc that's the household he grew up in 🥺 i like to think of him as a kid, bothering his mama while she's working until she kicks him out LOL but !! yes !!! he's like, upper class, i think, so his tastes are a lil on the higher side !! not as upper class as todoroki but.....did you see his house.....his parents are fashion designers.....LOL how sweet 😌😌😌
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isa-ah · 3 months
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im watching a retrospective about Majora's Masks dungeon progression and realizing a little more every time he says "this game took a lot of very brave steps out to not be ocarina of time" that my disappointment with totk isn't out of place. I've been told "it's breath of the wild 2, why did you expect it to be different?" but like.. it's it's own game. why is it the exact same but with an arguably worse iteration of the story?
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strrwbrrryjam · 6 months
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if ur charles n arthur isn't fat n happy in your fix it fits then really what's the point
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esmiara · 9 months
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What do you mean Chuuya's official character song (Darkness My Sorrow) indirectly refers a few times to Dazai and tells he holds the key to the bird cage that is his world. Wha- why is official content always the gayest and gives the most amazing symbolism??
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anipgarden · 7 months
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Collecting Milkweed Seeds - All Facts, All Seeds, No Fluff
(OK but please also consider I'm not an ~expert~ I'm not a ~scholar~ I'm just a nerd on Tumblr who really likes milkweed and wanted to make a fun lil post about it)
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[Image ID: a green, leafy common milkweed plant (Asclepias syriaca) with five large, ovalish and bumpy green seed pods. The seed pods are currently unopened.]
It’s fall, which means if you haven’t seen them already, now’s the time that milkweed plants will start producing seed pods! (Well, technically, they’re called follicles, but fuck it they’re seed pods).  Each pod has dozens of seeds inside, some species can even have up to 200 seeds, so even collecting just a few can be a good way to boost your pollinator gardening efforts big time! What you do with them then is up to you--adding life to your backyard garden, sharing with friends, making seed bombs--but first you’ve gotta collect them.
The first thing you want to do is identify your milkweed plants--in an ideal world, you’d be able to tell precisely what kind of milkweed you’re collecting from (so you can know precisely what growing conditions that species prefers.) But when they’re dying back, forming pods, and releasing their seeds, it can be hard to tell. It helps to visit sites early, to know what milkweeds are there, and while you’re there you might even find some forming pods. 
It can be helpful to band off the pods early! This will keep the seeds from escaping, so you can come back later and collect them! I would only do this for a couple of pods--each pod has a lot of seed in it, so only taking one or two from each plant should still net you plenty of rewards! When I’m doing this in my backyard, I tend to use rubber bands--the size of rubber band you’ll need varies depending on the species. I’ve also seen people use the lacy-looking jewelry bags to a similar effect--if the pod splits open, all the seeds get trapped in the bag!
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[Image ID: the first image is of appears to be swamp milkweed (Asclepias incarnata) with about fifteen long, green, smooth and pointed seed pods. Most of the pods have small black rubber bands wrapped around the midsections. The second image is of what appears to be common milkweed (Asclepias syriaca) with two large, ovalish and bumpy green seed pods. A white fine mesh bag has been tied over the pods.]
For people who want to get seeds from unopened pods, you have to be very careful not to force open a pod that isn’t ready--otherwise, the seeds inside won’t fully develop. How do you tell if a pod is ripe? There’s a seam in each pod, and it should open fairly easily with minimal pressure if it’s basically ready. If you’re basically prying it open, you’re too early. The seeds inside should be a nice dark color, and be plump in the middle--if they’re creamy colored or light orange, you’re too early. There may be some undeveloped seeds in each pod (I am talking maybe 1 to 3 here), but if the majority of them are ready, you’re good to go!
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[Image ID: a tropical milkweed (Asclepias curassavica) seed pod that has been opened at the seam, revealing dark brown seeds and lots of creamy white floss. Four seeds are floating away from the pod on fluffy white comas. The pod is being held between a white person's fingers.]
I’ve also seen people who go late late late into the season, after most of the pods have already fully split off and released their seeds. Some of the seeds occasionally stay in the pod, so they’ll take the leftovers that didn’t get scattered after winter passes. That’s a fair strategy! I prefer to get mine way early on, so I can get a clear ID of what kind of milkweed it is (some will flower and produce pods at the same time), but if you already got an ID early in the season and then come back later this can also work! But…
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[Image ID: several dried brown seed pods have opened fully, releasing a cloud of milkweed floss with seeds attached. Some seeds are still in the pods, but many are primed to float away.]
There is, however, one thing that tends to be a bit annoying about collecting milkweed seeds--and that’s the fluff. These fluffy white bits attached to the seed--called comas--function similarly to the iconic fluffy dandelion seed. A milkweed seed’s coma allows it to float through the air and on the water until it (hypothetically) reaches bare soil or an otherwise suitable start to settle down and germinate. If you’re collecting the seeds for later use, though, that same coma can mean your milkweed seeds are traveling through the air and away from where you’re collecting them, or all over your apartment once you get them home. Removing the comas by hand is an option, but tedious, and still leads to a nice pile of fluffy that will get airborne at the first gust of wind. At the end of the day, for many people trying to collect milkweed seeds, the coma is just an annoying part they dread.
Fortunately, there are plenty of ways to collect milkweed seeds without having to deal with the comas long-term!
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[Image ID: A single brown milkweed seed floating on a comparatively huge mess of white fibers.]
Method 1
So this is my favorite method because it's honestly one of the simplest and easiest once you get used to it. You open the pod, grip the top part of the middle ‘pith’ section tight, and gently scrape off the seeds into a bowl or bag. This leaves you with almost no fluff in your collection bin, and you can then toss the middle fluffy part--or I’ve heard of people collecting milkweed fluff for spinning! Most of the videos I’ve seen on it use common milkweed or other large milkweed pods as an example--however, I’ve successfully done this with smaller milkweed pods like A. curassavica as well. 
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Method 2
This method is one I’ve used in the past. Take the seeds and fluff and put them into a bag (paper or plastic) and add a coin or two. Shake the bag around--a lot. The coin will dislodge the comas from the seeds. The seeds will then drop to the bottom of the container, and the fluff will float around on the top. I’ve also seen this with buckets and blocks, like in the video below!
Method 3
I’ve seen a handful of people discuss burning the floss of the seeds! Apparently the seeds themselves aren’t damaged badly by the fire, though honestly this is a method that I am simply too anxious to try myself.
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Method 4
This was a method I found while I was looking for other methods people have done. Apparently, you can just roll the pod between your hands and it’ll work to dislodge the seeds? I may have to try it next time!
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Hopefully this advice is helpful for you all! I know collecting seeds was a hassle for me before I learned my favorite method. If I had a nickel for every time I got yelled at for releasing milkweed fluff into the house...
If you've got a method that I haven't heard about yet, let me know!! I'm always down to learn more about milkweed, and it can also help someone else down the line!
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dangerliesbeforeyou · 2 months
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ok so we're all in agreement that the way the show is handling trixie and matthew's storyline is complete shite right?
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theblasianbarbie · 2 years
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URGENT move out mutual aid request for black queer muslim girl - pls dont ignore!
I know y’all are sick of me but this is a bittersweet mutual aid request and I need community to rlly come thru for me bc Im in a really tough time crunch.
As some of yall know, I lost my job a month and a half ago, but this Friday I accepted a new job offer but I do not start til June 13th and so I will not be paid until the end of the month when my lease ends.
My lease ends July 1 and I need to raise about $2400 to move out before then in order to pay for 1st and security on an apartment.
Losing my job in April threw me severely off course and the $ I had saved to move out of my current (super shitty pest infested) apt was used on top of mutual aid to pay outstanding bills and for essential living items. 
If y’all could find it in your hearts to help me out one last time it’d mean the world to me. I always try my best to return the kindness that has been shown to me and I am extremely grateful for the help I did recieve during this difficult time. 
You can donate through the following links below:
P@ypal
C*shApp
V3nmo
I am also a painter and can take commissions through my website if you wish to have something tangible for your donation.
0/$2400
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protectoratenova07 · 28 days
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I will defend Coil as a great villain for a lot of reasons and that includes his death. He fell to two established character flaws hitting their max and it made sense it happened when it did and and Tattletale was planning for it since at least arc2 and even then the Undersiders nearly lost because he had that many resources to call on. Wildbow did wonders with the guy. I cheer every time I reread and he dies
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drdemonprince · 4 months
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your post about only communicating the minimum needed reminded me of the gricean maxims (concept in linguistics describing how people communicate)! your advice was very similar to the maxim of quantity :)
From the UPenn School of Arts & Sciences site:
Grice's Maxims
The maxim of quantity, where one tries to be as informative as one possibly can, and gives as much information as is needed, and no more.
The maxim of quality, where one tries to be truthful, and does not give information that is false or that is not supported by evidence.
The maxim of relation, where one tries to be relevant, and says things that are pertinent to the discussion.
The maxim of manner, when one tries to be as clear, as brief, and as orderly as one can in what one says, and where one avoids obscurity and ambiguity.
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