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birindale · 3 months

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This time: Catra goes fishing, She-Ra has most of Aquaman's powers, and the scripts get even more unbearable to type. We all learn a lesson about capitalism, but perhaps not the one intended.

Transcript/Image ID below the cut

[Image Description: 14 comic pages from the She-Ra mini-comic, “A Fishy Business”.

Cover: Mermista (in her mermaid form) and Starburst She-Ra swim around underwater, smiling at a school of seven bright yellow fish. The Princess of Power logo is up top as always, and at the bottom of the page in blue, outlined in a desaturated red, is the issue title, "A Fishy Business". Below that, the copyright info reads, "Illustrations: (copyright symbol) Mattel, Inc. 1986. Hawthorne, CA 90250 U.S.A. PRINTED IN TAIWAN. All Rights Reserved. (registered trademark symbol) and TM designate U.S. trademarks of Mattel, Inc."

Page 1: A desaturated pink caption box reads, "In the forest near a stream that began at Crystal Falls, Catra was busy making mischief. She stood back to admire her handiwork, a big waterwheel over the stream. Along the wheel were small fishnets, and on the bank was a giant goldfish bowl filled with water." We do in fact see Catra standing before a giant wheel, though it can't really be described as a waterwheel because there's no way for the water to turn it; its only adornments are the 'nets', which look more like baskets but you saw the caption! Who am I to disagree? A slanted, equal-angle channel runs from the wheel closer to the bank, a sort of reverse salmon cannon into the fish bowl. Catra isn't wearing her mask, her clawed gloves are only silver bracers here, and her outfit still strays closer to red than pink. She has a crosscut or rip-cut saw in her right hand (can't say for certain without a closer look at the teeth), and a claw (heh heh) hammer in her left. Her gloves are only silver bracers here, so she doesn't have any claws, and her outfit is straying closer to red than pink.

A yellow caption box at the foot of the page reads, "PRODUCED EXCLUSIVELY FOR MATTEL BY: PENCILIER—JIM MITCHELL. INKER—TODD KUROSAWA. COLORIST—CHARLES SIMPSON. EDITOR—LEE NORDLING."

"'There. As long as I don't get wet, this water-stuff is a snap to handle," says Catra, with an evil little grin.

End Page 1.

Page 2: ""Now to see if it works." She said. Catra pulled a lever that released the wheel, and the wheel turned in the water. As the wheel went around, the fishnets bought up fish from the stream. The fish were then dumped into a trough that emptied into the goldfish bowl." [sic] on that whole paragraph. It's like they took a concept script for a picture book and just turned it into a comic with absolutely zero editing or forethought.

Speaking of no forethought, Catra sure has made this contraption within sight of the Crystal Falls, notorious hangout of Mermista and Friends. She's gripping a lever with both hands (now gloved) and looking back over her shoulder instead of facing the wheel directly. Skip Simpson, bless his heart, seems to have colored her skirt black on autopilot despite Todd Kurosawa's careful delineation. In his defense, Skip was colorist for the whole first wave as well, so he's still getting used to Scratchin' Sound Catra's adjusted color palette. Four concerned-looking fish are scooped up and deposited in the goldfish bowl.

Catra seemingly lies down in the sand to prop her chin dramatically on one hand and smirk at the captive fish. ""You don't know it yet, Fish-face, but you and I are going into business together."" Seriously though, who put all of these quotation marks in the dialogue bubbles? Why didn't Lee Nordling stop them? What kind of editor are you, Lee? Whatever. Three of the fish gape at Catra in shock.

""I can see it now. I'll open the first marine world in Etheria," says Catra. This seems to be an attempt at genericizing Marine World (now called Six Flags Discovery Kingdom), which at the time of publication (1986) had just moved to Vallejo, California and was moderately big news, featuring such wild headlines 'professional basketball player called in to pull bolt out of dolphin throat', 'tiger bites the shit out of football player at pep rally' before Vallejo moved them over from Redwood City. The year after the move they dropped an orca on William Statner (who was, tragically, completely fine). Basically, I think Catra is envisioning an animal theme park with a heavy aquatic slant, rather than a flooded planet situation. But it's the kind of theme park which puts chimps on motorcycles and an elephant on water skis. So look out.

End Page 2.

Page 3: A pink caption box reads, "Catra saw herself as master of the show. The fish would do wonderful stunts! Catra herself would be the star. And how the crowd would cheer! Handsome men—maybe even Bow—would be madly in love with her." Oh so I didn't need to explain Marine World. Okay. Well I'm leaving that in anyway. This one's for you, Norcal.

Catra imagines herself in a series of fanciful situations, whipping the fish into a cheerleader-style pyramid (her gloves are bracers again, but the rest of her costume is Scratchin' Sound Catra-accurate, including ripped silver tights and a silver skirt); staring dreamily at Bow, who's offering her a bottle of milk; and waterskiing behind four moderately sized fish, which feels optimistic even for this fantasy.

""So do some aerobics while I sew up your little swimsuits," says Catra, actually looking pretty reasonable despite the fish's shock. Can a fish do aerobics? I guess it doesn't specify that you get your oxygen through air instead of water, but I feel like it's implied.

End Page 3.

Page 4: A pale pink caption box reads, "A few days later, Peekablue was riding in the Sea Harp near the beautiful Crystal Falls while Mermista swam alongside. Adora and Spirit stood on the shore. "Peekablue! Mermista!" Adora called. "Let's pick some berries for lunch." But just then a young seal swam up to Mermista with a message.

We see the Crystal Falls in the background, and Mermista with her seal friend in the foreground, but the midground is the Sea Harp sitting on dry land next to Adora and Spirit. Is it not a boat…?

""Oh no! He says his friends, the sunfish and the tuna twins, are missing. And no one has seen the bluegills since yesterday,"" says Mermista, translating for a distressed seal with emanata that seem to indicate seal-speech.

""Hmmmm, this could be trouble. I'll go look for help!" says Adora.

End Page 4.

Page 5: A pink caption box reads, "Hidden in a spot behind some trees, Adora raised high the Sword of Protection and said "For the honor of Grayskull, I am She-Ra!" And in a magical flash, she became the Princess of Power. Then, she changed Spirit into Swift Wind." Because god forbid we draw an action pose, I guess.

Starburst She-Ra raises both arms to show off her cape, and Crystal Swift Wind raises both wings. They're so sparkly that light refracts all around them, twinkling and vibrant.

End Page 5.

Page 6: A pink caption box reads, "Peekablue and Mermista were glad She-Ra had come to help. She-Ra suggested they split up. Peekablue said, "I don't want to get my lovely feathers wet, so I'll follow the stream leading into the forest. With my many eyes I'll be able to see any fish who went that way. Then I'll meet you later."" She-Ra stands beside Peekablue in front of the Crystal Falls, and Mermista watches them from the water.

A pink caption box reads, "Then She-Ra and Mermista dove into the Crystal Falls pool."

She-Ra dives, Mermista just looks like she's floating downwards. It must be hard to slow down enough for a human (super-powered or not) to keep up.

End Page 6.

Page 7: A pink caption box reads, "Deep in the blue-green world, the two friends passed great sweeping fronds of sea moss, sparkling stones, many-colored shells, and the broken columns of old ruins. But, oddly enough, no fish. And no one seemed to know where they were!" She-Ra and Mermista swim past a coral reef, some decaying, vaguely Grecian ruins in the background. There's not a fish in sight.

""Have you seen our friends, the fish?"" She-Ra asks an octopus, who shrugs and says, ""Nope."" Apparently She-Ra can breathe underwater in this one.

""Fish should stay in one place, like I do," says a bivalve, "Then they wouldn't get lost!""

End Page 7.

Page 8: ""Then I hope Peekablue has already found them,"" says She-Ra, looking concerned.

A pink caption box reads, "But Peekablue found something else. As she followed the stream through the woods, her eyes searched the water. "I can see all the way to the bottom!" She exclaimed. But then her special eyes noticed something further upstream." Oh shit. Her brand.

Peekablue is shown wandering alongside the stream, Catra's contraption bleary in the distance.

End Page 8.

Page 9: ""Why, it's a wheel! I wonder what…?"" says a pink caption box, which was probably supposed to be a thought bubble.

Another pink caption box reads, "Suddenly Catra rushed out of the forest. "What do you want, Feather-head?" "Catra! What are you doing here?" Peekablue asked. "I was taking a catnap. Now go away!" "Hummph!" Peekablue said as she walked away. But she thought, "I'm going to tell She-Ra about this.""

I really think they're doing this dialogue-within-captions schtick to torture me, specifically.

Peekablue is shown looking startled, the Crystal Falls once more in the background, as Catra leaps out of the bushes in front of her.

End Page 9.

Page 10: A pink caption box reads, "A little later the three friends met at Crystal Falls. Peekablue told what she had seen. She-Ra said, "I suspect Catra knows where the fish are. Let's find out." "Wait," Mermista said. "I want to go along." She dove, then flipped out of the water, her silvery tail dancing on its surface for a moment." We see Mermista, surrounded by a few perfect tendrils of water, suspended above the surface as Peekablue and She-Ra watch.

A pink caption box reads, "Then with a spin she landed delicately on the shore on two legs!" and we see a four-stage, Animorphs-style transition between her two forms.

""There. I'm ready!"" says Mermista, to a smiling She-Ra. Her hair is a little more purple than usual, but it plays off the yellow in the background well.

End Page 10.

Page 11: A pink caption box reads, "The friends soon found Catra's waterwheel and watched as more fish were caught in the nets. She-Ra said, "I thought so!" On the ground nearby were blueprints for Catra's plans, and She-Ra looked them over. "An amusement park! Leave it to Catra!" She-Ra stopped the wheel, but Catra, who heard their voices, came running. "

She-Ra stares at the plans in apparent wonder as Peekablue and Mermista look over her shoulder. Fifteen of the yellow fish are trapped in the fishbowl. Mermista's pants are orange. Peekablue is smiling for some reason.

""Just what do you think you're doing here?"" asks Catra, who looks mildly affronted with her hands on her hips and a single eyebrow raised. She's missing her gloves again.

End Page 11.

Page 12: ""Saving my fish friends from your clutches!"" says Mermista, with no expression whatsoever. Her necklace, which is a shell on the toy and a simple pendant in the Filmation show, is a tiny yellow fish. Presumably it spits water the same way.

""They're mine now, Miss Scaley-tail! Now go away before I…"" says Catra, with a mild frown.

A pink caption box reads, "But Catra had no chance to finish her threat because Mermista quickly drenched Catra with her water spray. "Yeee-ow!" Catra screeched, as she jumped back. "I think you're the one who should leave, Catra," said She-Ra "while we try to undo your mischief.""

Catra is soaking wet now. Would have been nice to show that action, instead of just telling us about it! Would have been a nice break from shot-reverse-shot close-ups! She-Ra, Mermista, and Peekablue all smile at her. Her gloves are still missing.

End Page 12.

Page 13: A pink caption box reads, "As Catra ran off, She-Ra lifted the giant fishbowl overhead and dumped it into the stream. "I think it's time you fellas went back home to Crystal Falls," she said. And the fish were very happy to do so." The illustration shows She-Ra doing that. You know, redundantly.

""I don't think we should leave this here either, She-Ra. Catra may use it again," says Peekablue, pointing at the wheel contraption.

""You're right, Peekablue. And I think I have a good idea," says She-Ra.

End Page 13.

Page 14: A pink caption box reads, "Later, under the water at Crystal Falls, She-Ra and Mermista turned Catra's wheel into a ferris wheel. The nets were replaced by little seats. Their friends rode happily 'round and 'round! Mermista said, "I wish Catra could see her waterwheel now!"" The fish have set up a tiny admissions booth and everything. Various sea creatures gambol about.

In an oranger-than-usual 'moral' font color, She-Ra says, ""Yes, and I wish Catra would learn that it's not right to use others to get ahead."" Girl, what? You mean the fish? You guys just assaulted her, stole her waterwheel, and undid days of work because she didn't immediately agree to your demands. Now is the time for a moral about how removing species can negatively impact a biome, or against cruelty to animals (not that 1986 was necessarily ready for that). Is this a good time to mention Mattel owned The Ringling Bros. and Barnum & Bailey Circus for a couple years?

""Now—how about a ride?"" She-Ra suggests to Mermista, beckoning her on. They won't even fit in the tiny little seats. Stop benefiting from using others, She-Ra. It's immoral.

End Page 14.

End ID.]

#minicomics #motu #a fishy business #she-ra #mermista #catra #peekablue #adora #spirit #the sea harp

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disneybuddy · 5 months

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Storyboards for Shrek by Todd Kurosawa.

#shrek #dreamworks animation #storyboards

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01sentencereviews · 4 months

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New To Me - 2023

All About Alice (1972, Ray Harrison)

Bambi (1942, David Hand)

Die, Mommie, Die! (2003, Mark Rucker)

Dreams (1990, Akira Kurosawa)

Elephant (1989, Alan Clarke)

Erin Brockovich (2000, Steven Soderbergh)

Glen or Glenda (1953, Edward D. Wood Jr.)

A Happening in Central Park (1968, Robert Scheerer)

In Vanda’s Room (2000, Pedro Costa)

LA Plays Itself (1972, Fred Halsted)

The Ladies Man (1961, Jerry Lewis)

Morvern Callar (2002, Lynne Ramsay)

News from Home (1976, Chantal Akerman)

A Self-Induced Hallucination (2018, Jane Schoenbrun)

Series 7: The Contenders (2001, Daniel Minahan)

Single White Female (1992, Barbet Schroeder)

Terminal USA (1993, Jon Moritsugu)

What Really Happened to Baby Jane (1963, Ray Harrison)

The Wiz (1978, Sidney Lumet)

Zero Day (2002, Ben Coccio)

+++

2LDK (2003, Yukihiko Tsutsumi)

AM1200 (2008, David Prior)

Another Gay Movie (2006, Todd Stephens)

Black Book (2006, Paul Verhoeven)

Bloodbath at the House of Death (1984, Ray Cameron)

Bloody Muscle Body Builder in Hell (1995, Shinichi Fukazawa)

Caniba (2017, Lucien Castaing-Taylor & Véréna Paravel)

Charade (1963, Stanley Donen)

Close Encounters of the Third Kind (1977, Steven Spielberg)

The Color Purple (1985, Steven Spielberg)

Crimes of Passion (1984, Ken Russell)

Death to Smoochy (2002, Danny DeVito)

The Faculty (1998, Robert Rodriguez)

Foxfur (2012, Damon Packard)

The Fluffer (2001, Richard Glatzer & Wash Westmoreland)

Freeway (1996, Matthew Bright)

Girls Will Be Girls (2003, Richard Day)

Hotel (2004, Jessica Hausner)

The Idiots (1998, Lars von Trier)

The Inheritance (2020, Ephraim Asili)

Lady Gaga and the Muppets Holiday Spectacular (2013, Gregg Gelfand)

Mod Fuck Explosion (1994, Jon Moritsugu)

Ned Rifle (2014, Hal Hartley)

Pee-wee’s Playhouse Christmas Special (1988, Paul Reubens & Wayne Orr)

R100 (2013, Hitoshi Matsumoto)

The Salt Mines [1990] & The Transformation [1996] (Susana Aikin & Carlos Aparicio)

Seconds (1966, John Frankenheimer)

Sextool (1975, Fred Halsted)

Sibyl (2019, Justine Triet)

Spirited Away (2001, Hayao Miyazaki)

Star 80 (1983, Bob Fosse)

Strange Days (1995, Kathryn Bigelow)

Teknolust (2002, Lynn Hershman-Leeson)

Theorem (1968, Pier Paolo Pasolini)

#new to me #best of 2023 #lists #personal

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filmparaden · 6 months

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Trouble Every Day (Claire Denis, 2001)

Wings Of Desire (Wim Wenders, 1987)

Sympathy For The Devil (Jean-Luc Godard, 1968)

Dekalog (Krzysztof Kieslowski, 1989)

Russian Ark (Aleksandr Sokurov, 2002)

Tale Of Tales (Yuriy Norshteyn, 1979)

Time Regained (Raoul Ruiz, 1999)

Aguirre, der Zorn Gottes (Werner Herzog, 1972)

Grey Gardens (Albert & David Maysles, Ellen Hovde, Muffie Meyer; 1975)

One From The Heart (Francis Ford Coppola, 1981)

Man With A Movie Camera (Dziga Vertov, 1929)

Dogville (Lars von Trier, 2003)

Sombre (Philippe Grandrieux, 1998)

Cul-de-sac (Roman Polanski, 1966)

Brown Bunny (Vincent Gallo, 2003)

Le feu follet (Louis Malle, 1963)

The Swimmer (Frank Perry, 1968)

A Special Day (Ettore Scola, 1977)

La maman et la putain (Jean Eustache, 1973)

The Battle Of Algiers (Gillo Pontecorvo, 1966)

The Big Lebowski (Joel & Ethan Coen, 1998)

Touch Of Evil (Orson Welles, 1958)

Playtime (Jacques Tati, 1967)

The Long Goodbye (Robert Altman, 1973)

Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

Rashomon (Akira Kurosawa, 1950)

Eternal Sunshine Of The Spotless Mind (Michel Gondry, 2004)

A Summer's Tale (Eric Rohmer,1996)

The Turin Horse (Béla Tarr, Ágnes Hranitzky; 2011)

Baby Doll (Elia Kazan, 1956)

Daisies (Vera Chytilová, 1966)

Unsere Afrikareise (Peter Kubelka, 1966)

Thérèse (Alain Cavalier, 1986)

La jetée (Chris Marker, 1962)

Le gamin au vélo (Jean-Pierre & Luc Dardenne, 2011)

Les 400 coups (François Truffaut, 1959)

The Piano (Jane Campion, 1993)

I'm Not There (Todd Haynes, 2007)

Killer Of Sheep (Charles Burnett, 1978)

The Piano Teacher (Michael Haneke, 2001)

Dead Man (Jim Jarmusch, 1995)

The Women (George Cukor, 1939)

Pickpocket (Robert Bresson, 1959)

Paper Moon (Peter Bogdanovich, 1973)

Don't Look Back (D.A. Pennebaker, 1967)

Little Fugitive (Ray Ashley, Morris Engel, Ruth Orkin; 1953)

Midnight Cowboy (John Schlesinger, 1969)

The Night Of The Hunter (Charles Laughton, 1955)

The Ice Storm (Ang Lee, 1997)

Man On The Moon (Milos Forman, 1999)

Eyes Wide Shut (Stanley Kubrick, 1999)

Enter The Void (Gaspar Noé, 2009)

Snatch (Guy Ritchie, 2000)

The New Land (Jan Troell, 1972)

Los olvidados (Luis Buñuel, 1950)

Border Radio (Allison Anders, Dean Lent, Kurt Voss; 1987)

Vertigo (Alfred Hitchcock, 1958)

The Adventures Of Prince Achmed (Lotte Reiniger, 1926)

Les triplettes de Belleville (Sylvain Chomet, 2003)

Brief Encounter (David Lean, 1945)

Gare du Nord (Jean Rouch, 1965; segment of Paris vu par... )

Vagabond (Agnès Varda, 1985)

Slap Shot (George Roy Hill, 1977)

Le sang d'un poète (Jean Cocteau, 1932)

Breathless (Jim McBride, 1983)

Stop Making Sense (Jonathan Demme, 1984)

Upstream Color (Shane Carruth, 2013)

Saturday Night And Sunday Morning (Karel Reisz, 1960)

Gadjo dilo (Tony Gatlif, 1997)

Rebel Without A Cause (Nicholas Ray, 1955)

A.K.A. Serial Killer (Masao Adachi, 1969)

The King Of Comedy (Martin Scorsese, 1982)

The Hours (Stephen Daldry, 2002)

In A Lonely Place (Nicholas Ray, 1950)

The Honeymoon Killers (Leonard Kastle, 1969)

Meshes Of The Afternoon (Maya Deren, 1943)

When We Were Kings (Leon Gast, 1996)

Broadway Danny Rose (Woody Allen, 1984)

A Woman Under The Influence (John Cassavetes, 1974)

To The Wonder (Terrence Malick, 2012)

Beavis And Butt-head Do America (Mike Judge, 1996)

Araya (Margot Benacerraf, 1959)

Kes (Ken Loach, 1969)

Skammen (Ingmar Bergman, 1968)

Duel (Steven Spielberg, 1971)

The Bridges Of Madison County (Clint Eastwood, 1995)

The Man Who Fell To Earth (Nicolas Roeg, 1976)

Roma città aperta (Roberto Rossellini, 1945)

Diva (Jean-Jacques Beineix, 1981)

Limite (Mario Peixoto, 1931)

The Fountain (Darren Aronofsky, 2006)

La cérémonie (Claude Chabrol, 1995)

The Draughtman's Contract (Peter Greenaway, 1982)

Amour fou (Jessica Hausner, 2014)

Happiness (Todd Solondz, 1998)

Hausu (Nobuhiko Obayashi, 1977)

Before The Devil Knows You're Dead (Sidney Lumet, 2007)

Gomorra (Matteo Garrone, 2008)

The Full Monty (Peter Cattaneo, 1997)

Låt den rätte komma in (Tomas Alfredson, 2008)

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shortpplfedup · 2 years

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The nominees for BL Fashun King, so far:

Tang Yi, HIStory 3: Trapped

Khun Tankhun Theerapanyakul, KinnPorsche The Series La Forte

Tay, KinnPorsche The Series La Forte

Time, KinnPorsche The Series La Forte

Vegas Kornwit Theerapanyakul, KinnPorsche The Series La Forte

Kim Kimhan Theerapanyakul, KinnPorsche The Series La Forte

Porsche Pachara Kittisawasd, KinnPorsche The Series La Forte

Pete Pongsakorn Saengtham, KinnPorsche The Series La Forte

Som, Secret Crush On You

Sky, Secret Crush On You

Daisy, Secret Crush On You

Pat Napat Jindapat, Bad Buddy

Pran Parakul Siridechawat, Bad Buddy

Fiat, Don't Say No

Teng Mu Ren, HIStory 4: Close To You

Oh Aew Panwa Suramontha: I Promised You the Moon

White Sawet Potiyakorn, Not Me

Black Potiyakorn, Not Me

Todd, Not Me

Sean, Not Me

Namo, Not Me

Jang Jae Young, Semantic Error

Choi Yu Na, Semantic Error

Khai, Theory of Love

Third, Theory of Love

Tops, Ingredients

Nuea, Y-Destiny

Kaeng, Y-Destiny

Masuk, Y-Destiny

Kiyoi Sou, Utsukushii Kare (My Beautiful Man)

Jay Gemini, Cutie Pie

Kuea Keerati, Cutie Pie

Kurosawa Yuichi, 30-sai made Dotei Da to Mahotsukai ni Nareru rashii (Cherry Magic! Thirty Years of Virginity Can Make You A Wizard?!)

Tum, Lovely Writer

Tiffy, Lovely Writer

Prince, Star and Sky: Sky In My Heart

Win, Until We Meet Again

Team, Until We Meet Again

Gavreel Alarcon, Gameboys

Aoki Sota, Kieta Hatsukoi (My Love Mix Up)

Cha Si Won, Blueming

Yoon Oh, Peach of Time

Kang Seo Joon, To My Star/To My Star 2

Kim Pil Hyun, To My Star/To My Star 2

Woo Tae Kyung, Light On Me

Jose Vladimir Austria, Gaya Sa Pelikula (Like in the Movies)

Karl Frederick Almasen, Gaya Sa Pelikula (Like in the Movies)

Tian Sopasitsakun, A Tale of Thousand Stars

Jin Yu Zhen, Be Loved In House: I Do

Gao Shi De, We Best Love: Fighting Mr. 2nd

Zhou Shu Yi, We Best Love: Fighting Mr. 2nd

Prince Zeyn/Art, Rainbow Prince

Aiaoon, The Tuxedo

Nawee, The Tuxedo

Tan Wiraphong Inkhamwiang, Manner of Death

Wen Ke Xing, Word of Honor

Gu Xiang, Word of Honor

Korn Ariyasakul, Until We Meet Again

Intouch Chatpokin, Until We Meet Again

Kang Yo Han, The Devil Judge*

Dai Ou Wen, Love Is Science?*

Neo, 3 Will Be Free*

Miw, 3 Will Be Free*

Simon, Project S: Skate Our Souls*

*not technically BL, so idk if we'll keep it, but it's in for now

Edit: from looking at the nominees so far the 4 brackets are shaping up to be:

Suited and Booted

High Fashion

Sexy Sexy

Lesbian Chic (I feel like this is non-gender-specific)

If you have any suggestions or better bracket ideas feel free to hit me up!

Edit: we have a new bracket rec: Casual Friday

Edit: Full deck! Time to set up the brackets!

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i-watch-too-many-movies · 1 year

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50 Favorite First Viewings of 2022

1. AI: Artificial Intelligence (2001) (dir. Steven Spielberg)

2. Wheel of Fortune and Fantasy (2021) (dir. Ryusuke Hamaguchi)

3. Cure (1997) (dir. Kiyoshi Kurosawa)

4. Something Wild (1986) (dir. Jonathan Demme)

5. Sweet Charity (1969) (dir. Bob Fosse)

6. Double Indemnity (1944) (dir. Billy Wilder)

7. An Angel at My Table (1990) (dir. Jane Campion)

8. Ganja and Hess (1973) (dir. Bill Gunn)

9. In the Mood for Love (2000) (dir. Wong Kar-wai)

10. The Lady Eve (1941) (dir. Preston Sturges)

11. Barton Fink (1991) (dir. Joel & Ethan Coen)

12. The Wedding Banquet (1993) (dir. Ang Lee)

13. Watermelon Man (1970) (dir. Melvin Van Peebles)

14. Smooth Talk (1985) (dir. Joyce Chopra)

15. Exotica (1994) (dir. Atom Egoyan)

16. Drive My Car (2021) (dir. Ryusuke Hamaguchi)

17. Paths of Glory (1957) (dir. Stanley Kubrick)

18. Smiley Face (2007) (dir. Gregg Araki)

19. Heat (1995) (dir. Michael Mann)

20. Symbiopsychotaxiplasm: Take One (1968) (dir. William Greaves)

21. Fox and His Friends (1974) (dir. Rainer Werner Fassbinder)

22. Bright Star (2009) (dir. Jane Campion)

23. Tape (2001) (dir. Richard Linklater)

24. Magick Lantern Cycle (1948-1981) (dir. Kenneth Anger)

25. La cérémonie (1995) (dir. Claude Chabrol)

26. Aliens (1986) (dir. James Cameron)

27. Better Than Chocolate (1999) (dir. Anne Wheeler)

28. The Hudsucker Proxy (1994) (dir. Joel & Ethan Coen)

29. Häxän (1922) (dir. Benjamin Christensen)

30. Burn After Reading (2008) (dir. Joel & Ethan Coen)

31. The Story of a Three-Day Pass (1967) (dir. Melvin Van Peebles)

32. 2046 (2004) (dir. Wong Kar-wai)

33. Sympathy for Mr. Vengeance (2002) (dir. Park Chan-wook)

34. The Last Detail (1973) (dir. Hal Ashby)

35. Charade (1963) (dir. Stanley Donen)

36. Far from Heaven (2002) (dir. Todd Haynes)

37. Broadcast News (1987) (dir. James L. Brooks)

38. The Man Who Wasn't There (2001) (dir. Joel & Ethan Coen)

39. One Week (1920) (dir. Buster Keaton)

40. The Learning Tree (1969) (dir. Gordon Parks)

41. Clue (1985) (dir. Jonathan Lynn)

42. A Simple Plan (1998) (dir. Sam Raimi)

43. Poison (1991) (dir. Todd Haynes)

44. Fishmans (2021) (dir. Yuki Teshima)

45. Masculin Féminin (1965) (dir. Jean-Luc Godard)

46. Ghost Dog: Way of the Samurai (1999) (dir. Jim Jarmusch)

47. Lenny (1974) (dir. Bob Fosse)

48. Kuroneko (1968) (dir. Kaneto Shindo)

49. Meet Me in St. Louis (1944) (dir. Vincente Minnelli)

50. Gentlemen Prefer Blondes (1952) (dir. Howard Hawks)

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theartoftangled · 1 year

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Storyboards by Todd Kurosawa

#rapunzel’s tangled adventure #tangled the series #rapunzel #storyboards #Todd Kurosawa

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albiclalepsza · 3 months

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So I was making a list of who I think should/ would be nominated for the Oscars this year and I put Martin Scorsese, Celine Song, Todd Haynes, Greta Gerwig and Justine Triet as my picks for best director. When my sister saw it she said that they are too many women on the list for it to be realistic. And then that made go down the rabbit hole of checking the list of Academy Awards for best directing because I was curious which year did the first female director win an Oscar.

Woah. 2009? 70 years after the first ceremony? Crazy. So then I decided to check how many women were even nominated.

Seven. Throughout 96 years of its existence the Academy nominated seven women for best directing:

- Lina Wertmüller for Seven Beauties in 1975

- Jane Campion for The Piano in 1993

- Sofia Coppola for Lost In Translation in 2003

- Kathryn Bigelow who won for The Hurt Locker in 2009

- Greta Gerwig for Lady Bird in 2017

- Emerald Fennel for Promising Young Woman in 2021

- Chloé Zhao who won for Nomadland, also in 2021.

Jane Campion was nominated again for The Power of the Dog in 2022 and won, making her the only double nominee in this group and the third woman to win best director.

I decided to check some other numbers from the list just to illustrate how ridiculous that number is.

Just in the first 10 ceremonies 7 Oscars went to guys named Frank (Frank Borzage, Frank Lloyd and Frank Capra). They were nominated 9 times in that period. Overall they got 12 nominations throughout the Academy's history. Guys named William got 18 Oscar nominations over the years (12 for Wyler alone).

Actually, let's stop there. Here are all the men who got nominated more or as many times as all the women:

- William Wyler (12)

- Martin Scorsese (9)

- Steven Spielberg (9)

- Billy Wilder (8).

And that's not to say that they didn't deserve these nominations of course. But when there are numerous individual men who got nominated more times than the entire other half of the population you can't really blame it on anything else than the Academy's biases and discrimination.

And that discrimination doesn't end with the Academy, of course. Celine Sciamma's phenomenal Portrait of a Lady on Fire, which ranked 30th on Sight and Sound's list of best movies of all time, didn't even get a chance to get nominated, because French Film Institute chose to campaign another adaptation of Les Miserables instead.

The discrimination doesn't end on gender. When it comes to people of color the Academy also isn't particularly generous. No black woman was ever nominated for best director. 6 black men were nominated:

- John Singleton for Boyz n the Hood in 1991

- Lee Daniels for Precious in 2009

- Steve McQueen for 12 Years a Slave in 2013

- Barry Jenkins for Moonlight in 2016

- Jordan Peele for Get Out in 2017

- Spike Lee for BlacKkKlansman in 2018

10 Asians/ Asian Americans were nominated 13 times over the years:

- Hiroshi Teshigahara for Woman in the Dunes in 1965

- Akira Kurosawa for Ran in 1985 (a total travesty that he never won in that category)

- Terrence Malick for The Thin Red Line in 1998 and The Tree Of Life in 2011

- M. Night Shyamalan for The Sixth Sense in 1999

- Ang Lee for Crouching Tiger, Hidden Dragon in 2000, Brokeback Mountain in 2005 and Life Of Pi in 2012 (he won for the latter two)

- Bong Joon-Ho for Parasite in 2019

- Lee Isaac Chung for Minari in 2020

- Chloé Zhao for Nomadland in 2020 (the only woman of color who won in the category)

- Ryusuke Hamaguchi for Drive My Car in 2021

- Daniel Kwan for Everything Everywhere All At Once in 2022.

5 Latin Americans were nominated 8 times. It got a bit murky here, since that's not really a racial category. I couldn't find a different list than that anywhere, so I had to play a little elimination game. I wouldn't count Guillermo del Toro. Héctor Babenco is apparently a son of Polish and Ukrainian Jews. And I'm pretty sure Fernando Meirelles wouldn't count either. So that leaves us with:

- Alejandro González Iñárritu for Babel in 2006, Birdman in 2014 and The Revenant in 2015

- maybe Alfonso Cuarón for Gravity in 2013 and Roma in 2018 - won both times (fun fact about Roma, the hype for it was so big in Poland that I always assumed it was a polish movie, until I actually watched it around 2021 when I got more into film). Though his case is where we can fully see how much of a social concept race is, since he simultaneously says that he grew up as a white man and his win for Roma was applauded as a diversity win in the Academy circles.

No Native American was ever nominated for Best Director.

I don't know what the point of this post is. I guess I knew that Oscars were a white sausage fest but I never checked the numbers to see just how much, and Best Director might just be the worst category in that regard.

So if you're placing bets on the Oscars, I guess it'll be safer to just pick 5 random white guys for best director, instead of going by the quality of the movies themselves.

I'd love to see Celine Song win for her beautiful debut, or Greta Gerwig for the biggest movie of 2023 and because she is one of my favorite directors ever, but that may be hard since we had a few years in a row where either women or people of color won in this category, so the old hacks responsible for the choices are probably dying to pick another white guy.

#the oscars #academy awards #best director #movies

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shiveringsoldier · 4 months

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My goal for this year was to watch 50 movies that were new to me. I watched 53, many of which were in languages other than English. My favorite first watches:

The Passion of Joan of Arc (1928, Carl Theodor Dreyer)

Casablanca (1942, Michael Curtiz)

Ikiru (1952, Akira Kurosawa)

Godzilla (1954, Ishirō Honda)

La Pointe-Courte (1955, Agnès Varda)

Black Girl (1966, Ousmane Sembène)

Persona (1966, Ingmar Bergman)

Stop Making Sense (1984, Jonathan Demme)

Come and See (1985, Elem Klimov)

Grave of the Fireflies (1988, Isao Takahata)

La Haine (1995, Matthieu Kassovitz)

A Girl Walks Home Alone at Night (2014, Ana Lily Amirpour)

The Handmaiden (2016, Park Chan-wook)

Petite Maman (2021, Céline Sciamma)

TÁR (2022, Todd Field)

A Thousand and One (2023, A.V. Rockwell)

Are You There God? It’s Me, Margaret. (2023, Kelly Fremon Craig)

Asteroid City (2023, Wes Anderson)

Oppenheimer (2023, Christopher Nolan)

Poor Things (2023, Yorgos Lanthimos)

Godzilla Minus One (2023, Takashi Yamazaki)

#movieposting #(hoping I didn’t forget anything)

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cannondisabledcharacters · 2 years

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Accepted Characters 8/24/2022

Victor Grantz (Postman) from Identity V

Magnificus from Inscription

Ali from Squid Game

Lieutenant Uhura from Star Trek

Randy from Coral Island

Ohn So You from A Beloved Existence

Park Jae Gyung from A Beloved Existence

Mithrun from Dungeon Meshi

Fleki from Dungeon Meshi

Clem Foote from Psychonauts

Rosemary (Rosmantis) from Arknights

Akafuyu from Arknights

Yuka/Jax from Shining Nikki

Saki Tenma from Project Sekai

Akito Shinonome from Project Sekai

Rei Kurosawa from Fatal Frame 3

Yoshino Takigawa from Fatal Frame 3

Sarina Douglas from Star Trek: Deep Space Nine

Momo from the first Syberia game

Hans Voralberg from the Syberia games

Reed Bahia from Kiwi Blitz

Iso Padre from Splatoon

Kyomoto from Look Back

Neruma Isami from Neru: Way of the Martial Artist

Eric from Flight 29 Down

Celia Austin from Agatha Christie's

Todd from Chaos Walking

Boone from MOM: Mother of Madness

Ken Miyamae from Gekkan Shoujo Nozaki-Kun

No more characters remain! Update coming soon ;)

#not character of the day #spoilers!#accepted characters

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birindale · 3 months

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Bow wanders by a tea party and is opportunistically kidnapped, SweetBee steals Glimmer's gimmick, and She-Ra obliquely threatens to cut off Entrapta's head.

Transcript/Image ID below the cut

[Image Description: 14 comic pages from the She-Ra mini-comic, “A Born Champion”.

Cover: SweetBee descends from the sky, her wings glowing and sparkling as She-Ra holds a welcoming hand out to her. At the top of the page, the Princess of Power (trademark symbol) logo sits on a flat purple sky. A fuzzy orange and magenta landscape in the foreground blends into a featureless mass behind the girls. Two lumps of hard material which are probably supposed to be cliffs or mountains or something but are colored like glaciers mark the skyline behind them. At the bottom of the page "A BORN CHAMPION" is stamped in dark blue and outlined in white. Below it, the copyright text reads, "Illustrations (copyright symbol) Mattel, Inc. 1985 Hawthorne, CA 90250 U.S.A. PRINTED IN TAIWAN. All Rights Reserved. (registered trademark symbol) and TM designate U.S. trademarks of Mattel, Inc."

Page 1: A desaturated, pale pink caption box reads, "It was daybreak and SweetBee buzzed about her hive. Passing by, Bow stopped to chat. "I'm scouting Etheria for signs of trouble," he said. "Will you be back by sunset?" SweetBee asked. Bow nodded and SweetBee watched him go. "If only I could be a hero brave as he!" she sighed." Thanks for the feminism as always, Tina. The illustration shows Bow, who's toy-accurate except for having both hands, making conversation with a flying SweetBee. There's no hive around, but they do appear to be at the foot of the Crystal Castle.

A yellow caption box reads, "PRODUCED EXCLUSIVELY FOR MATTEL BY: WRITER — TINA HARRIS, PENCILER — JIM MITCHELL, INKER — TODD KUROSAWA, COLORIST — CHARLES SIMPSON, EDITOR — JOAN DUMBAULD & LEE NORDLING". God, how did I forget about Joan. Why would you keep the name "Dumb-old".

End Page 1.

Page 2: Another desaturated pink caption box reads, "Meanwhile, inside her new tree-plex in the Valley of the Lost, Catra was busy entertaining. She and Entrapta sipped their tea while Clawdeen munched a crumpet. Suddenly, a twig snapped in the woods below." Entrapta lounges on a plush teal and amethyst bed, legs dangling over the edge, Catra lying prone beside her (and actually wearing her gloves for once! Good job, Skip!) They're both holding steaming cups of tea. The room appears to be a hollowed-out tree, a window showing several strangely shaped trees outside. Clawdeen, the pink lion, is watching Catra and Entrapta with a rather crudely-drawn crumpet in her mouth. She has a sparkling blue-and-yellow collar and some kind of garland draped over her mane for some reason.

"What was that?" asks Clawdeen as she and Catra look around suspiciously. Damn, she ate that crumpet fast.

"Look, it's Bow!" says Catra. She and Entrapta peer out the window, which is honestly just a tree hollow. Bow is indeed passing by beneath them, having made incredible time on circumnavigating Etheria, apparently. Look the Crystal Castle has been out for a full year now there's no reason they couldn't consult the map sticker. I'm just saying.

End Page 2.

Page 3: ""He can tell us the secret of She-Ra's power!" Catra cried. Entrapta called to Bow from the balcony. Bewitched by her golden glow, he stepped toward her. Letting loose her lovely hair, she trapped him in its tangles." So I guess there's a tree-balcony now. Entrapta wraps Bow in her hair, which is pink and purple, and can still move on its own. Her armor is gold, although it's not really colored to be as reflective as the plating on the toy is so it's—like that would hit better if you had the doll in front of you, I think. Catra just kind of stands there. Bow has his left hand behind his back, as though he'd gone to draw an arrow.

"Ha! Ha! Good work, Entrapta!" says Catra, smiling wickedly with Clawdeen. Hm. No mask in sight I notice.

End Page 3.

Page 4: A pale pink caption box reads, "The day passed quickly and SweetBee noticed it was getting dark. Bow was late and she began to worry." Sweetbee is tending to a small garden, trowel in hand, and looking over her shoulder with some concern. A climbing vine bearing some kind of fruit snakes its way up a climbing stick beside her. The sun is getting low in the sky, though it hasn't yet set.

"Bow could be in trouble. I must find him!" she says.

End Page 4.

Page 5: A pale purple caption box reads, "SweetBee took to the air at once. She searched Etheria for many miles. Reaching the dark edge of the Valley of the Lost, she pressed on. Catra's tree-plex appeared suddenly below her." We see SweetBee soaring over a sprawling landscape, a huge forest bordered by steep mountains. Everything has an orange tint, which may indicate that it's now officially sunset, as the sky is too filled with beautifully-colored clouds to be sure, or just that Skip Simpson was really feeling orange this issue. A tree riddled with hollows stands out bright yellow in a clearing amongst the trees, in what must have been a discarded toyset, right? They're plugging it more than the Crystal Castle. Perhaps it was intended to adapt Justine Dantzer's proposed 'Topaz Tree Home' idea? But alas, it was never made.

End Page 5.

Page 6: A pale pink caption box reads, "SweetBee landed softly on the rooftop. She peered in through the skylight. Bow was trapped inside! Carefully she moved away and magically turned her wings from bright yellow into a powerful pink light…" Well, there's not really a roof, as it's a tree. But she is up above them. Entrapta has tied Bow to a tree with her hair, and Catra has one hand resting on his shoulder and the other balled up on her hip, literally talking down to him. Clawdeen looks on with a smile. There's an abstract painting hanging on the wall.

"... sending out a signal for help!" Seriously? THIS gets to be a dialogue balloon? Whatever. SweetBee is posing with her wings flared, as they flash bright pink. For context, her toy had reversible wings—one side gold glitter, the other pink and glow-in-the-dark. It's not super original, since Flutterina has wings and Glimmer glows in the dark, but they're… there. They are there.

End Page 6.

Page 7: A pale pink caption box reads, "From Crystal Castle's mighty throne, Princess Adora spotted the beacon light. Quickly, she decoded SweetBee's urgent message." Adora and Spirit are standing on top of the Crystal Castle. The throne (which is also an elevator) is up there with them, though it's gold instead of blue. If you really squint, the Crystal Castle's facade kind of looks like a skull. If skulls had big glass doors instead of teeth. And turrets. With shingles. It does seem to be getting later at least—the sky is beginning to turn this lovely indigo, and the clouds are a rosy orange. A sprite is whizzing around the castle, and Adora points at it as Spirit stands behind the throne. A slightly inaccurate flag is flying from the parapets.

"Spirit, Bow's in terrible trouble!" says Adora. "We must leave at once!"

End Page 7.

Page 8: With a big dramatic burst of light, Adora and Spirit become Starburst She-Ra and Crystal Swift Wind, refracting all kinds of colors. The throne is still gold instead of blue, and it looks like they didn't realize the shield could be detached when drawing it.

"Fear not, SweetBee! Help is on the way!" says She-Ra, from Swift Wind's back. Skip did a great job coloring this one to make Swifty look like he was actually made of crystal and not just lit from below, everyone say thank you Skip.

End Page 8.

Page 9: Another pale pink caption box reads, "Swift Wind sailed through the night. They circled Catra's tree-plex and landed with a gentle thud. SweetBee moved to greet them. Bow heard his friends up on the roof. Shuffling about noisily, he whispered to himself, "No one must know help has finally arrived."" Well, it's super not nighttime. Now I know what you're thinking, wouldn't making it dark out desaturate the bright colors which draw the children's eye? And yeah if it were realistic, but you can just make a dark blue sky and call it a night (heheh) in these things. They do it all the time in this very franchise. Anyway. We see Swift Wind landing, She-Ra on his back. SweetBee looks up from where she's evidently been hiding on the 'roof' of the tree-plex.

"Quiet, you!" says Entrapta, gripping Bow's shoulder where he's still tied to the chair. In the foreground, Catra and Clawdeen are curled up and napping on the big comfy bed. It's pretty adorable.

"Disturb my friends' catnaps and they'll have both our heads!" says Entrapta.

End Page 9.

Page 10: A pale pink caption box reads, "Crashing through the skylight, She-ra took Entrapta by surprise. "And if you don't let go of Bow, I'll have yours—with all its lovely locks!" "No!" Entrapta cried. Clutching her braids, she fled into the night."

Catra and Clawdeen are waking up, Catra angry and Clawdeen… disoriented, as She-Ra leaps down through the hole in the ceiling. Entrapta clutches her hair defensively. Her outfit is much more appropriately reflective this time, though it still doesn't scream 'metallic'. It's pretty. Bow smiles at She-Ra in apparent relief.

"You think you've outsmarted me? Just try to find your way back to Crystal Castle!" says Catra, blasting us with some kind of pink sparkle.

End Page 10.

Page 11: A pale pink caption box reads, "Catra sprang to Clawdeen's back and hissed a dire warning. "The Valley of the Lost's secrets are mine. Without them, you will remain trapped here forever!" Then, in a flurry of furry pink, she and Clawdeen disappeared." Catra sits on Clawdeen's back amidst a huge cloud of smoke and sparkles as Bow and She-Ra look on. Maybe the garland thing on Clawdeen's head is supposed to be her bow? It doesn't translate well to photograph so they may have misinterpreted it as a rope-crown thing or something.

End Page 11.

Page 12: Whoa. Okay, everything is upside down now. A pale pink caption box reads, ""What a different forest this is!" Bow cried. "Catra has turned everything upside down!" Swift Wind shook his head. "She-Ra, I can't make hide nor hair of this. I've lost all sense of direction. How will we get home?"" She-Ra, Bow, SweetBee and Swift Wind all look around them in apprehensive confusion.

"A bee's homing instinct is very strong. I can find Crystal Castle. Come on, we'll make a beeline for home," says SweetBee.

End Page 12.

Page 13: A pale pink caption box reads, "And at their journey's end, the weary travelers found themselves at home once more." Swift Wind flies after a glowing SweetBee, Bow and She-Ra on his back. It is still not visibly nighttime, and the cliff under the Crystal Castle is much higher than it was in the beginning of the issue. I feel like this would have been fixed by some rescaling. Looking at you, Tim.

"SweetBee! You saved the day!" says Bow, as they all land in front of the castle.

"I never thought that just being myself would make a hero out of me!" says SweetBee.

End Page 13.

Page 14: SweetBee kneels before She-Ra, who holds the Sword of Protection to her shoulder as though knighting her. Bow and Swift Wind look on with big smiles. A pale pink caption box reads in the red 'moral' font, "She-Ra laughed and smiled. "Why, SweetBee! Everyone has some special talent to offer. It's when you put your talent to work that you become a champion. Helping others with your power is what makes you a true Princess of Power!"" Which like, I don't think that ALL needed to be in red. Also, Bow's stomach is blue. He wears a crop top, Skip. Get used to it.

End Page 14.

End ID]

#motu #minicomics #a born champion #sweetbee #sweet bee #shrug emoji #she-ra #bow #clawdeen #catra #entrapta #adora #spirit #swift wind

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thetalentedmrkashyap · 1 year

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B-3 : Oscars 2023 Predictions - A Film fan's perspective (Part - 1)

The 95th Academy Awards, a.k.a. The Oscars®, will take place on March 13 at 5:30 AM IST. The celebrations of the Oscar season are at their peak. Amid the fun and excitement, here's a look at the movies categories and our predictions of the winners:-

Best Picture

Nominations:

All Quiet on the Western Front

Avatar: The Way of Water

The Banshees of Inisherin

Elvis

Everything Everywhere All at Once

The Fabelmans

TAR

Top Gun: Maverick

Triangle of Sadness

Women Talking

Prediction: The Fabelmans

The Academy might favor a movie that exhibits the love for cinema through the eyes of one of Hollywood's most-respected directors - Steven Spielberg. Either originally-written movies like Everything Everywhere All at Once and The Banshees of Inisherin can give tough competition.

Best Director

Nominees:

Martin McDonagh, The Banshees of Inisherin

Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

Steven Spielberg, The Fabelmans

Todd Field, TÁR

Ruben Östlund, Triangle of Sadness

Prediction: Steven Spielberg

Spielberg would be the rightful winner for it. If it happens, he would be the third person to win three directing Oscars - after Frank Capra and William Wyler.

Best Original Screenplay

Nominees:

The Banshees of Inisherin – Martin McDonagh

Everything Everywhere All at Once – Daniel Kwan and Daniel Scheinert

The Fabelmans – Steven Spielberg and Tony Kushner

Tár – Todd Field

Triangle of Sadness – Ruben Östlund

Prediction: The Banshees of Inisherin/Everything Everywhere All At Once

Unlike the first two categories, the Daniels and Martin McDonagh would be fighting for this award. It's the fight between the battle of multiverses & the conflict between two friends.

Best Adapted Screenplay

Nominees:

All Quiet on the Western Front – Edward Berger, Lesley Paterson, and Ian Stokell (based on the novel by Erich Maria Remarque)

Glass Onion: A Knives Out Mystery – Rian Johnson; based on characters created by Johnson and the film Knives Out

Living – Kazuo Ishiguro (based on the original motion picture screenplay Ikiru by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni)

Top Gun: Maverick – Screenplay by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie; Story by Peter Craig and Justin Marks; based on the film Top Gun written by Jim Cash and Jack Epps Jr.

Women Talking – Sarah Polley (based on the novel by Miriam Toews)

Prediction: Women Talking

Women Talking would be the ideal winner for the film adaptation of the atrocities by men against women (inspired by the Manitoba Colony, a remote and isolated Mennonite community in Bolivia).

Best Actor

Nominees:

Austin Butler – Elvis as Elvis Presley

Colin Farrell – The Banshees of Inisherin as Pádraic Súilleabháin

Brendan Fraser – The Whale as Charlie

Paul Mescal – Aftersun as Calum Paterson

Bill Nighy – Living as Mr. Rodney Williams

Prediction: Austin Butler/Colin Farrell/Brendan Fraser

Fraser's portrayal of an obese, depressed man can bring the Academy in his favor. He would compete with Austin Butler's portrayal of the King of Rock n' Roll & Farrell's character of an Irishman betrayed by his best friend (both actors won this year's Golden Globes).

Best Actress

Nominees:

Cate Blanchett – Tár as Lydia Tár

Ana de Armas – Blonde as Norma Jeane Mortensen / Marilyn Monroe

Andrea Riseborough – To Leslie as Leslie Rowlands

Michelle Williams – The Fabelmans as Mitzi Schildkraut-Fabelman

Michelle Yeoh – Everything Everywhere All at Once as Evelyn Quan Wang

Prediction: Cate Blanchett/Michelle Yeoh

It'll be the fight between Blanchett's complex character of an orchestra conductor & Yeoh's role of a superwoman protecting the multiverse from her daughter.

Best Supporting Actor

Nominees:

Brendan Gleeson – The Banshees of Inisherin as Colm Doherty

Brian Tyree Henry – Causeway as James Aucoin

Judd Hirsch – The Fabelmans as Boris Schildkraut

Barry Keoghan – The Banshees of Inisherin as Dominic Kearney

Ke Huy Quan – Everything Everywhere All at Once as Waymond Wang

Prediction: Ke Huy Quan

This one's gonna go to Indiana Jones' sidekick - Short Round, i.e., Quan - for playing a kind and friendly person to his wife in different universes.

Best Supporting Actress

Nominees:

Angela Bassett – Black Panther: Wakanda Forever as Queen Ramonda

Hong Chau – The Whale as Liz

Kerry Condon – The Banshees of Inisherin as Siobhán Súilleabháin

Jamie Lee Curtis – Everything Everywhere All at Once as Deirdre Beaubeirdre

Stephanie Hsu – Everything Everywhere All at Once as Joy Wang / Jobu Tupaki

Prediction: Angela Bassett

All hail the Queen Mother!!! Bassett's likely to take the trophy home for portraying the grieving mother of the late Chadwick Boseman's T'Challa.

#oscars #2023 oscars #academy awards #academy award nominations #academy award predictions #95th academy awards #95th oscars

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