Reginald Dwayne Betts, from Felon; “Night”
[Text ID: Listen, who hasn't waited for something / to happen? I know folks died waiting. I know / hurt is a wandering song. / I was lost in my fear.]
6K notes
·
View notes
okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.
359 notes
·
View notes
yes every single day is a reason to start anew and no, i will not be setting incredibly high expectations for 2024 because the unfortunate truth is that life is all about rolling with the punches, even if they really hit hard, but also. something fantastic about how people still choose new year's day to go "ALRIGHT. NEW YEAR. TIME TO SHAKE OFF THE COBWEBS"
11 notes
·
View notes
the association in wolf 359′s sound design between memory and water, and the association between water and hera by extension; the artificial construct of a beach as imagined by someone who has never seen a beach but wants to. what’s expected of hera, the parts of her that were programmed to serve a certain function... “or end up in other places, doing things not because you’re good at them but just because of what you are" ... is so much in conflict with who she is, what she enjoys and feels drawn towards. the natural world, appreciation of music and literature, even spirituality... in one AMA, sarah shachat suggested druid as an rpg class for hera, and i’m fascinated by that. hera’s draw towards the natural world and, broadly, things the text associates with the Human Experience is such an interesting and deliberate choice. that alone feels like such a statement about isolation and loneliness as obstacles to personal growth and self-discovery: to have some innate longing for things she literally was not designed to experience.
145 notes
·
View notes
learning about the coded folk songs created by palestinian women and remembering again why folk music has my whole heart
2K notes
·
View notes
Will never understand why Spotify keeps trying to advertise Top 40/UK Charts playlists to me, like who tunes into Spotify specifically to listen to a playlist of Top 40 music? You mean the same Top 40 music that is on every radio station 24/7? The same Top 40 music that is forced into your eardrums ad nauseum, to the point where even if you liked the music to begin with, it very soon becomes meaningless and also oddly rage-inducing? The same Top 40 music I trip over on my way out of the house every morning? The same Top 40 hits that break into my brain and beat my sub-consciousness into submission if I so much as LOOK at a device capable of playing music? That Top 40 music? Who on earth needs it to be advertised to them? The sort of people who need a signpost to tell them they're on planet earth?
8 notes
·
View notes