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strqyr · 1 day

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thinking out loud here, but... now with all of the beyond episodes out, i'm starting to wonder if the goal is to actually return to vale for the final battle.

for one, the final battle of the great war that lead to peace happened in vacuo, exactly the kingdom everyone is in currently. that's where the preparations are happening, that's the kingdom that everyone is primed to defend. but what i also find interesting about the great war battle is that the king of vale arrived with what are very likely to be the sword of destruction and the crown of choice—exactly the relics salem currently doesn't have.

then there's 'boba' and the very on-the-nose way of pointing that tai is doing something important in vale / patch that prevents him from being in vacuo. and like. it's the crown, right. or specifically, the vault that houses the crown; the whole point of the academies was to house the vaults that house the relics so that they would be surrounded by people capable of defending the academies at all times. and if the vault isn't at beacon—which is likely because salem hasn't found it yet, and at haven cinder points out how that vault looks way cooler than the one in beacon so what's the extra effort for, and i get the feeling it's not so much that any extra effort has gone to haven's vault, but rather that beacon's "vault" isn't really a vault to begin with—then obviously ozpin wouldn't leave it completely unguarded, but it also must be done discreetly as to not give the game away; and that's where tai comes in.

and because they made it so apparent in 'boba', it doesn't sound like a thing that's going to get addressed once they're done in vacuo and are ready to move back to vale, it sounds like it's imminent, something teased for V10 if / when it happens.

the king of vale had the sword and the crown. the resistance in vacuo is still in possession of the sword so that's accounted for, but getting the crown is a trickier problem to solve (if they're going for "ozma's side has the crown and the sword (like the king of vale did) while salem has the lamp and the staff" angle here).

enter 'the adventures of somewhat'. somewhat, in their cloak reminiscent of ruby's, talks to the red prince, who still has the scar on his face.

the red prince's purpose is to win the game. cinder holds the key to their victory. the red prince has sent all his followers away. cinder no longer has emerald and mercury by her side.

the red prince promises to help somewhat in their task if they beat him in the game. his purpose is to win that game.

"that doesn't seem very fair. what if my purpose was to win, too?" "such is the way of our life." "what if it doesn't have to be? i'm still new here, but i've met loads of afterans and people that have grown and found new things to do, even without going to the tree."

what if they don't need to be enemies locked in a battle they both want to win. what if it could be different: "who knows, maybe you could teach others to win. speaking of, i won! i think? i'm sorry."

with this little, simple conversation, somewhat left a somewhat of a big impression on the prince; and while he didn't join somewhat to keep his promise of helping them (that we saw of), he also dropped the tree leaves he could use to ascend.

and there was one less wrong thing in the ever after.

cinder holds the key to salem's victory. could she hold it for someone else—"maybe you could teach others to win"? could ruby get a chance to talk to cinder in the same way somewhat did with the prince, leaving an impression that gets cinder to change her mind? what if they don't need to be two enemies, pawns on a board, locked in battle?

the red prince promised to help if somewhat beat him in the game. they did. and i think this is something that might just happen with ruby and cinder too, and that's how the vacuo resistance gets hold of the crown.

all they need is a small team to head to vale to retrieve it, return to vacuo, and the grand stage of the final battle of the great war is once again set.

#rwby #rwby beyond #rwby spoilers #no one talk to me i'm cooking 👨‍🍳

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triviallytrue · 2 days

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NGE arc 2

I'm really enjoying the show now! The first six episodes had their ups and downs but I feel like this stretch really sold me on it.

The biggest change is, of course, Asuka. She takes up a lot of screentime, but it feels justified. Retrospectively, you can see the "hole" in the show that she goes on to fill.

Asuka is everything Shinji and Rei are not - brash, overconfident, rude, energetic, etc. She's always messing with Shinji - trying to get his attention, criticizing him, trying to get a rise out of him - and it's not entirely clear to me whether that's because she feels a certain way about him, or because that's just how she is with another kid her age and he's the only one who really qualifies.

On the other hand, her relationship with Rei is much more straightforwardly a rivalry - she feels threatened by Rei's whole deal. It's also unclear to me whether it's one-sided or not. Rei is very stoic, and Asuka's introduction ended the little window we were getting into Rei's head in episode 6, which disappointed me a bit.

Misato feels like she's gotten her shit together a bit more now. She's a more competent guardian and she has intelligence guys watching Shinji's every move, which she should've done on day 1. With Asuka's introduction, the vibes between her and Shinji feel a lot less weird. Idk.

I really, really liked the lights out episode. Felt like really crisp storytelling, with a lot of very good character moments. Definitely a stand-out thus far. I also found the scene where Shinji almost kisses Asuka while she's asleep and then snaps out of it very striking.

We still don't really know exactly what the Second Impact was, though it's implied that someone (proto-NERV?) captured an angel embryo and then mishandled it somehow, which led to a much worse catastrophe than we've otherwise seen. Why were there only two angels, before a 15 year gap? Is that related to why the pilots are all 14 years old? How were the first two angels subdued? Was the angel embryo that NERV has on ice captured then, or now?

I'm also told that there's more to the whole "EVAs are alive" twist than I was giving it credit for, so let's speculate a bit. Are the EVAs enslaved angels? That seems off - we've seen the EVAs act "automatically" to protect human children, whereas the angels will just murder them. There was a throwaway line about angel DNA being similar to human DNA - maybe the EVAs are angel-human-cyborg hybrids, or something? The continuous references to "contamination" seem like a looming Chekhov's gun.

After Shinji told Rei his dad sucks, I had hoped that was a sign he wasn't as obsessed with his father's approval anymore, but no luck...

#nge #act 2

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itachanta · 1 year

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Vash's glasses going glint

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notherpuppet · 3 months

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I know they’re probably not going to go into this (which i understand, there’s only so much time in an episode and they’re telling a different story) but I think about Al’s background a LOT. Get ready if ur in the mood for a read.

To be a mixed Black person in America is a…bizarre experience. You come to realize that due to the coincidence of your genetic makeup, white folks may divulge information that they keep so closely guarded from the ears of “more obvious-looking” black folks. Im gonna bring it back to Alastor, but lemme give some personal context. I’m mixed with Filipino, so I’m pretty obviously not white, yet my ambiguous ethnic makeup in a predominantly white suburbia seemed to make white peers and people feel much more at ease in relaying their criticisms or prejudices of black people to me. I would hear someone feel comfy enough to spew vitriolic racist shit with me, then toe the line like a circus acrobat when around someone a few shades darker in skin tone and a few coils curlier in hair texture. It was constantly infuriating and holding my tongue was a practice to both investigate someone’s true nature and preserve my own safety. I did abandon that method of navigating life in America, and experienced the switch-up white folks made when I started ‘broadcasting’ my blackness. (E.G. beyonce pre vs. post Lemonade). The criticisms and prejudice confessions just came less often, til I saw them being caged up completely after white peers experienced backlash from me. After they realized “OH this bitch is a n*****!?”

Now this is from someone who is brown, but i also wanna talk about my white-passing cousin with a similar racial makeup as Al, who is from the south and oh BOY. (Let’s call him J for this post’s purposes). J’s navigation though simple daily life is such a constant contradictory experience, of which he is still working through in therapy. I think of one moment when he was manager at retail gig and his boss told him that whenever a Black customer enters, it’s policy to give them “exceptionally attentive customer service”. Essentially, “follow that n***** around”. This is just one modern incident of when J would hear the quiet part out loud, despite his Blackness, because his appearance was white enough to make white folks drop their guard. Eventually, my cousin and I took to the same direction where we used our advantage of disarming white folks against them when the time came. We would keep note and record of racism and unlock a sort of “this you?” when the opportunity to expose that person’s true nature came. It’s pretty vengeful thinking ngl, but it is really REALLY hard to resist exposing an asshole rather than attempting to teach an asshole to change their ways. Especially given that such an attempt is an ARDUOUS uphill battle. The experience of KNOWING the truth about what someone thinks of your people, and being opened to opportunities and information that you would not have access to if the chance of your genetics was only slightly different is bIZARRE, horrific, and fuel for constant inner turmoil. (It sucks y��all)

Now back to Alastor; to have been a mixed person in the Deep South in 1930s America—it’s not too difficult for me to imagine how traumatic and convoluted that experience must have been. Especially when legally and socially, things were so much more Black and White. And when you’re on the line in between that, when society does not prepare a place for your existence, it can be SO isolating. You may consider the absurdity of such an arbitrary method of determining class, status, and/or caste much earlier in life than peers, which only further isolates you. You hold a resentment of society now that you know exactly how the other side is operating to ensure your oppression.

And then I think of Al’s weird ass moral code. How he arrived in Hell and (according to Mimzy) began killing overlords with reckless abandon. This is someone who likely had to develop the cunning to navigate 1930s Deep South America as a mixed, murdering, psychopath without getting caught by authorities who are already gunning for you. And now he is in Hell where the rules of society have gone up in smoke and he can fully embrace his rage, resentment, and vengeance. A desire to burn down the powerful people of the world can be accommodated and ANY previous inhibitions can finally be released. The morality of rising above someone by cutting them down (instead of developing emotional/spiritual healing) has become the easier and satisfying option. Finally the opportunity to show the power-secure villains of the world how easily you can tear them down when nothing is holding you back any longer.

TLDR; The trauma of racism in America is pretty sufficient cannon fodder for a severe psychotic break, the development of socially debilitating behaviors and isolation, and a quest for profound vengeance. So maybe that can explain some of the enigma that is Alastor.

And this is just ONE facet of Al. I didn’t even get to bring up the isolation that comes with being an aroace nonbeliever in the 1930s Deep South. Like FUCK. I’m a mixed, aroace nonbeliever from a modern day conservative town and yall….what a weird experience for sure lol but anyway lemme get back to my life. Whole point of this was—-WHAT AN INTERESTING FUCKEN CHARACTER TO THINK ABOUT

#hazbin hotel #alastor #hazbin hotel spoilers #it’s an alastor analysis yalllll #character analysis gives my media and art engagement brain the wiggles #also I hate racism!!!! :)

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reesiereads · 3 months

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So I wonder if Husk’s dislike of his form is (at least somewhat) a result of Alastor’s treatment of him?

It’s mentioned on his wiki that Husk does not like his form. He’s essentially a house cat with bird add-ons, which isn’t exactly intimidating.

His dislike could be for plenty of reasons but to me it kinda came across like he’s used to being treated as less than human? Like a pet.

Angel’s “kitty has claws” and “meow” are the flirtations that seem to cause the most visceral reaction out of husk (outside of “I can make those wings flap” which is, again, about Husk’s actual form). Angel was also touching Husk on both situations, moving him in the way he wanted to emphasize his point (tilting and holding Husk’s chin and tilting his wings). Part of Husk’s dislike is definitely because he dislikes Angel’s fakeness and the infringement on his boundaries, but these comments in particular set him off in a way the others don’t. It’s genuine anger over exasperation.

Then we get the Husk and Alastor scene in Episode 5 where Alastor openly talks down to Husk and scratches him behind the ear like an actual cat. This sets Husk off enough that, even knowing he’s owned by Alastor who is extremely dangerous (because I doubt he’s just forget that), he still snaps back. The first thing he says is “You may own my soul but I’m not your damn pet” and the level of anger here seems to imply Alastor treats him like this with at least some frequency. This is further proven when Alastor responds with a simple “oh, but you are!” Which is what leads to Husk snapping enough that he sets Alastor off.

Alastor then proceeds to push Husk to the ground and show his chain, pulling Husk closer against his will the same way one might an unruly dog pulling on its leash.

I think it’s also worth noting that Alastor is not usually a touchy person. This episode is an exception in that he’s being extra nice to Charlie to piss off Lucifer but this is still far from the norm. The only one he’s really touched up to this point is Nifty and that was only because she climbed on him. Him petting Husk was only a move of control, which is probably part of why it set Husk off so badly.

I think this also changes our perspectives on “Loser, baby” and the comparison there, since we now actually know what Husk and Alastor’s relationship is like. Angel may be Val’s toy but Husk is Alastor’s pet. His cat who’s brought in to take care of the mice.

#hazbin hotel #hazbin hotel husk #hazbin hotel alastor #hazbin hotel angel dust #hazbin hotel analysis #hazbin hotel spoilers #huskerdust #reesie rambles

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jonnywaistcoat · 8 months

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Hi Jonny, if you don't mind I have a question about the TMA TTRPG! So I noticed that on the player's guide there's this guy, who my friends and I assumed is probably Jon. If it is him, is this a canon design, or more like some of the non-canon stuff that's in the merch?

So, I hope you don't mind if i use this ask to go a bit off on one. I'm not specifically dragging you (I'm actualy glad you asked, as I've thinking about posting on the topic), but all the discussion around the RPG art and how "official" or "canon" it might be is, to my mind, slightly silly.

First up, is it "official" art? I mean, yeah, its art for the officially licenced Magnus Archives RPG. This means Monte Cook Games have commissioned someone to do a beatiful illustration broadly based on some aspect, episode or character from the podcast and it goes in the book. But that's kinda all it means. "Official" is a legal distinction, not an artistic one. The fact that it's in an official product doesn't make it any less one artist's cool interpretation of a character that has only been vaguely described in audio.

Second, is it Jonathan Sims the Archivist? I mean, it's probably based on the idea of him, but it's certainly not set in stone. When we were first discussing art with MCG, we advised that character pictures be more vibes-based and not explicitly tied to specific people (ie. a portrait inspired by Tim wouldn't be captioned "This is Tim" and wouldn't be placed opposite a profile for Tim Stoker, archival assistant.) This was mainly because we wanted the artists to have plenty of freedom to interpret and not feel too tied down by the need to know everything about the podcast. But, to be frank, it was also because we know that there are a few fans out there that are kinda Not Chill about what they've personally decided these characters look like and can get a bit defensive over depictions that differ.

It strikes me as particularly strange to be having this discussion about art that's for a roleplying game book. Something that's explicitly and solely designed to give you the ability to play in your version of the Magnus universe. The idea that this is the thing where we'd for some reason try to immutably establish unchangable appearances for these characters would be pretty funny if some folks weren't taking it so seriously. Similarly ridiculous is the idea we could reasonably have said to MCG "We'd love for you to make a huge beautiful RPG book of our setting... Just make sure you don't depict any of the iconic characters or events from it!"

But... is it "canon"? Now, to my mind, this highlights a real weakness in a lot of fandom thinking around "canon", which is that it generally has no idea what to do with adaptations. All adaptation is interpretation, and relies on taking a work and letting new creatives (and sometimes the same ones) have a different take on it. Are the appearances of the Fellowship of the Ring in the LOTR movies "canon"? How much, if at all, does that matter? Neil Gaiman's book Neverwhere was originaly a 90s BBC series made with a budget of 50 pence; is anyone who makes fanart of Mr Croup that doesn't look like the actor Hywel Bennet breaking canon? What about the novel that describes the character differently? Or the officially licenced Neverwhere comic where he looks like neither of them? Which is his "canon appearance"?

Canon is an inherently messy concept, and while it is useful for a creative team trying to keep continuity and consistency within a creative work, for thinking about anything beyond that it tends to be more hinderance than help.

Anyway, all this is to say that the above picture and all the others in the RPG are exactly as canon as every other picture you've ever seen of the Archivist.

#sorry for the huge answer #been thinking about it a lot recently #and wanted to get my thoughts down

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amuseoffyre · 9 months

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I was watching the bts videos yesterday including the making of the opening credits and Mr. Anderson said “We added plaques to the back of chairs and Neil chose who to honour on them”.

He’s referring to the chairs we briefly see in the theatre where Aziraphale is doing his magic act:

Left to right: A Tale of Two Cities by Charles Dickens, Pride and Prejudice by Jane Austen and The Crow Road by Iain Banks.

I want to focus on these three in a row specifically because Neil chose to put those books there in that order and I had something of an epiphany last night about it all when insomnia was chewing on my toes.

These three books have also been mentioned out loud in the show in episode 2 when Gabriel is reorganising the shelves:

“It was the day my grandmother exploded” - The Crow Road

“It is a truth universally acknowledged-” - Pride and Prejudice

“It was the best of times, it was the worst of times” - A Tale of Two Cities

For those unfamiliar with the books, I’ll do a quick potted summary of each, with a focus on why I think they’re relevant and especially why the order of the chairs in the theatre feels relevant.

A Tale of Two Cities

Set during the French revolution with one lead who is an aristocrat who has stepped away from his class and background to support the less fortunate than himself because he disagrees with the way they did things. Also, he changed his name because he doesn’t want to be associated with the place where he came from.

The big culmination of the books is when said man is betrayed and set to be executed, but his friend takes his place. There is very literally a body swap by someone who looks very like him in order to save his life. This body-swap is done out of love.

aka - season 1.

Pride and Prejudice

Two people from very different class backgrounds have a very very bumpy start to their relationship because of misinterpretation, miscommunication and a lot of external pressure put on them by the rules of their respective societies. Both of them have different information and because of that, both of them are seeing exactly the same situation very differently. One of them tries to express his affection, but does it so badly that the other tells him there is no chance she will join him.

aka - season 2

The Crow Road

A young man tries to solve a mystery of someone’s disappearance using only the papers they left behind, with said young man’s background rooted in faith and belief in a higher power. There’s also a secondary plot about emotional growth into a more mature and more fulfilling relationship.

(And wouldn’t you know it, it’s the book handed to Muriel by Crowley, who tells them they’ll like it, and the Metatron comments on it)

aka - season 3

Needless to say, I am quite excited :)

#good omens #good omens s2 #good omens meta

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leiazsolo · 11 days

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Regarding Tommy (AKA Stop hating him for the “Begins” episodes)

So I’ve been seeing a TON of hate for Tommy specifically because of his behaviour in the ‘Begins’ episodes and how he “shouldn’t be forgiven” so I’m getting fed up and decided to to a TIMELINE of Tommy & why we don’t need to be spoon fed his ‘redemption’ because we saw it across 10-ish years of flashbacks in the Begins episodes and can learn to understand that some stuff can just be implied with storytelling rather than treating the audience like babies and spelling it out for them. I will be starting with his first chronological appearance NOT his first on-screen appearance.

Starting Approx. 2005-2006 2x12 “Chimney Begins” now I’m not sure exactly what dates the episode here but google tells me it’s set around here, If I’m wrong let me know.

This was the big episode of Tommy being an asshole, I will not deny he was an asshole. He was one of the primary assholes of this episode along with the old captain. Let’s look at this episode with what we know about Tommy now, not what we knew then.

Tommy was a closeted gay man in a male-led, white-led field (presumably gay, we haven’t had his label yet) working under a captain we know is Homophobic, Sexist, and Racist. He also was a white man in a white male field back in 2005, prejudice was still a huge thing in 2005 (and still is but we’re not here to talk about that) and this episode shows this well, because it had to fit with the ‘times’. Tommy was an aggressor to begin with Im not going to deny this, but do you know who was also there, standing by and watching the rest of the 118 treat Chimney like shit for MONTHS? Eli! Yes lovey Eli who eventually helped get Chim into the field and let him stay with him in Boston. Yes he ended up being a good guy, but that doesn’t excuse the months he spent staying quiet watching the 118 mistreat Chim. You’ll see this theme pop up again later, funnily enough. Eventually we see Tommy and Chim become civil, after Chimney saves his life. He goes on to befriend Chimney, telling him his favourite movie is Love Actually (that’s fruity) amongst other things.

Fast forward to somewhere between 2009-2010 2x09 “Hen Begins” aka the next time we see Tommy chronologically and the first time we meet him in the show. We know a rough timeline as Sal says his girlfriend took him to see the new Twilight movie, and they reference the Edward vs Jacob, which means it’s most likely New Moon or Eclipse as that was more heavily a marketing thing for those two than the first one. This is also the first time Tommy is implied to be gay (He doesn’t deny the accusation and instead jokes about kissing Sal/Chimney) Now at this point in time I know this probably was not planned, but is something to look back at.

Tommy is this episode steps back from being an aggressor, he is still working under Gerrard and still closeted. He is still a part of the problem, but other than being present in the episode and in the scenes where Sal and Gerrard acted as aggressors, he didn’t actually contribute verbally to the mistreatment of Hen. The primary aggressor for Hen was Gerrard and remained to be Gerrard throughout the episode even when her co-workers saw her doing good things. And going back to Eli in Chimneys episode, guess who was also a bystander to Hens mistreatment, filling a similar role to Hen that Eli filled? CHIMNEY. He stood back for also presumably months, didn’t defend Hen against their co-workers, and just let what happened to him happen to her. Then, at the end of the episode it’s revealed multiple members of her team submitted complaints against their captain for the mistreatment of Hen, I’m willing to bet that he was one of those people, him, Chim, and even potentially Sal as he was less of an ass by the end. By the end of her episode we know they are now friendly at work and he thinks she’s a good firefighter.

Skip forward to 2014-ish, 2x16 “Bobby Begins Again.” We immediately see the team meshing, Chim, Hen, Tommy, and even Sal. 9 Years have passed since he met Chimney, and 4-ish since Hen and it’s implied they’re a friendly unit, Tommy is still closeted, and has been working under a rotating number of captains (six to be exact), but has clearly become a better, and more accepting person, the world is changing and he isn’t being held back with the times. He goes out for drinks with Hen & Chimney, laughs with them, has an overall good time being their friend and seeming enjoying working under Bobby for another 4 years, we even see them smash his face into a cake at a surprise leaving party they’ve thrown him. We know Buck took his place at the 118 which was not long before S1 began, so we’re assuming he left the 118 2017/2018.

This is the last time we see Tommy until 7x03, presumably set in 2023/2024 “Capsized”, a whole canonical 16-18 years after we first meet him, and 6 years since he left the 118. In those 6 years we know he:

A) is still friendly with Chimney, we know from 2x14 when he phones him to drop the fire retardant on the house. He is also mentioned to still be in contact in 3x16

B) Has come out/discovered his sexuality.

C) Is obviously not bigoted, or at least as much as he was back in 2005-ish.

In terms of Hen we can assume they haven’t really stayed “friends” since Tommy left, as she states in Capsized that she forgot he worked there. She worked with him for 8-ish years, I’ve worked with people for that length of time and don’t talk to them now, doesn’t mean I hate them, we just don’t really have reason to talk anymore. I just think their friendship was more a “we’re work friends” kind of relationship rather than a “we’re in each other’s lives” one, which is a completely normal and valid relationship. Whereas with Chim we know they’ve remained at least acquaintances to chat, and friends enough that Tommy would risk both his life and job to save Bobby.

At this point in the timeline it’s been approximately CANONICALLY 16-18 years since we met Tommy, and the fandom is still asking for his character to be held accountable for things he said all those years ago, when clearly in the canon of the show has been forgiven. At this point in the show I really don’t think we need to be spoonfed this narrative, it would feel clunky and weird to see an apology on screen for something that’s clearly been addressed off screen. It would frankly be a waste of the limited airtime we have this season.

I also think it’s super important to remember that Tommy wasn’t planned that far in advance, we know he was bought back by Minear because he wanted the person who was part of Bucks coming out to be someone the audience had already met before & Lou was both available and willing to do it. If they had been planning this exact storyline since season 2, maybe Tommy would have been portrayed differently, who knows.

I get we love Buddie and we want Buddie so much, I am not and never will jump ship from Buddie, I love that Tommy is Bucks first boyfriend, I just hope Eddie gets to be his last.

I’m also super glad we’re getting Bucks coming out separately from Eddies potential future coming out, I am on the (seemingly) small majority that thinks that would have been way too much to happen all at once, and also the characters deserve to have their own coming out stories not to be lumped together.

so yeah. TLDR; Tommy has evolved over 16-18 years, 10 years of which we saw across the Begins episodes, and if we want to be spoonfed his accountability for his behaviour in the begins episode, we should also be asking the same from Eli and Chim.

#Tommy Kinard #911 abc #911 season 7 #bucktommy #evan buckley #911 #9-1-1 #9 1 1 abc #buck x tommy #listen i’m just fed up bc this happens with everyone Buck or Eddie dates #if you wanna dislike bucktommy go for it i’m not saying you have to like them #or even like tommy #i’m just saying you need to just be honest about your reasons for disliking him #and you don’t have to forgive him that’s fine you do you #but you can’t act like the characters haven’t

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actual-changeling · 8 months

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when gabriel/jim (jabriel?? gim?????) talks about his "one particular person", aziraphale's smile is such a blink and you will miss it moment but so incredibly precious and we don't pay enough attention to it.

so, welcome to another round of alex's unhinged meta corner where i over-analyse micro expressions while losing some more braincells.

firstly, here's a clip of that scene just so we are all on the same page since i don't know how much time everyone else spends watching that show. don't ask me it's probably at least 6 hours a day at this point

what i want to focus on is aziraphale's reaction to jabriel's words right after "person". did i slow the clip down and then go through it frame by frame to get the following screencaps? yes. yes i did.

there are two parts to this, the spaced-out smile and then his shock/fear. also before we start can i just say how fucking insane whoever made the trailer was for putting the 1941 dinner scene RIGHT THERE??? with THAT expression??????? yeah. no. i need therapy for that alone.

anyway.

while he is talking, aziraphale is looking at jabriel the entire time, but honestly, i don't think he is actually seeing him, he's neck-deep in his memories of crowley. he as that sparkle in his eyes he tends to get around crowley/looking at crowley and that smile appears rather slowly (or as slow as something can be while lasting less than a second).

personally, i'd call that expression "completely and utterly in love" or besotted if you wanna keep it simple. a content little smile meant for no one except himself, the kinda look he probably wears in private while calling crowley to ask him to come hang out. aziraphale loves him and in this short moment, he knows it - and so do we.

when jabriel (preferable over gim, in my opinion) trails off, aziraphale remembers that hey, wait a minute. that's my boss. that's the archangel fucking gabriel. he can't know about me and crowley.

at this point, neither we nor he know what exactly is up with jabriel, so there is a very real danger that everything aziraphale says or shows will be reported back to heaven. the shock sets in, the smile disappear and aziraphale falls from cloud 9 (pun intended) and lands face first back on earth.

while aziraphale does not have crowley's memory of what exactly went down in heaven when they tried to burn him to a crisp, he has always been incredibly anxious around gabriel and the other archangel. he is fidgeting, unable to stand still or even keep his gaze from flicking around. the only moment he calms is, you guessed it, when he is zoned out and thinking of crowley.

the very real fear that settles on his face is not just about himself, it is mostly about crowley. if heaven knows, hell will, too. everyone knows about the back channels, most just try and keep up plausible deniability. the fact that it is michael who seems to be directly in contact with hell for the most part and not gabriel is worthy of its own post at some point.

another thing worth mentioning is that aziraphale is so afraid, in fact, that he physically backs away from jabriel and gets as much distance between them as possible. jabriel looks like a lost toddler, very non-threatening, but the trauma runs so deep that it does not matter how much of a danger he really is right now. he has been a constant threat for over six thousand years, you cannot deconstruct your view of a person, especially your boss, that quickly. not even if they turn up with total amnesia on your doorstep. naked.

this was less unhinged than some of my other posts but i think this is a moment that gets overlooked a lot. at least i haven't seen anyone talking about it yet since we are all understandably focused on the ending of episode 6.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #good omens meta #listen i wrote this post while tipsy so any errors are because my brain is not working correctly

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eastgaysian · 1 year

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okay here's one post i have to make. Finally racism confirmed real in succession. other people have talked about this before but it is a huge blind spot of the show not to acknowledge the intersection between racism and capitalism, and the excuse that the characters are the 1% and the 1% are vastly white is pretty weak. the fact that the show sidelines its existing characters of color while every now and then broadly gesturing towards race makes this worse, especially as the show more directly focuses on fascism and just Doesn't bring race into it. like i don't even think race is totally absent as a concern of the writers but it's clearly not a priority. i think a lot about how mo's widow is a filipino woman

anyway. ken and rava's conversation in this sense doesn't really qualify as, like, revolutionary in terms of succession's commentary on race esp since it's a discussion between two white parents about their brown daughter without her present. the point of interest to me really is that kendall completely fails to recognize racism as a systemic issue, much less that he works for and is trying to sustain a company that actively works to perpetuate that hegemony. his questions are why was sophie on the street? why wasn't rava there? in the same episode where he calls matsson homophobic for saying the numbers are gay. socially aware king

it's not particularly revelatory to say that a rich white man doesn't grasp the concept of systemic racism LOL but i do think it's more than that for kendall, and i also think this trait is something his siblings don't share. it's like how he doesn't realize he's in a position of power over anna and she was pressured into attending the recny with him, and his adoption of a faux-feminist stance in s3 while continuing to treat women like shit. kendall's whole concept of Everything, including systemic social issues, goes back to logan. there's no system outside of dad. the doj doesn't find the cruises evidence compelling? that's because they're scared of logan. logan's the source of the evil in the world, therefore opposing him is inherently progressive, leaving kendall with even less of a coherent moral framework after his death. and he's completely unable to process the idea that he could be participating in and benefiting from the greater racist or sexist system, because that's fundamentally incompatible with his logan-based idea of his own identity.

i don't think roman or shiv or even connor share this particular nearsightedness. roman 'we do hate speech and roller coasters' roy knows what's going on but he doesn't really care and he doesn't believe it can be changed (or, maybe more accurately, that there's any point in trying). he doesn't buy into fascism on the ideological level, exactly, but the spectacle appeals to him and he does believe it's profitable to align with it, so he's perfectly happy to do so. i think he's the most similar to logan in this regard. and shiv and connor have actual political ideologies, even if they're far from being meaningfully opposed to fascism, which requires a base awareness of the fact that We Live In A Society and That Society Has Systems In It. for kendall it really boils down to logan and logan alone

#chalkboard

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marauderonthepirateship · 3 months

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HAZBIN HOTEL EP 7 AND 8 QUICKK REVIEW

contains major spoilers, let's start!

how about we start with episode 7, hmm?

i must say, before the episode were released I had a theory, that alastor could make a deal with charlie and try to get her soul to(following the theory about lilith having alastor on a leash) try to exchange charlie's soul for his own BUT it did not happen, and I cannot say it's disappointing for me

as hannibal fun and an expirienced cannibalistic-joke maker it feels like a personal win to have cannibal town being one the most comfortable places in hell with cannibals being really wholesome and polite guys

and of course the diamond of the crown - rosie

she was amazing in this episode. she definitely has the vibe of this rich auntie who visits you once a year and gives the best gifts and advices. she actually gives amazing advices, that's for sure. and i love her friendship with alastor, i bet they meet every weekend and share gossips

all of us should be proud of charlie and the way she becomes leader and takes responsibility for her people. this is THE character development

here we are slowly coming to episode 8 also known as the finale of season 1!!

it was a bright culmination of all of the season 1 and it turned out amazing

but dear readers, i'm sure all of you have already watched it (maybe even 2 or 3 times, right?), so why don't i just say a few words about my favorite moments

the scene before big battle, where everybody is just spending time with other is exactly what shows how much are this lost souls now bonded. they realise they have no idea what is there, waiting for them in tomorrow and that's what make this scene

and let me just say it: huskerdust

it is a big joy to know this actually happened

i also might say that the victory wasn't easy nor unreasonable. think about the fact that nobody knew how to defeat angels is the exact reason hazbin's crew won. indeed the more power you got the less carelessness you should have.

and i'd really enjoy to share some of my highlights of this battle if I do say so

here wee goooo:

sir pentious kissing the girl he loves than heroically dies and goes to heaven. absolutely nailed it

charlie's demon form. and shall we not forget ruzzle and duzzle in their dragon form.

that absolutely iconic show up from lucifer and him in the whole battle

niffty killing adam. i'd say this is hilarious

alastor being beaten, afraid and panicked. yes, i WAS talking about it. it was important to show he can feel real emotions and fear and loss are one of them

three vees watching battle for hotel and living their best lives(i still hate val, just to be clear)

what is really natural about the battle that they don't just celebrate victory. they mourn pentious, and charlie feels guilty, but they still go on, rebuild hotel singing one of the best songs for the whole show

i am intrigued by what the season 2 has to offer for us, my dear friends and I surely will be waiting for it

now i'm just about to thank you for reading this and wish you a pleasant day!

#hazbin hotel #huskerdust #alastor #alastor hazbin hotel #angel dust #husker hazbin hotel #hazbin hotel lucifer #hazbin charlie #hazbin hotel alastor #hazbin hotel husk #hazbin hotel lilith

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imagionationstation · 4 months

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I Got Bored So I Analyzed Mikey And Splinter’s Relationship, As One Does

I love rewatching the 2012series after hearing about how terrible Mikey&Splinter’s relationship is because it always leaves me so confused to the point where I have to reconsider everything the internet says and everything I believe.

What if, for a moment, we see what the episodes have to say.

One thing they make very clear is that Splinter does not see Mikey as any less intelligent than his brothers. Several times during the series, the Sensei does not hesitate to openly agree with his youngest’s statement. He holds him to standards that are equally as high as the one Splinter gives to his brothers.

“How many times have I told you not to skateboard in the lair?”

“None, Sensei.”

“I shouldn’t have to tell you!”

“No, Michelangelo, you are right.”

“I am?”

“He is?”

“We gotta take him down.”

“Yes, Michelangelo, you do.”

Beyond agreeing with him, Splinter allows his youngest to have his say when he argues with the Sensei. He doesn’t shut him down or talk over him. Even if all of his sons disagree with Mikey, Splinter will hear him out and can even be seen changing his mind.

“There is no monster more dangerous than a lack of compassion.”

“My mistake.”

“We’re doing to him what everyone else does to us! Judging him for his looks!”

“But he was fighting the Kraang, Master Splinter. It’s like you always say! The enemy of my enemy is my bro.”

“That is not exactly what I’ve said…”

“Mm. I see. You’ve made a wise decision, Michelangelo.”

Master Splinter also doesn’t doubt his abilities. He can recognize his son’s strengths and won’t hesitate to put them to good use.

“When he awakens, Michelangelo, you must find a way to befriend him.”

“No problemo.”

The Sensei doesn’t challenge Mikey any harder than he challenges his brothers. Splinter never makes him out to be inferior when he’s teaching him something compared to them.

“Michelangelo. Why did you give up so easily?”

“There was nothing I could do.”

“There is always something you can do. Observe.”

“The key is to unbalance your opponent.”

“But how?”

“However you can. For example…”

While he doesn’t exactly understand how his mind works, he comprehends that his unique way of learning is to be nurtured and molded. He knows that some of his quirks are gifts to be appreciated. He even goes as far as using Mikey’s natural skill as an example of how to fight in order to instruct his brother.

“The nunchaku because… Um, they are perfect for you!”

“I just don’t understand how you can fight without thinking.”

“Observe… You see? Mikey does not think.”

“Thank you~”

“You must find the space between your thoughts and learn to live there. That’s what Michelangelo does.”

Mikey idolizes his sensei, but not quite to Leo’s extent. He takes in all the lessons that resígnate with him to heart, even to the point that he can quote them back to his father and brothers. (Revisit: “But he was fighting the Kraang, Master Splinter. It’s like you always say! The enemy of my enemy is my bro.”) Splinter spends a good amount of the show teaching lessons, such as don’t judge those who are different from you, peace is better than war, and a lack of compassion is the true monster. Mikey is consistently seen prompting these ideals in everything that he does, consciously or unconsciously mimicking his father.

“Raphael! Clearly, April is upset.”

“Yeah, dude, that’s so insensitive.”

“Yeah, that’s all good, but like Master Splinter would say, we must accept the hand that the universe has dealt usssss.”

They recognize cues from one another without anything being said. Reading their tones and expressions with ease, catching things that others in the room don’t notice, at least, not yet.

“You okay, Sensei?”

“Forgive me… My thoughts are… Elsewhere, Michelangelo.”

“Well, yeah. Cause old people never care how they look. Or smell.”

*sus Sensei squint*

*awkward laugh* *whistling*

“My son. I sense there is something you’d like to tell us.”

There are even times when they are in sync. A favorite example would be when Mikey throws down a smoke bomb and Splinter reappears in the same instance. It may be played off as a joke, but this is crack that the show takes very seriously.

“This is serious. I better get Splinter.”

“Um, we don’t really need-”

“Michelangelo said you wanted to see me?”

The two of them don’t have a lot of one-on-one screen time, but I often think that this isn’t because Splinter is outright ignoring his youngest. In fact, this is because, despite not being “as smart” as his brothers, he doesn’t need to give Mikey as much schooling as the rest of them. Leo seeks him out for advice, Raph needs help to mold his temper and impulsive nature, and Donnie needs to learn how calm his anxieties or how to react to social situations.

Mikey vibes with the world and follows his brothers’ leads. His mistakes are theirs and the rules that he follows are based off Sensei’s teaching. He’s smart in his own way, he has the instinct and the skills to fight and defend himself and his brothers, and he doesn’t need Master Splinter looking over his shoulder all the time.

He’s not useless. In some ways, he’s just a daddy’s boy.

Maybe the memory in Requiem wasn’t simply lazy writing.

Maybe, to him, this was an unspoken moment where Splinter acknowledges that and more.

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huginsmemory · 11 months

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The Eye of Micheal design and the Zia Sun Symbol

I'm not exactly the best person to talk about this, since I'm not Zia/Tsʾíiyʾamʾé (an Indigenous people group from what is today called New Mexico, for those who don't know) but I'm also Indigenous and this is something that has been really bugging me for a while.

The new eye of Micheal design in Stampede is very clearly heavily based off the Zia Sun symbol, a symbol that is found on the state of New Mexico's flag... and is originally a sacred symbol of the Zia people that has been grossly misappropriated by the state itself and internationally.

ID: Two photos. Left is of the flag of New Mexico, with the Zia Sun symbol in the middle in red on a yellow background. There are four rays emanating from each cardinal direction from a circle in the middle, in such a way it forms what could be a 'square cross'. The rays touch the circle.

Right is a screen cap from episode 10 of tristamp, showing Wolfwoods contract. The symbol of the Eye of Micheal is on it. Instead of four from each cardinal direction, 'north' has three medium length rays, and 'south' has three long rays, while 'east' and 'west' have only one short ray emanating from (but not touching) the centre circle. As a result it looks like a typical Christian cross with a lengthened 'south'.

History

This article provides a really good background on it, but to summarize:

The symbol is an exceptionally significant religious symbol that represents the Zia themselves (along with other specific meanings) and is involved in religious healing and wellness processes; it was originally a secret symbol. However, the symbol was stolen from the nation by an anthropologist who was working with the nation, when he stole a piece of pottery with the symbol on it. The piece of pottery with the sacred symbol was then showcased in a museum, where another anthropologist took the design and submitted it for the flag of New Mexico; thus, it ended up becoming the state flag of New Mexico as we know today.

As a result, the design became legally public property, without the consent of the Zia, who now have no control over how the sacred symbol is used, and it has been grossly misappropriated and exploited by non-Zia, both within state and internationally. The Zia peoples have been lobbying to raise awareness of this issue, to both stop exploitation and frivolous use of the symbol which is considered desecration, and also have requested that those who want to use the symbol to ask for consent and for them to provide funds to the education of their children.

How this applies to tristamp

The Zia Sun symbol is, well, to put it bluntly, basically used as the symbol of the Eye of Micheal, just altered to more represent a typical Christian cross... something which would be considered misappropriation and desecration of the symbol. This ESPECIALLY so as the Eye of Micheal is clearly a Christian cult; misappropriating an Indigenous religious symbol and saying that it represents Christianity and a Christian cult no less, is, as an Indigenous person, EXTREMELY disrespectful, considering the history of Christianity and how it's been used to actively destroy Indigenous religion and culture. Also, as the symbol has been said to represent the Zia people, and is related to religious healing and wellness processes, having the symbol basically be used to represent an Christian cult of assassins who essentially medically experiment and abuse Wolfwood who is Hispanic-coded for their own gain is... Not great.

I overall understand that since as Wolfwood is heavily Hispanic coded, the crew behind stampede likely wanted to tie more of that into his background, and so seeing the Zia Sun symbol thought that would be a good way to nod to a Hispanic background (instead of, I dunno maybe not white washing him), but then failed to do proper research on it.

Going forward

Ok, so what does that practically mean for fans? Well, again... I'm not really the best person to say exactly what, but if this was my own nations sacred symbol, and by going from what I've read on the requests about the Zia Sun symbol then here's a few pointers:

I'd just avoid using the design in fanart. Hell, it's only showed up in tristamp, so there's plenty you can work with without the design, based around just general Christian imagery. I know a lot of people really like giving Wolfwood tattoos of the 'eye of micheal' symbol, since tattoos are hot, but I'd ask to please just use Christian symbols instead. I've seen so much nsfw fanart with essentially the Zia Sun Symbol...

For art you've already posted with the Zia sun symbol; it'd be nice to remove the art and put another version of the art up without the sun symbol.

Also, I know I've seen people talking about getting tattoos of it as a quiet nod to trigun... Please don't. It's more likely that people will recognize it as a Zia sun symbol rather than a Trigun symbol which might be an awkward conversation for you.

I do want to say this: I know most people don't know about this, and honestly I didn't know about the Zia sun symbol issue until a couple months ago when talking with a friend about Trigun. It's fine if you didn't know before! We live and learn and grow, and what matters is that going forward you adjust your behaviours.

TLDR: The 'Eye of Micheal' symbol is very clearly an adjusted Zia sun symbol, a sacred and originally secret symbol of the Zia people that was stolen from them and has been grossly misappropriated and exploited by both the state of New Mexico, and internationally. The Zia people as a result have asked people to not use the symbol without their consent. Within tristamp the use of the Zia sun symbol to represent a murderous Christian cult is extremely disrespectful and would be considered desecration, considering how Christianity has historically (and continues to) help destroy Indigenous culture and religion. As a result, it is suggested that artists avoid using it within fanart out of respect.

#trigun #wolfwood #nicholas d. wolfwood #trigun stampede #tristamp #informational post #eye of micheal #eye of micheal tristamp #livio the double fang #vashwood #trigun wolfwood #livio trigun

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6esiree · 16 days

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Hazbin Hotel x GN! Reader Who Makes a Group Chat

Summary: The title is pretty self-explanatory, but basically the reader, who is Gen Z, makes a group chat for everybody in the hotel. I used that episode where they’re doing trust exercises (but I changed it to bonding to be more fitting). I also accidentally made it a little bit of Husk x Reader…but I guess it’s mostly implied?

Warnings: Uhh, swearing.

—————

Bonding—one of the most difficult obstacles Charlie had yet to overcome. While she got along with everybody just fine, trusting them from the moment they set foot in the Hazbin Hotel, nobody else could seem to do the same, especially as their personalities constantly clashed with each other.

When it came to you, well, you were actually a pleasant person to be around with. If anybody had anything bad to say about you, it would probably be the way you acted, which was rather…different than what they were accustomed to. I mean, you were one of the newest and youngest residents in the hotel, having just died a few months ago at the whopping age of 21. Could they really blame you?

Exhibit A:

“Gay son or thot daughter?” You asked Husk after finishing your second cocktail, innocently swinging your legs back and forth as you anticipated his response.

“Alright, I think you’ve had enough, dollface,” Husk said, withdrawing the paw that held the cocktail he had just whipped up for you, leaving you pouting.

Exhibit B:

“Iron deficiency gang stand up,” You said as you quickly got up from the couch, your knees instantly buckling underneath you. “Oh SHIT!”

“Fucking hell!” Angel Dust screeched, catching you before your face could meet the ground.

Exhibit C:

“Sometimes I fill the room with negative energy because I don’t want to be there,” You said as you stood next to Alastor, trying to get along with the smiling man.

“Alright, I’m off to Cannibal Town! I believe Rosie needed something,” Alastor quickly announced before walking out.

Yeah, you were definitely something else, but that’s exactly why Charlie liked you. Even though she and the rest struggled to understand your humor or some of the things you said in general, it was nice to have you around.

So, when it came to overcoming the lack of bonding among the Hazbin Hotel’s residents, the Princess of Hell turned to you, especially after Angel Dust decided to bring all of you to try out bondage…of all the fucking things.

“Hey, Y/N—Oh, oh my goodness,” Charlie winced as a sinner approached her, trying to entice her by dangling some fuzzy handcuffs in front of her face. “No thank you! Sorry. Anyway, uh, I was wondering if you had any ideas to bring everyone together? Something less…like this?”

You stood in front of Husk, who had sought refuge behind you after Niffty appeared next to him with a whip in her hand, excited to punish some “bad boys.” Not like you could do much to conceal him, especially considering that you were about Vaggie’s height, but the little demon did avoid you after you took pity on a roach and threw it out the hotel, sparing it from her wrath.

“Really? Oh, shit! Okay, um, let me think for a moment,” You said, happy that she had asked you to suggest something, “Errr, you know what always helped me get closer to people? A group chat. I know it sounds kind of stupid, but like, I think it would be a nice way for us to slowly get to know each other!”

“Oh, yes! Okay, sure, we can try that out!” Charlie gasped, clasping her hands together, but then she frowned, “Wait, what about Alastor? He won’t be able to participate since he doesn’t use a phone.”

“Doesn’t seem like a problem to me,” Husk spoke up, obviously content with the idea of the Radio Demon being absent from one thing in his life.

“I mean, he’s not even here right now,” You shrugged, agreeing with Husk, who shot you a thankful smile, “I’m pretty sure he’d say no anyway.”

Charlie sighed, but you were right. Alastor avoided technology like the plague, especially Voxtech. He wouldn’t be able to join a group chat even if he had a flip phone—which he definitely didn’t.

“I guess you have a point,” Charlie said, already starting towards the exit of this place, “Alright, let’s get out of here. Come on!”

“Booooo! You guys are boring,” Angel Dust said, dragging Niffty with him, who was the only one sad about leaving. “Except for Niffty, of course. She gets it.”

Back at the hotel, all of you sat in the parlor, exchanging phone numbers with each other. Creating a group chat was supposed to be a simple task, but for some damn reason, y’all were struggling. Sir Pentious forgot his phone number, so you had to help him out with that, and Niffty kept getting side-tracked every time a roach appeared before she could take out her phone.

Everyone else did just fine, thankfully, Husk even handing you his phone to avoid the hassle—which was on light mode (gross). Anyway, big mistake on his part because you decided to take 0.5 photos of yourself when he wasn’t looking, setting one as his lock screen. You tried not to laugh as you handed the cat-demon his phone back, leaving it unlocked so he wouldn’t notice right away.

“Okay, soooo, there! Done,” You said, successfully adding everybody to a group chat on SMS.

“Who said hello? I cannot tell,” Sir Pentious asked as soon as you sent a message.

“Damnit, Pentious. Hand me your phone again,” You said, getting up and taking a seat next to the serpent so you could show him how to name each of his contacts.

“Look, if you tap here then go to info, you’ll be able to name your contacts,” You demonstrated, Pentious staring at you blankly, “But I guess I’ll do it myself, just to be quicker.”

After that, everything was good. The only one who doubted a group chat would work was Vaggie, but as the days passed by, she realized it was much easier to communicate that way. Charlie was having a blast, reacting to every message that was sent with a heart, Pentious used emojis like the precious little man he was, Angel usually sent links from Sinstagram and Envee that he found funny, Husk responded sometimes, but with the most dry texts known to mankind, and Niffty, well, she forgot there was a group chat. Whenever she was reminded of its existence, however, she just sent pictures of the bugs she killed. You always reacted with a sad face.

“Can you stop saying “Congratulations” and “Happy Birthday”,” Vaggie announced as she descended the stairs alongside Charlie, looking at you specifically.

“Why are you glaring at me? I’m not the one spamming it!” You said, turning around to see Angel snickering on the couch, confetti and balloons popping up every time any one of you opened the group chat.

“Yeah, but you taught him how to do it!” Vaggie grumbled.

“Come on, Vaggie, it’s not their fault,” Charlie said, looking at you apologetically before disappearing to the kitchen to get breakfast.

“See? Charlie said I’m not at fault,” You said, but she didn’t back down.

“Uh-huh.”

“For real, though, I didn’t think he’d abuse it. Would you have, Husk?” You turned to the cat-demon in hopes that he would defend you too.

“I ain’t helping you until you show me how to change my lock screen,” Husk grunted, his phone lighting up every time Angel sent a new message, the 0.5 photo of your face popping up.

“Okay, then! That’s fine,” You shrugged, Husk rolling his eyes in response. “I can take care of myself.”

“If you really wanted to change it, you would have searched it up,” Angel said from the parlor, setting down his phone much to Vaggie’s delight. “Just admit you like looking at their face, kitty.”

Husk growled, the bottle of cheap booze in his hand slightly cracking in his grip. Vaggie couldn’t be bothered to intervene, disappearing to the kitchen as well.

“Call me kitty one more time and I’ll jam this bottle down your throat,” Husk threatened, but Angel only laughed in response.

“Sure, whatever,” Angel said, shooting you two a wink as he got up from the couch and stretched, looking down at his phone as it vibrated, “I’d argue with ya more on that, but Val’s calling. Maybe we can continue this conversation after work.”

“Hey! Well, apparently you like looking at me too, because your lock screen has been my face all along,” You said with a mischievous smile.

“Yeah, I would have noticed—” Angel said as he looked down at his phone, turning it off and on, “Wait, what the fuck? How—WHEN DID YOU DO THIS?”

“I have my ways,” You shrugged, Husk chuckling as Angel stormed out of the hotel mumbling in disbelief, fixing to change his lock screen.

There was a moment of silence shared between the two of you when the front doors of the Hazbin Hotel closed behind the spider, the only sound bouncing off the walls being the clanging of plates and utensils in the kitchen. You had already eaten earlier, so you stayed at the bar, enjoying the cat-demon’s presence.

“You’re something else, y’know,” Husk suddenly said, looking at you as he languidly sipped at his drink.

“I know,” You laughed, reaching for his phone, “Here, let me change your lock screen for you.”

A paw landed on your hand, catching you off guard. You looked up at Husk, wondering why he had stopped you.

“If I wanted to change it, I would have,” Husk said, his claws lightly dragging along your skin as he withdrew his phone from your grasp. “I ain’t stupid.”

Oh, man. Your face was suddenly hot.

“I, uh, I didn’t think—” You started, Husk quirking a brow at you. “You know what? Shut up!”

“You alright, dollface?” Husk asked.

His tail swished back and forth behind him, causing small drafts of wind to caress your ankles. Husk was obviously amused by how easily he had flustered you—the slick fuck. No longer wanting to satisfy him, you decided to be your usual self.

“Yes, I’m alright! But are you?” You shot back, Husk blinking in confusion.

“Why wouldn’t I be?”

“Clearly you’re not because your phone is on light mode,” You continued, “That’s absolutely disgusting.”

#hazbin hotel #hazbin hotel x reader #husk x reader #hazbin hotel husk #angel dust #charlie morningstar #vaggie #sir pentious #niffty #alastor #alastor the radio demon #radio #hazbin hotel charlie #hazbin hotel vaggie #hazbin hotel sir pentious #hazbin hotel alastor #hazbin hotel niffty

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pinkcrocss · 1 month

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On Andre...

So, I've been picking up on a lot of negative feelings towards Andre within the fandom (some warranted, some unwarranted in my opinion). And I think it comes down to two things:

-Andre is probably one of the least developed of the core group in terms of writing.

-Andre's actor (Chance Perdomo) has some problematic views irl.

I want to focus on the first point however, cuz I'm interested in the character not the actor (Patrick Schwarzeneggar and Claudia Dumit also support Isreal, so I'm choosing to focus my feelings on characters, not the actors if I want to enjoy this show at all).

When I first watched Gen V (before the hyper fixation had kicked in), Chance's performance had been one of my least favourites. I didn't like the weird voice he was doing (turns out he was Brit doing a pretty decent attempt at an "American Jock" type accent) and I thought the actor kept doing a lot of awkward stammers and tics that didn't feel in line with the character (I assumed, that's just how the actor was irl). That is until I watched a cast interview and I learned 2 things:

He is a Brit.

He's actually a very smooth and clear speaker. Which means those mannerisms were an intentional choice by the actor.

Later, once the hyperfixation had truly set in, I was watching a boatload of cast interviews, when I caught a comment underneath one of those videos that totally changed my view of that character and performance during my 4th (maybe 5th) rewatch.

You know how each of the core group's abilities hurts them in some way and thus works as an allegory for some form of personal issue that they are overcoming? i.e.

Marie -> Cutting/Self Harm

Emma -> Eating Disorders

Cate -> Consent

Jordan -> Gender Identity/dysphoria

For a while, I don't really see how Andre's abilities could serve as an allegory for anything. like, yes later on we learn that his powers will cause him damage over time, but that kind of seemed ham-fisted at the last minute, and not really connected to his ability to bend metal.

But back to that one Youtube comment. I can't remember word for word the comment, but to paraphrase, essentially:

The commentor spoke about how they connected to Andre's character a lot because when they were in college, they had developed an auto-immune disease that essentially made them chronically ill.

They talked about being unable to keep up with their peers, while they were supposed to be in their prime physical years, and how much that taxed on their mental health. Constantly feeling left out, constantly self-medicating, and the chronic pain that they just had to grin and bear.

And as soon as I read that, everything I didn't quite understand/connect with in Andre's character suddenly made sense.

What is one of Andre's core personality traits in the group? He's the stoner.

From episode one, there's a scene of him doing drugs in every episode. Cate is constantly asking him if he's high... he's self medicating.

The slow way he talks, the constant blinking and squeezing his face (note the scene when he's yelling at Tek Knight, or after he takes that first hit from Sam, or after he stops the helicopter)... he's in pain.

So many tics and nuances in his behaviour that I initially wrote off, was actually a much more nuanced performance from Chance Perdomo.

And it all coalesces in that final scene when Andre is at Vought tower and learns of his dad's diagnosis. His powers are slowly killing him, making him weaker (like an auto-immune disease. the body attacking itself).

And the doctor asks him if he ever feels light-headed? has he noticed any uncontrollable tics? Andre is hesitant, almost like he's in denial. But you look back at his actions/behaviour throughout the show, and he's been showcasing both those things.

Finally, the scene with the helicopter. Where it's more or less confirmed that Andre's powers are doing to him, exactly what his dad's powers did. I've seen people very critical of that scene. Saying things like, Oh! He's all of a sudden being affected by the use of his powers, but we hadn't seen that previously (which I disagree) and how it seemed "too convenient".

But keep in mind, stopping a decelerating helicopter is the biggest feat of Andre's abilities we'd seen so far in the show. Of course it's going to take a bigger toll on him than all the other times (not to mention he was in pretty big emotional distress. His dad, Cate's betrayal, an attack on the school...). Stress exacerbates illnesses.

The other critique I've seen is, why are Andre's abilities having this affect now? He's supposed to be in his 20s, but his dad made it all the way to his 40s/50s before it was detected... and that's a fair question. I have some theories:

Like certain genetic illnesses, this issue is hereditary. It's not Impossible, that Andre just inherited a stronger ability than his father, and thus stronger blowback on himself.

Andre's chronic drug use might be a chicken or egg situation. Where maybe his chronic drug use exacerbated the damage his abilities were causing him, and as a result he started self-medicating with more drugs, causing a continues cycle of him increasing the damage to himself.

His dad has been shown to have a very stubborn personality (note how he refused to acknowledge when Andre revealed to him the damage their powers were causing them). Perhaps, he had started feeling the symptoms around the same age Andre had, but just kept ignoring it and pushing through up until he reached his limit in his 40s/50s.

Some other reason that writer's haven't revealed yet. The show has been renewed for a second season, and it's obvious these characters have been set up to be integral to the overarching storyline of the boys as a whole. It's entirely possible that there is more potential development for Andre's character in the future, and I think it's fair to give the writers leeway to explore that.

All in all, I just wanted to get my thoughts out about this, and maybe see how everyone else views Andre's character. He seems to be one of the least discussed in the core group, and I feel like his character has a lot of room for more development in the future if the writers approach it correctly.

#sorry for the rambling #I literally made this blog just so I can be insane about this show in peace #gen v #andre anderson #marie moreau #jordan li #emma meyer #cate dunlap #luke riordan

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heliza24 · 6 days

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Let’s talk about parallels between Wilhelm and Sara in Season 3 of Young Royals

Because there are so many! This is a continuation of sorts of this meta that I wrote about them being A and B plot protagonists in season 1 and 2. I don’t know that I would describe them exactly that way in season 3, but I do think their plots, character arcs, and themes are meant to mirror each other very closely this season.

One of my favorite things about the parallels between Wilhelm and Sara this season is that comparing them really makes you hold Sara’s friendship with Felice on the same level as Wilhelm’s romantic relationship with Simon (and Sara’s with August) which I think is so important. Both Wilhelm and Sara go through breakups over the course of the season (I think Felice’s reaction especially frames her friendship breakup with Sara similarly to a romantic breakup, which I love). And both of their arcs are about mending those relationships.

Sara and Wilhelm both need to experience the world outside of Hillerska before they can mend those relationships. Sara is able to glimpse some independence, even just through getting her license. The whole world is open to her now, as Felice says in ep 6. I don’t know that she would have been able to make her decision not to go back to August without experiencing that freedom. And Wilhelm also needs to experience the full force of what life in the monarchy would be like before he is able to decide to leave it. Because of this they also act as our window into the two different worlds outside of Hillerska, the palace and Bjarstad. They create the larger context in which we understand Hillerska this season.

I love that both of their journeys of personal growth are symbolized through cars. Wilhelm is always getting trapped with his mom or a member of the court in a fancy car; it’s where almost all of the monarchy’s most onerous instructions on how to live are delivered to him. So it’s huge when he leaves his parents in the chauffeured car at the end of episode 6 and goes to find Simon, Felice and Sara in Sara’s beat up used car. Meanwhile, Sara has traded in horses for the car. This is stated pretty explicitly when her dad asks her if she would like to work with horses and she declines, saying that she has come to realize that horses are simply traded by rich people as status symbols, and her dad suggests she get her drivers license since it will help with any job she wants. In seasons 1 and 2 Rousseau is pretty heavily associated with August, along with the pressures put on August and the other elite kids at Hillerska to conform to expectations (@bluedalahorse has written the Bible on that here), so the fact that Sara swaps out the horse for a car that can take her anywhere feels like a step away from both August and the prescriptive norms of Hillerska.

Sara and Wilhelm both reject what they saw as their destined future. This is obviously really clear for Wilhelm; he assumed he would be prince and then king after Erik died, and his greatest moment of character growth is when he decides he doesn’t have to fulfill that assigned role if it will keep him from being happy and living authentically. I love the scene where Sara talks with her dad about her fears that she will fail in the same ways that he did because she also has autism and adhd. This is a less clear-cut assigned destiny, but that fear of becoming a self fulfilling prophecy is equally overwhelming, especially because Sara has already let down someone she cares about in a way that’s not dissimilar to how her father breaks promises. The fact that she’s able to come to terms with her dad’s influence in her life, but realize she really is in charge of her own future, is really powerful. (I also think it’s such smart writing about the way disability and internalized ableism can really affect your self image).

In order to break free of those predetermined destinies, both Sara and Wilhelm need to see a father/mentor figure as more than black and white. Wilhelm needs to acknowledge that Erik wasn’t perfect, and did help contribute to some of the abusive traditions of Hillerska. Sara needs to recognize that even though her dad isn’t a perfect parent, she still loves him for the care he is able to show to her and wants to have him in her life. I love that both Wilhelm and Sara learn to hold multiple conflicting emotions about their loved ones. They can be disappointed by some of Micke and Erik’s actions, but they can still value their relationships with those family members and recognize them as complex, complete people.

They also both go on a similar journey with how they see August. Wilhelm comes to recognize that August is both a perpetrator and victim of the class system and Hillerska’s systemized abuse. Sara similarly realizes that August is an adult who needs to be responsible for his own emotions. She’s no longer interested in saving him from his complex feelings of guilt, and recognizes his potential to find self healing. Both of those new assessments of August grant him more maturity and complexity than earlier in the show. (They also reflect the way that August grows, in fits and starts, over the course of season 3. If there was a season 4 of the show, I think we would really see August respond to Sara and Wilhelm’s new attitudes towards him in a way that would fuel future character growth).

Viewing Erik, Micke, and August more complexly also allows Sara and Wilhelm to forgive themselves for the ways they are similar to those people. They are able to acknowledge the shame they feel around their actions, but also forgive themselves in the same way that they forgive others.

Both Sara and Wilhelm have specifically let down Simon in pretty big ways (Sara by secretly dating August, Wilhelm by perpetuating the royal family restrictions onto Simon). But they are able to recognize those mistakes and reconcile with Simon.

Wilhelm and Sara both leave the monarchy (Wilhelm literally, Sara by refusing a relationship with August), but they also leave a kind of prescriptive romance behind. Wilhelm says no to having to monitor Simon, to having to roll out his relationship in a certain way to please the court, and to having their future together mapped out and their decision around children made for them. Sara says no to a smaller set of requirements, but the traditional ways that August sees romance are so influenced by the monarchy (which is in turn so influenced patriarchy) that they are similar in some ways. Sara says no to having to do August’s emotional labor, to managing him so that he will fit the image of a good heir. She says no to waiting for him to visit on weekends while he does military service. She says no to this grand plan that he has. (This was @bluedalahorse’s point originally that she shared with me, and honestly I think it's so smart). Wilhelm chooses a romantic relationship that he and Simon are free to create together without rules; Sara chooses a friendship based on honesty and support. Both are valid options that give the characters a sense of peace and freedom. And they would not have been able to make those choices without all of the growth they went through over the course of the season.

I think Sara and Wilhelm's arcs compliment each other so well, and it was one of my favorite things about season 3. I loved watching both of them get to grow so much and end up in such a happy place.

#young royals #my meta #wilhelm young royals #sara eriksson

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