probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
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honestly no wonder harrow forced ianthe to lobotomize her so she could save gideon. listen…LISTEN…if i was a secret-war-crime cult nunlet princess worshipped by my entire planet and the only person that (barely) kept me in check was my childhood nemesis—a butch a year older than me, towering over me in stature and physical prowess, and so hot it made my teeth hurt from how hard my jaw clenched in her presence, who wielded a two-handed seven-foot sword and had irritatingly huge biceps and told very lewd stupid jokes and also learned how to wield an entirely new weapon and be my bodyguard with startling accuracy in three months—only to have us finally learn to trust each other because we got invited to a magic murder mystery and then before the bubble burst i spilled the worst secret about myself that i was born because my parents murdered an entire generation and tried to Kill Her along with them and she just wouldnt die, and i told her this expecting a swift death i believed i deserved, only for her to fucking cradle me in her big butch arms and kiss me on my forehead with her soft butch mouth and just. forgive me for a shameful weight ive carried my entire life and then MAKE AN ACTUAL NECRO/CAV VOW with me despite every evil thing i have done to her……to have her tell me, in the end, bleeding and broken after putting up the most beautiful and glorious fight of her life, that she understands purpose and she understands duty and she knows loyalty more fiercely than ever now, that she knows who she is to me, that there is no her without me….to have her backed into a corner and make the ultimate sacrifice…..for me…..to recite scriptural wedding vows of eternity to me in her last wisps of soul-consciousness…..if i thought there was even a snowflake’s chance in the pyre that i could save her by turning myself into her very own locked tomb, i’d be begging ianthe tridentweirdius to crack my skull open and turn me to mush too, goddamn. i understand you harrowhark girl you don’t have to explain a thing to me. god said you couldn’t undo the lyctor’s bond bc it’d kill you. you told god and his angels that not even a lyctor’s bond could outshine the power of female spite and lesbianism and they didn’t listen. they didn’t believe you. but i heard you loud and clear and i was 17 and hormonal and hopelessly romantic not too long ago unlike those fucking dinosaurs and i’m saying it’s valid it’s what i would have done and really everyone should be thanking you for not being worse and more wretched about it, all things considered
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Everytime I remember that one extra comic that shows that present day Thistle isn't even 16 yet I go a little crazy. Assuming he didn't just stop aging when he became dungeon lord he would've been even younger when that happened. Delgal really said damn my country is in crisis I know what will fix it: time to give the nuclear launch codes to the most autistic middle schooler I know
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“spider-man 2 was robbed” “the game awards are rigged” and only yuri lowenthal was brave enough to raise the discussion of would peter parker and astarion explore each other’s bodies in their respective action adventure/rpg narratives
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I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.
And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.
It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:
“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”
And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.
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the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.
people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.
"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."
the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.
the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.
at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.
"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.
this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.
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