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#decent imo
dnfao3tags · 10 months
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Finding Deleted Fics: A Multi-Method Guide
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i feel like we are the fandom who needs this post the most any fandom has needed it ever.
all of these methods require you to know the title, author and/or link of the fic.
[disclaimer: the fic i am using as an example is not deleted, i just can't think of any other fics to use as an example right now.]
Method #1: Wayback Machine
this is my go to method that i always try first.
steps:
every fic on ao3 has a url of archiveofourown.org/[specific-numbers]. you're gonna need that url, doesn't matter if it doesn't work anymore.
eg.
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2. now you're gonna go to archive.org and enter your url in the search bar.
3. something like this will come up. it probably won't be saved as many times though, just once or twice.
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just click any of the links now, either the dates marked blue on the calendar or the earliest/latest date. that's it.
drawbacks:
often, a problem arises when searching for fics rated mature or explicit.
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the site will have archived this page but not the actual fic. though, maybe lady luck is on your side and clicking proceed will lead you to a saved version of the actual fic. but usually not. and not all fics are saved here. in those cases, i have some more methods.
Method #2: Search Engine Cache
search engines like google and yandex often save a cached version of sites, though yandex is much more reliable than google. i'll give you a tutorial for both.
steps (yandex):
the link isn't completely necessary, just the title and author of the fic will suffice.
go to yandex.com and search for your fic by either entering the url or entering the title and author as such.
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3. this will probably immediately come up.
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just enter the captcha and it should let you in on the first go but there's a glitch i've encountered where you could be entering the captcha completely correct but for some reason the site still won't let you in. for that, you just have to keep trying again and again until eventually the site lets you in. might take more than 10 tries.
4. once you're in, search results will pop up. directly clicking them will only lead you to the not found page. what you're gonna do is hover over the box of the search result and you'll see 3 dots pop up on the right.
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click those and a dropdown menu will appear. click the first option 'saved copy'.
and thats it! this is a much more efficient method especially for explicit or mature fics.
drawbacks:
for some reason, when i open yandex in google chrome, i can't see the 3 dots. i can in firefox though. don't really know what thats all about.
i'll show you how to do it with google too just in case yandex doesn't work.
steps (google):
in the url bar, type cache:[link of fic]. that's pretty much it. google doesn't have a lot of fics saved though so you'll probably get a 404 page.
Method #3: Reddit
there's a subreddit called r/DeletedFanfiction that can probably help you out. either search for the fic as it may have already been posted or req it and someone will probably get you a google drive link soon enough. u/throwthisaway11112 is my lord and savior.
afaik it's still up and running fine despite the reddit protest thing (which i recommend taking a minute to look into).
Method #4: Archive.org Database
okay, now you're gonna need a lot of memory on computer for this one. i'm not gonna even bother and try to explain it, i'll just link you to the original post. thank you once again to the anon who sent me this method!
Method #5: Fandom
if absolutely none of those methods work, you can still just send me an ask and maybe my followers or i will have a saved copy. same for any other fandom, i recommend asking around in popular fandom spaces, someone is bound to have it.
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baskeigh-ball · 1 year
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separated!raph would probably have enough of an outside perspective to question splinter’s relation to them. good thing he can confide in april
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transmechanicus · 1 month
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The audacity of well established bands to only sell merch for their most recent album. You bastards, you fiends, your peak popularity was in 2007, sell me a tshirt with old album art for the love of god.
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ridragon · 3 months
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Genuine question. Have you people ever actually seen hazbin or helluva or do you just fucking bitch about it because it's the trend to do. Like. Helluva has kinda shit first few episodes that are way over the top with sex jokes, but it gets better when it gets to the actual story and they cool it. I bet no on complaining has seen it
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starry-bi-sky · 8 months
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okay so i was thinking of a joke earlier about how in DPDC Amity Park's slogan "a great place to live" is not only city propaganda but also the city lording it over the rest of America for being normal. But then I remembered that, despite how many DCU Cities with heroes in it there are, the amount of cities in America without heroes still far outnumber the amount of cities in America WITH heroes.
So I did a little digging so the joke would still land. Something most heroes have in common is that they operate in major cities. What makes a major city? I found that the general consensus is that the population is roughly over or around a million. THEN I looked up the populations of cities in the DCU that I thought of off the top of my head. So Gotham, Metropolis, Starling City, Central City, Jump City. All of them ranked up to millions in population (most of them were in the tens of millions).
Amity Park's wikipedia describes it as being similar to specifically Philadelphia, Chicago, and San Francisco.
Philadelphia's Population: 1.576 million as of 2021 Chicago's Population: 2.697 million as of 2021 San Francisco: 815,201 as of 2021
Whiiich means that Amity Park if we take that from canon, is probably a major city. There are approximately 19,000 cities in America with probably less than a hundred that are major cities. Adding the DCU major cities wouldn't skew the data too much.
Which MEANS that I can make the joke that Amity Park's "great place to live" is not only just typical city propaganda, but also its Amity Park lording it over the other major cities for being one of the only major cities that doesn't have problems bad enough to warrant a superhero or a vigilante. Cue stage left the Fentons and Phantom :)
Amity Parkers were probably SO proud that they didn't need a superhero. They didn't have to worry about things like 'world ending threats' and 'super-powered individuals' and 'staggering property damage'. And then enter Fentons.
It also could be used as an excuse for why nobody took notice to Amity Park getting ghosts if folks like me aren't huge fans of the notion of a media blackout via Tucker, Technus, or the US Government. Or if you want to keep Amity Park as its urban city self. Amity Park's news on ghosts gets drowned out in a week because there's news on more popular, well-known cities going on every other day. The shit going on in Amity Park is every other major city's regular Tuesday and it gets filtered as such.
#dp x dc#dp x dc crossover#dpxdc#dpdc#plus amity suddenly going 'we have ghosts' could be seen as a case of city-wide FOMO finally hitting so nobody believes them#and thats if the belief of ghosts not being real is as strong as it is in dp canon#the media blackout could also be /city-induced/ too#where amity parkers are so proud of being 'normal' and 'not having superheros' that many of them try and deny the existence of Phantom#and the mayor and news sources themselves just. stubbornly refuse to let news of ghosts get out to the other cities#do you know how much shit they'll get?? they'll be a laughingstock!#gothamites would never leave them alone. neither would central city or the metropolitans or starling city or--#the other big cities will make fun of them :(#my new favorite hc that stemmed from this is that every major city in the dcu is rivaling with each other#there's a lot you can experiment with this idea imo lmao#this whole post sums up my writing and thinking process pr well tbh#this stemmed because im making a childhood friends au short story doc and wanted to avoid the typical tropes about how AP went undetected#from the rest of the US. bc. im not a fan of the media blackout idea via tucker/technus/gov and i wanted to keep AP an urban city#so i had to come up with something else#hence me looking into DCU cities and how many there are and realizing that there is a decent amount of other cities other than the main#popular ones and being DELIGHTED because then i could use that as an excuse for why amity went overlooked. bc there are many cities with#heroes in it. so its not surprising if another city gets a hero TOO. plus the news also focusing on more popular heroes and cities so again#the news of amity getting a hero gets drowned out by whatever new thing the JL or someone from the JL did that week
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usurp3r · 9 months
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I miss drawing him
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justanotherwriter140 · 2 months
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
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Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
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Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
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Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
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The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
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I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
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A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
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The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
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The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
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I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
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As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
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I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.
Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.
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Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
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erraticcat · 1 year
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panic! at the disco was like a reanimated dead wife to me the past few years that I've avoided eye contact and physical touch with because i knew deep down she wasn't the woman i fell in love with. she was an abomination, a ghost of something I loved deeply but all the parts i loved had rotted away no matter how hard the people around me tried to convince me that she was still my wife and I should appreciate her and be grateful when all i wanted was to put a bullet in that thing's head. i am so happy i can finally bury my fucking wife and know that thing won't crawl back out
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The only Kirby character gijinka I designed because I was bored that I didn’t hate:
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Marx Soul:
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undeadcourier · 9 months
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was talking to a coworker the other day about fnv and he said for his first playthrough he did a Good Guy run so he sided with the ncr, and it took everything i had not to launch into an hour-and-a-half-long lecture on how the ncr are not the good guys lmao
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#inspired when i saw an ad on youtube for wizard101#where it said “come play for free and explore 16 different worlds!!!” and i was like okay thats a fucking lie#you cant even get all the way through the FIRST world#personally i think its stupid and inconvenient to have to pay to play the MAIN QUESTLINE#for the people who dont have time to grind the set amount of time you pay for membership or those who dont have money#you either pay for a year and are pressured to do as much as you can before time runs out#or you're stuck doing nothing. there's very little you can do without membership#like the main selling point of the game is so you can finish the story. thats what we download the game for in the first place#it gives you the impression that the priority here is your money and not the consumer's enjoyment and comfort#like there are plenty of games who make the entire game free and still are well off#we pay like 40-50 dollars on bundles and even more than that on crowns. that should be more than enough#there are other games where if you dont have membership it barely affects your gameplay experience overall#or games that have no membership function but still can make decent money#imo having to pay to just actually play the game doesnt make it free. like yeah you can do other stuff like fish and duel each other-#and thats it. you walk around the commons and talk ig#thats like the biggest reason i dropped the game its just wayy too expensive and inconvenient to play it#wizard101#w101#wiz101#polls
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thatswhatsushesaid · 2 months
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I've been reading this long fic, where I'm more and more flabbergasted, the author gives Minshan sympathy for his "betrayal of Lans" reasons, has him competent and does not prescribe him overt villany; and Jin Guangyao in this fic murders the fuck out of Jiang Yanli, Jin Lin and for some reason Jiang Cheng. What the fuck, I thought they were the pack deal. Have you convinced somebody of Minshan agenda but not the other parts? I feel you are the expert in this field I dont want to insult the author but i want to Understand Why
a minshan stan who hates jin guangyao….. what
mathladymeme.gif
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transmechanicus · 15 days
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Twitter/X user @cnmbwjx's Fem! Dorn to fortify and cleanse my dash from that last post which is causing me D6+6 psychic damage.
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zhongrin · 3 months
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I assume you got hate for that L&D ask? I'm sorry that was done. Feel better soon. Maybe say less next time.
i appreciate your kind words, thank you. however, while i'm sure you had the best intention with this, i don't think i will 'say less'. this is my blog, my space, and as long as i'm not actually causing harm to anyone or anything along that line, i think i'm allowed to have some degree of freedom regarding saying what i like/dislike and setting my boundaries. i'm sorry, but i'm not an influencer, nor a public figure who has the responsibility to spread positivity and be a role model to you all. i try as much as i can, of course, but that's not the purpose of this blog. i'm just a human being who needed an outlet for writing and wanted to connect with like-minded people.
what part was not 'right'? that i expressed, in my own blog, how i didn't want to try out a game because one of the reasons is i find the graphics of the fictional characters off-putting, when asked? that i likened a fictional game art style to a different franchise and objects you see all the time in adult site ads? that i never said anything about the people who do like the game and told them "i'm happy you found a game you like"? that i never, not even once, went to other people's posts or blog who posted that game's content to ruin their fun like a bastard? that i actively chose to use tumblr's filter instead? that even if the filter didn't work, i chose to scroll and ignore instead of bitching about it?
pray tell, what did i do wrong? why should i say less? since when am i not allowed to dislike things?
and a public psa ー i'm sorry, but bluntly speaking, if you take an affront when I expressed MY own opinion, WHEN PROMPTED, WITHIN MY OWN SPACE (and god forbid you retaliate like that anon(s?) by spamming me to shut the fuck up and kill myself), then that's really not my problem. it's an art direction, for god's sake. i adore zhongli, who gets memed and made fun of as a cockroach all the time; you don't see me screaming at people to stop.
learn that people may not like the things you like. learn to agree to disagree. learn to treat others as fellow human beings with likes and dislikes. learn to separate fiction from reality.
and seriously, if you're annoyed with my rambles or 'babblings' or the interactions with my friends, tumblr has a filter and block function. it's just a simple google away. give some peace to your own mind.
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malwarechips · 5 months
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i think its kinda funny (now ive gotten over my fear of arti at least i used to be so fucking sad abt this) that a lot of ppl thought arti was decently easy and spears was really hard meanwhile i was the COMPLETE opposite. spear master my beloved arti my beloathed
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alexturner2005 · 3 months
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What were the bad vibes in alex's bald era did I miss something?
it’s kind of hard to summarize, but he shaved his head when he broke up w taylor, and idk if the breakup was the catalyst of the downward spiral of the tbhc era, or if it was a combination of factors, but things were just off. he was alternating between acting bizarre onstage (in a way that felt different than his usual stage antics) and just kinda phoning in performances. the band seemed to lose interest in tbhc and a lot of the shows seemed like they were just going through the motions. they stopped playing as much tbhc, and scrapped the final music video that was supposed to tie up the storyline from the other videos. the tbhc era pre-july 2018 had such a genuine and passionate feel to it that was not present post-july 2018 (only three months into the era!) and there was relationship drama that changed the way some fans view alex, and drama in the fandom, and overall it just wasn’t a fun time
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