Tumgik
#diane marie
illcomebackforyou · 1 year
Text
4 notes · View notes
smytherines · 2 months
Text
Tin Can Bros tinlightenment streams are such a wild place because where else are you going to badger Gabe Greenspan into digging a hole and then pressure Joey Richter to do a sandwich trick in said hole? Where else are you going to hear James Tolbert explain what poppers are?
Where else are you going to debate how much money it would take to get Brian Rosenthal to do full frontal nudity? Where else could you watch Joey Richter cringe in on himself like an imploding star and then give such an unhinged definition of the term "uhauling" that it almost defies belief?
Literally every time it's a wild ride. Yesterday we got to hear Ali Gordon and Angela Parrish sing a very Dolly Parton-esque song called My Ass in Bio. It changed my life. Truly a zeitgeist moment.
Bryce Charles and Mariah Rose Faith Casillas come so prepared for debate streams that it genuinely feels like a fistfight (but like, the snappy one from West Side Story)
On one of the first streams we learned that Curt Mega (actor) believes that Curt Mega (agent) has 3 or 4 illegitimate children he doesn't know about. Like mmhhmm, yes, when I watch Spies my primary thought is definitely "oh yeah, this character has sex with women."
Where else are you going to hear Mary Kate Wiles speak THE iconic line from The Godfather- "you come to MY wedding?" Or say gaythem when the Sacred Text appears? Or ask Corey Lubowich if a straight man told him to do this?
PLUS we get to see Diane Lopez-Richter in iconic lil outfits. That's worth 200k on its own frankly
Tin Can Bros are doing livestreams all week, and a massive all-day stream on March 2nd, the last day of the campaign. If you haven't hopped onto a stream yet you should join the fun in this final week!
If you just can't wait until 2pm PST, you can get a little taste of tinlightenment right here baby:
Tinlightenment
259 notes · View notes
l-ultimo-squalo · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Terrorvision (1986) dir. Ted Nicolaou
183 notes · View notes
reginacyrkonia · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Happy New Year from Old Town! ✨🎩🥂
1K notes · View notes
diioonysus · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
artemis & diana + art
382 notes · View notes
filmesbrazil · 2 months
Text
Tumblr media
74 notes · View notes
la-situde · 2 months
Text
Tumblr media
The Row Resort Collection S/S '25
76 notes · View notes
latristereina · 3 months
Text
Tumblr media Tumblr media Tumblr media
Topol was 5 years old and attending kindergarten at Tahoe Lake Elementary School when one of the film’s scouts chose her to audition. “They were looking for a particular look,” Reno resident Ginny Topol, BJ’s mother, told SFGATE. “She had dark brown eyes and brown hair, and the rest of the class was blonde and blue-eyed. They asked if I would bring her by for an interview.”
BJ said she auditioned for Coppola and Pacino, going up against “all these cute girls who had like their hair done and these dresses on with stage moms,” she recalled. “They were like real actresses.”
The Topols said that Coppola wasn’t looking for a professional actress to play Mary Corleone. Once BJ got the job, she spent weeks living and interacting with Pacino and Keaton during the day at the home they shared on the Fleur du Lac property prior to filming.
“My mother would drop me off in the morning, and I’d come home at night,” she said. “I spent the whole day playing family with Al and Diane. I thought my name was Mary. It was kind of a little bit of a dream world.”
“They were so, so kind. You know, Diane Keaton was so loving and so warm. I remember Al as my dad was super stressed because he was in character. Back then, I didn’t really get it. He had that brooding look. I remember having lunch and wondering why he wasn’t talking more.”
Ginny Topol said that by the time they started filming, her daughter was very comfortable with her actor parents, and especially with Coppola, who took a shine to her on the set. “There were never any tears, never ‘I don’t want to go!’ — just a really lovely experience,” Ginny said. “But it’s not all fun and games for the actors. It’s hours and hours and hours and retakes and sitting around when the sun wasn’t shining.”
“I spent a lot of time with Diane Keaton. I felt like her older sister,” Ginny continued. “I couldn’t say one bad thing. Al Pacino was not — I didn’t spend any personal time with him. He was a very intense character, very into his acting and, you know, very dark, and that’s what the movie was. He didn’t visit with the people on set, but he was very kind to my daughter — and that was all that mattered.” (x)
59 notes · View notes
citizenscreen · 2 months
Text
Tumblr media
What a trio!
Eva Marie Saint, Angela Lansbury, and Diane Baker attend the inaugural Robert Osborne Celebration of Classic Film event at the Academy of Motion Picture Arts and Sciences in Beverly Hills, in 2019.
32 notes · View notes
theartistmakesart · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
tumblr please put this in the tags this time
anyway here's some silly art i made in the public whiteboard!
27 notes · View notes
Text
Tumblr media Tumblr media
Punk is a thought, not a look. It's a message, not a sound. ________________________
Mariah-Janet Waters
Hobie's 'Mary-Jane' | Earth-138
18 - Any Pronouns - 5'3'' - Aro/Bi - Autistic - Pronounced Mariah-JA-net
Mixed Nigerian and Irish
Police Whistleblower from age 15, publishing anonymous exposés and hosting a local illegal anarchist radio-show
Daughter of Captain Walter Waters
Earned her blue laces off her father at 16 - Doesn't regret it all and still sleeps sound as fuck at night (well... not soundly)
Survivor of 4 assassination attempts - counting on a 5th
Most talkative person on planet earth - but wears the mask 24/7
Hates being called MJ DEEPLY
No piercings, untatted, and doesn't even like punk music
Entirely Punk none-the-less
[unmasked Mariah at the end]
Background:
Mariah-Janet has dedicated her life to the anarchist movement, and taking down Fisk's administration - no matter what it costs. Not that she had much left to spend. Born to Captain Walter Water's, a white police officer, and Barbra, her Nigerian mother, Mariah's mother left her life early - at the age of 4, not bothering to take Mariah with her. Instead she was raised by her father, an abusive cop mad at the world- and out to make it his daughter's problem. Raised in a tiny flat in low-income Tower Hamlets, he spent the majority of her childhood trying to iron the blackness out her hair and beat the queerness out of her soul. Though none of it ever worked much. She says change ain't in her nature. As Fisk's administration grew, so did her father's ruthlessness, and his newly earned V.E.N.O.M symbiote was only fuel to his fire. And at 15, Mariah become 'Red' - An anonymous Anti-Police whistleblower. Publishing dozens of exposes, reports, and zines against the administration - 'Red' rose to infamy through his illegally broadcasted rogue-radio show and his uncensored and ruthless protesting tactics. However, at 16 Mariah came across a story that would change her career - discovering the murder and cover-up of her own mother. Enraged but determined, Mariah leaked the report, at the same time her father uncovered her identity. Consumed by rage and powered by the V.E.N.O.M symbiote, when her father attacked her, Mariah earned her blue laces. And started wearing her mask, living life as the wanted 'Red'. Today Mariah lives in hiding, couch-surfing at the places of other organizers, or squatting in vacant flats.
Personality:
Don't let the bandana and dead stare fool you - Mariah is far from quiet and cold. Being autistic and hyperverbal, Mariah talks A LOT - whether she's actually saying something or not. She's not very expressive or emotive, and her humor is pretty dry and bland (think Dwight from the Office), even though she hates mean-spirited jokes. On the lighter side of things, Mariah is pretty brash and open. She's a writer, not a leader, and she's more interested in going with the flow than being in charge, though she often finds herself there. She fairly laid back - and incredibly confident. Almost outright cocky, even moreso than Hobie. She sits legs spread and burps loud and rolls her eyes and sucks her teeth. She enjoys cursing in front people who think it's 'rude', and she has an accent thicker than Hobie's. But unlike Hobie - she's not a 'typical, actual' punk (yeah right). She doesn't listen to punk music. In fact, she doesn't listen to much music at all. She has no real interest in the clothes, or the music, or the crowded live shows. And when she met Hobie, she had no real interest in the pretty boy who brings a guitar to a protest. Mariah is a punk, because that's how she lives her life. And she'll genuinely laugh in your face if you tell her she isn't, just because she thinks the Sex Pistols are shite. And she's incredibly loyal. To say Mariah doesn't trust anyone (from her universe at least) is an understatement. She can't afford it - what with 4 assassination attempts and counting - but if there's anyone on Earth she trusts, it's Hobie. But her and Hobie don't always see eye-to-eye. On the darker side of things, Mariah lacks the 'radical kindness' that Hobie does. Even though her and Hobie are both hard-core anarchists, 'Red's definition of 'justice' is often far more extreme. Mariah hates cops. All of them, and she genuinely wants them dead - in the most painful way she can muster. Knowing there are more men like her father out there, still sleeping soundly at night, and that there are men out there protecting them, Mariah says the movement isn't over until all of them are either punished, dead, or both. Mariah wants merciless punishment, and she isn't afraid to say it. For cops, politicians, fascists, nazis, racists, and any other bigot still breathing. She's an amazing planner, and a phenomenal speaker, but her protesting tactics often teeter into dangerous and malicious territory. Including arson, and if given the chance, execution. When Spider-Punk saved Mariah's life from a cop torturing her - the third attempt on her life - Mariah insisted he kill the already downed officer. Because it'd be 'One less to worry about.' Hobie didn't. And both began looking at each other a little bit different from that point forward. When they're alone and Mariah talks about how good it would be to live in a world without cops, Hobie can't help but agree. He's just afraid of what Mariah is willing to do to get there. And the more she tries, and the more she speaks, the more dangerous it gets for her.
Hobie & Mariah
Meeting:
Hobie knew his MJ Canon Event was coming - he just didn't know he already knew her. Hobie had met Mariah as 'Red', at an 'unpermitted political protest/performance art piece' - Hobie's words, not theirs. A Molotov cocktail in hand, and a balaclava across his face. To Hobie, to meet the person behind the words was surreal, and only for a few brief moments. Red met Spider-Punk months later. Coincidentally, while staring down the barrel of a gun. Faced with his second assassination attempt, Red comes face to face with the other masked anarchist, and is instantly filled with respect for him. Red's a fan, and Spider-Punk's a fan of his as well. And soon, the two are working together on the regular. Staging protests, running an illegal anarchist-rock-radio-show, and exposing insider information. It isn't until Red's third - and fourth - assassination attempt, that Hobie realized Red was now living in a bullet proof vest. After the fourth attempt, Hobie demasked himself, bringing an injured Red to the boathouse. He somehow convinced Red to stay while he healed. It was only then that Red revealed her identity to Hobie, and switched from ski masks to bandanas, and from Red to Mariah.
Relationship:
They aren't dating. If you even insinuate anything of the sort, Mariah is very likely to either tell you to 'piss off', or she'll (lovingly and playfully) insult him. 'I love charity work, darling. But not that much.' Romance isn't in the cards for them - Mariah's aro anyway. But that's not why this canon event exists. In every universe where MJ and Spidey are together, they are a rock for each other, mentally and emotionally. They're there to keep each other standing. Hobie didn't believe in canon events, and he still doesn't. But it took him a while to understand why Mariah was his canon event. Not to love her, but to protect her. Hobie believes in Mariah's message. And he believes in the power of her voice. 'Red' is loud. And Fisk knows it. She's a threat, because she's the voice of the people. Hobie may not agree with all of her methods. And that's fine. He can live with that. Because he believes in her message - and more importantly, he believes in her power. Hobie and Mariah were never meant to be partners in romance. And they'll forever be partners in crime. Outside of that - Hobie and Mariah's relationship is purely sexual and platonic. They're more than best friends. To them, they're two people who puts their lives in each other's hands every day, and respect each other beyond anything in this world.
Face Claims: Ice Spice /// Erin Kellyman
Tumblr media Tumblr media
More about Mariah [Mentions of My Spidersona Disco-Spider Diane below]
Mariah is pretty romance averse. Her and Hobie never kiss outside of sex, and she's not touchy unless she's flirting. (Which she does, A LOT, just not to Hobie. She always tells him she can pick up more chicks than him - which, true.)
If Hobie tried to kiss her on the lips out of nowhere, she would look at him like he was absolutely insane. (She'd be like 'bruv - fuck are you in my face for')
She's not interested in romance at all, either thinking it's bizarre or distracting - and she's not afraid to say it
Though she has no interest in Hobie romantically (and doesn't see the appeal), she's still happy that he has Diane in his life. And she's VERY happy to leave that gushy shit to her.
*Makes retching noises when Diane & Hobie kiss in front of her*
Unlike Diane & Hobie, Hobie & Mariah are pretty open about the fact that they're fucking and nothing more. They're casual about it, but when Mariah is making Hobie sit on her lap at an afterparty - it sends a message.
She also likes to grab his ass at any opportunity, especially in front of people - doing things like pulling on his suspenders (then letting them go so they snap at his back lol)
She's also involved with Diane - originally independent of Hobie, after Mariah and Hobie got together - getting together shortly after Diane came out as bi
She knows Diane is not from their Earth - Hobie told her this before she ever met Diane. They first met when Mariah went alone to go introduce herself to Diane in her universe (with Hobie's blessing)
She went unmasked, and so Diane saw her face when they first met
The three of them are in a soft polycule
Mariah's masc-bi-butch and she prefers masculine descriptors.
Most of her clothes are thrifted jerseys of teams she doesn't back, and jeans 3 sizes up. When protesting, he'll wear all red.
Mariah prefers he/him pronouns when out as 'Red'. When out with unfamiliar people, organizers, or active protests - He's most often in balaclavas and ski-masks
Mariah doesn't wear boots - only trainers, but she still ties blue laces around the shins of her baggy pants every morning, because she feels like she's earned them
Wears her bandana almost constantly, and will wear it even when alone with Hobie - though she takes it off by herself. She has dozens, so it's always easy to grab one.
Very rarely will she take it off to eat or drink. She'll try to eat around it or drink around a straw, which is usually successful. If it isn't, she'll leave the room
She doesn't want people to memorize her face. And it's not that she doesn't trust anyone - which, she doesn't - it's that enough torture could break anyone. And she's not taking the risk.
If she takes off her bandana in front of you (unlikely) and you scan her face, she immediately doesn't trust you. (Why you looking so hard)
She wears her bandana so often around Hobie, that he finds it very easy to tell her emotions, even though Mariah does not emote much in general - besides, Mariah talks A LOT
It took her multiple months before Hobie saw her face, and she only showed him after living on the houseboat for some weeks, after they'd slept together
Raised being called 'MJ' by her father, Mariah highly dislikes it. She'll tell you not to call her it once, and every time after, she'll be a little more pissed
Around Hobie and people he trusts, Red prefers to go by Mariah or M - and uses any pronouns. If you ask Mariah their gender, you'll get an amused smile and bored shrug. What are you, a cop?
Asks people 'What are you, a cop?' or 'You a narc??' quite often. Half the time she's joking. Will also say "Okay, Officer." If you're being pushy and annoying, and laughs if that irritates you (Hobie)
Her laugh is very sharp, and it almost sounds mocking. Even if she isn't
Lots of times people don't trust her, what with the mask. These are the people she likes to take the piss out of most
Mariah experiences a lot of chronic pain, mostly derived from her father, and her 3 & 4th assassination attempts - making protests extremely taxing on her
Though she will hide this at all costs, in front of everyone except Hobie. During times of stress or increased pain, she'll take painkillers in sporadic doses. But being wanted by the state, she can only get her hands on so much.
She doesn't do much but protest and write. She doesn't like music like that, and she doesn't see the appeal. She doesn't draw anymore, though she used to
After years of living in survival mode, she works, plans, chain-smokes, and tries not to get killed while doing it
She doesn't understand Diane's groupie behavior, or Hobie's 'punk' rockstar cover. She thinks it's pointless, and on occasion she'll say this, not realizing how callous that may sound
To her, Hobie is a dork. And she calls him a dork all the time. How someone could see him as cool or rather - 'groovy' - is beyond her.
Has little to no filter - unless it comes to secrets and observations. Either she tells you exactly what she's thinking, or you get nothing at all.
Often has to be told when it's too much, and on occasion, during political planning, she has told Hobie he talks 'too nice'.
Though she does envy Diane, and her ability to just dance. Mariah has no form of escapism - her writing will always be a harsh reflection of reality. And she admires Diane's ability to live in spite of that, without the anger her and Hobie often go through.
The only escape Mariah has is reading, and puzzles. Mainly rubix cubes and things like that.
She loves fiction and fantasy. But her love of books doesn't stop there, and Red's radio show isn't all screaming.
Mariah is extremely versed in political and anarchist literature, being able to memorizes passages from manifestos and books easily, as well as speeches or direct pieces of confidential files she reads
Mainly leads riots - using anti-tear gas safety, road-blocking, and anarchist warfare like molotov cocktails & destruction of surveillance
Whereas a lot of Hobie's protests preach Love & Kindness among the community, Red's radio show and organized riots are backed by rage - telling the people to end the oppression by direct action, at any cost
Red wants revenge and a future, and if that means burning it all down and rebuilding from ashes and graves, then that's what he'll do. Happily.
She has killed in front of Hobie before, and he was not very happy about it (to say the least)
Sleeps in Hobie's bed a lot of nights - mainly because of the nightmares. She doesn't like doing this, and wish it didn't happen, but it is what it is. What helps helps, and she trusts Hobie more than anyone
Unlike how he is with Diane, Hobie is extremely protective of Mariah and worries about Red constantly - to the point that he's hypervigilant
Still has the badge she took off her father at 16. Her most prized possession
________________________________
ART STYLE: [We're almost done I PROMISE]
Less animated and expressive than Hobie - Mariah does not change colors the way he does. Most of the time she is black, white, grey, or the color of aging parchment, detailed with handwriting and lined paper.
Mariah can only turn Red, when enraged or at protest, and Blue, for injured, scared, or upset. As she gets angrier, the handwriting across her becomes more and more erratic and illegible.
INSPO:
Mariah is about being authentic without performance.
She's a punk, even though she 'doesn't look it'. She gets told that a lot. She's black, even though she 'doesn't look it'. Disabled, though she 'doesn't look it'. She's bi, but she 'doesn't look it' either.
Mariah isn't quiet, and she never hides the truth. But because people can't see her face, they act like they can never get a read on her - even though she's brutally honest.
I wanted her to defy the idea of what a punk is. She's not the girl who goes to Hobie's shows and kisses him backstage. That's Diane.
Mariah is the one that follows him into battle and debates him for hours. Even if she doesn't like his music. She still believes in anarchy, and fighting, and freedom.
She's still punk, and despite the anti-blackness of her father, she's still black.
Mariah is the opposite of Diane, although that wasn't really on purpose.
A lot of the time in the comics, MJ and Peter's relationship is about them being on the same side, and facing the world together - MJ always a encouraging force for Peter. And I wanted to boil that down as much as I could. So often that encouraging force is through romance and romantic affection - but unlike MJ and Peter, Hobie and Mariah have everything but that aspect. Both their attraction to each other and their mutal emotional support of each other are divorced from romance - instead being based in respect and care. Hobie wants to protect Mariah, and Mariah wants Hobie to fight at her side. Mariah is the reflection of Diane. She represents his political side, while Diane represents more of his musical side. She represents his enraged determination, while Diane is his radical kindness. Diane and Hobie aren't open about being 'together', but the romance between them is clear. Meanwhile Hobie and Mariah are open about sleeping with each other - and the lack of romance is just as clear. And my favorite part is their reflection of morals. To Diane suffering for the system, and for the Society, is a worthy cause. A necessary sacrifice. Diane is community oriented above all else, something she gained by her communist upbringing. Meanwhile, Mariah couldn't disagree more. No community liberated her. Instead, she liberated herself - not by sitting outside a courthouse - but by direct action - and killing her father when she got the chance. If life was a garden, Diane tries to plant flowers. Mariah is more interested in pulling up weeds. Maybe Diane is naive. Or maybe Mariah is cynical. Or maybe they both know exactly what they're doing. Either way Hobie cares for both of them beyond words. And in return, they love giving him headaches.
If you read this far - THANK YOU SOOO MUCH. Mariah took a while to come to me, but now that she's here she's as hardheaded and smug as can be (affectionately)
Her and Hobie are basically bros that fuck sometimes and their 'kisses' are actually just passionate looks of rage when they lock eyes during a riot lol
And because you made it this far: Here's a rare unmasked Mariah!
Tumblr media Tumblr media Tumblr media
As per usual, take this Hobie photo, absorb it, cherish it, and use it in times of weakness for it will give you strength
Bye.
103 notes · View notes
illcomebackforyou · 1 year
Text
2 notes · View notes
literaryspinster · 2 months
Text
Gen V characters who kind of remind me of other characters (in a good way)
Marie Moreau reminds me of Diane Nguyen
Tumblr media Tumblr media
Wants desperately to be a good person (because she is), empathetic sometimes to her own detriment, has a tendency to just casually say the deepest shit you've ever heard.
Jordan Li reminds me of Paris Gellar
Tumblr media Tumblr media
Fiercely competitive, acerbic, more sensitive than what meets the eye, definitely a lesbian but also not really (it's complicated)
Cate Dunlap reminds me of Amy Dunne
Tumblr media Tumblr media
Emotionally neglected, stands for something (although perhaps in not the healthiest of ways), she kind of sucks but you can't help stanning anyway
Sam Riordan reminds me of Ken
Tumblr media Tumblr media
Part of a privileged class but in a situation where it doesn't really matter, quick to adopting the most extreme pov possible because he knows no better, cute but also a menace to society
14 notes · View notes
eggtrolls · 4 hours
Text
today in a group chat I had to explain to a grown woman who describes herself as an "herbalist" and "naturalist" why it would be a bad idea to ask the Parks Department to plant GARLIC MUSTARD in a public park. Garlic mustard, blorbo from my posts that has its own wikipedia page on 'garlic mustard as an invasive species', you want to plant that garlic mustard? like is this really happening. am I in hell. yeah it "grows wild" in the parks, Diane, so does poison ivy! that doesn't make it a valid alternative to lawns or artificial turf
10 notes · View notes
digitalfashionmuseum · 8 months
Text
Tumblr media
Oil Painting, ca. 1790, French.
By Rose Adélaïde Ducreux.
Portraying Marie Thérèse Diane Andrault in a white dress.
The Nelson Atkins Museum of Art.
34 notes · View notes
laurelwen · 7 months
Text
The Widow Bonnet and Annie Hall
(a repost of my 5-15-22 Reddit post for posterity)
So, the first time we see Mary as The Widow Bonnet, her wardrobe has changed significantly. While living with Stede, she dressed in fairly conventional, vaguely 18th century clothing. After her emancipation, we see her wearing clothing that leans very heavily toward a more modern menswear aesthetic: darker, textured suiting fabrics, plain shirts, and ties. Her looks immediately made me think of Diane Keaton's iconic style, which is so famously highlighted in the movie Annie Hall. After a long search through the snippets of showrunner interviews and the costume department Instagram posts/comments and failing to find any reference to inspiration for Mary's costumes, I decided to make the case myself.
After tracking down a number of screenshots of Mary and Keaton, I am more convinced than ever that Christine Wada was inspired by Keaton and Annie Hall in particular. It makes sense as a source of inspiration: Annie starts out the movie uncertain, lacking confidence, allowing herself to be steered by the man she is dating, following a path chosen by someone else. Later, she gains confidence, independence, and thrives on her own while pursuing a career as an artist (singer). Diane Keaton famously styled her own character for that film and has maintained a signature look incorporating a lot of the same cues throughout her life: menswear in a neutral palette, often slightly oversized or loosely tailored pieces, including ties, waistcoats, and blazers. Mary seems to have a very similar aesthetic in her post-Stede life, which tracks with her journey--coming into her own ON her own and reveling in her independence. Mary is absolutely thriving when Stede returns, and like Annie, she isn't going to be drawn backward and subsumed into her old relationship or patterns.
The vest and tie signature look:
Tumblr media
You cannot possibly argue that anything about this is coincidental:
Tumblr media Tumblr media
These looks are less direct, but there's an obvious through line:
Tumblr media
30 notes · View notes