#digitek
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I did read these books... and I remember them being ok... but if you asked me what they were about... I could 100% not tell you... but I do know Digitek is one of the few UK heroes who actually has a few appearances after his UK book.
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Experience photography from a new perspective with the Viltrox Lens 20mm F2.8 STM (E-Mount). Tailored for Sony E-mount full-frame mirrorless cameras, this ultra-wide prime lens opens up a world of creative possibilities.
Visit:- https://www.digitek.net.in/
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A Shock to the System (Part Four)
Digitek #4
Good ending.
Final showdown with the bad guys.
This was a good series, and I would have happily read more stories. This pretty conclusively wraps up the entire storyline. But the door is clearly left open for Dikitek (and Samantha Bryant) to have more adventures.
On Sale Date: January 26, 1993.
John Tomlinson (4 of 4).
Andy Lanning (4 of 4).
Dermot Power (4 of 4).
8/10
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https://www.ebay.com/itm/165993122354 #comic #reading #forsale #comicbooks #gift #holiday #digitek #1992 #marvel #comics #collectibles #checkitout #musthave https://linktr.ee/shopping490490 #ebay #mercari #shopify #etsy #poshmark #bonanzamarket #twitter #tumblr #facebook #instagram https://www.instagram.com/p/CqGvk4MphIU/?igshid=NGJjMDIxMWI=
#comic#reading#forsale#comicbooks#gift#holiday#digitek#1992#marvel#comics#collectibles#checkitout#musthave#ebay#mercari#shopify#etsy#poshmark#bonanzamarket#twitter#tumblr#facebook#instagram
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What makes Digitek Tripod the best choice among other major brands?
In one word it can be defined as “A Complete Value for Money Product”-digitek 67 inch tripod DTR 550 LW
#digitek#digitek 67 inch tripod#digitek 67 inch tripod dtr 550 lw#digitek dtr 550 lw#dtr 550 lw#best 67 inch tripod#digitek dtr 550 lw price#digitek dtr 550 lw tripod head#digitek latest tripod#digitek tripod reviews#digitek tripod#digitek tripod accessories
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youtube
#best ring light#best ring light for youtube#best ring light for reels#digitek ring light#ringlight#ring light review#ring light for youtube videos#cheap ring light#best ring light on amazon#digitek#digitek ring light unboxing#unboxing ring light with tripod#ring light with tripod stand#tripod stand#vlogging tripod#best gorilla tripod#best gorilla tripod under 500#mini tripod stand for mobile#digitek tripod review#digitek gorilla tripod#best budget tripod#Youtube
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USA 1990
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Digitek band 2 Smartwatch
Digitek band 2 Smartwatch
Digitek Chrono Band 2.
Introducing the Digitek Chrono Band 2, the latest in smartwatch technology. This stylish and modern watch is perfect for keeping up with your busy lifestyle. Its sleek design gives it a timeless look, while its high-tech features keep you connected and on top of your game. With access to notifications, tracking capabilities, and more, this smartwatch will help you stay…
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Joe Blade (DigiTek - Amiga - 1990)
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The Anointing Screen
The Anointing Screen has been designed and produced for use at the most sacred moment of the Coronation, the Anointing of His Majesty The King. The screen combines traditional and contemporary sustainable embroidery practices to produce a design which speaks to His Majesty The King’s deep affection for the Commonwealth. The screen has been gifted for the occasion by the City of London Corporation and City Livery Companies.
The Anointing takes place before the investiture and crowning of His Majesty. The Dean of Westminster pours holy oil from the Ampulla into the Coronation Spoon, and the Archbishop of Canterbury anoints the Sovereign on the hands, chest and head. It has historically been regarded as a moment between the Sovereign and God, with a screen or canopy in place given the sanctity of the Anointing.
The Anointing Screen was designed by iconographer Aidan Hart and brought to life through both hand and digital embroidery, managed by the Royal School of Needlework. The central design takes the form of a tree which includes 56 representing the 56 member countries of the Commonwealth. The King’s cypher is positioned at the base of the tree, representing the Sovereign as servant of their people. The design has been selected personally by The King and is inspired by the stained-glass Sanctuary Window in the Chapel Royal at St James’s Palace, which was gifted by the Livery Companies to mark the Golden Jubilee of Queen Elizabeth II in 2002.
The Anointing Screen is supported by a wooden pole framework, designed and created by Nick Gutfreund of the Worshipful Company of Carpenters. The oak wooden poles are made from a windblown tree from the Windsor Estate, which was originally planted by The Duke of Northumberland in 1765. The wooden poles have been limed and waxed, combining traditional craft skills with a contemporary finish.
At the top of the wooden poles are mounted two eagles, cast in bronze and gilded in gold leaf, giving the screens a total height of 2.6 metres and width of 2.2 metres. The form of an eagle has longstanding associations with Coronations. Eagles have appeared on previous Coronation Canopies, including the canopy used by Queen Elizabeth II in 1953. Equally, the Ampulla, which carries the Chrism oil used for anointing, is cast in the shape of an eagle.
The screen is three-sided, with the open side to face the High Altar in Westminster Abbey. The two sides of the screen feature a much simpler design with maroon fabric and a gold, blue and red cross inspired by the colours and patterning of the Cosmati Pavement at Westminster Abbey where the Anointing will take place. The crosses were also embroidered by the Royal School of Needlework’s studio team.
At the Coronation Service, the Anointing Screen will be held by service personnel from Regiments of the Household Division holding the Freedom of the City of London. The three sides of the screen will be borne by a Trooper and Guardsman from each of The Life Guards, Grenadier Guards, Coldstream Guards, Scots Guards, Irish Guards, and Welsh Guards.
The screen has been gifted for the Coronation by the City of London Corporation and participating Livery Companies, the City’s ancient and modern trade guilds. His Majesty The King is a keen advocate and supporter of the preservation of heritage craft skills, and the Anointing Screen project has been a collaboration of these specialists in traditional crafts, from those early in their careers to artisans with many years of experience.
The individual leaves have been embroidered by staff and students from the Royal School of Needlework, as well as members of the Worshipful Company of Broderers, Drapers and Weavers.
As well as heritage craft, contemporary skills and techniques have formed part of this unique collaboration. The outline of the tree has been created using digital machine embroidery by Digitek Embroidery. This machine embroidery was completed with sustainable thread, Madeira Sensa, made from 100% lyocell fibres.
The threads used by the Royal School of Needlework are from their famous ‘Wall of Wool’ and existing supplies that have been collated over the years through past projects and donations. The materials used to create the Anointing Screen have also been sourced sustainably from across the UK and other Commonwealth nations. The cloth is made of wool from Australia and New Zealand, woven and finished in UK mills.
The script used for the names of each Commonwealth country has been designed as modern and classical, inspired by both the Roman Trojan column letters and the work of Welsh calligrapher David Jones.
Also forming part of the Commonwealth tree are The King’s Cypher, decorative roses, angels and a scroll, which features the quote from Julian of Norwich (c. 1343-1416): ‘All shall be well and all manner of thing shall be well’.
This design has again been inspired by the Sanctuary Window in the Chapel Royal, St James’s Palace, created for Queen Elizabeth II’s Golden Jubilee in 2002. At the top of the screen is the sun, representing God, and birds including the dove of peace, which have all been hand embroidered by the Royal School of Needlework.
The dedication and blessing of the Anointing Screen took place earlier this week at the Chapel Royal, St James’s Palace, where it was officially received and blessed by the Sub-Dean and Domestic Chaplain to The King, Paul Wright, on behalf of The Royal Household.
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I think it is supposed to look like that lady is getting picked up over there... but it just looks like she is floating instead...
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Experience photography from a new perspective with the Viltrox Lens 20mm F2.8 STM (E-Mount). Tailored for Sony E-mount full-frame mirrorless cameras, this ultra-wide prime lens opens up a world of creative possibilities.
Visit:- https://www.digitek.net.in/
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A Shock to the System (Part Three)
Digitek #3
More running away from trouble.
Deathlok arrives to help Jonathan and Samantha Bryant.
There's not much to this issue. Other than having Deathlok around, nothing is different. The bad guys are giving chase, and the heroes are in hiding. There's action and some interesting sci-fi ideas, but the story needs to progress.
On Sale Date: December 22, 1992.
John Tomlinson (3 of 4).
Andy Lanning (3 of 4).
Dermot Power (3 of 4).
7/10
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I have awakened to the news of the passing of comic legend Paul Neary. Although I had the privilege of meeting him only once as a kid during the early 1990s, likely at UKCAC, the interaction remains a cherished memory. Paul was a wonderfully accommodating fellow to teenage me. Paul's lengthy generosity in discussing my fledgling portfolio during that encounter, amidst the backdrop of meeting Marvel U.K. luminaries, was invaluable and profoundly inspiring. It is something that will always stay with me.
His noteworthy contributions to Marvel U.K., spanning from Excalibur to Hulk Weekly, hold a place as significant childhood milestones for me and many others. Paul's counsel at the convention that day, coupled with rigorous redrafting, played a pivotal role in my artistic development, culminating in the publication of my first professional comic artwork at the age of 15, I’m pretty certain that wouldn’t have happened without that lengthy conversation and support of a kid with a dream.
Beyond his exceptional inking and artistic prowess, his astute eye for talent brought forth notable names and powerhouse work from the like of Gary Erskine, Andy Lanning, Liam Sharp, Gary Frank, and numerous other U.K. stars.
Under his stewardship, the distinctive Marvel U.K. line of U.S.-sized comics, featuring titles such as Deaths Head II, Digitek, and Motormouth, emerged and left an indelible mark. It was a spectacle that fueled my youthful imagination, realizing that we could have our own U.K. heroes and universe under the prestigious Marvel banner. It inspired so much in my comic book journey. The memories of those convention days, marked by signed and sketched issues from Frank, Erskine, and Sharp, remain cherished possessions.
The era Paul Neary cultivated, while brief, stands as a testament to his legendary influence on the industry. His passing leaves a void, but his legacy lives on.
Rest in Peace, Mr. Neary.
For further insights into Paul's life and work, I recommend reading the comprehensive CBR article: https://www.cbr.com/paul-neary-marvel-dc-artist-marvel-uk-obituary/
#comics #marvelcomics #marveluk #paulneary
#film#youtube#comics#frazer brown#theatre#tftqcomic#redcabincomics#talesfromthequarantine#red cabin comics#tales from the quarantine
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In which Marvel UK was a wild ride; everyone has a definitive Kitty Pryde; Sari St. Hubbins studies her X-Men; Moira MacTaggert discovers contagion theory; ideas do not stories make; Meggan is the heart of the team; and Excalibur inches towards its finale.
X-PLAINED:
Marvel UK
Digitek
Excalibur #114-117
What Excalibur’s been up to
Tunnels vs. sewers
An unexpected callback
Slang
The mutability of Kitty Pryde
Friendship
Sari St. Hubbins
Fashion
One way to get around a power inhibitor
A frosted tips outline
Viruses
Phalanx love
Greebling
A substantial retcon
Excalibur vs. the Sidri
Marvel characters’ musical associations
Whether there have been more X-Men or Avengers
NEXT EPISODE: Kitty Pryde goes to work for The Man
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