I’m two years too late for my idea but i still want to do it at some point. So, of course we know that during lockdown Akihito and Asami are just like, so in love with one another; but we also know that simmering with one person for months on end can make you go kind of stir crazy. Akihito, since he is in his early 20′s finds the wonderful “new app” that blew up in 2020 called TikTok 🤔🧐
For a while he just posts about his photography. He shows off his gear and his editing programs. He shows a little of his work room (not their bedroom lol) which everyone totally loves; and they freak out when they see the view from the penthouse over his shoulder. Of course, Akihito is totally used to it so he is just like “But look at this new lens I ordered!”
Eventually his TikToks move out to the living room and even the balcony(!), and everyone just falls more and more in love with him. He seems so down to earth but it looks like he is stupid wealthy. Akihito grows a bigger and bigger following, all the while doing more funny skits than anything else. Eventually though, his followers convince him to do a dance trend.
He has his everything set up on a tripod and ends up doing a perfect dance because it’s our wonderful Akihito.
Asami just so happens to pass by in the background of one of the TikToks and everyone is like “HOLY SHIT WHO IS THAT?”
Of course, that becomes his most viewed TikTok to his dismay.
European Moomoos, hear me out. I had a dream about Mamamoo's concert last night and it happened here in Germany. I'm not saying that it's happening but it wouldn't be the first time that my dream predicted something Mamamoo related so...
Moomoos on tumblr, we need to talk. Why is there barely new MMM content on this app? Our fandom isn't dead, am I right? So a few days ago I thought about how to engage interactions and an idea was born: I'll start a series if iconic Moonbyul singing/rapping parts to remind all of us of the beauty of our favourite group 💜
Soooo LET'S GOOO
Mamamoo iconic singing/rapping parts
Let's start with a classic:
AYA 🐆
Honestly, Travel era was one of the best comebacks, especially during covid. The diversity of the album, the potential title tracks Chuck, AYA and Dingga couldn't be more different, yet they all match the unique Mamamoo vibe perfectly. So let's take a look at Byul's iconic rap part:
Do I have to explain why we love everything about this? The outfits, the slaying choreography, the catchy lyrics (You're a criminal neujeosseo imi neon 🫠), the whole concept is just superior.
Thanks for reading and stay tuned for more Moonbyul content 🐹
[ARTICLE] Review: K-pop group MAMAMOO keep the ‘Mic On’ for a powerful performance during Bay Area concert debut
At their packed Oakland Arena stop during their debut “My Con” world tour, veteran K-pop girl group Mamamoo put the spotlight on one of the most underutilized concert instruments: the wireless microphone.
It’s no secret that many K-pop performances rely heavily on pre-recorded vocals, but Mamamoo bucked the trend Friday, June 2, serving up live vocals as well as looks. Hitting the stage in white blouses, bustiers and toreador leggings tucked into black knee-high boots, the quartet — Solar, Moonbyul, Wheein and Hwasa — was dressed to slay. But it was vocal performances on songs like “Make Me Happy,” “Paint Me” and “Star Wind Flower Sun” where they killed.
Mamamoo’s tour title “My Con” forms a portmanteau of “Mic On,” a nod to the name of their latest EP and the way they used their mics onstage. Moonbyul offered additional rationale that received lusty cheers from fans.
“The meaning of the tour is that Moomoos (Mamamoo fans) all over the world are coming together to make this concert happen,” she told the audience through a translator.
For more than two hours, Mamamoo showed why they’re one of the most fearless and well-rounded groups in K-pop since breaking onto the scene in 2014. Solar and Wheein form a potent singing tandem — Solar has R&B in her veins, and Wheein is a pop expressionist — while Hwasa and Moonbyul are double agents, contributing vocals and raps.
Mamamoo’s choreography was also satisfying with top-class execution and clean lines despite carrying handheld mics during the show. They were visually accentuated by eight female backup dancers and four outfit changes throughout the night.
The group’s live vocals gave credence to the “mic on” theory, though some assistive vocals could be detected to the naked ear, especially when members lowered their handhelds to complete a choreographed move.
While Mamamoo didn’t perform with a live band, the instrumental tracks sounded freshly recorded and retooled, which gave their songs a punchy, spontaneous feel — from the drumstick count-off to the big clattery toms-and-cymbals finishes.
Mamamoo injected fresh life into the solo medley portion of the show, by individually covering each other’s key solo tracks: Solar sang Wheein’s “Water Color” and Wheein performed Solar’s “Honey,” while Hwasa covered Moonbyul’s “Eclipse” and Moonbyul did Hwasa’s “Twit.”
The songs even received their own distinctive spotlight and dance routine, showing off each member’s versatility and creativity. The group came together for a performance of four more solo snippets, with Hwasa’s “Maria” receiving the biggest response as the performers executed Hwasa’s iconic body rolls during the number, a move akin to seeing James Brown do the splits.
But the night didn’t all go according to script. During the upbeat “Starry Night,” the group got a case of the giggles and broke character, before regaining composure to finish the song. Also, there were lulls as well as lolz. Three interstitial pre-recorded video segments (“VCRs” in K-pop speak) slowed momentum to a crawl. One segment lasting seven minutes — an eternity in concert time — showed group members enjoying a meal and talking shop. These would have been better served as pre-show entertainment for folks settling into their seats.
With nine years of music to pull from, it’s fair to assume that some fan favorites would not make the cut. But leaving the 2020 pick-me-up anthem “Dingga” off the setlist felt like a crucial miss. The quarantine-era hit was meant to be played in this exact setting, with everyone back in a concert hall again.
If the main concert served up stylistic amuse-bouches, the four-song encore was a pop feast. Reappearing in denim and tour merch, the women vibed along with the audience to “Travel,” “Yes I Am,” “L.I.E.C,” and closed with their effervescent early hit, “Um Oh Ah Yeah.”
The encore summed up nearly a decade of influence, showing how all-around talent, experience, fearlessness and versatility are keys to longevity.
> these two girls were the bridge for the first interactions between their groups. The two barely even remember how they met. Their considerably close and have the most interactions that fans can see from Sujin's friends.
- SEORI
> This is a more recent friendship, the two met through Byul-yi during the recording for 'shutdown'. Seori is definitely a role model for Sujin, Seori isn't all that opposed to helping her out with her skills either. Their favorite place to hang out would be a café.
- NAYEON (Twice)
> Met through Jisoo! Though Jisoo and Nayeon are an iconic pair, these two girls are considerably close as well! Definitely had a surprise vlive cameo once.
- YERI (Red Velvet)
> The first one on here who's actually younger then Sujin is. Very good friends! They have a very playful friendship with each other. Met pre-debut! Though it was considerably close to Yeri's debut in red velvet.
- YUBIN
> These two actually met during Yubin's debut! Sujin was there to support the members of mamamoo for dingga- And happened to meet Yubin in the process. They're very good friends and keep contact with eachother a lot.
- Sowon (Itzy)
> Sujin and Sowon are good friends! They both are constantly looking for a chance to collab with eachother, they’re very cute! Sujin cares a lot for Sowon, jokingly calls Sirena her daughter when referring to her