one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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prompt- jenny finding out about dair and her reaction + her being happy for them
Dair + Jenny
After she hangs up the phone, Jenny stares into space for what must be twenty straight minutes.
Her fingers twitch, needing something to do, something to keep them busy. It’s been her prime coping mechanism since, well, probably since she developed the fine motor skills necessary. If she was too hyper or bouncing off the walls, her mother put a crayon in her hand, or a pencil, or a paintbrush, and then later, fabric, thread, needles. The act of making something gave her a way to focus, to take all that ambition that had been born in her blood and do something with it.
She grabs her sketchpad, starts on a figure and the shape of a dress without really looking at it. When she does, she realizes she doesn’t want to design anything at all, and tears the page out, a new blank one gaping up at her.
Jenny sighs, slumping back against the wall of her dormitory, drumming her fingertips on the paper.
She’s not…mad, not really. The way Dan talked, all cautious and careful and slow, like she was a feral cat he was trying to persuade to come out of the alley, he probably expected her to be angry, but she wasn’t. Or if she was, it feels different than the kind of anger that ate her alive back in New York.
Not wanting to design but needing to draw something, she falls back on an old standby learned from her mother. She picks up a pen, and starts scrawling across the page, filling all the empty space, just random letters, well, maybe not so random, D-A-N, B-L-A-I-R, W-A-L-D-O-R-F, E-V-I-L S-P-A-W-N. When a sufficient amount of the page is covered, she starts connecting the lines, weaving the letters together until they’re unintelligible, a collected framework of lines, an abstract approximation of the iron outline of stained glass windows of the Anglican church down the street.
Once satisfied with the skeletal structure, Jenny grabs her box of colored pencils. She’s meticulous, one color at a time, taking care not to use two similar hues next to each other.
Her mom always made her own coloring sheets like this. In the evenings, after dinner but before bedtime, when Dan would disappear behind a book and Dad behind his guitar, her mom would sit in the armchair by the record player and just…color, just like this, filling an entire page with a riot of different hues and shades that did look like stained glass, so bright it reminded Jenny of the blown glass vases her parents displayed in the kitchen that she wasn’t allowed to touch.
Sometime, around the time Jenny was starting to think of herself as an artist too, she insisted that Mom show her how she made them, and she did. Jenny remembers being almost disappointed that there was no great secret to it. Scribble, connect the ends, color in the blank spaces.
“It’s no genius work,” Alison told her, “but it’s meditative. Relaxes the mind.”
Jenny could definitely do with that, she thinks as she picks up another pencil. Bright red, like cherry lip gloss.
She didn’t yell. She didn’t give her blessing—because why should she—but she didn’t yell, didn’t make any accusations. She bit her tongue, and powered through the conversation best she could, sprinting to the end of the phone call. And now here she is.
She knows what she wants to say, but she also knows that she can’t say it to Dan.
You can’t badmouth the boyfriend. Another nugget of wisdom from her mom, delivered unto her last year, when one of her friends from show choir in Hudson started dating a grade-A douchebag, and that’s judging from Jenny’s rubric, which has a steep curve.
Jenny couldn’t stand being around him, and more than that, didn’t want her friend giving her own time to someone who didn’t deserve it, all of which she told her mother. She and Alison undertook a thorough Full Disclosure policy when she moved to Hudson. It worked pretty well, even when Jenny didn’t like the advice she heard.
“Honey, there’s nothing you can say that will sway her,” Alison told her. “All you can do is just love her, so when the bottom drops out she’ll know that you are there for her.”
Jenny kept her mouth shut, and, a week before senior prom, the douchebag showed his true, douchey colors, and Jenny was there for her friend.
But what sucked is that Jenny would have been there regardless, so why should someone she cares about have to go through the wreckage of heartbreak to fall back on something they already had?
Dan has a more resilient heart than she does. It’s just fact, they went to that school and went through their own dark forests of fucked-up shit, and while she broke down, Dan’s still there. Dan still believes, in true love, in finding the one, no matter how many times he gets hurt for the sake of the one. He’s so much like their mom, but on this, he’s his father’s son through and through.
Maybe that’s the problem. Sometimes Jenny imagines stretching her arm out over the Atlantic Ocean, plucking up her brothers by the shirt collar and carrying them over to London, to safer ground.
But when everything got bad, she felt like she couldn’t turn to anyone, but even then Dan had been ready to punch out any one that wronged her, so long as he gave her the chance to talk and she gave him the chance to listen. So, she doesn’t want to cut him off. Even though she doesn’t know how not to, given what he’s just told her.
So, she colors, she puts it onto the paper like her mother taught her, puts the words she couldn’t say into the phone into each swatch of color.
She’s going to wreck you. She is going to wreck you and leave you in pieces and there isn’t a damn thing I can do to stop it.
Half the page colored, she puts on her headphones, blasts music from her laptop. She cycles through most of Paramore’s discography by the time the page is filled.
Jenny lets out a deep breath as she examines her handiwork. Stained glass on paper. And, despite herself, it worked, like mac and cheese, like chocolate chip waffles, like any comfort from her childhood.
On impulse, she grabs her phone, snaps a picture of her DIY coloring sheet, and sends it to Dan. She doesn’t know what to say to him, but words had always been more his thing anyway.
Two minutes later, Dan sends a photo back, one of his own attempt, still in progress, on one of his legal pads he uses for outlining.
Love you, she sends.
Love you too, he texts back.
Jenny’s still worried, but she thinks, or maybe hopes, that everything will turn out okay.
3 years later…
Jenny and Nate stumble through the door of their Airbnb. Well, Jenny stumbles, she’s been in these heels too long. Wherever they go, no matter how fucked up they are, Nate always carries himself with an infuriating amount of athletic grace. It’s that damn pub football league.
“Oh, couch,” Jenny sighs, collapsing onto the piece of furniture in question. It’s very comfy. They truly scored with this one, booked on a whim by Jenny while they were still on the train this morning.
Dan and Blair had their own suite at the Plaza Athénée; when Blair heard they were staying in the 5th, she’d rolled her eyes, but even she was too happy to spend any time berating Jenny and Nate’s choice of lodging on the “wrong” side of the Seine.
“So,” Nate says lightly, toeing off his shoes and leaving them beside her discarded boots, “how are you feeling?” He bends to pick up the coat she’d dropped on the floor next, hanging it up along with his. He takes such good care of her.
“Exhausted,” she answers, hanging her head over the back of the sofa, as Nate drops down next to her. “Can you believe we were in a different country this morning? And we took a train underwater?”
He laughs lightly, stretching out and putting his head in her lap. “That’s not what I meant. I meant: how are you doing? About today?”
She frowns down at him puzzledly, arching an eyebrow. “Don’t you have a conflict of interest asking that question?”
“My interest is you, babe,” he reaches up, tapping the back of his hand on her sternum. “You sure you’re okay?”
“I seem to recall already having this conversation with Eric after Dan proposed.”
“Yeah, well, I’m checking in again.”
Jenny sighs, tilting her head back to think. “I’m good. Really.” She clasps Nate’s outstretched hand in one of hers, and runs the other through his hair, soft between her fingers. “I’ve had enough time to get used to the idea. And while I don’t think I’m completely used to it…” she shrugs. “The more I see them together, the more it makes sense.”
Nate makes a small hum, his little nonverbal way of saying I’m listening, and Go on.
“I don’t know,” she takes a breath, gathering her thoughts, trying to shape them into words, “Dan’s always been just…himself, but like, in soft lines, shaded in. But…now he’s more…sharper. Like the outline of him has finally been inked in, you know?”
Nate blinks up at her, crease forming between his eyebrows. “I think so?”
Jenny laughs, and he strokes his thumb over her knuckles. “I just mean, this is the most himself I’ve ever seen him be. And if you repeat this I’ll deny it, but I think a lot of it has to do with Blair. So…” she sighs, melodramatic, “for him, I’ll suffer through being legally related to her.”
Nate snorts, face breaking into that sunrise grin Jenny loves so much. He brings their joined hands down, settling them on his chest. She’s never historically been much of a hand holder, but Nate loves it, and she loves him. And, she loves that it’s her he’s reaching for.
“I’m happy for him,” she declares. “And I’m happy he asked me to come. And I’m really happy that we won’t be anywhere near when he tells Dad.”
Nate makes a noise of agreement. “Or Eleanor.”
“Oh my god, yeah.”
They both laugh, out of not only amusement at the mental image of Rufus and Eleanor’s respective reactions, but also relief, that Jenny and Nate won’t be in the blast zone when the bomb drops. There are definite advantages to the ex-patriot life.
“Is that something you want?” Nate asks softly.
“Facing the wrath of an Eleanor scorned? Fuck no.”
“No,” he says softly. “What Blair and Dan did.”
“Elope in Paris?”
“Well, yeah, I guess,” he qualifies with a tilt of his head. “But I was thinking…just – marriage in general.”
“Oh,” Jenny says bluntly.
Nate nods, his normally open expression cautious.
Jenny sits back, thinking it over. When Nate asks a serious question, she knows it comes after a long time of thought, always seeking an honest answer, so she tries to give him the same level of consideration.
She’s not a believer in forever like her brother is. She’s so like their dad in so many ways, but in this one, she is her mother’s child.
“I don’t think I’m ready for that. Maybe later. Way, way later, but not now.”
Nate nods, understanding. “I don’t think I am either.”
She lets out a breath.
“So…” he trails off, “glad we’re on the same page?”
She laughs. “Yeah. Yeah we are.”
She may not believe in forever, but if she had to draw it, it would look a lot like Nate.
“And, who knows, maybe we can revisit this conversation at a later time, like…when we’re forty.”
Nate grins, and presses a kiss to the back of her hand. “Sounds good to me.”
One word prompts
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