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#dr ch2 spoilers
leafeonb · 2 years
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noelleeee ❄️
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froqgy · 2 years
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seam jevil. i know them
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shysheeperz · 4 months
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greenscreen-dress · 4 months
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Hi sorry for briefly getting possessed by the spirit of Rouxls Kaard of the Deltarune variety & putting a silly guy all over everyone's dashes. It Will happen again :D
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16-jarrah · 2 years
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i need to replay undertale bc i need to appreciate it a lot again and actually finish deltarune ch2 soon
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defectivevillain · 1 year
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this broken design, ch2
“Dr. Lecter?” You blink a few times, convinced that you’re dreaming. The man’s gleaming eyes and concerned expression seem a bit too realistic to be conjured by your sleeping mind, though. You’re not sure if you’ve ever seen him look worried. You quickly decide that you don’t like it.
“Hannibal, please,” the doctor responds nonchalantly. You stare at him in utter confusion. Just what is happening right now? You thought you were dreaming, but this feels a bit too vivid. “What are you doing out here?”
read chapter one here. this part won’t make sense, otherwise! :$ 
[ao3 version of the fic]
reader’s pronouns are unspecified but masa-intended. 
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warnings: canon-typical violence & gore, spoilers to the first few episodes
You wake to find yourself resting on the plush sofa in the living room. You’re in virtually the same position as before, except there’s a woolen blanket tossed over you. It takes you several seconds to process everything and, once you do, you freeze. Your unintentional adventure onto the middle of the road, Hannibal’s rather convenient appearance, your trip back to Hannibal’s home. And…  
Hannibal is the Chesapeake Ripper. You take a deep breath in, not very fond of the way your heart is racing. You were entirely vulnerable last night; he could’ve killed you with ease. That begs the question: Why didn’t he? Why didn’t Hannibal take the opportunity to take you out? Surely, the FBI being close on his trail must be aggravating. Then again, the Ripper has always acted as if he’s several steps ahead of everyone else (and, unfortunately, he often is). You ponder the thought for a moment longer, before quickly distracting yourself. You don’t want to think about it for a while—it’s too disturbing to contemplate so early in the morning.
Once you feel slightly better—you’re not sure if you’ll ever grow truly comfortable with the events of the past night—you get to your feet and pace around the room. Honestly, you’re not entirely familiar with the layout of Hannibal’s home. Plus, you hadn’t exactly had the chance to look around last night. There’s a door off to the side that must lead to the kitchen. You hesitate for a few seconds, before shaking your head, clasping the doorknob, and twisting it open. The door falls open to reveal a beautiful kitchen. You’re then struck with the uncanny resemblance to a theater. Perhaps that was the idea. Cooking is a performance to Hannibal, after all.
“What did you put in that tea?” The words fall from your lips before you can stop them. Hannibal stands with his back to you, but he quickly turns upon hearing you enter. He’s wearing a suit already. You feel immensely underdressed, in your filthy pajamas from the previous night. You resolutely pretend not to look as uncomfortable as you feel.
“Good morning to you, too,” Hannibal responds, an amused expression on your face. His sleeves are rolled up as he continues to prepare whatever he’s making. You can’t shake the belief that he must be absolutely furious with you. Hannibal values his privacy, his space, and you’re intruding on it. You’re not quite sure why he hasn’t killed you yet.
“I’m serious,” you frown. The thought hadn’t graced your mind until now, but you can’t seem to rid yourself of it. How did you fall asleep so quickly last night? You were extremely fatigued, of course. However, you suspect Hannibal had something to do with it, too. “What was in the tea?”
“Chamomile,” Hannibal answers with a helpless expression. You’re not convinced, not even when he’s smiling like that. He walks out to the dining room and you follow behind him.“Breakfast?” You warily glance down at the plate on the table, only to find an innocent enough egg scramble. It’s reminiscent of what you ate that one morning in the motel, except without the suspicious meat. You have to consciously push away the thought—the likelihood that the meat was from one of the Ripper’s recent victims. The egg scramble today doesn’t have meat—at least, not that you can see. You inhale slowly and sit down at the place he’s set for you.
“No suitable candidates for meat?” You can’t help but snipe. It takes your mind a few minutes to recognize the fact that you have no power in this situation and, thus, you shouldn’t be pushing the limits. You chance a glance up at Hannibal, fully prepared to see an irritated expression. Instead, all you see is amusement and intrigue. You’re not sure which expression is more dangerous.
“The harvest wasn’t quite bountiful,” Hannibal responds. How on earth hadn’t you made the connection to the Chesapeake Ripper sooner? Hannibal is constantly making those kinds of comments—allusions that just barely scrape the surface of his true actions. Before, you merely thought him to be an eccentric European. Now, you can’t help but think that his eccentricities mask his brutalities–his actions as a killer.
“You garden?” You say, instead of throwing out the accusation you know to be true. If Hannibal wants to play this game, then so be it. You take a bite of the egg scramble, unsurprised that it turns out to be quite good. Hannibal is an excellent cook—at least, when he isn’t putting people on the menu.
“Occasionally,” Hannibal remarks loftily. He finishes chewing and levels you with a strange look. “Nothing measures up to the quality of homegrown herbs.” You let out a breath through your nose, hiding a full laugh. Of course, Hannibal is pretentious about his herbs. That makes complete sense. You wisely keep quiet and take another bite of your food, making sure to compliment Hannibal on his cooking skills. He really is quite good.
“I was hoping you could drive me back to the institute,” you say, once the two of you have finished breakfast. You feel guilty about asking so much of Hannibal but, then again, he insisted that you come with him to his residence. “I don’t have my car, so…”
“Of course,” Hannibal nods, making your doubts diminish. You exhale slowly. You aren’t sure why you worked yourself up so much over that simple question. The clatter of plates draws you out of that spiraling thought process and you watch as Hannibal moves to stack his dishes.
“Here, let me,” you say before he can object. You quickly take his dishes and walk them over to the sink. Thankfully, there aren’t too many dishes—just yours and his. You find a strange-looking brush and internally hope it’s a sponge, before drowning it in soap and attacking the plates. Silence settles in the space as you busy yourself with the dishes. Hannibal walks over to you and leans against the counter a few feet from the sink. He levels you with an inquisitive gaze.
“What?” You can’t help but ask, once the staring begins to stress you out. You steadily focus on the running water, the dirty plates, anything but Hannibal’s keen eyes. Droplets of water fall down your skin as you steadily wash the last remaining dish, shelving it to put away later.
“I’d like to accompany you on your next assignment.” That completely throws you off. You don’t hesitate to ask for an explanation, which Hannibal doesn’t exactly provide. Instead, he paces around for a moment before leveling you with a weighted gaze. “Only if you’re amenable, of course.”
“Okay,” you decide to say, instead of arguing like you want to. Hannibal doesn’t typically budge when his mind is made up. Ironically, it appears as if Hannibal expected you to argue, because he raises his eyebrows for a second. You decide to ignore that. “Before we go… Do you have any clothes I could borrow?”
“Of course,” Hannibal nods. You want to feel self conscious, but it’s a bit too late for that. You’ve been wearing your dirty pajamas since the night before, so the psychiatrist has already seen them. Hannibal leaves the room with the promise of bringing you sufficient attire. You just hope that the clothes aren’t extravagant.
Hannibal returns moments later with a neatly folded pile of clothing in his hands. He offers you the clothes and you take them. You hardly get the chance to unfold them before you’re freezing to stare up at your psychiatrist. “Um, Hannibal?”
“Yes?” Hannibal asks casually, calm and composed as always. Silence descends in the air, creating a thick tension that you’re scared to break through.  
“I didn’t mean you had to give me nice clothes,” you manage to say, looking at the dress shirt and pants he’s provided you. Thankfully, it appears he’s given you something that he hasn’t worn before. Unfortunately, though, your build isn’t quite the same as Hannibal’s. You lament the thought as Hannibal responds to your remark.
“Nonsense,” Hannibal shakes his head. There’s clearly something he’s refraining from telling you, because his lips part for a moment as if to speak. The psychiatrist then shakes his head. You shrug silently, glancing around the space. There’s a hallway off to the side and you take a step in that direction.
“I’ll change and then… we can go?” Hannibal nods and you duck into the nearest room, closing the door behind you. Upon closer examination, you realize that it’s a linen closet. However, it’s not like a typical linen closet—a bureau or dresser; instead, it’s an entire room. You exhale slowly and put on the clothes he’s given you. Unsurprisingly, they don’t fit quite right. However, they’re still leagues ahead of the dirty pajamas you’d been wearing before. You take a moment to fix up your appearance before stepping back out into the hallway.
Hannibal turns around when he evidently hears you exit the linen closet. There’s a satisfied expression on his face. You hastily button the sleeves and straighten out your shirt – well, his shirt (that you’re wearing). Before you can adjust the fabric more, Hannibal leans closer and smoothing out your collar. You send him a grateful smile that you hope will hide your anxiety at his proximity. Thankfully, he’s backing away before long and the two of you are free to walk out to his driveway. Hannibal pauses for a moment and you just narrowly avoid running into him.
“Shit, sorry,” you murmur, putting a hand on his shoulder to steady yourself. The man walks to the passenger side first and opens the car door for you. You move to sit and Hannibal looks down at you from where he’s standing.
“Apologizing again?” There’s an abstruse smile on his face as he speaks. You roll your eyes.
“I wasn’t aware this was a therapy session,” you reply with a wan smile. Hannibal shakes his head in amusement, walking back to the driver’s side and getting in. Luckily, the ensuing car ride is smooth and painless. Before long, the two of you are at the crime scene that Jack summoned you to. You exit the car and take the lead, leaving Hannibal to follow behind you. Jack is standing off to the side with a concentrated expression on his face. You greet him and he snaps out of his reverie. It seems like your boss is about to say something to you when his gaze suddenly falls to the space next to you.
“Ah, Doctor Lecter,” Jack smiles thinly. “What a pleasant surprise.” The look on Jack’s face suggests that it isn’t, in fact, a pleasant surprise. You can’t say you’re terribly surprised at that development.
“Hello, Jack,” Hannibal responds amicably. You can’t quite elucidate the expression on his face. “I must insist that you call me Hannibal.” The man smiles charmingly, a gesture that would work on most people. Unfortunately for him, Jack Crawford isn’t most people. You resist a laugh at the annoyance that just barely shows through on your boss’s face.
“Hannibal, then; what brings you here?” Jack looks at Hannibal warily. Just before the psychiatrist can respond, you decide to interject.
“I brought him,” you blurt out before your brain can catch up. Jack blinks at you in confusion. You chance a glance at Hannibal and raise your eyebrows at him, trying to telepathically communicate that he should go along with it. The man nods ever so slightly. “I figured we could use the help.” Jack assesses you for a second.
“Don’t distract my best agent,” Jack then warns Hannibal. You immediately grimace, knowing that the statement is entirely unnecessary. The likelihood of Hannibal distracting anyone working is slim to none. Also, wait... Jack considers you his best agent? That’s certainly unexpected.
Thankfully, Hannibal doesn’t seem to be too bothered by Jack’s remark. There’s a knowing smile on his face, as if he expected a warning along those lines. “Wouldn’t dream of it,” Hannibal remarks smoothly. You decide to walk down the path towards the house, Hannibal in tow. He doesn’t say anything, but you can feel his unanswered questions lingering in the air. You take a deep breath.
“Jack gets antsy at crime scenes,” you explain, trying to contextualize why you lied about being the one to bring Hannibal along, when, in all reality, it was Hannibal’s idea. You shove your hands in your pockets, feeling the need to find something to channel your restless energy into. “I’m used to being on the receiving end of his rather short fuse.”
“Interesting,” Hannibal muses, falling into step next to you, “I wouldn’t have gathered that from our interaction. He seems to think rather highly of you.” You chuckle wryly under your breath.
“Lord knows why,” you mutter, continuing to walk towards the house. You don’t intend for your comment to be perceived, but Hannibal seems to hear it regardless. You fidget and ignore the discomfort tugging at your core.
“As a friend, I must point out that you’re quite skilled in the field,” Hannibal remarks, to your utter surprise. It takes all of your energy to maintain a neutral expression. Despite your efforts, your eyes widen. “Jack likely appreciates your work etiquette and talent.”
“Somehow, I doubt that,” you frown, letting your gaze fall to the cobbled path below your feet. You kick at one of the upended rocks and it goes skittering along in front of you. Hannibal is your psychiatrist—he’s supposed to say things like that. “Thanks for the vote of confidence, though.” Hannibal’s expression suggests that this won’t be the last time you have this conversation. You resist a shudder at that, imagining sitting in Hannibal’s office and being forced to pick apart your self-deprecation. 
You finally enter the house and begin to wind through the halls, listening for voices. Eventually, you manage to find the scene of the crime: the master bedroom. The victim’s corpse lies against the mattress. Their blood seeps through the white sheets and spreads out around them, creating a puddled effect. Perhaps the most noticeable thing, however, is the gruesome way in which the victim’s chest is torn open, leaving the organs on display for all to see. You don’t realize that you’re blocking the doorway until Hannibal places a gentle hand on your shoulder. Following his movement, you step aside to let him in. There’s no trace of emotion anywhere on Hannibal’s face as he takes in the corpse of the victim.
“Hey!” Beverly greets you, breaking you out of your thoughts. The agent gets to her feet and grabs her clipboard. You greet Beverly in response. She smiles at you, then looks at Hannibal for a moment. Her gaze is scrutinizing and suspicious. “What’s he doing here?”
“Dr. Lecter, psychiatrist and former surgeon,” Hannibal introduces himself, before you can answer. “Please call me Hannibal.” Beverly raises an eyebrow at his outstretched hand but shakes it, albeit begrudgingly. You decide to interrupt before she can ask the question you’re expecting.
“He has clearance,” you say. Your comment goes mostly unnoticed, as Beverly and Hannibal appear to size each other up. Your two most terrifying acquaintances are now meeting. You begin to regret everything that’s led you to this moment.
“Former surgeon,” Beverly repeats, staring at Hannibal in disbelief. You look at your friend, begging her not to say what you think she’s about to say. Unfortunately, Beverly doesn’t seem to care about your distress. She swivels to focus her attention on Hannibal. “What, did you kill someone?”
“Bev,” you groan, wanting to bury your head in your hands. Beverly has never been quite good at filtering her thoughts—always saying whatever’s on her mind. Normally, that’s just one of the many things you love about her. Right now, however, you wish Beverly had a better filter.
“No, I did not,” Hannibal responds, his eyes glittering. There’s nothing but politeness in his frame, but you can sense an aura of irritation emanating from him. You resist the urge to laugh. You felt remarkably similar upon first meeting Beverly, because her blunt honesty can easily come across as rude.
“Well, since you have clearance, Lecter… I guess you can stay,” Beverly says to Hannibal. You chuckle under your breath at the way Beverly refuses to call him by his first name. The thinly concealed annoyance on Hannibal’s face is equally amusing. Beverly then turns to you. “Anyway. Time to do your thing?” Beverly asks. You nod and she walks over to Price and Zeller, putting a hand on each of their shoulders.
“Let’s give him some space.” She sends you an understanding smile, which you return with an exasperated eye roll. Beverly then raises an eyebrow at Hannibal, evidently expecting him to leave with them. Your friend turns to you and squints between the two of you, before shrugging and taking her leave.
“I prefer to do this alone,” you murmur, after the weight of Hannibal’s gaze grows to be too much. The air between you feels charged and tense. You clench your fists at your sides and listen for his footsteps as he exits the room. You wait a few moments and turn around, only to find that the man hasn’t moved.
“I will not be a bother,” Hannibal says. You resist the compelling urge to argue. It’s not that big of a deal, really. It’ll make you uncomfortable, but you can still slip into the killer’s mind with someone else in the room. Besides, Hannibal is your psychiatrist, after all. Nothing he sees will disturb him.
“Fine,” you sigh. It’s not like Hannibal will witness much, anyway—other than you staring off into space. Resolved to your fate, you pinch the bridge of your nose. The pendulum swings before your eyes once more. You close your eyes and, when you open them again, the bedroom is empty.
The victim sits on the mattress, looking down at their phone. You approach them with a knife in hand. You’re not fond of guns—they create too much of a mess. You’re eerily silent, enough so that the victim doesn’t expect your appearance [they never do]. An unsettling prickling feeling runs down your skin, creating goosebumps and sending a shiver down your spine. For a second, you’re struck with the uncanny belief that the victim sees you for who you are. The sensation is gone a moment later, as you realize they still haven’t noticed your presence. Heart thudding loudly in your chest, you reach out and stab them in the back of the neck. The victim flails and you turn them around, shoving them into the mattress before stabbing them once more in the chest. They’re dead within a few seconds. The prickling feeling along your skin hasn’t gone away, even with their death. Weirdly enough, the victim almost looks at peace—if not for the wounds to the back of their neck and their chest. You plunge your trembling hands into their chest and pull. Their blood taints your skin a murky red. The victim is open and vulnerable; their organs are on display for all to see.
Something still isn’t right, though. Anger bubbling up in your chest, you rip their eyeballs out of their sockets. Blood seeps out of their eyes and you streak it downwards across their face—an uncanny resemblance to tears. You put your knife away and survey your masterpiece one last time. This is your design. You glance down at your hands, expecting to see them stained with crimson. They’re clean and unmarred. That’s strange.
“What do you see?” Hannibal asks. You can’t suppress a flinch as you’re roughly brought back to the present. You blink several times and shake your head to clear your thoughts. “See?” Your eyes take in the strange painting the killer has made: the blood streaked across the victim’s skin, the pathway to the heart being ripped right open. It doesn’t take long for you to come up with an answer.
“This killer is at a crossroads,” you frown. You can feel the emotion rolling off of this corpse and each mutilation feels symbolic of something. Even without slipping into the killer’s skin, you could see the anger, irritation, and discomfort. “He feels… vulnerable, perceived in ways he hasn’t been perceived before.”
“How do you reckon so?” Hannibal asks, a strange note of something intangible in his voice. You can’t quite tell, but his voice almost seems sharper. You push the thought aside; you have more things to worry about—namely, the murder scene in front of your very eyes.
“The chest is carved open, yet the heart is left entirely intact,” you tap your chin in contemplation as you look down at the corpse. “It’s unusual for the organs to remain, but that omission was a conscious decision. Furthermore, the eyes are gouged out. He could have left them as is, but he took an extra step and smeared the blood down the cheeks to resemble tears. It speaks of grief. Possibly, also, acceptance? I’m not really sure. This feels… weirdly intimate.”
“Intimate,” Hannibal repeats, evidently intrigued. You take a shuddering breath as the man takes a step further into the room and, subsequently, closer to you. “Few can see past the initial brutality of such an act.” He looks down at the victim’s body, entirely unperturbed. His eyes are fixed on the body like a moth drawn to a flame.
“I can’t quite put my finger on it,” you start, walking around to the side of the bed to look down at the victim. “This feels like a reckoning. The killer is coming to terms with who he is, while simultaneously reaching for something more. It’s a strange juxtaposition: contentment and yearning.”
“Incredible,” Hannibal whispers, his eyes wide with an unrecognizable emotion. The sight grows to be too much and you rip your eyes away. The room’s air feels heated and stifling all of a sudden. You feel at your temple, recognizing the beginning of a headache.
“I suppose it is, in a gruesome way,” you frown, taking a look at the victim one last time. There is a sort of absurd beauty in the way they are laid to rest. Their heart is no longer caged by ribs and skin—it is free to roam. There’s even a restful expression on their face. “I can certainly feel the emotion embedded in the details.”
“I was referring to you,” Hannibal murmurs, drawing you from your thoughts. You look over at him, only to be met with a gaze so intense that it nearly makes your knees buckle. You take a half-step backwards habitually, nearly knocking into the bedside table. The look on his face is nothing short of dangerous. Thankfully, you’re saved from responding by Beverly’s sudden entrance into the room.
“Find anything?” You let out a breath you hadn’t realized you were holding. You relay your findings to Beverly, Price, and Zeller, who all look significantly intrigued and disturbed at the same time. Price and Zeller then go over some of the forensic evidence they found. Eventually, the four of you decide to let Price and Zeller brief Jack on the new findings. Hannibal walks outside—evidently to get some fresh air—which leaves you and Beverly alone in the room.
“Hey, Bev, do you have aspirin?” You ask, feeling a familiar pulsing ache in your temple. You find that slipping into the mind of the killer often makes your head spin. It almost feels as if someone is hammering into your skull. You grasp the side table to steady yourself.
“Yeah,” Beverly nods, digging around in her satchel. You breathe a sigh of relief. “You gotta remember to bring some with you, dude.”
“I know,” you sigh heavily. Beverly then pulls out a capsule of aspirin. You smile gratefully and grab two pills, before handing it back to her. It takes you a moment to remember that you don’t have water. Thankfully, Beverly procures a water bottle for you–not without a remark about you being forgetful–and you take the pills.
“Anyway, what’s Lecter’s deal?” You frown at Beverly’s back. She’s bent over the victim’s body, evidently looking for traces of evidence left behind. You already have a bad feeling that she won’t be able to find anything. “He’s a little weird.”
“I’m a little weird, too,” you argue, crossing your arms across your chest defensively. Beverly’s gaze finally falls away from the victim and she stops bending down, instead looking at you for a moment. For a few seconds, the two of you are left staring at each other.  
“No, you’re very weird,” Beverly then counters, a mischievous smile on her face. You slap her shoulder playfully, which prompts her to let out a dramatic hiss of pain. “Whatever. As long as he doesn’t get in the way, I don’t really care.”
“That’s the Bev I know and love,” you grin. You take a peek out into the hallway, only to find that Hannibal is nowhere to be found. Shit, you realize. He was your ride. You bite your lip and turn to Beverly, who still looks rather proud of herself. “Hey, on an unrelated note… can you drive me home?”
“Wow, trying to flatter me into giving you a ride?” Beverly laughs. You realize your blunder and you quickly stammer out an apology, but your effort only makes Bev laugh harder. It takes a few moments for her to evidently catch her breath.  “I’m just messing with you; I should be able to drive you.”
“Awesome, thanks,” you reply breathlessly. “I’ll just need to speak to Jack and then I’ll be done.” Beverly nods and returns to her work. You’re sure that you could scream at her and she wouldn’t notice—that’s just how concentrated she gets at crime scenes. You decide to stick around for a while longer to conduct your own investigation. Together, the two of you spend an immeasurable amount of time performing tests and examining the corpse. You’re not even aware of time passing until Beverly’s phone goes off and she informs you that it’s getting late. This time, you walk out to meet Jack and deliver the news. You find your boss standing out in the front lawn, ordering some officers around. The poor guys, you shake your head in sympathy. Jack must sense your approach, because he turns around and levels you with an expectant gaze.
“Bev and I performed some tests,” you start, already dreading this conversation. You’ve learned that Jack has begun to expect far too much from you. You can always glean details from the killers, sure, but your method is far from perfect. There are always holes in the logic you acquire. “Ultimately, we’re looking for a middle-aged man. He works some sort of day job… maybe a businessman? He has a wife and a daughter.”
“That’s not enough,” Jack interjects predictably.
“It’s going to have to be,” you respond, staring back at him. Unfortunately, that’s all you found. Jack will have to make do with that information. More accurately, your team will have to make do with that information. You’re certain it won’t be long before you find the killer, though; Beverly, Price, and Zeller are all talented forensic experts. Jack seems to come to that same conclusion, although he clearly isn’t happy about it. Your boss asks you a few more questions—most of which you’re unable to answer—until he frees you from duty.
Finally, you can get back home. It’s been a long day. You take a few steps towards the front door of the home to get Beverly when you feel eyes digging into your back. You turn around instinctually, only to find Hannibal staring at you from his car. You return his gaze for a second, before realizing that he seems to be summoning you closer. After walking over, you lean into the open window on the passenger side and grin awkwardly. Hannibal’s gaze shifts from you to the empty passenger seat of his car and you begin to connect the dots.
“Bev’s going to give me a ride…” You smile, resisting the urge to itch the back of your neck amidst the awkward tension.
“I’ll drive you home,” Hannibal remarks, apropos of your statement. His voice is entirely assertive and you find yourself agreeing with him habitually. You manage to grab Beverly’s attention and point at Hannibal’s car. She raises her eyebrows suggestively and, in a fit of exasperation, you send her a vulgar hand gesture. Beverly quickly returns the gesture before waving. You roll your eyes and get into the passenger seat of Hannibal’s car. Before long, you’re on the open road.
The ride is mostly silent. Most of the time, you’d feel pressured to fill that silence with something. With Hannibal, however, the silence is comfortable. That recognition is startling and it nearly forces your next words out of your mouth.“Thanks for, well, everything.”
“Of course,” Hannibal nods, his eyes fixated on the road. In the darkness, they hold a dangerous metallic gleam. Your gaze falls down to his hands grasping the steering wheel. Just how many lives have those hands taken? How many times have they been stained with blood and marked with violence? The thought makes your stomach turn a little. You decide to focus your attention elsewhere.
Before long, Hannibal is pulling into your driveway. You immediately unbuckle your seat and move to grasp the door handle, but the man places a hand on your shoulder. Confused, you remain seated and watch as he walks around the car. Hannibal then opens the car door for you.
“Thanks, Hannibal,” you murmur, pushing yourself up and out of the car. Somehow, this leads to you standing quite close to the man, only separated by the car door. Your fingers twitch as you grasp the door. Hannibal’s gaze doesn’t falter in intensity and you suddenly need an escape.“See you later.” The moment is broken and you push the door closed. Hannibal nods and makes his way back to the driver’s seat. You stand in the driveway and watch as the sleek car pulls away, driving off until it entirely disappears from your view.
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chapter 3
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I feel like there is a lot of unmasked potential regarding Beverly and Hannibal… I think they’d get along rly well. They’re definitely gifted at getting on each others’ nerves, too,,, lmao.
anyway, thx for reading! <333
tagging: @embalmed-roses @blood-070 and @yourlocalratwriter  
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chibigaia-art · 7 months
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btw thanks to a friend that was so kind to lend me her rain code copy (tysm arisa if you see this) I've been able to play it - im currently on the mystery labyrinth of ch2, so here's some impressions of the game under the cut (mind the spoilers) (and also dont send spoilers ty)
Love the visuals of the game! I think the 3d is implemented really well and the setting of Kanai Ward is really fun - I just wish there was a pc port because the switch hardware is just. man. I wish I could see everything in HD instead of 380p but it might just be the switch lite lmao
I like shinigami's magical esque's sequences I just hate that they reduced the utena reference to another sex joke. cant have shit in kanai ward
speaking of references, I do like the danganronpa easter eggs but I liked the ace attorney stepladder one even more
I also really like shinigami I just wish she would shut up sometimes
same with desuhiko lmao
prologue was the strongest part of the game so far, MAYBE because it is reminescent of the 'locked place' murders in dr, maybe because everyone gets wasted, i dunno, it was just really fun
ch1 completely lacked what I'd call the emotional component that usually makes games like AA and DR stand out to me - ie I don't have any strong attachment to the victim or the accused, so I feel like I'm just solving puzzles. the puzzle part was still fun tho, and Halara is a great character
ch2 kinda fixed that emotional component with the girl-I-cant-remember-her-name-sorry that you spend time with before the second murder happens
ch2 also felt really fun from a campy perspective, with the disguise stuff going on!! (I do wish shinigami would stop calling yuma a pervert for trying to investigate a murder while dressed as a girl tho)
I do like chief yakou, he's cool in that very pathetic sad man kinda way
I really really love the sprite work, it's SO fun to look at the character's expressions,,, I also love desuhiko's goofy design, it's so fun
you can really feel the budget behind this one, unlike WEC that was just,,, a pain both gameplay wise and story wise, unfortunately 😔 I'm still sad it didnt turn out as good as I wanted it to be
anyway ive been having fun so far so I look forward to keep playing it
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idrellegames · 2 years
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TW SPOILERS FOR CH2
hi, idrelle! since the update i have this question on my mind. forgive me if it was already answered, but will an ace mc could have a romantic relationship with mel (and lyr for that matter)? his rebuttal if you choose an ace option still smarts, although i perhaps understand the reason behind it - at the time he wanted a no strings attached one-nighter (correct me if i'm wrong). still my hope is strong.
It will be possible, but Mel and the MC will have to come to some kind of understanding and some kind of compromise. A running theme with ALL of Wayfarer's romance content is compatibility--sometimes what your MC wants will match up with what their partner wants, sometimes it will not.
Melchior is polyamorous and sexual intimacy is very important to him. This will be an obstacle for ace MCs and it will take time for them to figure out their relationship and how it works.
You are correct that in Episode 2, Mel was seeking a no strings attached one-nighter. I tried writing an asexual version of that scene and it just didn't work for his character or the situation. Part of the sting comes from the fact that I was drawing on some of my own experiences with rejection as an asexual person.
I think it's important to remember that while there is romance content in the game, Wayfarer is not a romance game itself. Romances will not be easy or straightforward as each romanceable character has agency and their own wants and needs.
TL;DR: It will be possible to romance Mel with an ace MC, but it will be more difficult than it is with an allosexual MC.
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kmomof4 · 2 years
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SNEAK PEEK TIME!!!!
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Y’all, we are finally at the end of the ENTIRE SERIES!!! 
This has been a VERY long time coming, and I can’t tell you how excited I am to share this last chapter with all of you!!! I hope you all think it was worth the wait, but I can tell you, in my own humble opinion, it is. I was getting choked up reading it over this morning!! In this final chapter, happy endings abound as David finally comes home and reconciles with Marco.
For those of you that have been on this journey with me from the beginning, THANK YOU from the bottom of my heart!!! This series first started rattling around in my brain not long after I started writing three years ago, but I truly believed that if I wrote the whole thing as I envisioned it, ABSOLUTELY NO ONE would read the other stories. So the response to this series has been truly astounding!!
For those of you that were waiting to read until the fic or series was finished, or if you needed to catch up, you can find links to all the fics and the individual chapters of Snowing’s story below. I truly hope you enjoy them and let me know what you think!
Series Summary: This series introduces us to the family of Marco and Beverly Swan- their first born David and triplet daughters Regina, Emma, and Ruby. 
Love Between the Pages tells the story of Emma and Killian Jones. Killian is a bestselling biographer and he arrives at Emma’s horse farm in rural Virginia to interview her for his biography on her late husband Neal Cassidy, NASCAR darling who died 5yrs ago on the track. Falling in love with her was not part of the plan. 
Dance With the Gypsy tells the story of Broadway star Ruby and how she falls in love with Graham Humbert, the producer of her new show, Secrets. 
Clipping an Angel's Wings tells the story of Hollywood star Regina and Robin Locksley, the PI she hires to protect her from an unstable fan. 
The series will be rounded out with A Spy Finds a Home, David and Mary Margaret’s story. Dr. Mary Margaret Blanchard hires David to find her parents, scientists who have been kidnapped by a terrorist group. Once all the dust settles, Mary Margaret brings David back to the family he left many years ago.
Prologue- The End, Ch1 Mérida, Ch2 Uxmal, Ch3 Casablanca, Ch4 Excalibur, Ch5 Sefrou, Ch6 Excalibur, Part 2, Epilogue- The Beginning (posting tomorrow)
Before we get to the sneak peek, I have to SCREAM and FLAIL over a piece of extra art work made by @apiratewhopines​. She helped beta Snowing’s story because she just loves them and told me months ago that there just weren’t enough stories out there featuring them. Once she was finished reading Regina and Robin’s story, she made a pic set featuring all the couples in the series. I’m sharing it here at the end of the post because of mild spoilers, but I just can't TELL y’all how EXCITED and HUMBLED I am that someone felt strongly enough about this universe to make artwork for it!!! On the one hand, I can’t believe she did it, and on the other, I’m not surprised at all because she was one of the MOST enthusiastic and vocal supporters of this universe from the very beginning!! Please go give her all the love!!!
But for now, here is the sneak peek for tomorrow’s chapter that will bring all the stories to a, hopefully, very satisfying close. Under the cut, unless Tumblr ate it.
“We come bearing gifts, big sis,” she exclaimed, opening the door.
“If it’s not a glass of my favorite Champagne, I don’t want it,” Regina groused.
“This is better, I promise.” She swung the door open wider until David met Regina’s eyes in the mirror of the vanity where she sat. Her eyes widened briefly, then narrowed as she turned, a smirk tilting the corner of her lips.
“Well, well, well. Look what the cat dragged in.”
David returned her smirk. “Hiya, sis.”
She rose to look at him. She was every bit as beautiful as he remembered. Ebony hair that gently swept her shoulders, high cheekbones, chocolate brown eyes. “You look good, kid.”
She shrugged, with a smirk. “I know. You don’t look so bad yourself. A little rough around the edges, maybe.” She inhaled deeply and brought her hand to her face in a fanning motion. “Bastard. There goes my makeup.”
Regina launched herself at her brother. David met her halfway and spun her around before setting her back on her feet.
“David, we always knew this day would come,” Regina said, between sniffles, “but you couldn’t have picked a better one.” She lightly slapped David on the shoulder. “Don’t you even have a handkerchief?”
“Ruby stole it.”
“Figures.”
“This is Mary Margaret,” Ruby interjected, all but shoving her into the room.
“Oh?” Regina questioned, raising a brow.
“I’m sorry,” Mary Margaret began, “I didn’t mean…”
“She’s with David,” Emma put in.
“Isn’t that nice,” Regina purred. In the way of triplets, the silent communication between them spoke more loudly than the actual words, the wide smiles and twinkling eyes expressing their delight at this development. “Excellent taste, David.” She turned back to Mary Margaret. “Sorry as I can’t say the same for yours. But champagne is definitely in order.”
“I’ll get it,” Ruby exclaimed.
“You will do no such thing, Ruby,” Regina cried. “We can’t have you traipsing up and down the stairs in your condition. Graham will have my head! One of the servants will bring it up. Take everyone down to the sitting room at the end of the hall. Robin is barred from the wing. I’m not taking any chances at bad luck. I’ll be there as soon as I fix my face.” She placed her hand on David’s arm as everyone else filed out. “Stay, please.”
David turned and smiled at his sister as she sat back down before the mirror.
“I always figured you’d return in absolute triumph or absolute destitution.”
David laughed. “Sorry, it’s neither.”
“I won’t ask what you’ve been doing, but I will ask if you’re staying.” She eyed him in the mirror and David thought his heart might explode from the happiness of seeing his sisters again.
“Yeah, I’m staying.”
“Good.”
*~*~*
The final chapter will be up tomorrow morning. Thank you all again for all your love and support of this universe. Words cannot express how much each and every kudos, comment, and like has meant to me.
Artwork by @apiratewhopines​
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Tagging the usuals. Please let me know if you'd like to be added or removed.
@hollyethecurious​ @winterbaby89​ @snowbellewells​ @stahlop​ @resident-of-storybrooke​ @jennjenn615​ @kingofmyheart14​ @profdanglaisstuff​ @branlovestowrite​ @thisonesatellite​ @ultraluckycatnd​ @flslp87​ @whimsicallyenchantedrose​ @let-it-raines​ @shireness-says​ @kymbersmith-90​ @darkcolinodonorgasm​ @bethacaciakay​ @searchingwardrobes​ @ilovemesomekillianjones​ @teamhook​ @aprilqueen84​ @qualitycoffeethings​ @superchocovian​ @artistic-writer​ @donteattheappleshook​ @doodlelolly0910​ @seriouslyhooked​ @tiganasummertree​ @lfh1226-linda​ @xsajx​ @klynn-stormz​ @jrob64​ @wefoundloveunderthelight​ @zaharadessert​ @elizabeethan​ @xhookswenchx​ @gingerpolyglot​ @allons-y-to-hogwarts-713​ @sailtoafarawayland​ @justanother-unluckysoul​ @veryverynotgoodwrites​ @jonesfandomfanatic​ @deckerstarblanche​ @the-darkdragonfly​ @batana54​ @purplehawkcaptain​ @k-leemac​ @motherkatereloyshipper​ @apiratewhopines​ @killiansqueenofthejollyroger​ @onceuponahookandswan​ @meat-pie-with-sauce​ @cosette141​ @pirateprincessofpizza​ @xarandomdreamx​ @fleurdepetite​ @hookmecaptain​ @o-wild-west-wind​
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orchidelegance · 2 years
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review - the silent age
app store, free + $4.99 for ch2 playtime: ~2hrs with a guide rating: 8/10 replayability: 5/10
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short, bittersweet, with a touch of scientific fascination. the silent age by danish studio house on fire is the perfect way to spend an hour or two, submersed in the 1969 life of a low-level janitor at an arms manufacturer dabbling in time travel technology. a trail of blood to clean up in an elevator leads to a world of science, danger, and intrigue, mediated by your average joe protagonist and a well-paced, placid point-and-click mechanism. a mostly-ambient background punctured with some violin sound effects, coupled with a few pointedly placed skeletons, lend a sense of foreboding and dread to an otherwise quite peaceful game. i wouldn't classify it as horror, but rather as the nightmare fuel that normally comes with scifi. would absolutely recommend a play - and i would definitely be interested in what comes next for joe.
overall, i'd say i enjoyed it 8/10, my only drawbacks being the sometimes slow interaction speed (having to go up and down and all around to solve one puzzle) and a few text glitches, as well as having little closure (though i guess that could be part of the game). replayability is pretty high for me (relatively), maybe at a 5/10 due to the tediousness, but i think knowing how everything is done will make it easier to look out for smaller story details i may have missed.
spoilers below
i love a good scientific intrigue plot, especially with the chicken-and-egg trope (that ends up being subverted!). joe going back in time to prevent something that ends up caused by him going back in time to prevent it? narrative masterpiece.
joe's inner dialogue is masterful as well, from the naive remarks on his workplace and job to the witty dialogue that surprises the player when you try to do something stupid. the well-meaning, not-very-smart, genuine, and stubborn character of joe is written with care and makes just your average joe into a quiet hero, unacknowledged by everyone (except frank, in a bittersweet twist.)
the placement of the skeletons, exactly where they were decades prior, made me think that something abrupt had happened, not just the flu - but maybe bodies couldn't handle the flu like that in the past? the detail of the club owner having shot himself (hole in the skull, only five bullets in the shotgun) was one of the most bone-chilling parts of the entire game, especially since you had just been speaking with him moments prior. he was definitely one of my favorite characters in the game. little details that aren't touched on in the game but rather that you have to notice are interesting, and i imagine it would take another playthrough to really get everything. the part in the far-future with frank was annoying because of what seemed like an artificial prolongation of the chapter by making you run back and forth five(?) times, but the scare of taking the mask off the skeleton kept me adequately shaken to make it through without getting too annoyed. rip frank.
it's interesting to think about what happened to everyone in the current timeline.... i don't think that security guard you killed on the way back is making it, but i wonder where frank ended up, given that his timeline no longer exists - that is, he still does travel into the future since that happened before joe followed him, but that future no longer exists because after joe returned from that future, he contained the virus... so would it be that frank just disappears? this leads to an interesting question of timelines and time loops, since joe and dr. lambert clearly come from one. it also begs the question of what happens to dr. lambert - if he came from this future to warn joe, that future no longer exists, and therefore joe wouldn't have gotten the warning.... but the future no longer existing means joe would have had to have gotten dr. lambert's warning. it also means dr. lambert would not have gotten shot on the way back to warn them, meaning he might be alive? regardless, it would be interesting to play the game from frank or dr. lambert's perspective, or how they got to this point.
the ending is very bittersweet since joe is right back to where he started with his monotonous life, with nobody knowing how he had saved the world - i can only hope that dr. lambert is still alive somehow and they can debrief. i can't imagine how painful it would be to exist in a world with all that trauma and nobody to talk to who would believe you. i hope joe has a simple, happy life with people who cherish him.
definitely a lot more to explore, with a bittersweet ending, and a plot that raises more questions than it answers. love time travel.
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leafeonb · 2 years
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btw if i had to see this (first, second) so do you
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froqgy · 2 years
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shysheeperz · 4 months
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mrcatlion · 3 years
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Added Noelle
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kurain-genealogy · 3 years
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SOBBING????
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thecrabbybarista · 3 years
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So what did you guys think about deltarune? I thought au.
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