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veebs-hates-video-games · 1 year

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Moving on to quick notes on games I've played on Steam since June and didn't finish but left in the "maybe I'll get back to this some day" category, part 2 of 2:

A Good Snowman Is Hard to Build: Great presentation, feels good to play, but I think I've probably had enough Sokoban-derivative puzzles for one lifetime by now

Yankai's Peak: More puzzles, seems fine but didn't really grab me

The Solitaire Conspiracy: I like the idea of turning a solitaire game into some kind of spy/espionage/thriller kind of thing, but I wasn't into it enough to finish the story

One Piece Pirate Warriors 3: I was curious if any of the non-Nintendo Warriors games (not counting P5S, which I might try if I get on ok with P5R some day) would actually do it for me. This one definitely feels pretty dated, and it's not a very good PC port either. Doesn't help that I don't actually care about One Piece either

FTL: I kinda forgot to play it for several years, and now it turns out I don't really like it anyway so I wasn't really missing out

Shadowhand: Another game that mixes story and solitaire, and it's vaguely ok, but I wasn't super into either aspect of it

Dissembler: More minimalist puzzles that weren't really doing much for me

Dragon Age Inquisition: I'll probably try it again at some point if I'm bored and can get a controller to work right with it to see if that helps, but I wasn't feeling it. I've never been super invested in the Dragon Age world/story (some of the characters are great though), but also it's just super ugly? Like it's a lot more advanced than the first two games on a technical level, but the art style changes are really not pretty

King's Bounty: Dark Side: Continuing my tradition of getting bored of every King's Bounty game other than The Legend within a couple hours

Hand of Fate: I was curious about where it was going until where it went was weird/bad realtime combat, and then I learned that that's something I don't want in a card game

Devil Daggers: I am not great at this game, but I had fun learning the basic mechanics and getting better each run...but not enough fun to stick with it for more than a couple hours

Soul Calibur VI: I made a character in the character creator, then I went to start the story mode that has the tutorials in it and it wouldn't let me use that character and I had to make another one, and then it was less fun than I remember the old SC games being and I got bored and stopped

Killer Instinct: Seems ok I guess, but the feel of it wasn't clicking with me

Final Fantasy XV: So many mixed feelings. I really want to like the boy band road trip, and there are aspects of it I was genuinely enjoying, but there are just way too many things that were annoying me and added up. It's pretty decent at character interactions but absolutely terrible at exposition and conveying information about the world, and I've been spoiled by things like XC3 letting me fast travel anywhere at any time. This one could probably get its own post to include everything though

#final fantasy xv #killer instinct #soul calibur vi #devil daggers #hand of fate #king's bounty: dark side #dragon age inquisition #dissembler #shadowhand #ftl #one piece pirate warriors 3 #the solitaire conspiracy #yankai's peak #a good snowman is hard to build

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moonshinemuses · 2 years

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Plot call for below muses

Skylar Amell (Warden)

Avery Hawke (Kirkwall Champion)

Evelyn Lavellan (Inquisitor)

Like or DM me. Link to bios provided above. Game choices can be found here, though can plot & move things around if need be <3

#dragon age rp #dragon age inquisition rp #dragon age origins rp #dragon age two rp #sc. down the path (skylar starter call)#sc. a lot of walking (avery starter call)#i'm not the best in editing things so i use online editors #but i am damn proud of this lol #sc. the call to arms (evelyn starter call)

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warriorofmint · 4 years

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The Commander at Haven.

#Dragon Age: Inquisition #cullen rutherford #dragon age #screenarchery #commander cullen #sc*#look at this handsome motherfucker

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ladyotakukiut · 4 years

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#hnggg gorgeous josie!!#dragon age inquisition #DAI #da:i #josephine montilyet #my sc #spamq

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blightblood · 5 years

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burning ice

#dragon age #dragon age inquisition #inquisitor #waechterin #screenshot #screencap #SC

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star-commanderr · 7 years

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Iron Bull

/Gets Iron Bull meet and greet mission like last week

Me: / Finally goes to meet him after a week or so

Me: /sees them fighting

Me: “Have they been fighting for a week? Did he stay cause i was a redhead?”

SP:were they just pretending to spar just to impress you when you showed up

Me: B O I

#iron bull #dai #ironbull dai #dragon age inquisition #dragon age memes #sc shares their expirence #my inquisition #save me #i rejected him

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holidayloading48 · 3 years

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Goya Guitar G15

Goya Guitars G 10 Value

Goya Guitar G-10

Goya Guitar G150

The Goya guitar information spotlighted on this page comes from different sources (and individuals via email) and will sometimes conflict. Hopefully, enough facts come through to provide enlightenment to the history of the Goya guitar. At the bottom of this page is the list of some of the sources that I used. If you have any additional information about Goya guitars or the companies that produced and distributed them - please

Goya Guitar G15 En Que Consiste La Psicologia Del Color Download Train Simulator 2009 Taraftar Tv Indir Dragon Age Inquisition Full Download Akhkharu Vampyre Magick Pdf Drag Racer V3 Download Tms Tamil Songs Lyrics Create Simple. Goya was the first classic guitar line to put the trademark name on the headstock, and also created the ball end classic guitar string. Sep 09, 2015 This guitar had two cracks on the back of the base. VTG 1956 Goya G15 Acoustic Classical Guitar 50s Gretsch Martin Sweden Orig Case You are bidding on an authentic vintage 1956 Goya classical acoustic guitar. This guitar is in very good condition.

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email me. ThanksThe guitar brand name 'Goya' existed from the mid 1950's to 1996. Nylon and steel string acoustic and acoustic/electric guitars, hollow body electric guitars, solidbody electric guitars and basses, thinline electric archtops guitars, banjos, mandolins and amplifiers. The Goya brand name was initially used by Hershman Musical Instrument Company of New York City, New York, in mid 1950's for acoustic guitars made in Sweden by Levin, particularly known for its classical guitars. NOTE: As best I can tell, 'Goya' brand guitars were made starting in 1954 and ending in 1996. The Goya brand name was initially used by the Hershman Musical Instrument Company of New York (Goya Guitars Inc.). The 'Goya' name comes from Francisco Jose de Goya, the famous 18th century Spanish painter known as the father of modern art (Francisco drew a lot of Spanish guitar players too). The distribution for Goya guitars went from Hershman to Kustom Electronics Inc. in 1970 and then over to Dude Inc. (both of Chanute, Kansas) in late 1972 as best I can tell. Most of the acoustic guitars during this perion (1954-1973) were handmade in Sweden by the Levin company (I believe the possible exceptions were the G-50 models made in the USA based on descriptions in some of my Goya catalogs). The Goya brand then went to Martin Guitars in 1974 (the same year they acquired Levin) and lasted until 1996. These Goya guitars were made in Japan, Korea and Taiwan (I've never seen a Martin 'Goya' that said made in Sweden).

Sparkle plastic covered Model 80 (ESP24 Standard) and Model 90 (EDP46) hollowbody electric 'Les Pauls' (with replaceable pickup assemblies) - made by Hagstrom - introduced mid 1959. These are relatively rare.

By 1963 company had become Goya Musical Instrument Corporation, marketing primarily Goya acoustic guitars. Goya purchased by Avnet, Inc., prior to 1966, when Avnet purchased Guild Guitars. Probably some 1970's guitars were made in Japan.

Justbroadcaster for periscope. Goldspy. Brand name purchased by C.F.Martin in late '70s with Japanese-made acoustic guitars, solidbody electric guitars, basses, banjos and mandolins imported in around 1978 and continuing through the 1980's. Brand name was then used on high-quality Korean-made acoustic and acoustic/electric guitars, banjos and mandolins. Brand name 'Goya' discontinued in 1996.

Goya instruments were originally produced in Sweden by the Levin Company that has been making guitars since the 1900's. Distributed by Hershman Musical Instruments Company of New York. Later Goya instruments were built in Korea from the early 1970's to 1996, and were distributed by the Martin Guitar Company, located in Nazareth, Pennsylvania. The Goya trademark was originally used by the Hershman Musical Instrument Company of New York City, New York in the 1950's on models built by Sweden's Levin Company (similiar models were sold in Europe under the company's Levin trademark). Levin built high quality acoustic flattop, classical, and archtop guitars as well as mandolins. A large number of rebranded Goya instruments were imported to the U.S. market. As a side note - Anders Wasén of Gothenburg, Sweden (where Levin/Goya was made) provides this additional information: H.C. Levin was from Sweden and as I was told worked in the United States as a trainee at the Martin Guitar Company. Nomachine for mac. So did his son just before World War I (as he told me himself). H.C. went back to Sweden and formed the Levin Guitar company (Goya in the US).

In the late 1950's, solidbody electric guitars and basses built by Hagstrom (also a Swedish company) were rebranded Goya and distributed in the U.S. as well. In 1963 the company changed its name to the Goya Musical Instrument Corporation.

Goya was purchased by Avnet in 1966, and continued to import instruments such as the Rangemaster in 1967. By the late 1960's, electric solidbody guitars and basses were then being built in Italy by the EKO company. Avnet then sold the Goya trademark to Kustom Electronics. It has been estimated that the later Goya instruments of the 1970's were built in Japan.

The C.F. Martin company later acquired the Levin company, and bought the rights to the Goya trademark from a company named Dude, Inc. in 1976. Martin imported a number guitar, mandolin, and banjo string instruments from the 1970's through to 1996. While this trademark is currently discontinued, the rights to the name are still held by the Martin Guitar company.

The Goya company featured a number of innovations that most people are not aware of. Goya was the first classic guitar line to put the trademark name on the headstock, and also created the ball end classic guitar string.

Levin-Era Goya models feature interior paper label with the Goya trademark in a cursive style, and designated 'Made by A.B. Herman Carlson Levin - Gothenburg Sweden.' Model and serial number appear on the label, as well as on the neck block.

Albin Hagstrom's company produced guitars in Sweden from 1957 through the early 1980's. Early distributors included the Hershman Musical Instrument Company of New York (under Goya logo) and Selmer, U.K. (under Futurama logo). Hagstrom really came into it's stride during the beat boom of the early 1960's, making functional, affordable models such as the Kent. Hagstrom also began to export widely, often badging guitars to suit the marketing brands of the customer. Thus some US Goya-brand guitars orginated at the Hagstrom plant, as did a number of British Futurama models.

The earliest known Goya guitars that I can VERIFY are from 1958. I have a 1958 Goya Guitar catalog to base that statement on. Also, all Goya guitars with labels saying 'Made by A.B. Herman Carlson Levin, Gothenburg, Sweden' have serial numbers showing a 1958 date using the 'Locksley Serial Number List.' I believe that list can be ONLY be used for Goya guitars having that label. All other Goya guitars CAN NOT use the 'Locksley Serial Number List.'

Goya Guitars G 10 Value

Goya guitars were imported from Sweden by Kustom Electronics in the late 60's to early 70's. I have a 'Kustom Goya Ad' dated 1971. I've been told that Kustom didn't put serial numbers on the Goya guitars. The Goya distributorship was then sold to Keith Dodd of Dude Inc. in the early 70s who I've been told did put serial numbers on the Goya guitars. Kustom Electronics originated in Chanute, Kansas as did Dude Inc. Around 1977 the Goya franchise was sold by Dude to the Martin Guitar Co., who began importing Goya guitars from the orient (I have a 1977 Goya Martin Guitar catalog).

Goya was a brand applied to guitars imported into the US by Hershman. From 1959 some were made by Hagstrom in Sweden, with distinctive touches including colorful plastic finishes and multiple control layouts. By the late 1950's the influence of electric guitars had spread worldwide, evidenced by other countries' contributions to the cause, and some of these did make their mark on a pre-beat boom British market. In Sweden, accordion maker Hagstrom decided it wanted a piece of the electric guitar action and launched two- and four- pickup solidbody models in 1958. These visually arresting guitars boasted banks of pushbuttons and chromed panels plus abundant sparkle and pearloid plastic - all unsurprisingly appropriate in view of their accordion-derived ancestry. Such exercises in excess even fared well in the US where Hagstroms bore the Goya brand name.

Jimi Hendrix played a psychedelic (paisley design) Goya Rangemaster, which can be seen in the 'Jimi Hendrix Electric Gypsy' book by Shapiro & Glebeek. The picture in the book has this description 'Goya - probably made in early 1968. This photograph (taken around March 1968 in the USA) shows Jimi playing this Italian-manufactured guitar - the first psychedelic guitar available on the market.' NOTE: I believe I saw the guitarist for 'Country Joe and the Fish' playing a Goya Rangemaster during a performance that was shown on 'The History of Rock 'n' Roll' shown on PBS television.

Stevie Nicks of Fleetwood Mac fame composed her first song 'I've Loved and I've Lost' with a Goya guitar, her very first guitar, given to her by her parents on her sixteenth birthday. Asked during a MTV interview, 'How long, actually, have you been composing songs?' she answered, 'Since my 16th birthday, the day I got my Goya guitar. I wrote a song that day.' Another great artist that used a Goya guitar in all her songs was Melanie. If you ever saw the 1967 movie 'The Sound of Music' then you saw Julia Andrews playing a classical Goya guitar (I believe it was a G-13 model).Another artist associated with Goya guitars is Mason Williams, who gave us the great guitar instrumental 'Classical Gas.' His second guitar was a Goya which he bought in 1958.

The Goya Rangemasters electric guitars were produced between 1965 - 1969. The 'Goya' brand name was used at various times by Hershman Musical Instrument Company of New York, an importing firm, and as was so often the case with distribution companies one brand name turns up on guitars from a number of different sources. The Rangemaster model, for example, is of Italian origin, reflecting a 1960s predilection for multiple control layouts and most likely comes from the EKO factory. The vibrato bar, however, was provided by another Goya supplier, the Hagstrom company of Sweden.' NOTE: Someone informed me that they had talked with a production manager from 'EKO' in the 60s who said they had no involvement with Goya. That same person suggested to me that the 'Polverini Brothers' in Italy made the Rangemaster guitars. It has also been suggested that Italian guitar maker Galanti made the Goya 'Panther' models. The Goya Panther and the Galanti guitars look nearly identical.

The Japanese manufacturers who started to mass produce electric guitars in the early 1960's included Fujigen Gakki which made guitars with Goya, Kent and other importer brands. Greco instruments were imported to the U.S. through Goya Guitars/Avnet. Avnet was the same major company that also acquired Guild in 1966. NOTE: The 'Greco' brand guitars as owned by the Hershman Musical Instrument Company of New York (Goya Guitars Inc.) during the 1960s are NOT the same as the Japanese made GRECO guitars made in the 70s and 80s. The Hershman 'Grecos' were made in various European countries and are listed in my Greco catalogs. I believe the 'Greco' name comes from the 16th century painter El Greco (there were no guitars around during his days). The logo for the Hershman Grecos are in the same style as the Hershman Goya logo and different than the Japanese made GRECO guitar logos. By the way, speaking of logos, the Goya logo did go through a change sometime in the 1980s when Martin owned the Goya brand - some of these guitars were made in Korea.

Today is a good day I would suppose. I ran over to one of my old friends houses whom I don't see very often. He is heading off to college Sept. 1st to finish his degree and is trying to get rid of useless shit in his house. He doesn't play guitar and had this acoustic lying around from some house party he had AGES ago. Some stupid kid left it there. I am assuming its really not that valuable, considering the kid left it, oh, at someones house. He got wind that I had started playing guitar and asked if I wanted it, told me it would be a fixer cause it had been lying around his house for, well, ages. It is indeed a fixer-upper (Well kinda..) It needs new strings and a new nut (missing it, where the hell it is, G-d only knows. But- Its a Goya by Martin Model # G310

I know nothing of this guitar, and I am probably retarded and cant find anything online really of use, ie- value, where to find parts (aka-this nut that I need) and some way to tell what year etc I have on my hands. From what I can find, they stopped making this guitar in 1992. So..Ah..Little help here? Please. Por Favor? Love Tan.

Goya Guitar G-10

Goya Guitar G150

The Guitar Illiterate.

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wildmelon · 1 year

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salsh 🪴

#dragon age #dragon age: inquisition #da: i #dai inquisitor #dai #dragon age inquisition sc #dragon age inquisitor #dragon age inquisition #dragon age sc #inquisitor lavellan #lavellan #my lavellan #pc: salshira lavellan #wm: chars

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mxcska · 6 years

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Dragon Age: Inquisition tarot cards lockscreens.

Vivienne, Morrigan, Sera & Secrets (war table).

Please like or reblog if you save/use.

If there's a problem with the quality you can try take a screenshot of the image and then put the sc as lockscreen.

What cards should i do next?

#dragon age #dragon age inquisition #Dragon Age lockscreens #Dragon Age homescreens #Dragon Age wallpaper #sera #vivienne de fer #red jenny #morrigan #video games lockscreen #video games wallpaper #video games

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galpalaven · 7 years

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epiphany

wow dragon age fanfic??? in the year of our lord 2k17?????? yep have some zev/warden post-awakening, sometime during inquisition probably….fluff? hurt/comfort? (also wtf are titles)

She’d broken three different cups this week.

The first time was an accident, mostly. Her fingers didn’t quite get the grip she wanted on the cup of tea, and it slipped, splashing hot water all over the floor and up her leg, shattering on the wood at her feet. The owner of the inn didn’t seem to mind, even when Kira apologized over and over again, offering coin to pay for it or at least to clean it up, but the old woman just waved her off.

“I recognized the crest on your chest plate when you came in, Warden. We are always happy to serve your kind here,” said the round innkeeper warmly, winking at both Kira and Zevran where they sat in the dining hall.

Kira’s shaky smile as she turned back to her broth put a rock in Zevran’s stomach.

The second and third time happened just like the last, just at different times of the day. She’d reach for her cup, something would go wrong in her hand, and it would fall to the floor, shattering with a magnificent crash that had them both cringing. The third time it happened, Zevran watched her eyes well up with tears, and she pushed away from the table, stumbling across the room and barely keeping from running over a maid as she made for their room.

The old innkeeper looked at Zevran curiously as he turned back to their half-eaten dinners numbly. “Is she alright?” she whispered, leaning in like they were sharing a secret. “Is there anything I can get her?”

He wanted to laugh. There were many things he’d like to get her, but none of them were anything a simple innkeeper could provide at this point. It was a wonder no one had noticed the spidery black veins poking out from under her sleeves and the collar of her shirt, honestly—he didn’t need anything else tipping them off that she was struggling with the Calling.

“No,” he said as warmly as he could. “No, she’s just feeling a bit under the weather. If you’ll excuse me—.”

“Of course,” the woman said, but Zevran was already up and heading down the hall before she could say anything else.

He knocked cautiously on their door before he opened it, hoping to give her some warning. Another curious patron was hovering a few doors down from him as a rather loud sob came from behind his door, and Zevran glared at him. When the man caught sight of the elf’s eyes, and the knife at his belt, he quickly continued on his way down the hall, and Zevran bit back a sigh.

When he pushed the door open, he found Kira had stripped herself of her heaviest pieces of clothing (something he only knew by the trail of clothes leading to her side of the bed), and had wrapped herself up in the blankets, curled into a ball facing away from him and sobbing into her pillow.

Nervous suddenly, Zevran fiddled with his own hands, taking a few cautious steps towards the bed as he cleared his throat and asked, “Kira?”

His wife did nothing but cough, still facing away from him.

He took another deep breath, letting it out slowly as he crawled onto the bed beside her, curling around her and wrapping an arm around her stomach, squeezing as she cried harder. He pressed his forehead to the middle of her shoulders, closing his eyes and just holding her as she rode out the hysterics. This wasn’t the first time he’d found her crying, and he doubted it’d be the last (the life of a Grey Warden was not a kind one), but it hurt all the same to hear her in pain and be able to do nothing for her.

At some point he began to hum, tunelessly at first, until her breathing started to quiet. He hummed some of his favorite Antivan folk songs (songs she still didn’t know all the words to, but he knew she was trying, trying so hard for him), and eventually one of her hands snuck out from under the covers to grab at his around her waist. Lifting his head a little to kiss at the bare strip of skin on her shoulder—don’t look at the scarring, don’t think about that—he leaned in and asked softly, “What can I do for you, amora?”

She shook her head, and when she finally spoke, her voice was rough. “There’s nothing—nothing you can do, Zev.”

The silence that settled over them for a beat was heavy and oppressive, and his chest ached.

He fit his chin against her shoulder, resting his cheek against hers and sighing as he squeezed at her fingers. “Is it the Calling?”

She jostled his head as she shrugged, and they both giggled a little when she had to apologize, the mood lightening for half a glorious second before it soured again. She sniffled, taking a shaky breath as she said, “I am…in pain.”

“Where?”

“Everywhere. All the time!” Her breath caught like she was biting back the urge to sob again. “And there’s n-nothing I can do…I keep dropping things because it hurts to grip them.” She let go of his hand to massage her knuckles, and he noticed now how red and angry they looked. “I’m sorry, it just—hit me.”

He kissed at her shoulder again. “What hit you?”

“That I’m always going to be in pain—unless we find a cure, this isn’t going to go away. I’m just going to hurt and hurt and hurt until something kills me and puts an end to it.”

He didn’t know what to say to that—other than a quiet, “No. No, Kira, no.”

She sobbed, bringing her hands up to cover her face. “I’m never going to be alright again, Zev, and I—I knew, going into this—this Warden thing, I knew, but I didn’t realize what that would—would mean. I—.”

“Kira.” He tugged insistently on her shoulders as he said her name, and she finally turned in his arms, burying her face in his chest as she cried, fingers fisting in his shirt as she clutched herself to him. Threading his fingers into her hair and rubbing at her back, he sighed, shutting his eyes tight and wishing, now more than ever, that some sort of hidden magical healing abilities would awaken, just so he could ease her pain. For now, all he could do was hold her.

“You are going to make yourself sick, mi amor. You need to calm down.”

She said, “Sorry,” and didn’t stop, mumbling it like some kind of chant into his chest. Every few seconds, she’d take a gasping breath, like she wasn’t pausing for enough air or something.

“Breathe, my love,” he reminded her, unsure of how to handle this particular breakdown. He didn’t have any clever words of advice or tricks for this. This was just…

Zevran pulled away briefly to slide under the covers with her, settling on his back and smiling at his wife where she’d been watching him, sniffling miserably. He reeled her in, letting her head rest over his heart and running his fingers through her hair, mimicking what she usually did for him when he wasn’t feeling well. Within moments, he could feel the tension seeping out of her muscles, and it made him sigh.

Good.

“Sleep, my dear Warden. Tomorrow will be a new day, and we’ll be one day closer to finding the Cure.”

She snorted sleepily into his shirt, mumbled a muffled, “Love you, Zev,” and went still.

He played with her hair a little longer, watching the moonlight on the ceiling before bending his head to kiss the top of her hair softly. They’d made it this far together—through abominations and corpses and werewolves and brood mothers and Archdemons and assassins. They were going to be fine soon. He could feel it. They just needed to hold on a little longer, and everything would work itself out in the end.

It always did.

you’re all lucky i cut out the line about ‘the afterlife being another new adventure’ lmaoooo

my chronic pain has been bothering me and i figure the calling fuckin sucks too so….yeah

#zevran #zevran arainai #kira cousland #my writing #zevran x warden #dragon age #dragon age FanFiction #50 notes

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