[rocking back and forth in a corner] it's alright that your writing isn't structured as well as you would've liked, it's alright that it feels shaky and unnatural, it's okay that there's plot holes, what matters is that you keep going, get that idea down on paper, and you can go back and expand on it later. yes even if it's bad yes even if it's messy. and even then if it doesn't feel quite right it's still worthy of respect and love and appreciation because you wrote that with your own two hands and the words came from your own mind. perfection is nothing, improvement is everything, there is no such thing as a perfect piece of writing.
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[Image description: A traditional drawing of Jennifer Check from Jennifer's Body. It's done using oil pastels and coloured pencils. She's depicted in the abandoned pool, wearing her bloodied prom dress. Her face is contorted in a sneer and she's in a stand-offish pose, arms going backwards in anger. The colours used bright and bold, and the background is composed of different greens.]
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does anyone have any tips on how to cheer up a dog? should i give her the world? give her a golden apple? would that help? ╥﹏╥
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i find myself often hesitant to really talk about ana in alot of aspects and a big reason for that is being in the same boat as her regarding losing her older sister to a tragic incident ( lost my older half-sister in a car a.ccident ) & then losing my mom ( c.ancer two years ago ). and i know it can come off uncomfortable to some when theres a bit of a blurred line between a characters' experiences vs the writers and thats where that hesitation comes in most days.
however, those losses are so significant in ana's story, in how things go for her throughout her life following the house -- whether its known in my canon if maria's alive but whereabouts unknown still or its confirmed she's dead or w/e -- that it'd be too much a disservice i feel to tiptoe around it like i do so, just a fair warning hopefully that yeah, there'll be times where my experience with losses may bleed into ana & maria & frankly also others a bit. as well, my experience of watching my mom lose her oldest kid may reflect in mama ginny & mama flores, so. fair warning on that too.
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as an underclassman early morning classes and boring classes were what i detested and feared most of all. now it’s difficult classes and evening classes. my evening class last semester actively made me want to become the joker with how disruptive it was to my schedule. i sure would have never wanted to switch into a 9am yawnnnn history lecture class but at this point that sounds like a dream compared to all the tons of active work outside of class with every single professor trying to scare us to death on the first day. i would rather wake up early every day than suffer the hell that i’m currently slated for. last semester brutalized me so badly it’s not even funny i can’t do the same workload again yet worse i need a relative mental break. i do not have that dog in me. i will be going to my advisor screaming and crying tomorrow asking her to make some changes
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Trans Book of the Day #1
Welcome to St. Hell: My Trans Teen Misadventure by Lewis Hancox
Lewis has a few things to say to his younger teen self. He knows she hates her body. He knows she's confused about who to snog. He knows she's really a he and will ultimately realize this... but she's going to go through a whole lot of mess (some of it funny, some of it not funny at all) to get to that point. Lewis is trying to tell her this... but she's refusing to listen.
In WELCOME TO ST. HELL, author-illustrator Lewis Hancox takes readers on the hilarious, heartbreaking, and healing path he took to make it past trauma, confusion, hurt, and dubious fashion choices in order to become the man he was meant to be. It's a remarkable, groundbreaking graphic memoir from an unmistakably bold new voice in comics.
Really dug this one, especially for its frank discussion of trying to find an identity that fits when you have limited language and resources to do so! I thought the strongest and most distinctive parts of the graphic novel were:
The asides where Hancox invites commentary from his friends and family about their actions and reactions during his childhood, teenage years, and early transition. He has huge empathy for the ways that misinformation create obstacles to social and medical transition, even within a well-intentioned support network. The segments where he and his mother talk about lack of information on youth transition and HRT making them both anxious about actively addressing his early childhood dysphoria are particularly strong.
Discussion of eating disorders as a response to dysphoria during puberty. This is something that I've rarely seen addressed in literature even though it's such a common experience for a lot of trans people.
Depiction of coming into new identities and how that both does and does not change your relationships. I can see this being a great read for teens who are anxious about theirs or their friends' evolving identities altering the dynamic between them.
This is a super charming, very frank and funny memoir that I think will resonate with both teenagers and adults. Hancox doesn't shy away from critiquing barriers to transition in the UK, but the main focus of the book is his warm, empathetic depiction of his younger self and his loved ones.
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I think I'm in shock about Paper Girls. Like I feel like I'm gonna throw up.
Same. There are so many layers to how I feel about it. Furious, to start. It was SO well-received, by critics and fans alike; the problem was marketing. The Twitter tag is full of people who didn’t even realize it was a show until it was cancelled. Hell, I didn’t know it was happening until a trailer hit my dash by chance like a month before it dropped. Apart from the SDCC panel (which, let’s be honest, I’m the right kind of nerd to have noticed, but lots of viewers wouldn’t have known about), it got very little promotion. Which like. Bro. It’s been out less than 50 days. Fifty days to give a first season before you take it out back and shoot it? That’s madness. I said it in my other post, and I’ll say it again: giving a show 3 weeks to hit (and having sky-high perimeters for what “counts”) is a one-way ticket to killing art. It gives no time for growth, for it to find its audience. It kills me how little streaming cares for shows.
Then there’s just the devastation of having this gorgeous, character-driven show with Chinese, Black, Jewish lesbian, and masc lesbian rep, and KNOWING they had a plan. There was so much love in every frame. These girls knew their characters backwards and forwards. They were so lived-in, so authentic. And the fact that Amazon couldn’t bother giving them even just two seasons (which I do believe would have been enough to get the whole story out, if they knew they had only that)? After a competitive bidding war to get the rights in the first place?? Fuck that noise.
Genuinely, I am on my knees for Legendary to successfully sell it to another distributor. It’s a good sign that they instantly got the rights back and announced they were shopping it, but they shouldn’t have had to. If you option the rights to a pre-existing IP, you ought to believe in it enough to let it run a minimum of two seasons. This show is a fucking gem. It’s beloved. It’s just that it got drowned by lack of marketing, another “similar audience” show dropping immediately after (and don’t get me started on how it feels like they pit a historical queer sports show against a coming of age time travel show—two completely different genres that shouldn’t HAVE to compete), and Amazon giving all their money and attention to their New Big Thing. It deserves so much better. I’m so. So upset about this.
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