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#fire emblem three houses crimson flower
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doctorcorby · 7 months
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There it is. Crimson flower + textpost
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iubworks · 2 months
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Edeleth - After the War
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themisteriousentity · 6 months
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"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"
You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself
Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus
Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class
Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves
And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully
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stergeon · 1 month
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"Do you like me?" Edelgard: Byleth we've been married for a year
Edelgard: You jest, but on our wedding day, I thought she was going to pass out waiting for me to say "I do," and then when I did, she said, "Oh, Thank Sothis."
Edelgard: ...
Edelgard: I like her so much.
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the-bar-sinister · 10 days
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villtura · 1 year
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Harbinger
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balanceoflightanddark · 5 months
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As requested by @cobra-diamond. I hope this makes you happy.
If you know me, then you probably know that I have a habit of talking about problematic characters like Azula. You know, the ones who have to have an inordinate amount of hatred attached to them that boggles the mind. It's just Azula is one of the most notorious of this...I guess you can say club.
The thing is...she's not the only one out there.
Spoilers for Fire Emblem: Three Houses below.
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This is Edelgard von Hresvelg. Crown Princess to the Adrestrian Empire. Leader of the Black Eagles House in Garreg Mach. And quite possibly the most controversial character in the entire Fire Emblem franchise. She's been called a lot of things over the years. A fascist. A tyrant. The old "worse than Hitler" comparison. Needless to say, she's had it rough.
And to be fair, there is a reason for that. Traditionally, she's the "villain" of the story. She's the face of the enemy faction, the one you encounter the most if you don't side with her, and she ends up the final boss on the most traditional of the Fire Emblem routes. Her design is crimson red with devil horns, and she turns into a literal monster at the end of one of her routes. So by all accounts, she's the bad guy.
Except...she isn't. Not really. Let's back up a bit.
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Three Houses takes place on the continent of Fodlan, which is broken up into three distinctive factions. We have the Adrestrian Empire that Edelgard is from who used to rule all of Fodlan. We have the Leicester Alliance which is ruled by a class of nobles who are only loosely united. And then we have Faerghus, a proud people with armies of knights and ruled by a king. Above them all are the Knights of Seiros who basically run things in Fodlan, keeping stability and maintaining the balance of power between all three factions from their monastery of Garreg Mach. Here, noble children from all across the continent are enrolled to learn combat and how to be a faithful servant of the Church and its Archbishop, Rhea.
Fodlan also has a strict caste system dictated by Crests. Think of them as bloodlines that grant users special abilities and the power to wield divine weapons. Those who inherit Crests are practically seen as chosen by the Goddess and enforce her will on the earth and are on top. Everyone else essentially gets trampled on, with families doing pretty underhanded things and constantly squabbling in order to make sure their family has Crests.
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Enter a mysterious faction lead by their enigmatic leader, the Flame Emperor. For most of the game's first half, they serve as the ultimate bad guy. They're the face of Those Who Slither In The Dark, (TWSITD), they're the ones who hired the mercenaries who attempted to kill the student heads at the beginning of the game, and their identity is one of the driving questions at the start.
Turns out...the Flame Emperor is actually Edelgard.
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Before now, Edelgard had been one of the class leaders and one of your students should you choose to teach the Black Eagles. She's...not exactly the most open person, but she's also dutiful and dedicated to succeeding her elderly father, the Emperor of Adrestria. So it comes off as a shock to many that she's revealed to effectively be the bad guy for the first half of the game. An indeed, there are people in-universe who genuinely want her head and blame her for absolutely everything that TWSITD pulled.
The thing is though...Edelgard's position within TWSITD is less of leadership and more of a weapon. You remember those Crests I mentioned earlier? Well it turns out, Edelgard actually possesses TWO which is unnatural in Fodlan. The reason for that is...well, it was the result of torturous experiments that left her in a disgusting prison and was forced to watch the rest of her siblings die. Leaving her the sole survivor. And going back to my Azula comparison, she too was conditioned to effectively serve TWSITD to bring down the Church and tear Fodlan apart.
AKA: she was set up in-universe to be the villain.
The thing is though at the end of the day...she ultimately isn't.
Her trauma isn't brushed away. It's treated with as much respect as it deserves. And she's not treated as some monster either since all of her traits established before the reveal are still present after the timeskip where the war starts if you decide to defend her from being executed by Archbishop Rhea. Mainly, she cares a lot about her allies and forces. Even giving them an out of what is certain to be a bloody path she embarks on.
And it IS a bloody path. Edelgard's ultimate goal is to dismantle the Church which seems villainous...until you realize that the Church was responsible for the oppressive Crest system that resulted in her experimentation and a ton of backstabbing and suffering in Fodlan. As bad as TWSITD are, they wouldn't have gotten as far if the Knights of Seiros practically didn't create every opportunity for them to cause chaos and destruction. She doesn't even like TWSITD too much, and only allies with them cause they're the lesser evil in the grand scheme of things, and she needs their support to stand a chance against the dominant Church. And she already HAS plans to bring them down the moment the war is over. That seen of her in the of the routes where she turns into a monster? That's her choosing to become a monster when her back is to the wall and her last ditch effort to secure a better future for Fodlan.
What's more, she actually shows more clemency and mercy to her enemies than her rivals. Imperial troops are said to be more accommodating to citizens and captured soldiers than Faerghus who have been known to torture their captives. Edelgard is willing to show mercy and is perfectly willing to let Rhea stand down, showing the same mercy that her enemies don't since Rhea was willing to execute heretics over their rebellious attitudes (practically justifying the war). And the less said about Dimitri, the King of Faerghus, the better...
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So while Edelgard is coded as a villain...she doesn't really act too villainous. She shows regret over her actions. She isn't as brutal as a lot of people make her out to be. Hell, her ending where she wins the war is arguably the best for Fodlan since the oppressive Crest system is dismantled with the only resistance coming from nobles who their claims to power are challenged. Not to mention she IS willing to let territories like Brigid peacefully secede and is going to step down from her position as Emperor once things are stabilized and she finds a successor.
Sadly like Azula, because she's seen as the villain in-universe a LOT of people think she's some power-hungry monster. Even when a closer examination of her actions and character show that it is NOT the case. Which...honestly makes her special to me and a lot of people. She's the kind of character who would be demonized elsewhere, but is given a chance to tell her side of the story and NOT be the monster everyone makes her out to be. And ultimately if you play your cards right, she does get that happy ending denied to so many characters like her.
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It makes it all the sweeter that after so many years of being conditioned to be the villain, presenting herself as the villain, Edelgard gets recognized as the hero and person she actually is.
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bowbowis · 5 months
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In a World for Humanity... There's No Need for Gods...
People trying to make out that CF is the bad ending because Byleth loses their godhood really need to learn about context. As Edelgard says in the very same scene, "when humanity stands strong, and people reach out for each other, there's no need for gods." Byleth's loss of divinity isn't a tragedy because because their godhood is, and always has been, redundant.
Byleth the god didn't show Edelgard she could be loved, or help Dimitri find redemption, or teach Claude to trust others; Byleth the person did. Only one person in the game reduces Byleth to their status a vessel for Sothis's power, and that's Rhea, something even she admits she was wrong for doing in her S-Support. Edelgard doesn't weep in the end of CF because she's mourning that Byleth lost the Godess's power, she weeps because she's overjoyed that the person she loves, the part of Byleth that truly matters, survived.
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vr-trash · 1 year
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thought i should share this piece i did in february.. definitely one of my favorite drawings. [ quote is from grief lessons: four plays by euripides ]
[ ID: a 4 panel digital drawing of Dimitri and Edelgard from fire emblem: three houses at the battle at gronder field. Panel one shows a split of them facing each other, Edelgard on the left, in front of some pine trees, and Dimitri on the right, surrounded by fire. The text above it reads “Why does tragedy exist?”.
Panel two is a close up of Dimitri’s eyes, angry and warm from the fire around him. The text above it reads “Because you are full of rage.”
Panel three is another split panel of them facing each other, but this time with them both facing the viewer head on. Edelgard’s expression is stern but calm, whereas Dimitri’s is angry and vengeful. The text above it reads “Why are you full of rage?”
Panel four is a close up on Edelgard’s eyes, with her stern and calm expression remaining intact. Her eyes are focused on the battle ahead of her, and you can see the gemstone from her headdress between her eyebrows. The text above it reads “Because you are full of grief.”. End. ]
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remnants-of-shadow · 11 months
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Crimson Flower: The Night Before the Battle of Derdriu Commission by @ZoewingsZ: https://twitter.com/ZoewingsZ/status/1662428438219706368
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hwangdahlia · 1 year
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in the jaws of death
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iubworks · 1 year
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Edeleth
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lanternsedge · 8 months
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El my beloved
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beamattack · 2 years
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edelgard & dimitri brainworms
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mostrandomgallery · 3 months
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Comic I made based on Chapter 12 of Fire Emblem: Three Houses.
DO NOT REPOST!!! Also on deviantART
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