#fs7

[metaversewriter]

#film #filmcrew #fs7 #audio #setlife #directors #producers #cultfilm #cultmovies #cult #crowdsourcing #crowdfunding #socialmedia #tinder #reddit #Scriptwriter #creative #instagood #photooftheday #beautiful #art #happy #cute #picoftheday #follow #followme #instagram #repost #pleaserepost #friends

[avalonfilmproductions]

Filming Armin van Buuren

#armin van buuren #Armada music #Roemer van oostenbrugge #Avalon film productions #Ferry corsten #aftermovie #music video #Avalon #sony fs7 #sony fx6 #Glidecam #Ronin #DJI

[panfishonthefly]

Renomed Scissors

There are not thousands of them. They are not produced by machines. They are crafted in a family manufactory, housed in a historic granary in the heart of Europe. Each element is invariably created by a human being. Manually measured and matched elements each time make up a unique pair of scissors. Designed to fit perfectly in the palm of your hand. Sharpened to cut precisely for decades.

Original hand-made scissors since 1981

See model descriptions below

FS1 - Sharp Tips, 1.5 cm. Small Straight Blades. Perfect for small and medium dry flies, nymphs, spiders and wet flies.

FS2 - Sharp Tips, 1.5 cm. Small Curved Blades. Perfect for small and medium dry flies, nymphs, spiders and wet flies.

FS3 - Sharp Tips, 2 cm. Medium Straight Blades. Perfect for medium and larger dry flies, nymphs, spiders, wet flies and small deer hair flies.

FS4 - Sharp Tips, 2cm. Medium Curved Blades. Perfect for medium and larger dry flies, nymphs, spiders, wet flies and small deer hair flies.

FS3SC (The Flytier SuperCut) - Sharp Tips, 2cm. Medium Straight SuperCut Blades (Razor/Serrated), Big Loops. Perfect for medium and larger dry flies, nymphs, spiders, wet flies, small deer hair flies, rough materials, foam strips and skins.

FS4SC (The Flytier SuperCut) - Sharp Tips, 2cm. Medium Curved SuperCut Blades (Razor/Serrated), Big Loops. Perfect for medium and larger dry flies, nymphs, spiders, wet flies, small deer hair flies, rough materials, foam strips and skins.

FS5 - Sharp Tips, 4 cm. Long Straight Blades. Perfect for large flies, streamers, bass flies, pike flies, saltwater flies, cutting foam, shellbacks, synthetics and cutting fur strips for bodies.

FS6 - Sharp Tips, 4 cm. Long Curved Blades. Perfect for large flies, streamers, bass flies, pike flies, saltwater flies, cutting foam, shellbacks, synthetics and cutting fur strips for bodies.

FS7 - Blunt Tips, 4 cm. Long Straight Blades. Perfect for large flies, streamers, bass flies, pike flies, saltwater flies, cutting foam, shellbacks, synthetics and cutting fur strips for bodies.

FS8SC (SuperCut) - Blunt Tips, 4cm. Long Straight SuperCut Blades (Razor/Serrated). Perfect for big bunches of synthetic yarns, PE foam, leather and deer hair.

FS9 - Sharp Tips, 4.5 cm. Extra Long Straight Blades. Perfect for extra large flies, cutting rough materials, foam strips, making shellbacks, and cutting sheets.

FS10 - Blunt Tips, 4.5 cm. Extra Long Straight Blades. Perfect for extra large flies, cutting rough materials, foam strips, making shellbacks, and cutting sheets.

SuperCut blades feature a unique set of blades that combine razor and serrated blades that deliver extraordinary performance and durability.

#Renomed Scissors

[postsofbabel]

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#posts of babel

[rebeccawright695]

fs7.net/rebeccawright695

[reillyzimmerman]

Highlight reel of new Casamigos Club at PPG Paints Arena. Shot on Sony FS7, Sony FX3 and Sony A7III.

[filmmakingwithgg]

Documentary DOP Role

25/10:

I had my first meeting with Ivan and Jess about their documentary project and how I could help make their vision into a reality. Ivan showed me an outline of their idea and it revolved around the comparison between younger and older people and their ability to communicate using the Gaelic language.

As someone who isn't from Scotland, the topic initially scared me a bit, since I didn't know much about it, however I quickly realized I could use this as a way to better understand the culture of where I was living, so my fear turned to excitement rather quickly.

Their project started off being a lot about young people and they planned to go up to Aberdeenshire to Ivan's grandparents' farm to talk to his grandma and to the young people along Aberdeenshire about their experiences with the language. As someone who was hearing the project for the first time, it seemed like it was very ambitious for what was going to be such a quick minute and a half teaser. Therefore, me and Jess both suggested focusing the idea a bit more on Ivan's relationship with his grandmother and their shared longing for identity in Scotland.

Next I asked about the visual approach. Both Ivan and Jess were producing the film and Ivan was acting as the director, so I wanted to see what they were envisioning the documentary to look like. They confessed to me that neither of them had given much thought to the visual aspect of the film and they had been actually struggling to come up with the best way to do it. Upon hearing this, I gave them a few suggestions, using the indescribable scenery of the farm he had spoken about to help illustrate their stories through the a visual medium. I gave them a couple of examples such as the film Ratatouille as I thought we could use sceneries and actions to describe the words his grandma would speak in Gaelic, getting a feel for the language rather than an 100% accurate depiction. I compared these to the tasting scenes in Ratatouille. They seemed to enjoy this idea and we agreed to speak more in our next meeting.

2/11:

We met up again, this time online to discuss more details about the project. Over the weekend I had given them a short list of equipment I would like to bring up to the farm to use, however the camera I wanted to use was already booked out, so they told me we were going to have to use a Sony FS7. I was a bit concerned since I had never used this camera by myself before, but I decided I just needed extra preparation to be okay.

One of the struggles of the project was that there wouldn't be able to be a lot of equipment being carried by us, since we were going to go just the three of us on a four hour bus ride up the country. So after including just the bare necessities in my equipment list, with some Rotolights to be able to control the lighting during the night, I felt okay about the shoot.

We decided that we would shoot Ivan talking to his grandma while she's making us dinner (very lovely of her by the way) that way the conversation would feel a lot more casual and relaxed. I wanted to include a lot of camera movement as I was following them around the kitchen to make the audience feel like a member of their family, intrigued by what grandma would be cooking now.

With the second day we would then go for a hike to be able to capture all the beauty of the countryside.

11/10-12/10:

The day of the filming I felt a lot more confident based on my preparation. I had gone to a tutorial with Andrew to ask about the settings on the FS7 to make sure that I don't run into problems when setting it up. I also planned on playing with the settings to find the best ones, whilst in the bus ride, but I had to wait until we met up with Ivan's grandfather and we were in the car to be able to set up the camera. Nevertheless, I managed to set it up before we got there.

We met Ivan's grandparents, they were super lovely and we then started setting up for the day. We only had two days to shoot, so we had to be efficient with our time. We started filming Ivan's grandma talking to him while making a puzzle, before moving on to the dinner scene, however because the light was going down as time went in, I decided to set up the rotolights along the living room to attempt to create a warm atmosphere. We even used the fire flickering settings on one of them to replicate the warm fire that could've been coming out of their fireplace.

After getting the first interview footage, we moved on to getting some shots of their conversation as they're moving around, so we advised them to start cooking dinner. I was trying to look out for important things to capture in their relationship as they were cooking together while also listening to their conversation at the same time, which I would need to use to help me capture the footage the following day, so that was the most challenging part of the project for me. However, I think I managed to capture their relationship nicely and we then included a bit more footage on a tripod of both of Ivan's grandparents talking to him more about identity. After that we spent the rest of the night talking to Ivan's family and it was a great time.

The following day I woke up early as we wanted to capture some of the early morning scenery. After waiting for everyone to be ready we left and I started trying to keep in mind what the conversation between Ivan and his grandma had left in me. I wanted to be able to capture the interest they both shared to finding themselves, so when looking at the beautiful scenery I looked to capture Ivan in beautiful and distant frames to illustrate this. I also wanted to capture some of what made the north of Scotland so iconic, so I captured some animals like the Highland Cows as well.

After all of this, it was an amazing experience being part of this project and having the opportunity to explore a part of Scotland I had never seen before.

#Youtube

[meow-mellow]

Fascinated by Nature from Green Renaissance on Vimeo.

"I'm dying for everybody to see what I see, because it is so wonderful. The world that I dream of is the one that we've got, because I think it is absolutely incredible." - Vicki Thomas

Vicki is a botanical artist, and from the moment she painted her first flower back in 1980, she knew that it would become a lifelong passion. Her work is a visual demonstration of her deep connection to the earth.

To see more of her work, visit - botanicalart.co.za

We, Green Renaissance, make these short films as passion projects, to share inspiration. You can help us make more films like this by making a tiny donation, so we can continue this journey with you - patreon.com/greenrenaissance

Who is Green Renaissance? We are a tiny collective of 4 passionate filmmakers (Warren, Jacky, Michael and Justine). We live off-grid and dedicate our time to making films that we hope will inspire and share ideas.

Equipment used - Sony FS7 with still lenses

Music sourced from ArtList (artlist.io) Downstream - by Muted Begin Again - by Begin Again

Final Sound Mix - Stef Albertyn

[saskiamcc]

On-set production - week 3

(monday 18th september)

Class this week was focused on getting more familiar with the new equipment available to us in third year. I was not familiar with any of the new equipment so I was excited to start setting up.

Before allowing us to set up the camera's, Andrew went through the equipment and got us to have a turn changing the lenses as it was different to the Blackmagic Pros that we were used to in first year. I found this a lot easier than it looked and was interested in seeing how the rest of the camera would be set up.

For this we took it in turns to set up the Sony Fs7 camera. It was a lot more complicated than I am used to however I had a few of the DOPs in my group help and explain how it worked step by step. We then did a few demos with the camera which I had a lot of fun doing, including a big group "photo" and me and joseph acting out a very dramatic relay race scene.

I found this exercise incredibly helpful, even if I am not specialising in the camera department. It means that if I am on set and the camera department need an extra pair of hands I can help out when needed.

After this we sat and listened to a demo of the lights and lighting equipment available to us. As I would like to try out being a gaffer, this was incredibly interesting and I enjoyed seeing how polyboards and black flags affect the shape and direction of the light source.

#on setproduction #third year #onsetclasses

[imogenbarlassblog]

My internship at The Sydney Morning Herald significantly improved my personal and professional skillset in helping to prepare me for employment in the film and television industry following graduation.

At the organisation I worked as a video and audio intern where I got to develop my videography skills by using the Sony FS7 film camera as well as a variety of other complex recording equipment which expanded my knowledge of the technologies. Using the equipment, I created a variety of videographic content including shooting B-roll footage of local commuters, public transport, traffic on the harbour bridge, and hotspot areas in the North Sydney area.

Following the capture of video footage I then used the Premiere Pro editing software system to learn how to edit clips, graphics, audio, transitions, animations, apply LUTS and use a variety of other editing techniques to achieve my desired look. These clips were then be used for online news stories for the company and also provided a great pathway into developing my video editing skills. Furthermore, it allowed me to further appreciate the production process from beginning to end and have creative autonomy over the work I had produced.

By completing this internship, I became more confident in my cinematography skills and how to edit footage in a way that delivers the best possible result. In addition, I had the opportunity to socialise with other video and audio producers in the department which allowed me expand my professional network circle, and create connections that will be beneficial for future employment opportunities.

[inochintosh]

こんな事やってます。

できるもの。持ってるもの。

音楽やってるうちに色々な事ができるようになったので、まとめてみました。

<Drums>

ドラム叩きます。

昔、とあるメジャーレーベルでドラム叩いてました。

<作曲・アレンジ>

たまに作曲したりアレンジしたりします。 

<レコーディング>

2007年からProTools使っていた人です。　システムのトラブルが起こるとなぜかレコーディングスタジオから電話がかかってくる程度の知識量です。

<マニピュレーター>

DTM/DAWに詳しかったので気づけばマニピュレーターになってました。

Digital Performerを使って2台を同期させるバックアップシステムと、映像同期するような複雑な現場が得意です。

<映像配信>

ニコ生、USTREAMの時代から映像配信やってました。　最近はYouTube Liveの配信やってたりします。

<Music Video>

音楽とカメラが身近にあったので、Music Videoもたまに制作します。

エフェクトの多い映像よりは、照明の造り込みや、編集のテンポ感で魅せる映像が多いです。

<ドローン>

ドローン飛ばせます。 DJI Specialistの資格があるので、ちゃんと飛行許可取って撮影��きます。

MV撮るためにひたすら練習したので、ノーズインサークルという真ん中を撮影しながらグルグル回る飛行方法だけ異常に上手に飛ばせます。

<カメラマン>

写真も映像も。

音楽やってるので、レコーディングやライブの撮影が得意だと褒められます。

<Sound Producer / Director>

色々な制作ができるので、アーティストの初期プロデュースに参加して作品やLiveを作り上げるのが得意なようです。

プロデューサーというよりはディレクター気質なので、「こういうの創りたいよね」というイメージを具体的に形にしていく人です。

今はそういう時代じゃないかもしれませんが、アーティストをメジャーデビューまで押し上げるのが役割みたいな時期がありました。

<機材>

ざっくりと、こんな機材使って制作してます。 機材の沼に片足突っ込んでるかもしれません。

<<<インターフェイス>>>

 - ProTools Ultimate: Avid HD OMNI / 192I/O

 - Cubase: Universal Audio apollo8

 - Digital Performer: MOTU 828es x2 / UltraLite AVB x2

<<<マイク>>> 

 - NEUMANN U87Ai

 - NEUMANN TLM67

 - Audio Technica AT4040

 - Telefunken M80

 - Shure Beta 58A / Beta 57A

 - Sennheiser e935

<<<マイクプリアンプ>>>

 - Universal Audio 6176

<<<カメラ>>>

 - SONY FS7 mk2

 - SONY α7SIII

 - Canon EOS R5

<<<ドローン>>>

 - DJI Phantom 4 Adv

[powerelec]

온세미, 업계 최고 성능의 IGBT FS7 스위치 플랫폼 개발

새로운 1200V 디바이스, 업계 최고 성능의 전도 및 스위칭 제공 온세미가 업계 최고 수준의 성능으로 전도(conduction) 및 스위칭 손실을 최소화하는 새로운 초고효율 1200V 절연 게이트 바이폴라 트랜지스터(insulated-gate bipolar transistors, 이하 IGBT)를 발표했다. 해당 디바이스는 고속 스위칭 애플리케이션의 효율성을 향상시키기 위해 주로 태양광 인버터, 무정전 전원 공급 장치(UPS), 에너지 저장 장치 및 전기차(EV) 충전 전력 변환과 같은 에너지 인프라 애플리케이션에 사용될 예정이다. 새로운 1200V 트렌치 필드 스톱(Trench Field Stop) VII(이하 FS7) IGBT는 고전압(부스트 스테이지)에 대한 입력을 증가시키는 데 사용되며, 인버터는…

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[postsofbabel]

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#posts of babel #screenreader unfriendly #markdown posts of babel

[ehvalleyphotography]

058 🎬 ZEISS Loxia 2.4 /85 Sony FS7 . . . . . . . . . . . . . . . . . . . . #Minimal #blackandwhite #bw #bnw #blackandwhitecinema #observations #bwphotography #filmmaking #SonyAlphaANZ #cinematography #zeisscameralenses #originalscript @SonyAlpha.ANZ @zeisscameralenseslatam @ZEISSCameraLensesAmericas @zeisslensesjapan @zeisscinematography https://www.instagram.com/p/CouBkNxyaid/?igshid=NGJjMDIxMWI=

#minimal #blackandwhite #bw #bnw #blackandwhitecinema #observations #bwphotography #filmmaking #sonyalphaanz #cinematography #zeisscameralenses #originalscript

[isabellepoppyblog]

week 4

In this workshop we did further exploration of the new equipment that was used in our previous workshop. This time my skills were massively improved when compared to how I was at the start of the last workshop, we overall worked better as a team as we stuck in the same groups and the overall set up and take down was much faster and more seamless.

in addition to this we focused on different lighting set ups and staged a scene to practice these skills on

we used an FS7 camera with a 18 - 105 lens

[sasquatchcool]

Film Production Companies in Tampa, Florida — Sasquatch.cool

 LOOKING FOR VIDEO PRODUCTION / EDITING SERVICES in TAMPA?

We have the experience to work with you and make your story come to life whether you’re filming for television, commercials, or branding your business or you are looking for video production studio for rental .

. We can help you get your story from conception to completion, whether it’s for broadcast or one of the many other platforms you wish to put it on. In order for you to be confident that your story is properly shared with the appropriate audience, we offer assistance with concepting your idea throughout the many stages of creation.

We provide complete crew and complete equipment rentals. If your production calls for it, the studio is also for rent. Our crew services and equipment rentals are reasonably priced, regularly less expensive than those offered by rival studios. Our experts can help you through every step of your project.

Tampa, Florida-based Sasquatch Studios provides services for the full state of Florida’s neighboring towns and cities.

2. BEVERLY BOY PRODUCTIONS — TAMPA

Yes, we are Tampa’s go-to people, and we’re happy about it! We are the best-kept secret among advertising agencies, the best buddy of small and medium-sized firms, and the unspoken collaborator of other

video production companies in Tampa.

Arrie Alexa, C100, F55, RED series, 5D, C300, FS7, and C100. We’re passionate about what we do and have the necessary background in production to give you a complete piece of mind. Since 2002, we have been a reputable leader in the video production sector. But don’t just believe what we say. See for yourself why Beverly Boy Productions is your best choice by putting us to work.

We have been working in this field since 2002.

3.SKYSTORM PRODUCTIONS

A full-service video producing firm is Sky storm. Services include a mobile production truck division, in-house studio, production, post-production, and creative. With a concentration on broadcast commercial advertising, we are experts in all forms of digital media. Our portfolio of work also includes live event/concert production, corporate promotions, sales & marketing videos, and training videos in addition to commercial film and video.

We are a group of seasoned leaders with more than 15 years of award-winning project production, and we constantly push the boundaries of innovation in a field that demands quality.

Services for creativity and pre-production planning

Every project starts with a thorough discussion of your objectives, spending limit, and timeline. Once we have established a unique story, strategy, and branded message that suits your distinct vision, we work with your team to implement it. Concept development, storyboarding, and script development are all part of our creative services.

Production Support

Creative problem solvers, producers, directors, and project managers make up our award-winning internal team. They enjoy taking on new, challenging projects. We are skilled at asking the right questions to elicit crucial insights that can propel your ideas forward. We have a track record of providing our clients with great results on time and within budget. With over a decade of experience in the Orlando industry, site scouting is a snap and we have access to the best people in the business for crewing and casting. We have put a lot of effort into making sure that we are a complete, effective solution for any video project.

Services after the production

Our internal post-production section has 12 edit bays with various editing platforms on a SAN system that is integrated. Every project is given the utmost attention by our team of designers, editors, and graphic artists. Communications are simple and smooth because of our cloud-based proofing platform.

Production Truck on Wheels

In addition to a Ross Carbonite converter, Sony HXC 100 cameras, an Allen & Heath 112 channel mixer, a 6 channel solo-mo replay unit, and a 30-foot jib, our custom-built 26-foot portable HD production truck is a full studio on wheels. the ideal response for live broadcasts, events, sports, and concerts. Planning for staging, lighting, audio, and video production is something we can handle. We’ve worked at some of the biggest convention facilities in the country. There will never be a lapse in coverage thanks to the full ups system and inbuilt generator. Everything from basic production demands to multi-camera setups can be accommodated by our adaptable services.

4. MJJ ENTERTAINMENT

A full-service production business, MJJ Entertainment has a staff of seasoned, award-winning directors, producers, and creative experts. We actually provide concepts to completion services; we work with you to generate ideas, carry out flawless production, and offer an end result that meets or surpasses your expectations.

Our specialized production tools, such as the Academy Award-winning Russian Arm system, Russian Arm Mini, Gyro-Stabilized Remote Camera Heads, and Camera Insert Vehicles from Filmotechnic, help us stand out even more. We also provide an FAA-licensed piloted, 6K-capable aerial drone. We have the expertise and resources to take your manufacturing to entirely new altitudes and speeds.

WHAT WE CAN DO FOR YOU

Production Services

Full Service Production Support

Content Development

Scriptwriting

Storyboarding

Directing

Cinematography

Production Management

2. Post-Production Services

- Editing

- Motion Graphics

- 3D Animation

- Compositing

- Color Correction

- Logo Design

- Sound Design

3. Specialty Equipment

- Russian Arm System

- Gyro-Stabilized Remote Camera Heads

- Specialty Camera Insert Vehicles

- Aerial Cinematography

- Underwater Cinematography

- Multi-rotor Cinema Drones — up to 15lb capacity — Operated by a licensed FAA pilot