#gigot sleeve

[kirstydreaming]

#feminine fashion #pink dress #mesh overlay #Shein #gigot sleeve #bodycon dress #beautiful model #feminine inspiration #kirstydreaming

[jewellery-box]

Printed cotton muslin day dress from circa 1830-1833.

Fashion Museum Bath

#Georgian #Georgian era #georgian fashion #fashion history #historical fashion #gigot sleeves

[gogmstuff]

More pre-Victorian 1830s (from top to bottom) -

ca. 1830 Evening or wedding dress (location ?). From tumblr.com/andrayblue 1080X1350.

1831 Marquise Chasseloup-Laubat (probably Marie Augustine Antoinette Le Boucher des Fontaines) by Joseph-Désiré Court (Musée des Beaux-Arts de Rouen - Rouen, Normandie, France). From their Web site' enlarged by half 845X1181.

1830-1832 María Cristina de Borbón, Queen of Spain by José de Madrazo y Aguado (Prado). From their Web site 1280X1745.

1832 Marie Franziska von Freytag by ? (Salzburg Museum  - Salzburg, Salzburgland, Austria). From tumblr.com/history-of-fashion 766X963.

1832 Amalie Klein by Friedrich von Amerling (Österreichische Galerie Belvedere - Wien, Austria). From tumblr.com/history-of-fashion; fixed spots & cracks throughout w Pshop 2893X3508.

1835 Illustration from La Mode by Paul Gavarni. From tumblr.com/clove-pinks 1650X2048.

1836 Marriage Portrait of Charlotte de Rothschild by Moritz Daniel Oppenheim (Israel Museum - Jerusalem, Jerusalem District, Israel). From Google Art Project.

Lady with Pink Sash by Camille Joseph Etienne Roqueplan (Sotheby's - 29Jan22 auction Lot 703) 1583X2000.

#1830s fashion #Romantic era fashion #Biedermeier fashion #Louis-Philippe fashion #natural waistline #Marquise Chasseloup-Laubat #Joseph-Désiré Court #cross over bodice #chemise #quarter-length puffed inner sleeves #long sheer outer sleeves #ferroniere #María Cristina de Borbón #court dress #Marie Franziska von Freytag #Apollo knot #Amalie Klein #Friedrich von Amerling #Gigot sleeves #Paul Gavarni #Charlotte de Rothschild #Moritz Daniel Oppenheim #Camille Joseph Etienne Roqueplan #waist band #full skirt

[hyperfixationstation1]

Cosette Alone

#when I find the creator of the gigot sleeve it’s on sight I will fuck them up #cosette fauchelevent #cosette #les miserables #les mis #victor hugo #I actually stopped and decided to be finished cause of the sleeves and I’m so serious #anyway #who should i do next? #illustration #ink and pen

[chic-a-gigot]

Le Petit écho de la mode, no. 15, 12 avril 1896, Paris. 15. Toilette de visite en peau de soie bleu ancien et guipure. 18. Manche de ville. Ville de Paris / Bibliothèque Forney

15. Toilette de visite en peau de soie bleu ancien et guipure. — Robe de forme princesse très ajustée du dos. Devant orné d'une draperie, quille de guipure partant en dessous de la draperie très étroite à la taille et s'en allant en s'élargissant jusqu'au bas de la jupe. Grand col de guipure avec collerette. Manche d'une seule pièce agrémentée d'entre-deux de guipure, volant au bas formant sabot. Gants suède. Petite capote ornée de fleurs avec aigrette.

15. Visiting ensemble in old blue silk skin and guipure. — Dress with a very fitted princess shape at the back. Front decorated with a drapery, guipure keel starting below the very narrow drapery at the waist and widening to the bottom of the skirt. Large guipure collar with collar. One-piece sleeve embellished with guipure inserts, flounce at the bottom forming a sabot. Suede gloves. Small bonnet decorated with flowers with aigrette.

Mat.: 16 m. soie.

18. Manche de ville, de forme ballon, ornée dans le haut d'une draperie faisant nœud, jockey brodé au bas du ballon, poignet ajusté volant au bas formant sabot.

18. City sleeve, balloon-shaped, adorned at the top with a knot drapery, embroidered jockey at the bottom of the balloon, fitted cuff flying at the bottom forming a sabot.

Mat.: 4 m. soie, 2 m. broderie.

#Le Petit écho de la mode #19th century #1800s #1890s #1896 #periodical #fashion #fashion plate #retouch #description #Forney #dress #toilette #ensemble #visiting #guipure #silk #gigot #sleeve #collar #princess

[cwilbah]

starched my other petticoat and it looks way better now but u can see that my petticoats are shorter than my skirt when i move 💀

#bruhhhh #its fine i can hem the skirt again #i suppose its a bit too long to walk in anyways id get mud all over it #tobias talks #but it looks soooo good i cant wait to dye it #and if i do that bolero jacket pattern with the gigot sleeves itll look proper 1895

[poldarcy]

Or Ann, what are yóu looking at !

#poldarcy #1830s #gentleman jack #historical fashion #gigot sleeves #bonnet

[roses--and--rue]

House of Worth, c. 1893-95. Red silk velvet.

“Severe corsetting falling at the natural waist, a flaring skirt, and the return of gigot sleeves constituted a fin-de-siècle extremism. The engorgement of sleeves and skirt made this extreme constriction seem even more exaggerated in the context of the bulbous shapes surrounding the ideal, hard, narrow waist. The style was maintained well into the twentieth century as a flattering stage effect by actresses such as Sarah Bernhardt. “

via The Metropolitan Museum of Art

#dream dress #costume history #fashion history #victorian fashion #victorian #victorian dress #house of worth

[stagbeetleboy]

I don’t want to change fem palpatine’s outfits but I think the gigot sleeves would slay harder if it pushed more into evil step mother territory. Listen to me.

[omgthatdress]

Dress

1830s

The Metropolitan Museum of Art

The 1830s are the 1970s of the 19th century. Fashion was big and over-the-top and often gets maligned as the ugliest decade of the century, but I love the camp of it.

"This transitional style indicates the aesthetic of its period. The large gigot sleeves were popular from the early 1830s through 1836 when they began to diminish to the tightly fitted sleeves of the following period. This type of sleeve was generally supported by whalebone or down filling. Another indication of its transitional disposition is the waist height and the full bell-shaped skirts. The rich color and lively pattern is engaging and in line with the mode of the day.

The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim."

#1830s

[digitalfashionmuseum]

Black and green dinner dress, ca. 1895, French.

Maryland Center for History and Culture.

#dinner dress #womenswear #extant garments #dress #silk #19th century #Maryland Center for History and Culture #french #1895 #1890s #1890s dress #1890s extant garment #1890s france #1890s dinner

[kirstydreaming]

full photoset: kirstydreaming.tumblr.com/post/720640586980507648

#feminine fashion #bodycon dress #pink dress #mesh overlay #gigot sleeve #Shein #myedit #feminine inspiration #kirstydreaming

[jewellery-box]

Dress, 1832-1835, American. The Met Museum.

#victorian #victorian era #victorian fashion #19th century #fashion history #historical fashion #gigot sleeves

[gogmstuff]

Glam dresses worn by Zinaida Ivanovna Yusupova (from top to bottom) -

1826-1827 Ball gown of Princess Zinaida Ivanovna Yusupova (Hermitage) From fripperiesandfobs.tumblr.com/page/5 838X1080.

1826-1827 Another ball gown of Princess Zinaida Ivanovna Yusupova (Hermitage) From fripperiesandfobs.tumblr.com/page/5 714X1080.

1826-1827 One more ball gown of Princess Zinaida Ivanovna Yusupova (Hermitage) From fripperiesandfobs.tumblr.com/page/5 656X1080.

1831-1833 Evening Dress of Princess Zinaida I. Yusupova (Hermitage). From their Web site 1351X1920.

#1820s fashion #1830s fashion #French restoration fashion #Romantic era fashio #Biedermeier fashion #Zinaida Ivanovna Yusupova #off shoulder straight neckline #bateau neckline #pleated bodice #quarter-length full sleeves #gigot sleeves #waist band #natural waistline #full skirt #rouleaux

[threadtalk]

Nice day for a… blue wedding?

Indeed. Okay, no hate to white dresses here, but hasn't it been a little played out? After all, history is on our side. While white wedding dresses certainly existed before Queen Victoria, the theme still perseveres today to the point of boredom.

Take this gown from 1894. Between that bodice, the taffeta, the lace, and those absolutely over-the-top gigot sleeves, I'm in heaven. With the right hat and flowers, what look that would be coming down the aisle! Plus, you could always use it again later, you know, if things didn't turn out.

That gorgeous blue is, indeed, the product of aniline dyes (which the museum so nicely points out). Though they weren't uncommon by the time, they were still costly and impressive to behold.

Wedding dress, 1894, Wales, maker unknown. Gift of Miss C Rothwell, 1982. CC BY-NC-ND 4.0. Te Papa (PC002548) - Museum of New Zealand.

#threadtalk #historical costuming #silk dress #victorian fashion #costume history #history of fashion #costume #fashion history #textiles #late victorian fashion #1890s #1890s style #1890s dress #1890s fashion

[chic-a-gigot]

Le Petit écho de la mode, no. 15, 12 avril 1896, Paris. 17. Toilette de promenade en drap suède. 20. Manche de bal en soie Pompadour. Ville de Paris / Bibliothèque Forney

17. Toilette de promenade en drap suède. — Jupe cloche garnie dans le bas d’une guipure bourdon. Corsage froncé â la taille, ouvert sur un empiècement en guipure bourdon, ceinture ronde terminée devant par un nœud. Manche d’une seule pièce recouverte du haut par deux volants serrés par un lien de rubans et nœuds, terminé par deux petits volants mousseline de soie, chapeau forme béret garni de roses.

17. Suede cloth walking ensemble. — Bell skirt trimmed at the bottom with a bourdon guipure. Bodice gathered at the waist, open on a bumblebee guipure yoke, round belt finished in front with a knot. One-piece sleeve covered at the top by two ruffles tightened by a link of ribbons and knots, finished with two small silk muslin ruffles, beret-shaped hat trimmed with roses.

Mat. ; 8 m. de drap, 3 m. de ruban.

20. Manche de bal en soie Pompadour, large ballon drapé retenu par des nœuds de rubans.

20. Pompadour silk ball sleeve, large draped ball held in place by ribbon bows.

Mat. 3 mètres soie, 2 m,50 ruban.

#Le Petit écho de la mode #19th century #1800s #1890s #1896 #periodical #fashion plate #fashion #retouch #description #Forney #dress #toilette #ensemble #walking #promenade #gigot #Pompadour #sleeve #bow