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#gloria marie ray
twyz · 11 months
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i did another scrap page for gloria!! these are so much fun to do!!
(also don’t worry!! i’ll be getting back to comms tomorrow! i just wanted to take a lil break today)
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askchuckandtiff · 1 year
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“cartoon aren’t.. entertaining, just interesting is all,”
they are,, he just won’t admit!!
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fanficwriter284 · 1 year
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Whatever.....I got baby Chelsea on my mind...
Gloria belongs to @twyz
For once, the night wasn't thundering, it was rather peaceful, and still. The only source of movement we're the oak tree's swaying in the soft November breeze. There a now father of four stood admiring the new life he helped create. He reached out his hand and lightly stroked her rosy cheeks, smiling as he did so. His heart melted feeling the infant grab his finger and pull it in, hugging it as if it were a stuffed animal. With his opposite hand, he gently curled her identical red locks tucking them behind her ear. Carefully he lifted the infant cradling her to his chest. He never imagined he'd have another kid...let alone kids at all. Violence and the blood of innocents were on his hands, and in those same hands, he tenderly held his newborn daughter. The redhead strolled over and sat in a large rocking chair, that Tiffany had purchased a few weeks back.
"Dad"
Chucky lifted his head up to see Gloria standing in the doorway, rocking up and down on her heels, twirling a strand of her hair.
"Gloria, what are you doing up so late kiddo?"
"I couldn't sleep"
"Me neither"
Chuck took another glance at Chelsea then back at Gloria, raising a brow and giving a shy smirk.
"Wanna come see your baby sister?"
"Mhm"
"Alright get over here"
The young red skipped over and join her father at his side gazing down at the newest member of the family.
"Hi Chelsea"
"Wanna hold her?"
The young girl hesitated for a brief moment, before extending her hands outwards. Chuck gently placed his youngest daughter into Gloria's arms, helping her support the young infant. The young girl stood there; mind boggled at her baby sister. It had felt like yesterday when her parents announced the news, and now it had been making more sense why her dad fainted the day previous before the announcement.
"She's so small"
"Because she's a baby Sweetheart"
"Is she gonna get bigger?"
"Mhm"
"How big?"
"Big"
"Dad"
"Yeah?"
"She's getting heavy"
"Alright I'll take her, then you're gonna need to head off to bed"
"...why"
"Because you need to sleep....and you're Ma will kill me if she catches you awake at this hour"
"ok"
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Oz + Reductress [3/?]
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laurent-bigot · 1 year
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AU SOMMET DE LA PARAMOUNT
En difficulté pendant les années 1930, la Paramount battra tous les records de recettes au lendemain de la guerre : un redressement spectaculaire dû à une gestion aussi avisée que clairvoyante. Vers le milieu des années 1930, la Paramount est au bord de la faillite. Pour les actionnaires, “l’usine à rêves” tourne au cauchemar… En 1935, les administrateurs décident donc d’évincer le tout puissant…
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60s-music-tourney · 10 days
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Here are all 72 songs we are entering in the tournament
Eleanor Rigby by the Beatles
Somebody to Love by Jefferson Airplane
Nights in White Satin by the Moody Blues
Sweet Caroline By Neil Diamond
All along the Watchtower by Jimi Hendrix
Pinball Wizard by The Who
House of the Rising Sun by the Animals
California Dreamin’ by The Mama's and the Papa's
People are strange by the Doors
Paint it Black by The Rolling Stones
Mrs. Robinson By Simon and Garfunkel
Fortunate Son by Creedence Clearwater Revival
Good vibrations by the Beach Boys
What a wonderful World by Louis Armstrong
21st Century Schizoid Man By King Crimson
Space Oddity by David Bowie
You really got me by the Kinks
Spirit in the Sky By Norman Greenbaum
Respect by Aretha Franklin
Feeling Good by Nina Simone
I'm a Believer by The Monkees
White Room by Cream
Piece of my Heart By Big Brother and the Holding Company
Season of the Witch by Donovan
Like a rolling stone by Bob Dylan
Be my Baby by the Ronettes
Son of a Preacher man by Dusty Springfield
She's not there by the Zombies
Complication by the Monks
Heroin by the Velvet Underground
Ain't Too Proud for Beggin by the Temptations
I want you back by The Jackson 5
Alice's Restaurant Massacree by Arlo Guthrie
Brown Eyed Girl by Van Morrison
Eight Miles High by the Byrds
Come A little bit Closer by Jay and the Americans
So Long Mom (A song for World War III) by Tom Lehrer
Ring of Fire by Johnny Cash
Suite: Judy Blue Eyes by Cosby, Stills and Nash
Change is gonna come by Sam Cooke
You Can't Hurry Love by the Supremes
Happy Together by the Turtles
Tainted Love by Gloria Jones
Dream a Little Dream of Me by Mama Cass
Maybe This Time by Liza Minnelli
Don't Rain on My Parade by Barbra Streisand
Puff the Magic Dragon by Peter, Paul and Mary
Good Times, Bad Times by Led Zeppelin
Ain't no mountain high enough by Marvin Gaye and Tammi Terrell
This boots are made for walking by Nancy Sinatra
Sitting by the dock of the bay by Otis Redmond
Cactus tree by Joni Mitchell
Crimson and Clover by Tommy James and the Shondells
I Got You (I Feel Good) by James Brown
Georgia on My Mind by Ray Charles
River Deep Mountain High by Ike and Tina Turner
My Way by Frank Sinatra
For What It’s Worth by Buffalo Springfield
Fire by Arthur Brown
Blackberry Way by the move
The Girl From Ipanema by Stan Getz And Joāo Gilberto
Can't take my eyes off you - Frankie valli
Green onions by Booker T. & The M.G.’s
Stand by Me by Ben E. King
Sunshine, Lollipops and Rainbows By Lesley Gore
Monster Mash by Bobby Pickett
Wichita Lineman by Glen Campbell
I Say a Little Prayer by Dionne Warwick
Aquarius (Let the Sunshine In) by the 5th Dimension
The Impossible Dream by Jim Nabors
Return to sender by Elvis Presley
It's not Unusual by Tom Jones
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My Personal Ranking of James Stewart’s movies.
A while ago, I did three separate posts ranking Cary Grant’s, Audrey Hepburn’s and Claude Rains’ films (at least of the ones I’ve seen), and I realized that there are a couple more actors that I wanted to do this for...actors whose filmography I’ve tried to work through, and to see as much of their work as I can.  With 102 credits, it will be a long time before I see all of James Stewart’s work, but here’s my personal ranking of the films I have seen.
And this is based mostly on my enjoyment of the movie, not just his performance...though his performance may have been the deciding factor if I needed a “tie breaker”.
14. Ziegfeld Girl
Now, I actually saw this movie for the first time last night and I was pretty excited to see it.  A young James Stewart in a movie with Judy Garland and there are Busby Berkley musical numbers?  This is going to be great!  Ummm...I have to admit that sadly, I was pretty bored.  This movie is 2 hours and 12 minutes, and they could have easily cut 10 minutes and not lose anything.  And Stewart is only in 25 minutes of the movie.  His scenes are great, and it’s always nice to see Judy Garland in any movie, but the three separate storylines just didn’t flow well together and I found myself checking the time a lot.  The most interesting thing about it for me was that it was Stewart’s last film before WWII, and that some people think you can see Gene Kelly in the background of one of the numbers.
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13.  The Greatest Show on Earth
Speaking of overly long movies...this one is a two hour movie stretched out to three...but it’s Cecil B. DeMille, and I don’t think he ever made a movie that wasn’t a long epic with a cast of thousands.  And while a lot of the circus stuff did not age well, a lot of it is still very impressive to watch.  Gloria Grahame learned how to work with elephants, Cornel Wilde and Betty Hutton did their own trapeze work, and the train crash sequence still holds up.  And James Stewart plays a clown!  You never see him out of his clown makeup, as his character is hiding from the law...and it’s kinda fun to see him act silly and do some more gag-type humor.  But this is another case where his scenes are some of the more interesting ones, but he’s just not in the movie all that much.
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12.  You Can’t Take It With You
This one is ranked a bit lower because I’ve only seen it once!  So, if I ever get around to watching it again, it may move up the ranks.  But it’s a fun, light comedy that is perfect for someone like Frank Capra.  And he’s really adorable in this movie.
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11.  Harvey
Another case of me only seeing this movie once years ago...but this is also a really sweet movie, and Stewart is great as the “pleasant” Elwood P. Dowd, who is best friends with a giant rabbit.
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10.  Rope
This is a very interesting movie.  The first time I saw it, I didn’t really like it...but after a few more viewings, I’ve grown to appreciate it more.  It’s not my favorite Hitchcock movie, and not his best collab with Hitchcock, but it is technically impressive with some decent tension.  
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9.  Anatomy of a Murder
Now, I’ve only seen this movie once...even though I do own the Criterion Blu-Ray...it’s just a very long movie and it’s tough to find the time.  But it’s a very engaging legal drama and Stewart is excellent as the defense lawyer of a man on trial for murdering his wife’s rapist.
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8.  The Man Who Knew Too Much
So, this is a remake that Hitchcock made of one of his mown movies...and Hitchcock preferred this one, saying that “the first was made by an amateur, and the remake by a professional.”  I personally like them both about the same, liking some things more in the original, some in the remake...but James Stewart was the perfect choice to play the father of a kidnapped child.  He and Doris Day have very nice, easy chemistry...they do feel like a married couple who are just so comfortable together.  
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7.  Rose Marie
So, this isn’t really a James Stewart movie...not in the way you would think.  This is a Nelson Eddy/Jeanette MacDonald movie, where James Stewart appears in one scene.  This was his second movie, and he is about 21 years old and just so cute...He plays Jeanette Macdonald’s younger brother who is on the run after murdering a Mountie.  I remember watching this movie when I was like, eight...so this was probably my introduction to James Stewart, before I even knew who he was.
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6.  Shenendoah
I just re-watched this movie about a week ago and James Stewart is so fucking good in it...if you want to see his definitive curmudgeon performance while he also makes you cry, you don’t need to look any farther than Shenandoah.  Stewart plays a Virginian farmer during the Civil War who has basically not chosen a side.  He doesn’t support the Confederates because he’s opposed to slavery, but he also doesn’t support the North because he’s opposed to war.  He just wants to sit out the war and tend his farm with his seven children...but then his youngest son gets taken prisoner by the Yankees, and he goes off to try and find him.  It’s a deeply layered performance and I’m honestly surprised that he wasn’t nominated for it...it’s also the movie where you get to hear him say the phrase: “a spare tit”, which is weirdly hilarious to me.
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5.  It’s a Wonderful Life
Now we’ve made it to his most well-known movie...what can I saw about It’s a Wonderful Life that hasn’t already been said?  It’s so iconic and such a huge part of so many people’s Christmas traditions...and his performance is so incredible... George Bailey goes on such a massive emotional journey, and he is captivating to watch.
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4.  Vertigo
This movie is so mesmerizing...it’s definitely one of Hitchcock’s masterpieces.  Stewart’s character Scotty is actually fairly unlikable for the majority of the movie (there are so many moments that just make me go “ick”), but his performance is so layered, you can’t keep your eyes off of him.  And that scene between him and Kim Novak in the tower is one of my favorite scenes in any Hitchcock movie.  It is so intense, and there have been plenty of times that I haven’t rewound the movie to re-watch the scene.
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3.  Mr. Smith Goes to Washington
If I had to pick James Stewart’s best performance, I would have to pick this movie.  It is an absolutely incredible, and it is too bad that he didn’t win his Oscar for this movie (though many people think that his win the next year was a consolation prize).  Jefferson Smith is a patriot...wide-eyed, innocent and always believes the best in people...but he slowly gets ground down as he learns that Washington DC is not a great as he thought.  People are dishonest and untrustworthy...he learns it the hard way, but he still has some fight left in him, and he’s the kind of person that just has to try.  And his scenes in the Senate between him and Claude Rains are outstanding.
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2.  Rear Window
This was the first Hitchcock movie I ever saw, and what a great way to start!  It is such an interesting murder mystery, and for so long, you’re not even 100% sure that it is a murder mystery...but Jeff is so invested in finding out the truth that you have to stick with him until we know for sure.  And the fact that it takes place all in one room and you never get bored is a testament to how engaging the story and James Stewart as Jeff are.
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1.  The Philadelphia Story
I love this movie so much.  It interesting, when I made my Cary Grant countdown, this movie ended up at number one there, too.  But I think it comes down to just how much fun this movie is...the characters are likable and interesting; the dialogue is razor sharp and the actors all have terrific chemistry.  Especially James Stewart and Katharine Hepburn.  That scene with them after the party could be a short film all on its own and it would still be perfect.  And the scene between a drunk Mike and sober Dexter never fails at making me cackle.  I think that this movie is a good recommendation for someone who is looking for more Old Hollywood movies to watch.
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And there you have it!  If you’ve made it to the end of this long post, congratulations. :)
There are a couple more of his movies I would like to check out, like Vivacious Lady and Bell, Book and Candle...maybe I’ll make an addition/update to this countdown.
Also, I never realized until I looked at his filmography, just how many westerns this man starred in...he made around 20 over the course of his career, which is so interesting to me, since he’s not the first person I think of when I think “westerns”...but anyway...thanks for reading!
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annemariewrites · 9 months
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List of all the books I’ve read
just wanted to keep a list of what I’ve read throughout my life (that I can remember)
Fiction:
“The Outsiders,” SE Hinton
“The Weirdo,” Theodore Taylor
“The Devil’s Arithmetic,” Jane Yolen
“Julie of the Wolves series,” Jean Craighead George
“Soft Rain,” Cornelia Cornelissen
“Island of the Blue Dolphins,” Scott O’Dell
“The Twilight series,” Stephanie Mayer
“To Kill a Mockingbird,” Harper Lee
“Gamer Girl,” Mari Mancusi
“Redwall / Mossflower / Mattimeo / Mariel of Redwall,” Brian Jacques
“1984,” and  “Animal Farm,” George Orwell
“Killing Mr. Griffin,” Lois Duncan
“Huckleberry Finn,” Mark Twain
“Rainbow’s End,” Irene Hannon
“Cold Mountain,” Charles Frazier
“Between Shades of Gray,” Ruta Sepetys
“Great Short Works of Edgar Allan Poe,” Edgar Allen Poe
“Lord of the Flies,” William Golding
“The Great Gatsby,” F Scott Fitzgerald
“The Harry Potter series,” JK Rowling
“The Fault in Our Stars,” “Looking for Alaska,” and “Paper Towns,” John Green
“Thirteen Reasons Why,” Jay Asher
“The Hunger Games series,” Suzanne Collins
“The Perks of Being a Wallflower,” Stephen Chbosky
“Fifty Shades of Grey,” EL James
“Speak,” and “Wintergirls,” Laurie Halse Anderson
“The Handmaid’s Tale,” Margaret Atwood
“Mama Day,” Gloria Naylor
“Jane Eyre,” Charlotte Bronte
“Wide Sargasso Sea,” Jean Rhys
“The Haunting of Hill House,” Shirley Jackson
“The Chosen,” Chaim Potok
“Leaves of Grass,” Walt Whitman
“Till We Have Faces,” CS Lewis
“One Foot in Eden,” Ron Rash
“Jim the Boy,” Tony Earley
“The Vanishing Act of Esme Lennox,” Maggie O’Farrell
“A Land More Kind Than Home,” Wiley Cash
“A Parchment of Leaves,” Silas House
“Beowulf,” Seamus Heaney
“The Silence of the Lambs / Red Dragon / Hannibal / Hannibal Rinsing,” Thomas Harris
“Cry the Beloved Country,” Alan Paton
“Moby Dick,” Herman Melville
“The Hobbit / The Lord of the Rings trilogy / The Silmarillion,” JRR Tolkien
“Beren and Luthien,” JRR Tolkien, edited by Christopher Tolkien
“Children of Blood and Bone / Children of Virtue and Vengeance,” Tomi Adeyemi
“Soundless,” Richelle Mead
“The Girl with the Louding Voice,” Abi Dare
“A Song of Ice and Fire series / Fire and Blood,” GRR Martin
“A Separate Peace,” John Knowles
“The Bluest Eye,” and “Beloved,” Toni Morrison
“Brave New World,” Aldous Huxley
“The Giver / Gathering Blue / Messenger / Son,” Lois Lowry
“The Ivory Carver trilogy,” Sue Harrison
“The Grapes of Wrath,” and “Of Mice and Men,” John Steinbeck
“The God of Small Things,” Arundhati Roy
“Fahrenheit 451,” Ray Bradbury
“The Night Circus,” Erin Morgenstern
“Sunflower Dog,” Kevin Winchester
“The Catcher in the Rye,” JD Salinger
“The Absolutely True Diary of a Part-Time Indian,” Sherman Alexie
“The Good Girl,” Mary Kubica 
“The Last Unicorn,” Peter S Beagle
“Slaughterhouse Five,” Kurt Vonnegut Jr
“The Joy Luck Club,” Amy Tan
“The Sworn Virgin,” Kristopher Dukes
“The Color Purple,” Alice Walker
“Their Eyes Were Watching God,” Zora Neale Hurston
“The Light Between Oceans,” ML Stedman
“Yellowface,” RF Kuang
“A Flicker in the Dark,” Stacy Willingham
“One Piece Novel: Ace’s Story,” Sho Hinata
Non-fiction:
“Anne Frank: Diary of a Young Girl,” Anne Frank
“Night,” Elie Wiesel
“Invisible Sisters,” Jessica Handler
“I Am Malala,” Malala Yousafzai
“The Interesting Narrative,” Olaudah Equiano
“The Immortal Life of Henrietta Lacks,” Rebecca Skloot
“Incidents in the Life of a Slave Girl,” Harriet Jacobs
“The Princess Diarist,” Carrie Fisher
“Adulting: How to Become a Grown Up in 468 Easy(ish) Steps,” Kelly Williams Brown
“How to Win Friends and Influence People,” Dale Carnegie
“Carrie Fisher: a Life on the Edge,” Sheila Weller
“Make ‘Em Laugh,” Debbie Reynolds and Dorian Hannaway
“How to be an Anti-Racist,” Ibram X Kendi
“Maus,” Art Spiegelman
“I Know Why the Caged Bird Sings,” Maya Angelou
“Wise Gals: the Spies Who Built the CIA and Changed the Future of Espionage,” Nathalia Holt
“Persepolis,” and “Persepolis II,” Marjane Satrapi
“How to Write a Novel,” Manuel Komroff
“The Nazi Genocide of the Roma,” Anton Weiss-Wendt
“Children of the Flames: Dr. Josef Mengele and the Untold Story of the Twins of Auschwitz,” Lucette Matalon Lagnado and Sheila Cohn Dekel
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bbbcnnie · 1 year
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ʷʰᵉⁿ ʸᵒᵘ'ʳᵉ ʳᵒᶜᵏⁱⁿ' ᵃⁿᵈ ʳᵒˡˡⁱⁿ' ᶜᵃⁿ'ᵗ ʰᵉᵃʳ ʸᵒᵘʳ ᵐᵒᵐᵐᵃ ᶜᵃˡˡ !
ᵇᵒⁿⁿⁱᵉ ᶜᵒⁿˢᵗᵃⁿᶜᵉ ᵍˡᵒʳⁱᵃ ᵐᵃʳʸ ᶜᵃʳˢᵒⁿ
BONNIE CARSON? out here on the road, they have a reputation of being CUNNING + HUMOROUS but also RECKLESS + EASILY AGITATED, no wonder they’re called BONNIE. according to local legend, they’re 30 and when they pull up to camp not a soul can mistake the sound of GOOD GOLLY MISS MOLLY – CREEDENCE CLEARWATER REVIVAL following them. some say they carry A FADED, YELLOWED PICTURE OF HER CHILDHOOD CAT; A PIECE OF RED STRING TIED AROUND HER FINGER THAT SERVES AS A MAKESHIFT WEDDING BAND; HER NAN’S PRAYER BOOK; EVERY RAY CHARLES TAPE SHE COULD FIND IN THE DEAD OF NIGHT  and have been traveling with THE CON JOBS.  ( soph ! )
pinterest - spotify 
CUE: ‘Our Father’ – The Five Blind Boys of Mississippi
A run-down bungalow-like shack, that probably used to be a farmhouse of some kind before big corporate came to town and robbed everyone of their land. Plaster’s coming off the wall, slowly but surely, but it’ll be another couple months before it gets damp and cold and someone’s actually gotta do something about that, so it’s ignored for now. The deep south, the 1950’s, in the midst of stifling heat, that’s where Constance Gloria Mary Carson is born, to mixed feelings – her father rejoices, a girl! Just what he wanted. Her mother only sighs and slumps back into the pillows. A girl, harder to get out of the house and working than a boy. Maybe she’ll be lucky again the next time ‘round.
Rolling Fork, Mississippi may have be a literal hellhole in every aspect of the word when looking back on it now, but from 1955 to 1960, the vast wasteland her father lovingly called their ‘backyard’ had been nothing short of an adventurous playground for little Connie May. Running around the place while momma shook her head and daddy read his paper, swinging by the tracks to watch the trains roll in and out every day, try and chase them for a bit until your lungs were burning and you were forced to stop, skip back home for a bland, in no way nutritious dinner. With a population of barely 1,300 , there was not much else to do. Perfect place to grow up, huh?
Soon enough, the Carsons turned from a family of four to a family of seven, and once deemed old enough – ‘She’s five, Jerry, for Heaven’s sake, she’ll manage watching’ the little ones, calm your horses’ – Connie May’s childhood abruptly stopped as she instead assumed the role of primary caregiver for her three younger siblings. Mom and Pop had to work all day, every day, with the paint peeling off the walls and the floorboards disintegrating underfoot, they had no other choice. In the neighbourhood, though, there are people who’ve got it worse, and the Carson’s are a pious family, so Connie May doesn’t even think about being unthankful for the little they have. Because they could have even less – when little Connie thinks about that too much her lips begin to quiver and her eyes grow awfully hot, a stinging pain underneath her lids as she tries to blink away her tears. Her mother had once reported, complained, nearly, to Mrs. Johnson from too houses down that Connie May was ‘a sickly little creature blessed – or cursed – with empathy’.
CUE: ‘Oh Happy Day’ – The Edwin Hawkins Singers
From the get-go, Connie May just … knows she’s different. She can feel it. It causes trouble from the moment she starts to talk. She’s an opinionated little girl, never shy to speak her mind. Because when the Swinging Sixties roll around, as Connie grows older and wiser, it gets increasingly harder and then, one day, impossible to ignore the inevitable. Rolling Fork was a death sentence. You’re born here, you procreate here, you die here. Simple as that. As your fathers and grandfathers and great-grandfathers have done before you. Get married off to the highest bidders, have a couple kids – or a couple dozen – and care for them while your slob of a husband goes to work at his shitty job that has him earning just enough so you’re just poor, not dirt poor.
Everyone around her, neighbours, classmates, they just .. .accept their situation. No, they are content with it. Content with knowing there’ll be no space for surprises, for action and adventure and all the fun stuff Connie May reads about in the novels she secretly slips from the library. That the furthest they’re ever getting from here is Louisville, if they’re lucky. It’s infuriating. It’s making her lose her mind.
The only escape from insanity is every other Sunday, when Momma and Daddy have to work and Mr. and Mrs. Dowall from next door take them to church. And heavens, does Bonnie love church. Not their regular church! Oh no, that’s just a stuffy little room, full of the same snot nosed kids she sits next to at school, who pull her hair and call her ‘nanny’ because she can’t join them at the county fair, has to watch her siblings instead. No, no, the Dowall church is different. The service there is the most exciting part of Connie May’s week. There’s always laughter and singing, gospel and worship in the way that she can get behind. A few weeks later, Mr. and Mrs. Dowall, with Momma’s approval, gift her two of their old records.
There are few fond memories of home, but one of them is dancing around the living room to ‘I Got A Woman’ and ‘Strange Things Happening Everyday’, standing on her father’s feet.
CUE: ‘Jesus Is Just Alright With Me’ – The Doobie Brothers
Connie May turns 17 in 1972, and by that time she’s got 2 friends, excluding her three younger siblings. Obviously excluding them, whatever connection she’s had to them has faded ever since their mother had begun to use Connie as a prime example for a person that had failed in life. Because her brother Robert had married his high school sweetheart the second they’d both turned 18, and he’d moved out a day after the wedding. They’re just … kids to her now. They’re getting older, too. They all take after her mother. It makes Connie sad, her dad, too, she sees it in the way he scratches his beard as if he’s lost in thought when, really, he’s tragically melancholic. Connie often wonders for how long her parents have been unhappy for.
Well, the ‘swinging sixties’ have come and gone, and so have the Dowell’s from next door and the fun services. Not dead, oh no, they just moved to live with their daughter and grandchildren, down in California. Good for them. Connie’s left, and she’s using the music they’ve gifted her to rebel against fucking everything in this god forsaken town. Tommy, Misha and her listen to records their parents don’t allow them to listen to because it’s ‘filthy, ungodly music’ in secret. Somehow, Connie May managed to convince her Momma that The Doobie Brothers were a nice, Christian rock n’ roll band. Maybe she’d had a gift for the odd con job ever since the beginning, huh?
CUE: ‘The Wild One’- Suzi Quatro
It takes another five fucking years for her life to finally change. In the year of our Lord, 1977, a dishevelled looking young woman with a million dollar smile rolls into town and Connie can only think of divine intervention as the cause of this … this miracle. Freshly twenty two, she’s already a burden to her parents – and reminded of that fact daily, thanks Momma! – and wants nothing more than to get out but there’s no way to escape. No loophole. Until, enter stage left, Tatiana appears. And changes her life for fucking ever,
First by changing her name. A simple mishearing turns Connie May into BONNIE and it just sticks. She sticks with it. She’s a new person and ready to embrace it.
Everything about Tatiana draws her in, and it is quite possible that the other woman is the coolest fucking person Bonnie has ever met. She’s so … god! She’s so everything that Rolling Fork is not, everything that Bonnie wants to be. She’s funny and nice, in her own way. She’s the most beautiful woman Bonnie has ever laid eyes upon. She’s dangerous and Bonnie craves the thrill of the unknown more than oxygen.
It's a quick and easy decision when Tatiana fina-fucking-lly invited her to join her on the road, live a life of adventure. In the dark of the night, Bonnie stuffs only the most important of her belongings into a duffel bag, leaves a note for her father telling him she’s safe and happy, and expressing her hope that he, too, may find happiness again, and then jumps into the passenger seat, laughing manically. Ready to leave her old life behind.
She doesn’t even glance in the rearview mirror when the pull out of the driveway.
However, Bonnie does lean out of the window as far as she can as they pass the sign that, in ugly faded letters, says: “You’re now leaving Rolling Fork! May God bless you and come again soon!” A fair bit of it was left covered in her spit.
CUE: ‘Whole Lotta Love’ – Led Zeppelin
Bonnie adjusts to life on the road fucking awfully at first but hey, she’s got much to learn and Tatiana is the best teacher one could’ve asked for. Bonnie might be naïve but she’s more than ready and willing to thrust herself into this life of crime. A little confused but she’s got the spirit! Most times her job’s simply to wait at the side of the road and look pretty and then pump the fucking gas when she goes from distraction to getaway driver. It’s turbulent, everything moving so fucking fast, but Bonnie has never felt so alive.
And so they make their way through the States, got a little routine going of sorts. Until one day, when they turn from Thelma and Louis to Bonnie and Clyde.
Usually, Bonnie’s got this thing where she puts on Creedence when they do their jobs, pull their stunts. This time, she goes for Led Zeppelin. Maybe it’s the thrill of the unfamiliar that causes the adrenaline to pump through her veins even faster, until suddenly, she finds herself standing behind some security guards who’d been about to corner and overpower Tatiana – she’s standing behind them and she’s got a gun pressed to one’s back while she’s got one of her boots pressed to the other’s neck. The guards let them go, they speed off, and once it’s safe enough, Bonnie pulls to the side of the road to yank Tatiana forward by her shirt. And, well, the rest is history. The rest is foggy windows and giggles and a drive to some poor pastor’s church who they bribe into giving them a marriage license, a fucking official one.
Next time they pull into the summit they’re fucking married. Spontaneous decisions had always been their forte.
CUE: ‘Blue Highway’ – Billy Idol
1985. It’s been some long years on the road since Rolling Fork. Hectic and dangerous and thrilling and just all in all fucking delightful. Even eight years down the line, Bonnie can’t find it within herself to regret the decisions that had brought her here, back to the summit, in their trusty old RV, her wife by her side. She fucking loves it, all of it. She loves Tatiana. Maybe not in the most conventional of ways for a married couple but she does, she loves her. Even if this open relationship typa situation they got on their hands isn’t her piece of cake – who’s she to complain? She might not be a godly woman anymore but she’s the same little Connie May that couldn’t bring herself to be unthankful for everything she had.
Hell, Bonnie even finds herself growing more fond of the other Con Jobs they picked up along the way. Even if she gets into fights with Wally over his choice of music every other day, even if Alfie and Wally do a god awful job of sneaking around every fucking night. She’s never wanted to be a mother or any of that shit, having spent her formative years as the sole caregiver of three little kids meant she had quite enough of kids for now.
But, then again, having cared for her siblings all these years had left its mark, and though she tries to hide it, Bonnie can’ t help but care when there’s a lost soul that needs her help. ‘Cursed with empathy’. At least you got that one right, Momma.
One rule has never waivered these past years on the road: Nobody touches the goddamn radio. Bonnie’s got full control over it. Even if she wants to take a trip down memory lane and listen to Sister Rosetta sing her best gospel hymns. Even if she wants to indulge her inner child with Madonna and Whitney’s latest hits. Everyone just has to sit and endure. So – Hands off!
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Text
If I say you’re name. You need to tell you’re crush you want to raise them from perdition with no context.
Amanda
Lucy
Any trans person’s name
Daniel/Danny
Conner
Harry
Polly
Marie
Mary
Kaitlin/Caitlin
Ryan
Lousie
Chante
Jason
Rick
Tom/Tommy
Luke
Jacob
Patrick
Luca
Joey
Fred
Matthew
Jack
Jared
Phil
Alex
Gloria
Lily
Jay
Willow
Sofia
Blake
Isabella
Collin
Emily
Karen
Olivia
Liam
Charlie
Eric
Marcus
Victoria
Henry
Theodore
Luka
Nova
Gianna
Emma
Noah
James
jennifer
Michelle
Cristina
Maria
Sarah
Thomas/Tom
Chris/Christopher
Nancy
Lisa
Robert
Patricia
John
Linda
Micheal
David
Elizabeth
Will/William
Susan
Jessica
Batty
Anthony
Mark
Ash/Ashley
Steve/Steven
Paul
Andrew
Aiden
Kevin
George
Tim
Stephanie
Melissa
Laura
Jeff
Gary
Amy
Nick
Amy
angela
Anna
Larry
Justin
Scott
Helen
Nicole
Sam/Samantha
Greg
Frank
Ray
Rachel
Christine
Helen
Carolyn
Janet
Cathrine
Heather
Diane
Ruth
kelly
Peter
Zack
Nathan
Adam
Ethan
roger
Austin
Carl
Karl
arthur
Dylan
Jordan
Billy
Alice
Abigail
Madison
Judy
Grace
Bruse
Joe
Logan
Gabriel
Gabe
Bobby
Phillip
Alexis
Kayla
Louis
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twyz · 7 months
Note
Roz! I have returned for an ask about Gloria! (Cuz I'm in a Disney mood cuz I was listening to Friends on the Other side)
What is Gloria's favorite Disney movie?
welcome back fan!!!
hmm, i gotta go with Hercules!!! it's one of my 6 favorites, and I feel like she'd absolutely love it too!!
she loves hades the most out of everyone. he's just a funny dude with fire hair!!
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askchuckandtiff · 1 year
Note
“I’ll keep you safe.” <33
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"I don't break promises, especially not yours kiddo" (Gloria)
-- -- --
//ooc a little bit of Gloria and Chelsea content never hurt anyone!! (Chelsea belongs to @fanficwriter284)
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fanficwriter284 · 1 year
Text
THIS IDEA POPPED INTO MY HEAD AND IT WONT LEAVE…and plus it’s been awhile since I’ve mentioned Chelsea….
Gloria belongs to @twyz
Summer was on the horizon, school days beginning to number for the Ray kids. Meaning one thing…and one thing only. The end of the school year dance. An event dreaded by the youngest of the Rays. Gloria had often joked about Chelsea having a personal vendetta against dances, however now her simple joke had been cemented into reality.
“Getting ready for the dance?”
Gloria shot her head upward, still applying her accessories for the event.
"Yup"
Gloria adjusted her necklace and fluffed her vermilion locks up a bit giving them a nice hint of volume. She was about to head out of her room only to realize something...off about Chelsea. Her once confident stance and demeanor were now shrunken and slouched. Her eyes faced away from Gloria's and instead locked down to the floor. Her left foot had been scrapping against the ground, as she rocked from side to side, appearing to be very uncomfortable.
"Are you okay?"
Chelsea didn't move her head up and continued awkwardly rocking, fiddling with her fingers trying to distract herself.
"What's up?"
Finally, she lifted her head revealing her crystal baby blues, those identical to her father's.
"...I can't believe I'm asking this...it's so stupid"
"What?"
"C---Could you do my makeup.....for the dance tonight...."
Gloria's lips began to curve formulating a small cheeky grin. However, she suppressed it knowing that the idea of makeup was a foreign concept to her younger sister, and didn't want her to shy away from her.
"Really!?"
"...you know what never mind it was dumb anyways"
Gloria gently grabbed at her little sister's hand and held her there for a brief moment.
"It's not stupid! I think it's cool!"
The youngest Ray had exhaled a long sigh embarrassed by her ask, regretting it, with each passing second.
"How does it even work? And please...nothing heavy...."
Gloria excitedly nodded, this was a once in a lifetime opportunity, anytime she even hinted at the idea of applying makeup or a makeover on Chelsea, the youngest would always leave. Clearly not fond of the idea. Gloria assumed Chelsea wanted a more natural look with a touch-up here and there. So, she primarily focused on her eyes adding a thin natural eyeliner, as well as light pink lip gloss adding some shine to her lips. Gloria avoided any shadows or heavy control, making it look as natural as possible with some minor tweaks.
She placed a headband on her litter sister's head a maroon one to match Chelsea's tuxedo and adjusted her little bowtie.
"Perfect!"
Chelsea hesitated before looking into Gloria's mirror and was actually happy with the end result.
"Thank you"
"Come on we gotta get a photo!"
"......Seriously"
"YES! This is like a once in a lifetime opportunity and sight I need photo evidence to prove it actually happened"
Before Chelsea could clap back with a smart remark she was pulled in by her sister into the view of Gloria's phone camera.
"SAY CHEESE"
"...CHEESE"
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Oz + Reductress [1/?]
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60s-music-tourney · 10 days
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Round 1 match ups!
People are strange by the Doors vs Alice's Restaurant Massacree by Arlo Guthrie 
Puff the Magic Dragon by Peter, Paul and Mary vs House of the Rising Sun by the Animals
Brown Eyed Girl by Van Morrison vs Respect by Aretha Franklin
Ring of Fire by Johnny Cash vs Heroin by the Velvet Underground
Somebody to Love by Jefferson Airplane vs Pinball Wizard by The Who
My Way by Frank Sinatra vs She's not there by the Zombies
Green onions by Booker T. & The M.G.’s vs Georgia on My Mind by Ray Charles 
Return to sender by Elvis Presley vs The Girl From Ipanema by Stan Getz And Joāo Gilberto
Aquarius (Let the Sunshine In) by the 5th Dimension vs Ain't Too Proud for Beggin by the Temptations
Change is gonna come by Sam Cooke vs What a wonderful World by Louis Armstrong 
Come A little bit Closer by Jay and the Americans vs Ain't no mountain high enough by Marvin Gaye and Tammi Terrell
Don't Rain on My Parade by Barbra Streisand vs Season of the Witch by Donovan
Good vibrations by the Beach Boys vs I'm a Believer by The Monkees
Wichita Lineman by Glen Campbell vs Stand by Me by Ben E. King
Cactus tree by Joni Mitchell vs Can't take my eyes off you by Frankie valli
Tainted Love by Gloria Jones vs Monster Mash by Bobby Pickett
Mrs. Robinson By Simon and Garfunkel vs Happy Together by the Turtles
I want you back by The Jackson 5 vs Space Oddity by David Bowie
Spirit in the Sky By Norman Greenbaum vs Son of a Preacher man by Dusty Springfield
This boots are made for walking by Nancy Sinatra vs Eight Miles High by the Byrds
Crimson and Clover by Tommy James and the Shondells vs Fortunate Son by Creedence Clearwater Revival 
Maybe This Time by Liza Minnelli vs You really got me by the Kinks
Sitting by the dock of the bay by Otis Redding vs Nights in White Satin by the Moody Blues
California Dreamin’ by The Mama's and the Papa's vs You Can't Hurry Love by the Supremes
Like a rolling stone by Bob Dylan vs The Impossible Dream by Jim Nabors 
Complication by the Monks vs Sweet Caroline By Neil Diamond
Suite: Judy Blue Eyes by Cosby, Stills and Nash vs Piece of my Heart By Big Brother and the Holding Company 
White Room by Cream vs 21st Century Schizoid Man By King Crimson 
I Say a Little Prayer by Dionne Warwick vs It's not Unusual by Tom Jones
Be my Baby by the Ronettes vs For What It’s Worth by Buffalo Springfield 
Fire by Arthur Brown vs Paint it Black by The Rolling Stones 
River Deep Mountain High by Ike and Tina Turner vs Sunshine, Lollipops and Rainbows By Lesley Gore
Blackberry Way by The Move vs Feeling Good by Nina Simone
So Long Mom (A song for World War III) by Tom Lehrer vs All along the Watchtower by Jimi Hendrix 
Good Times, Bad Times by Led Zeppelin vs Eleanor Rigby by the Beatles 
Dream a Little Dream of Me by Mama Cass vs I Got You (I Feel Good) by James Brown
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papermoonloveslucy · 1 year
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FANTASY TV GUIDE ADS
Sequels, Spinoffs, and Reboots We Never Saw - But Wish We Had!
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Ads and listings from a Papermoon Loves Lucy fantasy issue of TV Guide!
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"The Real Housewives of Beverly Hills” ~ Before Andy Cohen there was Don Loper - TV’s first gay man with a doting bevy of housewives at his command. At press time, Mrs. Alan Ladd was replaced by Mrs. Ricky Ricardo. In the premiere, Loper stages a benefit for Share and Mrs. Ricardo gets a sunburn. Sponsored by Unguentine. 
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"American Picker” ~ In this episode, Dan picks over some old furniture at a run-down brownstone in New York City. Mid-century modern is Jenkins’ specialty and tonight he strikes gold.
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"Hot Bench” ~ Today: “The Case of the Damaged Television & Fractured Friendship”. Judge Moroni Olsen and Bailiff Bobby serve justice at 4 ET / 3 CT. 
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“Desi’s Desert Island Discs” ~ Premiere!  Desi’s first guest is Ricky Ricardo. Viewers are treated to excerpts from his top ten. Special appearance by Lucy Ricardo singing “Sally Sweet”. 
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“Bent Fork R.F.D.” ~ This week the Sheriff (Will Wright) arrests a Pontiac full of Yankees headed for Hollywood. Guest star Ernie Ford tries to pawn off Teensy and Weensy (the Borden Sisters) on the westbound travelers, but they get all tied up. 
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“My Big Fat Fabulous Life” ~ Premiere!  In this musical docuseries, Teensy and Weensy are profiled at their mobiel home in Tennessee. It’s a “Ricochet Romance” when the girls become obsessed with the Bent Fork BBQ Buffet - and it goes bankrupt. 
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“The Walking Fred” ~ Fred turns into a walker after losing $500 to Al Hergesheimer (Milton Berle), an undead used car salesman from Brooklyn. Sponsored by Pontiac. 
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“Hoarding: Buried Alive” ~ In the season premiere: a woman is buried alive by two sides of beef; two urban couples are presumed lost in a collection of cardboard boxes; and old newspapers take over the lives of several desperate homeonwers. 
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“Lucy’s Neighborhood” ~ Beppe de Vries stars in this all-new spin-off to “East 68th Street”.  In this episode, Mrs. de Vries sees a wacky neighbor on the ledge and goes to great lengths to get her psychiatric help. Guest star Joseph Kearns as Doctor Toim Robinson. 
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“Freddie Filmore’s Drag Race: Females are Fabulous!” ~ Season 15 of the long-running show welcomes Carson Kresley and Michelle Visage in their first appearances since “Rupaul’s Drage Race Season 87″. This year’s guest judges include Phil Spitalny, Countess Blublitzki, and Fredrika. 
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“Trailer Park” ~ Lucy and Ethel move into a trailer park outside West Jamestown. There they keep an eye on the comings and goings of the flirty Flamingo Sisters (Gloria and Joan Blondell). Tonight: Mrs. Trumbull’s cat gets sick from an out-of-date can of All Pet.  
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“Ugly Betty Loves Wreck-It Ralph” ~ In this all-new teaming of two popular CBS sitcoms, the Ramseys (Mary Jane Croft and Frank Nelson) find a litter of kittens hidden in the chicken coop. Meanwhile, Little Bruce (Ray Ferrell) discovers hundreds of baby chickens in the litter box. 
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“Night of the Living Fred” ~ A television adaptation of the popular zombie film. In the new series, a landlord / zombie (Fred Mertz) eats the tenants of his New York City brownstone, until he is unmasked by Sergeant Nelson (Frank Nelson). 
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“I Spy: The O’Briens” ~ Hayden Rorke and K.T. Stevens play international spies masquerading as actors playing international spies on a television series about actors playing international spies. Tonight: Tom breaks a lamp and neighbor Lucy (Lucille Ball) impersonates a chair.
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“Big Brother: The Twins Twist” ~ This season welcomes Teensy and Weensy, Timmy and Jimmy Hudson, the Harpo Twins, and special guests Patty and Cathy Lane - all competing to be the last houseguests in the brownstone. Julie Chen Moonves McGillicuddy hosts. 
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“Jamestown” ~ From the producers of “Downton Abbey,” this dramatic series follows courageous performers who leave their dark pasts behind in England for a new life in 17th-century America. Tallulah Bankhead plays Elizabeth, the Quinn of Jamestown. Friar Quinn is played by William Frawley. Tonight’s episode “The Quinn’s Lament” was written by Quinn and Madelyn Martin. 
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“The Taylors in 3D” ~ The first spinoff from Desilu’s impossibly successful “I Love Lucy” starring Gene Reynolds and Mary Ellen Kay as young newlyweds who move into a Manhattan brownstone haunted by hilarious ghosts. Elizabeth Patterson plays Matilda, the new landlady and part-time medium, Reya. 
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“The Carmichael Show” ~ In this reboot of “The Lucy Show”, Viv and Sherman have moved out, leaving the Carmichaels to make it on their own. In the pilot episode, Lucy cancels plans to move to Los Angeles and Jerry’s Military School rejects his application. Chris becomes a waitress to pay the tuition. 
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Based on the hit series, “Iron Man Carmichael”, this all new TV movie marks the return of fearless stunt performer and housewife Lucy Carmichael as she takes on the Marvel Multiverse. 
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In the tradition of “Fosse Verdon” FX brings us “Lucy Desi”. Follow the tumultuous romance and career of Lucille Ball and Desi Arnaz as they climb the ladder of showbusiness success.  
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“Feud: Lucy and Joan” ~ A docudrama television series created by Ryan Murphy in the footsteps of “Bette and Joan”.  Based on the legendary real-life feud between Lucille Ball and Joan Crawford. 8 episodes of nail-biting drama and shouting. 
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