#holo images or w/e

[thegeminisage]

tng update of the evening. we did "the last outpost" and "where no one has gone before." verdict: watchable?

"the last outpost" is the ferengi episode. i actually had fun here; i loved data's finger trap and how it tied into the overall story (we have to band together to unstick ourselves), the ferengi were decently funny, goerdi getting stuck upside down was funny, nobody was too annoying. did sigh deeply when all the ferengi saw tasha and started gasoing because they wouldnt believe a WOMAN was allowed to wear CLOTHES. we were doing so well

oh also shoutout to when the entire spaceship was about to freeze to death. which is why children shouldnt be here. and crusher was like "i was tempted to give wesley a sedative, but..." and picard was like "you shouldn't" and she was like "but i'm his mother and i love him" and picard was like "yeah well he deserves to meet death awake" and she was like "is that a male perspective" FIRST OF ALL WHY ARE WE MAKING THIS ABOUT GENDER YET AGAIN WHY ARE ALL OF CRUSHER'S SCENES ABOUT HOW SHE'S A WOMAN. secondly they're both insane it is obviously so much kinder for him to be sedated thats why they put their kids to sleep first on the fucking titanic. when peasants from 1912 have more common sense than a starship captain lmao

anyway aside from those two fumbles i would call that episode solidly watchable. i even had fun at some points (funny fight scene, jonathan frakes asked a question). i can see that this could be a good show if they could get out of their own way

more mixed feelings about "where no one has gone before" because while it was the first time i actually liked wesley (he was just a nice kid behaving and being nice to that poor silver guy while being interested in his work!) the episode immediately invalidated all of that by going but wesley is SPECIAL we have to let him be an ENSIGN so he can STAY ON THE BRIDGE and DO WHATEVER HE WANTS and also not even ask his helicopter mom first.

it's bonkers to me because most of the time wesley seems to get away with murder but the one time he had a reasonable thing to say to an adult he got told to buzz off. and i'm sure next time he's being annoying the narrative will jump to making excuses for him again. i think i could also like wesley for being a bright and kind kid but ONCE AGAIN we cannot get out of our own way here.

i liked the concept of the episode - like shore leave but serious - but it also feels like it's way too early for this kind of ep. i wanna know what these people are like normally before i know what they're like when their thoughts are becoming reality and i still don't know. i'm barely convinced that they're friends instead of friendly coworkers and they're pulling out the deep shit. worf's pet pig and picard's mom were fine, also, but i did not like the upsetting thing with tasha's cat and YET ANOTHER mention of the rape gangs. she is the fucking janice rand of this series gene roddenberry must have had some kind of issue about blonde women. i did read somewhere that she left the show bc she wasn't happy so that bodes SUPER well i'm sure

that said i did unironically enjoy the scifi premise of the ep which is "what's at the border of the universe" because i think about that all the time to scare myself even though i know "border of the universe" doesn't work like that. i also really liked the cgi. so that was a mixed bag

except i continue to want good things or even just more meaningful screentime for characters like tasha geordi or worf bc i think they're interesting and i wanna know more about them but star trek said <3 no

#personal #star trek blogging #tng lb #i'm not really clear on how much geordi 'sees'...sometimes hes like i cant see like you all do and then sometimes he can see like #holo images or w/e #i wanna know why a klingon is serving aboard a federation ship #i wanna know why tasha is so goddamn tense ALL the time i mean i guess i know but i feel like there's so much potential there #that will not be explored at all #also i want jonathan frakes to ask more questions

[shenanigans-and-imagines]

NSFW Alphabet: Crosshair

A/N: Not officially a request, but I thought I’d better cover the whole Bad Batch while I’m at it. And as a reminder, remember to REBLOG AND COMMENT IF YOU LIKE THIS!!! The tumblr tags are fickle at best and it’s the only real way to support creators on this hellsite.

A = Aftercare (what they’re like after sex)

He’s always stuck between wanting to keep your body against him, but at the same time not wanting to come across as needy. He’ll probably start kissing your shoulders and neck, before nipping at the skin and telling you to go take a shower. Once you do, he’ll try to play it cool like, “you can stick around if you want, not that I care either way”. But, he does. He does care.

B = Body part (their favorite body part of theirs and also their partner’s)

He likes your waist. Odd, but true. It’s the natural place to put his hands when he pulls you close to him. He likes the way you shiver when he runs his fingers along your skin. Not to mention it’s the perfect place to grip you as his fucks you senseless.

For himself, he likes his legs. Yeah, they’re not as thick or muscular compared to regs, but they’re distinctly his. Plus even if he’s not any taller, it helps with the illusion that he is.

C = Cum (anything to do with cum, basically)

His favorite place to cum is all over your chest and stomach. Seeing you a sweating, blissed out mess with his cum sticking to your skin is the single hottest image his mind can come up with. Second only to you hazily swiping his cum onto you finger and sucking with a moan.

You better be prepared if you do that because you won’t be able to walk the next day.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

He has an impressive collection of dirty holos you’ve sent to him while away on missions.  He’s kept every single one.  It’s gotten to the point where he just picks a random holo and that’s the fantasy he indulges in to get himself off until he can see you again.

E = Experience (how experienced are they? do they know what they’re doing?)

Like the rest of the batch, he’s had a pretty healthy string of one night stands since leaving Kamino. He actually has the most notches on his bed post which he is not ashamed to bring up whenever Wrecker is getting just a little too cocky. So, he’s pretty experienced all things considered.

F = Favorite position (this goes without saying)

Taking you from behind and against a wall. That’s the popular image of him in the fandom and I’m ain’t here to dispute it.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Not funny, but he’s definitely a smug asshole who can’t help but comment on every sound you make.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He keeps it pretty well groomed down there, almost complete shaven.  Also, dark hair down below, if you’re curious. 

I = Intimacy (how are they during the moment? the romantic aspect)

It’s very rare for Crosshair to be emotional in bed.  He uses sex more as a way to get rid of tension or get a solid hit of dopamine.  Actually being open with someone is not something he’s comfortable with.

The most intimate he gets is when he feels he might lose you, either in the field or to another man.  Then, he uses it as a way to assure himself you’re with him and his. In that case, it can get pretty intense.

J = Jack off (masturbation headcanon)

He jacks off often, before and after meeting you.  He’s got a higher sex drive than his brothers and needs someway to work off the tension after a mission.  He prefers doing it in the shower when he has the time, but he’ll honestly whip it out anyplace where he can get some privacy for fifteen minutes.

K = Kink (one or more of their kinks)

Let it be recorded that Crosshair is not only a Dom, but the only true Dom in entire Grand Army of the Republic. (With the exception of Commander Wolffe.)

Seriously, the man likes nothing more than pinning you down and using your body as his personally fuck toy.  His ultimate fantasy is keeping you tied up in various positions, your body spread open and willing for him to use whenever the mood strikes him.

L = Location (favorite places to do the do)

Anywhere with a relatively flat surface. I cannot emphasize how much he does not care where he does it: bedroom, shower, locker room, bar bathroom, sparring room, between a couple of boulders out of view of the rest of the Bad Batch. He does not care.

M = Motivation (what turns them on, gets them going)

His ego...let me explain.

There are two ways to really get him going, but they both come down to how they effect his ego.

Number one, praise.  If you compliment him on a shot, confirm that he did, in fact, beat Wrecker at something, or rasp a dirty promise in his ear that he’s the only man who has ever made you cum that hard; that’ll get him going more than anything.

Number two, jealously.  If he sees another man actively flirting with you, he’ll all but sling you over his shoulder and carry you to the closest abandoned alley he can find to fuck you senseless.  He doesn’t care if you were interested in the guy flirting with you or not, you’re his and he needs to remind himself and you of that.

N = No (something they wouldn’t do, turn offs)

Humiliation for him is a no go. There’s the more obvious stuff, like the idea of you putting him on a leash or something equally degrading just gets him frustrated, and not in a sexy way.  But, more specifically verbal humiliation. He genuinely gets upset if you’re the one to say he’s not good enough for you in some capacity or compare him negatively to somebody else. That’ll kill the mood in seconds.

O = Oral (preference in giving or receiving, skill, etc.)

Much prefers receiving to giving.  Seeing you on your knees with his cock in your mouth his heaven.  And being able to cum all over your face and chest when he’s done? He’s in heaven.

That being said, he’s not bad at giving, he just ends up mostly using his fingers while he runs his mouth.  He can’t help it.

P = Pace (are they fast and rough? slow and sensual? etc.)

Fast and rough, like all the time.  He basically has no other mode.  Now, whether it’s more intense with pent up emotions or a fun stress reliever depends on his mood.  Either way, if you’re not a sweating, panting mess by the end of it he feels like he’s failed in some way.

Q = Quickie (their opinions on quickies, how often, etc.)

Yes.  He’s going to say yes to quickies.  Where ever and whenever is good for him.  But, don’t think it’s really over when it’s over.  He only considers it a preview of what he’s going to do to you once you actually get some time and a little more privacy.

R = Risk (are they game to experiment? do they take risks? etc.)

He’s certainly willing to try different positions and kinks, but he’s not big on getting more toys in the mix.  He’s more than happy to tie you up and spank you, but he’s not so keen on adding a paddle or something like that, if that makes any kind of sense.  It’s about his body and what he can do to you.

S = Stamina (how many rounds can they go for? how long do they last?)

Just as good as every other clone, with a fantastic recovery time. A solid average of three rounds per night lasting as long as either of you can stand it.

That all being said, he’s in constant competition with himself on how long he can last and for how many rounds.

Current record for time is two hours before he came once with you cumming a total of five times. Current round total is him cumming five times in one night while you lost count of yours.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Surprisingly not his thing. He’s got some cuffs he uses on occasion with you, but not much else. Like I said, he’s in competition with himself, not him and a toy.

U = Unfair (how much they like to tease)

He doesn’t tease often, but when he does, he’s an asshole.  He’ll keep you pinned down, lazily rubbing the tip of his cock against your opening, never fully going in until you’re squirming and begging him to just fuck you already.  Sometimes he will and sometimes, he’ll leave you hanging there.  It all depends on his mood.

V = Volume (how loud they are, what sounds they make, etc.)

Not especially. In the beginning he keeps it almost conversational, as he talks dirty into your ear. But, it all changes when he comes to the end. It’s like whatever control he had over his vocal cords gets shut off. He curses a lot combined with grunts and borederline feral growls as he rams his cock harder and deeper into you.

W = Wild card (a random headcanon for the character)

Crosshair has a real jealously streak, especially when it comes to regs. 

While he’s confident in his abilities, he’s aware more than Wrecker or even Tech that they’re basically a bunch of freaks the Republic likes to keep under wraps.  A funny little lab experiment.  While regs were made just as much as he was, they actually have a chance at being...well, normal after all is said and done.  He’s not sure he’ll ever be normal.  So, the fear of you realizing you’re dating an actual freak of nature weighs on him constantly.

He needs to remind himself that you’re with him, that you chose him and you’re not going to walk away.  It drives him crazy that you make him feel that way, but it’s the truth.

X = X-ray (let’s see what’s going on under those clothes)

Just as long as his clone brothers (a solid 8-inches), but not as thick.  Not that he need that extra edge.  His talent is precision after all.

Y = Yearning (how high is their sex drive?)

I’d say he has the highest of the batch, actually getting agitated if he hasn’t had a good fuck in more than a few days.  His hand can only do so much for him before he gets down right hostile.

Z = Zzz (how quickly they fall asleep afterwards)

I’d say it takes him a solid half-hour to finally fall asleep after sex. He’d never tell you, but he likes the feeling of you asleep in his arms. He’ll savor it for as long as he can.

#crosshair #crosshair x reader #clone force 99 #the bad batch #star wars #the clone wars #lemon

[404fmdminjung]

lyrical and composition verification for holo

summary: she plays the dusty keyboard for the first time in years, and comes out of a song that becomes a pseudo-‘fuck you’ to gold star. yet, it’s still something she can’t sing to herself as she doesn’t fully believe the words herself. but she has someone in mind, specifically — @fmdjiah​ warnings: alcohol tw, and i don’t even know if this is too ‘technical’ to be a composition but w/e going with it wc: 1710

summer in seoul — she can look out the windows, see how the sun kisses the silhouette of buildings that kiss the fronts in muted pinks. somewhere around the world, it’s midnight where the moon shines and invites another drink into warming her body. minjung takes herself to that place, indulgence in drinks that leave her head bobbing through the air — because it’s midnight somewhere. 

tonight, she feels a little out of place — the grip of the paintbrush doesn’t feel like home, not inviting as it once was a month ago. she could pin point mistakes to a schedule ablaze with musical promotions that have too many cameras and little cheer. a career that seems to plummet itself to the grave she’s dug. or just maybe, it’s the effect of coaxed beliefs that she swallows — the idea that being alone is something that feels like home. but she knows in reality, home isn’t alone, nor is the idea of solitude where the grapevines of bordeaux the solution to anything other than blurred mistakes and burning lines of regret.

she thinks it’s hapless — lost in the monotony of self-destruction. but she doesn’t bother to trigger a change in one way or another. instead, comes a wave of burgundy stained lips, legs crossed with a blank stare to the buildings that now melt to the baby blue wash of the arising moon. she blinks, displaced thoughts — a tilt in her head, and now the view of a lonely keyboard in a corner sits. and for the first time, the glass slips out of her fragile palms as her feet glide over towards the lonelier looking set of keys. 

there’s a notebook on the side, a 500 won pen she’s picked up from the corner bookstore. a memory that precedes the first time she’s ever written for herself — a thought that pulls the edges of her lips into a smirk, or maybe it’s just the effect of the alcohol. but she picks up the pen, spreading open the canvas of blank paper to write down something filter-free, the first pick into her mind.

‘is it really that hard to be alone to be completely still?  with people, or by myself i think i’m always lonely.’

it’s funny to think that the words of honesty come to reveal themselves earlier on — the feeling of loneliness masking her, covering her whole. she asks herself this question at three points in the day. the morning when she wakes up in a lonely bed, filled with the slivers of sunlight that peek through her curtain. in the middle, when she’s surrounded by a bustling staff and giddy members — drowning in the chatter that mangles itself into white noise. and the end of the day — when the end ends with the clinks of a bottle against a sole wine glass in the middle of her apartment.

and she believes the only words anyone wants to hear at that point — one day it will stop.

the words press themselves hard against the paper, or perhaps it’s her own will to believe the words now physically represented by the force of the pen on paper. she could tell herself a million and one things, never once to believe or swallow the truth of the statements. an age half of fifty, yet will all the time passed — she can’t necessarily bring herself to face the reflection of the words. so, she continues on with the theme that circles around her mind.

‘isn’t everything supposed to be as easy as you think and say? even sitting in the sun and breathing doesn’t seem to help.’

it strikes an uncanny belief in her head — the ideation that taking in the simple pleasures day to day comes as an easy feat. in theory, the great minds and her heart could tell her, lecture her into believing each day will become easier. yet, nothing ever comes as easy as the simple calculations that words simplify actions to. and she thinks to herself again, that believing the words ‘one day it will stop.’ 

it’s not love that makes her feel like this, no. it’s not the cracks of past lovers digging their claws deep in unpolished wounds exacerbating every clean cut image. it’s the idea of comparisons, the unnerved inability to satiate the money hungry woes of chart toppers and idealized ‘popularity’ that ranks high in the charts. 

it’s the flood of netizens that use their words like weapons, piercing deep into the tracks that engulfed her heart and soul. ‘a flop’ ‘a shit lead vocal.’ — she nods, laughs. howls underneath the images of how many people love to pick and piece apart her name inside the industry.

‘and i’m gonna stop crying, stop feeling, stop thinking about you. i’m gonna stop crying, and start putting myself first.’

she’s never given a second thought of keeping herself first — always on the verge of terror staged destruction wrecking havoc on those around her, leaving her trapped inside the devastation. it’s the need to rub salt on open wounds, make it hurt where it already aches. make it stand on the edge of a walking time bomb. and maybe, it’s the reason why gold star sees her as the standard doormat of a failed science experiment. a toy they hold high over her heads, the rationale for every step they push her towards.

‘her vs. me, me vs. her — what’s important to see who’s better? after i suffered a lot, i’m starting to get it. but i’m too important to myself to sit still and worry. take a look inside without a cover, you’re fine the way you are.’

it sounds cliche to write the words — she doesn’t believe it, no. but she wishes she could. because deep down seo minjung knows who the soul residing in her body is — a fragmented girl, afraid of the world. masking away anyone that approaches in fear that they’ll flee first. comparisons, one after another — one that pinpoints her to nothing. it doesn’t matter to her — it’s shit. the comparisons are shit. there’s nothing that aches more than suffering with the constant bereavement of being a second-hand choice or a second-staged puppet for someone else. 

—

it’s a funny image to see herself next to a muted keyboard — a makeshift desk for her words. but as on cue, the striking mirror image of herself juxtaposed into the ink pressed hard against the paper goes too much, and her body flees. retreats to the keys — button pressed on and the low start of the keyboard. 

she’s six when she’s introduced to the ivory whites and blacks, centered in the steinway and sons grand piano in her house — the second house in boston. the theory of progression of chords — three in a row, not at the same time. back straight, both feet pressed to the bottom. tiny fingers barely stretched across a sixth, and now she’s twenty five, surpassing an octave and barely reaching a tenth across the keys.

but despite the memories that flood of youthful hourly lessons four times a week, comes the ringing idea of the words that blare from the notepad in the corner of her eyes. if words had melodies, these words might have been a steady legato on the second octave. a chord progression, strictly arpeggio — her old piano teacher would’ve proud that she’d held onto these facts as a keepsake.

she doesn’t want to keep it major because she’s learned that the happiest of classical songs present in major keys — the somber melodies of majority of beethoven and liszt contain themselves in minor. a first few seconds, and the emotional bang hits front and center into the ears.

she hums to herself the first few words of being alone — a longing pull, a drag. a simple chord, not spanning an octave. her favorite chord, an f minor and a progression into d. it sounds lonely, it sounds sad. it sounds like her — she keeps it mezzo-piano, jots that down before the thought slips past. her voice sings the words, a few octaves too low for her range. yet, she forces it through with the gentle lilt of the chord, and then back down to the switch to d minor

it continues, and she drawls the keys to the words that read themselves out from the corner of her eyes. years of an untouched piano, and muscle memory comes back to haunt her — in a good way, this time. automated movements, a pendulum movement of something slow-paced and soft.

but she thinks that the dreary pace of slow stretches of chords become boring for a song about enlightenment, and seo minjung is no little bitch to stay still and complacent. no. she wants the words to hit in the middle just as the realizations barged through her the second they scrawled themselves on paper. the crescendo comes, and she wants it to go full force, loud — ff, she makes note of that. arpeggio no longer cuts it, and her fingers press against the keys — three notes, one time. a solid chord, staccatos released. 

she wants to shift it to major, an ode to her ‘fuck you’ song. but the stark contrast from major to minor is an artwork that she leaves to the masterminds of the past. 

she keeps it in the minor, two octaves higher — sounds have a tendency to have a ‘coming of age’ thought when it becomes brighter and clearer. but comes the thought to switch from a harmonic interval to a chord, a back-and-forth wobble of uncertainty posing across the keys. 

in her mind, she’s mozart inside the familial archways of classical musicians. except, she’s playing a reemergence in an a song she can’t pigeon hole into any niche. it’s not an experimental sound, nor is it anything that she sings herself outside of the privacy of her walls — it’s something still -ing in the process. 

—

it’s not a song she wants to wallow in silence or submerge inside the privacy of her notebook. it’s a song she wants sung, blared — even if it doesn’t stem from her feeble voice. she imagines the voice to stem from a gritty voice that can bleed emotion. someone who doesn’t crumble with the words said because she knows if she’d ever sing it, she’d fall to the ground and grace the world with pictures of tear stained eyes and a breach into the facade she’s created. 

and she’s aware — she’s a coward. hiding behind someone else’s voice for words she can’t face head-on.

so, the last thing she scribbles down is the one voice that comes to her mind — ‘jiah from bee’. hopes and wishes for the sole voice to be the only voice to sing the song written and crafted from her heart.

#fmdverification #으악→극한직업 #me: i hate having pending verifications to do so i do it asap

[omniversalobservations]

Scoob and Shag (2014)

The Internet is a place of many fanworks, with fans from around the world taking the established properties they love and paying tribute to them through fanart, fanfiction, and various other creations. Some of these fanworks take on a life of their own, transcending their tributary origins to become something original. One such fanwork is the webcomic Scoob and Shag, created by illustrator Diego Casasola, known by the pseudonym Dingo online.

Scoob and Shag started in 2014 as an inside joke between Casasola and two of his friends, who would imitate the voices of the iconic characters Shaggy Rogers and Scooby-Doo as they joked about Scooby being rude to Shaggy. Eventually, they made a blog on the website Tumblr to share comics relating to the inside joke, which became more popular than they could’ve ever expected. It wasn’t long, however, before the blog died down, as ultimately the comics were always intended as one-off jokes.

However, in 2016, Casasola had an idea to turn Scoob and Shag from a series of unrelated joke comics to one long, continuous story. As he told Tiger Media Network in a 2019 interview, “At some point, I revived Scoob and Shag with some comics here and there, and thought it would be funny if the comics started having a continuity.” And so, the new Scoob and Shag began, soon growing to a magnitude no one expected, not even Casasola himself. What was ultimately still intended as a joke soon became an ambitious, jaw-dropping action adventure.

Vulgar, violent, and unapologetically weird, Scoob and Shag tells the story of Scooby and Shaggy’s most dramatic adventure yet. On the way, they discover their unearthly origins and are thrust into a long-running, epic war between classic cartoon characters such as Buggs Bunny, Mickey Mouse, and Popeye.

One of the most interesting features of Scoob and Shag is the power system, inspired by the powers system from the classic anime JoJo’s Bizarre Adventure: Ballyhoo. Every cartoon character in the comic has their own Ballyhoo, named after various TV-related terms, based on how beloved they are as a character. The more well-known and loved a character is, the stronger their Ballyhoo is. As one of the most iconic characters in western animation, Scooby’s Ballyhoo is one of the most powerful, making him a force to be reckoned with.

At almost 100 updates and still ongoing, Scoob and Shag has become an incredible property all its own, with almost 200,000 subscribers on Webtoon and overwhelmingly positive reviews. The comic’s extensive fanbase has even spawned many fanworks of their own based on it, with fanart and original characters abound. There are also many dubs and fan-animations on YouTube, with the channel Studio Meraki even creating an original musical OST for their dub.

Source: Comics Studies at the University of Mary Washington

Scoob is very aggressive to others, usually resorting to violence as the solution to his issues. He often pulls out a gun when faced with difficult or annoying situations. However, he cares for Shag and puts himself in danger for him.

Scoob looks just like his real-world counterpart Scooby-Doo but with two distinguishing features: his dog tag is the insigna for the pre-war Sixth Fleet, and his eyes are squinted.

History Scoob was the Commander of the Sixth Fleet during the pre-war period. Scoob and Bugs were good friends. Bugs showed Scoob they had achieved communications with Martians first before any other Commander.

After the war, Scoob lost his memories, as had Shag and Kerm, and they seemed to begin to live normal lives.

After getting into a high-speed car chase with the police and crashing the Misterie Masheen into a tree, Scoob and Shag fled into the forest in an effort to lose the cops. Inside the forest, the two met Kerm, and after traveling further into the forest, they come across a house and head inside.

Inside the house, after some spooky stuff and shooting Mario, Scoob and Kerm get separated from Shag, and shortly afterwards meet Mick, whom for some reason Scoob does not shoot. After a while of Mick guiding them around the house, the trio enter a lab and encounter Barney, who immediately transforms into a monster and chases them out of the house, which is actually a gigantic ship, and they were inside the Holo-Chamber.

To fight the monster off, Mick informs Scoob of the power he holds within him and tells him to listen to the voices of everyone counting on him. Scoob then activates his Channel, his Ballyhoo, for the first time since losing his memory, and he quickly blasts the giant monster away with one shot of his Ballyhoo-empowered pistol.

Scoob, Mick and Kerm then head back into the ship and encounter Sam, who captures Scooby after shooting Kerm and pinning Mick down beneath his boot.

While imprisoned, Scoob is taken to what appears to be a trial by Sam with three shadowy figures. They ask him what he has to say for himself after wiping out entire fleets of their people, and after replying by giving them the bird, he's taken back to his cell. Scoob is then called to by Mick from the vents and is informed that a rescue team is coming, and together they make a plan for escape.

Sam brings Scoob to an interrogation room, where he threatens to shoot Scoob until Scoob remembers everything. After Droopy informs Sam that there's intruders, Sam leaves, leaving only Droopy and Scoob. After witnessing Sam's defeat at the hands of Pop, Droopy also must leave the room, only to be killed by Mick, who tells Scoob it's time to escape.

During the rescue team's battle with Bugs, who had already lost Swipes, Scoob stops Bugs before he could take another victim. Pop then tosses Sam's gun to Scoob, and while aiming at bugs, activates Channel.

Abilities Scoob’s Ballyhoo is Channel, first used in Feel and then properly named in Cruel. Channel allows the user to imbue any weapon with pure ballyhoo energy[1]. So far, Scoob has only used Channel with guns, so its effects on other weapons is unknown.

Channel is also a rare hybrid between a physical type and an energy type[2], making it one of a kind.

While using Channel, not only do Scoob's eyes glow and leave a streak like other Ballyhoo users, Scoob's dog tag also turns into a four point star shape.

Source: Scoob and Shag Wiki

(images via Webtoon)

#unofficial #Scooby Doo #Muppets #Mickey Mouse #Yosemite Sam #Goofy #Jetsons #Tom and Jerry #Masters of the Universe #Rocko's Modern Life #Arthur #Daffy Duck #Dexter's Laboratory #Hey Arnold! #Yogi Bear #Simpsons #PowerPuff Girls #Bugs Bunny #Popeye #Felix The Cat #fiction as reality

[trifoliate-undergrowth]

Episode 4: All or Nothing

Containing a bunch of surprising rolls and some of my own artwork of the bois! Grif receives some bad news from home, Taveau has a panic attack, and Rralwarr does his best to keep the two humans from self-destructing. 

DM starts the session by saying “You have received an anoymous transmission. Check in your handouts.” 

We all find this message: 

ARUETIISE: YOU HAVE TAKEN OUR PROPERTY AND KILLED ONE OF OUR OWN.  THIS WILL NOT GO UNPUNISHED.  WE WILL FIND YOU.  YOU ARE DAR'MANDA. 

Taveau: 

Grif: Oh uh... Taveau, can you translate-- 

Tavea leaps out of the pilot chair with a screech and disappears into the bowels of the ship at a full sprint, yelling something about “leaving.” He reappears shortly later (because irl I reached the DM’s room at the end of the hallway and was like... I’m not going in there... that would be weird). 

Taveau: SHAB we’re on a SHIP I can’t get off 

Grif: 

Taveau: *deep breath* OK. We are... In Trouble. 

Grif: I kinda got that. 

Grif checks the message, trying to figure out where it originated from, but all he can find is that the data was last transmitted from a holonet receiver on Nal’hutta. That’s probably not the origin point, but just a stop the data took. Considering the Mando’a and the fact that we just assisted in shooting a member of Death Watch, we assume that that’s who the message is from. 

Immediately after this, a horn blares. 

DM: that was the proximity alarm on your ship. The nondescript freighter you saw N10 (AKA Jang, the ARC trooper) and the black-armored Mandalorian standing outside on the ground has come right up next to you. You have a communication request. 

Taveau: Grif. 

Grif: ...Hello? 

Clone: So you’re still alive! I’m impressed, but you’ve made some powerful enemies. The Republic can’t protect you everywhere. I think it’s time for a strategic disappearance. I suggest you go to ground. Remember who your friends are. N10 out. 

Grif: 

Grif: What Just Happened. 

Taveau: *shivering in his chair* I have no idea but I’m inclined to believe him, let’s get the hell out of here. 

DM: You’ve got an incoming holo-transmission from Alderaan. Grif? It’s your father. 

Grif, who ran away to join the diplomatic corps in the middle of a war very much without his parents’ approval: ...Oh. 

DM: you receive the transmission, and the image of an Alderaanian man appears. He has a trimly-cut beard and a bald head, and he’s wearing well-cut robes. 

Grif: Heyyy, Dad! 

Rralwarr: Sir, I’m so sorry. 

Mr. Welkonna: Grif. Thank the Force, you’re alright. Listen. You need to come home. It’s your mother. She’s been killed. 

Grif: ..what

Mr. Welkonna: She was away from her bodyguard, and she was shot in the neck. Grif, come home. 

Grif: 

Grif: I... um. Actually. I’ve... got into some trouble, out here. Wouldn’t it be best if... I didn’t bring it back home with me? 

Mr. Welkonna:  I thought you might say that, but please son, your family needs you at home. 

Grif: Look, Dad, I... I really think it would be better, I... 

Rralwarr:  Mr. Welkonna, as you understand, we are in the middle of a war, and we have made some powerful enemies. 

Mr. Welkonna: This is why I never wanted you to leave home. Rralwarr? I’m calling on the life debt your family owes me. Bring him home. 

Rralwarr: Understood, sir. 

*transmission ended.

There’s a moment of silence in the cockpit, then Rralwarr turns to Grif and says “We’re going home.” 

Grif: I understand. 

Rralwarr: I don’t have a choice. 

Grif: I know, it’s alright. ...We need to get Taveau out of here. 

Taveau: W

Rralwarr: Why? 

Grif: We need to get him off somewhere safe, we’ll have very little protection on Alderaan. 

Taveau: Honey! Uh... Listen. You think I’m gonna be more safe outside the ship? Uh—besides, you haven’t paid me. So let’s just stick together for now... and if anyone tries to shoot you, I can... shoot in their general direction.

Rralwarr: Yeah, you could use more bodyguards now. 

There’s another message, this one from the Republic.

Welkonna, Rralwarr: Well done.  Your service is valuable to the Republic.  5,000 Republic credits have been deposited to each of your accounts.  I also understand that you have acquired a ship and a pilot.  I won't question how you got them.  We've updated the ship's registry to reflect its status as an official Republic courier ship, and licensed to carry its current armament.  Additionally, if your pilot (Taveau, I think?) wishes to join the Diplomatic Corps, he can sign up right away and receive payment.  It's hardly standard protocol, but we need all the help we can get.  Return to Coruscant for debriefing and new tasking.

Argrave Piett

Level 4 Supervisor, RDC Courier Service

Republic Diplomatic Headquarters, Coruscant

We decide not to go to Coruscant. Taveau doesn’t respond to the message one way or the other, and there’s some party debate about whether we ought to respond at all, since anything we send might be intercepted by Death Watch. 

Rralwarr: Send a vague transmission. “We are unable to get to Coruscant at this time.” Or better, we are unable to follow orders, we are under fire, don’t want to say too much. Think... what does Death Watch already know that we know?

(IRL: J, a girl who came to watch the session, comments that we’ve been getting really good rolls. I say “That’s because I haven’t rolled yet!” and H goes “HA! yes.” I guess this is my legacy now) 

We also discuss which direction we should head in for the moment. Death Watch obviously knows where we are, so wherever we go, we could be endangering someone. 

Grif: OK we need to go to somewhere that’s clear Republic space, so it’ll look like we’re going to hide, and maybe draw them out before we get to Alderaan.

The DM provides a galactic map, and someone suggests Corellia. 

DM: Corellia is a busy spaceport, a common stopping-point for people going from the core worlds to the outer rim planets.

Grif: Yeah! We can lose ‘em there, get another ship! Hopefully. 

We decide that this is a good idea: it’s more or less on the route to Alderaan, but not right next to it. We’ve got a good few hours in hyperspace, the DM asks what we’ll be doing in that time. 

Me: I am going to sit in my pilot seat and shiver.

Rralwarr: ...I attempt to be a wookie blanket.

Me: Aww! Thanks.

Grif: I pull out my rum.

Several constitution rolls later: (Rralwarr didn’t do very well, the rest of did... decent): 

DM: you all down your shots. Taveau is just very confused and very scared, definitely feels it. Grif... Grif likes it, but he’s definitely still feeling the pain. Rralwarr... starts to let out a few tears. 

Rralwarr: I think I’m going to bed now. 

Taveau: I give you an awkward shoulder pat as you’re leaving. 

DM, to Grif: OK, you have a terrified pilot, a dead mom, and half a bottle of rum (also another full bottle that he’s got stashed away), and someone very powerful wants you dead.

Grif, to me: Want another? 

Taveau: YES. 

(1 good roll and 1 Very Bad roll) 

DM: Taveau, you’re still scared, but you can handle your liquor pretty well, and you actually calm down a bit. You feel less jittery. Grif, that second drink just pushes you over the edge. You were trying to be strong, you were trying to be brave, but... you loved your mom, and you miss her.

Grif, small voice: I know

DM: And even though you know that the bottle won’t fix it, you drink it all. You are wasted, you are a sobbing puddle on the floor of the ship, crying for your mom. Rralwarr wakes up briefly, hears you, comes and gives you a hug, drags you to bed and tucks you in. 

H: Yes. I would do that. 

Grif: Mom... would... always help... all the mommy wookiees... give birth to their babies....

R: I know, Grif.

Grif: Mom... they were always... they were family, to her, the wookiees...

R: I know. Go to sleep, Grif.

Taveau is left alone in the cockpit. Someone questions whether he’s capable of flying. 

DM: honestly, you are probably going to fly a little better now. You’re less shaky. 

H asks where his family is. 

DM:  Rralwarr’s parents are happily retired with a generous pension from the Welkonna family. They travel between the Welkonna estate and a rather luxurious treehouse on Kashyyyk. 

Meanwhile. Taveau, slightly drunk, drifting in and out of a restless sleep in the cockpit, decides that he’s going to try to learn Shyriiwook, so that he can understand Rralwarr. This involves a Galactic Lore roll. You know, that roll that the whole party has a history of doing really badly with. 

H, eager to finally have the whole party be able to understand him: Don’t crit fail on me!

Me: *crit fails*

H: NO

Me: NOOOOOOOO

DM: ....you THINK you understand Syriiwook, but what you hear is NOT what everyone else hears. 

The morning comes and the DM makes us all roll constitution to see how well we recover from our bad choices of the night before. 

DM: Rralwarr, you’re good, sober. Taveau, you’re as well-rested as you get these days, slowly coming to terms with the idea that Death Watch is after you. 

And then Grif makes his roll. 

Grif has a negative constitution modifier, and he rolls a crit fail (a 1), resulting in a score of Z E R O . Grif has gotten a crit fail and then some. 

The party reacts with shock and concern, but the DM is deathly silent for a few moments. Then, he stands up from the table and says: 

DM: ...We need to pause for five minutes while the DM goes into another room and curses loudly.

And then he left. Disappearing down the hallway. 

Me: HEY I THINK I’VE SUDDENLY GOT A REALLY BAD FEELING ABOUT GRIF. CAN I RUSH IN THERE AND CHECK ON HIM. CAN WE HELP HIM

H: I’M A MEDIC HOLD ON I’M GOING TO GO IN THERE PLEASE TELL ME WE CAN HELP HIM 

DM, returning, with a haggard expression: ... you were SUPPOSED to have a really really bad hangover. You were not supposed to roll a Z E R O. OK, you two go in to check on Grif, and you find him catatonic. He is breathing, his heart is beating, um... he is completely nonresponsive. 

Rralwarr pulls out his medical kit to see what he can do.

DM: You can’t even get reflex movements. Completely unresponsive. 

Rralwarr immediately decides that, if Grif wakes up, he is never going to tell Mr. Welkonna about this. And he makes a treat injury roll to see if he can figure out how bad Grif is. 

DM: That was more alcohol than Grif had ever had in his life. Turns out his body was not prepared to take that much alcohol that quickly... (party reaction):

...He blacked out from alcohol overload and basically shut down except for vitals. You (Rralwarr) manage to stabilize him, you gave him some medicine to help with processing the alcohol out of his system, as far as you know there’s no permanent brain damage, but he’s still unconscious and you’re not sure for how long. 

Taveau: Is he going to be OK?

Rralwarr, knowing that Taveau can’t understand him (and, out of character, not thinking that this is the best moment for a communication failure), just nods. 

DM: Grif? after Rralwarr’s treatment, you become conscious. You just can’t move. 

The entire party: THAT IS TERRIFYING

DM: your eyes are closed, so you can hear but you can’t see.

Grif: I attempt to open my eyes, pretty freaked out that I’m hearing things but can’t see. 

DM: this deals with your connection to the living Force, so it’ll be a survival roll with disadvantage. (a 10) You manage to twitch your eyelids, but that’s all. 

Me: can we roll perception to see if we notice him twitching? 

DM allows it. Rralwarr and I both roll

AND WE BOTH NAT 20 . 

DM: 

One of the rejoicing party members, helpfully: ‘What frick’? (a signature saying among them) 

DM: Oh, we’re well past frick. *gets up* I retreat into my inner sanctum of contemplation. *goes into the coat closet and shuts the door.* 

We hear muffled noises of someone banging their head against a wall. 

The DM returns. 

DM: ... alright, so you both notice the eye twitch, which you are sure beyond a doubt was Grif, and Rralwarr, you think that perhaps by applying the right kind of stimulation to the nerve centers you maaaaay be able to bring back function, at least to his eyes.

Taveau: HEY GRIF! Hey! Hey, buddy! Listen, we’re here, you’re gonna be okay.... maybe....? 

Grif, internally: he called me buddy!! 

Me: (tiny squee of happiness) 

Rralwarr makes a medicine roll to see if he can help Grif wake up a little, as is being allowed because of the unexpected nat 20, and he... roooolllsssss... 

ANOTHER NAT 20

Party: !!!!!!!!!!!!!!!!!!!!

DM: 

DM: *sigh* OK. Grif. Rralwarr carefully stimulates your nerves at a specific point, hoping to help you open your eyes; amazingly manages to do it in just the right way that muscle function is restored to your entire body, and you wake up. It worked so well that you feel stronger than ever before. Increase your constitution score. 

Grif gets up. 

H: Rralwarr sees you’re up and moving, grabs you by the arms and stares into your eyes and goes NO MORE ALCOHOL.

T, from the couch, remembering the failed attempt to learn Shyriiwook: what does Taveau THINK you said?

DM: Taveau, you think Grif has a deathly allergy for bantha meat and will die if he so much as smells it. And because of how you dealt with recent events, you all have inspiration now, to last indefinitely until you use it on a roll.

Me: Have you released the Grif?

H: No. Rralwarr points to all the medical equipment and goes “I did this for you.” 

DM, to Grif: while unconscious, you had a dream that you saw 32, and he was your best friend, and towards the end of the dream, he runs towards you and grabs your shoulders in a warm embrace, and then you wake up and it’s Rralwarr.

Grif: Nice to see you too, buddy.

Taveau: *scoots past the wookie as soon as he’s released Grif and hugs him* Welcome back. Don’t do that again.

Grif: Do what?

Taveau: You were seriously blacked out. Usually when people do that they’re trying to kill themselves.

Grif: Ok well that’s a new experience.

H, looking over at me: waiiiiit....

Rralwarr confiscates Grif’s alcohol. He thinks momentarily, maybe Taveau will accept it as payment, but decides this is a BAD IDEA. Stares at Grif, drinks a little of it, then puts it on a high shelf that neither of us can reach. 

There’s a hyperspace alarm blaring. After a moment of silence I go OH YEAH! I SHOULD GO DEAL WITH THAT!! Sprint into the hallway, crash into the wall, you hear crashing going down the ship.

Rralwarr: I follow Taveau and try to help; I guide him into his chair, sit him down, slide the chair in and pat him on the shoulder like “good luck”. Oh, also, Grif.  since I healed you, as far as I’m concerned, *leans in*  n o t h i n g   h a p p e n e d.

Grif: ...Right! 

Me, OOC: I’m so sorry. But you left with alone with an alcoholic Mandalorian, what did you think was going to happen!? 

DM: You guys...you’re supposed to kill bad guys, not me.  .... I am so done with you. I want to go do physics now, because it makes more sense than you. *gets up from the table* 

And that concludes Episode 4. We had an emergency (because we were all eager for another one) session 4.2 on Saturday, and at that, decided to switch the sessions to Saturday for now. 4.2 is on its way. 5 will be tonight. And here’s some art I made in honor of this session: 

(Rralwarr and Taveau are both taller than they here appear, they’re hunched over Grif. Taveau is taller than Grif and Rralwarr is taller than e v e r y o n e.) 

Masterpost with all the current RPG session posts in order: HERE

#Taveau #Star Wars RPG

[pizzafelony]

eos 10 daemon au, as decided by whatever australian animals i liked best while running around the taxidermy section of the museum yesterday with actual biologist nellie @reyroace​

dr urvidian: green ringtail possum

look at the fury and the aged exhaustion in this creatures eyes. probably voiced by christopher lloyd. would claw you to death if only it took less energy. classic horace urvidian.

ryan dallias: sugar glider

a sweet and gentle creature. soft-spoken. the sort of face everyone falls in love with. just wants to sleep and maybe cuddle w someone.

jane johns: antechinus

why he scream. "theyre tiny tiny vicious marsupials that breed by going into a hormone rage and fighting each other until their immune systems collapse and their organs explode” -- actual real quote from actual real biologist nellie​

levi: this fuckin thing

R I S E. i didnt actually catch the name of this one but its so overly dramatic that i cant go past it. constantly screaming. always dressed (or undressed) to impress. runner up as suggested by nellie: “what about one of those possums that always pretends to be dead”

akmazian: Mess

image is mostly a joke but he probably has a fancy holo-light projector rigged up to display his daemon as a huge feral cat, when it actuality it is.... a somewhat smaller domestic cat. a sweetheart who would rather just nap in a beam of sunlight all day but will draw blood without hesitation. is very pleased to hear that ryan is a cat person.

#we got halfway thru the exhibit before i pointed at the possum and said 'ha its urvidian' #[john mulaney voice] and thats when the afternoon went from good to GREAT #eos 10 #daemon au #long post for ts

[collectorscorner]

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[designationpinknoise]

How Prowl met Janis 1/2

:: | ::= Thoughts

It's was just a normal day in the daily grind Janis got up put on her school uniform brushed her hair and rode her bike to school, when she waited at the lights for the walk signal a cop came speeding down the road almost hitting her! the blonde squeaked as the car managed to swerve and passed slammed on it's brakes.

Janis let out a sigh of relief, before riding up to the cop car and narrowed her eyes at the tinted windows "Learn to drive space cadet!" she hissed giving the headlight a light kick, and continuing on her way. she thought she heard someone apologize, but didn't spare a second glance.

Meanwhile

"Bluestreak!"

"I'm sorry I was wasn't paying attention! and girl just rode out in front me and I saw her at the last.."

"Quiet! do you have any idea what would've happened if you had hit that girl? at the speed you were going?! go back to base!"

"But-...Kay"

Prowl ex-vented why Prime didn't let Jazz or Bumble-bee come on patrol him with he'll never know! at least that know how to pay attention to the damn road and traffic laws...he scooped out the neighborhood to make sure no one had heard or saw the near miss,

 but no humans were detected, he ex-vented again before turning down the same way the girl went only for his radar to go haywire! there was a decepticon heading his way fast! dammit! he radioed base and Bluestreak to come back.

At the same time

Janis was at her locker and felt a chill go up her back; she whirled around and saw Marvin looking down at his phone while walking to the student council meeting room only walk face first into the door frame,

 The blonde blinked must have been her imagination, she shrugged before a loud explosion knock her back into the row of locker her ears rang as the blurry images flooded her vision then Janis felt something hit her chest then everything went dark.

Prowl grunted as he landed he was thrown into a school building luckily it was mostly empty, as it was early the staff and student weren't there yet, or so police mech thought he saw a boy running away from the building. 

Then froze when he looked down and saw a girl buried in rubble! he recognized her too; she was the one Bluestreak almost ran over, he went to comm for help. but his comm wasn't working,

Prowl growled as he looked over to Bluestreak and the lambo twins who were fighting Bonecrusher, then back at the girl then realized something... his scanners weren't picking up her heartbeat, his spark dropped as he dug the girl out and quickly looked up way to start up a heart..."Defibrillation?"

he said before looking down at his spark chamber...This was very either a good or bad idea... that sounded good in theory or on paper, 

but right now? There were no options opening his chest plates. Prowl brought the girl to his chest and gave her a slight jolt and that's the last thing he remembered before blacking out...

Three days later...

Janis's eyes opened and was blinded by a bright light, she muffled voices and saw figures moving about, she tried to get up but was pushed down again, she hissed her head and chest were killing her,

 "W-what happened? where am I?" she ask her hazel eyes finally adjusting "You in the hospital dear." she looked up at the older woman she was in a lab coat and had long ginger hair and laurel green eyes, who looked down at her warily Janis read the woman's tag Dr. C. Gates as the woman wrote something down.

"Do you remember your name?"

"Janis Pymm, Dr. Gates what happened to me?"

"There was a gas explosion at your school, the paramedics found you under some rubble."

"Gas explosion?..how long was I out for?"

The Doctor hummed "three days...looks like you got an extended spring break." the teen just gave the woman a blank look as she cleared her throat "by the way your friends stopped by..."

Janis looked to her bedside table and saw a large candy basket, flowers and cards. sitting on the table most of them were from classmates; who wished her well or thought it was her birthday...the flowers were from Marvin, but the basket...

who the hell were Jazon Zimri and Paul Rowe? "I think there may be mistake. I don't know any Paul or Jazon." Dr. Gates blinked then checked the tag on the basket "No mistake, it’s addressed to you." she showed Janis the tiny address and note.

[Get well soon sweetness, PS me n' Blu picked this out, Prowler doesn't know what the femmes like

Femmes?...was that some sort of new slang? the teen frowned and who the hell is Blu? "Maybe one of the first respondents got it for you?" Dr. Gates suggested as she wrote down other stuff, Janis shrugged still befuddled as odd tingle tugged in her chest. but, shrugged it off to her body still waking up.

"By the way we tried contacting your family, but no one answered." Janis grimaced and grabbed a small napkin and asked for a pen and wrote down a number

 "it's my building manager." the doctor eyed her before nodding "I'm going to prescribe you, some pain killers for a cracked rib and your wrist, you got off lucky miss Pymm, also I'm sorry but you going to have scars over your right brow and left cheek,"

Janis listened to what the doctor said as she left to either attend to her other patients or call the number she gave her, Janis didn't know how long she was laying there for staring at the ceiling... 

but, for what seemed like hours there was a knock on her door looked up and saw an old woman calmly walk, in and hug her before helping her sit up the old woman pull away and scanned the girl's face.

"Oh my goodness look at you."  

"Hi to you too, miss Jackson..."

"Why didn't you say you were in the hospital? I nearly had a heart attack"

":: |Yeah because whose gonna pay you if i die?| :: I wasn't really awake until an hour ago.."

Don't get Janis wrong. Miss Jackson was nice lady... just so long as you have a big enough wallet to keep her in a good mood; and pay her rent on time. Damn Janis really missed the Kims!

at least they're rate was cheap and they'd give you an extra two weeks to get the money, Janis's scholarships and security job barely covered the grubby woman's rate.

She was looking for a new place to live, but, for now she's stuck "I'm only driving you home this once don't expect anymore generosity." the older woman chided as Janis went to say something only for Doctor Gates to return with Janis's school bag "Your gym clothes are in here, Luckily you bag got out untouched."

the ginger said giving Miss J the stink eye who looked the doctor with distaste, "May I talk with you?" she said to miss Jackson, who followed her out of the room as Janis changed and put her stuff in her back pack well except for the basket it was too big and flowers well were starting had pretty died.

so she threw them out and dumped the water before putting the vase into her backpack just as Doctor Gates came back in a very unhappy "what a bitch! urm...Sorry dear, did you know she was selling the apartment building?" the doctor asked  Janis was floored "What?!"

Meanwhile two days earlier...

When Prowl onlined his mind was in disarray, he felt odd. almost lost as he stared at the base's ceiling, as Ratchet stepped in to check on him "Well, look who finally woke up!" 

the medic said getting the SIC attention "w-when did I get here?" he asked as Ratchet helped him up. before smacking him up side the helm, he grunted and looked at the doc-bot confused "You, I thought you were one of the smart ones!"

Prowl was still confused as the terror twins suddenly came rushing in. loudly humming the wedding march; and throwing confetti and noise makers at Prowl. confusing the poor bot even more.

before  a feeling of wariness and pain in his wrist and chest got his attention...His optics watched as Ratchet chased the twins out of his med-bay.

but, he blocked out whatever he was saying to them. He didn't even register Jazz walking in a patting his shoulder.

The Praxian jumped from the sudden touch "I gotta say Prowler n'vah thought ya for a commitment mech so waz er name?" Prowl blinked then stared at his friend confused as Ratchet butted in.

"he doesn't know."

"What do ya Mean?"

"He doesn't know her name, he took a damn risk! and they're both stuck with ramifications."

"Whoa, you Spark bonded with the li’l lady without knowin' er name or permission?"

Prowl gawked at the two, bonded? what were they talking about he wasn't...Then he remembered the girl! the school getting jumped by the cons, "Oh frag! The girl! she wasn't I-her heart stopped and I-" 

The medic put his hand up to silence him "I know, Catherine told me you saved her however..." Ratchet winced "Just be thankful the girl was an E-type, other wise you’d both be dead right now."he huffed as Prowl's door wings stood straight up either in anger or fear;

neither Jazz or Ratchet knew, when Ratchet gave the SIC the okay the leave he was cornered by Bluestreak who bombarded him with questions he couldn't or wouldn't answer! before Jazz came to rescue him and said they were going to visit his "missus".

Much to Prowl's churning, he actually bit back to urge to yell 'she's not my mate!' but, that was lie...as three drove to the hospital.

 Bluestreak suggested getting something for her; Jazz agree and they stopped at a shop, Prowl had no fricking clue what he was doing or how he was going to do this. ::What do earth femmes even like?::  he huffed in his head as his holo-form; 

(which totally looks like agent smith from the matrix)

Stared intensely at a cactus, while Jazz and and Blue shook their heads at him "Even his avatar looks like it has stick up his aft" sniper whispered to the TIC who just hummed. 

as he and Blu looked around, and found a large gift basket and buying it with the credit card the SILO foundation gave them. "let's go Prowler!" Jazz said grabbing Prowl by the elbow and pulled him out of the store.

when they got to the hospital, the nurse up front denied them entry since they didn't know the patient's name first or last. til Catherine noticed them on her way in and told the nurse they were with her.She led the boys to the sub-level hospital.

 Catherine explained Janis's injuries Prowl cocked a brow ::So, her name is Janis...hm:: he immediately shook whatever ever he was going to think about, out of his mind.

and just ignore the damn bond, but, that over like a lead balloon the second they stepped foot into Janis's room "Whoa! you bonded with the girl I almost ran over?!" Bluestreak said pointing at the comatose blond as Jazz looked at the younger praxian oddly,

"You almost what?" Bluestreak immediately explained the whole situation as Prowl put the basket on the little nightstand next to Janis's berth and just stared at her, she was actually not bad looking, she was 'pretty' for a human.

his spark clenched a bit when he noticed the the stitches on her face and the cast on her wrist, Catherine did say she had a cracked rib. so, there's definitely a bruise under that gown no doubt.

 it was his fault she ended up like this what was she even doing at that school so early? he spied one of the cards [Get well Vice-Prez! student council just ain't the same with out ya!- Nora] he briefly looked up what student council meant.  

:: Oh, the who ever her school president is must asked her fill in.::  

"Huh, what do ya know she's second in command of her peers."

"It's not wise to invade the personal space of others Jazz."

"Ey I just wanted to see Freckles up close, she's pretty cute, too bad I didn't see her first."

Jazz joked with a mock pout, Prowl didn't seem to take his joke to well , as he let out a growl before shaking his head and calming down then noticed they were missing someone 

"where's Blue?" the TIC looked at his friend "Oh, he wouldn't settle down, so i told em' to check and make sure our parking pass hadn't expired." the agent smith like avatar nodded before Dr. Gates returned "I hate to be that gal, but visiting hours are over. Jazz and Prowl nodded and Jazz's Avatar disappeared.

 Prowl made a move like he was going kiss Janis before he caught himself "what the hell am I doing?!" he exclaimed out loud as Dr. Gates watched him somewhat annoyed as she had other patients to see.

 "I don't know, but, you might want to give that avatar makeover, before someone thinks you're some 40yr old pedophile." she advised a little creeped out by the whole scene; the police mech gave her the stink eye before disappearing.

When Optimus had heard about Prowl and Janis; he wasn't angry or anything just surprised...confusing his SIC he assumed Prime would be furious!?

 then Hilary came to visit and Prowl noticed the sudden change in his leader's behavior, when the SILO leader met Optimus's gaze and smiled at him,causing the leader to sit up a little straighter. 

as Prowl finally connected the dots on Prime and commander Bellamy's relationship, how long had this been going on!? he went to intervene when a tiny voice yelled :: | He said while bonded to a earthling!| :: and bit his glossa he's pretty much 'Calling the kettle black' as the humans say...

two days later.

Prowl’s mate was awake. he could sense her confusion, alertness,and distaste then it stopped; as wave of anger and despair suddenly shot through his senses. 

he was tempted to see her but, Ratchet told him keep his distance and take it slow. and let her get used to everything. then she’ll come to him.

Prowl growled to himself, his door wings twitched; his optics kept focusing and unfocusing. as all his protocols were telling him to seek out his mate.

end part 1

(This prowl in based of of the Transformers Prime design.)

#Prowl #Transformers Prime #transformers fanfiction #my stuff #prime prowl #transformers universe #maccadam #jazz #bluestreak #ficlet #my writes #accidental sparkbond

[albareport-blog]

Bombë brenda në një kishë në Filipine

Sipas komunikimeve nga Policia dhe Ushtria, 18 persona kanë gjetur vdekjen nga dy shpërthime që ndodhën në një kishë në Filipine-n Jugore.

Sipas komunikimeve nga Policia dhe Ushtria, 18 persona kanë gjetur vdekjen nga dy shpërthime që ndodhën në një kishë në Filipine-n Jugore. Numri i të vdekurve u konfirmua nga autoritetet disa orë pas ngjarjes.

Ngjarja ka ndodhur në qytetin «Holo», dymbëdhjetë qytetarë, 5 ushtarë dhe një polic kanë mbetur të vdekur gjatë dy shpërthimeve që ndodhën në një kishë, e cila ndodhet në këtë qytet.

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#Bombë #Filipine #Kishë #Mindanao #Terrorizëm #Viktima

[palcofashion]

Assista 2 horas do show de ERIC PRYDZ , o DJ mais visualmente impressionante do mundo

Assista 2 horas do show de ERIC PRYDZ , o DJ mais visualmente impressionante do mundo

No dia 2 de junho no Braehead Arena em Glasgow o DJ Eric Prydz estreou um dos mais , senão o mais, impressionante show de EDM de todos os tempos.

Repleto de imagens em 3D e Hologramas o palco que circunda o DJ é uma verdadeira viagem de realidade virtual.

Neste vídeo podemos ver um destes impressionantes hologramas:

Holo, como é chamado seu show tem uma tracklist recheada de musicas novas e…

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#Destaque #Eric Prydz

[mavericklabel]

Hologram Labels Are More Than Just Flashy

Hologram Labels Are More Than Just Flashy

All 6 of our standard holographic patterns

“Oooh, shiny!” That’s my typical reaction when I see hologram labels. But in fact, these types of labels are more than just pretty and flashy. They can help secure and authenticate your products, documents, and services. Hologram security labels are difficult to forge, copy, or alter because of the prismatic properties of the holographic foil.

What Is a…

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#hologram #holographic #secure #security #shiny #tamper-evident

[festpop]



The 17th annual Austin City Limits Music Festival will deliver one of the most exceptional lineups of this year’s festival season. Headliners include Paul McCartney, Metallica, Childish Gambino, Arctic Monkeys, TRAVIS SCOTT and ODESZA. The history-making bill includes first time ACL Fest performances and only North American festival appearances by both Paul McCartney and Metallica. A triumphant return of Childish Gambino and a highly anticipated performance from Arctic Monkeys will also take place during the event. World class stars from all over the world will take the stage over the course of the two consecutive weeks. This year, ACL Festival will present over 125 bands across eight stages at Zilker Park. It will take place on October 5-7 and October 12-14. Tickets are now available here.

This year’s incredible lineup will showcase some of music’s most captivating artists including Shawn Mendes, Camila Cabello, Deftones, Lily Allen and much more. Buzzworthy artists including BROCKHAMPTON, REZZ, GRETA VAN FLEET, San Holo, Gryffin, and Sofi Tukker will electrify audiences, while Prince’s legendary backing band,The Revolution, bring the groove.

Honoring homegrown talent has always been a tradition of ACL Fest. Native Texans including Shakey Graves and Golden Dawn Arkestra will perform both weekends. Khruangbin, Asleep at the Wheel, Sweet Spirit, and more will deliver the tunes on Weekend One. Charley Crockett, Duncan Fellows, Kydd Jones, Curtis Roush and more will perform on Weekend Two.

Lineup

Venue – Zilker Park

Austin City Limits Music Festival has been honored to call Zilker Park home for the past 17 years. A portion of proceeds from ACL Festival go directly towards improving Austin’s parks. Since 2006, ACL Festival, in partnership with the Austin Parks Foundation, has donated more than $30 million towards improvements to Zilker Park and parks across the city.

Tickets

3-Day General Admission Tickets for both weekends are on sale now here. 3-Day VIP and Platinum Tickets and Hotel Packages are also available. VIP ticketholders will enjoy a brand new shaded viewing deck with exceptional sightlines of the main stage, as well as the new VIP-Platinum bar located at Rock Island. A full list of VIP and Platinum amenities can be viewed here.

Music fans ages 10 and under will be admitted free of charge accompanied by a ticketed adult. 1-Day General Admission Tickets, 1-Day VIP Tickets and 1-Day Platinum Tickets will be available later in the year.

Live Stream

Fans worldwide who can’t make it to Zilker Park can watch The Official 2018 Austin City Limits Music Festival Live Broadcast on Red Bull TV, which is distributed digitally for free on the web at here, connected TVs, smartphones and tablets as well as on the ACL Festival’s official site. A full schedule of performances will be announced this summer on ACLFestival.com.

Fans can sign up for the E-List to be the first to get new information here, download the ACL Fest Mobile App, and follow social media to stay in the loop for all festival announcements. Also, keep up with their Facebook page, Instagram and Twitter.

Austin City Limits Music Festival is generously sponsored by American Express, Honda, Miller Lite, HomeAway, BMI, Tito’s Handmade Vodka, Karbach Brewing Co., and Lifeway Kefir.

___________________________________________________________________________________________________________________________

FestPop Staff Writer, Katy Loesch

All-Star Lineup for Austin City Limits Music Festival  The 17th annual Austin City Limits Music Festival will deliver one of the most exceptional lineups of this year's festival season.

#Austin City Limits #festpop #music festival #Shawn Mendes #Texas