now that my friend pointed it out i cant stop thinking about the design of the tardis in the tv movie because 1) it was gorgeous but 2) that was a home. that was his home. he had a chair to lounge in and a record player. seeing the tardis in the tv show, that one huge console room, bigger on the inside and yeah, it’s impressive but it’s functional. (i’m assuming this is a budget thing, because it would probably be extremely impractical to have the kind of set they put together for the tv movie for every episode of an actual show lmao.)
there’s just something so. i think it’s the first time i’ve really looked at the doctor in the tardis and thought, right, he lives in there. rather than it just being his car. it is very funny to think of the doctor as a guy living out of his shitty van, but no, the tardis can be a home. it can be warm and comfy and full of knick-knacks.
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[OOC:]
Okay I think I'm ready to talk about that leaked light cone now:
I can criticize the potential continuity error it creates all I want, but god fucking damn it this image is too compelling for me to be even a little bit angry.
THIS is how you do a fucking light cone, THIS is how you take advantage of the inherently interesting concept behind them to deliver a deeper level of characterization. Very few other light cones in the game do that anywhere near as well as this one does, and I'm going to try my best to explain why. (although forgive me if I'm still a bit scatterbrained, this image makes me so goddamn emotional that it's genuinely difficult to think clearly)
It seems very safe to assume this is depicting Screwllum soon after he became sentient, experiencing the beauty of life and existence for the first time. The thing is, it isn't an entirely positive experience; he's noticeably damaged with moss, plants, and fungi growing all over him, which can't be comfortable (just imagining what that must feel like makes my skin crawl). He was probably left in this forest by some one (or some thing) that didn't give a singular fuck about him, that wanted him to deteriorate and be forgotten about.
And yet, his body language and the overall tone of the piece suggests that he doesn't mind. He's incredibly calm (the butterflies wouldn't be there if he wasn't, he's made himself a safe place for them to rest), looking at the viewer as if the "camera" has placed us in the POV of a small woodland creature, the way his head is tilted to the side implying a sense of curiosity and/or fascination.
The tone of this image and of the character as a whole is one of awe and wonder that doesn't shy away from the negatives. It's what makes Screwllum the perfect foil to Emperor Rupert I, because while they both began their sentience in a similar manner, abandoned by a cold and uncaring universe and left to rot, Rupert was consumed by its hatred and motivated by revenge, whereas Screwllum was able to see life for what it was, imperfect but worth cherishing.
The most impressive part about it, however, is that all of this can be inferred without even having access to the light cone's name or lore description (at least as far as I'm aware). The light cones I would have considered my favorites previously, "Something Irreplaceable" and "Shared Feeling", partially rely on the descriptions to be compelling, especially with the former example because the description is honestly my favorite part. The visual storytelling in this leak is on fucking point, and I can't wait to read the description because it'll probably make me love it even more than I already do.
Screwllum nation is winning with this.
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everyone saying Saltburn lacks any narrative cohesion or has structural plot issues LITERALLY doesn't get it........ this movie is for weird gay people ONLY. move aside I want to see barry keoghan eat out a bathtub plughole again‼️
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(Spoiler Free) Reasons Why "Violent Night" DESERVES to be the Breakout Blockbuster Hit of the Holidays
I haven't laughed that fucking hard or consistently through a movie in my fucking life. My throat and chest are both actively hurting right now from all the yell-laughing and the breathless wheezing I was reduced to by the midway point.
I knew it would be entertaining, but I was in no way shape or form prepared for it to be that good.
Seriously this movie was a technical masterpiece. Every single actor brought their A game. Every scrap of script was perfectly tailored to each character. The corniest lines imaginable on paper delivered with such conviction they immediately get launched into the stratosphere of Coolest Thing That Could Possibly Have Been Said In That Moment. The way Alex Hassell (Jason) did literally every facial expression he makes throughout the entire movie? But specifically how he looks at Alexis Louder (Linda) from behind the [SPOILER] when she's [SPOILER]? Effervescent. The COSTUMING???? The details in Santa's Coat ALONE I will be obsessing over for the next three months.
On a more technical side, the LIGHTING! Perfectly able to see everything even in dark rooms/scenes! The SETS? Full environments completely utilized! A masterclass in Chekov's Gun! Every single set-up had a payoff, and every single payoff had a setup.
And PRACTICAL EFFECTS!!! HHGNGDNWHNG some of the BEST blood work I've ever seen! And the prosthetics! Like, I know gory stuff hasn't been hit as hard by the Replaced With CGI curse as other genres but still it was so fucking refreshing and well done.
And the way the gore slowly ramped up!!! The gore and violence starts off a little light (comparatively) and just sloooowly and steeeaadily ramps up and up and up until it peaks PERFECTLY at the climactic moment! And the individual scenes themselves were crisp, perfectly timed, not unnecessariliy drawn out of lingered on for shock value - in fact, more often, they were kept short and quick to emphasize how fast these fights were moving, realistic and delightful little BURSTS of grotesquery and then already carrying you away to the NEXT swing and spray of blood! It kept the violence constantly fresh and fascinating, building not only momentum but the audience's tolerance/expectations to the cresting point.
Seriously I got so fucking worked up by how good and funny and action packed it was that I had to take off my fucking sweater and NOT (just) because of the shirtless Santa scene they put in there just for me.
HOOOOOOOOOOOOOO BUDDY holy FUCK. That scene. Th. The bloodiness and th. The [SPOILER] and the [SPOILER] and the girth. The thickness. The titties and the stomach and the little bit of overhang and the [SPOILER]. HOOOOOOO santa treated us GOOD tonight boys holy FUCK david harbour bless you bless you bless you bl-
-ahem- sorry anyways uhhhhhhh where was i...
I think that was pretty much it, without getting into blatant spoilery stuff. So. Fuckin uhhhhh watch this movie.
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