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illfoandillfie · 4 years

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Anyone who has been following me for a while has probably seen me talk about a project I’ve been hoping to get started - creating a Queen themed tarot deck. Well, good news, I’ve finished basic planning stuff and I’m ready to start actually making the cards!

BUT I am definitely not up to creating 78 individual artworks, so that’s where this post comes in.

I’m looking for artists who would like to create a piece or two which will be used in this tarot deck. I’ve organised general ideas of what each card will feature so that we get a good range of images and theres a connection to the meanings of each card.

For the moment I’m going to focus on the Major Arcana of which there are 22. So, if you are an artist in the Queen fandom and would be interested in participating please follow the link below to a short survey I’ve created where you’ll be asked to rank the cards in order of which you’d be most interested in creating art for.

LINK

Below the cut I have included the list of cards and the prompts for each one, as well as some other info about the project. If you have any questions that weren’t covered below please send me a message (via ask box or dm)!

If you see this and aren’t artistically inclined please give it a reblog. I’d love this post to reach as many artists as possible and I can’t rely on tumblr to show it in the tags or anything so I would love some extra help spreading the world.

Why A Tarot Deck?

I’m honestly not even sure where exactly this idea came from. All I remember is that one day I thought it would be a fun idea and then I started thinking about it more and realised just how much work it would be. In an effort to learn about the meanings of the tarot cards I started learning to read tarot (something I’ve been curious about for many years now anyway) and it all sort of snowballed from there.

Why Multiple Artists?

Because I’m not confident or capable enough of pulling this off on my own lmao. I enjoy making art but I struggle big time with drawing people and faces and I know I would give up after a handful of cards if I was doing this on my own. But multi-artist decks are very much a thing in the tarot community and theres some really cool ones out there.

What Sort of Art?

Anything. Whatever medium you enjoy using - digital, watercolour, acrylics, charcoal, etc - and whatever your style is! As long as you can send me a clean copy that can fit into the card template, then you can do what you like. The prompts I’ve chosen for each card are also fairly loose because I didn’t want to limit anyone’s creativity. Part of the joy of a collaborative deck is everyone’s individual interpretations of the cards and the imagery on them.

The only times I may say you can’t depict a particular outfit or moment is if I’ve already planned it to be on one of the minor arcana cards but otherwise you’ll have free reign.

I Don’t Know Anything About Tarot, Does That Matter?

NOPE! After the survey responses have been collected I will deal out the cards to everyone (hopefully in a way where everyone gets to work on something they really want to 🤞) and part of that will include a PDF with some information about the card - keywords associated with it, examples of other decks, why that prompt was chosen for it, etc - to help you get started if you need it. I am also always available to ask questions or bounce ideas off of.

Distribution?

This is the part I’m still looking into. I am wary of putting these up for sale anywhere because obviously there are copyright things and using people’s likenesses and all of that and the last thing I want is for my favourite band to take me to court lmao. Currently I am investigating a site called Make Playing Cards which basically lets you design your own card decks (one of the specific options being tarot cards) and print them off without having to bulk order anything. I’m just not entirely sure if they let you upload and share a design for free or if you have to put them up for sale. I’ll also create a PDF version that people can print themselves at home if they like. If anyone has any other suggestions for this I am all ears!

Of course something like Kickstarter is also an option I guess but, again, I’m still looking into all of this.

Time frame?

I definitely do not want to rush this. The loose timeline I’ve been working off of gives you three or four months to create your card after which time I can start finding people for the minor arcana cards. But, this can be adjusted depending on how many people sign up and y’know if everyone submits their pieces earlier than that then we can bump the next stage up. But I want to give everyone ample time to create something they are proud of. And I am very aware that the current global situation is affecting people’s creative energies and on top of that some of you may be participating in Inktober or similar things around this time of year, so I am also happy to extend the timeline.

What Happens If Not Enough People Sign Up?

Look, I guess it depends on how few artists are interested. Ideally I’d get enough people to do the major arcana but I’m not getting my hopes up. There is a question in the survey asking if you’d be willing to create multiple pieces so if there are left over cards I can hand them out to anyone who says they want them. I can also do a couple myself I just can’t do all 78 cards on my own.

What Happens If Too Many People Sign Up?

I am surprisingly prepared for this scenario. Firstly there were a few ideas I was throwing around that didn’t end up being used in the final list so potentially we can create some alternate cards.

Secondly, there is still the minor arcana to do as well. The minors will work a bit differently though. The minor arcana is similar to a deck of playing cards with four suits (wands, cups, pentacles, swords) and the numbers ace through ten plus four court cards (king, queen, knight, page). I was thinking the same artist could pick a number or court position and create the four cards for it so that they all match, if that makes sense. That way all of the Fours will look the similar and all of the kings will look similar etc. SO if anyone doesn’t get to do a major arcana I’ll check if they’d be interested in tacking a minor instead.

You Said There Would Be A List Where’s The List?

The Fool/s - Smile

The Magician/s - Queen

The High Priestess - Freddie in The Great Pretender

The Empress - Roger in The Great Pretender

The Emperor - Miami

The Hierophant - The Prophets Song

The Lovers - Freddie and Jim

The Chariot - Tour Bus

Justice - Present Day Bri

The Hermit - Older John

Wheel of Fortune - A Night At The Opera/Bohemian Rhapsody record

Strength - Ben Hardy

The Hanged Man - Highlander (or any of the queen songs featured in it)

Death - Bri in the Hard Life video

Temperance - Naked bicycle race

The Devil - Death on Two Legs

The Tower - Frank from News of the World

The Star - Rami Malek

The Moon - Gwilym Lee

The Sun - Joe Mazzello

Judgement - Adam Lambert/Q+AL?

The World - Made In Heaven/Tribute Concert

As you can see there’s a mix of Queen themselves, other people associated with them, objects associated with the band, and songs. I know some of these are sightly out there or unusual but please have a think about them and see if any spark your interest or get the creative juices flowing. I am also open to discussing potential other images to use instead if you’ve got an idea. As long as they can be tied to the meaning of the cards.

#queen #queen band #queen art #freddie mercury #freddie mercury art #brian may #brian may art #roger taylor #roger taylor art #john deacon #john deacon art #please god don't let this flop #also please ignore the rushed graphic #i just thought more people would stop and look if there was an image lmao

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impracticaldemon · 7 years

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Nalu Fluff Week 2017 Within the Law, Chapter 2

fanfiction by impracticaldemon Words: ~3000 | Also on FFnet | AO3 (coming soon) | CH. 1

Author's Note:

Chapter 2 of Within the Law is based on the Day 4 prompt "History", with several nods to the Day 1 prompt "Soulmates".

I'd like to thank everyone who is reading, following and liking this story so far, with special thanks to those who have taken a moment to drop me a line to tell me what they think of the story.

Chapter 2—Friend or Foe?

Prompt: History

I—Scrutiny

The interview did not go at all as Lucy expected. For one thing, it was a great deal more informal than any interview she'd ever had for a job (other than one for a paper route that her father wouldn't let her keep). The real shock, however, was finding out that the law firm of Makarov & Vermilion—known to lawyers as Fairy Tail—had a history with her family.

The room was more or less what she had envisioned—corporate-Fiore standard boardroom with an oval table, big comfortable chairs, and fully updated with the newest in lacrima technology. The artwork was a little unusual, and appeared to have been contributed by various members of the firm, since there wasn't any cohesion or similarity between the pieces that she could make out. Lucy couldn't help but glance at Natsu when her eyes caught what appeared to be an original Star Wars movie poster in all its kitschy, late- seventies glory, mounted in a place of honour on one wall. Natsu gave her two thumbs up, apparently aware of her interest—in the poster—and Lucy found herself smiling.

"That's the slightly more common version, of course," he stage whispered to her as she sat down in her designated spot. "But I have the Type A poster at home."

Lucy had no idea what he was talking about; apparently Natsu was an even bigger geek than she was. Also… was that a pick-up line? Gray either shared her concern or saw her expression. He punched Natsu none-too-lightly on the shoulder.

"Seriously, Pepto B? Lucy's here for a job interview and you sound like some kind of nerdy pick-up artist."

"What the hell, Gray?! I just thought she'd like to know—I mean she can recognize an Imperial Destroyer-class capital ship when she sees one!"

"So could anyone who's known you for at least five minutes," argued Gray, unconsciously pushing back his sleeves. His pale blue shirt was now unbuttoned most of the way down his chest, revealing a stylized silver sword on a matching chain around his neck—and some very nice muscle, and part of a dark blue tattoo.

Lucy saw Erza Scarlet, the firm's youngest-ever managing partner start to tense at the childish behaviour. She leaned forward, but Makarov Dreyar, the firm's senior partner, shook his head at her slightly, and Ms. Scarlet sighed but didn't intervene. Lucy wondered just how often this kind of thing went on around Fairy Tail. Were they at least more professional around clients? And did their lead forensic specialist really need to show off his chest like that? Lucy found herself looking back at Natsu in the hope that maybe this was a common habit for Fairy Tail guys. Hope?! Did I really just think that? Ugh! This is getting out of hand.

Ignoring Ms. Scarlet's glare, Natsu poked Gray in the chest with a forefinger. It didn't look like much, but Gray almost fell out of his chair.

"Hah!" crowed Natsu. "Shows what you know, Stripper! Lucy hadn't known me for five minutes yet!" He beamed at Lucy, who once again felt like a deer caught in particularly attractive headlights. She scrambled to get her wits together, her task made harder as Natsu reached up and loosened his tie and unbuttoned his collar. Mercifully, he stopped with just one button.

"… I guess not," she ventured. "At least, I know it wasn't for very long."

Gray leaned forward toward Natsu with a predatory smirk. "Thought so. You didn't go fetch Lucy like you were supposed to, did you? I'll bet you ran home to let Plue out, set Happy to keep an eye on him, and then—let's see—you had to rush back here because you can't stand riding the subway. You know, I thought it was strange that Lucy got caught in the rain."

Lucy felt a blush starting—why had she lied to cover up for Natsu? Then she discovered that nobody else seemed especially upset, although Ms. Scarlet was obviously irritated.

"And which great detective are you today, Ice Cube Brain, Poirot or Holmes?" Natsu rolled his eyes. "I mean for crying out loud, Ice Princess, don't you—"

"That's enough!" Ms. Scarlet's hand smacked the table, and Lucy jumped right along with the guys. "Natsu—we'll have to have another chat about your billable hours later today. Gray, put your shirt back on and stop baiting Natsu."

Wait, what? Lucy stared at Gray, whose expensive broadcloth shirt was hanging neatly over the back of his chair. What the hell?

Okay, so the lawyers at M&V were a little… unusual. Lucy had already known that in advance. She'd done her research—and seen the news stories—so she'd been aware that Makarov Dreyar was extremely short and tended to conduct business sitting cross-legged on top of tables, podiums, bars, and—in one very famous case—the back of a client's expensive and extremely explicit Greek statue of three lovers.

Mr. Makarov had argued that as the statue was a perfectly functional chair, and as there were no obscenity by-laws regarding lawn furniture, the City of Magnolia had no right to either fine his client or force him to remove the object from his front lawn. He'd lost the case, but it had made his law firm known to most of Fiore by the time it was over. On top of that, the client had reputedly been pleased that he and his statue had been on the news for the better part of two months. It had allegedly doubled the client's business, which Lucy preferred to not think about too hard.

Lucy had also been prepared for Erza Scarlet to be a gorgeous redhead who was not much older than she was. Ms. Scarlet was known equally for her uncompromising courtroom tactics and her custom-designed suits, which had a strange tendency toward colorful bows and thematic patterns that she claimed were related to her cases. Three years ago, journalist Jason Khol had commented that if Erza Scarlet ever showed up for court in a regular black or navy suit, he'd know for sure to leave immediately; the case would either be boring or leave people dead. He had also reported that the lawyer's one weakness was strawberry torte with real whipped cream. Looking across at the giant portrait of a piece of cake so deliciously realistic that Lucy's mouth immediately began to water, Lucy concluded that the information might have been more accurate that Jason's usual offerings.

She was called back to the present when Ms. Scarlet cleared her throat and thanked Lucy for coming to the interview. Lucy almost hugged her for saying something so normal.

"I'm very happy to be here," she began.

"Well, that's just it," interrupted Makarov. "You see, we've had our eyes on you for some time, but since we're all very much like family here, we had to make sure that you weren't just applying for a position in order to spy for your father."

Lucy froze in place. This was actually worse than she'd expected. She'd become more or less inured to being courted for her family's wealth and connections, but she'd never ceased to be hurt on the rare occasions that she'd been met with grim scorn or open hostility because of her family's "opportunistic" business practices.

"Oi, gramps!" Lucy blinked in surprise. It sounded like Natsu was—angry?—on her behalf. Sure enough, the pink-haired securities lawyer waded in with total disregard for rank or protocol. "You didn't have to put it like that! Besides, it's perfectly obvious that she's not here to spy for Old No-Heart Heartfilia!"

No-Heart Heartfilia. Yes, that's what they called him—the nebulous "they" being almost anyone from whom he'd ever wanted something.

Lucy looked up when a heavy arm dropped around her shoulders and squeezed. She automatically noticed the high-quality wool of the suit and the fine linen of the shirt cuff. She'd been raised to notice things like that in the same way that others noticed hair and eye colour. Still a little in shock at the unexpected—well, not attack exactly, but close—she mused that she didn't like Natsu's cuff links and would have to choose him a new pair. That thought brought her out of her daze. What was it with him that made her think things like that? He smells good, her nose suggested. She didn't recognize the soap, so it was probably an off-brand—something he'd picked up for himself—but there was a hint of pine and fresh wood smoke that was both very odd and somehow comforting.

"I have to agree with Pinky, jiji." To Lucy's surprise, that was Gray's cool, rather deep voice, and it sounded like he was on her side too. "Lucy lied like a champ for Natsu and—as we've heard—she barely knew him. Not just that, but I'm pretty sure she didn't know he was a partner, so I doubt she was looking to buy favours." Gray must have moved closer, because she heard him murmur sotto voce: "Waste of time with Natsu anyway…"

Lucy looked up at Mr. Makarov, who seemed to be frowning at her. All at once she realized that Natsu was still hugging her. It was nice, but she preferred to stand on her own two feet, metaphorically speaking.

"Um, Natsu?"

"Natsu—personal space?" Erza's voice sounded slightly weary; no doubt they'd had this conversation before.

"Yeah, Natsu, she hasn't accepted your offer to come see your Type A Star Wars poster yet you know." Sure enough, Gray was right behind her.

"Gray—put your shirt back on."

"Oh—sure thing Erza."

Gray's presence disappeared from behind her and at the same time the warmth around her shoulders vanished. She felt surprisingly disappointed, but persevered.

"Mr. Makarov—Ms. Scarlet—is this still an interview for a job? Or am I here because you're angry with my father?"

"Hmmm, well, I wouldn't say I was ever angry with you, Ms. Heartfilia. It's just that your father has a way of hurting people when he doesn't get his own way, so I am… protective."

Lucy stood up, pleased to find that she was fully in control of herself and her voice again.

"There is nobody who understands my father's nature better than I do," she said in a clipped voice. "Am I here for a job? Or a trial?"

Mr. Makarov smiled at her, and to Lucy's surprise, his smile had quite a bit of the same elusive, sunny charm as Natsu's.

"Actually, if Gray and Natsu hadn't jumped in so quickly, I would have explained that although we were concerned about your motives for seeking employment here, we've already determined that you're just the kind of person we want here—and the right person to make sure that past history stays in the past."

"Oh." Lucy suddenly felt deflated. Then her normal good spirits—which had somehow survived her father's rule after her mother's death—started to bubble back to the surface. "Um, Mr. Makarov?"

"Yes?"

"Does this mean I'm hired?"

"If you want the position, it's yours."

Lucy nodded firmly. "Absolutely. I've dreamed of working here."

"Awesome!" That was Natsu, and he was grinning even more brightly than before.

"Welcome to Fairy Tail," said Gray, who still hadn't put his shirt back on. He offered Lucy a slight smile—the first she'd seen other than when he'd been laughing at Natsu.

"We're very happy to have you here," put in Erza. "Please, just call me Erza. If you have some time now, we can do up the proper contracts and so on."

"And discuss billable hours," muttered Natsu.

"Nonsense, she's a summer student," Erza told him sharply. "You on the other hand…"

"Right—got it! And, uh, I've got to get going… are we done here? I mean, gramps has a beer out now and all…"

Sure enough, Mr. Makarov was drinking placidly from a giant beer stein. Where had that come from?

"Fine. Go." Erza shook her head as Natsu rushed off. "That boy… brilliant, of course, but not focussed."

"He's young," murmured Erza's boss—to the extent that she had one. She started to nod in agreement, when Makarov added, "So are you, of course."

"Well then, time to wrap this up," said Gray. He was looking impatient, but was too polite to simply leave.

Just then, Natsu stuck his head in at the door.

"Lucy! I forgot! I'll walk you home, okay? Also—don't let Gray convince you to try out for the hockey team and don't let Erza talk you into putting on a musical. See you in a couple of hours!"

The pink hair vanished as quickly as it had come.

"Musical?" Lucy asked, puzzled.

"Oh yes!" replied Erza, suddenly looking much less severe and considerably younger. "I happened to notice on your résumé that you've done some amateur theatricals, and…"

Lucy heard a snicker from Gray; he patted her on the shoulder on his way out, careful not to interrupt Erza's excited description of the potential for the first ever Fairy Tail musical operetta. Seated to Erza's right, on the conference table, Lucy saw Mr. Makarov smile into his beer.

II—Not Alone

"So, how was your first day?"

Lucy looked sideways at Natsu, who looked cheerfully unrepentant about leaving work early. He'd told her that he'd probably go back later. Unless she wanted to see the poster today, of course. Lucy had declined, citing fatigue and a need to find a place to live in the city now that she could more or less afford to pay rent.

"Well, I didn't really do any work… I mean, I still have end of year exams to go before I can work full-time for the rest of the summer."

Natsu gave her a knowing look.

"I'll bet Erza talked you into the musical."

"True. But she agreed that it might be better to consider a play to start."

"Heh. She wants Gray to sing—he's a dork, but he's got a good voice. He's usually willing to go along with stuff, but he's put his foot down on the singing." Natsu paused, considering. "So far."

"I know exactly what you mean," Lucy told him with considerable feeling. "Erza's amazing, and she's been my idol for the last two years, but she's really… intense."

"Accurate," Natsu agreed. Despite the beautiful clothes, Lucy was starting to believe that he really wasn't much older than she was.

They walked along for a few more minutes, chatting and laughing with surprising ease, when Natsu stopped abruptly and looked toward a park about a half-block away.

"Come on," he said. "I've got to get Happy and Plue."

Bemused, and amazed that she was going with him despite her skirt and heels—she'd ditched the stockings and not bothered with her spare pair—Lucy trailed along behind Natsu. When they reached the park, the white dog and blue-grey cat came trotting up. At Natsu's request, Lucy carefully squatted down in her tight skirt to pet the dog. He was an adorable little thing, with short, velvety fur and dark, expressive eyes.

"So his owner is away?" Lucy asked.

"Yeah… Well, kinda." Natsu shifted from foot-to-foot, his cat Happy in the crook of one arm. "Actually, they're not coming back. But I didn't want Plue to go to just anyone, so I took him in. The building doesn't allow dogs, but I'm planning to get my own place soon anyway, so I thought—why not?"

There was obviously some kind of story there—more old history?—but for some reason, Lucy didn't feel the need to find out about it the way she usually did. She liked the dog—more of a puppy, really—and for some reason, she liked the man. She smiled when it occurred to her that Natsu seemed like a bit of a puppy himself at times. Corporate law shark he might be, but she hadn't seen it so far. She might feel differently once they'd worked together for a while, of course.

A hand reached down, and Natsu helped her to her feet. He seemed a little abstracted, so Lucy gave him his space. Or tried to, anyway. He appeared to like walking close to her, and—again, she wasn't sure why—it didn't bother her.

"How about I give you a hand with finding an apartment?" Natsu asked, after several minutes of silence.

Lucy stopped, since they were about to head down into the subway station, and it would be next-to-impossible to chat down there, given the noise and people. She was surprised by the offer—but not really.

"You don't mind?" She hesitated, and then said bluntly, "The thing is that I'm going to have to do a fair bit of looking. It's got to be nice enough to be comfortable, but not too expensive—although I've got some money saved up, which will help. But the big thing is that my dad's going to be really upset. So I need to look without him knowing."

Natsu nodded, obviously thinking. "So you're running away then?"

"Pretty much. But I've still got a year of school to go so… I don't know exactly how it will work out."

Her companion studied her face and then smiled reassuringly. "We'll make it happen—no problem! You're not on your own now, you know?"

An odd lump rose in Lucy's throat, and she hastily blinked away tears.

"Yeah. Thanks, Natsu."

"There is one thing, though."

"What?" Lucy could feel her original wariness return.

"I really hate subways. Worse than anything." He looked embarrassed and ran a hand through his pink hair.

"Oh. I see the problem." Lucy pulled herself out of her unproductive thoughts. She smiled at Natsu. "I think I can make it home from here on my own, to be honest. Besides, Erza will be happier with you if you head back to work, won't she?"

"Yeah… After I drop off these two, anyway." He seemed a little disappointed, and Lucy hoped it was because he was sorry she had to go. "Well, maybe you can come by on the weekend? Hang out with me and these guys?" His head indicated the cat and the dog.

Lucy didn't know what to say. She wanted to say yes, but it was ridiculous to trust a guy that she barely knew.

"Aren't you going to be working?" she temporized.

"Probably not; there's nothing big in the works for a couple more weeks. Actually, that's the thing—I don't always have a ton of free time, but this weekend's good. That's how it goes in my practice area—you're either working flat out or not too much. I don't mind it. But I want to help you find a place, so…"

"Well, okay then." Lucy gave in and decided to go for it. She couldn't tell if the guy was just being nice—very nice—or whether he was asking her out in a very, very circuitous way. It was impossible to tell. At the very least, he seemed to want to spend time with her. She definitely wanted to spend time with him, although she couldn't quite explain why. She felt less alone than she had in years.

Natsu was frowning again, but he grinned at her response. "Great! Okay, let's exchange numbers"—they each pulled out their communications lacrima—"and we'll aim for early Saturday afternoon. Good?"

"Works for me."

"Also, if you ever just want to come over and study, I can probably help. Gray's not too shabby either, though I wouldn't tell him that."

"Such fulsome praise!"

"I know, right?" Another blinding grin.

"See you on Saturday, Natsu!"

"Bye Lucy! Don't trip in the turnstile this time!"

Lucy opened her mouth to protest—it was Happy and Plue that had tripped her up—but Natsu was already jogging away. She suspected he was laughing.

[END]

A/Note: So, this chapter ended up three times longer than planned—mind you, I'm using the term "planned" in a very general kind of way. I hope you enjoyed it! I'll probably do one more to wrap up Fluff Week. The story needs at least a kiss and definitely some cuddle time... but what do I know?

As always, your reviews and comments are very much appreciated! You'd be surprised how encouraging it is to know that people look forward to reading your work. :)

Confession time ~ I do have a law degree and practiced law in a large firm for just over two years after finishing law school. I practice law in Canada, which means primarily "common law" - that is, law based on both legislation and the decisions of the courts. The US, and most former British colonies, are also common law jurisdictions. The system is different in "civil law" jurisdictions, such as Québec (in Canada) and most of Europe.

@shell-senji @nalufever @eliz1369 @nalu-natic @naluloverforever @unashamed-shipper @kazama-hime @sabinasanfanfic @sanguine-fairy @very-x-vice @walk-tall-my-fr1ends @hakusaitosan @strawberrysweetlove35 @fic-writer-appreciation @ftfanfics

Note: I may not be tagging all the right people; I apologize to those I’ve included by mistake and (in absentia!) to those I’ve missed.

#fairy tail #nalu #nalufluffweek #fanfiction #impracticaldemon #within the law 2 #prompt history #nalu fluff wk 2017

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caveartfair · 6 years

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Top Collector Sentenced to Prison for Money Laundering—and the 9 Other Biggest News Stories This Week

01 Bernardo de Mello Paz, a Brazilian art collector and founder of the Inhotim Institute, has been sentenced to nine years in prison for money laundering.

(via the New York Times)

The sentence, which was handed down in September, was only revealed by prosecutors last week. Paz was convicted of siphoning off funds from his fabled outdoor museum, Inhotim. He is accused of channelling some of the $98 million in donations that the contemporary art institution received between 2007 and 2008 towards his private steel and mining businesses. Paz has long denied the charges, calling them a “mountain of nonsense and lies.” He will likely remain free until his appeal is upheld by at least one higher court, which is typical for white-collar criminals sentenced to prison time in Brazil, according to the Times. His sister, Maria Virgínia de Mello Paz, was sentenced to five years in prison in connection with the scheme. Allan Schwartzman, artistic director of Inhotim and principal of Art Agency, Partners, told The Art Newspaper he was not planning to leave his position at Inhotim and added, “This is a legal and venerated non-profit institution certified by the federal government. I know Mr. Paz to be a man of great integrity and vision who has developed Inhotim for the public good.”

02 Photographer Gianfranco Gorgoni sued the Smithsonian and artist Christo for using his images without permission.

(via Reuters)

The dispute centers around photographs of Christo’s famous 24-mile installation Running Fence (1972). Christo and his late wife, Jeanne-Claude, sold images of the work to the Smithsonian in 2007, allegedly telling the institution that they held the copyright. But Gorgoni maintains that the photos were not Christo’s to sell. Rather, Gorgoni says he took the images and still holds their rights. The images were first published in the 1978 book Christo: Running Fence, in which the photos are attributed to Gorgoni. The works subsequently appeared in the 2010 book Remembering the Running Fence, and in a film that accompanied a Smithsonian show of the artist—use which Gorgoni says he did not approve. After licensing negotiations for the photographs broke down, Gorgoni brought a lawsuit in the Southern District of New York on Tuesday. He is seeking “a declaration that he holds the copyrights plus unspecified damages,” according to Reuters.

03 Dallas Museum of Art curator Gavin Delahunty resigned following allegations of “inappropriate behavior.”

(via ARTnews)

Delahunty announced his resignation in a statement issued last Saturday, writing “I am aware of allegations regarding my inappropriate behavior, and I do not want them to be a distraction to the Museum or to my colleagues.” The details of the allegations have not been made public and museum officials have declined to comment. But one source “familiar with the museum” told ARTnews that there has been an outside investigation into the situation and the museum was considering terminating his employment. Delahunty joined the Dallas institution in 2014 as a senior curator after leaving the Tate Liverpool where he was the head of exhibitions and displays. Maxwell Anderson, who served as director of the Dallas Museum of Art until 2015, said he admired Delahunty’s “curatorial acumen” in a statement to ARTnews, but added “we are all responsible for our personal conduct, as he has apparently accepted, and now has to address appropriately.”

04 The culture war in Brazil continued as the curator of a controversial exhibition was called to testify before the country’s Senate.

(via Hyperallergic)

Curator Gaudêncio Fidelis was ordered to appear before Brazil’s senate to testify in front of a committee investigating the “Mistreatment of Children and Teenagers” on Thursday. Fidelis curated the controversial “Queermuseum” exhibition at the Santander Cultural area space. The exhibition—which features both emerging and established artists such as Lygia Clark and José Leonilson—was forced to close in September following demonstrations by conservative groups charging that the work “supports pedophilia.” Fidelis was previously summoned to testify but declined and requested a lawyer. The country’s Supreme Court subsequently determined he was legally obligated to testify but could bring legal representation. Given only one day to appear, Fidelis requested an extension that was denied and now “the federal police must take Fidelis to the senate by force,” reported Hyperallergic. “There is no precedent,” Fidelis told the publication. “Much less with a curator, a member of the artistic community.”

05 The United Kingdom will not host the European Capital of Culture in 2023 as a result of voting to leave the European Union.

(via the BBC)

The European Commission, a governing body of the European Union, announced the cancellation this week, with a spokesperson calling it “one of the concrete consequences of [Britain’s] decision to leave the European Union” in 2019. The move is a gutpunch to the five locations that were bidding to be designated the European Capital of Culture in 2023—Dundee, Nottingham, Leeds, Milton Keynes, and Belfast/Derry. “It’s a sad irony that one of the key drivers of our bid was a desire to further enhance our cultural links with Europe,” Dundee’s bid team told the BBC. British government representatives and cultural organizations also expressed shock and disappointment at the decision. “The prime minister has been clear that while we are leaving the EU, we are not leaving Europe and this has been welcomed by EU leaders,” said a spokesperson for the U.K.’s Department for Digital, Culture, Media and Sport. While three cities outside the European Union have been designated the European Capital of Culture, EU rules dictate that the only non-EU countries eligible for the title are those formally a part of European Free Trade Association or European Economic Area. Britain’s membership in either is uncertain, with negotiations over the country’s exit from the EU continuing.

06 Documenta curator Adam Szymczyk has criticized how the quinquennial’s budget shortfall was presented in a report.

(via artnet News)

The results of an independent PricewaterhouseCoopers (PwC) investigation into the $6.3 million budget deficit run by the latest edition of Documenta was presented to the board of the quinquennial’s parent company last week. The auditors found that the primary cause for the cost overrun was holding the event in two locations: Kassel and Athens. But Szymczyk, Documenta 14’s curator, has criticized the way the report by PwC was presented, telling artnet News, he only found out about the details of last week’s board meeting from reading media reports. “I think blaming ‘Athens’ for the trouble is an easy political excuse, opening the way to limiting the autonomy of any future documenta through managerial ‘adjustments,’ thus undermining the fundamental premise of the project—its autonomy,” he told artnet News. While Szymczyk has fiercely challenged the way Documenta’s financial struggles have been communicated in the press—he’s accused the board of “fabricating” a “controlled scandal”—he has not disputed that the event did run at a deficit, nor has he offered his own account of how the quinquennial ran into funding problems.

07 The Massachusetts Attorney General is looking into potential conflicts of interest and financial mismanagement tied to the Berkshire Museum’s decision to deaccession 40 works.

(via the Berkshire Eagle)

The sale of the artwork, originally planned for last week, was put on hold by Massachusetts appellate Justice Joseph A. Trainor following an emergency appeal by the Massachusetts Attorney General’s Office (AGO). Now, documents show that the AGO’s investigation into the Berkshire Museum is sweeping, ranging from the “institution’s right to sell artworks, to its true financial condition, to possible internal conflicts of interest,” according to the Berkshire Eagle. The AGO is reportedly looking into the connection between board member Jeffrey S. Noble and at least $578,000 in contracting payments since 2011, from the museum to building firm Hill-Engineers, Architects, Planners Inc., where Noble serves as president. Separately, the plaintiffs, whose suit to halt the sale of art from the Berkshire Museum was dismissed, appealed that ruling on Monday. The case was tossed out two weeks ago, with the Judge John A. Agostini finding that the plaintiffs—including the three local residents and museum members now appealing—did not have standing to bring a lawsuit.

08 A German political art collective built a small-scale version of Berlin’s Holocaust Memorial near the home of a prominent far-right politician.

(via Reuters)

Berlin-based artist group The Centre for Political Beauty livestreamed the construction of their memorial on Wednesday. The group created the replica after Bjoern Hoecke, a far-right, anti-immigrant politician, criticized the existence of the original, saying in a speech in January that “Germans are the only people in the world who plant a monument of shame in the heart of the capital,” Reuters reported. Hoecke, a senior member of the Alternative for Germany (AfD) party, has previously denied that his speech critiqued the memorial. The artists put up their replica in a small village in the eastern state of Thuringia and stated that they have a third of the money needed to keep the piece up for the next two years. The Centre for Political Beauty “offered to remove the memorial if Hoecke would kneel in front of it and ask sincerely for forgiveness,” Reuters reported. The artwork comes amid growing concern in Germany that Chancellor Angela Merkel’s inability to form a new government in the country could prompt federal elections. Some worry that a fresh round of voting would allow AfD to solidify and expand on the 13% of the vote they received in September’s elections.

09 The grave of Wally Neuzil, artist Egon Schiele’s muse, will be transformed into a monument to her.

(via The Art Newspaper)

Journalist Lana Bunjevac tracked down Neuzil’s burial site in Sinj, Croatia two years ago. Provenance researcher Robert Holzbauer is working to raise the €2,000 for her grave’s restoration in parallel to efforts to preserve Neuzil’s birthplace of Tattendorf, Austria. Schiele’s painting Portrait of Wally Neuzil (1912), a portrait of the World War I nurse who died of scarlet fever in her mid-twenties, has been dubbed the “Mona Lisa of Austria.” But the work became embroiled in a series of Nazi-looted art restitution suits twenty years ago that only came to a final conclusion in 2010 after the Leopold Museum, which holds the piece in its collection, paid $19 million to the heirs of the work’s original owner. But the publicity also rocketed Neuzil’s face to notoriety, with her portrait adorning an Austrian postage stamp and promotional campaigns for the museum. Though Neuzil “stood by” Schiele when he was tried for “corrupting the morals of young girls” in 1912, writes The Art Newspaper, the artist ended their relationship in 1915. Neuzil died on Christmas Day in 1917; Schiele died the following year.

10 A long-lost Spanish masterpiece was discovered in a Welsh castle after a work suspected to be a copy proved genuine.

(via The Guardian)

The portrait by 17th century Spanish painter Bartolomé Esteban Murillo had been on display in the Penrhyn Castle in north Wales for the last 150 some years before art scholar Benito Navarrete Prieto traveled from Spain to study the piece. Long assumed by its owner the National Trust “to be of no great value,” according the Guardian, the oil painting of Seville historian Don Diego Ortiz de Zúñiga turned out to be one of only a handful of paintings by the famed artist whose other works are valued in the millions. Initially attributed to the artist upon its acquisition in the 1870s, by the turn of the century the roughly 44-by-37-inch canvas was deemed one of a pair of copies, the other of which—in fact painted by 18th century artist Domingo Martínez—now hangs in Seville’s town hall. Since the restoration of the Murillo, which included the removal of discolored varnish, the work has been sent to exhibit at New York’s Frick Collection before its transfer to London’s National Gallery.

from Artsy News

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