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aion-rsa · 3 years

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How Ted Lasso Sneakily Crafted its Empire Strikes Back Season

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This article contains Ted Lasso spoilers through season 2 episode 8.

Perhaps you’ve heard, but Apple TV+ series Ted Lasso was the subject of some dreaded Discourse recently.

Since the Internet is infinite and we privileged few in the media have nothing but time, a handful of features came out weeks ago essentially questioning what Ted Lasso season 2 was even all about. Many of these features were well-written, well-argued, and fair, but when filtered through Twitter’s anti-nuance machine (i.e. Twitter itself), every feature boiled down to the same reductive take: Ted Lasso season 2 doesn’t have a conflict.

In some respects, this take was the inevitable reaction to the metanarrative surrounding Ted Lasso in the first place. Despite drawing its inspiration from a series of somewhat cynical NBC Sports Premier League commercials, the first season of Ted Lasso was all about the transformative power of kindness.

Or at least that’s what we critics declared it to be. And I don’t blame us. Awash in a flood of screeners about antiheroes, dystopias, and the end of the world, the simple kindness of Ted Lasso seemed revolutionary. They made a TV show about a guy who is…nice? They can do that? But the inherent goodness of its lead character was always Ted Lasso’s elevator pitch, not its thesis.

There’s been a darkness at the center of Ted Lasso since its very first moment, when an American man got on a flight to London in a doomed attempt to save his marriage. And, as season 2’s brilliant eighth episode rolls around, it’s become clear that that darkness is what the show has really been “about” this whole time.

Season 2 episode 8 “Man City” (the title is referring to AFC Richmond’s FA Cup match against opponent Manchester City but also stealthily reveals that this installment will be all about men and their respective traumas) is quite simply the best episode of Ted Lasso yet. It also might be the best episode of television this year. Near the episode’s end, right before AFC Richmond plays a crucial FA Cup match against the mighty Manchester City, coach Ted Lasso (Jason Sudeikis) finally comes clean with his coaching staff. He’s been suffering from panic attacks of late. His assistant coaches hear him, accept him, and then head off to the pitch where Man City absolutely obliterates their team.

Man City destroys AFC Richmond. They annihilate them. Embarrass them. Stuff them into a locker and steal their lunch money. The final score is 4-0 but it might as well be 400-0. The coaching staff is rattled but the players are hit even harder. Richmond’s star striker and former Man City player Jamie Tartt (Phil Dunster) is forced to endure watching his scumbag father cheer for his hometown team from the Wembley Stadium stands at the expense of his son.

After the game, Jamie’s father, James (Kieran O’Brien), enters the locker room where he drunkenly accosts him for being a loser and demands that Jamie grant access to the Wembley Stadium pitch for him and his scumbag friends to run around on. When Jamie refuses, his father pushes him, so Jamie reflexively punches him right in the face. James is dragged out of the locker room by Coach Beard (Brendan Hunt), leading a stunned and traumatized Jamie Tartt standing in the middle of the room, as if in a spotlight of pure pain, surrounded by teammates too afraid to even approach him. And then something amazing happens…

Here’s the dirty secret about television: there’s a lot of it. Due to the sheer number of TV shows released each year, even the best of them are destined to become little more than memories long-term. Sometimes all you can ask from multiple episodes and seasons of television is to provide you with one moment, one line, or one warm feeling to carry with you into the future. I don’t know how much I’ll remember from Ted Lasso 30-40 years from now when I’m immobile and reclined in my floating entertainment unit, Wall-E style. But I know I’ll at least remember the moment that Roy hugs Jamie.

The great Roy Kent (Brett Goldstein) – a character so disconnected from his own emotions that some fans are convinced he’s CGI – embraces the one person in the world he is least likely to embrace. As Roy and Jamie wordlessly hug, it’s hard to tell which man is more shocked by the moment. Ultimately, however, it might be Ted Lasso himself who is hit hardest. Shortly after seeing Roy play father to the younger Jamie, Ted quickly exits the locker room and calls sports psychologist Dr. Sharon Fieldstone (Sarah Niles) on his Apple TV+-apporved iPhone.

“My father killed himself when I was 16. That happened. To me and to my mom,” Ted says, weeping.

And that, my friends, is what Ted Lasso is all about. Pain. And dads. But mostly pain.

None of us can say that Ted Lasso didn’t warn us it was coming. To go back to the discourse of it all real quick – I don’t blame anyone for not picking up on the direction that this show was so clearly heading in. Ted Lasso is, first and foremost, a sitcom. The beauty of sitcoms is that you welcome them into your home to watch at your own pace and your own terms. If having Ted Lasso on in the background so you can occasionally see the handsome mustache man who smiles while you fold your laundry is the way you’ve chosen to engage with the show, then great! Just know that season 2 has been operating on a deeper level this whole time as well.

Let’s take things all the way back to the beginning – back to before season 2 even began. You’ve likely heard the old philosophical thought experiment “if a tree falls in a forest and no one is around to hear it, does it make a sound?” Well Jason Sudeikis’s interviews leading up the season 2 premiere beg an equally as interesting hypothetical “how many times can one man mention The Empire Strikes Back before someone notices??”

Sudeikis referred to Ted Lasso season 2 as the show’s “Empire Strikes Back” multiple times before the premiere including in his local Kansas City Star and his technically local USA Today. The show even explicitly mentions the second Star Wars film in this season’s first episode when Richmond general manager Higgins (Jeremy Swyft) tells Ted that his kids are watching the trilogy for the first time. Sudeikis (who co-created and produces the show) and showrunner Bill Lawrence clearly want us to take the idea that Ted Lasso season 2 is The Empire Strikes Back seriously. And why would that be?

Think of how ESB differs from its two Star Wars siblings in the original trilogy. This is the story that features arguably the series most iconic moment when Luke Skywalker discovers his dad is a dick on a literal universal level. It also has the only unambiguously downer ending of any original trilogy Star Wars film. Luke is thoroughly defeated in this installment. Having one’s hand chopped off by their father and barely escaping with their life is definitely the Star Wars version of a 4-0 defeat.

The Empire Strikes Back can safely be boiled down into two concepts:

Dads are complicated.

Everything sucks.

When viewed through those two conceptual prisms, so much of Ted Lasso season 2 begins to make more sense.

Episode 1 opens with the death of a dog and then leads into a classic Ted Lasso speech that could serve as this season’s mission statemetn. After recounting the story of how he cared for his sick neighbor’s dog, Ted concludes with: “It’s funny to think about the things in your life that can make you cry knowing that they existed then become the same thing that can make you cry knowing that they’re now gone. Those things come into our lives to help us get from one place to a better one.”

Things like…a father who you didn’t have nearly enough time with? Following episode 1 (and following just about every episode this season), Bill Lawrence took to Twitter to assuage viewers’ fears about a lack of central conflict this season. He had this to say about Ted’s big speech.

Look, Merrill. It was thought out, but the speech he gives after (Written by Jason himself – I loved it) is the core of the season, but we knew some people might bum out.

— Bill Lawrence (@VDOOZER) July 27, 2021

Sorry, truly. Ted’s speech after (which I love, but am obviously biased) is a big part of the season. But it sounds like you had a crappy thing happen recently.

— Bill Lawrence (@VDOOZER) July 28, 2021

It’s not. But Ted’s speech has big relevance. Stick around!

— Bill Lawrence (@VDOOZER) July 26, 2021

He also had this to say about dads.

Effin Dads, man. Love mine so, but he’s struggling a bit.

— Bill Lawrence (@VDOOZER) July 27, 2021

“Effin dads” and our complicated relationships with them are all over Ted Lasso season 2. In the very next episode, Sam Obisanya (Toheeb Jimoh) tells Ted “You know, my father says that every time you’re on TV, he’s very happy that I’m here. That I’m in safe hands with you.”

Ted smiles at this bit of info but not as warmly as you might expect. Because to Ted, a dad isn’t a reassuring presence but rather someone you love who will just leave when you need him the most. That’s why he’s been trying to be the perfect father figure this whole time. That’s why he did something as extreme as leaving his family behind in Kansas while he heads off to London. If giving his wife space was the only way to preserve the family and remain a good dad, then he was going to give her a whole ocean of space.

Moreover, Ted hasn’t just been trying to serve as a father figure to his son this whole time but to everyone else as well. Sam’s comment to Ted reminds him that not everyone has a good dad, which encourages him to bring Jamie into the fold in the first place.

As time goes on, however, the stress of being the consummate father to everyone in his orbit begins to wear on Ted. Throughout the entirety of this season, Ted Lasso appears to be trying to be Ted Lasso just a bit too hard. His energy levels are too high. His jokes go on too long. The same life lessons that worked last year aren’t working this year. AFC Richmond opens with an embarrassing streak of draws before Jamie’s immense talents set things straight.

It all culminates in this season’s sixth episode when Ted has his second panic attack in as many years. This time it’s in public during an important game. The experience sends Ted running through the concourse of the stadium until he somehow ends up in the dark on Dr. Fieldstone’s couch, instinctively, like a wounded animal.

It’s certainly no coincidence that this panic attack occurs on the same day that Ted received a call from his son’s school asking him to pick him up, not realizing that he’s an ocean away. In that moment, Ted can’t help but remember what it’s like to be left behind by his own father and subconsciously wonder if he’s doing the same.

Though the shallow waters of Ted Lasso season 2 may have appeared consequence free for half its run, beneath the surface was a tidal wave of conflict. Just because the conflict wasn’t taking place between a happy-go-lucky football coach and a villainous owner doesn’t mean it wasn’t there.

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Game of Thrones author George R.R. Martin is terrible at meeting deadlines but great at writing. According to him (and William Faulkner, from whom he borrows the quote), the only conflict worth writing about is that of the human heart with itself. That’s something that The Empire Strikes Back understood. And it’s something that Ted Lasso season 2 does as well.

The post How Ted Lasso Sneakily Crafted its Empire Strikes Back Season appeared first on Den of Geek.

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ysalamiri-queen · 4 years

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2019 Fic in Review

Inspired by @myevilmouse I’m going to sum up all the writing I’ve been up to the past year. I’m really proud of what I’ve accomplished, and thanks to you all for the encouragement to put my ideas out into the world! This has been a year of trying new things, and really growing as an author I feel… And wow according to AO3 I’ve written about 400k words in the past 12 months, damn. So let’s get to the list, going from the beginning of the year to the end, and as always please heed the tags on these before reading.

Note: As I go back, I’m realizing a lot of the links were messed up or are just straight missing. I am on the Mobile App so things can get messy. Please visit my works page on AO3 HERE to see all of these on my page under JessKo and my other pseuds.

1 Late Night at the Slab

Idea: Filling a prompt for the Thryce server in which some, uh, unique Chiss anatomy was assigned.

Result: A 3-way with Thrawn, Arihnda, and Eli and my first foray into the more Xeno side of things in a Modern AU setting. Yeehaw!

2 The Trouble With Free-Roaming Ysalamiri

Idea: Based on some adorable ysalamiri cuddles art by @strength-through-order I wanted to write some Thranto fluff.

Result: Ysalamiri-filled Thranto fluff X’D

3 Inquisitor’s Debt

Idea: What if the Grand Inquisitor changed sides at the end of Rebels season 1?

Result: Some fun throwbacks with Obi-Wan and Caleb Dume leading up to Quizzy defecting with Ezra.

4 Ancient Stems

Idea: Eli Week drabbles based on the Vanto Week prompts.

Result: A silly buzz droid narrative with Thrawn and some cute slice of life Eli backstory/Ascendancy days bits.

5 Charnsuka

Idea: Kinky stuff with Lord Garmadon when he’s an Anacondrai.

Result: Kinky stuff with Lord Garmadon when he’s an Anacondrai. Sorry Zane!

6 Caged Like Prized Birds

Idea: Again inspired by the awesome Chiss anatomy and Thrux drawings by @strength-through-order , I wanted to craft a narrative around Armitage, as a young man, stumbling upon a clone of Thrawn.

Result: Man, this might just be one of my favorite things I’ve ever written, had so much fun plotting it out and the smut is mmm! Tentacles everywhere~ I’ve gone back to re-read this a lot, I’ll admit it. I hope you all enjoyed it too.

7 Quiet On Set

Idea: Must. Write. Talos.

Result: A cute little platonic x-reader with everyone’s favorite Skrull. This was my first MCU fic too.

8 Diagnostic

Idea: Wanted to apologize to Zane for the damages done in Charnsuka with some Glacier shipping fluff.

Result: A silly glacier thing leading to a bit of foolery. I’m happy with it!

9 Heron Soaring

Idea: A continuation of the plot line from Heron Rising with Kanan and Thrawn.

Result: Too many feels… but some great sex to soften the blow, Kanera too!

10 Patron

Idea: Responding to a tumblr prompt from @wukeskywalker regarding Thrawn commissioning LOADS of artworks of Eli.

Result: More Thranto fluff! I see a trend here…

11 Black Heron

Idea: Kanan x Pryce for @myevilmouse , I think this was our first ‘collaboration’ on something!

Result: Juahir hires a special someone to show Arihnda a good time!

12 Red Heron

Idea: @star-wars-rebels-4 is always an amazing wealth of ideas for Grand Inquisitor, and encouraged a work featuring him and Kanan.

Result: Delicious back alley smut when an undercover Jedi is caught!

13 Warm Homecoming

Idea: Give my and a friend's OCs some cute fluff.

Result: OC fluff and a vacation to Hoth!

14 sowing the seeds

Idea: Add something cute to the spank war project.

Result: Another contender for my ‘favorite thing I’ve ever written’ rank. Two chapters of pining, cooking lessons, and sweet slick smut.

15 Red Frost

Idea: After watching “The Evil of Frankenstein” with @sneakybunyip ‘s amazing movie night group, I wanted to do something fun with Victor and Hans.

Result: A fun little adventure fic with some huddling for warmth to boot. Victor and Hans are the hammer-horror-verse Thranto send tweet.

16 a setting sun to hide the ruins

Idea: What if I tortured Kanan to the point he turned evil and joined the Inquisitors (and went a little insane in the process)

Result: Instead of torture, let’s just use some serum that drives him mad. Perfect. Smut ahoy, pretty much a dead dove type fic.

17 Pinktown

Idea: When browsing abandoned towns in Florida, I came across Flamingo… what if Thrawn had been exiled here instead.

Result: An alternate history of Thrawn’s exile and eventual discovery by the Empire. Huge thanks for @badgerandk on this one for the perfect epilogue and beta.

18 the sun rises to only illuminate the stranger i have become

Idea: Setting sun… part 2! But it’s actually what happens before sun?

Result: How Kanan ended up where he is for ‘a setting sun’... lots of imp smut and again, it's sort of a dead dove style fic.

19 Frozen Over

Idea: Ar’alani x Eli Vanto

Result: Somehow me and my writing partner ended up at sensory deprivation focus on this one.

20 Shape of Honor

Idea: Well, this one started in 2018 but ‘finished’ in 2019. Still working on the epilogue. Lots of tweaks… If you are not familiar, this is my AU in which it explores how the Thrawn novel and Rebels show would be altered if Palpatine distrusted Thrawn from their first meeting and accused him of being a Chiss spy. Vaguely inspired by the film The Shape of Water.

Result: Well it's nearly a novel now, isn’t it. This was a great adventure in learning how to create compelling story arcs. I’m extremely satisfied with how it is shaping (lol) up.

21 Datura Stamonium

Idea: Thrawnbine ovi smut.

Result: Oops it has plot now, a whole backstory with Eli and such and so fourth. Will need further stories told…

22 Desert Entropy

Idea: Luke/Wedge modern AU shenanigans.

Result: Also pulled Nath/Wyl and the Rogue Squad/Alphabet Squad peeps into this. Set in Vegas, Luke and Wedge meet and have a cute little romance, but some legal troubles set them back (Palpatine, as always, is That Bitch™) Very happy ending!

23 The Great Eli and Thrawn Prank War

Idea: See Chapter 1: Mullet Thrawn

Result: This thing really grew up, and thanks to all the contributors for allowing me to join in! My contributions were: 7-Bombs Away! In which a bit of drama brews and Thrawn makes a paint bomb that forces him and Eli back into being roomates. 11-Tooka Troube 2: Electric Boogaloo in which Eli finds his quarters slowly filling up with Tooka plush toys, and then something huge goes off in supply. 17-The Bitch is Back In which who knew Thrawn could sing?!

24 Clipped Wings to Keep Us from Flying

Idea: Continuing the story line from Caged Like Prized Birds

Result: Dragging Eli and the OG Thrawn into this, seeing that their stories were left untold in the first work. Also Armitage and the clone are up to all sorts of cool things. Still a WIP, on the list to keep working on this year!

25 I’ll do what I can.

Idea: Some Ronan/Krennic feels post Treason

Result: A Ronan character study that I really needed to get out of my system and finally a stable alliance between Krennic and Thrawn!

26 Purple Heron

Idea: @punk--kenobi and I concocted some fun Kanan/Zeb/Hera smut featuring Lasat heat cycles.

Result: Ah this came out so cool, full of emotion and wonderful imagery. Massive kudos to @punk--kenobi for beta-ing my portion and contributing some of the best smut one can find!

27 Ninjago Angst Week 2019

Idea: Do some 1-shots for Ninjago Angst Week

Result: ow right in the feels. Each character got a highlight in their own ‘dark retelling of a canon or canon adjacent event’ chapter.

28 Vertigo

Idea: Thing’s don’t go right planetside for Eli, Pik, and Waffle in Treason.

Result: Big oof. I hope Eli can one day forgive me… I even put strain on the end game Thranto! Bittersweet ending and lots of angst.

29 More Than Just a Treat

Idea: What is Obi Wan up to in the desert…

Result: Aunt Beau and baby Luke baked him cookies obviously!

30 Datura Metel

Idea: Continuing the Datura cycle…

Result: Just how Eli ended up where he did in the first installation.

31 Here & Now

Idea: Some Thranto Fluff! For @jewelliffer

Result: A camping trip for shore leave! And a marriage proposal for extra sugar.

32 Monster Under the Bed

Idea: Benevolent Boogeyman Chiss

Result: Modern AU Thranto spooky sillies. Bit of an intense climax but they talk it out!

33 Haunted by Sentiment

Idea: Nath is in denial of being the Squad Dad for @glassprowlers

Result: Nath’s very bad no good oh so terrible day! It's very silly and I really like how it ended up, the title is way more serious than the story itself XD

34 Pulse

Idea: Werewolf AU Lavashipping

Result: Oops Kai is a werewolf! Good thing Cole is here to help him figure out how to press on.

35 Stories from Area 51

Idea: remember the raid Area 51 meme? I do! Gotta clap them alien cheeks!

Result: Oh no it got PLOTTY! Pretty much all of my favorite characters and ships cherry-picked and plopped down into a Men In Black style facility in the middle of the desert. I really have a thing for the desert huh…

36 Good Day

Idea: The “truth” behind the “Good day, Lieutenant Vanto” from Thrawn in Treason.

Result: Oh stars the FEELS! Thrawn is in deep water and he KNOWS IT! GAH!

37 Fur Ball

Idea: Chiss are mogwai/gremlins…

Result: Silly Thranto fluff. Thrass shows up too! Feeding them after midnight is actually a good idea here… Grow your own ideal man!

38 Came Back Haunted

Idea: A mission fic centered around the @peters-pumpkin-day prompts.

Result: Ice planet survival with Tarkin, Krennic, Galen, and Ronan.

39 Sewn Together

Idea: This drawing actually is what lead to the fic-

Result: A fairly unique reuniting of Thrawn and Eli after both return to the Ascendancy.

40 Spiked Heron

Idea: Oh no… Kanan gets himself in deep poodoo this time.

Result: Devaronians really like humans huh? The next chapter is half way written I swear it is coming soon!

41 A Colder Embrace

Idea: Thrawn/Purrgil/Ezra and Luke/Wampa for SW Rare Pairs.

Result: It's very cold on Hoth… and even colder in space.

42 Surround

Idea: Luke/Wedge for SW Rare Pairs

Result: Luke has to confront Wedge post ESB regarding what is, essentially, his deserting the Rebels.

43 What Happens Planetside…

Idea: Eli/Pik/Waffle for SW Rare Pairs

Result: heheh a scrumptious Eli sandwich! And surprise tentacles because, well, why not?

44 Hesperidium

Idea: Fluffy Kylux for the Kylux Secret Santa event

Result: Ah its so sweet you might get a cavity

45 Reanimator

Idea: Lovecraftian eldritch horror Thranto

Result: This is the sort of project that it takes 2 months to fine tune each chapter, so bear with me, but I can promise a wonderful, creepy ride is ahead!

46 Floral

Idea: Luke/Faro for SW Rare Pairs. Enjoy the Jedi lovin’, @myevilmouse

Result: Sex pollen and accidentally defecting from the Empire. Whoops!

47 The Harch

Idea: Bouncing off of THIS art by @mamidlo , we worked together to create this plot. Very much inspired by the Hammer Horror films, such as Dracula and Frankenstein.

Result: A fun and spooky romp of Kallus and Zeb getting trapped in a creepy castle featuring mind controlled drones and a species-obsessed Harch. This was my first time posting the entire story at once, too!

Wow, I can not believe how much has been written this year. Thank you all again for reading and kudos-ing and your amazing comments. I’d not be here without the support and love <3 Cheers to 2020 and much more fic ahead!

#ysalamiri-queen writes #year in review #too many tags XD so im not even goign to try

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burnouts3s3 · 4 years

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Star Wars: The Rise of Skywalker, a Spoiler Review

(Disclaimer: The following is a non-profit unprofessional blog post written by an unprofessional blog poster. All purported facts and statement are little more than the subjective, biased opinion of said blog poster. In other words, don’t take anything I say too seriously. I enjoyed all 5 Michael Bay Transformers films, for crying out loud.) Just the facts 'Cause you're in a Hurry! Ticket Price: Will Vary Theater to Theater How much I paid: Nothing. A friend took me to a screening. Rated: PG-13 for sci-fi violence and action. Running time: 142 minutes (2 Hours and 22 Minutes) 3-D: Yes, but I didn’t see it in 3-D. Post-Credits Sequences: None. My Personal Biases: I’ve watched all of the main Star Wars films. I’m mixed on the Phantom Menace. I actually like Attack of the Clones and Revenge of the Sith. I like the Original Trilogy. I’m okay on The Force Awakens. I actually really like Rogue One. I do not actively dislike the Last Jedi. I haven’t seen any of the Star Wars Cartoons past Rebels. I have not seen Solo or the Mandalorian. Knights of the Old Republic 1 and 2 are among my favorite games. I had a subscription to the Star Wars: The Old Republic MMO. I haven’t played Jedi Fallen Order. I have not read any of the Star Wars books. Did you read the leaks online: Yes. Are the leaks close to the theatrical release?: Pretty much, though a subplot about Lando Calrissian’s long lost daughter seems to have been removed. Wait, is Rose Tico in this?: Yes, but she’s basically a background character. She hangs around the Resistance base delivering exposition with Leia. Is Admiral Holdo in this?: Not that I saw. I heard people say she’s a voiceover Force Ghost but the ghosts’s voices overlap so much, I couldn’t tell one voice from the other. My Verdict: After all that’s said and done, it feels like the sequel trilogy doesn’t add up to the sum of its individual parts. It feels as though Abrams and Johnson’s visions for Star Wars have vastly differed and without someone such as producer Kevin Feige to oversee the plotline, it sort of feels like a mess. Still, I had fun. (Warning: SPOILERS ahead!) Star Wars: The Rise of Skywalker, a Spoiler Review

Ever since Disney acquired LucasFilms, there’s been a curiousity that Disney would make the new Star Wars films better than the prequel trilogy of George Lucas’ vision. After the divisive reaction between fans and critics over The Last Jedi, what will returning director J.J. Abrams do?

Ladies and Gentlemen, Haters and Fans, HK units and Meatbags, this is a review of Star Wars: Rise of the Skywalker.

One year after the Battle of Crait, Kylo Ren obtains a Sith Wayfinder device and travels to the planet Exegol. He discovers a physically impaired Palpatine, who reveals he created Snoke as a puppet to control the First Order and lure Kylo to the dark side. Palpatine unveils a secret armada of Star Destroyers and tells Kylo to find Rey, who is continuing her Jedi training under General Leia Organa. Meanwhile, Finn, Poe, and Chewbacca retrieve information on Kylo's discovery originating from a First Order mole. After learning that Palpatine has returned, Rey discovers notes on a Sith artifact in the Jedi texts Luke Skywalker left behind. Rey, Poe, Finn, Chewbacca, BB-8, and C-3PO leave for Passanna to seek a contact Luke knew, while R2-D2 stays behind with Leia.

Rey and Kylo Ren’s lightsaber duels are nothing compared to the dueling tones and continuities’ of Rian Johnson’s revisionist take and J.J. Abrams overwhelming need to pay tribute to the Original Trilogy.

It feels especially after the mixed reception from the Last Jedi, Rise of the Skywalker is the film they made to appease everyone, even going so far as to contradict the last movie. I have an easier time believing Ant-man and the Guardians of the Galaxy belong in the same cinematic franchise than The Last Jedi and Rise of the Skywalker.

I’m going to spoil the film so I’ll give my verdict and explain how I felt after the cut. If you don’t want to be spoiled, look away now!

Verdict:

Matinee and turn your brain off.

LAST CHANCE TO TURN BACK BEFORE I SPOIL THE FILM.

-Rey is Palpatine’s Granddaughter. Kylo continues his rant from The Last Jedi and explains her parents became nobodies BECAUSE they were Palpatine’s children and gave everything up to make sure Rey was kept away from him.

-Rey, Finn and Poe go along a journey to find Palpatine and kill him once and for all before he destroys the galaxy, such as finding Sith Daggers and erasing C-3P0’s memory to find the coordinates.

-Rey and Kylo Ren have a fight on a sunken portion of the Death Star and Rey kills Kylo Ren in a fight. Kylo Ren was distracted because Leia “used the last of her powers” to redeem Kylo Ren, thus giving Rey the opportunity to stab him. Rey heals Kylo Ren and steals his ship to go back to the planet in the Last Jedi. She does this because she’s afraid of becoming a Palpatine. Leia dies because of this (probably to pay tribute to Carrie Fisher). Poe becomes the new general of the Resistance.

-Force Ghost Luke talks to Rey while a vision of Han (it’s unclear if he’s a Force Ghost or just a vision in Kylo Ren’s head because he isn’t blue and transparent like Luke) and Han redeems him. (I’m guessing and, this is pure speculation from my part, that the scene originally had Leia come back as a Force Ghost, as in she would be the one to succeed in redeeming Kylo Ren where Luke and Han failed, but Carrie Fisher sadly passed away before the scene could be photographed.)

-Palpatine unleashes a fleet of Star Destroyers, each equipped with leftover pieces of the Death Star, meaning each Star Destroyer has the capability of destroying a planet. (Can we please have something besides the Death Star to be the final weapons? There’s been a plethora of other doomsday weapons we could use, we don’t need to keep going back to this one. Hell, SWTOR came up with a bunch of doomsday weapons.). The Resistance goes in one final battle to stop him.

-Rey confronts Palpatine and Palpatine attempts to taunt her to killing him, risking her friends dying to the fleet. If she does so, “all of the Sith” spirits will transfer into her. A redeemed Ben Solo comes in to save her. Using their Force Bond, Rey sneaks a Lightsaber to Ben while she uses another one to deflect Palpatine’s Lightning.

-Ben and Rey both confront Palpatine but Palpatine uses the Force to extract the Bond from them and let him power up his Sith Lightning so it’s capable of shooting up to the sky and destroying Resistance ships.

-Palpatine throws Ben over a Ravine and states “And so the Last of the Skywalkers Falls”.

-Palpatine shoots Lightning at Rey but Rey deflects the Lightning to Palpatine. Palpatine states “I am all of the Sith” to which Rey replies “And I am All of the Jedi”. She successfully kills Palpatine but it causes her to die as well, allowing the Resistance to defeat the Star Destroyer armada and save the galaxy.

-Ben climbs up the Ravine and sees a Dead Rey. Using the technique Rey used to heal him, he successfully brings Rey back to life. They share a kiss on the lips but then he dies.

-The Resistance meets up on a jungle planet and everyone hugs each other. Moz gives Chewbacca a medal. (I liked that part). Rey, Finn and Poe all hug each other.

-In the final scene, Rey returns to the burned Lars residence and buries Luke and Leia’s lightsabers. She draws out her own lightsaber which has an orange / yellow hue. A stranger passes by and asks her name. Rey, after seeing the Force Ghosts of Luke and Leia in the distance, answers, “Rey Skywalker”, adopting the name of her masters. She and BB-8 walk off to the twin sunsets of Tatooine and the film ends.

Obviously, there’s a lot to go over so I’ll just post my thoughts.

I don’t dislike Rey, but she feels too much like a series of reveals. I don’t think she’s a Mary Sue, but the living embodiment of J.J. Abrams’ Mystery Box, where in there’s always some sort of twist to her character. I don’t even mind the reveal that she’s Palpatine’s granddaughter and the final climax of the film is her rejecting her biological family in favor of her new family. It’s too bad that the other protagonists, Finn and Poe, don’t have much to do because their individual arcs wrapped up in the Last Jedi. Sure, there’s lipservice to the idea that Poe will be the new General following in Leia’s footsteps and Finn is still around because, as a former First Order soldier, he knows his way around ships, but they feel really perfunctory while Rey gets the spotlight.

I realize the reason I dislike the idea of Leia being Force Sensitive isn’t so much the Retcons to continuity but moreso the idea that she’s an accomplished General because she had Force Sensitivity as opposed to being just a capable woman. It’s inadvertently stating “This woman is awesome because she had space magic” as opposed to “this woman is awesome because she didn’t need Space Magic to get the job done”. It’s funny; producer Kathleen Kennedy was trying make the vision of a Female Jedi cool (which I can totally believe she’s genuine in that vision), but in doing so, it makes non-Force users such as Finn and Poe seem useless. To me, personally, I would have preferred (not demanded but preferred) that both Ben and Rey defeat Palpatine together and they both inherit the Skywalker surname. It feels like Rian Johnson was setting up parallel storylines of Ben and Rey to join together to be the new Jedi order but for whatever reason, they killed off Ben. They want to set up that Luke and Leia were a Force-sensitive Duo, but they don’t do the same for Rey and Ben? Maybe, this should have been “Rise of the Skywalkers” instead of “Rise of the Skywalker”.

Apparently Finn skipped that part of Stormtrooper orientation about Jet Packs.

Apparently, you can also plug in ancient Sith Holocrons to your ship and it will still be legible for Future Generations. Always forward thinking those ancient Sith Lords.

CAVEAT: You know what’s weird? For all talk about continuity and lore and fanservice, the one franchise I do think accomplishes what the new Star Wars trilogy was trying to do is the Marvel Cinematic Universe (which is also a Disney owned subsidiary AND promotes an inclusive globalist message). I realize the strength of the MCU comes from the fact they can do prequels, sequels and side stories in the universe and develop individual characters and do ensemble pieces since all the character work is in the other movies.

Meanwhile, Rise of the Skywalker is overstuffed with giving each of the characters screentime, dealing with the continuity and paying homage to the original movies.

However I feel about Rey, Finn, Poe, Kylo Ren, Rose and BB-8, it just doesn’t seem to mesh together as seamlessly as Groot meeting Steve Rogers.

Does that feel weird to anyone else?

In a film franchise that gave us Midichlorians, Pod Racing, Jar Jar, the Clones, and Boss Nass, it doesn’t really surprise me that the silly stuff here is going to be added among those. The effects are handsome looking, the score is awesome and I’ll probably bring my family to a screening just to spend the Holidays together, but it didn’t really come together for me.

I don’t need a retcon. I don’t need an extended cut. I won’t sign a petition asking for LucasFilms to rewrite the movie. And I don’t think people that genuinely enjoyed this movie are paid shills (which clearly doesn’t work since this film has a Rotten Critic score on Rotten Tomatoes).

To me, this silly movie is just as canon as Anakin Skywalker being a snot nosed 9 year old who said cheesy lines about angels to older women. And I’ll buy the Rifftrax track for this film so I can rewatch it again with the commentary.

Then again, what do I know? I’m just some anonymous jerk on the internet.

#rise of the skywalkers #star wars #star wars 9 #rise of the skywalker #rey #spoilers #the last jedi #the force awakens

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shadowsong26fic · 4 years

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Coming Attractions!

First Monday of the month, woohoo!

(And also kind of a NaNo roundup post because that was last month, after all…)

NaNo:

Sooooo I didn’t finish, lol. Not that I was…super expecting to, exactly, but I was hopeful! I think I just missed too many days in a row and lost all my momentum.

In terms of my goals, I was hoping to write:

1. 20-25k on Precipice 2. 20-25k on our faces like a mirror 3. 10-20k on Other Projects. 4. 50-70k total

In terms of what I actually accomplished:

1. 9,241 on Precipice (Sooooooo....about half of what I’d hoped, a little less. But I still got a fair amount done/prepped for upcoming chapters, plus a couple chapters actually posted, even while doing other stuff, so...go me!) 2. 9,043 on our faces like a mirror (Again, a bit less than half of what I’d hoped for, but I got enough done for the story/etc. to take a real Shape in my head. ...ish. See the specific OFLAM stuff later on in the post...) 3. 10,601 on Other Projects (Hey, I actually met this goal! ...barely, but still! Mostly thanks to the Nikita/Rebels crossover, lol...) 4. 28,885 total

Original Fiction:

I got a decent chunk of a big backstory piece for Lux done (in the form of a “then” and “now” set of scenes/vignettes for the five Archangels)--that being said, I’m not sure I actually like what I have there, lol. I know more or less what I need to cover, but the details are fiddly. Also not sure whether I should refer to Lux by her current name, for consistency’s sake, or use a different name (either Lightbringer or just Lucifer) since she does technically reshape her name after being released when the main Apocalypse storyline kicks off…also debating whether Lux should be/present as female way back when--angels don’t really do gender the way humans do in this ‘verse, but the closest human term for Lux would be genderfluid, sooooo IDK. Also also, for the ‘Now’ part…ehhh, I’m not sure I should have this be the first thing I post involving Trixie…but I’ll keep poking at it and see what comes out.

(I’d also planned to work on the big Kesshare character study saturation for The Farglass Cycle this month, and maybe go back to my untitled first-contact story, but neither of those happened, lol.)

Precipice:

We’re in the home stretch! Kinda. So to speak. Probably three to four more chapters in Arc Seven, which I’m hoping-fingers-crossed I’ll finish by the end of the calendar year??? (But given how much other stuff I hope to work on (see Other Fanfic Projects for more details…)

At that point--and I know I’ve said this before, and I’ll probably put it in an A/N in the next chapter or so, but following the end of Milestones, I’m planning to break off into a second/sequel fic, working title Protectors. This is at least in part because length (over 200k wtf I was anticipating 50-75k, maybe 100k, for these seven arcs @.@), but also was sort of planned even without the Length issue, due to some thematic/structure shifts following a six-year timeskip. Which, if you do the math, you can probably figure out where that’ll land us and why I might be structuring it this way…

Anyway, I’ve increasingly realized that there’s some stuff I should probably set up that I’ll need for later arcs in Part 2 involving some Rebels characters, more with the Last Batch, plus a Sith Apprentice who needs to turn up and die (although the gap between Infernalis and the next apprentice I actually care about/have a name and some kind of Plot for is only about four years in my mental timeline, so maybe there isn’t an active Apprentice in that period*…hmmmmm…), some background about the Hands, etc. But I feel like it’s all a little too disjointed for an entire additional arc. So, Arc 7.5, tentatively titled Preludes, is also going to be a thing XD I don’t think I’ll have a fixed schedule for that vs. the main storyline--and, honestly, it’ll probably work more like a collection of one-shots taking place during the timeskip than a proper Arc, but a little more Relevant than stuff that goes in Bonus Content, if that makes sense? It’ll probably be posted alongside at least arcs 8 and 9. Which, incidentally, take place more or less back-to-back and cover a fairly short period of time, but there is A Lot of plot/setup that goes into them. Like. If I tried to do it all as one arc, it’d be at least twice as long as any of the other arcs I’ve done, possibly including Arc Four--certainly over twenty chapters, I think--plus there’s a good (and by good I mean Horrible) place where I can split the arcs, so…we’ll see how that goes.

(…still not sure what to do with Maul, lol. He may just be Sir Darth Not-Appearing-In-This-Fic, or he might turn up in arc 10/11/13, which are the sort of vaguest of the next seven arcs which make up Protectors, in terms of how much I have planned out…)

(*On a semi-related note, I’ve been asked about Inquisitors a couple times in comments lately, and…well, I’ll probably mention this when I reply to the commenter in question, but I figured I’d set it out here as well, in case anyone else was wondering the same thing but doesn’t read other peoples’ comments. Like I’m pretty sure I mentioned at the start, when I plotted out** the bulk of this fic, I hadn’t seen Rebels yet. I’ve since decided to integrate a few characters/plot points (Kallus and Zeb will feature prominently in a subplot in arcs 13 and 14, for example), but, as a rule, characters and plot points from Rebels haven’t been taken into account unless I Really Like Them and/or they’re a good way to fill in a plot hole in a later arc, as with Kallus and Zeb. So, for example, when I include Thrawn, I’m writing more towards Legends!Thrawn in terms of personality, though the two have blended a bit in my head and I do reference specific events in Disney!Thrawn’s personal timeline; and b) more relevantly, I hadn’t made any plans to include Inquisitors, and that…hasn’t really changed. So, I might have them in Preludes, but they almost certainly won’t show up on-page/be super-relevant in the main arcs of the fic, sorry :/ )

(**Loooool I say “Plotted Out” like I’m the kind of author with a Master Plan or at least an outline. But I did have a general idea of the Major Plot Points going in, such as when Rex and Ahsoka would turn up, Luke’s storyline with Lavinia, how many Apprentices I would need to make them work, etc., and I’ve had parts of Arcs 8, 9, and 14 written for like at least two years now, so I know more or less where I’m going--though they’ll be edited once I have more of the connective tissue in place, in case I’ve accidentally Jossed myself…or I change my mind, which is becoming A Possibility with a major event set to happen in Arc 14, so…we’ll see.)

Aaaaaanyway. Exciting times ahead, I hope!

Other Fanfic:

This month, I finally posted another AU outline, woohoo! …I mean, it was a super-niche Nikita/Rebels crossover with a handful of OCs thrown in but who’s counting XD (I do actually intend to finish Let’s Go Steal a Crossover and update the Ventress one at some point but…yeah).

I also put out a Kallus one-shot that I think turned out really well. May do more of those at some point, who knows…

I made some significant progress on our faces like a mirror, as mentioned above! But now I’m waffling a little bit over structure. Basically, the fic covers Bo-Katan’s backstory from the time Satine becomes Duchess, through the Civil War, and eventually leads to Bo’s eventual break with her sister to join Death Watch. It comes in two pretty distinct halves--what I call the Fugitive arc in my notes, which covers the Civil War, and the Breakdown arc, which is everything after her return to Sundari.

So, my original plan was--prologue covering at least part of the final Epic Screaming Match that leads to Bo’s departure; jump back to the Fugitive Arc; and then follow through until we catch up to the prologue, with a coda/epilogue with her and Pre Viszla. The problem is, there’s…really not a lot to connect the two halves??

I’ve got a couple options on what to do about this, but I’m not sure which would be best.

Option One: Keep the structure as-is and just let it be episodic.

Option Two: Keep the structure as-is and find some way to connect the two halves (i.e., a recurring antagonist; I do have an idea of who this could be, but the problem is, it takes away a good chunk of the focus from Bo and Satine’s relationship for the Breakdown Arc…which I don’t really want to do.)

Option Three: Remove the framing device and focus on the Breakdown Arc, and include the Fugitive Arc as flashbacks, since the Breakdown Arc can’t really stand on its own. (The main issue I have with this one is that, if I want to actually write out future chunks of Bo’s life later--meaning, her time with Death Watch, and getting her from TCW to Rebels--I won’t have these flashbacks and I don’t want to change the structure too radically for any eventual sequels? Also, I’m not sure how I feel about a flashback structure for this fic in general…)

Option Four: Remove the framing device and focus on the Fugitive Arc, ending the story with Bo’s return to Sundari. (Two issues with this one--I really do want to go into the Breakdown Arc; that’s where my interest in this story started. Also, due to the constraints of setting and so on, Bo interacts with…like…two canon characters over the course of the Fugitive Arc? And while I don’t really have a problem writing a story that’s essentially a Backstory Epic for a tertiary character, populated by about 90% OCs, I’m not sure anyone actually wants to read that, except as the lead-in to the Breakdown Arc??? But maybe I’m overthinking…)

…so, yeah. Any thoughts/opinions on which option would be Best? (I may make a separate post asking the same question later, but figured I’d lay it all out here, too!)

Also, I’m working on a Secret Santa project, and probably not going to use OFLAM for SWBB, which means I need to come up with and write a different plotline of some kind, so back to the drawing board on that one…

Also also, I do genuinely plan to get Distaff off hiatus At Some Point, especially since I’ve gotten some new comments/responses lately…but given how much else I have on my plate, writing-wise, that probably won’t happen until next year, alas.

Anyway, the long and short of it is--lots of writing planned for this month! Now let’s see how much I actually get done XD

What about the rest of you? What’ve y’all been up to/what do you have planned for next month?

#coming attractions #miscellania #shadowsong writes star wars #shadowsong writes original fic #shadowsong writes crossovers #shadowsong writes self-indulgent bs #feedback greatly appreciated #our faces like a mirror #precipice verse #nano2019

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dalekofchaos · 6 years

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My Problems with the sequel trilogy

I do love The Force Awakens and The Last Jedi. But I’d be lying if I said I didn’t have any problems with it.

There is no background, motivation or an endgame for The First Order or a reason why we should care about the war. Biggest mistake of the sequel trilogy is not explaining The First Order or giving them motivation. The Empire’s goals were order, security and control. The First Order’s motivation in the movies are nonexistent. I came up with my own First Order motivation. And honestly I don’t see why we should even care about the war. The New Republic didn’t even care enough to take the threat seriously. 7 planets destroyed and The New Republic is just gone? What? That’s like saying America was no more after 9/11 and terrorists became the new world power. You’re seriously telling me the rest of the worlds of the Republic are not motivated enough to join forces with The Resistance? The First Order is not the Empire, they are a terrorist like organization, they should not be the strongest power in the galaxy. Hell, there isn’t even a name for this war. We had The Clone Wars and The Galactic Civil War, but the world building for the sequel trilogy is so bad that there isn’t even a name for this war. As for The Resistance. They were almost destroyed and there are less than 50 members of the Resistance left alive...and they are celebrating like they just won the war. Why should I care when no one else does?

There is no originality in this war. Everything is just a copy of The Empire and The Rebel Alliance. Say what you want about The Prequels. It was original and creative. We had a war that isn’t just a copy and paste of the Galactic Civil War. There was no planet destroying weapon, the Death Star was being built, but that’s it. There was creativity in The Clone Wars and it really worked. In The Sequel Trilogy, there’s a just a bigger Death Star and a mini Death Star. Really? And while I can understand that there is an Imperial remnant, I don’t understand why with The Resistance. For some reason they are redoing the Rebel Alliance instead of having the New Republic fight the First Order. It really felt like it undermined what Han, Luke and Leia were fighting for.

The complete lack of marketing for Finn, Poe and Rose. The marketing of TLJ is 100% focused on Rey and Kylo Ren...that is a problem. Focusing on your white heroine and white villain, while your POC protagonists is barely featured in your marketing. JJ Abrams fought for a diverse Star Wars cast, and that diverse cast are not featured in marketing and are given the shaft in the story.

Billie Lourd is wasted in this trilogy. Billie Lourd has displayed in Scream Queens and American Horror Story that she is a talented and wonderful actress. In the sequel trilogy she is a background character in The Resistance. Billie should have been Leia’s daughter and Ben’s sister. I like her name, but honestly Billie’s character should have been Breha Solo. The only survivor of Luke’s academy as Ben could not kill his sister, the only part of his past he could not kill. Breha would run to her mother and hide herself away, so her brother and Snoke could never find her. It’s only when Rey awakens and gives a hint that there is hope for her brother that Breha finally reveals herself to bring her brother home.

The lack of empathy and care for Finn in TLJ. He is constantly belittled and mocked throughout the movie. In The Force Awakens, Finn fights Kylo Ren. He does well, but is ultimately defeated. He is slashed in the shoulder and the spine by Kylo Ren and falls into the snow, unconscious. Rey continues the fight and slashes Ren across the face, leaving him with a gash. The characters all escape, but Finn has to be carried to a medical station, unconscious until TLJ. Kylo Ren seems fine, ultimately jumping in a TIE fighter to try and kill his mom before getting patched up further. Finn, again, has to wake up before doing anything. Here’s the difference between Finn and Kylo’s injuries. Finn awakens in a medical bed wearing a bacta suit. His first instinct is to call out for Rey. As he jolts up, he slams his head against the medical container. He slams against it again. Regaining awareness, he opens up the medical container to find himself alone in a cargo room. He falls out of the bed, spraying medical fluids all over the place. He trudges down the hallway until Poe and BB-8 find him. His injuries are never mentioned, shown, or even referenced again. Kylo, on the other hand, is asked by Snoke how his wound is, to which he responds “it’s nothing.” He then takes that ridiculous thing off, complete with a close-up of a sad kylo Ren face, with his sutures framed to draw attention to them. This happens again in the elevator. Then we get a scene of him getting patched up soberly by a medical droid. Then we get a shirtless scene as a final showcase of his other two scars. Throughout the film, Kylo’s scars are present and framed as a constant reminder that he went through pain. Finn's injuries are used as a joke once and promptly forgotten, and let's not pretend that these injuries are one-to-one aside from how they're framed. Remember Finn received injuries trying to protect Rey, while Kylo received injuries trying to murder Rey. Finn received a deep wound across his spine, which can often be fatal in the real world. Kylo received a gash across his face. Finn's injuries were worse and nobly gained. Kylo’s injuries were comparatively tame and well deserved. Yet the movie uses Finn's pain as a joke, and Kylo’s pain as a humanizing factor. That Rey, as well as the director, cinematographer, and a considerable portion of the audience sees a scar and is willing to find sympathy with the person, no matter what they have done, is pretty reprehensible. Not only is Kylo Ren's scar not enough to be considerably a change to his appearance, as Rian Johnson specifically modified the location of his scar because, “it looked goofy,” the scar is not the mark of an accident or from an assault, but rather from a failed assault on his part. Also, I could get into how messed up it is that scars that don't fit Rian Johnson's preferred model are considered goofy. Is a scar that isn't kept to one side of the face not worth showing? Is a person with a scar you don't personally like somehow less able to be taken seriously? By treating Kylo’s minor wounds as a big, life-changing deal, and treating Finn’s life-threatening wounds as a trivial matter of no more consequence than a joke, The Last Jedi reinforces century-old stereotypes about Black people. Specifically, it implies that Black people are somehow less affected by pain, have higher pain tolerances, or cannot be physically damaged the way White people can. This is a demonstrated, dangerous trend, where white people actually perceive Black people as experiencing less pain than White people under the same situations. Older textbooks, including some used as recently as late 2017, suggest Black people over-report the pain that they are experiencing. Doctors have declined to give painkillers to Black patients expressing the same level of discomfort that would grant a White patients the same painkillers, and some surgeons even believe that less anesthesia is needed for operations on Black people. This, of course, goes beyond the medical field, where Black people are not believed when they speak about suffering, and are expected to take more physical abuse than their White counterparts. However as the injuries are framed in a medical setting in this movie, I wanted to primarily address the medical bias as in the real world. This has been referred to as an empathy gap. When two people are hurt, with everything except the skin colour being the same, and White people feel worse for the hurt White person, there is a gap in empathy. Now, when the conditions are not the same, and the White person deserves to be hurt, and is hurt much less, and is still empathized with more, and the White man's acts of attempted murder are framed as romance, while the Black man's friendship is framed as harassment. Let’s also talk about Finn’s treatment. He's placed alone in a room filled with cargo, without any monitoring. It's almost like the medical staff doesn't even deem his injury serious enough to receive attention. He's not on the medical ship, which we know they have. He's not even in the Raddus’s Medical Bay, which, again, we know they have. Finn is isolated, left unattended, injures himself, and stumbles out into the hallway without any assistance. All for a joke. Finn's injury should have been treated with respect and acknowledgement. A scene with the doctors examining his injuries, telling Finn he is medically clear to join The Resistance and Finn sorrowed by his inability to help his friends, would have been light-years better than a scene where Kylo looks sad getting hurt while trying to kill people.

Finn who is meant to be one of the protagonists is made to be a side character and the comic relief in the trilogy. Finn’s character arc from The Force Awakens was dropped completely in The Last Jedi. He does want Rey to be safe, but Finn just wants to run away, despite the fact that he learned to be courageous, face his fears and stay and fight at the end of TFA. The First Order kidnapped Finn as a child, from his family(possibly killed his family) he was able to leave The First Order and resist the indoctrination. He no longer wanted to fight, he wanted to leave everything, he wanted Rey to come with him. When Rey was captured, Finn had something to fight for and when Kylo Ren pushed her. Finn finally stood up to his past and The First Order. He overcame his fear. So Finn should have been wanting to fight The First Order and become a big deal in The Resistance, we could have even seen Finn inspiring a Stormtrooper rebellion against Phasma and The First Order. Finn just wanting to leave is just bad writing and backtracks his entire character arc from TFA. Finn is the first Stormtrooper to show a real personality, child soldier, who risked his life to find his own freedom and save the known galaxy and ended up in a coma for it. Finn was meant to be a main character, instead he is a supporting character to Rose. Forced to be embarrassed and pointless. He already learned about being brave and truthful. What happened about his past? His brothers and sisters? The family he’ll never know? Why does he share close to no scenes with Rey and Poe? Why does he get nothing to do? Finn was the FO’s best Stormtrooper to the point where he was considered Captain material and because of this Finn would recognize the Hyperspace tracker. Finn also has an almost perfect photographic memory due to being able to memorize the layout of both Starkiller base and the Supremacy with extreme accuracy. Kylo Ren had been impressed with Finn‘s capabilities during their lightsaber duel on Starkiller to the point Kylo had to tap deeper into the dark side to beat Finn. Finn is one of the most compelling protagonists of the franchise, right along with Ahsoka and Luke, because while he is the most dangerous to both sides of the war due to his skills and knowledge, he actively tries to save lives instead of end them. Finn’s upbringing left no room for love. He was stolen away from his family before he could even make memories of them. He tried to dedicate himself to the the First Order, but couldn’t. Finn chose to leave the only life he had known because he couldn’t let even one innocent life be senselessly killed. Finn deserves to be known as one of the Sequel Trilogy’s main heroes and not shoved to the sides.

Rose’s treatment of Finn. I desperately want to love Rose. Rose is a wonderful character held back by bad writing. Finn is put with someone who abuses him and we are supposed to root for this and see it as romance? Let me explain. Finn is then tazed by Rose, which is understandable, she thought he was running away and she was in mourning. He also was objectively posing absolutely no threat to her, wasn’t running away, and was even trying to explain himself. Additionally, just the threat of the taser seemed to have been enough to stop him from leaving. But Rose attacked him anyways. The difference between Rey and Rose attacking Finn is Rey subdued Finn just enough to stop and interrogate him, Rose went completely overboard by paralyzing him and knocking him unconscious. It was completely unnecessary and gratuitous. Rey and Finn have a real friendship and partnership from the last movie. Rose, on the other hand, spends the rest of the movie belittling Finn and talking down to him. The book also says that she thought about using violence against him more than once after the tasing (for annoying her) and even pushed him. This displays a really problematic pattern of violence and disrespect towards Finn so yeah, multiple uses of violence and expressed desire to inflict violence on him as being abusive. I would argue that she is undeniably verbally abusive with Finn. In the movie and in the book (more so in the book) she often belittles him by calling him names and using other put downs. It seems she wants to make him feel bad about himself and bring him down, which is abusive. Of course, it doesn’t really matter what her intent is, even if she doesn’t “mean to be mean” it still counts as verbal abuse. So, in summary, her repeated threats and use of violence against Finn and her continual use of insults and put downs causes me to come to the conclusion that she is abusive to Finn. Then Finn is made to fail. The only time he is allowed to be portrayed has the protagonist is him facing his abuser and taking him down. The most insulting part of the movie is the last part. Finn’s suicide run. Finn was the best Stormtrooper and knows about The First Order’s weapons, he should know full well that speeder would be destroyed trying to destroy the mini death star. Finn’s attempted sacrifice was pointless, Finn was treated like garbage throughout the movie, he deserved better.

Poe was changed in between movies for no reason. Poe started out as the most levelheaded, compassionate and trusted soldier in the entire Resistance, so trusted that he was given the mission to find the map to Luke Skywalker and leading the strike force to destroy Starkiller Base, why is it that he is suddenly a hot headed fly boy who ignores orders and is getting no respect from his commanding officers? The character change for Poe Dameron was unnecessary and so out of place. Poe before TLJ would not be okay with sacrificing lives to stop one ship that can be easily replaced. In all source material and the last movie he refused to let anyone die. Not even Finn, a man who was an enemy an hour before they met formally, even though Poe shot his squad mate before during the fight on Jakku. Everything about Poe’s portrayal in TLJ is so unnecessary. Poe Dameron went from a caring and experienced rebel pilot to an arrogant, hotheaded latino stereotype in the span of like…a day. That’s not subversive writing, that’s racist and bad writing. I just don’t understand why no one even tells Poe the plan. Poe is a respected and highly trained, top ranking rebel fighter, who had been covert enough to execute a highly delicate and secret mission to retrieve the Map to Luke Skywalker, responsible for destroying Starkiller base and the biggest asset to the resistance and biggest threat to the first order, anything about the plan? He’s literally a war hero and is more than likely only second to Leia. And honestly? Holdo didn’t just leave Poe in the dark, she left the entire Resistance in the dark. When Holdo meets Poe, she then proceeds to dress Poe down just for asking for his orders and the plan. Keep in mind that Poe isn’t just some grunt. Even with his demotion, he’s your second or third in command, and he has the respect of the entire crew, as evidenced by his later leading a majority of the crew in mutiny against Holdo. Holdo brought her personal crew from her ship and worked with them while snubbing the main rebel crew entirely. That’s a bit of a dick move, protocol or not. One of the biggest issues was not that Holdo wasn’t telling Poe the plan, but it was acting as if there was really no other plan. She was literally taking personal jabs at him when he was trying to find something out. If she said something like. “While it seems bad , we are working on a plan right now. We are not just going to stay here and have everyone die. Just have your pilots ready to go at a moment’s notice” But she didn’t even give him that. Remember up until Poe taking over, they were watching ship after ship being picked off slowly. The crew was given nothing and was told just to trust her. Blind faith in leadership is a horrible message. If that is the take away then why not just do what the First Order or the Empire wants. I mean seemingly they are in charge of stuff now. And we should follow orders blindly. Moreover they were down to < 1000 people, and from the POV of everyone else she was just watching people die. Rank be jammed. Anyone who cared about their crew would do something. He was a Commander and the flight commander there is NO way he should have been left out in the cold. Then I like how they talk about his spunk over his knocked-out body. How Poe was treated in TLJ was absolutely atrocious and a complete insult to Oscar Isaac, Poe deserves better.

Rey has no character arc in TLJ. Rey doesn’t learn anything and I don’t feel like she has a character arc or journey. She starts her journey in TFA and I was excited to learn where her character would go. And TLJ does nothing with Rey. I do love Rey, but I don’t feel like it truly tests Rey and forces her to grow as a character. Rey is intriguing and we care for her, but her journey feels non existent. Luke and Anakin had struggles and journeys. I just don’t feel it from Rey. I am really disappointed with how TLJ handles Rey. Rey doesn’t have any struggles. Rey is all powerful and she is the same character she is from TFA. Everything TFA was building her up was instantly ignored. How Maz got the Skywalker lightsaber? Never mentioned again. How Rey was drawn to the Skywalker lightsaber and what the force vision was meant to mean? Never addressed. Rey says that she’s classified information, “none of your business” Then her parents are revealed as junk traitors who sold her for drinking money and died in Jakku. If her parents were just junkers, how did they afford that space ship if they spent the money on booze? Also the best theory I thought was gonna happen is that Rey has ties to the Empire or at the very least because of the novels it is stated that Palpatine had secret labs on Jakku and the Empire was invested in Jakku, hell it’s last stand WAS on Jakku. Rey herself told BB-8 she was classified information. All that build up for nothing. The force can come from anyone, we all feel it but you build Rey up only to do nothing with her. I’m not upset that Rey is a nobody, I’m just upset that what TFA was building up for Rey was dropped entirely. My big issue with how TLJ handles Rey, is she does not learn anything. She was awakened by Kylo’s mind melding, but after that nothing. She doesn’t learn anything from Luke and she feels like the same character in The Force Awakens. We see Luke showing Rey to feel the force and the Jedi’s hubris. The third lesson was deleted, but we did not really get to see Luke train her as a Jedi. Rey doesn’t learn anything. In the end we see Rey has the sacred Jedi texts, but Yoda pointed out that those texts were holding back the Jedi and the Jedi Order needs to be reborn So really, Rey does not learn anything.

The romanticisation of Reylo. Reylo is a toxic and abusive relationship. Their interactions make me uncomfortable and all their interactions reminds me of is every emotionally abusive relationship I’ve witnessed in real life and in fiction. Kylo has manipulated, mind tortured(Rey admitted she was tortured in the canon comics and no torture is not sexual tension) murdered her father figure right in front of him and mocked her about it “Han Solo can’t save you now” threw her into a tree, sliced Finn’s spine and put him in a coma, when Rey refused to let him become her teacher he tried to kill her. Throughout there force bond sessions it was a means to manipulate Rey so he can find Luke Skywalker. Gaslighted Rey about his past with Luke and shattered her faith in Luke. Used Rey as a pawn to kill Luke, tries to get her to join her and rule The First Order together, then tries to emotionally break her resolve by attempting to destroy her self identity by making her think she is nothing, and then when that doesn’t work he tries to kill her and blames his killing of Snoke, on her. Kylo assumes control over the First Order as it’s new leader, asserts his dominance over Hux and makes him submit, leads an attack against the Resistance, again, tells the soldiers to take no survivors, orders the Falcon to be shot down, and ends up being the cause of his own uncle’s death because said uncle had to sacrifice himself to prevent Kylo from killing more people. Kylo has sworn to kill Rey, her friends and The Resistance. Han and Rey have given him second chances and every time he has chosen the dark side over bettering himself as a person. He choose his path as a villain, he has shown no remorse for his actions, he did for Han, but everything else he’s shown no remorse and has chosen The First Order every time. Their interactions is meant to be antagonistic, not romanticized.

Kylo Ren is downgraded from his amazing character in the Force Awakens. Everything about Kylo Ren in TFA is amazing. Kylo Ren was a well-rounded antagonist that broke the clichés of most of modern villains. Kylo Ren was a complex and layered character who wasn’t glorified or idealized for his morally wrong actions, so powerful in both the force and with his lightsaber. A hint that the lost child was still in there, but still chose to kill his father to reject redemption and chose to be who he was by choice regardless of his positive upbringing. Kylo Ren is exactly the right villain to succeed Darth Vader in this new trilogy despite not being a Sith. Had Chewbacca not have shot Kylo, I don’t think Rey or Finn would’ve made it out of Starkiller Base alive. My problems with Ben in TLJ is he is downgraded to the great character he was in TFA in TLJ. In TFA there was already a moral ambiguity with his character, but it was subtle. It was made in your face that he was sympathetic in TLJ. An interesting antagonist/villain isn’t a mustache twirling generic character that does things for no reason. Villains are meant to be the antagonist. We are meant to disagree with their actions and understand the flaws in them, to have a villain/antagonist who not only acknowledges what they are doing is wrong, but feels guilt about it. This is something that is extremely difficult for a writer to convey believably. Most of the time a director/writer will go out of their way to make their antagonist/villain sympathetic at the cost of the overall story. They only want the audience to relate to the antagonist/villain so they only put emphasis on that character’s sympathetic traits and ignore their negative ones. Ben has to earn his redemption, he doesn’t need it to given on a silver platter. His whole personality changed. While Han’s death would be enough, it just doesn’t work. In TFA his goal was finding and killing Luke Skywalker. In this movie I just don’t even know what his end game or motivation is. He went from this powerful dark side warrior and in TLJ he was downgraded and made weaker. And of course he is made into a meme cause of the shirtless scene. His bond with Rey was really the only good thing about his character arc in TLJ. The problem is everything they went through together was undone. And my issue is with how Ben doesn’t explain why he killed Han. He doesn’t explain to Rey that he killed Han because he felt like he was being torn apart by the light and dark sides of the force and he thought killing Han would help him, but all it did was make it worse. There is no scene with Ben and his mother. They never once interact. Ben shows absolute no desire to save his mother despite everything him and Rey been through. He could have shed a tear that he believed that he killed his mother and Rey tells him Leia is alive and that all convinces Ben to help Rey save the fleet and save his mother. The sad thing is they will never get to interact because of Carrie’s passing. At the end of TFA Snoke said he was going to finish Kylo Ren’s training but no training is given to him. It doesn’t add up that Snoke does not train Ben. Snoke said that he would complete Kylo’s training when he told Hux to bring Kylo Ren to him at the end of TFA. Yes, he did fail him and he sensed his father in him, but I really thought we’d see Snoke sending Kylo to Vader’s castle on Mustafar to allow the dark side energies in the castle and what remains of Vader to strengthen the dark side within him to snuff out the light. Killing Han broke his spirit, but he could use the castle to complete Kylo Ren’s training. Then we would see Snoke personally train Kylo himself. Snoke begins by telling Kylo the Sith code ” Peace is a lie, there is only passion. Through passion, I gain strength. Through strength, I gain power. Through power, I gain victory. Through victory, my chains are broken. The Force shall free me.” teaching him the ways of the dark side, using torture and force lightning to draw Kylo’s rage to bring out his full potential in the dark side of the force. We needed to see Sith training. We never once got to see it, so we needed to see it with Snoke and Kylo Ren. You could still have Ben and Rey’s force bond and their closeness, and the throne room fight, but not even displaying their powers is what cheapens the fight. Kylo Ren is powerful enough to freeze a blaster and a person in place and Rey herself unlocked Kylo’s powers, so the two of them could have easily ended the fight sooner than it was dragged out. Ben is powerful in the force but he SERIOUSLY could not stop a Praetorian Guard choke holding him and Rey struggled with a guard? Rey and Kylo were stronger in TFA and are just made weaker in the duel with the Praetorian Guards. Kylo could have frozen half of the guards and Rey could have mind tricked the other half into killing the frozen guards and Ben and Rey could have finished them. They are masters of light and darkness, but they are made weaker. As for their final scene together. Ben’s proposal still stays, but it makes no sense for Ben to say “you are nobody, you have no place in this story.” it makes no sense because Ben told Rey in TFA in their duel “it is you.” the scene just makes no sense. Kylo Ren doesn’t even have a clear motivation. He wants to kill Luke because he thought he wanted to kill him. There’s no reason why he killed the other Jedi, there’s no reason why he joined The First Order, What did he hope to accomplish by joining the First Order? It’s never even explained why he has Vader’s mask. He never explains why he killed Han or why he even wants to destroy The Resistance. He says “let the past die” yet continues to lead the First Order in the same direction that Snoke did. Snoke wanted the Resistance dead, so why take up his mission? He spent the duration of the movie as the most calm and collected and even most Jedi like character throughout the movie, but by the end he turns into a screaming lunatic again by the end. There is no motivation for why Ben is doing anything. He acts how the plot needs him to act and that’s it. Vader wanted to crush the Rebellion and turn Luke to the dark side. With Kylo Ren I just don’t understand, turn Rey and start a new order? He knows full well Rey doesn’t want anything to do with that, if that’s his plan, it’s a bad one. And if he doesn’t have one it hurts him as a villain. it’s not like he’s Michael Myers or The Joker where it works for them. But with Kylo Ren it just hurts him and the story and hurts the potential of The First Order. There is no motivation or a clear endgame for Kylo Ren or anyone in The First Order, if Ben is to be redeemed, great but that just makes his path as a villain bad since he has no motivation or endgame. and that just hurts Kylo Ren/Ben Solo as a character.

Supreme Leader Snoke is wasted and there is no reason to care now that the villain you’ve been building your trilogy around is dead. Snoke’s death was too soon. Snoke is a dark side user. Calm and collected. Old enough to see the rise and fall of the empire. He takes no risks and does what it takes to win. He was different from Palpatine and I dare say he even had potential to rival Kreia. He was a mastermind and did not allow himself to be a slave to the dark side. He did not want his apprentice to die like the Sith masters of old. He did not want to keep power until his dying breath. Snoke was not the average Sith Lord, he was different. He was respectful, he was very powerful, and watching his scenes, even when faced with failure, he remained calm and collected because he was playing the long game and was not a slave to the Darkside like the Sith. He was invested in turning Kylo Ren into Vader’s heir and even has a ring from the catacombs of Vader’s castle. Snoke was so interesting, so many unanswered questions and this well thought out villain. And then TLJ turned him into a dumbed down Palpatine rip off. The claim that Snoke and his backstory is not important is dumb, considering that we know nothing on why this war is even happening or even why The First Order is doing ANYTHING! We want to know who Snoke is because we want to know how this random evil guy was able to destroy the lives of the entire original trio, corrupted Ben Solo and override the happy ending the entire original trilogy and prequels were fighting for. The struggles of the prequels, the clone wars, rebels, original trilogy, all of these stories and struggles were undone because of Snoke, so of course we have questions. Why do the remnants of the Empire follow Snoke and where did he come from? Not wanting to know the motivation of the villains is just plain ignorant. They completely wasted Snoke. Snoke is a power from the unknown regions. He was SO powerful that Palpatine sensed him, Palpatine was so focused and invested in Jakku in hopes of getting closer to the Unknown regions and he wanted to meet what he believed was the source of the dark side of the force. And they just kill him off so easy? Now there is no reason to care. Kylo Ren is not an intimidating villain and it’s pretty obvious he’s turning to the light in Episode IX. Hux is a bumbling incompetent fool and I’m pretty sure they already confirmed he will be more comedic in Episode IX instead of being a threat. There is a villain problem for the Sequel Trilogy. There is no menace in The First Order anymore and I really feel there is no reason to care. The only possible way The First Order will be an actual threat to the Galaxy is if Rae Sloane usurps Kylo Ren. Problem is, that would actually make the First Order a legitimate threat, and Disney could never allow that.

Paige Tico and Tallie Lintra were pointlessly killed off. Okay if you are a casual fan and have no knowledge of who these new characters are in TLJ, then you would have no idea who Paige is and why Rose is crying until you see their twin pendants. And the way they went about her death was just bad. There was no need for so many bombs, Y-Wings would be enough. Why do they need that many bombs to blow up the shield generator of a Star Destroyer when X-Wings in episode six could destroy that with their normal lasers with enough sustained fire power. Killing Paige without establishing who she is or why she is important to Rose is just god awful. You establish characters and connections they might have before killing them or it’ll lose all the impact. What could have been done after destroying the Star Destroyer. Paige escapes and rejoins the fleet. We get a touching scene of Rose and Paige reuniting. We also get to see Paige mourn for the losses of her squad members. We see a love/hate relationship with Poe, but eventually Paige trusts Poe and sees him as a leader. While Finn and Rose go to Canto Bight, Paige and Poe work together on the Raddus. And if Paige has to die, then show her sacrifice herself to stop the canon. There you go, we have a tragic death that is just as emotional and you get to see why she is important and instead of being killed off so early we get to know her and her relationship with Rose and her death is not wasted potential. And Tallie, I did not know much about the new character, hell I didn’t even know her name until I played Battlefront II. But I loved this pilot. I loved how good she was and I wanted more of her and god killing her off was pointless. What’s the point of introducing these unique Resistance fighters if only to kill them off?

Canto Bight and the plan to disable the Hyperdrive tracker was ultimately pointless. Canto Bight works, what doesn’t work is DJ and having the plan fail. They are specifically looking for THE master codebreaker and they just happen to find someone else who has the same skills? And honestly what ruins Canto Bight for me is the fact that neither Finn or Rose cared enough to park legally, it’s pretty much their own damn fault for being caught. While I do like DJ as a character, I read up on what was planned for the Master Codebreaker character and I like it so much better, if they had gone with what was intended with the Master Codebreaker character and maybe made Lando the Master Codebreaker, I don’t think anyone would’ve complained. My big issue with the plan failing is it did not have to fail. If Finn and Rose had to be caught, they could’ve been caught on their way to the escape pods. The betrayal felt so forced and out of place. The plan should have succeeded with them being caught on their way to their escape. What I’d change is Lando is the person Finn and Rose are meant to get help from. Lando is on Canto Bight to stop the crime lord and he is grieving in his own way for Han by gambling. But he is willing to drop everything and help Finn and Rose disable the Hyperdrive tracker. But Finn and Rose wants to help Lando in exchange for helping them. So after they leave we see a scene of Lando grieving for Han Solo in front of Finn and Rose. And as we get to the Supremacy, the plan succeeds, Lando and Rose successfully disable the tracker but as they make their escape they are found and caught by Phasma.

The Original Trilogy’s characters are only brought back to be killed off. At this point I honestly expect Lando to die, then Chewbacca and finally C-3PO and R2-D2. What was the point of bringing the original trio if you were just gonna kill them off? I honestly would have preferred it if they were all killed before the events of the new trilogy and actually build on the new characters without relying on nostalgia.

Captain Phasma is nothing but product placement when she could’ve been a great character. Both TFA and TLJ just wastes Phasma. In TFA she just orders her troops to slaughter villagers. After that all she does is look cool and imposing. Phasma should have been the one to fight Finn on Takodana, Phasma easily overpowers Finn, but Han of course knocks her out with Chewie’s bowcaster. And in Starkiller base, Phasma would not budge. This scene in the movie is what bothered me with how she was handled the most While she is said to be completely devoted to The First Order, she is so easily intimidated into turning the shield generator off. I don’t see this happening with the character they were trying to establish. I see her choosing death over betraying The First Order so instead I’d prefer Phasma either go out fighting or getting knocked out by Chewbacca and thrown in the trash compactor while Han and Finn shut the shields off by themselves. She survives and escapes in time And oh god, TLJ just wastes her AGAIN! They did nothing with her. Once again she is just there to look cool and sell toys. There is a difference between Boba Fett and Captain Phasma. Boba Fett HAS character. we learned about Boba in The Clone Wars. We learn nothing about Phasma and they do nothing for Phasma. She looks cool and easily shows her defeated by Finn. Phasma does have a character in her own novel. In her novel she is a completely different and better character. In the novel which is a fascinating study of how utterly ruthless and selfish she is, how completely dedicated to her own survival at the expense of others, and how there is no one and nothing she would not betray to further herself. It’s about peeling back the layers of a seemingly perfect First Order warrior to show her morally empty core, and with it the rottenness of the First Order itself. The novel shows with unsettling clarity that, under all the pretty words about the ideals of justice and order, the First Order is a place where actual idealistic soldiers are used and then thrown away (see: Finn, Cardinal) while backstabbers, abusers, and murderers like the two Huxes and Phasma are actively shielded and rise to the top. Phasma is a survivor. She will always align herself with the most powerful force. Phasma is extremely intelligent and a brilliant battlefield commander. Outside of the movies, she’s lost approximately one fight. Ever. the movies portray her as a minor annoyance but in the book she is the most badass human to ever live and I’m upset with how they’ve treated her. My suggestion about having Finn inspiring a Stormtrooper rebellion against Phasma and putting an end to Phasma would be a far better ending for the character. But SOMEHOW Phasma will return cause they need that toy money.

The movies make it absolutely impossible to take Hux seriously as a villain. Here’s the problem with Hux in TLJ. He is completely changed from how he was in TFA. In TFA Hux was a competent military leader that came up with plans and made necessary risks in order to find the resistance, talked back to Kylo Ren and didn’t fear him or his power and Hux has the populations of 5 planets to his body count. In TLJ, Hux is so incompetent to the point where I am wondering how he was a general, he is reduced to a slapstick cartoon and why am I believing Jar Jar Binks is a better general, and they expect me to believe Hux will usurp Ren as Supreme Leader? General Hux, the man who caused the destruction of the Hosnian system and is shown to be a younger angrier version of Tarkin in TFA, is shown to be an incompetent bumbling fool and Captain Canady is the only intelligent officer in The First Order. He does not deploy the Tie Fighters, order the fleet to move in when The Resistance are evacuating D'Qar and vulnerable, instead orders the Dreadnought to move in, and instead of ordering the Dreadnought with it’s devastating canon to fire on the cruiser thus giving the transports nowhere to go, he orders an orbital bombardment to an almost empty planet. But does not fire because he sees Poe’s X-Wing When Poe arrives in his X-Wing, the only X-Wing in view. Hux does not order deploying the Tie Fighters or even ordering the Dreadnought to fire on Poe. They do absolutely NOTHING. How is Hux a general again? Did he just want to hear himself talk? The turrets are being destroyed by Poe and Hux tells Captain Canady to fire the Dreadnought, Canady responds it’s too small and too close of range to fire their turbolasers and orders the Tie Fighters to be scrambled which should have been done 5 minutes ago. Canady knows Poe is not aiming to penetrate their armor, he knows Poe is clearing out their surface cannons. Here we have it. The only intelligent officer in The First Order, everyone else including Hux are incompetent. How exactly is Hux a general again? Moving on. Hux is slapped around with the force by Snoke, okay understandable, it’s for failure. Vader did the same. But god it is done in almost every scene by Snoke and Kylo. When the Silencer pretty much destroyed all the X-Wing fighters, and The Resistance command is jettisoned in space, Hux just orders Kylo back. They have the opportunity to end The Resistance, just calls him back, a scene later Hux complains he let them go. Sure they can still track them, but the fact that they let them goes shows that Hux is a fool. The only time Hux is allowed to be villainous in the movie is when he is prepared to take out his blaster and kill Ben. Everything else he is either an idiot or someone’s toy to be slapped around. And you expect me and the general audience to believe Hux is going to be the villain in Episode IX?

Leia is wasted as a character in The Sequel trilogy. I don’t feel there is an issue with Leia’s character outside the fact they are redoing the Rebel Alliance despite the fact the New Republic exists, but the big issue I have is that Leia is not a Jedi. Luke does train Leia in the force but they were dead set on not making Leia a Jedi.....for reasons. They don’t even do anything with Leia. Leia could have used Battle Meditation to ensure the destruction of Starkiller Base was a success. in TLJ Leia’s knocked out for half the movie. Leia is taken out 90% of the movie and it doesn’t feel like Carrie’s swan song and TLJ does absolutely nothing with Leia. Carrie Fisher is gone. The character herself does nothing to affect the plot. We all knew that Leia was strong and powerful with the force, but the way they decided to have it be shown is baffling. Instead of showing Leia using the force to send the missiles flying at Kylo’s wing men or use Battle Meditation to inspire the Resistance to fight, instead we see the most impressive, and stupid looking, display of force powers, nothing follows from that. Leia goes into a coma for most the movie and then just hangs around. Isn’t it weird that Leia, one of the most important characters in the entire franchise only sees her brother for a moment, never mentions her husband, shares no screen time with her own son and isn’t even the focus in the very rebellion she’s been fighting for her entire life. In the end, all of her loved ones are dead, her son is wants to destroy her legacy, her allies abandoned her, her soldiers were almost all killed, and due to Carrie Fisher’s passing, TLJ is her swan song and curtain call. The most iconic and empowering woman in all of cinema gets to go out as a supporting character and Mary Poppins meme.

The Force Awakens undoes everything about Han’s character arc in the original trilogy. Han starts out as a selfish smuggler who is COMPLETELY fine with letting other people die if it meant his own survival and goes through an internal and external journey to not only give a damn about his fellow person but also grow as an individual to be a hero that is willing to risk his own safety for a much larger cause than himself. And all that character development is thrown out the window. The new canon is dead set on making Han a bad father. They made it so that Han goes back to smuggling. Han learned that there is something more than smuggling and Han and Leia breaking up because their son turns to the dark side? Han would never leave Leia or abandon his child. It is simply bad writing to redo his entire arc from the original trilogy again and to make him a bad parent when it is out of his character to do so.

Han and Leia are portrayed as neglectful and bad parents. Han and Leia are two of the most selfless people in the entire Star Wars franchise. Han and Leia were two strong, kind people who helped save the galaxy. They sacrificed everything to do so. They were overjoyed when they had a son and did everything in their power to keep his happy and safe. They had left him with a droid, a babysitter briefly like any other parent would and even that didn’t last long . He wasn’t almost killed by it. Were these books only skimmed through once.? There are plenty of written evidence of Kylo with Han or Leia in his childhood. They loved him. The only reason they sent him to Luke was to help him.

The ruination of Luke Skywalker. I will never forgive how Luke was portrayed in TLJ. I will never forgive the treatment of Mark Hamill by Lucasfilm. I just cannot understand how Luke would even consider igniting his lightsaber and try to kill his own nephew in his sleep. I will never accept this. This is not Luke Skywalker. Luke ALWAYS saw the light within Anakin. Darth Vader was evil and committed atrocities for decades but he saved and redeemed his father. But he gave up on Ben because he saw Snoke’s influence on Ben and instead of helping him like Luke would actually do and what Leia wanted Luke to do, he goes with the intention of killing him but stops with the shame. But the problem is that Ben saw him with his lightsaber, what he saw was Snoke’s whispers proven right that Luke was afraid of his power and wanted him dead. Ben’s family abandoned him, but Luke would never do this. Luke Skywalker would never try to kill Ben, his nephew and his family. Darth Vader committed countless atrocities and Luke still saved his father and brought him back to the light. I will never believe that Luke would try to even ignite his lightsaber on Ben. Leia gave him her son to train, allow him to control his raw force abilities, love Ben like he were Luke’s own child and to protect him from Snoke. Even if Luke sensed the darkness in Ben, he would have talked to him and try to meditate and do anything that would help Ben. But no, instead of doing what Luke would actually do he ignites the lightsaber and it’s too late and Ben sees what Luke tried to do. Luke is ashamed and sorry, but it’s too late. We were given 3 out of context flashbacks. 2 of which were altered by the storyteller. Ironically Kylo Ren doesn’t say Luke tried to kill him because he thought he was a monster. Kylo Ren didn’t say he didn’t know why Luke was in his hut. All Kylo Ren said was Luke feared his power and he defended himself. Then he killed half of Luke’s students and burned the temple. All Luke said was that he saw death and destruction in Ben’s mind and then he ignited his lightsaber. Ben and him had an altercation, then Ben killed half of Luke’s students and burned down the temple. There is no context in what happened before that even led up to that moment. And still that scene is so frustrating. Luke Skywalker, the man who would literally die for his family, who risked the entire galaxy to save his friends and family, then again to save his father, would ever think his own student and nephew was beyond saving and deserved to die in his sleep. What’s even worse is that Luke continue’s the old ways of the Jedi, instead of reforming the Jedi Order. In Legends, Luke reformed and made the Jedi better. But instead he continued the old ways and just gave up. He is written to be broken and hollowed out by his past mistakes and painfully out of character. TFA kept on insisting he left a map behind. Lor San Tekka has it and said Luke’s return would make everything right. Han and Leia said Luke left behind the map. In TFA script “It is Luke Skywalker. Older now, white hair, bearded. He looks at Rey. A kindness in his eyes, but there’s something tortured too. He doesn’t need to ask who she is, or what she is doing here. His look says it all. Hold on Luke Skywalker’s incredible face, amazed and conflicted what he sees, as our music builds, the promise of an adventure, just the beginning” Luke looked touched at seeing Rey in TFA and Rey was on the verge of tears, finally someone to help her with the belonging she seeks. In The Last Jedi, no tears and Luke just tosses away his father’s lightsaber like it’s nothing. We are not allowed to see Luke react to Han’s death or Luke to grieve that his best friend is dead. Han was a big influence and friend it was dismissed as if he barely knew him. To quote Mark Hamill on the matter “They had time for me to milk that big alien but to show any human emotion? Nah" He does not even care that his sister’s life and the Resistance she is leading is in danger. He does not train Rey. Again, he gave up on Ben instead of trying to save him. He is sorry and regrets it, but it is too late. You might say that Yoda and Obi-Wan also gave up. But for those two, the Sith took over the galaxy, they had to go into hiding to protect and guide Luke and Leia. Obi-Wan wanted to save Leia and guide Luke. Yoda always wanted to train Leia as a Jedi and bring Anakin back to the light. He was reluctant to train Luke but he still did his duty as a Jedi Master. They did not just give up and wanted to die and they did not betray their characters at all. Luke spends most of Last Jedi on a windswept island, brooding in solemn silence and frozen by indecision. He doesn’t connect with Rey on any meaningful level, doesn’t impart wisdom or knowledge, and never reasserts himself as the powerful Jedi he once was. A brief physical duel against Rey ends with her as the undisputed victor, completely killing his deserved mythos and her potential character arc in one fell swoop. It’s clear in that moment that he has nothing to teach her, and nothing to contribute to the overall narrative. The boundless potential that seemed poised to explode at the end of The Force Awakens fizzles here but never ignites. And without any training at all, Rey defeats Luke Skywalker and Luke acts all cowardly and begs her to leave. When he goes to Crait. He does buy time for the Resistance to escape, but he is not allowed to display his power, he’s not allowed to wield his green lightsaber, he does not bring down all the AT-ATs or bring down the star destroyers. He doesn’t even show that he wants to help and save his nephew, all he’s doing is trolling his nephew. He’s not even there thus making their final confrontation ultimately pointless. He toys with Ben, but we don’t see a lightsaber fight between them. Luke Skywalker is not allowed to be Luke Skywalker. The Hero’s Journey that he was following was ignored completely and he just gave up and wanted to die. And he dies instead of reuniting with Leia properly. Mark Hamill wanted Luke to live until Episode IX where he would pass on what he learned to Rey. No big battle with Snoke, no saving his nephew and no passing on, instead Luke dies and all we’re getting is force ghost Luke. Luke Skywalker was a hero to an entire generation. Luke was the true heart of Star Wars. His was the journey we followed from idealistic farm boy dreaming of adventure, to reluctant warrior, and finally to savior of the entire galaxy. The original trilogy built him up, and The Last Jedi finally broke him down. I for one mourn my hero’s passing.

The EU handled Han, Luke and Leia’s characters far better. Let me explain why the old Star Wars EU/Legends handles and understands the characters of Han, Luke and Leia better. Han and Leia stood strong in their marriage for 3 decades despite a hostile extra Galactic invading species killing both Chewbacca and their 14 year old son Anakin, their other son Jacen becoming a Sith, him killing Luke’s wife Mara, and having to be killed by his twin, their daughter Jaina. And they both still kept up their roles as a General and Chief of State/Ambassador all the while. And Luke, bless this dude, not only fully rebuilt the Jedi Order, but in his first class of Jedi, when Kyp Durron went to the Dark Side he went out and brought him back and redeemed him. He had to deal with internal schisms in the Order about the nature of the force and the role of the Jedi and kept the peace and the order united. He lead the Jedi through a war with the Yuuzahn Vong that saw trillions die and helped end the war on diplomatic terms just like his mother Padme would have done. He dealt with the Galactic suspicion of the Jedi and even after he was personally blamed for his nephew becoming a Sith and being exiled by the Galactic Alliance he still held to his role as leader of the Jedi and his role as a father to Ben Skywalker and continued to fight for peace and against the dark side. And even after his death his Force Ghost was still working to save the Galaxy and help his descendants stay on the right paths. The nonsense we got in TFA and TLJ betrayed their characters. Even if I could understand TFA, I cannot understand TLJ. What I really wanted is in TLJ we see Han, Luke and Leia go on one last adventure together to bring Ben back home. They confront Snoke and Ben is shown that everything Snoke told him was a lie and his family loved him enough to confront Snoke. and Ben goes back to the light to help his family stop Snoke. And together we see the Skywalker family reunite. That’s what we should have gotten.

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rinskiroo · 6 years

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Nowhere is Somewhere

[AO3] [Part 2] [Masterlist]

SPOILERS SPOILERS SPOILERS

Just a small ficlet I wrote after watching The Last Jedi a second time. Rey and Poe have a conversation about Jakku. It wasn’t supposed to be shippy... but then it kind of happened. Force-sensitive Poe, if you squint, too.

“You’re lucky,” she tells him out of the blue one day. They’re standing—well, squatting—under a piece of the Falcon trying to adjust bent stabilizers.

“I’m sorry?” Poe looks over, confused. And nervous. He’s so cool, like she always imagined hot shot X-Wing pilots to be—at least, around everyone else. Around her, he’s fidgety and carefully chooses his words.

“You know exactly where you come from. Your parents. Grandparents. All their friends.” Her eyes cut across the field, where they’ve parked the old freighter, to the huts of this village that has offered them refuge. Maz was the only one to answer their call. Helped them find a place to regroup. Lick their wounds. Leia’s in one of those huts, trying to find someone—anyone—who will help.

It shouldn’t have bothered her, the words that Kylo Ren had implanted in her brain. That she was no one, came from nowhere. Was barely worth a flagon. But it did. It ate at her insides and tore a hole that never seemed to fill back up.

“I know where you come from, Rey,” he says. The words spill honestly from him.

Her eyes cut back towards him. She wants to be harsh, laugh, be sarcastic—anything but as honest as he’s being now. “Do you?”

“Yeah,” he grins. His eyes crinkle with his smile, hints of white teeth behind his lips. “You’re from Jakku.”

Of course he knows. She realizes how foolish the words were leaving her lips. He had taken the map from Jakku. Left BB-8 on Jakku. Fallen from the sky with Finn and crashed into Jakku. Been thought dead on Jakku.

Junkyard. Nowhere.

Buried in a pauper’s grave.

“Jakku’s nowhere,” she says.

“Well…” Poe shrugs his shoulders as his fingers tighten on the spanner and he goes back to over-tightening the same bolt. He’s nervous again, like he shouldn’t have said anything and just let the conversation hang. He’s probably wondering if he should do that now, or chance to continue talking. “It’s Inner Rim. So it’s not nowhere.”

“You know what I mean.”

There’s a sigh she doesn’t catch the meaning behind and he drops the spanner back into the toolbox. “That’s the last one. Should be good to go now.” He puts his hand up so as not to hit his head as he stands and maneuvers out from under the Falcon. There’s a pang of guilt as she feels as if she’s just shot him down. Clipped his wing with a blaster charge and sent him spinning into the dirt. Well, didn’t he have more important things to do anyway than fiddle around with this old ship? Surely, the honeymoon period with the ship of legend should have worn off by now.

Meals are always a communal thing. They make a large pot of something; Rey doesn’t care what it is, just enjoys that it’s warm and there’s enough to fill her belly. They sit around on these flat stone tablets and have pleasant conversations, tell jokes, old stories, count the stars. The inhabitants of this village—short, large eared creatures who speak little Basic mostly translated by Threepio. They are friendly enough and freely offer what’s left of what they have to the Resistance. They have their own stories about the stars and moons and the ancient civilizations.

Rey is fascinated. She wishes she had a great story to tell. But she scavenged junk, fought off thieves. She scraped at parts until her fingers bled in order to have barely enough food to not die. She has one story—well, two. The one about how she rescued a droid and a former storm trooper and escaped on the Millennium Falcon. And the one where she met Luke Skywalker. She doesn’t tell the story about Kylo Ren, Ben Solo, and Snoke. She told Leia. She told Finn. Everyone else only know that Snoke is dead, not the details. They’ve seen the split saber, but no one asks. Rey doesn’t mind telling her stories, but she’d rather hear everyone else’s.

“We’re talking the last great stand. The battle to end all the battles. Every. Ship. On both sides.” Poe’s standing on one of the stone tablets they use as a table. He’s got his bowl in one hand with thick stew sloshing about and a spoon in the other as he weaves the tale. “The Republic—a string of victories, a new government. The Empire—in its death throes.”

The light from the fire flicks over Dameron’s features. He’s a natural leader, ace pilot, and, in that moment, a magician with words. Rey finds herself captivated by the drama he’s reliving. She can see it clearly, as if she’s watching some holo-novella.

“We have legends: Ackbar, Rieekan, Ranz—“ There’s a dramatic pause. “Wedge karking Antilles.”

Someone whoops in the crowd. Another whistles. They love the stories of the Rebellion and Poe knows them all. He’s like his own HoloNet archive.

“We’ve even got Imperial defectors: Stramm, Kyrell, and Versio.”

Rey looks at Finn at this point in Poe’s telling of the story. He’s grinning wide at his friend. In forty years, will they tell the story of Finn the defector? She hopes people will remember him. Remember his bravery and selflessness.

“We’ve got Starhawks, Home One, the Liberty, and more X-Wings, A-Wings, and Y-Wings than I could count. Stop me if I’m lying, Snap.” Poe points with his spoon to his friend and fellow pilot.

Snap Wexley lets out an almost embarrassed chuckle as he waves the other pilot off. “Stop reminding people I was at that battle. My joints ache enough.” A woman with short blonde hair sitting next to him throws her head back and laughs loudly and punches him in the shoulder none too gently. Rey grins at their antics, their camaraderie, their love.

Poe continues listing off the names of ships, squadrons, and Generals like the damn encyclopedia he is. But it doesn’t sound like a history lesson. He’s excited; he makes his audience excited. He tells the story with gusto, passion, and with reverence.

It takes Rey a moment of listening to the enchanting tenor of his voice before she realizes she knows exactly what he’s detailing.

“An Executor, twenty Star Destroyers—“

“Twenty-five.”

Poe pauses in the middle of his recount, spoon still held aloft. Several heads turn from him to her and her small voice that cut through his rousing story.

“There were twenty-five Star Destroyers at the Battle of Jakku. Twenty-three Imperial-class and two Interdictor-class.”

The hand holding the spoon drops slightly and he grins—a cheeky sort of smile she’d only seen him give other people before. “Well, it looks like I’m not the only war history nerd here.”

“No.” She shakes her head as she takes one step at a time towards him. She doesn’t know why she has to correct him, but he’s wrong and she knows he’s wrong. People should have the facts, even if they’re dumb facts like how many dead star cruisers litter her nothing planet. “I’ve just seen them. Counted them.”

“Beebee-ate, make sure you record that.” He points his spoon like the ringleader of a circus at the droid. Like her correcting him was part of his performance. “Twenty-five Star Destroyers.”

The evening wears on and they drift off to their borrowed huts and tents and scattered sleeping rolls. Rey stares into the fire and slurps the last of the leftovers out of her bowl. Not a drop wasted.

“You knew how many Star Destroyers were at Jakku,” she says to the man fidgeting with the laces on his boot. It’s an amused sort of accusation as she recognizes he was trying to get her attention, to draw her into the spectacle.

“I was rounding.” He shrugs as he stands up, nonchalantly walks over to where she’s sitting. His hands wipe on his trousers, then rest on his hips, then dig into his pockets.

“You don’t round, General.” Rey smirks at his new title. It’s not derisive, but proud. He saved what was left of the Resistance. Led them out of the tomb to fight another day. And he doesn’t round. He’s detailed. Precise. She scoots over slightly on her stone bench next to the fire and it takes him a few shuffles of his feet before he finally takes the offered seat. Somehow, though he’s still inches from her, he’s warmer than the fire. Like he’s his own star.

She sees him. Not in a way she expected.

“The Empire fell that day,” Poe says after a moment. His elbows rest on his knees. His fingers twist together. “Fell right into the sands of Jakku.”

“Junkyard.”

“Yeah.” He can’t disagree on the point. It’s too obvious. Her whole life was sifting through garbage. The Republic left all its mess in the Jakku sands and went home to celebrate. “But it’s still an important place. Something very significant happened on Jakku.

“When I was a kid, I went on this tour of historical battle sites. We saw all the big ones: Yavin, Hoth, Endor, Naboo... and Jakku.”

“Kids?” Rey raises her brows at him, nearly to her hairline. “Tourists? On Jakku?”

“Well, not on. We just saw it from space. My point is—“ His hands reach out, nearly cover hers, but he stops himself. His eyes drift from his hands to her eyes. And he’s so honest, again. “The place you come from—I mean, not that it even really matters now—but it’s not nowhere.”

It bothers her more than it should—the shame of coming from nothing, of parents who sold her. But this man, son of heroes, of a privileged upbringing, telling her she should be proud of where she came from. She sees the kindness in his attempt and she offers him a small smile. “Do you think when they tell stories about us, they’ll call me ‘Rey from Jakku’?”

Poe’s quiet for a second, like he’s turning over the thought in his head, thinking about his words far too carefully. He looks at her again, a sincerity in his dark brown eyes. Different from the looks she’s gotten from other people. It’s wholly unnerving but at the same time ensnaring. “I think they’ll call you whatever you want them to. Whether it’s Rey from Jakku, or Jedi, or Porg Herder.”

“Oh, please, no.” She laughs, a bit harder than she intended. Her hand covers her mouth and nose as an unattractive snort exits her nostril. Poe laughs then, too, and whatever odd moment that had caused the air to still dissipates with the smoke.

“If I had not been on Jakku,” Rey says slowly as she wipes a tear of laughter from the corner of her eye. She plays into this conversation that Jakku isn’t entirely worthless, even if she still doesn’t believe it. “I would not have learned how to survive.”

“A very important skill.”

Rey laughs again at his obvious quip. “Or all about ships and how they work and how to speak to droids.”

“Sometimes I like talking to droids more than people.”

“Are you just going to interrupt me through this entire admission that, while my upbringing was cruel and horrible, it did seem to serve a purpose?”

Poe holds up his hands in defeat and doesn’t say another word.

“And I never would have found Beebee-ate, or Finn. Or you.” She gives him a look that she hopes matches the one he gave her. Something that’s open and honest and tells him that she appreciates what he did for her today.

Poe’s hand hovers over hers again and she wonders why he hesitates. She makes the decision for him and presses the top of her hand into his palm. It’s as warm as she imagined; calloused, and yet, with a softness.

“I wish you could have had a better start, Rey,” he says before he swallows thickly, the words rumbling around in his chest. “But you’re here, now, with us.”

She understands his meaning, though he seems to have a hard time putting it into so many words. They’re all family here. Not just Poe and Leia because she knew him when he was a boy, was friends with his parents. Or Snap and Karé because they’re married. But every one of them. She may have fallen into this rebellion accidentally, or maybe the Force pushed her a bit, but she’ll keep them. They’re hers now.

When they get to their feet to finally turn in for the night, Rey wraps her arms around Poe. She feels him stiffen against her touch, unsure. She plants her cheek on his shoulder and squeezes him close. It takes a second, but he seems to remember what to do in this sort of situation and embraces her back. His warm hand is in her hair and there’s a long, slow breath from both of them.

“Thank you, Poe.”

#star wars #the last jedi #poe dameron #rey #damerey #jedipilot #what even is this ship tag #fanfiction #tlj spoilers

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dargeereads · 3 years

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COMPLICATE is live! Deliver series is complete.

The heart-pounding conclusion of the DELIVER series.

Cole Hartman is a mystery. He works alone, sleeps alone, and satisfies his aches…alone. He hasn't touched a woman in seven years. No one will ever compare to the one who broke his heart. Until he stares into the seductive eyes of his enemy. He finally meets his match in the redheaded Russian spy. But she's a dangerous risk. His obsession with her leaves him only one choice.

If you love something, let it go. If it doesn't kill you, hunt it down and take it.

This is Cole Hartman's story. But it's not his beginning. The twisted, heartwrenching story of Cole, Danni, and Trace starts in the TANGLED LIES trilogy.

You don't have to read TANGLED LIES, but if you want to read it, do so before reading this book.

RECOMMENDED READING ORDER

ONE IS A PROMISE (FREE) TWO IS A LIE THREE IS A WAR DELIVER (#1) (FREE) VANQUISH (#2) DISCLAIM (#3) DEVASTATE (#4) TAKE (#5) MANIPULATE (#6) UNSHACKLE (#7) DOMINATE (#8) COMPLICATE (#9)

Start Reading ONE IS A PROMISE for Free

Start Reading DELIVER for Free

Each book in the DELIVER series is a different couple (HEAs / no cliff-hangers), but they must be read in order.

ONE IS A PROMISE - FREE

One promise. One forever.

One look and I knew Cole was mine. My dark rebel in leather. My powerhouse of passion, devastating smiles, and impulsiveness. When his job sends him overseas, he promises to return to me. A promise that's destroyed in the most irrevocable way.

Two years later, an arrogant suit invades my heartbroken loneliness.

Clean-cut and stern, Trace is everything Cole wasn't. At first, he's a job that will rescue my dance company. But as he intrudes on my life, our hostile relationship evolves. He knows I'm still in love with Cole, but his dedication is my undoing.

Then a catastrophic moment changes everything.

Promises resurface. Lies entangle. And an impossible choice shatters my world.

I love two men, and I can only have one.

TWO IS A LIE

Two lies. Two men who don’t share.

I never stopped loving Cole. Not when he left me. Not when he disappeared for three years. Not when he crashed back into my life in a violent explosion of testosterone and fury. His sudden reappearance questions everything I thought I knew, including how I came to love another man.

Trace is an intoxicating breeze of seduction over ice. My rock. My second chance at forever. And he’s committed to annihilating the competition.

The battle that ensues wrenches me back and forth between them. Fighting and f*cking. Resisting and submitting.

Together, they entangle me in a web of lies, rivalry, and desire that weaves as deeply as their devotion to me.

I love two men, and if I can only have one, I choose none.

THREE IS A WAR

Three means war. Three sides vying for forever.

Cole. My first love. The bad boy with the dangerous smile and passionate temper draws attention like a lit fuse on dynamite. But his dark molten eyes spark only for me.

Trace. My second chance. Over six feet of Norse god in a tailored suit, he calculates every move and seizes my hungry breaths with an iron fist.

Me. The free-spirited dancer, torn between two men with no resolution in sight. I tried leaving, staying, refusing, and surrendering. What options do I have left?

I love two men, and I do the only thing I can. I fight.

DELIVER, Book 1 - FREE

His name was Joshua Carter. Now it’s whatever she wants it to be.

She is a Deliverer.

She lures young men and delivers them to be sold. She delivers the strikes that enforce their obedience. She delivers the sexual training that determines their purchase price.

As long as she delivers, the arrangement that protects her family will hold.

Delivering is all she knows.

The one thing she can’t deliver is a captive from slavery.

Until him.

And her stubborn slave thinks he can deliver her…from herself.

VANQUISH, Book 2

Her life is like a prison cell. A self-made, to-hell-with-the-free-world existence that locks from the inside. Stop judging. Her agoraphobia doesn’t define her. It simply keeps her safe.

He belongs in a prison cell. The 6x8, make-me-your-bitch variety that locks from the outside. But he’s free. To hunt. To take. To break. And he just found a sexy new toy.

Capturing her is the easy part. Her fucked-up mind, however, makes him question everything he does next. But he’s a determined bastard. If all goes his way, this will hurt like hell.

DISCLAIM, Book 3

Camila was seventeen when Van Quiso kidnapped her. Ten years after her escape, the shackles refuse to release her. Not while there are still slave traders preying on her city. She will stop at nothing to end them. Even if that means becoming a slave again.

Returning to chains is her worst fear—and only option. They won’t know who she is or what she intends to do. She’s prepared for every complication. Except him. The one who decimated her sixteen-year-old heart.

Matias is charming, gorgeous, and dangerously seductive. He’s also untrustworthy and enshrouded in secrets. After years of no contact, he finds her—on her knees, wrists bound, in the clutches of her enemy. Will he sabotage her mission by needlessly saving her? Or will he keep her in chains and never let her go?

DEVASTATE, Book 4

“What is the price you’re willing to pay?” “Money isn’t an issue.” “I’m not talking about money.”

Tate is on the hunt to find his best friend’s sister. Eleven years ago, Lucia Dias was abducted. Presumed dead. He never met her, so why does he care? Some might call his efforts noble, but his motivation is more perverse, bordering on obsession.

When he follows a chilling lead to Venezuela’s Kidnap Alley, what he finds is neither a corpse nor a captive.

Amid poisonous lies and crippling depravity, the price of love is devastation. And he pays. With his body, his blood, and her life.

TAKE, Book 5

He’s a notorious crime lord, a kidnapper, and an artist. Scarification is his outlet, and he just captured a new canvas. Kate refuses to surrender beneath his blade or the cruelty in his beautiful eyes. But she’s drawn to the man inside the monster. A man who makes her ache with his touch. Who owns her with his kiss. A man who worships her as deeply as he hurts her. She can run, but there’s no escape from a bond carved in scars.

MANIPULATE, Book 6

Tula Gomez is in the most ruthless prison in Latin America.

She only drove to Mexico to help her sister. She did nothing wrong. But her quiet life changed in an instant.

To survive the violent, cartel-controlled prison where men blend with women, she pledges her loyalty to the notorious leader in exchange for the one thing she needs most. Protection.

When she agrees to seduce the suspicious new inmates, Martin Lockwood and Ricky Saldivar, she doesn’t expect to enjoy it. Sure, they’re gorgeous, irresistibly alpha, and insanely talented with their hands and mouths. But they’re the enemy. She can’t fall for them.

Torn between her cartel loyalties and two men who want her as deeply as they want each other, she questions who is manipulating whom. Her search for answers leads to a passionate ménage, a soul-crushing secret, and an impossible choice.

UNSHACKLE, Book 7

No woman can resist Luke Sanch’s chiseled features, honed physique, auburn hair, and intense green eyes. While deadly in combat, he’s an indomitable weapon in bed. He can coax an explosive release with only his mouth and annihilate with insidious, mind-blowing pleasure. When he infiltrates La Rocha Cartel, he must seduce Vera Gomez to determine whether to rescue her. Or kill her. Nothing can distract his icy, lethal focus. Except the cartel’s most feral captive. The nameless, raven-haired beauty is his key to dismantling Vera Gomez. But the ferocious little fighter challenges him at every turn and unknowingly battles her way into his heart. A battle that delivers him, physically and emotionally, into shackles.

DOMINATE, Book 8

There are many reasons to jump off a bridge, but Rylee Sutton only needs one. Her husband’s betrayal. Just before she leaps, she receives an email from a stranger. The boy’s message is meant for his dead girlfriend, but his anguish speaks to Rylee. It saves her life.

Over the next decade, Tomas Dine continues to email his dead girl. As he evolves from a teenager into a hardened, vicious criminal, Rylee is there, reading every intimate word. He doesn’t know she exists.

When she comes forward, he despises her, his cruelty unforgivable. But she doesn’t back down. In a carnal battle of punishment and passion, hatred dominates. Until he loses her. Amid looming danger and unsolved murders rises a devotion forged in strife. Love is lethal in his ruthless world. To survive it, they must fight for answers—and each other.

COMPLICATE, Book 9

The heart-pounding conclusion of the DELIVER series.

Cole Hartman is a mystery. He works alone, sleeps alone, and satisfies his aches...alone. He hasn't touched a woman in seven years. No one will ever compare to the one who broke his heart. Until he stares into the seductive eyes of his enemy. He finally meets his match in the redheaded Russian spy. But she's a dangerous risk. His obsession with her leaves him only one choice.

If you love something, let it go. If it doesn't kill you, hunt it down and take it.

AUDIOBOOKS

ONE IS A PROMISE: Audible | Narrated by Lisa Zimmerman TWO IS A LIE: Audible | Narrated by Lisa Zimmerman THREE IS A WAR: Audible | Narrated by Lisa Zimmerman DELIVER #1: Audible | Narrated by Teddy Hamilton and Abby Crayden VANQUISH #2: Audible | Narrated by Ryan West and Jo Raylan DISCLAIM #3: Audible | Narrated by Christian Fox and Emma Wilder DEVASTATE #4: Audible | Narrated by J.F. Harding and Tracy Marks TAKE #5: Audible | Narrated by Soren Gray and Kate Genevieve MANIPULATE #6: Audible | Narrated by Christian Fox, Aiden Snow, and Lila Summers UNSHACKLE #7: Audible | Narrated by J. Tipstone and Lacy Laurel DOMINATE #8: Audible | Narrated by Matthew Holland and Samantha Summers COMPLICATE #9: Coming April 13 | Narrated by Joe Arden and Lisa Zimmerman

PAM GODWIN

New York Times, Wall Street Journal, and USA Today Bestselling author, Pam Godwin, lives in the Midwest with her husband, their two children, and a foulmouthed parrot. When she ran away, she traveled fourteen countries across five continents, attended three universities, and married the vocalist of her favorite rock band.

Java, tobacco, and dark romance novels are her favorite indulgences, and might be considered more unhealthy than her aversion to sleeping, eating meat, and dolls with blinking eyes.

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BOOKS BY PAM GODWIN

Trails of Sin Series KNOTTED (#1) - FREE BUCKLED (#2) BOOTED (#3)

Tangled Lies Series ONE IS A PROMISE (#1) - FREE TWO IS A LIE (#2) THREE IS A WAR (#3)

Deliver Series DELIVER (#1) - FREE VANQUISH (#2) DISCLAIM (#3) DEVASTATE (#4) TAKE (#5) MANIPULATE (#6) UNSHACKLE (#7) DOMINATE (#8) COMPLICATE (#9)

Trilogy of Eve HEART OF EVE - FREE DEAD OF EVE (#1) BLOOD OF EVE (#2) DAWN OF EVE (#3)

Stand-alones DARK NOTES BENEATH THE BURN DIRTY TIES INCENTIVE SEA OF RUIN KING OF LIBERTINES - FREE

#Pam Godwin #Complicate #Deliver series

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thesffcorner · 4 years

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The Mandalorian: Season 1

The Mandolorian is an 8 episode series on Disney+, written and produced by John Favreau. It stars Pedro Pascal as the titular Mandolorian who I will be referring to as his actual name, Din Djarin for the rest of this review, rather than the fan-name Mando.

Djarin is a bounty hunter, working for the Guild in the early days of the New Republic. His story starts as he takes on an under the table job to retrieve a package; however as things tend to go in this situation neither the package nor the people who are after it are what they seem, and Djarin must decide if it’s worth risking his life and reputation to protect it.

Before the show aired, I wasn’t very interested in seeing it; I hadn’t seen any trailers or buzz and I was still under the impression that it would follow Bobba Fett. Seeing the first episode I wasn’t sold on it either; I was disappointed that we were not following Fett, and that we were stationed after the events of ROTJ. However, I pushed through, and my opinions evolved significantly over the course of the show’s 8 episodes.

Overall, I enjoyed the show. There were some issues, and I can definitely see areas where Favreau can improve for next season, but I think season 1 was a solid starting point. My main complaint is that the season was too short, and even at 8 episodes, it still felt like it spent a lot of time on unnecessary filler. We’ll talk more about this, and other specific issues in the episode breakdown, but if you just want my opinion on if you should see it or not with no spoilers it’s this: If you like the Clone Wars, Rebels or the Solo film, you will like this. If you don’t, you probably won’t. Take that as you will.

So let’s get into this episodes, and I’ll end with some general thoughts and desires for season 2.

Episode 1: The Mandalorian

This episode is written by John Favreau and directed by Dave Filloni, the show-runner for my personal favorite Star Wars series, Star Wars Rebels.

We start with Djarin looking for more work from his Guild leader, Greef Karga, who offers him an extremely well paid, unsanctioned job, to track down a valuable package for some former Imperials. The man, just called the Client, strongly hints that he wants the package dead, and in return he is paying in Beskar, metal important to the Mandalorians.

The package is located on Arvala 7 (yes, I did look that up), and Djarin gets some help on his way, from a vapor farmer named Kuili, and another contractor, assassination droid IG-11. Djarin ends up shooting IG, after the droid attempts to kill the package, which turns out to be a child, the same race as or very loved Yoda.

If you have seen Rebels, than I think you will be very familiar with Filloni’s direction and style; unfortunately, for me this felt like one of the weaker episodes in Rebels. Even when Rebels was great, it suffered from an uneven tone; it could never quite decide if it was a kids or adult show, and as such the tone could fluctuate between really dumb and cringey comedy to serious and violent death in the span of a few minutes.

This is no different; there is some goofy humor, some characters that straddle the line between funny and annoying, but also some darkness, and good, subtle characterization.

The biggest issue this episode has (and it’s an issue the entire show never overcomes) is the pacing. It’s at once very slow, meticulously showing the loneliness and drudgery of being a bounty hunter and extremely fast, covering important character development and plot points in single montage.

Perhaps this is a flaw of Filloni, because what works in animation, doesn’t always work in live action. In Rebels, we could tolerate characters like Honda, we could swallow that characters teleport around and solve season ending issues in a conversation. Live action has a lot more constraints, suspension of disbelief is easier to break, so having character relationships develop at unnaturally fast paces or condensing what should be days if not weeks in a single 30 sec montage is a bit much.

I don’t want to make it sound like Filloni is a terrible director and this is some insurmountable flaw; Star Wars as a rule tends to not do well in developing its characters. Ever since a New Hope, where Luke was more distressed at Obi Wan dying, than his own aunt and uncle, or Leia losing her entire planet, the franchise has glossed over really important bits of storytelling (ahem, somehow Palpatine has returned).There is nothing as drastic in this episode, but it was still frustrating to have the first half of the episode so meticulously follow Djarin capturing the bounty and taking the job, and having the important parts like deciding to save the child or befriending Kuili take up 5 minutes.

On the positives, in a short time we get a really good idea of what kind of person we are following; Djarin is impatient, headstrong, a loner, someone who is very honorable, but doesn’t like showing it. We also get a good sense of the villain; Werner Herzog as the Client is a mix of a staunch and imperial like Tarkin, while also being fascinated by cultures like Thrawn.

An ok start the show, but definitely one of the weaker episodes in the season.

Episode 2: The Child

Episode 2 is written by John Favreau and directed by Rick Famuyiwa. After rescuing the child from the compound, Djarin finds his ship being stripped for parts by the Jawa. He goes after them, but when he manages to get to the top of their ship he gets blasted away. He has a dream about the day his parents died, and is rescued again by Kuili who offers to help him get his parts back. To do so, he must steal an egg from a mudhorn, and almost dies, except the child, using the force creates enough of an opening for Djarin to finish the animal off.

This episode is a vast improvement over episode 1; it has more action, more character development, more intrigue and a much more even pace. It’s still a slow episode, and we don’t learn much about any of the characters, but enough of what happens kept me engaged and interested.

However, this was the first episode where I noticed a bit of an issue with Dij Djarin’s characterization, an issue the show never really resolves.

I think, Pedro Pascal is too old to be playing Djarin. Alternatively, the writing of Djarin doesn’t match the age and gravitas of Pascal. Let me explain.

In episode 1 we learn that Djarin is impatient. This is fine. What is less fine is for Djarin to be brash and impatient enough to think he can a) take on an entire moving castle of Jawa by himself, b) threaten and shoot at the Jawa who already beat him once, c) tret the Jawa like pests even though Kuili and the Jawa themselves already demonstrated that they are intelligent and perfectly capable of negotiating.

These are not the actions of a man in his 40’s who is impatient; this comes off as someone who is too big for his birches, someone young and inexperienced and full of prejudice. A Luke Skywalker or Ezra Bridger, not Pedro Pascal at the same age as Qui Gon Jinn. It’s fine that Djarin is close minded and biased against Imperials and droids; it doesn’t make any sense that an experienced Mandlorin bounty hunter could speak Jawa and yet somehow not know anything about them.

This gets worse in the next episode where the other Mandalorians pick on Djarin and treat him like this young man who got lucky to be paid instead of an experienced warrior of decades. Even the Armorer treats him like a newbie; he doesn’t have a signet, he doesn’t have a jet-pack, and yet he’s in his mid 40’s!

Again, this isn’t just a problem of Favreau; he tends to write immature men after all, seeing as his biggest success to date is Tony Stark. It was also a problem in the prequels where I constantly got the sense that Ewan McGregor was playing a very different character from the one Lucas had written and Sir Alex Guinness portrayed. I just wish we would have gotten more reasons for why Djarin acts so inconsistently and why he’s only impatient and inconsiderate when the plot needs him to be.

The rest of the episode is fine. I liked the dynamic between him and Kuili; Kuili himself is great character, a world weary man who has worked a lifetime for his freedom and has a deep understanding of the value of life, peace and even money. I honestly wish he was in the show more; the best scenes are the ones of him and Djarin interacting. The child was also adorable; trying to heal Djarin, protecting him from the mudhorn. It was a slow build to Djarin increasingly caring more and more about it, even though he has no idea what he’s doing.

A vast improvement over episode one, even though it’s not perfect.

Episode 3: The Sin

Episode 3 is written by John Favreau and directed by Deborah Chow. Djarin returns to Navaro and hands the child to the Imperials, getting a full payment of Beskar for his troubles. He asks what is to happen to the child, which is a violation of the Guild’s rules, and draws the suspicion of Karga and all the other bounty hunters. Djarin gets a new set of armour from the Armourer, as well as a new job from Karga. However he can’t make himself leave, and he returns to rescue the child just in time, as it is being experimented on. Every bounty hunter in Navaro attacks him, but the Tribe of Mandalorians come to his aid, and he shoots Karga before getting away.

This is probably my second favorite episode of the show; it was the point where things finally clicked and I got an idea of what the stakes and the story would be. It’s a little unfortunate that it took 3 episodes for that to happen, but it’s better late than never.

This episode brought in some more mystery about the child; we still know nothing about what it is or where it came from, other than it being around 50 years old. The Client very clearly wants the child dead, while Dr. Pershing, the collaborator wants it alive for some kind of experiment. The child really isn’t the focus in this story, even if it is what everyone wants and around which the plot revolves; the real focus is Djarin’s evolving relationship to the child and himself.

I think this was the best development Djarin got in the season (outside of the finale); we see his slow bonding to the child, feeling guilty and upset over handing it over. His relationship to the child mirrors his own past; he was a founding, the Mandalorians saved him from the Great Purge, and he already has a history of caring for foundlings, making sure all of his extra Beskar is given to them, and essentially following the Way so he can help more foundlings. Him giving the child away is a direct betrayal to his own sense of self, even if he is a loner who has no idea how to take care of another being, let alone a baby.

We learn too, in the scene I mentioned before that Djarin is an outsider even among the other Mandalorians. He isn’t liked or respected; he is made fun of and challenged by others who consider him a traitor or weak. Whether this is because he’s a foundling and thereby not a ‘true’ Mandalorian (which doesn’t really make much sense considering what we find out later) or his vocation/personality, it clearly affects him enough to act and live the way he does. His constant pretending that he is heartless is challenged both by Kuili and especially by the child, for which he’s willing to risk his life and the secrecy of the Tribe.

This is all basic stuff; none of this is groundbreaking, but it was still nice to see Djarin evolve as a character. If there is one theme in this show it’s fatherhood and community; Djarin needs people around him, he needs a clan, and this episode is the first step for him to accept that.

The rest of the episode was great; it had a nice pace, it was full of tension, I liked the Armourer who gets a bit more personality as well as Greef Karga, who I have a soft spot for, even if he betrays Djarin twice in this episode. The action scenes were well shot and choreographed, I loved the Mandalorians at the end and overall it’s a big step up from the previous 2 episodes, and definitely one of the better ones in the season.

Episode 4: Sanctuary

Episode 4 is written by John Favreau and directed by Bryce Dallas Howard. It’s also my favorite episode in the show.

In an attempt to get some heat off of him after Navaro, Djarin lands on Sorgan, a sparsely populated forest planet. He runs into an ex-rebel shocktrooper, Cara Dune, and gets approached by 2 farmers who need help in dealing with a gang of Klatoonian raiders. What the farmers neglect to mention is that the raiders have an AT-ST fighter, and Cara and Djarin have to quickly train the farmers to learn how to fight the raiders. After freeing the village, Djarin contemplates leaving the child with Omera, whom he has some chemistry with, but a bounty hunter tracking the child arrives and tries to murder it, at the last moment stopped by Cara. Realizing that as long as the Client is hiring bounty hunters, the child will never be safe, Djarin leaves the planet.

I love this episode; it’s the perfect mix of humor and serious action, it has excellent character writing and pacing and it’s a complete story. It’s up there with some of the best Rebels and Clone Wars episodes and I wish the rest of the series was of this calibre.

One issue that I haven’t yet mentioned, was that many people didn’t like that in episodes 1-3, the only female speaking roles was the Armourer, and there were few to no female characters even as extras in the background. I could somewhat excuse that in 1 and 2, since a lot of those episodes were following Djarin alone in deserts and caves, but in 3 I was starting to get annoyed too. The Armourer is cool and important as a character, but she is a tertiary supporting character at best. So it took 4 episodes to get some women in this show, and thank god they are all great.

Cara Dune is absolutely flawless; I loved that she was a rebel shocktrooper, I loved her relationship with Djarin and sparring partners and quick friends who shared a lot of experiences by virtue of living through the war. She is competent, looks powerful, is noble and stoic while still having a lot of personality in her limited dialogue. It takes her no time to start making fun of Djarin’s dumb decisions, and I love that for her.

Omera is the opposite; she is quiet, kind and secretive. She has a lot of knowledge and understanding and clearly has a past involving trauma, but we never have to see it; it’s her acting and dialogue that captures it perfectly. She is intuitive, picks up on Djarin’s insecurities and worries about the child and his choices, and the chemistry between them felt natural, even if they don’t spend a lot of time together.

Unfortunately, this episode also starts my second big problem with Djarin, which I’ll call, wait were Mandalorians always like this?

First off, I had no idea Mandalorians can’t take their helmet off. The characters in both Rebels and Clone Wars take their helmets off all the time, especially when they are around family and friends; they only really keep them on when in battle or around enemies. Even in the prequels Jango takes the helmet off.

At first I thought they aren’t supposed to let anyone take the helmet off, as in without their consent like in battle. That’s when they get disgraced and can never put it back on. But no, apparently it’s ever, under any circumstances. Really? Like they can never let their loved ones see their face? How does that make any sense?

I saw people comparing the helmets to head scarves, like hijabs or nqabs, but people can take those off you know? When women are at home, and in front of their partners and families and female friends. They don’t wear the scarves forever, even at their own house!

Which makes me wonder, do Mandalorians not have partners or kids? Even if we follow the stupid retcon (which we’ll talk about) from this show, and Mandalore isn’t a people but a creed, that would imply that all the Mandalorians are foundlings. But if that’s true, than why is Djarin treated like an outsider, and so insistent on helping the foundlings if all Mandalorians are foundlings? And even if that’s the case, there’s no mention of Mandalorians being like Jedi, and being banned from having partners and children.

If they can have partners and children how does that work? Outside of the obvious, how do you have sex in armour (unless it’s just the helmet and the rest of the armour is irrelevant), do their partners and kids never see their face? Or is it that once you find a partner you take the helmet off and never put it back on? Or do not all Mandalorians follow the Way and the ones who don’t are the ones who marry and have kids?

None of that makes ANY sense, and I hope that they explain it at least a little in season 2, because as is, it’s not only dumb, but it also contradicts everything we know about Mandalorians from other Star Wars properties.

Outside of that, everything else this episode was great. The action was fun, the dialogue was funny, I liked the training montage, I liked Cara and Djarin’s fight, I liked the child being a child, the conclusion to the story, everything. It’s the best episode of the season, and unfortunately, only the season finale comes close to it.

Episode 5: The Gunslinger

Episode 5 is written and directed by Dave Filoni. While leaving Sorgan, Djarin is attacked by a bounty hunter and during their battle, Djarin’s ship gets damaged. He’s forced to make a pit-stop on Tatooine, where he leaves his ship for repairs with Peli Moto. To pay for the repairs he takes a job with Toro Calican, an aspiring bounty hunter who is tracking Fennec Shard, a notorious assassin. If he catches her he can enter the Guild and Djarin can keep all the money. However, things aren’t ever easy, especially after Toro learns that Djarin and the child are worth a lot more to the Guild than Fennec herself.

This episode is about the same quality as episode 1, but it suffers from a different kind of issues. The pacing is much better, and there is some actual tension while Toro and Djarin try to find and catch Fennec. However, after everything in 3 and 4 this feels like pure and simple filler. In an 8 episode season, that’s inexcusable. Making a pitstop on Tatooine accomplishes nothing, it’s just fan-service; there isn’t even character development for Djarin; he ends the episode exactly as he started it.

Fennec Shard is a waste of character and a waste of Ming Na Wen. The marketing for this show made it seem like she would play this massive, important role, but all she does here is shoot at Djarin, get her ass kicked, make an incredible rookie mistake in telling Toro all she knows about Djarin and then gets killed. Even if she’s not dead by the time season 2 rolls around, nothing about her character interests me; for a super assassin who worked for the biggest criminal guilds in the galaxy, she gets taken down by a rookie bounty hunter who can’t shoot straight.

Toro likewise was a wasted character. In a way I see what Filoni was maybe trying to do with him; if Djarin had treated him better and with a little more respect, Toro wouldn’t have turned on him, except the way it came off is that Djarin was right to treat him like shit, because Toro betrayed him when he realized he could use Djarin to get into the Guild. So what was the point?

Peli was adorable and actually had the strongest character arc in that she started the show with wanting to charge Djarin extra for the child, only to fall in love with it by the end, and treat it like her own baby. It was cute and funny, but it wasn’t worth a whole episode. If this was an episode in a longer series I’d have no issue with it; as is it just broke the flow of the show and achieved nothing.

Episode 6: The Prisoner

Episode 6 is written by Chris Yost and Rick Famuyiva and directed by Rick Famuyiva. It’s also my least favorite episode of the season.

Needing credits, Djarin accepts a job with a former crew mate, Ran, who wants him, a former Imperial sharpshooter Mayfield, brawler Burg, droid pilot Q9-0 (Zeroes) and his ex-girlfriend Xian to break a prisoner out of a New Republic droid-manned prison transport. Tensions in the crew are high, and escalate after Xian ends up killing a human pilot on board the transport who activates a New Republic beacon. The crew trap Djarin in the prisoner’s cell (the prisoner being Xian’s brother Qin, who Djarin helped put in jail), and Djarin takes the crew members out one by one, until it’s just him and Qin. He gets Qin back to Ren and as Qin is about to go after him, New Republic X-Wings, following the beacon Djarin placed on Qin arrive and destroy the station.

I can see what this episode is going for; it’s a Cowboy Bebop style, space western, and again, in theory, there’s nothing wrong with Djarin joining his old crew for a job and things going south. It could have been a character building moment, to see how far Djarin has come, from associating with dishonest killers and thieves, to hunting bounties for the New Republic. But even more than the previous episode, this one is filler, and it’s made worse by some truly bizarre casting choices and dialogue, as well as a bewildering ‘twist’ at the end.

Let’s start with the twist. Why would Ren PAY Djarin, let him leave, THEN send Qin after him? It’s not a Guild job, clearly, seeing as Djarin has been barred from the Guild and they are breaking into a freaking New Republic prison, so why wouldn’t they just… shot him as he’s on the platform and let his body fall into space? Answer? Because I guess it looked cooler this way.

Second, the crew. God I found most of these people insufferable. Mayfield was a cartoon character; he kept wildly flip flopping between bad-ass villain and incompetent comic relief, and I couldn’t tell if his goading of Djarin to take off his helmet was supposed to sound like he was hitting on Djarin, or they just didn’t realize it? It reminded me of John Cena’s character in Trainwreck, and I don’t think it was supposed to be a callback.

Then we have Zeroes and Burg who are completely nondescript bad guys (although considering how bad of a pilot Djarin is I was glad to see some good piloting for a change). Xian was a can of worms I’m not sure I even want to unpack. First, why give her and Qin Chinese names, but have white actors play them? Second when are we going to stop with the all Twi’leks are sexualized perverts/slaves/are completely insane? I thought the whole point of Disney taking over the SWU was to eliminate this kind of racist and sexist shit, and yet here I am again, in 2019 forced to watch this horribly written fetish-fulfillment on my TV.

I hated Xian as a character more than I’ve hated anything else in a while, and that’s saying something, because I’ve seen TLJ.

There were some good bits in this episode; the child hiding around the ship from Zeroes, and thinking he killed him with the force; Djarin asking the pilot for his name and trying to diffuse the situation; thinking to put the tracker on Qin. Even the concept itself was good, and I wouldn’t mind the same episode just with characters that are actually interesting, instead of all these insufferable stereotypes. The show really drops the ball with these 2 episodes, so I was honestly glad I only had the finale left.

Episode 7: Reckoning

Episode 7 is written by John Favreau and directed by Deborah Chow. Djarin gets a message from Greef who has survived their last encounter; he wants the Client gone so the Imperials who have taken over Navaro leave, and Djarin wants the bounty hunters to stop coming after him, so he accepts, and recruits Cara and Kuili to help. Kuili insist on bringing along the reprogrammed IG-11, who is now a nurse droid.

The group meets Greef and two bounty hunters and as they head back to the town, they get attacked by Mynocks. The child heals a wounded Greef, and he kills the two bounty hunters, who were there to help him betray Djarin. They devise a plan; Cara is to pretend she captured Djarin and the child, while Kuili takes the child back to the Djarin’s ship and barricades himself inside. Unfortunately, the Imperials sense the betrayal, Kuili is killed and the child taken, just as Moff Gideon arrives with a platoon of death troopers and kills everyone inside the compound including the Client.

I liked this episode though it is a bit uneven. The first half is spent with Djarin recruiting Cara and Kuili, while the latter is a rather tense standoff with the Client and subsequently Gideon. I liked that we got Cara and Kuili back, enjoyed the tension between Kuili who used to build Imperial weapons and Cara who fought for the Resistance.

What I didn’t like so much was the child randomly being jealous of Cara? Like he tries to crash the ship when she and Djarin are bonding over weapons, and then tries to choke her?

This is sort of a bigger problem for the show. We are 7 episodes in and we still know nothing about the child; we don’t know it’s species, why it is force sensitive, why the Imperials are after it, or even why it seems to randomly switch personalities. My further question is who exactly are the people after him? By this time, the First Order should already exist, especially if this takes place after the battle of Aquila, so is the Client First Order? Or Palpatine’s goon? Unaffiliated?

There is an extended montage that shows how Kuili reprogrammed and taught IG to be a nurse droid which was sweet, but wasn’t really necessary; I find it funny that this montage is longer than both the training section in ep. 4 and Djarin learning to ride in ep. 1.

The ending was appropriately a cliffhanger and I hate that they ended up killing Kuili’s character off; it was clear it would happen, especially after his fight with Cara, but it still sucks that they did it. I also didn’t like that they wasted the Client; he could have been a really interesting villain and Herzog is an excellent actor, but they never gave him a chance to do anything.

An objectively good episode, but not my favorite. I felt that more time could have been spent on building up Moff Gideon and the Client than Mynock attacks and training montages.

Episode 8: Redemption

Episode 8 is written by John Favreau and directed by Taika Waititi. After being captured by stormtroopers waiting for the order to bring the child into town, IG rescues it and shoots up Moff Gideon’s platoon. Gideon in return threatens the group to surrender, calling each member by name, which shocks Djarin because the only people who know his name would have died or at least been on his home planet during the Great Purge.

Gideon injures Djarin who tells the others to use the underground tunnels to get help and/or escape. IG stays with him, convincing him to remove his helmet to administer bacta to his head injury. In the tunnels the group finds the Armourer alone, as all other Mandalorians have been killed or escaped and she gives Djarin a jet-pack and his signet; a clan of two. She ordains the child a foundling and in accordance with the Way makes Djarin responsible for keeping it safe and returning it to its people.

The group uses an underground lava river to escape, and IG self-destructs to take out the ambushing stormtroopers. Gideon attacks them in his TIE fighter, and using the jet-pack Djarin manages to knock him down. The group says farewell, with Cara staying behind with Greef to help rebuild Navaro, while Djarin and the child leave. Gideon, having survived the crash uses the Darksaber to cut himself out of the fallen TIE and the season ends.

This is my second favorite episode behind Sanctuary; it’s action packed, tense and full of Waititi’s recognizable humor. The opening scene alone had me in stitches; that is by far the best use of stormtroopers in any Star Wars media, outside of that First Order SNL skit with Adam Driver.

We learn a decent amount in this episode; first that the Empire still has pockets of powerful followers, that Gideon and Djarin have some kind of past, that Gideon wants the child and most importantly that he has darksaber. How he has it we don’t know; he either took it from Kryze or is himself a Mandalorian.

Now, we get to the second wait, were Mandalorians always like this? I thought that the Mandalorians were a warrior race, but according to Waititi, they are a creed. This… doesn’t make sense. Why was there a civil war between the different clans? Why are there foundlings and not? How does one become a member of this creed, do you have to be a foundling? Or do you just have to follow the Way? Do all Mandalorians follow the Way? If anyone can be a Mandalorian if they follow the Way, then why can’t the child? I didn’t realize the foundlings also have to be Spartan-strong or else they don’t count.

Then we get to the helmet thing. Now, no LIVING being can see their face, so this confirms that not even their partner and children can see their face. WHY? What purpose does this serve? Why make it this dramatically ridiculous? I guess cause they liked the line ‘I’m not a living being’.

Waititi really enjoys taking established properties and spinning them on their head; in Thor Asgard was no longer a place, but a people, here Mandalorians aren’t a race they are the followers of a creed. But that doesn’t make sense if this creed has no rules or hs arbitrary rules that keep changing.

The rest of the episode was fine. Jrin completes his arc, but getting attached too IG, enough to be sad when IG self-destructs. I liked how insistent Cara was in saving him; a very soldier thing to do, and in general their friendship is excellent. I really hope this isn’t the last we see of her. The humor was also excellent, as it always is with Waititi and it was a good way to end the season.

Concluding Thoughts:

I feel like I always come off more negative than I mean to in all of my reviews, but it’s just because there are only so many ways I can say I liked this, this was well done, I loved this. I did I really enjoy this season; I can safely say that I love all the characters, Djarin and the child especially, I am very curious to learn more about Moff Gideon and his hipster top knot and I hope Cara Dune and Fennec Shard come back and have more to do.

I don’t have any theories about what the child is; I’ve heard people say that it’s a reincarnation of Yoda, that it’s the Force itself in a body (like Anakin, but double), that it’s a clone of Yoda from either the Clone Wars or even Palpatine’s experiments.

Personally, I’m more interested in learning more about Djarin, and how Bobba Fett ties in with his past considering it was his signet that Djarin gave to the child at the end. I also would like to visit or revisit some more worlds; perhaps see some worlds from the books like Aquila. There are rumours that characters like Lando and Ahsoka Tano might make an appearance, and while that would be neat, I don’t necessarily mind the lack of Jedi in the show.

As for the people working on the show, I think each director brought something to the table. I would love for Deborah Chow, Bryce Dallas Howard and Taika Waititi to return in season 2, though I’ve also heard Waititi is getting his own show.

Them’s my thoughts. If you got to the end, thank you for reading, and I might be back quite soon, because I would like to re-watch the Clone Wars before season 8 comes out later this year.

#the mandolarian #star wars #sw the mandalorian #moni talks #the mandalorian review

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redrikki · 7 years

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Lady in Waiting? I really love your take on Rey - it feels very genuine!

Alright, here goes my first DVD commentary. I wrote this story for @sosobriquet as part of the @fandomtrumpshate‹ exchange. She had a couple of different requests and, after struggling to decide I went with “Rey and Poe bond while Finn’s in a coma. You can read the story without commentary here. Story with commentary below the cut.

The staff was cutting Finn out of his clothes by the time Rey found the med bay. The grey medical droid sliced along the seams while the human doctor peeled off the resulting rags. The exposed wound on Finn’s shoulder was both better and worse than Rey had imagined. It wasn’t bleeding or anything, but it shown an angry red against the dark brown of his skin and smelled strongly of overcooked meat. Rey swallowed hard and looked away as the doctor gently rolled Finn onto his side to examine the slash across his back.

I actually had this scene planned out and bouncing around in my head way before anything else. Like, even before I got the prompt. It was nice to be able to work it in somewhere. I find it always pays to stick those random ideas somewhere because you never know when they might come in handy.

Rey’s gaze landed on Finn’s jacket, crumpled like a dead thing in a heap on the floor. It had been spared the same fate as his shirt and was largely intact. There was still the small burn on the shoulder and the larger, more horrifying one which bisected the back, but Rey could fix that. She darted forward and snatched it up.

Unfortunately, someone else had the same idea. No sooner had Rey gotten her hands on the collar than somebody grabbed a sleeve. Rey glared up at her competition. He was a human male, maybe ten or so years older than her with dark, sweat-soaked curls and light brown skin. A pilot too, judging by his bright orange flight suit. Rey felt like she should know him though she couldn’t say how or why.

Disconcerted by the feeling, Rey narrowed her eyes and tightened her grip. “Scavenge from the dead, but this is Fin’s,” she said and yanked.

Rey often gets portrayed as this ray of sunshine, and she’s really not. She’s fiercely territorial and used to fighting for every scrap of everything.

The man let go so fast Rey overbalanced and stumbled backwards, crashing into a tool-laden cart. Medical instruments clattered to the floor, drawing the doctor’s attention.

That’s one way to win at tug-of-war! This is the start of a pattern with Poe. Every time Rey expects resistance from him, he does a yielding parry instead and utterly disarms her. Seriously, start counting the number of times it happens as you read this.

“Are you hurt?” She frowned first at Rey, then the man, and back again.

They both shook their heads. Rey’s back was one massive bruise from where Ren had thrown her into the tree, but nothing was broken or bleeding or burnt.

“Good.” She jerked her head toward the door. “Now get out so I can help your friend in peace.”

The man reached for Rey’s arm, but she shook him off and saw herself out. In the hallway, she squared her shoulders and braced for the fight. She didn’t want to hurt him, not like she’d wanted to hurt Ren, but she would if it meant Finn would wake up and wear his jacket again.

“You must be Rey,” he said with a disarming smile. “I’m Poe.” He offered his hand, but didn’t seem bothered when Rey didn’t take it.“Thanks for looking after BB-8.”

So, I part of the reason it took me so long to write this story was that I wasn’t really comfortable writing Poe after seeing the film. There didn’t really seem to be enough to get a good read on him. I went out and bought the Before the Awakening book and then read all the Poe comics. Not only did it help a lot, it was really entertaining.

It took a moment for his words to register. “Poe? Poe Dameron?” BB-8â’s kind-brave-master Poe? The-best pilot-in-the-Resistance Poe? The original owner of Finn’s jacket? That Poe? “Finn said you were dead.”

You know both BB-8 and Finn just gushed about this guy to her. He’s practically a Han Solo-level legend for her thanks to them.

Poe just shrugged. “The way we landed I thought he was dead. Good thing we were both wrong.” He glanced back at the closed med bay door with a furrowed brow. Then he sighed and the tension melted from his face. “We can’t do any good here. Let’s say we grab a bite. My treat,” he added with another one of those easy smiles.

Rey’s stomach rumbled at the mere mention of food, but she hesitated, looking back toward the med bay. It felt like years since those few mouthfuls she’d snatched at Maz’s, but what if? What if Finn woke up and she wasn’t there? What if the medical equipment broke and she wasn’t there to fix it? What if he died?

My Rey has a lot in common with Anakin. They both have lost so much and have so little left that they tend to cling. Also, she’s spent so long being responsible for pretty much everything that the idea of letting someone else handle it has to be kind of terrifying.

“Rey?”

She turned back toward Poe’s patient, smiling face and sighed. He was right. There was nothing they could do here. Standing blocking the hallway wouldn’t make Finn wake up any faster than wearing her hair the same way for ten years had made her parents come back. Poe hadn’t said anything about claiming Finn’s jacket, so Rey shrugged it on and let him lead the way.

***

Poe was ridiculously friendly, and not just with Rey. They’d barely sat down with their food trays when what seemed like half the planet stopped by. They crowed about their victory. They wept over missing friends. They even asked about Finn. More people came in five minutes than passed through Niima in five months and somehow Poe knew all their names. Some of them stared at her curiously, but Rey just kept her head down and made the most of the free food.

Poe seems like the kind of guy who is effortlessly popular, mostly because he takes the time to learn everyone’s name and actually listens when they speak.

It was easily the best thing she had ever eaten. Like the prepared meals she’d found on her Ghtroc 690, it was meat and vegetables in a sweet and sour sauce, but this was served over some sort of cooked grain. It was all so fresh the vegetables crunched. Rey devoured it like a starving gnaw-jaw. She was already eating her last forkful by the time Poe had finished socializing long enough to take his first bite.

This bit about the Ghtroc 690 and the food came from the Before the Awakening book. The bit about her just shoving everything into her mouth came from her behavior in the film and the common traits of kids who grew up with persistent food insecurity. I did quite a bit of research on that even though it only showed up for, like, 10 seconds.

His eyes widened as she lifted the plate to lap up the last of the wonderful sauce. “Wow. I guess you really like sweet and sour shaak.”

Rey has never heard of table manners. Seriously, what are those even?

“Ah uh,” Rey grunted. It was amazing and the only complaint against it she could make was that it was too moist and squishy to be stuffed in a pocket for later. If only she had a rigid container. Who knew when she’d be able to have something like this again?

Hoarding is another thing kids who grow up with food insecurity tend to do.

Poe shook his head with a rueful laugh. “Well, the kitchen will be glad to know at least one personâ’ll be happy eating it every other week.” He wrinkled his nose and dug in like a man rushing through an unpleasant chore.

What sort of worlds had Poe lived on that he could turn his nose up at fresh vegetables and real, actual meat? His attitude probably wouldn’t have hurt so much if Rey hadn’t known such worlds existed. She had though. She’d flown simulations of them and lived off their scraps. She had yearned for them, but never reached. It hurt to know she could have eaten like this ages ago if she’d had the courage to fly away with Devi and Strunk.

Devi and Strunk are another book reference. I really liked the idea that she’d a) had friends who betrayed and abandoned her and b) had opportunities to leave that she refused to take because of her family. It makes Finn coming back all the more poignant.

“You planning on sticking around?” Poe asked.

Rey shrugged. She was stuck here at least until Finn healed, but beyond that? She thought longingly of her island. Too bad it was only a dream.

This story is about Rey learning to let go of her fears in order to move on with her life. She needed a reason to want to leave and, honestly, looking for Luke Skywalker wasn’t good enough. She has zero connection to him. She had expressed zero interest in learning how to Jedi. The island, on the other hand, could itself be draw thanks to her dreams and the Force.

“You’re from Jakku, right?” Poe pushed his plate away and lounged back in his chair. “I was stuck there for just one day.” He shook his head. “I can’t imagine you want to go back there.”

“I do or I did. Before Starkiller, I mean.”

Poe quirked an eyebrow and Rey flushed. He must think she was mad. Why else would anyone want to go back to sand and starvation once they’d gotten away? “My family. They left me there when I was a little girl. I thought…I thought if I just waited long enough, they’d come back.”

Poe’s easy smile slipped from his lips. “They never came back, did they?” he asked quietly.

“No, I—” Tears gathered in Rey’s eyes. She snuffled and dashed them away. “I knew, deep down, that they wouldn’t but…” She shrugged. “It was easier to stay and pretend. I didn’t have to live, just wait.”

“So what now?”

Rey stroked the sleeves of Finn’s jacket. She had never felt so loved as she had wrapped in Finn’s embrace. “I’m going to fix Finn’s jacket. I’m going to stay until he’s better.” She had been waiting her whole life for someone to come back for her. She wasn’t about to leave him.

“And then what?”

“I—” And then what? Had Rey ever thought about that before? She used to tell herself stories where her family came back, but they always ended there. Finn would wake up and then they would do….something.

The island, the island, the Force seemed to whisper. Go soon, go now.

“I don’t know,” Rey lied and pushed the Force away.

****

BB-8’s map slotted into place, completing the galaxy. It filled the gloomy command center with the light of more stars than Rey had ever dreamed. They sang like a calling.

I feel really proud of the phrasing here and also in the first line of the next paragraph. It’s almost like poetry, if I do say so myself.

Poe wandered through the constellations, tracing the glowing path that led to Skywalker. He tapped the planet at the end of the line with a slow smile. “General” —he turned to face her— “I can have the Black Squadron there in an hour.”

General Organa raised an eyebrow and favored him with a sardonic smile. “And bring Luke home on your lap?” She shook her head. “How about something a little roomier than an X-wing?”

“I can pick Luke up with the Falcon,” Chewie offered.

Canon never bothers to translate Chewie, but damn it, I was going to. Rey speaks Wookie. There was no reason for her not to understand exactly what he was saying.

Poe nodded crisply. “And I’ll go with him.”

Rey’s stomach sank. Chewie and Poe were the only conscious people she knew on this base. They couldn’t just abandon her.

The general pursed her lips, considering, then shook her head. “It won’t work. Finding Luke was the easy part. We need something, someone to lure him back here.”

The weight of her gaze fell on Rey and suddenly it was hard to breathe. The stars’ song swelled to a crescendo as the scent of the sea filled the air. The Force was like a push at her back. Go, go, it whispered. Rey shook her head to clear it.

The Force is aggressive and has issues with boundaries and consent. Rey’s lucky it didn’t knock her up.

“Rey” —the general took her hands— “you are strong in the Force. You have his lightsaber. It has to be you.” Her eyes were like quicksand, sucking Rey in until her words seemed reasonable. She could find Skywalker where everyone else had failed. She would just have to leave Finn to do it.

Look, I enjoyed the film, but there was no logical reason to send Rey as articulated by the movie. Finding him has been Poe’s mission, pretty much since he joined the Resistance according to the comics. Leia is his twin and Chewie is one of his oldest surviving friends. Any of them would have made more sense as someone to send to pick Luke up. Heck, R2 and C-3PO would have made more sense than some random girl who’s lineage and connection to the Skywalkers was never explicitly established. It took me a long time to come with a reason to send Rey and it’s still a pretty shitty one.

“No!” Rey wrenched her hands from the general’s grasp. “Finn’s hurt. He needs me.” She backed away. “I haven’t even started fixing his jacket.” Hands reached for her, the stars reached for her, but Rey shook them off and ran.

*****

She wasn’t hiding, Rey told herself. She was working. It just so happened that the med bay was a quiet, perfect place to do both. Rey sat hunched in a chair by Finn’s bed, struggling to repair his jacket. The leather that had felt so supple and soft pressed against her face as they hugged was proving surprisingly tough. It took real effort to force the needle through. It would probably be easier if she had an awl or something to pre-punch her holes. As it was, her fingers ached.

“The general wanted to send me,” Rey recounted as she worked. Talking to an unconscious man felt a bit like yelling at the desert, but the doctor said it would help. All the more reason for Rey to stay. Who else was going to come and talk to Finn? “Skywalker’s her brother,” she grumbled, stabbing with the needle and yanking it through the resulting hole. “She should be the one to go and—”

My thoughts exactly, Rey. I mean, I guess she has to general and shit, but, it still makes more sense then sending a complete stranger. Whatever. Work with what canon gives you.

The whoosh of the med bay door cut her off mid rant. Rey looked up from her work to glare at whoever had found her. Poe. The general must have sent him to talk her into the mission. Well, it wouldn’t work. Rey braced her shoulders and raised her chin. The only way she was leaving was if Poe dragged her out of her chair.

Rey’s stomach clenched as Poe strolled across the room. Her tension only mounted as he claimed the chair on the far side of Finn’s bed and proceeded to ignore her. “Hey buddy,” he said quietly, taking Finn’s hand, “you having a good nap?”

I love the way Poe calls BB-8 buddy, so naturally I had to use it here.

Finn, of course, remained silent except for the faint sound of his breath and the steady beep of the heart monitor. His doctor was keeping him in a medically induced coma to keep him from moving until his back was healed. He’d only be allowed to wake once the bacta-jell bed had worked its magic. Rey tried to tell herself that watching him sleep was better than watching him suffer, but the unnatural stillness of his normally expressive face was all wrong.

Finn being unconscious when she left didn’t make much sense unless it was a medically induced coma. I mean, he could have passed out from the pain back on Starkiller, but there’s no medical reason he should have still been unconscious when she left based on his injuries. If anything, she should have been in a coma after being thrown into that tree and knocked out for several minutes. That’s some serious brain damage right there.

The three of them sat their in increasingly uncomfortable silence as Poe stared at the monitors and squeezed Finn’s hand. Any moment now he would start in on her. Her muscles quivered with anticipation. Any minute. “Well?” Rey finally demanded, unable to take it any more.

“That’d be easier if you used a punch,” Poe said mildly, nodding at Rey’s sewing project.

Like her cramped and aching fingers hadn’t already told her that. Rey ground her teeth in frustration. “Why are you here?”

Poe crossed his arms and leaned back in his chair. “Finn’s my friend too, you know,” he said. “In fact, he was my friend first,” he added with a smirk.

He was.

Rey colored and looked away. Finder’s rights on a person was a pretty dubious claim, but she got what Poe was saying. He had just as much right to Finn’s bedside as she did. She cleared her throat awkwardly, searching for something to say to reset the conversation. “Finn said he helped you escape?”

Poe smiled fondly. “I’ll never forget the first time I saw his face.” The smile slipped from his lips and, for a heartbeat, he looked almost haunted. “I’d been captured, tortured, had my memories just” —he ground his fist against his temple— “ripped out of my head. I’d blown my mission, given Ren everything, and I thought they were going to kill me. Then this guy showed up.” Poe’s grin reappeared like the sun bursting out from behind a cloud. “‘This is a rescue,’ he said. I have never been so glad to see anyone in my life.”

For real, what happened to Poe was awful and traumatizing and I don’t think he magically got over it just because he escaped. I hope TLJ touches on that, but it probably won’t.

That certainly sounded like Finn. Rey smiled faintly, remembering. She had more or less rescued herself back on Starkiller, but the sight of Finn, the feel of his arms around her? That was the moment she knew she’d be alright. “Then you understand why I can’t leave him.”

Both of these people are just so into Finn, but really, neither of them know hardly any thing about him. They’ve both built him up in their heads based on some fairly intense encounters. He’s Poe’s hero. He’s the family that was promised Rey. Once he’s awake, he’ll have a lot to live up to.

“Do I?” Poe leaned forward, the intensity of his gaze pinning Rey to her seat. “During the months we looked for Skywalker, my team and I went up against a monster, got trapped in a high-security prison filled with dangerous prisoners, and almost died more times than I can count.” From anyone else it would be a litany of horror, but Poe made it sound like the time of his life. “I wouldn’t trade a second of it, but you’re what? Giving it up to sit here and sew?”

Poe’s an adrenaline junkie of the finest order who grew up on stories of the heroes of the revolution. The idea that anyone would not want to be part of that is just so foreign to him. Also, I had a line here originally where he mocks her sewing abilities but I cut it. Being unnecessarily dick-ish isn’t Poe’s style.

A surge of hot anger took Rey’s breath away. Her fists clenched tight around the jacket. “You know it’s not like that.” The mission might succeed. The island might be real. Finn and his love for her were the only sure thing in her life. She wasn’t going to give that up just for the possibility of an adventure.

“You could be a Jedi, Rey, but instead you’re just” —he threw up his hands— “doing it again.”

“Doing what?”

“Waiting.” He reached out and squeezed her hand. “Please, don’t make Finn your next excuse not to live your life.”

And here we come to the crux of the story. I needed a good wham line to get her to let go of her insecurities and actually leave.

****

Rey sat and watched the gentle rise and fall of Finn’s chest. She hadn’t even left yet and she missed him with an intensity that made her own chest ache. “We’ll see each other again.” It was a promise to herself as much as to him. “I believe that.” She laid a kiss on his forehead. “Thank you, my friend.”

And now we’ve caught up to canon.

They would see each other again. With each step she took away from his bed, she reminded herself of that. They would find their way back to each other. They had done it before; they would do it again. Finn would wake up. Rey would come home. For now though, Rey was done waiting.

The end.

#star wars #dvd commentary #My fic #shameless self promotion #rey #poe dameron

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dreadedloreenkid · 7 years

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I want to know all of the star wars asks, but I don't think you'd appreciate them all at once... so 1-10? or all, I don't mind :)

@ct-hardcase also asked me for some of these, so here goes. Sorry it’s late! Long post, so it’s under the cut.

1. Favourite Star Wars movie? (Episode 1-R1)Episode III: Revenge Of The Sith

2. Favourite Star Wars era? Rise Of The Empire, but I’ve recently been getting into the Empire (19BBY-0ABY) a lot.

3 Favourite Star Wars trilogy? (Originals, Prequels, Sequels)Look, I love them all, but I’ll have to say Prequels, even though it’s pretty even, because I have a lot of nostalgic memories attached to them.

4. Jedi or Sith? I think Sith, from the point of view that I love learning about them and their history and doctrines. The Jedi are super interesting too, especially when delve deep into the political aspect of the Order. Idk, they’re both interesting in different ways.

5. Empire or Rebellion?Well, if you’d asked me this a few years ago I would have said Empire without hesitation, but now that I know and care more about the Galactic Civil War era, I have to say Rebellion.

6. Bounty Hunter or Clone/Strom/First order Trooper? CLONE TROOPERS!

7. Rebels or Clone wars? Clone Wars

8. Favourite Star Wars book?I must confess, I haven’t read many Star Wars books; of those I have, I’d probably say Aftermath: Empire’s End?

9. Favourite Star Wars Comic? I’ve never actually read any of the comics

10. Favourite Star Wars game? Star Wars: Battlefront 2 (the original from 2005, obviously). What an iconic game. I wish I still had a working PS2 to play it on, because I will never ever be bored of it. Empire At War is a close second, I really wish they had done a Clone Wars era edition of it.

11. Top 5 favourite female Jedi?Ahsoka Tano (who is not a Jedi anymoer and I strongly support that decision)Shaak TiAayla SecuraRey SkywalkerDepa Bilaba

12. Top 5 favourite male Jedi?Obi-Wan KenobiLuke SkywalkerQui-gon JinnKit FistoPlo Koon,

13. Top 5 favourite Bounty Hunters?Jango FettAsajj VentressJas EmariEmboBoba Fett

14. Top 5 favourite Sith?Darth MaulDarth SidiousAsajj VentressDarth VaderDarth Bane

15. Top 5 favourite Droids? Individual droids: -Mister Bones-C1-10P-R2-D2-General Kalani-C-3POModels: -OOM-Series Battle Droid-P-Series Droideka-HMP Droid Gunship-Vulture Droid-OG-9 Homing Spider Droid

16. Top 5 favourite Troopers? Fives (ARC-5555) Rex (CT-7567) Keeli Tup (CT-5385)Gregor (CC-5576-39)

7. Top 5 favourite Senators? Padmé AmidalaMon MothmaBail OrganaRiyo ChuchiLeia Organa (NR)

18. Top 5 favourite Republic/Rebellion shipsVenator-Class Star Destroyer (GR)LAAT/i Gunship (GR)ARC-170 Starfighter (GR)T65-B X-Wing Starfighter (RA/NR) Mon Calamari Star Cruiser (RA/NR)

19. Top 5 favourite Separatist/Imperial shipsRecusant-Class Light Destroyer (CIS)Imperial I-Class Star Destroyer (GI)TIE-series Starfighters (GI)Lucrehulk-Class Battleship (CIS)Providence-Class Star Dreadnought (CIS)

20. Top 5 favourite planets? NabooGeonosisCoruscantKashyyykMandalore

21. Where would you live in the Star Wars universe?Naboo, no question

22. Who would you be in the Star Wars universe?In terms of occupation, I think I’d be happy as a public official on Naboo tbh, nothing too fancy, but high enough to go travelling as part of diplomatic entourages.

23. What ship would you own?I think I would like to own nice Naboo yacht, something like what Padme had at the start of Episode II; otherwise, something reliable and reasonably comfortable, like a Corellian light freighter or similar. A customised Sheathipede class shuttle or Lambda class shuttle would be nice too.

24. What Droid would you own?I’m not sure that I’d own a droid, but I guess they’re useful so probably an astromech or a repurposed OOM-series or B1 battledroid.

25. Would you have a team, or would you work alone? Well, ideally I’d love to have a team of friends that I could trust and keep me company.

26. If you where a Jedi, would you be a Knight or a Master?I think I’d be a Knight. My disdain for the Council and their dogmatic doctrines would make them disinclined to grant me the rank of master, I should think.

27. If you where a Jedi Master, would you have a Padawan?Maybe? I doubt it, but alternatively I might be able to give them a better, more honest and open view of the galaxy than a more orthodox master.

28. If you where a Sith, would you be the Master or Apprentice? Oh, the apprentice for sure. I don’t have it in me to be a Sith master; I wouldn’t be a very good Sith. I mean, I can see myself using the Dark Side maybe, but I would never subscribe to the Sith Creed or doctrines.

29. If you where a Sith Lord, would you have an Apprentice?No, given that the Rule Of Two dictates that the apprentice only becomes master by killing theirs.

30. Married, in a relationship, or single? Well, it’d be lovely to have a hubby or two, but you know, that’s down to the circumstances. I wouldn’t actively avoid or search for relationships, though.

31. Top 5 favourite species?GeonosiansZabrakWookiesTwi’leksMon Cala

32. What species would you be? Probably human tbh.

33. What species is your type? Uhhhhh………that’s an interesting question. Do Mandalorians count as a species? But that’s just because of Jango and the clones. Maybe Nautolans?

34. Who would your best friend be?I don’t know, I’ve never thought about this sort of thing.

35. Would you customise your ship? Someone who I trust, because I’m not very good at mechanics and engine things. If I’m honest, I probably wouldn’t customise at all.

36. Would you customise your Droid? Again, someone I trust and who knows their stuff.

37. What colour skin/eyes would you have?I really have no idea. Given I haven’t even thought about being a different species, I think I’ll have to pass on this one.

38. If male, beard or no beard?Beard if I can. Love facial hair.

39. 1 lightsaber, 2 lightsabers, double lightsaber, or 2 double lightsabers?Look, I’d love to go for double lightsabre (sabrestaff), but I would probably end up killing myself with it, so I think in reality I would keep it safe with a single sabre.

40. What colour would your lightsaber(s) be?BLUE! Even though in Legends canon (and possibly current canon?) blue represents a warrior, someone who about taking action, whilst green represents thinking and analysing (which is more me). I’ve also been told by online quizzes that I should have orange, but no thanks.

41. If you’re a Bounty Hunter, what armour would you have? Phase 1 Clone armour with kama, pauldron, and all that jazz.

42. Would you customise your armour? Definitely. Gotta look snazzy.

43. What colour scheme would your armour/robes be? I’m not sure. I think white, green, and blue would look good. Although, I might go for white, purple, and black.

44. If you where a Droid, what Droid would you be? I mean, I’d like to be something intelligent but also powerful and capable of looking after itself. Maybe a super tactical droid?45. What colour would your droid self be? Purple, blue, yellow…those sorts of colours I guess.

46. Pod racing or ship racing? I don’t have a death wish, so ship racing.

47. Space battle or ground battle?? Ooh, that’s a tough question. In Star Wars there are lots of cool things about both, but I’ll go with space, because I think my naval strategy would be a little better than my surface strategy, and it’s easier to escape if it all goes tits up.

48. Would you have survived order 66?Almost certainly not.

49. Where would you go after order 66? Probably a small, peaceful world on the edge of the known regions (if I could find one)

50. What would you do after order 66? Probably just hide, maybe try to resist if I encountered a rebel cell. I think these are the sorts of things that people always say “well, this is what I would have done”, but noone really knows exactly how they’ll react until they’re actually in these situations.

51. Do you have any Star Wars Pop Vinyls?Yes! I have a Queen Amidala one.

52. Do you have any Star Wars collections?I have a lot of Star Wars Lego.

53. Do you have any Star Wars art? I have some BTS prints from Episode V and Episode VI, otherwise no.

54. Do you create any Star Wars art?Nope, can’t draw at all, never really been interested that much in the visual arts. I used to try to copy the technical drawings in Incredible Cross Sections when I was a kid though.

55. Do you like/read any Legends/non canon stuff? I loved the young Boba Fett books (the ones that took place between Episodes II and III), and I loved the storyline of Battlefront II until Disney decanonised it. There’s also a lot of non-canon information in Incredible Cross Sections that was super fascinating. Having said this, I still support the decision to redo the EU canon and clean it up, because imo there was way too much crap in the EU that was just plain rubbish.

56. Top 5 favourite Legends character? I’m sorry, I don’t know enough for this.

57. Who is your Star Wars role model? It has to be Padmé Amidala. She is resilient, skillful, intelligent, principled, and compassionate. When I was a kid I used to pretend to be her.

58. Top 5 saddest Star Wars deaths? The entire Order 66 sequence in ROTSFivesSatine KryzePadmé AmidalaHan Solo

59. If you could bring any Star Wars character back to life who would it be? Padmé Amidala

60. If you found out the Star Wars universe was real, would you move there or stay here? Stay here, obviously. Have you watched Star Wars?! Sith, pirates, bounty hunters, crime lords, totalitarian regimes, corporations that have official political representation and own entire planet systems?! I think I’ll stay put, thanks.

61. On a scale of 1-10 (1 being very little, 10 being an absolute know it all) how well do you know the Star Wars universe? 8.5, maybe a 9?

I hope those answers were satisfactory! Thanks for the asks!

#star wars #ask #ct-hardcase #puffandproud

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houseplant-central · 3 years

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This post will contain spoilers about the entirety of the Star Wars Christmas Special, if you’ve never seen it I HIGHLY recommend you do so with fresh, unknowing eyes because it is an absolute experience. Link here:

https://www.youtube.com/watch?v=6hH8rxarVG8&t=1278s

This post will also contain spoilers for other Star Wars films, but if you've uhhh ever been on the internet you will have already seen such things.

We open on a black screen and a straight to TV movie announcer voice establishing that Chewie needs to get home to his family for life day (Wookiee Christmas). We seen Han and Chewie in the falcon for like, 5 seconds, and then we sit through 5 minutes of including an add for General Motors. Apparently Chewie’s father’s name is “Itchy”, his son’s name is “Lumpy”, but his wife gets the normal name of Mala.

Also, Chewie having a family completely changes the moral values of his character. Sure, after the events of the first film he’s involved in war so he has to be away, but before the first Star Wars film are we to presume that Chewie is a dead beat father who left his wife with their young son to go be a smuggler with Han? Or is the economy on the Wookiee planet so bad that this was a necessary move? Mala’s house seems quite middle class but perhaps that’s only because she’s been provided with Chewie’s smuggling money? But him and Han are in debt? Or is only Han in debt? There are a few ways this could shake out but it’s more likely than not that Chewie willingly chose a life where he rarely sees his kid, Lumpy (I can’t type Lumpy without laughing) and, what the hell, man?

!!! After writing this I remembered than Chewie has a life debt to Han as of the recent Solo movie canon. So in fact it is Han who's dragged this poor man away from his family and allows him to visit only once a year. The questions about the wookie economy remain however.

Then we get like ten minutes of the three Wookiees speaking Wookiee to one another with no subtitles. This will set the tone for the film, I’m afraid. Lumpy watches a hologram circus for a few minutes and then refuses the do the dishes. Mala checks the TRAFFIC report even though Chewie and Han are? In space? And being chased by imperials? And then skypes Luke on a hidden tv that seems to be just for Skyping Luke’s garage.

Luckily for us, Luke is in his garage, in an orange jumpsuit and ten pounds of eyeshadow. He’s condescending to the Wookiees for about 5 minutes while staring directly into the camera and not blinking and then tells Mala to smile which she does, in a terrifying manner, and then I guess Mark Hamill had to go because something explodes in his garage and then Skype connection is conveniently lost. (And no, we don’t ever check on him until the final scene, which is more likely than not a communal drug trip and not an actual confirmation that Luke is okay).

Mala checks the traffic again and this time gets direct footage of the Wookiee planet trading post? There, a discount Vader says “I hate fish” very passionately, after being handed a minuscule aquarium which is just apparently for if you want a pet fish you can keep in your pocket at all times?

We cut directly to actual Vader, who says he’s going to search “every household in the system for the rebels”. The implication here is that this could ruin Mala’s Life Day, which is HILARIOUS because what about the other implications of Vader having enough men to search “every household in the system”?

We cut directly from the enemy starship to mala cooking. Not in a juxtaposition way, but in a “we forgot what genre this film is”, “four minutes of Chinese medical drama inserted into iron man three for the Chinese release” kind of way.

(https://www.google.ca/amp/s/www.hollywoodreporter.com/amp/news/iron-man-3-china-scenes-450184)

Mala watches a cooking show which features a British drag queen, and Chewie and Han fight a handful of imperial fighters in the middle of nowhere in space.

An imperial soldier skypes the Chewbacca residence reminding them that he’ll be coming around to look for rebels (and WHY is Chewie coming home if he’s going to endanger his family?) The guy who runs the trading post arrives with a part so they can tell him about how Chewie’s late. He also makes Chewie’s wife kiss him on the cheek which is.... a little weird. Lumpy gets a present that’s basically space lego, Mala gets some sort of sewing machine and old man Itchy gets a virtual reality headset that shows him 10 minutes of some lady in space posing, whispering and singing erotically and saying things like “I am your fantasy, I am your pleasure”. Which we of course have to watch as well for 10 minutes. Occasionally we cut back to Itchy’s face in the VR and he is concerning my into it.

As one review aptly pointed out “I wonder what Chewie’s father fantasizes about is not one of the things I wanted to know after watching A New Hope”.

Sexy space hologram actually has quite a powerful singing voice, but watching old man Itchy watch VR erotica while Han and Chewie are fighting for their lives is.... weird.

We immediately cut to Leia and C3PO who Skype in the Wookiee residence. Leia ends up speaking to the guy who runs the trading post who’s.... still at Mala’s house, because she’d rather speak English than have C3PO translate for Mala and her. Leia decides Mala is in “good hands” with this trading post guy, and Carrie Fisher’s first cameo is over.

They turn on the TV and an imperial reminds them that he’ll be coming around soon to check their houses for rebels (why is Chewie coming home if he’s a wanted man here?). As the man on the tv says this him and storm troopers show up at the door (so I guess it was recorded). There’s some casual anti-Wookiee racism and then they guy from the trading post covers for them by saying the husband of the house ran out after a fight. The imperials decide to wait for the man of the house.

The trading post guy shows them mala’s sewing machine which is, in fact, a small tv shaped like a sewing machine. We watch the imperial soldier watch a music video on the mini tv. This goes on for 6 minutes and even I skipped ahead.

The music video is so dope the imperials deicide they’re going to leave, and then they don’t. And then they search upstairs. The leader loudly announces he wants them to find evidence to connect this house to the alliance (even though they don’t even know chewy lives here, I guess they just don’t like Lumpy and Itchy?)

One of them nearly shoots Lumpy just for being annoying (which, fair, his childish Wookiee noises are annoying as hell). Mala turns on a cartoon for him, which is A CARTOON ABOUT THE REBEL ALLIANCE, which Lumpy then watches WHILE THE IMPERIALS ARE IN THE HOUSE SEARCHING IT I...???

And also when was a cartoon about the rebels produced and how was it distributed when the empire is still in charge. It’s only been a few months since the distraction of the Death Star— even if they were going to make a propaganda cartoon about the rebel leaders wouldn’t they? Make it about what happened? Why make a cartoon about events that didn’t happen?

Also the cartoon just feels like somebody by was vaguely described the original Star Wars franchise while drunk.

Boba Fett is in the cartoon too, for some reason, and is actively working with the empire as opposed to Jaba.

The imperials search through ONLY Lumpy’s room, and find nothing (who would hide their rebel alliance stuff in their kid’s room anyways?) Mala is undisturbed by this destruction, happy that Lumpy will be busy cleaning for a bit, which is pretty fucking cold if you ask me.

Then we get to the famous instruction tape scene. Lumpy watches an instructional video for a “transmitter” part that does not exist in real life and we watch him watch it for 8 minutes.

We switch to an “imperial made” program about the moral evils of Tatooine, which is actually a short rom-com about the canteena. This naturally spirals into an anti-empire musical number.

Chewie and Han arrive just in time to save Lumpy from a stormtrooper and then Han tells Chewie’s family they’re “like family to him” with the deadest eyes and they all stare at each other for an uncomfortably long amount of time.

Mala and Chewie have as sentimental of a reunion as two Wookiees can have. We transition directly from the threat of the empire to the Wookiee family of four holding their life day candles which, of course, cues up the weird psychedelic music video that is all the Wookiees of the planet singing silently and then walking slowly in their red robes through space into the light.

The Wookiees of the planet then, all sharing this fever dream together, greet in front of the great tree to murmur and hold their candles. Unclear whether there was a quick costume change or if they’re all astral projecting together. We get a small speech from C3P0 and then the main trio absolutely steal the spotlight, with Leia singing a long song and Han staring into the middle ground like he has no idea where he is. The Wookiees, whose holiday this is, get to say basically nothing. A Wookiee baby seems to have been baptised, but it’s unclear. Leia also stands next to Chewie and pets his chest weirdly even though we have literally just spent the last hour and a half establishing that he’s a married man. As the Wookiees all gather at the tree, Chewie has a flashback that basically recounts the first film, including events he was not present for.

Chewie and his three family members pray over life day dinner, and credits roll over the drawing of his house.

So what does all this actually change about the Star Wars canon? Not much, especially considering that the actors involved genuinely refuse to admit that it ever happened. It was an obvious cash grab after the success of the first film, that much is obvious. But it does imply a few things about the characters in canon, and it has created a few good memes.

The implications:

- Han is a uncle-ish figure to Chewie's kid, despite being a terrible influence

- The economy on the wookie homeplanet is NOT GOOD considering they only have one trading post. Either nobody has thought of the concept of exporting raw materials like all the funky trees with funky lumber that they have, or the empire is just exporting what they need without paying the wookies anything.

- Either Han or Chewie is responsible for Chewie's kid having an absent father figure.

- Leia learned how to sing at one point

- Between A New Hope and Empire Strikes Back when they reach Hoth Luke went to live somewhere with a garage? Instead of training for imminent war? And Han and Chewie fucked off to go back to smuggling.

- Leia is like, a little racist? Possibly unconsciously because of her upbringing? But she calls Chewbacca's house to say hello and then when no English speakers are there says she might as well go despite having a translator. Which is weird because as a diplomat you would think she'd sit through translated conversations all the time.

- Owning a pet fish is still a thing in the future. (If you're about to say "actually it's all set in the past, not the future, because it says "a long time ago"!" screw off, you know what I mean).

- VR softcore porn exists.

- Hair metal, as a musical genre still exists.

- There is a cartoon about Luke, Leia and Han in canon which presumably Luke, Leia and Han would be able to watch.

- The empire is able to keep tabs on how many Wookiees live in each residence on the Wookiee home planet, but are not able to keep tabs on which Wookie it was that was spotted with the rebels.

- Han is even more of an asshole in A New Hope than previously established, because he says he doesn't by into religion and that anyone who does is stupid but he KNOWS Chewbacca is a religious man, and Chewie is sitting right there.

The memes:

- THIS lovely face from Lumpy:

- The Wookies all walking into the light.

- Mark Hamill not blinking for 5 straight minutes.

- Bantha Loin.

- Life day itself.

- and of course, Harrison Ford denying this movie ever existed:

https://www.youtube.com/watch?v=z7TGWOHTdac

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aaronmaurer · 6 years

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Movies I Liked in 2017

Every year I reflect on the pop culture I enjoyed and put it in some sort of order.

2017 offered a wide variety of quality films and narrowing the list down to 10 (my arbitrary tradition) proved difficult this year – worthy contenders The Big Sick, A Ghost Story, Get Out, Coco and Molly’s Game didn’t make the final cut. As always, my tastes run from populist blockbusters to under-seen indies, so there’s probably something for everyone here.

10. The Florida Project

A piece of indie film-making that blends humanist realism and irreverent Little Rascals-inspired mischief, the Florida Project presents the lives of the hidden homeless, specifically 6-year-old Moonee and her single mom Halley, navigating life at run-down hotels in the shadow of Walt Disney World. The film engages with issues of income inequality and the working poor without making judgments or looking down on its subjects. Even though Halley makes increasingly negative choices, we see that she desires to give her daughter the best childhood she knows how. Willem Defoe’s supporting performance as the hotel’s manager is one of deep humanity and compassion. Heartwarming and heartbreaking, it’s a movie that sticks with you.

9. Star Wars Episode VIII: The Last Jedi

Writer-director Rian Johnson’s chapter of the Skywalker saga excels because it isn’t precious about what has come before. While there are no “I am your father”-level twists, there are plenty of subverted expectations which keeps things compelling, as do the performances. Returning are all the characters introduced in The Force Awakens plus Mark Hamill in what may be his finest screen performance as an aging and disillusioned Luke. Not to mention Carrie Fisher’s final turn as General Leia. While I give a slight edge to the prior entry, The Last Jedi has its own share of indelible visuals, getting great mileage out of its black, white and red color palette. I have no idea where the story goes from here, and that’s a pretty exciting place to be.

8. The Post

A movie seemingly easy to write-off as prestige awards bait because of its old-school competence and pedigree (I’ve heard it referred to as the “whitest movie of the year”), The Post is nevertheless both absorbing and relevant to the current moment. Steven Spielberg! directs Tom Hanks! and Meryl Streep! (and a stacked supporting cast) in the true story of the Washington Post’s (and New York Times’) decision to publish the Pentagon Papers, leaked government reports about futility of the situation in Vietnam dating back to Truman. What follows is a resonant portrayal of the importance of a free press and a female leader finding her voice in the midst of an entrenched patriarchy. While it doesn’t quite reach the level of recent classic Spotlight, it is still quite worthy of your time.

7. Logan Lucky

Director Steven Soderbergh (the Oceans trilogy) returns to the big screen after a few years of “retirement” with another heist film. This time though, it’s not a sleek takedown of high-end casinos – it’s a racetrack robbery in rural North Carolina. The cast includes Channing Tatum, Adam Driver, Riley Keough and a hilarious Daniel Craig who all seem to be having a blast. There are some plot detours that don’t lead anywhere (Katherine Waterston as a mobile health clinic doctor?), but I wouldn’t change anything. Actually, I’d probably replace Seth MacFarlane’s energy drink entrepreneur – his obnoxiousness fits but his presence is a distraction. Despite that, the film is just as entertaining as Danny Ocean’s capers, with a touch more emotional depth.

5 (tie). Spider-man: Homecoming, Thor: Ragnarok

I’m a sucker for superheroes and 2017 was a banner year for movies based on Marvel properties. (Logan and Guardians of the Galaxy Vol. 2 were also notable, but not quite at the same level as these two for me.)

Spider-Man: Homecoming achieved what I would have considered impossible just a few years ago: making me want to see a Spider-Man movie again. After the Andrew Garfield reboot/cashgrab, I was burnt out on one of my favorite characters, but Sony and Marvel’s negotiations to bring him into the MCU provided fresh inspiration. Winningly presented as a true teenager (who doesn’t graduate and head to college after 20 minutes) Tom Holland is the best onscreen Peter Parker yet (said as a fan of Tobey McGuire’s time in the role), and the film balances the heart and humor of the character perfectly. Michael Keaton does a great villainous turn as the Vulture, imbuing him with both menace and humanity.

Thor: Ragnarok achieved something nearly as impossible: having me look forward to – and enjoy – a Thor movie! Director Taika Waititi reinvigorates that franchise with a hearty infusion of humor and new characters, including Tessa Thompson as Valkyrie, Cate Blanchett as Hela, Jeff Goldblum as Grandmaster and Waititi himself voicing rock monster Korg. The light touch and all-bets-are-off plotting work wonders and even make the film’s place-setting for Avengers 3 palatable. (Although – possible spoiler – I do have to call out one incredibly tone-deaf scene in which a villain’s redemption occurs when he plunges into battle brandishing a pair of American assault rifles. How that glorification of such an insidious device got greenlit in today’s climate I have no idea.)

But the comic book adaptations don’t end there…

4. Wonder Woman

DC finally succeeded in realizing Wonder Woman’s first big screen solo outing this year, and in the process, made the first worthwhile film in its shared universe. The care and quality invested by director Patty Jenkins and her crew just shine: memorable production design, beautiful cinematography and believable effects work (contrasted with this fall’s Justice League that, far from feeling like a culmination of its predecessors, is flat, flimsy, cheap and rushed). And Gal Gadot’s embodiment of the character is pitch-perfect in strength, warmth, goodness, idealism and, well, wonder. This is a film that should not have taken this many decades to make, but even so, found the perfect cultural moment to inspire and empower.

3. Three Billboards Outside Ebbing, Missouri

I’m honestly not sure how to write about the latest film from writer-director Martin McDonagh. When I saw it back in November, I found it incredibly engaging, riotously hilarious and intermittently – intentionally – unsettling. As a fan of McDonagh’s equally compelling, profane and violent In Bruges, I got what I expected. So, under normal circumstances I’d be excited that this relatively niche film somehow netted a Golden Globe for Best Drama (even though it’s hard to pigeonhole into that genre); however, there’s a vocal backlash growing that I understand even if I don’t fully agree with. POTENTIAL SPOILERS FOLLOW: For a pretty good breakdown of the controversy that also tracks with most of my feelings, check out this article on the AV Club. For my part, I don’t believe the film endorses, condones or forgives Sam Rockwell’s brutal and racist cop. While he exhibits a few signs of change toward the end, he is not rewarded for his actions and is not a redeemed hero (nor for that matter is Francis McDormand’s grieving and angry mother). I think the film is more about the idea that violence begets and escalates violence and that understanding, compassion and growth come from community, connection and human decency. (McDonagh’s use of violence is shocking and uncomfortable, rather than celebratory like Tarantino.) That said, the film’s ending could be taken as an endorsement of vengeance, which I don’t sanction, but there is hope to me that Rockwell and McDormand’s characters won’t follow through with their quest but will instead find greater healing and evolution as they embark on a journey together. It’s a film that lives in gray areas even as its own characters make black-and-white demands on each other. However, I recognize I’m viewing through the eyes of privilege and I recognize there are plenty of potential triggers, so you’ll have to draw your own conclusions.

2. Dunkirk

A World War II epic focused more on the will to survive than traditional “heroism,” Dunkirk throws the audience into the experience of British forces’ escape from German-occupied France. Writer-director Christopher Nolan employs a bit of his nesting-doll plotting from Inception and expertly crafts a white knuckle ride, cutting back-and-forth between land, sea and air until they all come together in a powerful and breathless climax. Not since Gravity has there been a more pulse-pounding exploitation of the power of the big screen.

1. Lady Bird

Perfectly observed and realized, Greta Gerwig’s portrait of a high school senior navigating life and family is both specific and universal in its appeal. Laugh out loud funny, moving and relatable, this very human film transcends coming-of-age tropes as it deals with class issues, generational conflict and adolescent heartbreak. Two years after playing a slighter older character in Brooklyn, Saoirse Ronin fully embodies the titular teenager in all of her idiosyncratic glory while Laurie Metcalf does a phenomenal job as her mother trying to hold it all together. Beautiful.

#film

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gokinjeespot · 7 years

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off the rack #1189

Monday, November 20, 2017

Ottawa ComicCon put on a special edition Holiday con this past weekend so I went to check it out because it was FREE admission. Still had to pay $8 to park at the EY Centre though. The main reason I went was to pick up the book D&D&D (D)ungeons & (D)ragons & (D)oodles The Tabletop Fantasy Art of Tom Fowler since Tom was there. Much to my surprise Craig Taillefer was sitting next to him on one side and Ronn Sutton was on the other. I spent a happy half hour geeking out and swapping stories with them. After Tom signed my copy and generously drew a sketch inside I walked around the venue checking out the booths. It's been years since I've attended a con and I was impressed by some of the set-ups. Still, the comic vendors looked like the ones that sold stuff 30 years ago. Same tables of long boxes and makeshift walls for the wall books. I saw a lot of old Snail customers that I haven't seen in years. Some I recognized and some that I didn't. They all knew me though. The reaction of some folks was "what is he doing here?" looks that made me grin. I ended my sojourn hanging out with my Jee-Riz partner Chris as he helped at a friends booth. I can't say that I'll go to another con but I'm glad I went to this one.

Action Comics #991 - Dan Jurgens (writer & breakdown art) Viktor Bogdanovic (pencils) Viktor Bogdanovic, Trevor Scott & Scott Hanna (inks) Mike Spicer (colours) Rob Leigh (letters). "The Oz Effect" concludes with the question of whether Mr. Oz was Jor-El or not left unanswered. Throw in a mysterious super powerful villain and it's more than enough to keep me reading. I liked Viktor's slimmer Superman. He looks more natural than the muscle bound version that Nick Bradshaw & Brad Anderson drew for the cover.

Runaways #3 - Rainbow Rowell (writer) Kris Anka (art) Matthew Wilson (colours) VC's Joe Caramagna (letters). It's time to catch up with Karolina Dean as Gert tries to get the team back together again. Karolina used to be one hot mess but she's a lot better now thanks to therapy. I am really looking forward to next issue when the gang goes to find Molly, my favourite Runaway.

Wildstorm: Michael Cray #2 - Bryan Hill (writer) N. Steven Harris (pencils) Dexter Vines (inks) Dearbhla Kelly (colours) Simon Bowland (letters). Michael's first assignment is to kill Oliver Queen. Yep, that Oliver Queen, the Green Arrow guy. His next assignment is to target another well known name. These characters are bad guys in the Wildstorm universe and I think that's cool.

Spider-Man Deadpool #23 - Robbie Thompson (writer) Chris Bachalo (pencils) Tim Townsend, Al Vey & Richard Friend (inks) Chris Bachalo (colours) VC's Joe Sabino (letters). Spider-Man tries to arrest Deadpool and mindless mayhem ensues. So a typical issue of Spider-Man Deadpool. But wait, what's with this lovely art that looks like the old Doctor Strange comic book? Why yes, it's Chris Bachalo. I am so happy and will be ogling the rest of "Arms Race" with glee.

Star Wars #38 - Kieron Gillen (writer) Salvador Larroca (art) Guru-eFX (colours) VC's Clayton Cowles (letters). "The Ashes of Jedha" starts here. We've got Luke, Leia and Han trying to contact fighters against the Empire on the planet Jedha. That's where the Empire wants to strip mine the planet's Kyber crystals. The partisans appear to not want to play nice though. We'll see how the gang gets out of this fine mess.

Not Brand Echh #14 - It was difficult finding every issue of the 13 issue run of the original series on the spinner racks back in the late sixties but I bought and read every one that I could. This title made fun of my favourite Marvel comic books back then and this latest issue doesn't spare the House of (sometimes bad) Ideas. It got a couple of genuine chuckles out of me so that's about $2.50 Canadian per chuckle. Here are the comedy sketches and their creative teams. Secret Empire Abridged: Nick Spencer (writer) Scott Koblish (art) Nick Filardi (colours). Better Than Canon: Katie Cook (writer& art). Gwenpool Absorbs the Marvel Universe: Christopher Hastings (writer) Gurihiru (art). Marvel Behind the Scenes: Nick Kocher (writer) Brian Churilla (art) Chris O'Halloran (colours). Love Can Be Nuts: Ryan North (writer) Erica Henderson (art). The Not Next Issue Page: Chip Zdarsky (writer & art). Forbush Man Returns parts 1 to 4: Jay Fosgitt (writer & art). The whole issue was lettered by VC's Clayton Cowles (letters).

Batman #35 - Tom King (writer) Joelle Jones (art) Jordie Bellaire (colours) Clayton Cowles (letters). "Rules of Engagement" concludes with a terrific sword fight between Catwoman/Selina and Talia, Batman's ex. The verbal repartee was great and just as great was the one between Damian and Dick. My question is "where the heck did Holly come from?". I hope that this family adventure theme continues because I really like having Selina, Damian, Dick and Alfred around.

Maestros #2 - Steve Skroce (writer & art) Dave Stewart (colours) Fonografiks (letters). This is a beautifully illustrated Game of Thrones and Wands with wizard warriors plotting against each other. There's a rekindled romance and a shocking twist that makes reading the next issue a must.

Champions #14 - Mark Waid (writer) Humberto Ramos (pencils) Victor Olazaba (inks) Edgar Delgado (colours) VC's Clayton Cowles (letters). Worlds Collide part 4. He's no Blue Fairy but the High Evolutionary pulls a Pinocchio on Viv Vision and all seems lost. The heroes fight through but there's still a ways to go to prevent total destruction. We'll find out what happens when Avengers #674 hits the racks on December 6.

Aquaman #30 - Dan Abnett (writer) Stjepan Sejic (art & colours) Steve Wands (letters). Atlantis Uprising. The revolution starts here. Orin joins the rebel forces and King Rath becomes more unhinged. Meanwhile, Mera is in deep water. I am enjoying this book again. You should give it a try.

Mech Cadet Yu #4 - Greg Pak (writer) Takeshi Miyazawa (art) Triona Farrell (colours) Simon Bowland (letters). It's all-out action as the four cadets and their robos fight against giant alien crabs and orders from their superiors. The General is not pleased. Let's see what happens to keep them in their mechs and not get kicked out of the program.

Deadpool vs. Old Man Logan #2 - Declan Shalvey (writer) Mike Henderson (art) Lee Loughridge (colours) VC's Joe Sabino (letters). This issue tells us why the two heroes are teaming up. Makes sense. I like these straightforward good guys versus bad guy stories with witty repartee that don't tax the brain pan too much.

Superman #35 - Patrick Gleason & Peter J. Tomasi (writers) Travis Moore, Stephen Segovia & Art Thibert (art) Danei Ribeiro (colours) Rob Leigh (letters). Hey, I thought Lex's armour was mostly green. The battle for the throne of Apokalips continues with Lois and Jon's lives still hanging in the balance. I still think that Lex will save the day in the end.

American Gods #9 - Neil Gaiman (writer) P. Craig Russell (script & layouts) Scott Hampton (art & colours) Rick Parker (letters). This is like reading the novel again but better. The art enhances the story so much.

Defenders #7 - Brian Michael Bendis (writer) David Marquez (art) Justin Ponsor & Paul Mounts (colours) VC's Cory Petit (letters). This is the funniest comic book on the racks for the week. Yes even funnier than Not Brand Echh #14. Brian has a great sense of humour. I'm wondering now if all the great artists that he works with are also going to work for DC. That would be ideal for me because he really clicks with David Marquez and Sara Pichelli. The five page fight scene between Elektra and Iron Fist is the best I've ever seen. Just as good as watching Bruce Lee in Enter the Dragon.

Wonder Woman Conan #3 - Gail Simone (writer) Aaron Lopresti (pencils) Matt Ryan (inks) Wendy Broome (colours) Saida Temofonte (letters). Some sorcery is added to the swords this issue.

Mighty Thor #701 - Jason Aaron (writer) James Harren (art) Dave Stewart (colours) VC's Joe Sabino (letters). I must have missed Mangog's origin story back when Jack Kirby first drew him but Jason recaps it very well here. Mangog isn't the only long unseen character to pop up. The Odinson's best buddy reappears too. This issue is one awesome battle. The visuals are so striking I could feel each punch. What a great fill-in by James Harren.

Super Sons #10 - Peter J. Tomasi (writer) Jose Luis (art) Scott Hanna (inks) Hi-Fi (colours) Rob Leigh (letters). I like the contrast between Jon's youthful enthusiasm and Damian's grim cynicism. The three year age gap feels like decades but each one is subtly influencing the other. This issue sets it up so that the two lads will be spending even more time together learning how to be heroes. This is one of my favourite comic books on the racks right now.

Amazing Spider-Man #791 - Dan Slott (writer) Stuart Immonen (pencils) Wade von Grawbadger (inks) Rain Beredo (colours) VC's Joe Caramagna (letters). I am enjoying this point in Peter Parker's life where things are going well for him. His relationship with Mockingbird is sweet and chaste. His new job is challenging. The super heroics aren't too over the top and he comes out a winner this issue. I know the good times won't last but I will feel good while it does. My fanboy crush on Bobbi Morse is even bigger now because of the way Stuart and Wade draw her. Sigh.

Incredible Hulk #710 - Greg Pak (writer) Greg Land (pencils) Jay Leisten (inks) Frank D'Armata (colours) VC's Cory Petit (letters). Return to Planet Hulk part 2. Hulk has to survive a gauntlet to save lives and he smashes admirably. It looks like next issue swipes scenes from the Thor Ragnarok movie. I am looking forward to that guest appearance.

Peter Parker: The Spectacular Spider-Man #297 - Chip Zdarsky (writer) Adam Kubert with Juan Frigeri (art) Jason Keith (colours) VC's Travis Lanham (letters). Totally different Peter Parker. Totally different life from Amazing. The two titles aren't even trying for continuity and that's okay. I just want to read a good story and this one where Peter and Spider-Man are being pursued by the authorities is a good one. Throw in recent revelations involving Jonah Jameson and this fan is anxious to see what happens next. According to the next issue tease T'Challa will come calling.

Star Wars: Darth Vader #8 - Charles Soule (writer) Giuseppe Camuncoli (pencils) Daniele Orlandini (inks) David Curiel (colours) VC's Joe Caramagna (letters). We are witness to some Jedi rage this issue along with finding out what the stakes are for the good guys. Wondering what Vader is going to do keeps me coming back.

Weapon X #11- Greg Pak & Fred Van Lente (writers) Marc Borstel & Ibraim Roberson (art) Frank D'Armata (colours) VC's Joe Caramagna (letters). The Hunt for Weapon H concludes. Will Hulkverine be a good guy or a bad guy? The jury is still out on that. I like this team and am enjoying their adventures so far.

Spider-Men II #4 - Brian Michael Bendis (writer) Sara Pichelli (art) Elisabetta D'Amico (inking assistant) Justin Ponsor (colours) VC's Cory Petit (letters). Miles's search for his evil twin takes a terrible turn but he's got the Amazing Spider-Man helping out now. The two webslingers should be able to figure things out but you never know.

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