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#i guess that's why it's a tragedy
ruporas · 10 months
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kiss (ID in alt text)
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i may have forgotten some because they were too traumatic, but here is my definitive list as i could think of it this morning. oh, how i've suffered! 😢
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rmbunnie · 8 days
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One of the most poignant things about tlt to me is the way that so many things that could have fulfilled Harrow were always so insanely close to her, but everything about her life on the ninth prevented her from ever connecting to people or being vulnerable in the way that she would have to be to even know that being fulfilled then and there was an option. That one convo Ortus and Harrow have in the dream river version of Canaan House after she realizes that its a false reality, and she's shown that everyone who could stay with her did stay behind to support her. When Ortus apologized to her for how everything ended up, and told her he should have understood more about the situation before. When she mentions how she couldn't trust that her perception was accurate to reality, and then he confides in her that long after his dad died in that ritual, he would hear him turning the doorknob outside the door and its not succumbing to madness it's just that extensive pressure shapes your mind sometimes. Like Canaan House is fake, but that is the real Ortus and the real Harrow and real tenderness that could have been expressed before one of them died if only. All the love Harrow or Gideon could have ever wanted, the other one wanted it too, and the only thing keeping them apart was the cumulation all of the tragedies that were ever part of their home and everything that ever resulted from them. And of course it's a main theme of the book that even if everything could have been fixed and wasn't, the love and understanding that could have fixed it and didn't can and should be expressed just for the sake of that love existing in the open, regardless of whether or not it can do tangible good anymore. And that's beautiful! but it still stings that Harrow spent all life since eleven fully convinced her perception of reality was irreversibly ruined, when one of TWO existing peers could have absolutely assuaged that if even just one thing was a little different.
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amatres · 1 year
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the friendship conversation you have at the end of the game when you leave alistair at the gates and don't do the dark ritual. insane. it lives in my mind rent free
he promises to make sure no one forget you! and then in his epilogue when he doesn't become king, he stays to make sure your statue is built before finally leaving ferelden and the order bc he can't bear the thought of being in the wardens when you're gone! it's not the same anymore!
how much guilt did he have putting the warden in charge of the decision making at the end, how much did he think he was at fault for their death because he made them the leader? duncan's ghost haunts him during the blight, but it's your's that haunts him after
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hamartia-grander · 7 months
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I'm a real tragedy enjoyer but Luis's death is no longer narratively enjoyable for me, now it just feels like an insult. I'm tired of characters having to die to be "redeemed". It's not their death that is the redemption, it's the fact that they were willing to die in the first place; it's the intent of sacrifice. I much prefer a narrative where Luis survives and is forced to every day atone for his past mistakes. I much prefer when characters don't get the respite of death, when they have to live with their demons, when they have to face their past and maintain their growth. And it's especially maddening when the only reason Luis dies is because he did in the original. They'll change his character so much to give him substance but they won't change his fate? I don't want that.
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[image description: a tag that reads, "like i'm sorry how do you lose [caps] that bad [end caps] to a lego at first that you gotta be toxic about it .. like no offense but [caps] srsly [end caps] ..." end image description.]
fellas is it toxic to get a lot of people to vote on a poll in a tumblr event where you win by getting a lot of people to vote on a poll
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dianagj-art · 8 months
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Aparently I never shared this here so... *throws this at you*
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Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.
The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.
Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.
The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.
With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.
For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.
(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)
Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.
It's so interesting to me how they interact here.
Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.
Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.
Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.
When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.
Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).
Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.
They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.
I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).
Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.
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oh-look-another · 2 months
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“oh i’m not into romance stories” i say, turning away from said section at the bookstore while hadestown blasts in my ears through my headphones.
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dazais-guardian-angel · 7 months
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Y'all, I think I've figured it out. Operating on the assumption that the finale is indeed an alternate timeline from the manga, then someone could have written on a page of the Book to rewrite reality to lead to the events of the finale sometime during season 5's events. In other words, this would explain the INCONSISTENCIES with things that were established or at least heavily implied/assumed prior and in the manga: Chuuya being a real vampire and not in control, nothing being planned, Dazai giving sincere speeches, Dazai really being shot and saying his "last words", Fyodor's hand not being injured, soukoku not killing Fyodor while in Meursault because they literally couldn't and Dazai needing Sigma to discover Fyodor's secrets because of that, Fukuchi's goal not being one that relied on Fukuzawa being alive since he clearly intended to kill him, etc etc too many more to count
Events and explanations in the finale feeling so contradictory and out of place, and characters feeling so ooc and not acknowledging any discrepancies, makes perfect sense if you consider that, up until a certain point, this was our canon timeline — until someone rewrote the ending of the arc with the Book, starting with Fyodor injuring his hand...! We only have one example of the Book being used to majorly rewrite reality in the manga, and when that happened, the main players — the ADA members — were aware that reality was changed, even though they did have memories of the new rewritten reality. BUT, Nikolai was unaware of this during that scene, and so also were all law enforcement because of the clause written on the page accounting for that, so what if the same thing could happen in this instance, to prevent all our characters in the finale from being aware that things had changed? We literally saw someone writing Nikolai's dialogue for him; imagine someone doing that during Dazai's final speech in the episode, and during all the rest of it! I don't know who this would be, but possibly a mysterious third party who got a hold of a different page from the Book somewhere and wrote things to turn out this way, because they wanted the ADA to win against Fukuchi and Fyodor? Maybe even because... this is the only way they can win?
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Remember Atsushi asserting this plan, and how silly and too simple it sounded? What if someone else ended up doing just that, writing their own simple outcome for the ADA to win (as a narrative of course, which is probably why it had to start with the major catalyst of, again, Fyodor injuring his hand)? Additionally, if that's what happened, maybe the ending of the finale is a sort of side effect to the Book being used improperly in this way, leading to a destabilization of the timeline or a mishmash of other timelines into the anime one, leading to the alternate Fukuchi and Akutagawa we see there?
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berenshand · 17 hours
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shakespeare snobs still aren't ready for this conversation but revenge of the sith is the closest western media has to a modern equivalent of a shakespearean tragedy
- entertainment created for mass appeal
- effectively utilizes comic relief despite overall serious tone and/or subject matter
- the audience knows it's a tragedy going in
- utilizes, as shakespeare did, the elements of the greek tragedies which came before him, ie:
- the tragic hero is virtuous but for a fatal flaw
- the audience fears for and roots for the hero despite said flaw and their knowledge that the story is a tragedy
- in his attempts to escape his destiny, the hero unknowingly runs toward it, even brings it about himself
- it's entertainment for the masses even though the masses know it's a tragedy before it even starts
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guruguruguruguru · 3 months
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the longer i sit with it the more it really gets me how nobody ever really mentions obito and rin before obito's reveal in shippuden. kakashi vaguely mentions his old friends and i think other characters allude to the tragedy of kakashi's past but rin and obito themselves are lost to time. something about that is so fucking haunting and so gutting. you would think it would be a pretty big deal that two kids from the same class died within a year of each other, but the nine tails attack probably wiped so much clean that nobody could really carry the grief... still, when we see their class in flashbacks, we recognise almost everyone else, so... there's something really sad and hopeless about their absence...
there's a lot a LOT to say about it from a lot of different angles and i don't really feel like going into meta posting territory i just have big feelings about it you know? and to me i guess obito encapsulates a lot of the anger. for the people who get left behind and forgotten. and that can mean a lot of things
#two of my classmates died on separate occassions in short span of time in high school and i wont claim that grief because#i didnt know either of them well but i did feel a lot of anger and overwhelming hopelessness. that life keeps relentlessly going on#even when people get left behind#it feels so unfair and so painful... there are so many more aspects to it though as well#like people who are left behind in other ways due to circumstance or class or race or etc etc- often a combination of those factors#and obito as a kid reminds me a lot of a good friend i had when i was little who was late to class every day#because of those outside circumstances#and again someone in high school who i was late WITH every day. because ya#and i feel very big about that. and about rins death as something so fucking preventable#the tragedy also of baby teacher minato who was so so not ready to be in charge of anyone. but. that's something else#anyway i guess i just really feel a connection with that anger and despair#sorru was watching niji and felt fucking insane about it#obito and rin are like two sides of one thing. maybe of one person. of one concept#part of why i'm so so crazy about obito being trans is because i see him as also using rin's memory as a conduit for#his anger and grief about his own lost younger self. hence: baby obito is also a little girl#i think they are best friends. its so important. idk none of this is wider narrative meta#its just my feelings about them in particular#haunting dead girl and the ghost who has to carry on and can't rest
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todayisafridaynight · 6 months
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seonhee and sawashiro both being associated with purple's the most evil shit in the world now who the fuck am i supposed to put in my purple card holder
#snap chats#sorry guys im one of those girlies who are super into card holders now </3 esp the ones you can customize </3#highkey i got this cause i wanted to put my school id in it so i didnt have to take my wallet out every time i needed to get in my buildin#BUT ON THE LOWEST OF KEYS I GOT IT TO BE MENTALLY ILL TOO i was obsessed watchin people journal and make cute card holders#i dont get recc'd those vids anymore but i remember watchin em an bein like MAN i wanna do that.... thats so cute..#on the real i think card holder customizing's healthy for me. it helps me learn to use things i buy LMAO#CAUSE WITH STICKERS AND THE SORT I HOARD THEM AND NEVER USE EM#and i always get buyer's guilt even if it's something small so i just think. i have to learn letting go and things not being perfect is ok#YOU BOUGHT IT SO USE IT like those ishin colognes... like the scent'll fade anyway i should use them while i can...#as much fun and therapeutic I Think as this was tho i cant imagine having a need to get another card holder... tragedy..#regardless. this card holder's really cute </3 spoilers it's a kuromi one cause i needed more purple in my room i fuckin guess#the stickers were real cute.. also there was a lil baku... hi baku <3#which leads me back to my problem. '''''''problem''''''' yeah i dont even have a printer here but when i go back to my ma's i wanna be sick#walmart lets you get photos on that GLOSSY PAPER... tempted... anyway no listen to my non problems#cause in my heart i do associate kuromi with seonhee alright it just makes sense. PLUS baku and joon-gi#COUNTERPOINT. HOWEVER. there is no image funnier than slapping a depressed middle aged man who prob has a worryin body count#into a card holder decorated with hearts and sweets and bows with a big ass heart keychain danglin off it. like cmon#big brain move is to print out one pic each of em and just swap em out every other day LOOOL#i just want an excuse to show off the card holder.. i get why people have these now this was fun and cute....#ok bye i think ive been ill enough tonight#i thought i was gonna finish another comm but ☠️ ill just do them tomorrow morning they wont take long..
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vixy-exists · 10 months
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The Tragedy
This is actually a redraw of a screenshot I took from The Tragedy of Man! I love this film and the play so much and since I got to talk about it in my exams, I felt it was fitting to draw
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The characters here from right to left are Lucifer, Adam and Eve.
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sennamybeloved · 5 months
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i think i’m finally getting why people like glados so much
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