Gods, can I gush about the CGI in the Percy Jackson show for just a minute??
All of it is so fucking good!
The work was gone by ILM or Industrial Light and Magic, who are an incredible effects house and also one of the oldest effects houses there is. ILM was founded in the 1970s by George fucking Lucas to make the effects for the original Star Wars trilogy. They are the reason the original Jurassic Park had CGI in the first place! They worked with Jim Henson on The Dark Crystal and Tobe Hooper on Poltergeist, which has sone crazy awesome effects if you've never seen it. A part of ILM broke off in the 1990s and became fucking PIXAR!!
And Percy Jackson has had just the best looking effects I've seen in a long time. The creature work alone is worth so many awards. The minotaur was amazing.
And the illusion of Chiron is never broken, it's just seamless and perfect.
And don't get me started on Medusa's snakes. They're PERFECT. THEY ACT LIKE REAL SNAKES!!!
And the chimera was beautiful. I loved the decision to give it a cobra's frill.
Also, water is a notoriously difficult effect to do and all the water looks amazing in this show. I bet they pulled some people from the Avatar sequel to help with it.
And Grover's legs never look bad. They're always perfect. I love the decision to keep them exposed the whole time, it adds to the magical feeling of the world while also showcasing how powerful the Mist really is.
And one of my favorite effects HAS to be the way Mrs. Dodds' coat turned into her wings. I saw that and had an out of body experience.
But this most recent episode just blew me away. Specifically with this (these next gifs are by @stevenrogered) :
So, if you didn't know, tracking an effect onto someone's body is incredibly difficult. It's so difficult that CGI artists will often replace someone's body with a 3D model in order to make it easier. That could be what happens here in part, but they can't fake Walker's face.
Props to Walker for sitting as still as humanly possible during this incredibly emotional scene. Him sitting still helps make the tracking of the effect easier since the artists don't have to adjust the effect every frame to account for the slightest movements. Which brings me to the face.
It is so hard to animate human faces and not fall into the uncanny valley, and yes this effect applies to that. Look at the way the gold conforms to the shape of his mouth as he speaks. Look at how it follows the movement of his chin, his cheeks. It's PERFECT. This is an incredibly impressive effect and I wanna just worship whichever overworked and underpaid VFX artist spent hours of their life working on it.
Okay, that's all, rants over, everyone go home!
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i love being an adult with dyscalculia. love getting absolutely BODIED by 7th grade math
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HOW DID YOU PENOUNCE WHUMPEE THEN
I PRONOUNCED THEM THE SAME I JUST... DIDNT DO ANY CRITICAL THINKING!
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Au where Goncharov and Andrey survive everything, grow old together and sit on a street all day somewhere in the south of Europe
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Seeing people talk about (what I'm fairly certain is) the wakizashi Vessel uses in the "The Love You Want" music video and I'm trying so hard not to jump in, because I think there's some neat little associations with the blade and the video's symbolism. I love Japanese swords and culture and would probably ramble until someone stopped me with a frying pan to the face.
Edit: Well, a ramble happened.
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just hit 11,000 words on my jeremy fic and I’m thinking about how my final year thesis was about the same length but instead of Academic Analysis it’s Jeremy Knox suffering
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most embarassing but also funniest thing about mild memory issues is having to google months of the year to remind myself what numbers are what and all the results are like, colorful cartoons for teaching babies. im sitting here filing taxes with this shit open
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