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#i know she didn’t write it now
stumbleonhometomycats · 5 months
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How would you feel having a song written about you (November 2016) (Affectionate)
How would you feel having a song written about you (November 2023) (Derogatory)
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blackbatcass · 6 months
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sometimes the ghost of kelley puckett (he is still alive) haunts me. does he know. does he even know. he’s so detached from the comics community and he’s such a private guy (I RESPECT THAT WHOLEHEARTEDLY) that i really and truly do not know if this man knows how much cassandra cain means to us. does he know batgirl 2000 is heralded as the bible of dc solo books, as a lot of people’s favorite comic ever written. does he know how much we love cass. how we write essays over her character and how amazing she is and how she changed our lives. does he know how adored his writing is. does he know he wrote the best comics character introduction of all time. does he even. know.
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wavesoutbeingtossed · 2 months
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The whole discourse about the privacy/secrecy/support thing has been sitting with me for a few days (I mean other than it always does to a certain degree) thanks to all the excellent discussion happening and I know I'm not saying anything that hasn't been said a million times before, but I think what we're seeing and what we're going to learn (e.g. from TTPD) is that it wasn't just the support issue, but how it was shown/handled.
We've all gone out of our way to show that introversion =/= lack of support. Someone can be shy, reserved, etc. and still show up for their partner, whether in public or at home. To chalk any of the differences up to the clash between introversion and extroversion is unfair to folks who count themselves among either tbh.
@thisisctrying said something the other day that hit the nail on the head about how if that support had been offered in private, there very well may not have been a Joever to begin with, or at least not at this point in time. (Sorry for loosely paraphrasing, and for namedropping you! Long time listener, first time poster.)
If this were a case where the "shy" partner said, "I am really uncomfortable with the spotlight personally and do not want to court it, but I will support you in your ambitions and offer you whatever you need to make them happen and make the glare bearable," I suspect that would have gone a long way to making Taylor feel seen and comfortable in pursuing her goals in the way that she now has. Again, that might have been more akin to the balance that seemed to have been struck around 2019 from what we can see, but even speaking in a general sense, there are lots of couples out there, celebrity or not, that have similar approaches where there are highly driven people and busy careers involved.
(A famous example being Dolly Parton's marriage. Tbh I know next to nothing about her and Carl, but she's always heralded as an example in this regard, because her husband is famously uncomfortable with the spotlight and hasn't accompanied her to public events in decades, but she's said that she never minded that because that was always work to her, and what was important was that he supported her in pursuing all her career goals and basically ensured she had a place to call home to return to at the end of the day.)
We're kind of in a brave new world with her current relationship because it felt like, at least at the start, we were maybe watching her figure out her boundaries in real time as to what she was comfortable with or not and adjust accordingly. Like so many have said, I fully believe the extreme privacy thing was initially driven by herself and her experiences in 2016, and she needed that quiet time to recover from all of the things and figure out how to exist in the world again.
Stating the obvious, it seemed like eventually privacy was equated with secrecy, turning the relationship and the celebrity into the elephant in the room and something to never be spoken of to the outside world. People are free to choose whatever works best for themselves and their relationships, and for some the separate public lives might work, but the “kept me like a secret but I kept you like an oath” theme is all over her work and it’s clear that it’s a sore spot for her, because she’s been made to feel shame just for the life she leads so many times in the past.
What I’m trying to say is that it’s pretty obvious something Not Great was happening behind the scenes, which didn’t just amount to “she wanted to be a public celebrity and he wanted to be a private hermit.” (Also, in case anyone forgot, this is a person who also chose a public-facing career who also has to engage in press for it, but I digress.) As her career reached new heights post-folklore, if she had the support at home to do all the things without judgment and with encouragement, and in turn offer the same support to her partner, she may have very well lived just fine with that, not unlike Dolly Parton’s case.
By reading between the lines in all the press since, as well as comments on tour and general ~vibes~ with TTPD teasers, it seems like one of the issues was that that was likely not the case. There was all the stuff that we saw — the reticence to acknowledge each other in the media (particularly on one side), the lack of public support even at events at which they were both in attendance for their respective jobs, the great lengths they went to not to be photographed together at events they attended yet no problem taking pictures with other friends and coworkers, the jobs that separated them, the withdrawing from the public even for work accomplishments, etc. Which could all be manageable if a couple chooses to do so together and are not inherently a sign of trouble in themselves.
But what we’re seeing now I think is a reflection of the things we weren’t seeing then, and it seems to indicate some very deep hurt. (I know, call me Captain Obvious.) And like so many have been saying, it feels likely that that part of that hurt is rooted in that very lack of private support where a person would expect it from their partner. Obviously as a Taylor fan blog I’m going to be more inclined to understand her side of a story, but tbh, it’s also because… this is sooooooo common, and something I’ve experienced in my friend group. (@taylortruther is right when she says most breakups are the same one way or another lol.)
One partner is resentful of the other’s success, or resentful that the other’s priorities begin to evolve as new experiences unlock new goals, or feels the other’s ambitions are not worthy of pursuit, and coupled with perhaps their own struggles in the same domain, it’s easy to see where that can chip away at the other partner’s morale and faith in the relationship. I know I’m just speculating here, but I also don’t think it’s totally unfounded. (Again, because a) I’m picking up what she’s putting down and b) it happens to sooooooo many women even among us dull normals.)
With all the pointed mentions about how much Taylor feels supported in her current relationship and how she in turn loves to offer the same show of support to not only her partner but other loved ones, how she’s stepped out more in the last year to a whole host of events, how she’s mentioned feeling like she locked herself away for years and she’s just proud of her partner and happy she can show up for him even if the chaos around it is unsettling, it paints a picture of what perhaps was happening before last year.
To feel like you’re all alone in carrying the weight of the relationship (or burden of it), of twisting yourself into knots to accommodate the other person’s boundaries (or insecurities) but not feeling reciprocity for your own has to be so painful. (The idea that it may have been even darker and to have a partner not only be unreceptive to your own needs but even perhaps resentful/dismissive/belittling of them is even more painful to think of. I guess we’ll find out when TTPD comes out if that was the case, too.)
At a certain point, that lack of acknowledgement will force your hand to be able to reclaim yourself. And it feels like the further removed Taylor in particular is from it, the more she moves from being sad about the life she felt she gave up by leaving, to angry at the life she felt she was giving up by staying. Especially being in a relationship now where it seems like everything comes much easier, where she can be open about the person she’s with and show up for them, all the stuff that seemed as challenging as climbing Mount Everest in her past is nothing more than a molehill at best in her current life.
TL;DR: I don’t think it’s privacy that inherently spells doom for a celebrity relationship like this; it’s the mutual support and respect that does. If Taylor had felt that in the later years of her previous relationship, I think we could be seeing a different, though not necessarily unfulfilled, person right now in 2024, who’d be happy on tour but whose personal life would look a little different. But it seems like by losing that support she lost parts of herself, and we’ve seen her reclaim that in spades in the last year, and perhaps to degrees she didn’t even realize she could from before all the Bad Stuff started happening in her young adulthood.
I know this was extremely long-winded and unnecessary, especially about total strangers we only know through scraps fed through the media, but I just always bristle at this idea that issues like these boil down to “personality differences,” as though one person wants to live in a city and the other on a remote island, or some shit like that. The whole support (and gender tbh) issue is one that’s just very close to my heart because again, I have seen it play out with so many of my friends in long term relationships and marriages and I just think people in relationships (and women in particular in some circles) deserve better than to feel like they’re being, well, tolerated.
#thisisctrying and taylortruther sorry for tagging you two!#can remove if needed!#but you guys made me think a lot#this was inspired by a conversation i had with a friend the other day#where she relayed an argument she had with her partner#who basically felt slighted that he wasn’t getting acknowledgement for all the housework he does — which is. just. the dishes#and she was like ‘wow congrats you’ve done the dishes — i do every other fucking thing to keep this household afloat in ways you see#and don’t see and i never ask for praise because it’s just stuff that needs to get done because that’s how you support your family’#and it just reminded me that some partners (and a certain kind of man in particular) just… think their struggles take precedence#when their partners drown in them everyday but keep things afloat out of necessity and are never recognized or supported for it#(my friends have shitty husbands/boyfriends can you tell lol)#long post#again the way i just feel like i know the vibes of ttpd in my bones are 😵‍💫#i feel like i have a lot more thoughts but I’m trying to be more gracious and less parasocial so#also just want to again defend the introverts of the world by reiterating that being introverted does not mean unsupportive#being a shitty partner does though!#writing letters addressed to the fire#it’s also just like… i feel like if Taylor had had even a modicum of the support in private and even public she needed#she’d probably still be with you know who and wouldn’t have considered leaving let alone doing it#because it would have felt like enough and like it was what was needed for both of them#whereas we’re seeing a completely new side of her open up now because this is the first time she’s ever had that support from a partner#in her adult life at least#and it’s like it’s opening up things she didn’t know she needed or wanted
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clownjacket · 2 months
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Okay my crack theory for Lucy’s god situation:
What if instead of dying Lucy’s god became an archfey and fucked off, forsaking all of their followers. I could see that as justifiable for a minor god—maybe you don’t want your personality and existence to be dependent on a group of people small enough for a really big hurricane to wipe them out. Maybe you want to try your hand at self actualization, which you can’t really do as a god. Whatever.
But that would still mean Lucy’s grades would be screwed for the year, and the whole group would be switched to pass/fail.
Whatever god they’re trying to bring back seems like they want to stay a god, but would also only have a single living cleric so their nature would be heavily influenced by who that cleric is, and could still be controlled. Bringing back an established dead god with living followers probably reduces the risk of the god immediately dying or completely sucking ass/not being powerful like what happened with YES!(?), and we know the Ratgrinders LOVE minimizing risk. And choosing a dead god that represents something Lucy is actually passionate about preaching and proselytizing would make her work as a cleric much easier for her emotionally than, say, switching to Helio and just going through the motions, and bringing back a god would probably look good on college resumes.
Idk, that’s just an alternative theory to Lucy’s god dying based on what’s been established this season.
#fantasy high#the ratgrinders#ratgrinders#fantasy high junior year#fhjy#fhjy spoilers#d20 fantasy high#dimension 20#this is an idea I came up with while basically writing fanfiction in my head about a possible route Ivy’s story could go#that would make the ragtringers not evil / kind of justified#basically my ‘what if’ plot line is that Ivy’s god forsakes her during the sophomore spring project and that leads to her loosing her power#and the ratgrinders having to choose a pacifistic quest to go on because they no longer have a healer but can’t tell anybody#hence why they didn’t kill anything during their sophomore quest but seemingly still passed with a letter grade#(we know Ivy’s death was only reported after grading was completed—which means they wouldn’t have been switched to pass/fail)#Now Ivy is thinking about what grade to switch to before the end of the year so she doesn’t fail#all while covering up her god forsook her to the school until she has her replacement figured out#but WHOOPS something happens and she dies anyway…but with no afterlife she’s stuck as a ghost. The ratgrinders will all fail if they report#her dead right then-and Ivy doesn’t want that for her friends-so instead the ratgrinders disguise self as her and fake her cleric powers#with their own in class just enough to keep her from failing the year…then after grading closes they report her as dead to Augfort and ask#for his help in reviving her like he did the bad kids. But he tells them that he brought the bad kids back by taking their place in#the afterlife; if Ivy’s stuck as a ghost and not in an afterlife than there’s nothing he can do right now but he’ll look into it oh wait#his DAUGHTER is back and they need to bond nevermind here are some resources during this endless night that you can read up on to try to#find a way to bring your dead friend back on your own have FUN high schoolers I believe in you but it’s Ayda time!#so the ratgrinders did a bunch of research on their own and they found that a god could bring her back to life and the only one willing to#do that would probably be a preestablished dead god they brought back to life (similar to Kristen with Cassandra). This red god is just#the safest bet they found in the books to complete their plan#I won’t call all THAT a theory because it’s based on nothing but that’s my idea for a direction her backstory could go#also pretend whenever I wrote ‘ivy’ in this little end section I actually wrote Lucy#I canNOT believe I made that mistake#Cassandra save me
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biblionerd07 · 1 year
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Daniel leaving a voicemail for the woman he’s about to propose to, professing his love: This is Daniel, by the way.
Daniel talking to his own sister while she’s in a coma: It’s Daniel.
Daniel signing his TEXTS that show they’re from him.
Like it’s funny. But also. This man does not believe himself worthy of remembering because his entire life his father hammered home that he wasn’t. And that’s why I not only want to give him the world but also fight Bradford in a dark parking lot.
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started watching the new live action avatar
it’s. It’s pretty ok I guess? But there’s a lot of things I’m not altogether happy about. It feels very. Generic. Which is kind of sad.
I’m only two episodes in though, so I won’t be too harsh. But there are a few things that I really don’t like, and number one was Aang going into the Avatar State in front of Sokka and Katara for the first time when seeing Monk Gyatso instead of when escaping Zuko, and that moment being isolated instead of the moment everyone in the world knew the Avatar had returned
in the original series, Aang goes into the Avatar State when confronted by irrefutable proof in the form of the skeleton of his best friend and mentor - the airbenders really were massacred and he can no longer deny it.
every statue of the Avatar around the globe lights up in a single moment. the legendary figure’s destined return is announced to the world by an overwhelming outpouring of grief and rage from a young child who just discovered that everyone he ever knew and loved is gone. it’s poignant. the Avatar’s return in that moment is not a triumph. that terrifying show of strength and power, enough to light up the world in its glow, is pure emotional anguish from a small twelve year old, who just saw the dead body of his mentor and now believes he is all alone
and Katara and Sokka having seen the Avatar State before means that there is less of the shock and “what is happening” in this pivotal scene (which was the main focus in the live action). of course Sokka is still concerned about them potentially getting flung off the mountain. but both of them know this reaction for what it is - mysterious power, sure, but primarily, they see and recognize his grief.
I just. what happened to “we’re your family now” and “neither of us are gonna let anything happen to you”??? :(
on a side note, I do feel like Katara and Sokka themselves have been heavily (heh) watered down. it’s a shame. Sokka’s my favourite, and I just think that I. Don’t trust writers with Katara now. (Why is her waterbending a secret? The whole reason she didn’t learn was because there was no one to teach her and she couldn’t leave… also where is her instant connection with Aang… where is their silliness… where did it go…)
however! I did like a couple things that were done and I want to be a bit positive so here
love Zuko and Suki’s actors. they did a great job
Sokka and Suki’s training together was cute ☺️ (though I wish he had worn the uniform of the Kyoshi Warriors…)
Aang himself is adorable :) (wish he got to be a little more silly but Netflix adaptations always are more serious for some reason)
I actually kind of enjoyed getting to see some of the scenes from the war’s outbreak. I prefer the way the original show portrays it, with a lot of info being learned reverse chronologically, but it was cool to see Sozin, and some of the airbenders, and a little more of Gyatso (who I also really enjoyed :’) )
Katara bending water at Aang and it reducing to them splashing each other without even trying to bend. Rare sillies!
I thought Kyoshi herself coming to defend her island was pretty sweet!!!
Katara getting flashbacks to her mother’s death on seeing firebending. Well I don’t like this, obviously, but it clearly shows how her mother’s death haunts her, and if they have Katara face off against Zuko again at the North Pole, it’ll be all the more triumphant.
Suki’s mom!!! Damn she was so cool!!!!!!
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melrosing · 5 months
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anyway in an absolutely wild turn of events I think I’m free of my hideous job and like. substantially richer for it??? lmao 2023 you really owed me
#ok so this a lot of personal shit but I’m just gonna incredulously vent into the tags#like I don’t even know how to describe what 2023 in this job has been like lol#since April they’ve been insulting and scrutinising and scapegoating me over absolutely everything#they were really angling for just firing me outright for never measuring up to their constantly shifting and increasingly bizarre goalposts#and it got so personal man they kept insisting that it wasn’t but my god#then my dad gets sick and it suddenly becomes awkward for them to keep insulting and overworking me#so they switch to just ignoring me entirely so they don’t have to reckon w what me and my family are going through#like they never ask how he is or how things are going just every Friday they say hey do you reckon you can take more work on again?#and THEN I get a gut infection and suddenly im being guilt tripped for taking sick leave and pestered for evidence#it was giving like ‘we had to give you time off for your dad but now you’re taking the piss’#to the point I DID reach out to a third party at the company and was like ‘I’m sorry but why the fuck are they treating me like this’#and she was like ‘confidentially this is disgusting and I advise you to report it’#WHEN SUDDENLY I get back from sick leave and it’s like ‘the business is falling short so we have to make some redundancies….’#and now they’ve had to pay me a SUBSTANTIAL sum to fuck off!!! I think I win???#like I was so close to quitting but thank god I didn’t because now I’m getting a sweet deal to fuck off with no notice lmao#i leave end of the month#at first I was shocked like y’all really doing this now??? but suddenly I’m like. this is the best possible thing that could’ve happened#I spoke to that third party again and she was like ‘I am so happy for you’ like omfg it was a curveball but we’ll take it!!!#I’m fucking outta here and in due course I WILL be writing on glassdoor how fucked they are
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brightwoods · 1 year
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Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?
Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too
Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift
Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now
Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC
Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead
(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)
And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later
I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff
And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together
And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC
Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?
And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation
Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?
#As a queer person the whole using homophobia against her characters as plot just to pretend homophobia doesn’t exist and call her characters#cowards for worrying about it as soon as she’s decided writing it doesn’t serve her plot agenda anymore really icks me right out#Like yeah I’d love homophobia to not exist but girl what are you doing that’s so gross to go about it that way#ALSO everyone outing or potentially outing everyone else to other characters to make it easier to get the queer characters to do what she#wanted them to was a HORRIBLE vibe. Why is Matthew outing his brother? Why is Thomas outing Alastair? Why is everyone telling everyone else#people’s sexualities as if it’s nothing and everyone has a right to know when that character clearly did not feel that way#And it’s so out of nowhere every time too#Hot take: Charles protecting Alastair’s privacy instead of outing him was more valid than anything any of the other queer characters said#about Charles or Alastair’s sexualities even if I hate Charles and his going along with the blackmail was bullshit#Also now that I’ve written all of this down and 99% of what I wrote about in here has to do with the canon queer characters that’s not#a great look either that she did breeze over some of the stuff with the other characters for sure but she was way more likely to skip depth#and development with the queer characters in CoT#CC said no slow burn gradual changes in this book… there’s only room for abrupt 180s and Cordelia running 🏃‍♀️#Sorry if this has weird typos and other mistakes in it. I typed on my phone and didn’t check for autocorrect nonsense and I’m too lazy to#reread this all rn at my current brainpower level#CoT#Chain of Thorns spoilers#Chain of Thorns#The Last Hours#The Shadowhunter Chronicles#Cassandra Clare#My Posts
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shadowedvales · 14 days
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so… in the additional media of stranger things (specifically the comics i’m mentioning), it was initially brenner’s idea/plan to kill off the other test subjects because they weren’t performing as well as eleven was. it was his best solution because that way, all the resources, time, and money could instead be placed only to her. and i just…. sure henry is a fine character and the massacre makes a lot of sense to me, but i think i am once again gonna change up my canon to actually fit this potential narrative instead.
i genuinely think the comic canon of the lab and brenner is far more intriguing than the show. everything with 9/9.5, ricky, and francine. eleven being the only one who grew up completely in the lab. those other kids were either volunteers, well into their teens, or had some semblance of a home life. eleven was the only one practically moulded from the womb. and they all had such a range of interesting powers. i firmly stand with the idea that jane is the only one who can contact the void.
brenner’s entire point of view on the lab subjects changed the second he found out terry was pregnant. he discovered he could steal this baby and make her his own. there would be no convincing the child because it’s all she would have ever known. because of this, i would not put it past a man like brenner to kill the other subjects for the sake of the “greater good” in this case, eleven.
eleven’s gifts just continue thriving beyond his wildest expectations. brenner would never dare assume that having moulded her from the womb, she would still be able to grow into her own person, her own mind, and one day be able to see him for exactly who he was.
back before season four aired, it was obvious there were other test subjects because jane was 011. so there were at least ten kids before her. but i always liked the idea/assumed that she was the last experiment because she was the most successful. that they didn’t need anyone after her because she was fulfilling everything they set out for her to do. with flying colours.
i just think the whole rainbow room idea, pitting the kids against each other thing… been there, done that. boring and predictable. i think at this point my portrayal of her time in hawkins lab really stems from the complete isolation she endured. where having the rainbow room, although eleven was obviously the most isolated out of the kids, brings that sense of community and sister/brotherhood. albeit extremely warped and toxic. knowing that she wasn’t alone in that experience just. doesn’t sit well with me. i think it’s important to note that she was alone, physically and mentally. which is why kali is also so important to her growth. i thought a lot of the flashbacks of her time in the lab during season four was really boring, repetitive, and just very predictable. although peter becoming vecna was a surprise to me, and was a nice little twist, the idea of her having an ally on the inside was really interesting.
maybe they did get as far as they do in canon, peter ballad was telling the truth about everything, about some of the workers there being prisoners like him, and he really wanted to get her out and to safety. but before they can escape through the pipes, they’re caught. peter is shot on the spot, and eleven is put into the isolation room for a few days as punishment. in this timeline, henry would be vecna, but henry would not be peter ballad.
when eleven turned seven, and was already showing extreme promise, where the other children were average at best, brenner had the eight children killed. kali had already escaped. this was the main cause for peter to gain eleven’s trust and try to get her out. because if brenner could murder his “children” in cold blood, there’s no way eleven was safe even in spite of her power.
when eleven is allowed out of the isolation room, her testing becomes more rigorous in attempt to distance and make her forget about what she attempted to do with peter. brenner begins gaslighting her, saying that there was never a peter, that she must have been dreaming. eleven does ask “papa” about “mama”, given peter told her of the day terry broke in the lab, but brenner is convincing enough to make eleven believe it was all in her head. say she is around eight years old, meaning the same timeline of season fours canon flashbacks.
i still do wanna keep the henry creel canon, and keep him as 001. brenner didn’t have him killed alongside the other test subjects, because who knows, one day he could become an even better asset than 011. brenner definitely wants to be able to control henry, but keeps the chip in him because, for the moment, doesn’t know how. killing him would be too big of a loss.
when eleven is ten years old, henry’s concealed powers break free and he manages to get the chip out himself, and unleashes hell onto hawkins lab. he almost kills brenner by snapping his bones, but eleven manages to stop him. her extreme abilities are unleashed, and she sends henry to the upside down. she does fall into a coma due to the extremity of the situation, but she does not forget what happened. brenner believes she’s the perfect weapon as she stepped in to save him without a second thought, was able to defeat henry, and opened a door to something he never thought possible. eleven is rewarded for her efforts. although she remembers the entire battle / confrontation, her memories regarding the portal are very hazy.
brenner decides not to focus on the portal straight away, instead gets her training harder and harder to see what else she can accomplish. also loved the idea of brenner sending her into the void to “look for him” so that will definitely be kept.
by the time she escapes and season one begins, her knowledge of the upside down is basically what we see in canon. because she passed out the moment after she sent henry away, she was once again gaslighted into believing she merely threw him through the glass and killed him. for two years she believed this, until making contact with the demogorgan, and those memories return completely.
due to her saving brenner’s life, (it was pure instinct. she happened to be there. saw her “papa” hurt and knew she had to make him better.) brenner constantly thanks her. but in a very condescending way. tells her: “you saved me so i can continue saving you.” aka, harness your abilities and see what else i can achieve from you. despite the fact that she saved his life, these words and phrases make her feel indebted to him. that she owes him something further.
i don't realistically see her thriving with her speech improvement until she's well into her twenties at least. her slowed development, sensory and social deprivation causes a serious delay in language. surrounded by other children she would have overheard conversations, some would have spoken to her. her conveniently forgetting her upbringing pre the battle with henry just isn't good enough for me anymore. it makes more sense for her to have been raised alone.
it also helps indicate why she gravitated towards the boys when they found her in the woods. they would have been the first people her age she ever remembered seeing. as far as she knew, during the lab there was no one like her. everyone was much older, they were adults-- although she stayed with benny, i'm not sure if she would have stuck around very long. where she followed the boys home without thought.
also it's important to note that after time, jane does understand that peter ballad was a real person, and was truly the first person (aside from terry) who wanted the best for her. when she remembers him, knows that brenner was lying, she deals with immense guilt regarding his death. he was shot right in front of her eyes, because he was trying to help her. this is another catalyst as to why after season two, jane never refers to brenner as papa. she does not give him that sort of credit.
#study‚ in my dreams it's all real and my heart has so much to reveal.#THINKING THOUGHTS. i have had this concept in mind for a while but i THINK i’ve fleshed it out properly now.#will write this up properly one day (never).#although henry offering eleven a place at his side wouldn’t be canon#he would definitely still look at her as an enemy for basically stopping his revenge.#AND the whole speech between he and jane never sat right with me.#saying brenner made him what he was / that it wasnt his fault etc. Like. No? henry was a sociopath. he killed his family.#brenner didn’t do anything to make him who he is. so jane always saw him for exactly what he was#and there’s absolutely no sympathy there.#and then regarding my season four canon as her regaining her powers by remembering the massacre/the fight. i am changing that to her#regaining her powers by simply confronting her past. understanding what she went through. finding ways to cope with it physically and#mentally. getting coping mechanisms from her therapist. seeking help. not needing to know WHY this happened to her (because there is not.#and will never be a reason.) but finding ways to accept it and move on. how to move on from eleven and become janessa ives.#also just because in this case henry doesn’t massacre a bunch of kids? It doesn’t make him any less evil. in this instance i am following#the idea that some of the workers were prisoners there in hawkins lab. and henry killed a bunch of the workers. so would definitely have#killed some innocent people.#just because i am separating peter from henry. does NOT mean i am excusing anything from henry/vecna.#in this case they are two completely different people. although i highkey wanna use jcb as peter because he just did the role SO WELL and#was SO BELIEVABLE i’m not sure about it yet. because i don’t want anyone to get the impression that i’m making excuses for henry.#BUT YES.#this be the new canon. <3#idc brenner is such a good fuckin villain he’s disgusting but so intriguing.
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queer-reader-07 · 5 months
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something about finding the people who sit through your info dumps with joy on their face and enthusiasm for your passions. something about finding the people who info dump right back at you because they know you love hearing about their passions. something about finding the people who manage to sum up your being in one niche, oddly specific sentence that lives in your mind rent free for the rest of time. something about finding the people who not only accept you for who you are but embrace you for who you are. who not only tolerate your quirks and differences but love and cherish them.
#i’m in my feels today if you couldn’t tell#just thinking about one friend in particular who i don’t get to see in person nearly enough but i text all the time#idk it’s the little things#the way we send each other videos of ourselves explaining whatever we’re learning about right now#the way we don’t write it in a long message because the emotion and vibes don’t translate properly#the way he’s told me that the way i dress is so gender nonconforming in his eyes#how even though i’m afab and i wear glittery makeup and crop tops and have pink hair#i still look so queer and so gnc and so Not Girl in his eyes#how that felt so validating#how i could feel the genuine love in his words#how he told me once that i’m ‘not a person with lore but rather a person with a schtick’#and how he explained to me what my schtick was and how accurate it was#how he told me he can’t wait for me to get my degree(s) and be an openly queer person in stem#how he can’t wait for me to defend my thesis sometime in the future and be wearing the brightest makeup and the biggest earrings#and the tallest boots#how he loves that i go to my chem lab every week with glitter on my eyes#how it’s cool that i don’t care if i stick out like a sore thumb because i’m me#i remember how he dropped the she/her pronouns immediately upon ne saying i didn’t really vibe with them#(even when they were still technically on my list of ‘ok to use pronouns’)#how his boyfriend who i don’t know very well has always they/them-ed me because my friend does#and if my friend is doing it then it must be the right thing#idk i just love my friends#and this friend in particular is someone i’ve gotten really close with over the past 6 months or so#and i’m so glad to have him in my life#platonic love#friendship#tell your friends you love them
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snow-dragon-rider · 9 months
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Rereading Thrawn Ascendancy and I think the only reason Timothy Zahn don’t have Thrawn and Thalias adopt Che’ri is because he didn’t want to type/look at Thcheri.
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Title: willingness to bend
Rating: PG? Nothing much but some arguing further in. Abby is stubborn and not thinking straight, and Nate isn’t helping his case.
Pairing: Detective Abigail ‘Abby’ Brùn/Nate Sewell
Word Count: 3.6k
Summary: how the post-forest argument would have actually gone between Abby ‘fiercely independent and stubborn’ Brùn and Nate ‘worries SO MUCH but terrible about talking through things’ Sewell. Also known as ‘these two care a lot about each other they’re just bad at saying so’
I was disappointed there was no sort of conversation or confrontation with these post-trapper, especially picking the dialogue option that gets you the famous “i won’t allow you to endanger yourself” line. so I’m rectifying it by making things worse <3 no spoilers really this all takes place in the timeframe of the demo, but I’ll tag it just to be safe.
Abby wasn’t expecting Nate to be waiting for her.
She’d lingered behind at the Facility after the debriefing. Longer than she probably should have, given the circumstances of…everything going on. But she’d needed some kind of respite, a little time to process without Unit Bravo looming over her shoulder.
Getting food with Vieno had been the perfect excuse for some time away.
Unit Victor had been an unexpected surprise, but ultimately a pleasant one. The group had no problems dragging chairs over and making themselves comfortable. Willing to talk about everything and nothing, they had little regard for personal boundaries.
Apparently news about her traveled far, and she wasn’t sure how she felt being at the center of it.
It seemed positive, at least.
The conversations were light. Nothing more than gossip to fuel the rumor mills. Was Adam as hard headed as everyone claimed, something Abby only gave a noncommittal shrug to because the last thing she needed was her answer somehow cycling its way back to him. They’d reached a tentative peace, she didn’t feel the need to argue with him at every comment, and he seemed to tolerate her being around. No need to upheave that progress.
They’d asked about Nate afterwards. About her relationship with him, and she couldn’t bring herself to answer around the sudden lump in her throat. Vieno steered them off by calling them a bunch of ‘nosy gossips’, and it was all Abby could do to give them a grateful nod at the intervention. Conversation still flowed afterwards as they all talked amongst themselves, and she happily let herself drift to the background.
But the lump never eased.
It’s- ridiculous. Selfish, even. Everything that’s happened in the past 24 hours, and it’s her own personal problems sitting on her mind like lead weights, something she couldn’t shake off. Added salt to the wounds of everything else.
Maybe it stung because Nate had been her point of peace. Someone that could help keep her afloat even when it felt like she was spiraling. She didn’t have that now and she felt- she felt alone.
Too lost in her own mind to be considered anything remotely close to ‘good company’, she gave a distracted good-bye before excusing herself and somehow managing to find her way to her car.
The drive back, trapped in the silence, hurt more than it helped.
She couldn’t stop herself from replaying everything over in her mind, trying to pick out where she’d gone wrong to make him so frustrated. Outside of the level of danger that was becoming a regular occurrence in her life, she’d come out of the attack fine. Stressed, a little shaken, but unhurt. She hadn’t even fought, technically. The thorny mess of underbrush had done the work for her; she’d just taken advantage of her…familiarity with the area.
Not that it mattered. Nate still hadn’t been happy she wasn’t willing to let him hide her away while everyone else fought in her place.
So, he yelled. Sort of. As much as Nate ever raises his voice.
And in turn, she yelled back at him. And if she hadn’t been so caught off guard, she would’ve been embarrassed that it all happened in front of the rest of the team.
No, that didn’t settle in until afterwards. After the chaos settled and the adrenaline faded, forced to sit through a debriefing with as much distance as she could manage between her and Nate. It mixed with the slow burning anger she’d tried to swallow down until it formed something toxic that left a bitterness in her throat.
It wasn’t Nate’s frustration that stung. Or the yelling - though that hadn’t helped. That, alone, she could have taken; sat with and picked apart into pieces of something that made sense, given enough time.
I won’t allow you.
No, the anger came even before they’d been reduced to shouting at each other. It was the declaration of what she was allowed to do, as if that’s a decision he had the right to take away from her. One sentence, buried in her mind like a splinter. The more she dug at it, the more raw she’s left afterwards.
It’s not rational, not really. One panicked phrase, said in the heat of a dangerous situation, shouldn't have struck her as hard as it did. But whether or not it was sane or fair didn’t matter - it left her feeling angry and constricted.
She doesn’t register the drive until she’s sitting outside the chain link fence of the Warehouse. It takes effort to uncurl her fingers, idly rubbing out the cramps brought on by the white-knuckled grip she’d had on the steering wheel. Staring up at the decrepit facade, with her headlights painting shadows in the gloom of the night, a part of her considers turning around. Peeling out before she has to face anyone, although…she has nowhere to go besides here. A stray thought passes through her mind about crashing at Tina’s, but she squashes it before it has a chance to take root. It’s well past 2 in the morning, and while Tina would open her door to her, Abby wouldn’t put her out like that. And she isn’t sure she wants to deal with the line of questioning that would bring on, either. And, Adam had been clear about her order to come directly back to the Warehouse afterwards.
Another order. Another decision made for her. Only this one smarts less, because she’s used to Adam telling her what to do.
So, against every nerve in her body, she forces herself to shut the car off and climb out. Mentally talking herself into taking each step forward, more mechanical feeling than anything natural. She’s not in the right headspace to handle anything more than collapsing into bed.
It’s late, anyways. Maybe she’ll be lucky and everyone will be busy doing whatever it is that keeps vampires busy throughout the night. They’ll hear her arrival, she’ll be able to get to her room and push off dealing with anything for at least a few more hours.
She wasn’t planning on Nate being up and about. Even if she shouldn’t have expected anything less from him.
“You’re back.” He startles her out of her thoughts. Perched on the couch in the living room, a book in hand, it’s clear he’d been waiting for her return. He’s smiling, doing his best to look relaxed, but she knows him too well for him to hide the tension in his body. The concern in his eyes as he looks her over.
Both get worse when she chooses to stay rooted to her spot by the door instead of moving to join him.
“I was at the Facility.” She says, words stilted and awkward as she debates her chances of making it if she were to just rush through the room and leave. She’d thought- a part of her hoped her aggravation would ease, if she gave herself time, but seeing him has it trying to claw its way to the surface again, settling like a burning coal in her chest.
Maybe he’ll let it go. Maybe he’ll just say goodnight and let her go-
“I was worried.”
He means it, that’s the worst part of it all. A passing remark made with nothing but genuine care in mind, because he always worries when she’s away. When he can’t be around. He just wants her safe. And there’s a small, logical part of her that knows that. The part that’s fighting and failing to pull her temper back knows it’s meant in kindness.
But the threats she’d been desperately grasping onto snap, all the same.
“I was with Vieno. And another Unit.” Her tone is flat, bordering on harsh. “Do I need your permission so you can allow me to go anywhere without you?”
She’s lashing out now. Feeling twisted up too tight, throwing barbs in the hopes of something sticking. There’s no pleasure when her words hit their mark though, no enjoyment in the way she sees him flinch. Just a building pressure under her skin, a rolling nausea in her stomach.
She hates this. Hates everything she’s feeling, but is too far in to pull back now.
He sighs as he pushes up from the couch, and she shuffles the rest of the way into the living room to take a place in front of the fireplace. Just- to give herself somewhere to stand besides the front door, so it didn’t seem like she was seconds away from bolting. She keeps her eyes on the ground though, just to find something to look at that isn’t him. Still, she feels him take a place beside her, even with the deliberate space he’s kept between them.
“I suppose we need to talk.”
“Yeah, we really do.” As if drawn by a magnet, her eyes flit in his direction, unsure of what she’ll find. Frustration on his face? Exasperation in his eyes at her attitude? She’s not being kind, it would be deserved.
She isn’t prepared for the deep crease between his pinched brows. She isn’t prepared to find him looking so incredibly sad.
“I know I didn’t handle the…situation with the Trappers properly.” He starts after a brief pause, clearly trying to gather up his thoughts. She lets herself relax, just a little. At least this seems like a step in the right direction. “Seeing them close in on you, while I was too far to help, filled me with terror. Every worst case scenario went through my mind, and I shouldn’t have raised my voice.”
He sounds properly contrite, at least. His shoulders are drawn, hands pushed deep into his pockets. It's only her own stubbornness that keeps her from reaching out to him though. “It worked out, though.”
“That it did.” He smiles, but it’s a wobbly thing. Brittle. “All it takes is once, though. As I said, they will stoop to whatever means necessary to take you and I- I cannot bear the thought of that happening.”
“And I can’t handle sitting back, doing nothing while everyone else fights my fights.” She turns to face him now, and he mirrors her movement. “And I can’t handle you telling me what I’m allowed to do.”
“It’s our job to protect you, and we don’t mind-“
“But I do!” She snaps, cutting him off. She knows they’re making no progress. Two steps forward, three backwards. Unlike before though, she can see him trying to figure out a way to diffuse the rising tensions before they can come to head.
“We’re getting off point, and I’ve upset you again. I apologize, for then and now.” His apology soothes her annoyance, if only a little.
“Thank you.” He takes a few tentative steps forward at that, trying to close the distance. “But again, Nate, it’s not just the fight. It’s you trying to tell me what you’ll allow me to do.”
He pauses then, and she realizes he’d been hoping she’d just pass that point over in favor of being angry about everything else. “I shouldn’t have phrased it that way,” He says finally, carefully, and she narrows her eyes. “I misspoke, I’m not trying to make every decision in your life.”
Just certain ones, the thought is a cranky, nasty little one. “You’re going to have to let me help. If I’m going to be part of the team, let me act like it.”
His brows furrow at that. Reaching out, hesitating just long enough to give her a chance to push him away, he cups her face in his palm. Cradling her like she’s something precious, she can’t help but lean into him as his thumb traces her cheekbone. “Being a part of a team also means accepting your limitations and allowing us to help you, though.”
Any warmth from his touch vanishes then, chilling in her veins as she shakes him off. “What does that mean?”
“I told you to hide because, at that moment, that was the best thing you could have done to help us.” His tone is gentle, but Abby knows him well enough now to know he’s picking his words with care, working up to his point in a very Nate-like way. Kind, always so kind, but unwilling to budge. “Your safety is my priority, always. At times, that means you have to be willing to let us protect you.”
He’s not listening. He’s not hearing a word she’s saying, and she can feel her anger rising again.
“I handled myself though.” She’s trying to be reasonable. To quell the part of her that wants to snap, and snarl, and fight. “I didn’t even fight, I was able to handle it my way.”
“And what if you couldn’t? What then?” Nate crosses his arms, as if he isn’t sure what he’s supposed to do with his hands now that she’s out of his reach once again, and Abby has never thought he looked more stubborn. “I just wish for you to be safe, is that a bad thing?”
“It is when you expect me to sit back and let my family fend for themselves!” She won’t let herself focus on the fact that was the first word that came to mind, slipping out before she could stop it. Not here, not now. Not with so much tension, or with the storm of emotions making her chest ache. Or with Nate’s face lighting up, even in the midst of her yelling at him. She’ll dissect it later, with nothing but four walls watching her and the safety of an empty room around her.
“I’m simply asking for you to trust us,” He says slowly, as if to placate her, though all it does is further stoke her temper. “I- We can handle threats against ourselves, but you-“
“You almost didn’t before!” She shouts, throwing her hands up in exasperation. Memories of Nate, battered and bruised, laying in his own blood, flash in her mind, too quick for her to block them out. As if sensing her distress, he reaches out on instinct, but she jerks back before he can make contact.
She can almost pretend like the flash of hurt on his face doesn’t make her ache.
“I was taking care of myself long before you guys showed up.” As soon as the words are out there, she wants to snatch them back. Bury them, stuffed away in the dark where they belong. Panic and embarrassment has her pacing now, too much of something buzzing just under her skin. She was prepared for fighting, yelling she- she’s not ready to see pity from him.
Because maybe, that’s the true, awful core to all of this. Why Nate’s protectiveness feels like an ill-fitting coat, clinging too tightly. So long with no one, pushed to grow up too fast. She doesn’t know how to let somebody else care for her.
Would she even want to? To let herself be that vulnerable with someone else?
And Nate knows. Of course he does. Even with ehr pacing, and her stubborn refusal to meet his eyes, she can feel him watching. Picking up on every little thing she wants to hide from him but can’t, because he’s always seen too much of her. He’s close to hovering, she’s sure, wanting to provide comfort but unsure how. The thought makes her cross her arms, as if she can make herself a smaller target.
That’s what makes him finally move, though. A gentle hand on her arm to stop her in her tracks, providing a warmth she can feel even through her layers of clothes.
“You shouldn’t have had to.” He sounds so soft, so sure of himself. Steady, where she’s drifting. “And if I could, I would mend that for you. But you don’t have to now.”
Let me care, the words are there. Unspoken, left to hang between them, but there nonetheless. I would if you’d let me. I want to.
And it would be so easy to let him. To drop her guard and let him in. To let him take the few final pieces of her heart she has hidden away, because he’s already taken the rest. Given to him willingly the first time they’d kissed
She could.
She wants-
I won’t allow you.
But she won’t. Can’t.
“Well, I did.” She cuts through the silence that had grown between them with sharp precision. Squaring her shoulders, she turns to face him, trying not to miss his touch as his hand slips away, and forces herself to meet his gaze head-on. Whatever he sees when he looks at her has his shoulders slumping, ever so slightly. “Which means I don’t need you panicking over every little thing that could potentially go wrong, or you deciding what I’m allowed to do.”
There’s a rare flash of frustration in his eyes, there too fast for him to be able to tuck it out of her sight. “It’s not about permission, Abigail.”
“That’s exactly what all of this has been about!” She snaps, barely resisting the urge to yank on her hair in frustration and instead settles for pulling at her sleeves to give her something to dig her nails into. Her tone is rising again and she can’t stop. This is falling apart in front of her, too fast for her to do anything but embrace the inevitable crash waiting for her at the end. “You’re trying to tell me what you’ll allow me to do, stressing over things that might happen. None of this is going to work if you don’t trust me to know my own limits.”
“You ask me to trust you, yet you have an alarming pattern of paying little regard to your own wellbeing. So forgive me if I’m inclined to doubt your choices.” His tone is harsher than she’s ever heard it, words sharp enough to make her wince. He notices, immediately softening as he scrambles to backtrack. “I care about you Abby. So much.”
That’s all this is about. Everything it boils down to. But it’s not enough to fix anything. And that realization has her deflating, a sadness creeping in to replace the anger.
“But I’m human.” It’s a quiet sort of admission. One that hurts, because it doesn’t matter what she does in the end. How much she prepares herself, or tries to help. She’s still the weak link, and Nate will always treat her as such.
Half a dozen emotions flicker across his face in that instance, almost too fast for her to recognize. Fear. Frustration. Affection. Something- something heavier, deeper than the others, and she feels her heart thumping painfully against her ribs.
“That-“ He cuts himself off, tearing his gaze away to look at the wall. There’s something more there, that much she’s certain of. Something he’s barely bitten back, and part of her wants to grab him. Shake him and demand an answer, an explanation, anything to tell her she’s wrong. “You are.”
Nothing more. No deeper answer. Just a heavy hearted agreement, that hurts more than her own words had.
A bitter part of her wonders why she expected anything any different.
The fight leaves her as quickly as it had come. The exhaustion of everything suddenly presses down on her with such a fierceness that she’s left aching. So she crosses her arms again, like she can hold herself together a little while longer as she shuffles backwards. Desperate to space between them.
“I can’t do this right now.” She’s speaking more to herself than to him at this point, turning towards the door. “I can’t- I need to go.”
“Abby?” There’s a thread of alarm in his voice now, and she hears his muffled footsteps on the carpet as he keeps pace behind her. “Wait, we can talk-“
“All we’ve been doing is talking, Nate. And I’m done.” There’s a hollowness in her, like something carved out a piece of her, and she rubs her chest as if she can massage the ache away. A chill has seeped through her clothes, settling all the way down to the tips of her fingers, and she chooses to blame it on the lack of sleep.
“Please.” It’s one word, practically begged, but it’s enough to make her stall. Enough to have her spare one more glance at him. Frozen halfway from touching her, panic and desperation have brought a sheen to his usually warm eyes. Torn between having her stay, and afraid of pushing her further away has him teetering on an edge. “Please, stay?”
It hurts. So much, more than it should, and it isn’t fair. Leaving him like this, when a part of her wants to turn around and let him soothe away everything. Let herself be lost in him awhile and pretend like everything is fine between them. To take the easy path.
But she knows how that will end. Another fight, sooner rather than later. She knows she can��t keep burying things away, as much as he wants to when things get tough.
So she shakes her head, pulling the door open and forcing herself to look away before he can notice the tears she can feel burning her eyes. “I just need some time, okay? Give me some space.”
She doesn’t wait for him to answer. She can’t, not if she’s going to keep her resolve. So she leaves, letting the door slam closed behind her. And maybe, everything will feel a little less painful when the sun rises.
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moonfurthetemmie · 6 months
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Happy Halloween!
I have no tribute to give, but I did just watch Repo! The Genetic Opera and unfortunately for all the fictional characters that I play with like dolls in my head, I have been given ideas for Gouge
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fakeoutbf · 2 months
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goldensunset · 15 days
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one of my professors is really based… we were like ‘so is the final project still due friday’ and she was like ‘…in theory. the only reason i’ve put it down as being due so early is because we’re technically not allowed to make things due in the last week of class because we’re supposed to be encouraging you all to study for finals. but you see, i am well within my right to give extensions ;-)’ let’s go sisterrrrrr
#1. ​i have never heard of that rule 2. i have lots of stuff due finals week 3. i might straight up have something due next week anyway#4. i doubt the administration is really going to check professors’ syllabi#so i personally don’t see the need for her to worry about that but like#how funny that she’s so open about being willing to bend that rule#she’s like i really only need it by finals although you’d be better off getting it done earlier so you can get feedback#but also like depending on the type of project we do not all of us even have to take the written final#like i’m just gonna do a paper so i don’t think she’ll make me do another writing project#also she’s like ‘ok some of you turned in this one assignment (that she already was incredibly lax with the due date for)#but you didn’t really meet the actual criteria of the assignment or you failed to turn it in entirely#but you can still turn it in now if you want or you can just make up for it by doing a really good job in that area of your final project#and i’ll give you a grade on that assignment anyway bc it’s really supposed to be a part of the larger final project anyway’#like that is how chill and based she is with this#peach rambles#she’s a strict grader but like. it’s all totally fair criticism#she wants a demonstration of knowledge and good writing from us more than anything. more than being on time#so like i gotta lock in on this paper but it’s nice to know it’s going to someone fair who cares
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petrichorium · 8 months
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Happy anniversary of the time I wrote 20k words in a week and got ghosted by the artist who was supposed to make art for the fic lol
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